So aside from the uber awesome geektastic news that Joss Whedon is returning for Avengers 2, Disney also released the news that Whedon would be helping to develop a live action television series for Disney/ABC set in the Marvel Studios Movie-verse. Considering Whedon’s fairly awesome track record with producing quality genre shows, this is just about as good of news as the Avengers 2 announcement, at least to this geek. While Whedon would probably be too busy to be day to day on a new series, and do much apart from help develop it and (maybe) direct the pilot, no doubt his stamp would be felt on the show due to the writing staff he would bring in, as well as other considerations.

So that begs the question….just what Marvel characters would be ripe for exploitation on the small screen? You can forget about any of the Marvel A-listers, and even some of the B-listers like Iron Fist and Black Panther who have potential movies in development. The following are characters/concepts that are not only very unlikely to ever get their own movies, but are right within Joss Whedon’s wheelhouse as a writer and producer.

#5. Avengers Academy

No one does ensemble shows quite like Joss Whedon, and no one does shows about teenagers and younger people with special abilities taking on adult responsibilities better than Whedon either. Now that the Avengers has been established, how about a series where future wanna be heroes can train to be big time Avengers one day? The show can just use the title of the current comic as simply a jumping off point, and the characters from the current comics aren’t neccessarily needed. If he wanted, Joss can just do teenage or early twentysomething versions of some of his favorite B- list Marvel heroes, the kind that you know would never make it into a proper Avengers movie. Maybe take some Avengers no one cares about (I’m lookin at you, Sersi and Quasar) and just run with ’em. The one drawback to this concept is that Disney/Marvel might not want to oversaturate the name/concept of Avengers and make it seem less special by using it in a weekly televsion show. But if anyone can make it happen, it would be Joss Whedon.

#4. S.H.I.E.L.D

I would say that S.H.I.E.L.D is the obvious choice for an ongoing live action television series set in the Marvel movie universe, due to the fact that the covert agency played a part in all the films since the first Iron Man. In fact, it may be a little too obvious, which is why it is closer to the bottom of this list. But still….a S.H.I.E.L.D series would be like a lot like Alias or Mission Impossible, but set in a world where there are super heroes and villains in it, as well as magic and aliens as well. The most recent comic book version of S.H.I.E.L.D has the entire concept of the organization going back hundreds of years to the time of Leonardo da Vinci, and that might make for an interesting series that could span several seasons if done right.

#3. Spider-Woman

There is almost no one out there, especially no one with a Y chromosome anyway, that can write realistic and nuanced female action heroes quite like Joss Whedon. Obviously Buffy the Vampire Slayer is the most famous example, but also Black Widow in the Avengers would have just been “the hot chick” in the group under someone else’s direction, but under Whedon’s auspices she was maybe the most interesting and nuanced character on the team.

Which is why I think that Spider-Woman could be the perfect choice for a Whedon helmed series. As a character, Jessica Drew is damaged and with a strange past that she can’t make heads or tails of (think Dollhouse, only better) and she has a unique origin story to boot. On top of all that, the character has serious ties to S.H.I.E.L.D and Nick Fury (sweeps week cameo from Sam Jackson!) Because Jessica Drew isn’t as famous as other Marvel heroes, her supporting cast and roster of villains are more of an open book for Whedon to play without pissing off a huge fanbase of angry geeks. Lastly, she has a visually striking costume and overall look, and it’s time that television gave us a super hero who wore a costume and made it work, and didn’t shy away from that aspect like Smallville did for ten years.

#2. Damage Control

Originally created by the late, great Dwayne McDuffie as kind of as a sitcom set in the Marvel Universe, Damage Control is the company that cleans up the massive city wide damage done whenever super heroes battle super villains. I mean, somebody has gotta clean that shit up, right? First appearing in a series of mini series in the late 80’s and early 90’s, the characters kept popping back up in the Marvel Universe over the years, usually during some big event like Civil War that has a lot of collateral damage done to poor old Manhattan. The company has ties to both Tony Stark and S.H.I.E.L.D, which makes them fit in perfectly in the Marvel Movie verse. The lighter, jokier tone would fit in perfect with Joss Whedon’s sensibilities as well, and the fact that not many people are familiar with the comic means they have all but a blank slate to use; they can use the name and concept but create all new characters. This one is a bit of a no brainer.

#1.She-Hulk

Ok, I’d say it is pretty well established among geekdom how good Whedon is with strong female characters. Well, Marvel has one of the strongest female heroes out there already with Jennifer Walters, otherwise known as the Sensational She Hulk. For the last few decades, Bruce Banner’s less angry cousin the She-Hulk has been played as a quippy, off the cuff character by creators from John Byrne to Peter David and most recently Dan Slott. Jennifer Walters in the comics is a gamma powered lawyer who deals in court cases that deal strictly with super heroes and super villains and other strange phenomenon. Whedon kind of already has experience with the idea of lawyers who only handle otherworldly cases on his show Angel, which frequently featured the demonic law firm of Wolfram & Hart. Plus, She-Hulk by her very nature ties into the Hulk, who already stole the show in the Avengers movie and is a much beloved character. I know that Marvel Studios and Guillermo del Toro are planning an Incredible Hulk tv reboot, but I think this is an even better idea. Not to mention, getting a tall built actress and painting her green is a lot easier and cheaper than a CGI monster week in and week out.

Not that this will surprise anyone but it is now official, Joss Whedon will write and direct Avengers 2. Disney CEO Bob Iger made the announcement today during a conference call. That wasn’t the only news he had though. He went on to say that Whedon will also help develop  the live-action drama series set within the Marvel cinematic universe that we previously reported.

With Avengers having made $1.46 billion since it’s release this news isn’t really shocking but still, THANK YOU Marvel for bringing back Whedon. His being involved with the live-action show also comes as great news. With Marvel’s catalogue of characters the possibilities are endless for this show. Looks like it’s time to get the band back together.

Source: Deadline

Being a veteran of twelve consecutive Comic Cons now, I know the drill when it comes to the big rooms, those being Hall H and Ballroom 20. The two panels I wanted to see the most that Friday were Joss Whedon and Breaking Bad, both which were back to back in Ballroom 20. So like a well trained Comic Con geek, I got in line for that room a good two and half hours early.Turns out, I didn’t need to. I walked in Ballroom 20 literally two hours early and sat through two panels I had no intention of sitting through, but were ultimately worth watching. The first being the CW’s presentation of the pilot for Green Arrow.

Green Arrow, Pilot Presentation 

So even though I’m a hard core DC Comics freak, I gotta admit I’ve never really followed Green Arrow much, although I know enough of him through reading years and years of Justice League comics. So while I’m no Oliver Queen expert, I’ll say that I know more than the average bear. And while I gotta admit I wasn’t blown away by anything in the Arrow pilot that I saw, I didn’t really hate it either. I guess I saw enough to warrant setting my DVR for at least the first handful of episodes come Fall, and then we’ll see if I give up entirely or not, like I did with Smallville.

The pilot is your basic origin story, where we see spoiled rich Oliver Queen end up on a mysterious island for five years after a ship wreck, during which time he learns to be a bad ass archer, not to mention also learns humility. It all seems only marginally better than other CW shows, but unlike say, the un aired Wonder Woman pilot, this feels like Green Arrow more or less done right. So while there is lots of room for improvement, It can improve. I have to say though, obvious uber hotness aside, I was less than impressed with our new Green Arrow Stephen Amell. He just kind of had than bland delivery that left me cold; it seemed to me the guy was cast for his face and his abs and that’s about it. Apparently, he was the first person to audition for the producers, and when they saw him, they just said “we have our guy” Uh, yeah, I really think they needed to audition more people. Just sayin’.

Also on the panel was Katie Cassidy, formerly of Supernatural and Melrose Place 2.0, who plays Laurel Lance. Now, comics fans like me know that in the comics, Green Arrow’s girlfriend is none other than Black Canary, AKA Dinah Laurel Lance. Was the omission of her first name supposed to make us think they cast Katie Cassidy to be anyone other than Black Canary in the future? Really guys? I actually liked her in the pilot, and think she’d make for a decent Black Canary, just not sure it would be in this particular project. The producers teased that other DC characters would be appearing (we already know that Deathstroke will, at some point) but they wouldn’t say who. Like I said, I’ll DVR this show for a bit, but it’ll have to be better than what I saw here for me to keep doing so long term.

Entertainment Weekly Presents Women Who Kick Ass

As a geek and a feminist, this is a panel I’m glad I attended, even if I only ended up there due to wanting to make sure I had a seat for the next two panels in Ballroom 20. Entertainment Weekly brought together some of geekdom’s current reigning women in genre television and movies, and it was quite an assemblage. The  panel featured Kristin Kreuk (Beauty and the Beast, Smallville), Nikki Reed (Twilight), Sarah Wayne Callies (The Walking Dead), Anna Torv (Fringe), Kristin Bauer van Straten (True Blood), and surprise guest, Xena herself Lucy Lawless.

True Blood’s Pam, Kristin Bauer van Straten (possibly the series’ best character, or at least the most fun)  came out in her wrecked canary yellow Wal Mart sweat suit (fans of the show will get this little in-joke) to much applause.The Walking Dead’s Sarah Wayne Callies was asked about her future on the show, considering that (SPOILERS) in the comic book version of Walking Dead, her character Lori meets a grisly fate. She answered “You don’t walk into this show thinking ’25 years and a pension!’ Someone then asked what is the most important issue concerning women today, which frankly left most of the panel like they were put on the spot, realizing no matter what they said, they’d change their minds about it later. Lucy Lawless stole the show though, as she retold the story of how she was arrested in February after she and other activists protested aboard an oil-drilling ship in New Zealand, and she then told the audience that she’s not sure what will happen to her during sentencing on Sept. 12, but admitted, “I am guilty — of trying to save the environment!”  Warrior Princess indeeed.

Fringe’s Anna Torv and True Blood’s Kristin Bauer van Straten at the Women Who Kick Ass panel.

Dark Horse Presents: Joss Whedon

Now this is the panel I was actually waiting for while sitting through the other two. I’ve been a hardcore Whedonite for well over a decade, since Buffy and Angel were fighting their weekly battles on the WB Network (RIP) And, of course, I also loved Firefly/Serenity. But add to that Joss Whedon’s run on Astonoshing X-Men, Fray, Dr.Horrible’s Sing- A- Along Blog and even to a ceratin extent Dollhouse, just based on all that alone I’d worship forever at the geek altar of one Joss Whedon. There is simply no one else out there in the pop culture landscape who knows how to combine pathos with sly wit, drama with real stakes and off the cuff humor like Whedon. Others try, and most fail.

And 2012 alone has been a banner year for Joss. Let’s be honest, he’ll probably never have another one like it, between the critical success of Cabin in the Woods and the enormous global success of Avengers. He also just finished filming a low budget version of Much Ado About Nothing, fulfilling one of his dream projects. In short, It is good to be Joss Whedon right now. As a fanboy going back now almost (gulp) fifteen years, it has made me thrilled to see him finally achieve mainstream success.

Before Joss took to the stage, Dark Horse editor Scott Allie took to the podium to promote Buffy the Vampire Slayer Season 9, which Joss Whedon is the executive producer and occasional writer of, and also the Angel and Faith series which falls under the Buffy Season 9 banner. To the happiness of much of the crowd in Ballroom 20, Allie announced the return of Firefly to comics, in the first official continuation for those characters since Serenity came out in 2005. Joss Whedon will be co-writing this one with his brother Zed Whedon.

Joss Whedon holds court at Ballroom 20, wearing a Much Ado About Nothing shirt.

Then the man himself came out to thunderous applause, and deadpanned “Well it’s been an interesting year” He mentioned that he had just finished post production on Much Ado, and for the first time, had also written the score for it. “It’s a very important project to me and I can’t wait to show it to you, though I’m not sure yet how that’s going to be. If no studio picks it up, check iTunes!” I’m pretty sure he was only half joking there. He then announced his next project, which was greeted with pretty thunderous applause, the long awaited Dr. Horrible 2. After the cheering died down for this one, he talked about how he’s been working on it for about two years, and already has “a bunch of songs…we know exactly where we’re going, I can’t wait to tell you more about it.“The last major announcement at the panel was about his upcoming web series Wastelanders, with comic book writer Warren Ellis “I’m also going directly from Comic-Con to London to talk to Warren Ellis about Wastelanders; I’m very excited about what we’re doing and the way we’re distributing it ourself because it means we can put it out our way… and in order” (this being a jab at Fox and how they aired both Firefly and Dollhouse out of their correct order)

During the Q&A, he answered questions in his usual off the cuff witty style, some of them actually good questions, like now with the success of Avengers behind him, what old projects would he return to? (answer: “I’m not actually a big “go-back” guy. Even if it’s unrealized, It’s happened, that relationship has run its course. I kind of tend to look forward. So I think the next thing I create will be something I haven’t created yet. I have some ideas, I have some thoughts” This got lots of applause “I got applause for being able to think. This is the best crowd ever. Watch, I can also walk!” Even more applause. Oh, fanboys.

Lots of silly questions were then asked by fans, some even about the Zombie Apocalypse and what not, but a fan finally asked “What has stood out to you the most personally that you’ve worked on? to which Joss responded “Hopefully something I haven’t written yet! But I think “The Body” is the best episode of television I ever wrote” (Writer’s aside: I concur. Buffy episode The Body is the best thing he’s ever written.) Of course, at any panel Joss does, someone asks him about his love for strong female protaganists, and if they’re still perceived differently in the entertainment industry. The answer was something of a femenist mini-rant from Whedon; “When Buffy had been on for three years, we started pitching the animated series that never went anywhere and literally got “well she has to have a male counterpart who’s just as cool as her or we won’t do it” (They never did do it) “Until recently the industry said that about movies too, but then you get The Hunger Games. The industry will never change it’s mind until the public makes them.

When asked if he ever wanted to make a Broadway musical, after the success of the Buffy musical episode and Dr.Horrible’s Sing A Long Blog, Whedon answered “Here’s the thing… of COURSE I do. But I have too many plans….The question is do I have the time to commit to one of the largest and most difficult projects I could ever encounter.The last question of the panel came from long time Geekscapist Ashton Lauren, who asked “You’ve given so many geek moments, what was YOUR biggest geek moment?” To which Whedon answered “My biggest geek moment? Um… My life is one endless geek moment!” Amen to that sir.

AMC’s Breaking Bad

I’m a bit late to the Breaking Bad party, I have to admit (like four years late) But after hearing rave review after rave review for the series, I finally gave in and watched the entire show over the course of the past month or so. And OH EM GEE, is this show amazing. So a special thank you to every single human who’s been telling me I need to be watching this show for the past several years, because you were so right. For those reading this who are as uninitiated as I was, Breaking Bad is writer/producer Vince Gilligan’s show about a suburban high school chemistry teacher from Albuquerque New Mexico who, upon finding he has terminal cancer and no money to leave for his family, hooks up with a burn out former student of his and begins cooking crystal meth. Telling you anything else would ruin what is an amazing roller coaster ride over four seasons of television. So Netflix this puppy already, then come back and read this, because SPOILERS for the series abound in this report.

Aaron Paul, Bryan Cranston and “baby Holly” make their Comic Con entrance.

This was Breaking Bad’s first appearance at Comic Con, and Ballroom 20 was packed with howling fans who probably were wondering what took them so long to get here (I mean, if Glee is at SDCC, where has Breaking Bad been?) Almost the entire main cast showed up, including Anna Gunn, Dean Norris, Betsy Brandt, R. J. Mitte, Jonathan Banks and finally showing up on stage in their meth cook Hazmat suits (along with a baby doll in a Hazmat suit) Bryan Cranston and Aaron Paul. That alone was worth waiting for this panel. When asked about the upcoming fifth and final season, Gilligan mentioned that it was hard proceeding without the character of Gus Fring, and how hard it was for the writers to let go of a character as great as he was, but Gilligan has rebounded: “In season five, we’ve got a new king. King Heisenberg.” This, as one can imagine, got a lot of reaction from the crowd.

When someone asked about breaking the stories in the writers room, Gilligan responded that “is a very organic, living process to come up with these stories.” He then gave the example of how Jesse was supposed to die at the end of season one, but that obviously changed. (I can’t imagine the show without Jesse Pinkman) The role of Hitman Mike also expanded well beyond what Gilligan planned before casting Banks, as he was only cast because Bob Odenkirk, who plays Saul Goodman, was not available for that episode and they needed someone to fill his role of clean up guy after a crime. They loved the actor so much, Hitman Mike is now a permanent fixture on the show.

Other bullet points for season five brought up during the panel; expect to hear a lot more German than Spanish this season (remember, drug kingpin Gus Fring was bankrolled by some mysterious Germans) and that the teaser at the start of season five, episode one is their most revealing teaser yet. When asked what his season was really all about, Gilligan answered “winning, what it means to stay on top.” Gilligan then spoke of Alexander the Great, and how once Alexander conquered the known world, he wept.  Cranston asks if the series will simply end on him crying. I’ll wager “probably not.”

Toy Masters and the 25th Anniversary of Masters of the Universe

After four consecutive panels, I wasn’t sure if I was up for one more…but a documentary on thirty years of Masters of the Universe was too tempting to pass up for me. When I was a little kid, between the ages of seven and twelve, I lived and breathed He-Man and the Masters of the Universe. I had every toy (and I mean every toy) and my for awhile there my sheets, pillows, and curtains were all He-Man centric. My bedroom was Eternia itself. So, even though as an adult I realize there really was nothing more to He-Man that Mattel’s efforts to sell me shit, I have a soft spot in my heart for the franchise that gave us so many beloved characters like Buzz-Off (he’s a bee, get it?) and Stinkor (he smells. Brilliant!) He-Man is forever in my DNA, as mostly stupid as it all is.

The upcoming documentary Toy Masters chronicles how this weird mish-mash of Conan the Barbarian with Star Wars became one of the biggest selling action figure lines of all time, leading into a hugely successful cartoon show, spin off series (She-Ra, Princess of Power) live action stage show (The Power Tour) and finally, at the tail end of the whole phenomena, a live action movie. A trailer for the documentary was presented at the panel, and it is clear that at the heart of this movie is the ongoing King of Kong style battle between two old guys and former Mattel employees, Mark Taylor and Roger Sweet, both who claim to have created He-Man. One calls the other’s claim at creating the franchise “unadulterated, absolute barbarian fiction” -hence, the movie’s tagline.

The panel, once again moderated by Free Enterprise’s Robert Meyer Burnett, featured people like Roger Lay, Jr. (director/producer) a He-Man kid like me growing up, Gary Goddard (director of the 1987 film) and Jack and Leslie Wadsworth (live-action He Man and She Ra from the Masters of the Universe: Power Tour), Jack and Leslie, two body buiders/stunt people who met at the Universal Studios Conan/Red Sonja show in the early 80’s and got married, were He-Man and She-Ra for the nation wide Power Tour (I never got to go this; this panel brought back memories of being an angry 11 year old)  Both happily married still, they seem happy about their time in Eternia, and even kept their prop swords, which they brought to the panel (awww) The Power Tour still apparently has the house record for the most consecutive sold out shows at Radio City Music Hall, nineteen performances. Crazy. But that’s how big He-Man was for about five years or so.

Most fascinating were the stories of making the 1987 live action He-Man movie, which is celebrating its 25th Anniversarry this year. Director Gary Goddard was on hand, and he talked about how both Cannon Films and Mattel desperatley needed this movie to be a hit; Cannon had sunk every last dime the company had on the movie, and were on the verge of bankruptcy. Meanwhile, in 1987 the toy sales for the line plummeted, and Mattel needed the movie to be a hit to justify continuing the line (the fact that the cartoon had ended making new episodes didn’t seem to occur to anyone for the toy line’s decline baffled me) Gary Goddard, a highly successful creator of theme park attractions going back to EPCOT and as recently as Spider-Man at Universal Florida, was brought in to direct what would be his only big screen feature film. What he ended up with was a movie with the largest Hollywood sound stage in forty years (Castle Greyskull) and then the rest shot in downtown Whittier, CA. on the cheap. According to Goddard, eveyone in Hollywood wanted to see the massive Greyskull set, including Michael Jackson, who asked if he could walk on the Grayskull throne room.

The movie ended up being a giant clusterfuck, Cannon folded and Mattel cancelled the line all together. Twenty five years later though, the Masters brand still strikes a chord in Generation X kids like me, and judging from how well the retro style Masters of the Universe Classics line is selling for Mattel to twenty and thirty somethings, I fully expect to see the line come back one day for real. In the meantime, Toy Masters is making its premiere at the Montreal Film Fest next month, and I can only hope real distribution comes soon, as this panel made me dying to see the final product even more.

Ok, come back tomorrow for my final panel report from SDCC 2012. All I can say is, next time, it’ll be shorter.

We all love Joss Whedon Right? Well, you may love him even more after this. While this isn’t the first time something like that he been done (see: Axe-Cop) this is a very creative short starring some quite familiar faces.

A monster, a milk truck, a S.Q.U.A.T. team leader named Gerald and an epic 7 day battle–all from the mind of 5-year-old Brett.

If still hesitant to watch just note that it was produced by Felicia Day (The Guild) and directed by Daniel Strange (The Ballad Of GI Joe)

Source: Collider

Every year, the internet gorges itself like on post Comic Con panel recaps and celebrity events like a zombie in a nursery school. So for a change of pace, here’s a few personalized tales and thoughts from the Con from your Geekscape staff. 

Molly Mahan: Women be Shoppin’

In addition to some solid panels and run-ins with nerd celebs, I did the wise thing and actually bought some stuff this year, and not just squee over the free swag I would later toss out. I’m typically really conservative with my money, but this year I snagged an awesome Cliff Chiang signed print of some DC heroines dressed as 80s rockers
. How could I not? Canary and 80s karaoke are two of my favorite things. It is pure gold in my book. I commissioned an amazing sketch of a female Predator by Anthony Diecidue, managed to get Gail Simone to sign a copy of her first issue of Birds of Prey, #56 with Black canary on the cover, while dressed as Black Canary, AND I won a free Archie shirt by cosplaying as Betty Cooper on Sunday of Con- easiest cosplay ever AND I got to wear sneakers instead of boots. I also took some fun novelty pictures (such as sitting in the Captain’s chair at the Roddenberry booth, red carpets, etc). They’re simple, free, and a great souvenir. While the pins and things are fun at Con, having to figure out what to do with them post-SDCC is difficult. I definitely suggest buying some cool stuff instead.

Big improvement over Scott Summers

As always, I did learn a few things. As a neophyte cosplayer, I swear that next year I am bringing a pair of sandals and a possibly a change of loose, light clothing to change into mid-day. Walking around the convention floor and through the Gaslamp district takes its toll on you in sneakers, let alone in 5-inch heels. By 5PM on Friday, my feet were in so much pain I wanted to cry (I think I even did for a bit).  I also need to remember to get out of the Convention Center proper and spend more time running around outside. There’s so much other stuff going on in the Gaslamp district it’s insane.

Matt Blackwood: Emotions!

You never know who will read your writing or how it will affect them.

I went Thursday to a panel celebrating the legacy of Ray Bradbury. Shadow Show, a new anthology dedicated to the late legend, had just been released, and writer/editors Sam Weller and Mort Castle and writers Joe Hill and Margaret Atwood discussed their roles in making it. They talked about the magical quality of Bradbury’s writing, about how much he had inspired them and others they knew. They also spoke of their personal experiences with their friend Ray. Their remembrances were very moving.

The next day, I ran into the group in the hall and told them my story of bawling my eyes out in public while writing Geekscape’s Bradbury eulogy in a coffee shop. To my surprise, Sam Weller had read the piece on the day and loved it! With the universality and anonymity of the Internet, you never know who will read the things you put out there. But finding out my words had touched someone so close to Mr. Bradbury meant more to me than meeting any celebrity or hearing any nerd news tidbits.

Scott Alminiana: Geekscape Talon

The Court of Owls mask that DC was giving away was incredibly cool looking and proved to be something that I had to work my ass off to get a hold of. It took me two days to get my grubby little mitts on one. When I got onto the floor on Thursday I started seeing people with these awesome masks and immediately knew I had to have one but I had no idea just how difficult it would be to get one. Asking around, I found out that they were being handed out at the DC booth. I quickly (which really isn’t quick at all when one is at SDCC) made my way to the DC booth and started looking around for the masks. The few people handing out issues of ‘New 52’ books told me the same thing: “they just randomly hand them out so you’ve got to keep an eye out.” It was still early in the day so I decided to come back later.

Later turned out to be Friday and as I was prowling the DC booth like Batman prowling the streets of Gotham, I finally saw a lady with a stack of Owl masks. She was only about ten yards from me when I made a beeline for her but again, floor traffic. As I got closer the stack got smaller and smaller. By the time I was two feet from her there was a pack of wild nerds reaching for the masks like zombies reaching for fresh meat. The masks were gone and the pack dispersed.

Well earned creepiness

“God dammit,” I muttered to myself as I sulked my way back to my friends. As it turns out both of my friends had been busy flirting up a girl who was selling Entertainment Weekly subscriptions at the booth. They all looked at me and saw the sadness in my face- I was like a kid who hadn’t gotten picked for dodgeball. Knowing how bad I wanted the mask they asked the gorgeous EW girl if she could keep an eye out and snag us some. She gave me a wink and said “I’ll do my best, come back in a little while and hopefully I’ll have some for you.” After grabbing lunch in the Gaslamp district we came back to the DC booth and wouldn’t you know it, she had come through for us (and me specifically). I know have an awesome mask of my own thanks to @luxiboo! Lux, where ever you are you are my hero! Thank you!

Shawn Madden: Hall H Veteran

As covered on Saturday, my SDCC highlight was Saturday’s Hall H line-up. This was hands down the best Hall H presentation I have ever seen and can honestly say that I can’t stop thinking about Iron Man 3, Guardians Of The Galaxy, and Ant-Man. I am not a fan of Superman, and the fact that Man Of Steel has me excited is an impressive feat. It’s a Hall H miracle!

Shane O’Hare: Man in the Booth

This was the first year I primarily worked the Geekscape booth. I thought it was going to be a tad boring but then I saw who our neighbors were: Maddox, Legendary, Konami and ABC Family. I thought “Holy shit this is going to be busy”. OH and it was. I got to meet some of the greatest and nicest people working the booth. Getting people to sign up on our list in creative ways was so much fun. We had a mystery price box, full of prizes and giveaways. Some were REALLY good, like a Blu ray and a competitive PS3 controller and some… not so much. Like a couple Cesar Milan books. I had people compete in a three geek challenges. 1: Defend your favorite movie. 2: Prove Geek Cred and 3: Dance Off. We only had a few dance off’s but they were hilarious to watch. Seeing people trying to defend their favorite movies while me and Zack Haddad (AKA Mr. Terrorist) ripped them apart brought back memories of my Random Rants.

The morning where I opened the booth I had two hours of boredom to kill, so I got creative: I started “editing” some of the prizes. Soon we were handing out posters celebrating Geekscape’s 50th anniversary and the Geekscape Press best seller “Solving the Geekscape Enigma: How to Come”. I had some great times, meeting old friends and making new ones. That 8X10 box filled with friends, prizes, conversations and memories was my home for five days and I miss it. To the great guys at Maddox, ABC The Neighbors Booth, Legendary, The Mega64 Boyz and everyone else. I’ll miss you and I can’t wait to see you again next year.

Also at one point I was wearing my My Little Pony Rarity Cosplay and sat on my own tail. That was the most odd and uncomfortable sensation I have ever had in my entire life.

Stephen Prescott: Who?

Anytime I was near the Warner Brothers booth, it was quite apparent to me that Warner Brothers simply does not care about their fans. The first time I walked up to their booth I was excited to see the “Man of Steel” Superman costume on display. Unfortunately it was turned so that it could only be viewed straight on from inside the booth. I tried to view it from behind a rope but was quickly moved along. Once inside the booth I stopped for a better view and less than 30 seconds later I was once again moved along by WB staff. I guess they simply didn’t want me to see it. Each time during the weekend I was near that booth I was told either to keep moving or that the pathway was either one way or simply shut down. I understand they need to crowd control, but I didn’t run into militant security like this at any other booth. It felt as if the fans were simply cattle being herded through. And where were the Faora and Jor-El costumes that were on display at other conventions? WB needs to stop thinking about press and publicity and start thinking about the people.

The irony was that Tumblr was down when they walked in…

The BBC America Doctor Who Tumblr Meetup was my favorite moment. I’m not a major Tumblr user, but I was taking every opportunity possible to promote my podcast so of course attending a Doctor Who Tumblr meetup sounded like a good idea. Even though I felt like the oldest person there, all of the fans were so incredibly nice and sweet. I posed for and took so many pictures including one with a stuffed sheep wearing a fourth Doctor scarf. If all that wasn’t enough, Matt Smith, Karen Gillan and Arthur Darvill showed up unannounced at one point to say hello and it was like Beatlemania all over again. The screams from the back of the audience were insane but wonderful. So much fun was had.

 Allison McKnight: Nightmare Before Hall H

As the sad lonely resident Goth kid abandoned by my brethren, one of the best things at Comic-Con for me was the Frankenweenie Exhibit down in the Gaslamp.  In a stroke of absolute genius, the exhibit was partially sponsored by the HGTV, which means that not only did we get a life-sized Tim Burtonesque cemetery to walk through (complete with lightening storm!) but we were treated to a garden full of deadly plants labeled with the ways in which they could kill you.  I absolutely melted.

Here lies an emotionally satisfied Goth girl…

While there isn’t much bad I can say about my Comic-Con experience (at least without getting slapped with some lawsuits), I really have to question how Hall H events are treated.  Some people choose to spend their entire con experience waiting in line for I can’t imagine how many hours for a brief block of time in which they are treated to a teaser and a viewing of some of their favorite celebrities a football field’s length away.  To those people, I have to say: get the fuck over it, go to the Gaslamp.

 

So, I was reading an article on LA Times Hero Complex and came to a section where they brought up something really interesting.

Why would Whedon sign up for that? He might not. But it’s intriguing to note that Whedon made the big push to put Thanos in “Avengers” and that Warlock was one of the reasons: ”For me, the greatest Avengers was ‘The Avengers’ annual that Jim Starlin did followed by the Thing ‘Two-in-One‘ that contained the death of Adam Warlock,” Whedon told Slash Film. “Those were some of the most important texts and, I think, underrated milestones in Marvel history.”

With him having set the gears for the movie in motion could it be entirely out of the question for Marvel to pursue him to direct? Especially due to it wouldn’t be entirely new territory for him being that one of Whedon’s best known works is Firefly. Attaching his name and the Marvel studios logo would definitely fill seats. Could Whedon be the perfect choice for this film? We will have to wait and find out during the Marvel Studios panel at Comic-Con Saturday in Hall H.

If you haven’t seen ‘Cabin In The Woods’…what the fuck have you been doing with your life? On September 18th (my birthday…just sayin’ Geekscapists) you’ll have the chance to own one my favorite movies that came out this year. Check out our review from SXSW here, and you can watch Jonathan talk with cast & crew here.

If you think you know the story, think again. Experience the film that critics and audiences are raving about when The Cabin In The Woods arrives on Blu-ray Disc (plus Digital Copy), DVD (plus Digital Copy) and On Demand and Pay-Per-View September 18 from Lionsgate. The Cabin In The Woods will also be available on EST September 4, two weeks prior to the Blu-ray, DVD and On Demand release. Co-written by fan favorites, Joss Whedon (The Avengers, TV’s “Buffy The Vampire Slayer”) and Drew Goddard (Cloverfield) and directed by Goddard, The Cabin In The Woods is a film that “horror fans will be gushing about for years” (FearNet).

The Cabin In The Woods begins as a conventional horror movie then transforms into a genre-bending, mind-blowing experience that cleverly mixes screams with pop-culture wit as the scared teens are revealed to be watched by a group of technicians that control their every move behind the scenes.

Starring Kristen Connolly (The Happening), Chris Hemsworth (The Avengers), Anna Hutchison (TV’s Wendy Wu: Homecoming Warrior), Fran Kranz (The Village), Jesse Williams (TV’s “Grey’s Anatomy”), Richard Jenkins (The Visitor) and Bradley Whitford (TV’s “The West Wing”), The Cabin In The Woods is not like any horror movie you have seen before. Both formats come complete with a must-have behind-the-scenes “making of” featurette along with numerous additional featurettes that focus on the make-up, effects, animatronics and more, audio commentary with Writer/Director Drew Goddard and Writer/Producer Joss Whedon and the Wonder-Con Q&A, while the Blu-ray Disc includes the exclusive”It’s Not What You Think: The Cabin in the Woods” Bonus View Mode. The Wonder-Con Q&A will also be available on Digital Download. The Cabin In The Woods Blu-ray Disc (plus Digital Copy) and DVD (plus Digital Copy) will be available for the suggested retail price of $39.99 and $29.95, respectively.

Audio commentary with writer-director Drew Goddard, writer-producer Joss Whedon
We Are Not Who We Are: Making The Cabin in the Woods documentary
The Secret Secret Stash featurette
Marty’s Stash
Hi, My name is Joss and I’ll be your guide
Wonder-Con Q&A with Joss and Drew
An Army of Nightmares: Make-Up & Animatronic Effects featurette
Primal Terror: Visual Effects featurette
It’s Not What You Think: The Cabin in the Woods Bonus View Mode (Blu-ray Exclusive)

Source: Lionsgate

So by now you all know that The Avengers is coming out on Blu-ray, DVD, and digital download on September 25th. If you didn’t know that, where have you been? Anyway, we now have the details of what will be on the home release. To go along with the release Marvel is releasing a  new app called “The Avengers Initiative: A Marvel Second Screen App.”

“By downloading this onto a secondary device, consumers will be able to gain unprecedented access to exclusive content building up to the home entertainment release on September 25. Pieces will be unleashed bi-weekly in July and August and weekly in September leading up to a full immersive experience accompanying the film on Blu-ray. Content includes special access to the S.H.I.E.L.D. database, becoming a S.H.I.E.L.D. agent, invitations to “special missions” either remotely or in the field, links to character profiles, stories and scenes, interactive Marvel digital reader comic books and more. App owners will receive push notifications whenever new content is uploaded and available for their viewing.”

PACKAGING & BONUS FEATURES:

4-Disc Combo Pack (Blu-ray 3D+Blu-ray+DVD+Digital Copy+Digital Download of the “Inspired By” album)
Bonus Includes:
-Second Screen
-Assembling the Ultimate Team
-A Visual Journey
-Gag Reel
-Deleted Scenes
-Audio Commentary—With Joss Whedon
-Soundgarden Music Video—“Live to Rise”
-And more!

2-Disc Combo Pack (Blu-ray + DVD)
Bonus Includes:
-Same as the 4-Disc Combo Pack above

1-Disc DVD
Bonus Includes:
-Assembling the Ultimate Team
-Audio Commentary—With Joss Whedon

High-Definition & Standard Definition Digital
Bonus Includes:
-Second Screen
-Assembling the Ultimate Team
-A Visual Journey
-Gag Reel
-Deleted Scenes
-Soundgarden Music Video—“Live to Rise”
-And more!

 

Source: Marvel

‘The Avengers’ is set to hit shelves on September 25th. We have a trailer for you to get you excited the Blu-ray release that even seems to sneak in some of the new footage that will be seen on it. I won’t lie…kind of made me want to go see it again. Are you ready to assemble again?

It’s official, and we now have details! As previously reported, Browncoats everywhere can celebrate (while I roll my eyes) at San Diego Comic Con International this year for the 10 year anniversary panel of the one-season wonder Firefly panel. Panelists will include your beloved Captain Nathan FillionJoss WhedonAlan TudykAdam BaldwinSean Maher, Michael Fairman and many more! The panel will be held Friday, July 13, at 12:30 PM, and is brought you by SCIENCE (the channel, not the school subject).

Although not much of a fan of the show myself. if Gina Torres makes an appearance then I may suffer the Whedonites and try to find my way in. I love her and her work prior to Firefly and Serenity, and would love to hear what she’s currently doing.

SCIENCE will also be hosting other panels, including one for Dark Matters: Twisted But True and one about Time Travel (F’ yeah!) from the podcast Stuff You Should Know.:

TIME TRAVEL: SCIENCE FACT OR SCIENCE FICTION?  STUFF YOU SHOULD KNOW WITH JOSH & CHUCK, Thursday, 7/12/12, 4:00 p.m.–5:00 p.m.

SCIENCE presents Josh Clark and Chuck Bryant, hosts of the Top 10 iTunes podcast STUFF YOU SHOULD KNOW, as they lead a discussion about time travel with some very special celebrity guests for a live from Comic-Con taping of their podcast.  Josh and Chuck’s loyal fan following, chemistry and insatiable curiosity are core to the launch of SCIENCE’s upcoming series Stuff You Should Know, as the two pioneer the way for what likely will be more introductions of talent discovered and incubated online finding a place on new platforms.  Join Josh and Chuck and the SCIENCE team at Comic-Con for an exclusive sneak-peek of Stuff You Should Know, as well as limited edition Comic-Con exclusive giveaways from SCIENCE.

 

FIREFLY 10-YEAR ANNIVERSARY, Friday 7/13/12, 12:30 p.m.–1:30 p.m.

It has been 10 years since the crew of Serenity took flight in Joss Whedon’s short-lived but now revered series, Firefly.  SCIENCE will reconvene, for the first time in a decade, Captain Mal Reynolds and the crew from the ship, calling all Browncoats to unite at the 2012 San Diego Comic-Con.  The cast ofFIREFLY will talk about the past, present and future of Firefly, 10 years after its debut.  SHINY.

 

DARK MATTERS, Friday, 7/13/12, 7:15 p.m.–8:15 p.m.,

This summer, SCIENCE returns to the laboratory to unearth history’s most sinister tales with the second season of the breakout series Dark Matters: Twisted But True.  Join USA Today’s Brian Truitt; John Noble; Executive Producer Rocky Collins; and science historian Michael Stevens as we take a closer look at the forbidden research records on the most shocking scientific studies ever executed.  From gruesome lobotomy experiments, to controversial CIA studies, to spine-chilling accounts of live human transplants, the all-new season shows that science fact can be stranger, and even more entertaining, than science fiction.  The six world premiere episodes take audiences inside a real-life Twilight Zone, where shocking CGI re-creations illustrate unforgettable tales of genius gone horribly awry.  DDark Matters: Twisted But True premieres Saturday, July 14, at 10:00 PM (ET/PT).

Here’s some great news for all you Browncoats out there! There will be a special Firefly panel at San Diego Comic-Con 2012 in celebration of the  tenth anniversary of the short-lived but much loved show from Joss Whedon.

Executive producer Tim Minear confirmed the panel on his Facebook page, but for now no other details have been announced.

You can be gorram sure that as soon as we have more information on this that you will be the first to know.

They are  leaves on the wind – watch how the Browncoats soar to this panel!

Source: sdccblog

It’s part 2 of the most important discussion known to mankind!

Everyone has a fictional character they’d bang, whether it’s someone from a movie, a comic, or a car insurance company. So the Geekscape staff put together their top 5 lists, High Fidelity style. 

Joe Starr

Black Widow: Specifically the Iron Man 2/Avengers Black Widow. “Is that dirty enough for you?” COME ON. I actually wasn’t on the ScarJo train until Iron Man 2, and by the time the Avengers credits were rolling I was riding the train like a DJ from the Quad Cities.  Note to self: Do more things like a Quad City DJ. She’s hot, she’s tough. Plus, she’s written by Joss Whedon so you know we will have clever banter. OH the banter we will have.

Arcee from Transformers Prime: This one isn’t about sex. I mean, that happens, but I’m pretty sure that this is the first female character that I’ve found myself admiring and investing in in years. I mean, she’s amazingly strong and independent, a tough but warm woman you can’t help but respect. She’s a breath of fresh air from fake stupid pixie dream girls like The New Girl in the same way that Thor and Captain America were a nice break from ‘guys that want to focus on their photography’ for ladies. It’s not my fault she’s a robot that turns into a motorcycle that I’d have sex with.

Margaery Tyrell: Tyrell is unnervingly beautiful. She’s a subtle player in the Game of Thrones making smart moves. After all, remember what Training Day Denzel said: This is chess, it ain’t checkaz! Tyrell is a chess player. And sometimes she shows her boobs sometimes.

Emma Stone: Ok, look. Emma Stone isn’t real. She can’t be. She’s got all of the hotness Lohan had going for herself circa Mean Girls and none of the coke and coke and coke and coke. Also, she seems pretty rad. Way too rad to be real. It’s like life’s writers felt bad about Lohan and gave the world a do over. I want them to fight. It would be fucking epic. I’m pretty sure Lindsay would work as an alt dimension evil Emma, because she’s starting to get a bit of a goatee.

Kaylee Frye: Look, if we’re gonna go Pixie Dream Girl let’s at least go with one that can fix a starship with a roll of duct tape and sheer will. This chick would roll her eyes at Zooey Deschanel and then hit her with a wrench. And then have sex with me fingers crossed?

Allison McKnight

David Xanatos from Gargoyles:  Look, I’m just going to lay it all out there.  He’s hot.  Look at that stylish ponytail, that jawline and those shoulders.  And not only is he infinitely bangable, he’s a mastermind, manipulating the world to suit his visions.  He moved an entire castle!  How many men can say that?

Caesar from Xena:  Molly may have her heart-on for Ares, but we all know where it’s actually at: Caesar, as played by Karl Urban.  Oof.  Can I get that a second time.  Oof.  That is one sexy hunk of sociopathic manflesh, right there.  He can chain me up, torture me, and take over the civilized world any day.

Gregory House: It’s House, for christsake.  This is the man who walks around, scowling, picking people’s brains apart like he was ripping open a wad of cotton candy.  Gooey, emotion-filled cotton candy.  Even with only one good leg, he’s probably a better lay than… well, I’m not going to name names.

Richard B. Riddick: Sure, he’s a bit of a deviation from my usual lust for Magnificent Bastards, but have you seen those pecs?  In all seriousness, that man is a sex ninja.  That’s right: a sex ninja.  I’m talking about going through positions that normally aren’t physically possibleand he’s all bestial-hind-brain driven– you can tell by his opening narrative that he’s not just a growler, he’s a biter.

Mitsuomi Takayanagi from Tenjho Tenge:  This is a bit of an obscure character for most and, man, is his hair odd.  But when you’re an intelligent piece of beefcake that is casually manipulating people into potential deadly scenarios so you can finally bang your angry ex-girlfriend into submission… mrowr.

Russell Sherman

Jessica Rabbit: Now this is the only female character that could make me choose to be straight.  She’s sexy, loves the nerdy type and is committed to her man, sure she likes to pay patty cake but who doesn’t?  This chick is all right in my books.

Dr. Emmett Brown: Inventor of the stylish time machine, the Tardis may have a pool but it’s not a DeLorean.  Who would want to spend their lifetime traveling through time with their lover?  Doc is the whole package, he’s a creator, smart, artistic (although not always to scale) and the man can dance.

Sam and Dean Winchester: Those two have earned sex from everyone on the planet, they prevented the Apocalypse, fought the devil (and won), and are actively trying to make the world a better place even though it keeps taking everyone they care about away.  We owe them this, gay straight doesn’t matter they have earned a spit roast with you in the middle.

Merlin: He’s frikin’ magic for crying out loud, this is a man that could make all of your dreams come true.  If you want to frak on a magic carpet ride he could make it happen.  You want to ride a unicorn down the wedding isle again he could make this happen.

Wallace Wells: The gossip man who owns all the cool things in Scott’s apartment.  He’s sarcastic, Canadian and gay so this makes him the one character on this list that I’d actually have a chance with not to mention if things work out we could actually get hitched and it’d be legal.  That man is good looking in both the comics and the movie and is not afraid to speak his mind.

Matt Blackwood

Aela the Huntress from Skyrim: Face tattoos, mismatched armor, lots of skin showing- she’s like a medieval Suicide Girl. Plus, she’ll kill a storm atronach with a rusty dagger if you ask her. Of course, there is that “wet dog” issue; is there a Valtrex for lycanthropy?

Blink from Exiles: She’s brave, clever, kind. And pink. All over. Also, you never have to worry about being late again; with her portal power, you can go wherever you want INSTANTANEOUSLY! You want to step out for Chinese in Beijing? Bring a Somalian family to the never-ending pasta bowl? Get a Facebook profile pic on the Moon? Blink can make it happen. And did I mention she’s pink?

Terry Griffith from Just One of the Guys: Terry is the best kind of girl- one with balls. As a budding investigative journalist, Terry fights against the rampant sexual discrimination she faces by going undercover in drag to write an expose. She’s tough and funny and smart and willing to fight for the disenfranchised. And if you’re one of the guys who saw the flashing scene in his formative years, I don’t have to tell you what a model of physical perfection she is.

Margrethe from Job: A Comedy of Justice: While God and the Devil play their sick games with our hero (randomly dropping him in alternate realities Sliders-style in this classic Heinlein twist), Margrethe is the only constant good. The Danish stewardess is kind, understanding, and sexy. And anyone who makes sandwiches that can LITERALLY be considered heaven is worth holding on to.

The Mother from How I Met Your Mother: Like JJ Abrams, I’m obsessed with a mystery box. In 7 seasons, we’ve never actually met the mother. It’s the most misleading title since BJ and the Bear. Will we ever actually see her or is she like the alien from Contact? Is the mother just a concept, an ineffable ideal? Well, if the pedigree of Ted’s past girlfriends (including Cobie Smulders, Jennifer Morrison, and Mandy Moore) is any indication, the unseen mother is going to be totally effable.

Brian Gilmore

(Editor’s note: NSFW…It’s Gilmore)

Ariel from The Little Mermaid: Now, you can only really either go kind of masogynist or extremely masogynist on this one. Because you either have a girl that has no other choice but to go with mouth sexies all day all the time or one that’s super hot and can’t talk. She’s really willing to go a long way for you, too with the whole abandoning her people and voice thing. And she’s always pretty much topless, which is awesome. Also she wouldn’t get fat from having kids with you since they’d probably just grow in egg sacs.

This just got weird. Moving on.

Daphne from Scooby Doo: Any girl that wears a vagina-length skirt to a swamp and yet bothers to wear a scarf is fine by me. She’s also an idiot, which is awesome for a 1-night stand… I mean, they’re all idiots on that show unless every crook in the Scoobyverse is good enough at make-up design to be a contestant on Face Off. Also she’ll think you’re awesome in bed, since all she’s used to banging is one of the most infamously closeted gay characters in classic cartoon history. I always kind of assumed he was so obviously fabulous that he dressed her. One day: “gurrrl, how you wearin that fabulous purple dress with no flair?! Here, borrow one of my scarves!” Not only are her insanely hot fashion choices the thing that made me realize that legs rule, but she has red hair, and as we already established, this matters.

Tinkerbell: NO. SHUT UP. HEAR ME OUT. So, I’m not going to try to make the age-old argument of “hell yeah, I’d make her look like a lobster dinner” that you’ve heard pretty much since before we walked upright as a species and consistently every night as a child. This isn’t why we’re here. We’re all better than that. It’s because it wouldn’t entail any actual kind of P-in-V, so it’d be a one of a kind experience. Let me explain. And I’m so sorry for this. She’d be buzzing about at maximum speed all over you and everything would just kind of feel like as if Fleshlights worked themselves hands-free while you sat comfortably in a vibrating chair. She’d be the Brookstone of fictional lovers. Also, awesome fashion choice once again. Strapless dress that goes up to the fallopes even when 90% of the time she’s flying? Awesome fashion choice.

Wait. We can pick people played by actual humans?

Inara from Firefly: The only downside to this is that she might be a little disappointed because it’d be like asking a surgeon to do surgery at home (I swear to God there’s a better analogy for that). But she’s trained to do this. It seriously has to rule. Also you’d be doing it in space, which is awesome. Although technically I guess you’re always in space. But after letting her show you why only rich white dudes can afford her, assuming she’d be hosting (and yes, these are all now Craiglist casual encounters in my head), you could go down to the cockpit and play dinosaurs with Wash, as long as this was a time in which we hadn’t watched how he soared yet.

The Nun That Kate Upton Plays in the New Three Stooges Movie: I just really want to have unprotected Catholic sex with Kate Upton.

Stephen Prescott

Joan Halloway from Mad Men: Va-va-va-voom!

Winifred Burkle from Angel: She is the definition of adorkable and she’s a genius to boot. Zooey Deschanel wishes she had an ounce of the awesome that Fred has.

River Song from Doctor Who: Super smart, omnisexual and psychopathic. Everything I look for in a woman.

Irene Adler from Sherlock: Sherlock’s equal in almost every way. Also any woman who considers getting naked “putting on her battle armor” is a woman I’d like to meet.

Rose Tyler from Doctor Who: I don’t think there will ever be a time where I don’t have a total crush on Rose. I could blather on forever about how clever she is and how gorgeous she is and how much fun it would be to travel through space and time with her. I feel as though I completely understand why the Doctor loved her so much.

Jonathan London

The Cuckoos: Choices 1-3 MADE in a Greg Land drawn mind sexing! And one of them is in profile because Greg Land couldn’t find anymore three quarter model shots to trace in the Sears catalogue!

Gambit: He’s just a shithead. A bangable shithead that smells like cigarettes and strip clubs.

A bunch of pugs dressed up as Elf Quest characters: Editor’s note: JK this exists at London’s house and is not fictional.

Justin Lamb

Zuul The Gatekeeper: Dana Barrett is a triple threat. She’s a culturally affluent Manhattanite who plays the cello. She enjoys aerobics but knows when to spoil herself with a bag of Stay-Puft marshmallows. And she’s the corporeal medium for a demigod worshiped by the Sumerians and Hittites in 6000 BC. Long story short, things could get frigthful, but I ain’t afraid of no ghosts. Our safety word could be proton pack. Are you the keymaster? Yes. Yes, I am.

Pris from Blade Runner: Basic. Pleasure. Model.

Mrs. Brisby from The Secret of NIMH: I feel for Mrs. B. She is a sweet widower who wears that Pixie cut really well. She sort of reminds me of Mrs. Dawes, the 40-something woman who used to live next to my parents. Mrs. Dawes would work in her garden in a swimsuit top and khaki Mom shorts but she would still look surprisingly hot. Who knows, one night after stealing some corn from Farmer Fitzgibbons, maybe I would be cutting through her yard and oops I sprain my ankle. Mrs. B takes me inside to help me ice it down but instead things heat up. And then we put that red hood over those old photos of Jonathan Brisby.

Erin the Esurance Girl: Fearless, smart and sexy – whether she was stopping giant death-ray wielding automatons or saving me up to 25% on my auto insurance, this secret agent always sent me Thunderballing. Esurance stopped using her after she did poorly in a survey of popular corporate mascots. Despite being decommissioned though, she still fires up my Burn Unit.

An adult version of Princess Ruto from Ocarina of Time: I spent so many hours on that fucking Water Temple…I earned this.

Let’s be honest. We knew it was going to do good. But this good? As of today Marvels ‘The Avengers’ has become the third highest gross film domestically (knocking down ‘The Dark Knight’) and worldwide with a massive $1.331 billion taking the third place spot from ‘Harry Potter And The Deathly Hollows Part 2’.

The film has been smashing records ever since its massive release and doesn’t look like its done yet. Many people are wondering if it has what it takes to knock ‘Titanic’ off that second place spot. With a theatrical run that doesn’t look to be ending anytime soon and one more country to still be released in (‘The Avengers’ opens in Japan in August) it very well could. I know I plan on assembling again at least once.

Source: Box Office Mojo

The Avengers continued to destroy box office records this weekend. According to Disney’s estimates, the Marvel blockbuster took in $103.2 million in its second weekend, surpassing Avatar‘s previously held record of $75.6 million.

This brings Joss Whedon’s juggernaut to $373.2 million in US earnings; worldwide, the film has now crossed the billion dollar mark in just 19 days, another record. Tim Burton’s soap opera adaptation Dark Shadows opened in second place, pulling in just under $29 million.

Shawarma sales are up by 80 percent, according to TMZ.

The Avengers is out and it’s time to get serious! Ian Kerner makes his triumphant return to Geekscape as he goes toe to toe with me on what he thought about “The Avengers”! We’ve both seen the movie twice and if there’s one person who knows The Avengers comic and movie universe inside and out, it’s Ian. I try desperately to play devil’s advocate but Ian just won’t have it. He explains to us the significance of all the little details in the movie, where he thinks the Marvel movie universe is headed from here and the ONE thing that bugged him in the film! It’s Assemble Time, baby!

Find it on iTunes

So  The Avengers movie has finally come out, and knocked the socks off pretty much everyone out there, comics fanboy or not. In many ways it has proved to be the ultimate comic book movie, finally realizing in live action what fans have been only reading about and dreaming about for decades. It has raised the bar on what comic book super hero movies are capable of doing.

But without DC Comics’ Justice League, in a way there wouldn’t even BE an Avengers. As legend has it, the first few issues of Justice League of America were selling so well back in 1960, that DC publisher Jack Liebowitz was bragging about to them to rival comics publisher Martin Goodman of Timely Comics one day on the golf course. This caused him to ask his editor in chief Stan Lee to create his own super team to rival the League, and thus the Fantastic Four was born, the first official Marvel Comic. This of course led to the Marvel Universe and ultimately, the Avengers. But none of it would have happened if there had been no Justice League in the first place. In fact, if you see the JLA as merely an extension/re-branding of the original Justice Society of America concept, then they are even more significant as the world’s first super team.

And yet while the past decade of cinema could almost be called “The Marvel Decade,” DC Comics’ parent company Warner Brothers have done next to nothing with their collection of DC heroes to compete with Marvel’s, with the notable exception of Batman. They keep making attempts and then canceling them at the last minute; the last ten years is filled with announcements for movies like David Goyer’s Flash, Joss Whedon’s version of Wonder Woman (all the more heartbreaking after having seen his Avengers) and George Miller’s Justice Leauge. When they finally got around to bringing us a classic DC hero to life, the studio micro managed it till it became a shell of what it should have been. And yes, I’m referring to last year’s Green Lantern.

The thing is,Warner Brothers kind of have to make a Justice League flick at this point. With the incredible critical and financial success of the Avengers, they’d look like utter idiots not to. It isn’t even about the movie itself at this point really; if Warners wants to continue to sell Wonder Woman T-shirts at Urban Outfitters and Flash underwear at Target, then those characters need to be culturally relevant, and that’s not going to happen via comic books, as much as I wish they would. Without big screen exposure, these characters will be seen as only Cartoon Network fodder at best, or relics of a bygone era at worst. And I think Warners knows that they have way too much $$ invested in the future of these characters as licensed properties to let that happen.

In other words, to use vulgar slang, it is time for Warner Brothers to shit or get off the pot.

So from a lifelong DC fanatic, here is a guideline if you will, an open letter for the suits at Warner Brothers who have no idea what they’re doing with the wonderful DC Comics heroic legacy that they own. Here’s your guide to not just a competent, but an awesome Justice League movie, and all in just twelve easy steps.

Step #1:  Don’t Try And Use The Marvel Studios Strategy

We all know, despite whatever the official line from Warner Brothers might have been in the press, that if Green Lantern had been last summer’s Iron Man then they would have been instantly announced a sequel, as well as a Flash movie, etc. leading up to a Justice League team up flick.  With Green Lantern making only $219 worldwide on a supposed $200 million dollar budget, barely eeking out a profit and getting mediocre to downright shitty reviews, I’d say those plans were dashed pretty fast. With the box office disappointment of Green Lantern,  the best  way to do a Justice League film at this point is to simply bite the bullet and just do it. Have a JL movie be the actual launching point to eventual solo films for certain characters, instead of trying to replicate the Marvel Studios method of doing all the solo movies and then building up to one big team up movie. In an ideal world, this would be the proper way to do it, but simply put, Marvel roundly beat them to it.

Also, it is safe to say that audiences are sick of super hero origin stories at this point in the game.  If Green Lantern had hit big, then they could have maybe tried to replicate the Marvel Studios method to some degree of success, but now it will look like a cheaper knock off.  However, if Warners decides to come out of the gate swinging, with a super hero movie that dwarves the scope of every other super hero movie that came before it with a Justice League movie…it could revitalize the entire genre. Or be the genre’s awesome swan song.

Obviously, the one instance where any kind of lead up to JL movie makes sense is the upcoming Man of Steel Superman reboot. The movie is already shot and is hitting theaters next year, and they might as well make Henry Cavill’s version of Superman the one the JL movie uses. It can only help both franchises to be tied in together. But forget about making Flash and Aquaman as lead ins to a JL movie, ‘cause that ship has sailed.

#2.  Hire Brad Bird To Direct, and JJ Abrams To Produce

Getting someone as qualified as Joss Whedon to helm a JLA movie is going to be really, really difficult. Whedon came in with both the comic book fanboy pedigree and just regular ass pedigree pedigree. Where are you going to find that again?

Well, how about Brad Bird? Bird’s The Incredibles was easily one of the best super hero films of, well….ever. After that film came out, many people were hoping Bird might direct a live action Fantastic Four film, but that super team is a bit too similar to the Incredibles in style and tone-the Justice League would be an ideal step up. Aside from his work on The Incredibles, Bird  made the transition smoothly into live action with last year’s amazing Mission Impossible: Ghost Protocol, easily one of (if not the best) action films last year. So you know he’ll deliver on the much needed big action setpieces. So for my money, Brad Bird is your man.

And to produce this movie, I’d get Bird’s collaborator on MI4, JJ Abrams. Yes, I know he’s a busy man, but he’s always been able to juggle mutlitple projects at once. Besides, the best recent example of the “let’s round up a bunch of misfits together and form a team” movies has got to be JJ Abrams Star Trek reboot. In many ways Star Trek 2009 should be the template for a Justice League film, at least in structure. Abrams also has a knack for ensemble casts as evidenced by shows he produced like Lost and Alias. He and Brad Bird made magic together last year with MI4, let em do it again.

My JL Movie Dream Team: Brad Bird & JJ Abrams

The only thing Brad Bird doesn’t have is Whedon’s intimate knowledge of comic book history, never really having read comics growing up. But that’s where the next step comes in:

#3. Get A Really Talented Fanboy Screenwriter

First off, get a screenwriter or screenwriters who are comic book fanboys, at least somewhat. People who love and have a knowledge of these characters beyond just their value as copyrights to be exploited.  They don’t need to be massive comic book geeks with a closet full of longboxes, but they should have a working knowledge and love for the DCU. (and no, not Roberto Orci and Alex Kurtzman, they can’t write everything geek related) But someone who is well versed in what makes these characters tick and can also crank out a great script, with real drama between the characters and action and humor to match. It is gonna be difficult to find someone to pull off what Joss Whedon just did with Avengers, but it can’t be impossible. (Say, how about Damon Lindelof? Just puttin’ it out there) And whoever Warners finds, make sure they give Joss Whedon a call and take him out to lunch and pick his brain.

#4. Cast The Movie Impeccably

One of the reasons that The Avengers works so well is that everyone was cast to perfection, from Robert Downey Jr. as Iron Man down to Jeremy Renner as Hawkeye. Another recent example of a perfectly cast ensemble of iconic characters was JJ Abrams’ previously mentioned Star Trek reboot.  Even when the actors didn’t really look like the character they were portraying (Anton Yelchin as Pavel Chekov for example) they totally captured the spirit of that character.  So please Warners, don’t Halle Berry/Storm or Jessica Alba/Invisible Woman us here. Don’t cast the male leads with guys from the CW, and don’t cast the women based on whoever is hot in the pages of Maxim right now. Everyone needs to be perfect. They don’t need to be big stars, they just need to fit their roles to a T.

#5. Make Darkseid The Villain

For the ultimate DC Universe movie, get the ultimate DC Universe villain: Darkseid. While Loki was a god, Darkseid is THE God…the God of Evil itself. It doesn’t get bigger or badder than that.  Much like Marvel’s The Ultimates was kind of the petri dish for an eventual Avengers movie, it is pretty clear that much of DC’s New 52 reboot in the comics is a similar testing ground for an eventual JLA movie.  Why else make Darkseid the League’s first villain and the reason the team formed? Believe me, at some point when Geoff Johns was writing it, he was thinking about an eventual JL movie.

Although there was a lot to be desired in Geoff Johns and Jim Lee’s opening story arc in the new Justice League reboot, the basic premise of the team forming to defeat an invasion from Darkseid and his Parademon minions is a good one. Darkseid  in that story was handled pretty poorly, as he barely spoke and was more like Superman villain Doomsday, so the filmmakers should look to classic Jack Kirby New Gods stories for proper inspiration, or his excellent portrayal in the Bruce Timm’s Superman and Justice League Unlimited animated series.  A live action version of Darkseid should be this generation’s Darth Vader and the Emperor combined. This would also be a great opportunity to bring the classic look of Jack Kirby’s legendary art and design aesthetic  to life, something Marvel failed to do completely with their Fantastic Four movies and only gave a nod to in Thor.

#6. Forget Martian Manhunter, Use Cyborg Instead

-I almost hate to say this, but J’onn J’onzz the Martian Manhunter is maybe just one element too many for a live action JLA movie.  I know, I know…he’s an original founding member of the team, and many say he’s the heart and soul of the League.  And yes, he kind of is. But having said that, there were several years where J’onn wasn’t a member of the team (he left in 1969 and didn’t return till fifteen years later in 1984) and they managed to do OK without him.  But the problem with using J’onn is that so much of who and what he is is already represented on the League by Superman. Superman is the lone survivor of a dead planet who is super strong, flies, has heat vision etc.  Plus, J’onn has the powers of Professor X and Mystique from the X-Men as well…he would kind of dwarf Superman in a movie that should serve to show how Kal-El is the ultimate super hero among super heroes.  I’m all for J’onn showing up in a sequel, but I think he should be benched for movie #1.

As for using Cyborg as a replacement for J’onn? I totally understand DC’s logic in having him replace the Martian on the team in the recently rebooted Justice League comic series. And why add Cyborg to the team? Maybe because when Warner Brothers finally does get around to making a JL flick, there is no way they can get away with making them the “all white people squad,” as that sends a pretty horrible message. And Cyborg/Victor Stone is easily one of the best African American heroes that DC has. If they introduce the concept of Cyborg as a leaguer in the comics first before the movies, and get all fanboys used to the idea, the cries of political correctness will be less due to the fact that it happened in the comics first. Believe me, a potential future JL movie was in the back of Geoff Johns’ head when he made this decision.

#7. Let JL Be Your Batman Reboot

-Warner Brothers has made some noise about rebooting the Batman franchise after Christopher Nolan wraps up his trilogy this summer with The Dark Knight Rises. While it is inevitable that there will be a new Batman film at some point in the future, the Nolan films have so far been so well received on every level that pulling a Spider-Man and rebooting the Bat-verse so soon seems dumb. Especially after creating something so iconic, it would seem like asking for trouble and inevitable comparisons. But including Batman in the League would insure his presence on the big screen in a very different kind of film series, while letting his own franchise get a much needed rest for awhile. Everyone wins.

#8. Use A JL Movie to Redeem Green Lantern

Despite my trash talking Green Lantern at the top of this article, I don’t think it was nearly as awful as many think…just painfully mediocre. But I liked Ryan Reynolds as Hal Jordan, and think the Green Lantern mythology was pretty darn faithful to the comics (too bad there wasn’t more of it) I’m all for using this version of Green Lantern in a JL movie, even if Reynolds doesn’t come back and is replaced by another actor (we can call it “pulling a Ruffalo on us”) If he proves to be the scene stealer in a JL movie that Hulk was in Avengers, we might see a Green Lantern continuation of some sort spinning out of a JL movie yet.

#9.  Focus Primarily On The Trinity

-While all seven members of the JLA should have ample screen time, you have to focus on the DC “Holy Trinity” of Superman, Batman and Wonder Woman. Because let’s face it, that’s who everyone wants to see interact the most. The dynamic of the three of them, and how they’re each alike and yet very different from one another, has been the basis for some excellent comic book stories over the years.

And as inspiration, I say look to the Galaxy far, far away. While riffing on the template of the original Star Wars seems a bit like the easy way to go, (just ask JJ Abrams, whose Star Trek is essentially a remake of A New Hope) the Luke/Leia/Han dynamic is very much the dynamic of DC’s Trinity; the idealistic farmboy, the feisty princess who can more than take care of herself thank you, and the dickish but charming rogue with a sidekick. And just like Luke and Leia have a sibling relationship, Superman and Wonder Woman are more like brother and sister as well. All her real chemistry is with bad boy Bruce. Really, this is all just writing itself now guys….

#10. ….But Don’t Forget the Other Guys.

-Yes, I just said focus on the “Big Three.” But you can’t just have Green Lantern, Flash and the others just standing there glaring. They need to be able to contribute and have a reason for being there. Look, I never said this would be easy ok??

#11. Focus Not Just On the Similarities to Avengers, But Also The Differences

-Obviously, the League is really, really similar to the Avengers in a lot of ways. But where the Avengers are more like a sports team, the JL are more like a pantheon of Gods. (yes, even Batman in a way. Hades anyone?) The Avengers are at the disposal of the government, or S.H.I.E.L.D, or whatever, but the League is above humanity in a way, either up in space on a satellite or on the friggin’ moon. Yes, there have been incarnations of the team that were based on Earth and worked for the U.N, but you know they are gonna go with the most classic version of the JL here if it gets made, and that’s not the Justice League International.  So sorry, JLI fans. You can bet Hollywood is gonna go with the most classic incarnation of the team, more or less.

“The Justice League is like the pantheon of Greek gods. Hermes made more sense to me as the Flash. Wonder Woman means so much more to me than Hera or Aphrodite. I could make a much quicker connection with the archetype of Zeus in the form of Superman. Aquaman is Poseidon, of course. Batman is Hades, the god of the underworld" -Grant Morrison

The potential fear and adoration the world would have at such a combination of powerful beings together is similar to the love/terror the ancient Greeks had towards their own Gods.  It would be an angle that would be interesting to play up, and one that’s different from The Avengers.  Of course, Avengers did a ton of things right they should just outright copy, but they need to remember how the JL is different from the A- team too.

The Avengers and the League have a lot of similarities, but they need to remember how they're different too.

#12. Go Big…And Don’t Hold Back For Part 2

-One of the best things about the Green Lantern movie was Mark Strong as Sinestro. But instead of giving us any Hal Vs. Sinestro in the movie, they held back for sequel. A sequel that might never come now, squandering such perfect casting. Even if you want a sequel, you can’t be shortchanging the movie that you’re actually doing for  “just in case.” Christopher Nolan could have saved Two Face for a sequel, but at the time of filming  he didn’t even know there would even be one, so he decided to go for broke and use Joker AND Two Face, and we’re all better for it. George Lucas once had this problem with the original Star Wars, as the Death Star wasn’t going to be the big finale till the end of the entire trilogy. Then he realized that there might not ever be another Star Wars movie, and put the Death Star finale at the end of A New Hope, because he knew he needed a big ending.  A lot of folks reading this might think using Darkseid right off the bat is too soon, but I saw worry about part two later…make the best JL movie you can and don’t save anything for later. Worry about later if and when you get there.

So there it is….everything you need to know to get the Justice League the big screen glory they deserve. It is either that, or the only live action League will be this one:

Let’s not let that happen.

By this time, every Marvel fanboy and girl and self-proclaimed Whedonite is either hanging out in line waiting for the moment to watch the first “fade in” of The Avengers flick they have been waiting for since prepubescence (or since it was first hinted at in Iron Man back in 2008) or just about to step out of the theatre (time zones!). Since I am neither of those things, I am writing this article. I’ve been a DC girl for well over a decade, and I have never been a  Whedonite. That’s right: I am a woman who is into geek things (who even writes about the female perspective on a geek themed website) and I could not give two shits about Joss Whedon, the man who is all too often praised for his “strong female characters” and “excellent dialogue” and his ability to “revolutionize genre”, and countless other lauds that I cannot quite wrap my head around.

Before I get started, I want to make two things clear: first, I don’t hate Joss Whedon or his workI can’t hate someone I don’t know, and his portfolio of work is okay, even marginally enjoyable at times. But it’s not great, and its hardly revolutionary. My problem surrounding the man, for the most part, rises from his fans. Which brings me to the second: when I say “Whedonite”, I don’t mean someone who generically likes Joss Whedon’s work. I mean someone who treats you like a subhuman because you don’t like Buffy.  Someone who believes that anything his name is attached to is immediately turned to gold, like he’s some branding alchemist (people like  you, perhaps, if you’re reading this and already getting riled up). It’s amazing. And if someone dare to say anything about his projects besides that it was or will be the greatest of its genre, then you are labeled a “hater” by such a person. At least that has been my personal experience since the first one reared its head, and it has especially been my  experience ever since I saw Cabin in the Woods last week (more on that later).

Joss Whedon, King of the Geeks? Sorry, I worship at a different nerd shrine.

Typically, seconds after his latest project is announced, my Twitter, Facebook, and e-mail light up with squeals of delight for something nobody knows anything about aside from the fact that one Joss Whedon is attached. It happened with Dollhouse, Cabin in the Woods, whichever Shakespeare movie he’s doing (because we need another adaptation of the Bard’s work), and, of course, The Avengers. Granted, The Avengers was masturbation material long before he was attached; nevertheless it was nerd Carnivale when his name was first thrown out there. “Joss won’t let us down~!” “O Joss, great and merciful, thou art Lord over Nerdom and earth! Thou can do no wrong! Blessed are we to be living in a generation that is filled with your mastercrafts!” Blah, blah, blah.

Give me a break. It’s a super hyped action movie that will, in all likelihood and probability, add nothing or take away anything from the canon it pertains to (except maybe kill a hero or other character that has no franchise awaiting him or her, but has some kind of fanbase–I’ll give you one guess who that might be). Loki’s in it, presumably as the main villain, and he’s already been announced as attached to Thor 2, so at best the big bad is going to elude the world’s mightiest heroes. Which is fine, but does not meet my standards of “revolutionary.” I’m not saying it won’t be fun: it has Robert Downey, Jr., in it after all, and he’s the essence of fun, in my ever-so humble opinion (spoiler alert: this whole article is just, like, my opinion, man).

Am I going to watch it? Of course I am. Tomorrow. I have work tomorrow, and a midnight showing for a film I’m barely invested in doesn’t sound appetizing. I’ll reserve that ticket for Expendables 2 or Dark Knight Rises.

But back to me not caring about Joss Whedon. For the record: I have seen everything he has cranked out since Buffy the Vampire Slayer, except for Dollhouse. The only reason I haven’t seen Dollhouse is because I’m not a Whedonite, duh, and no one has convincingly tried to get me to watch it. As far as I know, it’ll be the first thing by him that I thoroughly enjoyed. Additionally, I haven’t read his comics because, again, not a Whedonite, nor am I an active Marvel reader. If I’ve read a Marvel comic in the last five years, it’s because someone lent it to me. So I’m not going to actively seek out some Astonishing X-Men trades to appease my friends or show how pious I am to their geek god.

Buffy, like most of his work, is okay. Pretty generic and mediocre, if we’re honest with ourselves. It’s essentially another story about a girl who is in love with a vampire. Like all of those stories, she knows better (hell, she on a mission to kill them); nevertheless there’s always one whom she’ll excuse his undeadliness for and bang. Be it he has a soul or looks like Billy Idol. Either way, it’s an unhealthy, co-dependent relationship that is not becoming of a ‘strong’ female lead. The best parts of that show are the minor characters, and they all too often got annoying. I rather read an Anita Blake Vampire Hunter novel. The sex is was better.


I’m so totally turned on right now. You have my number, right?

But it’s not only his female leads who are into unhealthy relationships or making “excuses” for that one person who goes against everything they believe in. Mal Reynolds is the exact same in Firefly when it comes to Inara (who I find unbearable), only he’s man enough to not have sex with her. Regrettably, this makes every scene they share boring and predictable. “You’re a whore!” “You’re a pig!” “Let’s not have sex even though I totally want to bang you!” “That’s fine, I’m banging this guy anyway.”

Now there was a show that could have been something. And no, not in the “oh, why was it canceled after only it’s first season?!” way. I mean in a Space Cowboys way. I’m a huge fan of both genres, and really expected it to be awesome. Instead, I completely understood why Fox canceled it: because its ratings, like the show, were mediocre. You can say it was before it’s time or you could say it was poorly executed. Classic Joss!

Now, before you tell me he’s “too clever” for me or some other tripe, I’m going to tell you something: he’s not. He has good ideas, I agree. I enjoy the premise of everything he cranks out. But the method in which it’s cranked? No thank you.

Last week, I saw his latest “masterpiece”: Cabin in the Woods. I’ll admit, I was against seeing it at first. Not because of my feelings (or lack thereof) towards Whedon (I’m always hoping he’ll show me he can do more than be competent), but because I hate horror. Finally, enough people were like, “You gotta see it, zomg~! It’s like Buffy season 4” (or 5? It all blends together). So, I saw it. Guess what? It’s not a horror movie. It’s not even a satire on horror flicks–it’s an homage. And, again, like all of Whedon’s work, it has a really cool premise. It goes back to mythology and brings it to the modern day. It was a concept I was ready to get behind, but then the 2nd and 3rd acts happened and I didn’t care about anything anymore. The characters were boring, despite moderately amusing dialogue, and the twists and “revolutions” on the genre (whichever genre you could claim it was trying to be) failed to take. All the interesting stuff happened in the first five minutes. Seriously. The rest was just cute.

Especially the bits with Chris Hemsworth in it. He’s so dreamy!

This is the first movie in a long time that I had to make sure I was right about my expectations. “It was advertised as a horror film, right?” I asked a friend of mine. “It was,” he began, “but like all Joss Whedon things it never is what you expect it to be.” Now unless he means I expected it to be “good” after all the hype, then he’s right. It wasn’t what I expected; but, if I’m wrong to expect a movie to be what it’s billed as (i.e., a horror flick) then I have no idea what advertising and trailers are supposed to be about. You got me, marketers. I’m gullible. I believe all your precious lies!

So, here I go again, ready to sink into another Whedon trap. The east coast should be releasing now, while Pac-Time is about to head in, and I’m going to wage in 24hrs when I spend my money and take the time to watch it, I’ll feel much the same way as I did six day ago: a moderately clever and interesting first act that fails to get off the ground, so by the climax I’m ready to leave.

But I hope I’m wrong. Why? Because I prefer to like things than dislike them, and for once in my life I’d like to be as enthralled by something as my Whedonite friends are. It’s really frustrating to watch something because it’s been hyped up so much, and then be like, “It was okay”, which all your friends in turn take to mean you hated it.

Hey guys: hating is different from thinking something’s okay, but by the time you’re through with your little tirade on how I didn’t “get it” or can’t “appreciate” it for whatever made up reason you’ve come up with, then you better believe I hate it now.

So, Whedonites this tirade’s for you. Enjoy your mediocre storyteller. I’m not trying to take his work away from you. You can have it. All of it.

Remember folks: It’s okay to like things, just don’t be a dick about it. Otherwise, eventually push will come to shove and this happens. We’ll fight back. Now, excuse me, I need to be reminded how magical friendship can be.

Buffy-shy and, well, Spike. And a bunny. Stand back, Anya.

As a little kid growing up in the 80’s, I remember imagining the super heroes I so dearly loved from comics books and Saturday morning television coming to life on the big screen in full live action glory. I’d play with my Marvel Super-Heroes Secret Wars action figures on the playground at recess and dream up how maybe one day, there might be a Captain America movie, then maybe a kick ass Thor movie, and then everyone would meet up together in one big giant omigod awesome Avengers movie…wouldn’t that be like, totally radical?!?  Then I got older, and middle school and high school hit, and I realized that those fantasies were just playground pipe dreams. There was simply no way this would ever happen. Hollywood was just to lame to ever allow it happen. Hollywood’s idea of a comic book movie was Dick Tracy and Howard the Duck. Well, It took some twenty five years from those playground outings, but The Avengers movie has finally happened. And oh boy, did they ever happen. They happened hard.

Let’s just get the important stuff out the way here; The Avengers is freakin’ awesome. It is everything you could want out of both a Summer blockbuster and a super hero movie.  Marvel Studios’ grand experiment of building an interconnected Marvel “movie-verse” in much the same way as the Marvel comic book universe was built, which began four years ago in Iron Man and culminating with this movie, has payed off in spades. And they really saved the best for last. (well, not “last”– just the end of phase one I guess) Incredible kudos have to go to Marvel Studios for having the vision to pull this one off. They gambled big and the pay off was just as big. If any one of the solo movies for the main cast of Avengers has failed spectacularly, this movie wouldn’t have really worked. Remember, production on The Avengers started before either Thor or Captain America was even released; either of those movies could have tanked. This kind of gutsy, confident move from a studio hasn’t been seen since New Line Cinema greenlit The Lord of the Rings trilogy. And Marvel cast these films perfectly. From Robert Downey to Chris Hemsworth and Chris Evans, I know I can’t imagine anyone else playing these parts now.

But good studio choices aside, so much of what makes Avengers work like gangbusters falls squarely on writer/director Joss Whedon’s shoulders. Everything about character, team dynamics, and blending together action and drama and comedy that he learned while working on television series like Buffy, Angel and Firefly is applied to Avengers with the polish of a seasoned film veteran. You’d never know the man had only directed one feature film before when watching this one. In fact, I kind of shudder to think what this movie might have been like under almost anyone but Joss Whedon’s hand; while there are plenty of fanboys out there with an intimate knowledge of super hero comics, there aren’t that many talented writer/directors out there who also happen to be big fanboys. But lucky for us, Joss Whedon is the whole package, which is why he was the ideal man for the job. Aside from just being able to create the structure of this thing and keep it from being unweildy, and getting amazing performances from his ensemble, Whedon knew just what aspects to draw on from the comics, and just what to ignore.

Whedon knew that while some superficial aspects of Mark Millar’s The Ultimates made more sense for the big screen, he couldn’t make the characters as unlikable as they were presented in that book, and chose their original classic Marvel Universe personalities instead.

And not to knock the various Marvel solo films, but under Whedon’s hand almost all the main members come off better here than in their own previous solo movies. Captain America is the ultimate military leader here, something we only glimpsed towards the second half of his own movie. Thor is the fully powered God of Thunder from the moment he steps into frame in this one, a bigger bad ass than he was in the entirety of his own film, where he spent so much of the running time de-powered. And Black Widow is far, far more interesting and developed under Whedon. Her introduction scene alone in this movie is better than her whole role in Iron Man 2. I should have known uber feminist Joss Whedon would not have let her merely be just “the chick” on the team. Even Robert Downey Jr. is better here as Tony Stark than he was in much of the second Iron Man movie. And Mark Ruffalo’s take on the Hulk might be the best thing in the whole movie, period. And I’ve never been a particularly big Hulk fan, so that’s saying something coming from me.

Every single character in the Avengers has their moment to shine (or several.) This isn’t like X-Men The Last Stand, where characters like Angel and Colossus are introduced just to stand around and do nothing. Every single member of the Avengers has something to do here, has something to contribute to the team, not just in action scenes but in dialogue scenes as well.  And unlike so many so called “popcorn” movies, some of the best parts of Avengers is just dialogue and performances. I can’t stress enough how different that makes this movie from the current crop of summer action blockbusters, most notoriously the Transformers franchise.

As for that the movie is actually about, well…the plot of this movie isn’t complicated; if you’ve seen the trailers (and since you’re reading Geekscape, chances are you’ve seen it like a dozen times already) then you pretty much know the plot: Loki is evil, wants to use the Tessaract (also known as the Cosmic Cube ) and subjugate the Earth with his Alien army. Super Heroes are gathered to stop him. There’s your plot. There are no Dark Knight style “plans within plans” like with the Joker. This movie isn’t trying to say anything about society at large. Avengers is a classic straightforward Summer popcorn movie. But this movie reminds us that straightforward can be great too; it’s not like the plots to Raiders of the Lost Ark or Jaws were particularly complex, they were just incredibly well executed and had great acting, characters and action set pieces, all things this movie has in great abundance. To tell you anymore, about specific story and character beats would just ruin the movie for you, and I don’t wanna do that. Just trust me when I say they’re great. Especially the last act. And unlike so many movies where the trailer gave everything away…let’s just say that’s not this movie.

Much of the basic plot comes straight out of Avengers #1 back in 1963

If there are any minor quibbles I have with The Avengers, they’re just that—quibbles. I wish that Alan Silvestri’s score was a lot better. I so wish it contained a memorable theme like Indiana Jones or Superman or even Tim Burton’s Batman. Like most of the Marvel Studios film scores, it merely gets the job done. I also wish Hawkeye was more developed as a character, something the plot mechanations kept him from really being for most of the movie. And finally, I guess I sort of wish that Avengers could have stood on its own more as a film, without needing to have seen the solo films for Iron Man, Thor and Captain America first. I’d be outright lying if I said that this movie wouldn’t be confusing for newbies without having done their homework first. But that’s not really a knock on the film; even The Empire Stikes Back doesn’t make sense without having seen Star Wars first, and that doesn’t keep Empire from being brilliant. Oh, and not once does anyone shout out “Avengers, Assemble!” I mean, how could they forget to do that? But when that’s almost your worst complaint, I think the movie is doing pretty ok.

For comic book fans, The Avengers is literally a dream come true. For non comic book fans, who remember when summer action blockbusters were good and not just big and loud and stupid, it is just as much a dream come true in its own way. The Avengers has raised the bar for comic book super hero movies for all time—I’m not sure that introducing a movie with this just one super hero fighting just one super villain is going to be enough anymore after this movie comes out, I can’t help but feel something like that will seem like slim pickings from now on.

I recently found an old issue of the now defunct Wizard magazine from 2005 in one of my comic book longboxes; in it there was an article called “55 Comic Book Movie Things We Can’t Wait To See.”  Interestingly, #5 on that list was a Joss Whedon directed super hero movie, and entry #34 was seeing an Avengers movie come to life. On the notion of a potential Avengers movie, the article stated  “Marvel zombies will know that moment has arrived, when Captain America , Thor and Iron Man stand tall on the silver screen, rallied to battle—we’re getting superpowered chills just thinking about it.”  Well, seven years later, I know I got superpowered chills seeing it, and unless you just plain hate fun, chances are so will you.

The Avengers, the movie that multitudes of Marvel maniacs have been discussing ad nauseum for over three years now is almost upon us. And the movie’s financial success is pretty much a foregone conclusion at this point, so a sequel is likely to be green-lit the Monday after it opens.

That realization got us wondering- What classic characters will be recruited into the next Avengers Initiative? And who should play them? A few years ago, we gave our ideal Avengers cast for the first film! Here, Geekscape is at it again as we assemble some of our best ideas on who should suit up for Avengers 2!

ALAN TUDYK as GIANT MAN

First off, let’s assume that writer/director Joss Whedon is brought back for the next chapter due to universal fan approval (that happens, right?). Like most directors, Whedon loves to cast actors that he knows can deliver and Alan Tudyk has been stealing scenes since Firefly. Tudyk can bring the intellect, awkwardness, and, yes, even darkness to the role of inventor/hero Hank Pym.

MAURISSA TANCHAROEN as WASP

Tudyk may be in Whedon’s inner circle, but smart and spunky writer/actress Maurissa Tancharoen is family, having recently married his brother Jed. Tancharoen’s dancing background should help her with the flying wirework as she brings the final founding Avenger to the sky and screen.

CAM GIGANDET as QUICKSILVER

The next two Avengers in comics were reformed mutant terrorists Quicksilver and Scarlet Witch. Quicksilver’s super speed makes him a formidable fighter, but gives him little patience for others. Gigandet’s turn as a cocky, misanthropic pilot in Pandorum makes him a great choice to play Magneto’s son.

ROONEY MARA as SCARLET WITCH

Mara’s star-making performance in 2011’s The Girl with the Dragon Tattoo gave her a chance to show off her strength with action, accents, and insanity. She’ll need all three to play Quicksilver’s powerful but off-kilter sister.

AARON STATON as VISION

With Scarlet Witch in the mix, her synthetic sometime husband would be a smart addition. Staton brings a simplicity that comes off as serene rather than vapid as Ken Cosgrove on AMC’s Mad Men, perfect for the passionless Vision. Plus, Staton’s motion-captured detective Cole Phelps from Rockstar Games’s L.A. Noire already showed us that he can pull off the “creepy lifeless android” thing.

COLM FEORE as ULTRON

Hank Pym’s misguided breakthrough in artificial intelligence is one of the Avengers’ most fearsome villains, and Feore’s cold, terrifying performance in Stephen King’s Storm of the Century give him all the evil cred he needs.

ANNA TORV as MS. MARVEL

Some fan-favorite New Avengers might jump the line and join the cast, such as USAF officer-turned-superhero Carol Danvers. Anna Torv already plays a super-powered government worker on Fox’s Fringe and is one of very few humans who could pull off that costume.

MICHAEL JAI WHITE as LUKE CAGE

White has already played a superhero in the terrible live-action Spawn film, but he didn’t get a chance to show off his attitude and fighting skills. If Black Dynamite had bulletproof skin… Wait, maybe this should be its own movie.

MIA KIRSHNER as SPIDER-WOMAN

Kirshner was sexy and dangerous as recurring assassin Mandy on 24, proving she has what it takes to bring SHIELD/HYDRA double agent and super-powered femme fatale Jessica Drew to life.

JOE MANGANIELLO as HERCULES

Few men have the body to emulate a god (or demi-god), but Manganiello’s True Blood nude scenes keep him in the gym pretty perpetually. A recurring role on How I Met Your Mother showed the former Flash Thompson’s comedy chops, which he’d need to pull off the mirthful Prince of Power.

Did we miss? Hit? What other AVENGERS would you like to see in a sequel? Let Geekscape know in the comments below!

This was an April Fools joke… you excitable Brown Coats you! Go get a hobby!

A source close to the production of “The Avengers” has let slip that a few cameos from the Whedonverse have been revealed.

Our source, who has asked to remain anonymous, confirms that director Joss Whedon has snuck in a few characters from his many shows – without the knowledge of the brass at Marvel.

“[Joss] said that since no one at Marvel was familiar with the characters, he just felt he could get away with it,” adding that they are pretty cleverly disguised and should delight fans of Whedon’s work.

So what are they?

“In a scene where there is a rush of SHIELD agents being led by Black Widow, we see “Echo” (played by Eliza Dushku in “Dollhouse”) and flanking her is none other than “River” (Summer Glau’s character from “Firefly”) – and they are kicking ass!” He adds that fanboys of Summer Glau in black leather will not be disappointed, even though the appearance is fleeting.

Other cameos:

– “Captain Malcolm Reynolds” from Firefly in a flashback scene taking place in WWII. (“He’s very clearly seen in a photograph of an old SHIELD unit”).

– A one-eyed “Xander Harris” from Buffy in a humorous juxtaposition to Samuel L. Jackson’s one-eyed Nick Fury (adds the source: “Nick [Harris] is in an old-style Nick Fury uniform, chomping a cigar”)

– Apparently one of the characters references something like “living vampires” (Mobius??) and as they go through files of potential agents to send against them, one of the images is of “Buffy Summers”. The Source says that as they are looking through the files, the agent says, “dead, dead, missing, dead” and when they get to Buffy’s picture he says, “dead to me.” HARSH! We guess things aren’t great between Joss and SMG?

It’s no secret that Joss Whedon loves to work with the same people over his many projects, so it should come as no surprise that some of his favorites have made it into his biggest movie ever.

The Avengers opens May 4th.

I know that you’ve read a ton of other articles about fights people want to see in Avengers vs. X Men. And I know that you’ve been bored by them. Captain America and Cyclops? Meh. Rogue vs. Iron Man? Pfft. Red Hulk vs. Armor and Surge…? Acceptable. With fights that bland, I can’t believe Marvel hasn’t been purchased by Dreamwave yet.

There are a lot of battles I’m dreaming of that Marvel just doesn’t have the courage to give us. So here, in no particular order, are most of them.

 Decade Late Battle of the Decade: 

Gambit vs. 90’s Thor

Remy Lebeau: The poster child of 90’s Marvel. He’s still wearing that damn coat and that black and purply armor/jumpsuit thing and he’s still throwing cards. He couldn’t be anymore 90’s if he was throwing Wildstorm cards.

But the Son of Odin shant let the X Men own the 90’S! It’s time for Thor to pay his storage unit a visit and fish out the STRAPS! CHAINS! BELLY SHIRT! SHOULDER PADS! Whoever wields this dick armor, should he be worthy, shall possess the power of Thor!

Projected winner: Gambit is shattered into a pile of Phalanx Covenant hologram covers when he tries to hit Thor in the junk with his staff.

By the Order of Agent Henry Peter Gyrich:

Token Black Guy Battle Royale

Storm. Black Panther. Bishop. Falcon. That smart kid from New X Men that lost his powers. Patriot. Black Widow. Black Knight. Black Tom Cassidy. Throughout the years, a respectable handful of black superheroes have either protected a world that hated and feared them or served as one of earth’s mightiest heroes.

But heads up, true believers: after AvX every spot for an African American hero is being taken up by a different Spider-Man costume variation, and according to Gyrich, the Avengers and X Men will share one only black person between the two teams.

Projected winner: Krystalin from X Men 2099 wins the spot. Black Panther stops hanging out in New York all the time and remembers to run that country that he’s the king of.

The Real McCoy:

X Men Beast vs. Avengers Beast

One 3.99 22 page comic of Hank McCoy sitting in his room making a pros and cons list about which team he should fight alongside. WRITTEN BY GRANT MORRISON.

Projected Winner: Whichever one makes him not look like a cat anymore.

Kid Gladiator vs. Everyone

I mainly just want to see Kid Gladiator beat the hell out of that dinosaur kid from Avengers Academy like a super strong Verne Gagne. Did you guys know that Kid Gladiator is the future of comics? Because he is.

Projected Winner: Kid Gladiator beats up the whole crossover, jumps to the New 52, and takes care of them, too. Broo helps.

The Chuck Austen Memorial Cage Match: 

Lionheart vs. Nurse Annie

If Lionheart wins, she gets to see her kids which she couldn’t do for some reason! If Annie wins, she…I guess she bangs Havok? And her son watches? Chuck Austen was weird.

Projected Winner: Chuck Austen, for me reminding everyone he existed for a paragraph.

Andy Kaufman InterGender

Championship Match: 

Hank Pym vs. Emma Frost

I just want to see Hank try and give Emma the Pym-Hand. She used to be a stripper. They know how to deal with dudes like that.

Projected winner: Emma Frost makes Pym sit on his hands by force.

The ‘I Know Now Why You Cry But It Is Something I Can Never Do’ Invitational Robot Fight: 

Vision vs. Danger

Maybe it’s because I was just writing about old Chuck Austen runs, but I hope Scarlet Witch falls in love with Danger.

Projected Winner: Vision is in control until Hugh Jackman figures out how to make Danger mimic his shadow boxing moves.

Avengers: Disassembled

vs. X Men: Disassembled

Bendis is leaving Avengers. We know this to be true. And we all know by now that his roadmap to a franchise’s success looks something like this:

1. Disassemble
2. Red Ninjas
3. Profit
4. Red Ninjas

Don’t think it’s not coming, X fans. Sure, they just schismed, but right after we had a Civil War we were Secretly Invaded, and then we faced Fear Itself like two days later. Somewhere in there, Spider-Man big-timed. X Men: Disassembled is coming for us and the mutants are going to have to prove that they can disassemble better than the Avengers.

This will be an uphill battle for the X Men. For one thing, they don’t assemble so I think they’ll have to call it X Men: Disuncannied. I hope Bendis just makes X Men: Disuncannied Pixie’s fault so we can get rid of her.

Projected Winner: Bendis gets five more years of glory when The Hood relocates The Hand to San Francisco.

Johnny Guitar and Dr. Sax

Not even fighting anyone. I just want them around more.

Projected Winner: Everyone that buys The Adventures of Kid Gladiator Featuring Johnny Guitar and Dr. Sax #1, the MAJOR new ongoing series spinning out of the pages of AvX written by Dan Slott and Jason Aaron with art by Stuart Immonen!  Special back up story: BROO MEETS PRESIDENT OBAMA!

Joe Starr is the host of GEEKSCAPE PRESENTS, our monthly free live comedy show. The next one is April 3 and you can learn all about it HERE.

After a few Michael Bay-esque trailers and that poster with the 9 ft. tall Captain America that pissed off the entire internet, the Japanese prove once again that when it comes to stuff, nobody does it better than they do.

The Japanese trailer for Joss Whedon’s Avengers movie not only features a lot more footage than we’ve seen so far, but some dialogue from How I Met Your Mother’s Cobie Smulders (aka Almost-Whedon’s-Wonder-Woman, aka Agent Maria Hill in this movie, aka Agent Robin Sparkles).

"Let's go save the world... TODAY!"

The build up is better, the dialogue is more carefully chosen and the payoff shows more of the team fighting actual villains instead of making it look like the culmination of half a decade of superhero movies equals The Avengers fighting a bunch of explosions for 2 hours.

And as an added bonus, you actually hear Scarlett Johansson talking! And here she pulls off the opposite of what most actresses known for being hot would and reminds us that we actually like her when she talks (and that she’s the cool chick from Ghost World and Lost in Translation).

The Avengers comes out on May 4th — a day I’m already looking forward to more than I am my firstborn’s graduation day (cause that little non-existent bastard has to start pulling his/her weight around here). Check out the Nerdgasmic trailer by clicking here.

*Jumps up and down flashing the peace sign*

It was more than two years ago that I first thought I would get a chance to see Cabin in the Woods. The film, shot in 2009, was rumored to be a secret screening at Fantastic Fest here in Austin. They were even handing out posters, each with phrase poking fun at horror tropes. “If you hear a loud noise outside….have sex.”

Alas, the rumors proved false, but the movie was supposed to come out in a few months anyway. Then MGM went bankrupt and Cabin in the Woods was shelved. A tough blow for the movie, and for the legion of Joss Whedon fans excited to see him and his crew take another shot at a feature length movie. Cut to this past weekend, two years later, where Cabin opened SXSW to near universal praise. I’d say it was worth the wait.

It’s tough to talk about the movie since much of the joy lies in the surprise. The less you know, the better. Unfortunately, the initial trailer, which I managed not to see until after viewing the movie, already gives away slightly too much. I’ll just say that Joss Whedon and Drew Goddard take your standard horror set up of a small group of college kids taking an ill advised vacation to the backwoods, and then proceed to deconstruct and then expand that into something jaw droppingly awesome.

The deconstruction is fun but, despite a unique premise, isn’t something particularly new. Ever since Scream this kind of meta commentary has become commonplace and audiences are well aware of the cliches. The recounting of horror movie rules doesn’t have the same effect as it did a decade ago. Just recently, movies like Behind the Mask and Tucker and Dale have found equally unique ways to cover the same ground. So while that bit is enjoyable, if that’s all Cabin was it wouldn’t have made much of an impact. The expansion, however, is spectacular. Just when you think you know what the movie is, it turns to something else and rides a geek adrenaline high all the way till the end.

Joss and Drew, writer of Cloverfield and many Buffy/Angel episodes, are masters at creating “the moment”. The build up and pay off of set pieces are absolutely perfect. It’s musical in the way everything flows together and builds to a climax. This is a movie where they somehow made the ‘ding’ of an arriving elevator one of the most exciting things you’ve ever seen. It’s impressive.

The cast is a mix of Whedon regulars and new faces, and maybe a surprise appearance or two. Kristin Connolly is perfectly charming and sympathetic as the ‘virgin’ lead. Chris “Thor” Hemsworth takes a backseat in this pre-fame ‘jock’ role and it’s interesting to see him play a college kid after larger than life turns as a god and Kirk’s dad. Richard Jenkins and Bradley Whitford are wonderful and provide the films biggest laughs. The only performance I had an issue with was from Dollhouse co-star Fran Kranz. Fran is the ‘stoner’ of our stereotypical group and is given some of the best lines, but he overplays the “I’m so high, man” thing and is never believable. This is particularly unfortunate since his character is essentially the audience surrogate. He’s the one who speaks for us, just in a silly voice.

Even Kranz is redeemed by the films incredible climax, though. It’s something that must be seen, preferably with a group of like minded friends. It’s a fist pumping, spontaneous clapping, holy shit celebration. During the Q&A, an audience member asked the crew if they knew they were making the last horror movie ever. In some ways that feels accurate, as this takes the genre and blows it sky high. It’ll be interesting to see what future filmmakers make from the rubble.

At SXSW tonight, I got a chance to talk to Joss Whedon and Drew Goddard about their new movie “The Cabin in the Woods”. We talked about the movie being shot 3 years ago, whether Chris Helmsworth got Joss the job directing The Avengers and what it was like developing a “cabin in the woods” style horror film!

We also talked to Cabin actress Anna Hutchison about her role in the movie… and her former life as a Power Ranger! Yup. We’re pretty much awesome… and so is the film! Expect a review soon!

The new Avengers trailer has premiered over at Apple and it helps a lot. You see more of the Avengers being put together and you get a few more shots of the alien ships (although still no obvious signs as to who the bad guys Loki has hired are).

What do you guys think? Any guesses? I do know now that the bad guys do have a giant Transformers 3 worm!

Check out the new trailer here on Apple!

Updated with an embed from our friends at JoBlo!