Legendary Comics has surprised comic book fans everywhere with the release of Axiom, which is now on store shelves! Most noted for his work on comics like The Flash, Captain America, and Kingdom Come, Mark Waid teams up with artists Ed Benes and Dinei Ribeiro to create a gorgeous graphic novel about superheroes gone wrong.

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Super-powered beings come to Earth with the intent of protecting it. But what happens when things go terribly wrong? The cover gives a pretty strong impression that things might not be going too well on Earth.

The official description goes:

Axiom and Thena, aliens from another world, arrive on earth and exhibit extraordinary powers. Benevolent and godlike, they cure humanity’s ills and usher in an era of peace, prosperity and complacency.
 
A series of tragic events reveals another side of Axiom: humanity’s savior becomes its worst nightmare. A Defense Department analyst, armed with only scientific knowledge and courageous spirit takes on the turned hero in a fight for mankind’s survival!

The 144 page graphic novel is available in stores starting today for $19.99. Grab a copy today and let us know what you think!

Briefly: The long troubled Ant-Man gave Marvel fans everywhere a pleasant surprise when an admirable film filled with fantastic humour debuted last Summer.

Now, the Blu-Ray release is fast approaching its December 8th launch date, and today a gag-reel from the release made its way online that shows off just how much fun the cast had making the feature.

It’s fairly short, ringing in at just over 30 seconds… and it’s basically just the cast dancing the entire time.

In any case, it’s damned hilarious.

Take a look at the clip below, and be sure to let us know what you thought of Ant-Man!

https://youtu.be/7m05juc9CYM

I didn’t know that these guys could move like that!

There’s a game I like to play when I watch movies, called “What Broke My Suspension of Disbelief?” Sometimes it’s something big, like a Jaeger bashing a Kaiju with an entire ship, and sometimes it’s small, like the fly on that dude’s forehead in Troll 2. And don’t even get me started on the cannibalism in Fried Green Tomatoes (because I’ll be discussing that in a future article). Whatever causes it, it’s always entertaining to look back on a movie, be it good or utter garbage, and contemplate that one scene where the people writing the script just asked too much of you, their devoted audience.

With the current wave of superhero movies being made in the past decade or so, few things are as ridiculous as forcing two complete strangers to fall in love as they are being shot at by lasers and buildings are falling down around them. As the title implies, this article is FULL OF SPOILERS, so don’t read it unless you’ve seen pretty much all of the MCU films as well as most of the other recent superhero movies. Or you don’t care about having romantic subplots discussed.

My wife and I finally got around to seeing Ant-Man at the theater this past weekend, and something has been bugging me (heh) ever since: that kiss. I’m obviously no Puritan when it comes to my movie tastes; I watch stuff like Wolfcop and Dr. Giggles for Horror Movie Night on a weekly basis, and I did just watch a bunch of guys in superhero costumes punch each other silly.

So why does this 20-second portion of Ant-Man stick out so much to me? As the title here states, it’s completely unnecessary to the film, and a bit unrealistic to have occurring after a week of Hope Pym beating the tar out of Scott Lang in the basement and staring daggers at him and Hank. It’s unrealistic in a movie about a guy who invents a shrinking suit and has the ability to control ants – that’s saying something. Part of me realizes that their kiss was shoehorned in for the comedic relief with grumpy Dad (and to set things in motion for Ant-Man 2), but the rest of me is having trouble letting go and enjoying the rest of the movie. If they had just given a subtle hint that they were going to hook up in the next movie, I would be here writing about how amazing, witty and just plain FUN the script is. But nope, they had to turn The Wasp into a Battle Babe.

“What’s a Battle Babe,” you say? I thought you’d never ask! Battle Babes are strong female characters who are introduced as valuable allies in the beginning of a movie, only to be relegated to love interests or damsels in distress by the third act. The most damning part of the phenomenon is that I can’t think of any film where a male character goes through the same devolution (probably because that would be emasculating, and the majority of people consuming superhero and action movies are male). Concrete examples will paint the picture best, I think.

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Hope Pym (Evangeline Lilly) in Ant-Man; as mentioned above, teaches Scott Lang to fight and control ants, helps coordinate the main heist and then pisses it all away by inexplicably falling for Scott Lang (who killed her old boyfriend Darren Cross just hours before). It’s like watching the Karate Kid lip-locking Mr. Miyagi for no reason after winning the All-Valley Karate Tournament.

"Marvel's Thor: The Dark World"..Jane Foster (Natalie Portman) ..Ph: Jay Maidment..© 2013 MVLFFLLC. TM & © 2013 Marvel. All Rights Reserved.

Dr. Jane Foster (Natalie Portman) in Thor; she starts the movie as a freaking ASTROPHYSICIST and is not once seen using that massive intellect in either the first or second film to do anything but get into situations that require her godly boyfriend. Sif (Jaimie Alexander) is an even worse case/better example, as she spends Thor and Thor II kicking ass from one end of the Bifrost to the other and is written as a Thor clinger. Luckily, she pops up in Agents of S.H.I.E.L.D. free of romantic BS.

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Black Widow (Scarlett Johansson) in Avengers: Age of Ultron. It was hinted that she and Cap had a bit of mutual attraction in The Winter Soldier, but luckily nothing came of it (thereby saving my favorite MCU movie from certain disaster). But as soon as the Avengers start partying in AoU, sparks fly between Natasha and Bruce Banner. It’s not even subtle, and sets up an interesting dramatic point about Natasha’s experiences as a child assassin, but forcing the relationship just to get there is an low point in an otherwise light summer blockbuster. It also dismantles most of the badassness Black Widow has cultivated in her preceding films. Once a lethal assassin, now just a lady without a baby…

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Sgt. Rita Rose Vrataski (Emily Blunt) in Edge of Tomorrow. Sargeant. SARGEANT. That right there denotes that she’s pretty tough and can kill Mimics with the best of them. She realizes Cage (Tom Cruise) is looping after each death, and trains him accordingly, only for him to fall in love with her and keep trying to get her to safety each loop. Rita does go down fighting, but still qualifies for the title since she’s sexualized almost from the get-go and you know from the first minute Cage meets her, she’s going to be the love interest.

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Evey (Natalie Portman, again!) in V for Vendetta. V spends half of the movie using her to help him kill his enemies, and then confesses his love for her before dying. I can’t believe how badly the Wachowskis screwed up Alan Moore’s original storyline by adding that. She was supposed to have been imprisoned and tortured by V to shape her into his successor, instead we got Lolita with Guy Fawkes masks.

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Elektra (Jennifer Garner) in Daredevil and Elektra. While I realize that Elektra and Daredevil were an on-again-off-again couple in the comics, the films really played her up like a girl with a crush, particularly in the self-titled sequel. You’re supposedly the great martial arts “treasure” and more or less throw it all away at the end of Elektra to smooch the father of the girl you saved. Because every warrior woman is just wasting time until she can put down the katanas and start a family.

Even the pictures I found from each film portray these women as sexy and/or weak. It’s sort of creepy.

Now, those are some of the worst offenders in recent memory, but there ARE ways to do it without making me roll my eyes. Peggy Carter (Hayley Atwell) in Captain America and especially Agent Carter kicks so much ass and while she does have feelings for Cap, it never gets in the way of her busting skulls. She finds herself in peril but never waits for some dude to save the day; she’s a proactive heroine. Gamora (Zoe Saldana) in Guardians of the Galaxy is ALMOST a Battle Slut, and will likely become one in the sequel, but I think James Gunn did a great job poking fun at the trope a bit and didn’t leave her waiting to be rescued by Peter Quill.

Maybe my problem with Battle Babes and all the unnecessary romance in comic book movies is that, for me, unconsummated affection works better than forcing strangers to fall in love while evading death. That comic book movies seem to utilize Battle Babes most of the time, doesn’t make me love the genre any less, but their prevalence in a film is an easy barometer for me to tell how good the adaption is.

So, what do you think? Am I crazy? Are Battle Babes anachronistic? Leave a comment!

Post script: I just realized that Batman does kind of get the Battle Babe treatment (thanks to Talia’s betrayal) in The Dark Knight Rises. So there’s one.

I’m seeing widespread panic this morning because of Ant-Man’s conservative take at the box office this past weekend.  That conservative amount? $58 MILLION DOLLARS. Which was enough to give Marvel its 12th entry to debut at number one. Early projections had the movie tracking at around $65 million, so $58 million is a tad under Disney’s expectations, but not enough of a reason for Marvel President Kevin Feige to start shopping his summer home in Malibu. “Superhero Fatigue” is the buzzword spreading around the internet this morning like a wildfire. So, let’s all take a step back, breathe, and analyze what happened at the box office this weekend.

First and foremost, Ant-Man had some HEAVYWEIGHTS competing with it at the box office for your money. Minions, which was only in its second weekend, is still taking over the world one IHOP commercial at a time. Trainwreck, had great marketing, a well known director in Apatow, and legit recognizable faces in Schumer, Hader, and even Lebron James. Also, Inside Out and Jurassic World continue to pull in solid earnings given the fact they were released weeks ago. I believe, because of extremely positive word of mouth and reviews (79% on Rotten Tomatoes and 8.1 on IMDB), Ant-Man won’t see a huge dip in its second weekend. A $35 million second weekend would be exceptional. Add in the overseas box office and it will already be in the green on its modest (for a Marvel film) budget of $130 million.

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There’s enough newness on the horizon in the superhero genre to keep it fresh and keep audiences engaged. Suicide Squad looks like nothing we’ve ever seen before, Deadpool is going for a hard R rating, and Marvel getting their hands on Spider-man may finally be the jolt the franchise needs to give us the Spider-man movie we’ve been craving (Raimi ALMOST did it for me but not quite). So all of this talk of Superhero Fatigue is just lazy internet writing, because when you look deeper, we have so much to look forward to in this genre. I for one can’t wait! So sorry Alan Moore, who recently made his biggest contribution in years saying that superheroes are a “cultural catastrophe”, this genre is here to stay and I could not be happier with where it is heading.

David S. Goyer has been doing his rounds to promote his upcoming series Da Vinci’s Demons. When speaking with Italian site badtaste.it, the topic of Man of Steel came up, and Goyer of course had a few words to say about it. Check out the interaction below!

Moderator: You are quite good at writing two kinds of stories: fantasy completely original stories, with a supernatural aspect, and also adaptations (especially from comic-books) that you reinvent in an original way. We know you’re working on a new comic-book adaptation, a DC Comics adaptation. What does this work have in common with you previous works?

David Goyer: Are we talking about Man of Steel? What Christopher Nolan and I have done with Superman is trying to bring the same naturalistic approach that we used adopted for the Batman trilogy. We always had a naturalistic approach, we want out stories to be rooted in reality, like they could happen in the same world we live in. It’s not that easy with Superman, and actually this doesn’t necessarily mean we will make a dark movie. But working on this reboot we are thinking about what would happen if a story like this one actually happened. How would people react to this? What impact would have the presence of Superman in the real world? What I really like to do is writing “genre” stories without a cartoonish element. I did the same with Da Vinci’s Demons, and I’ll do the same with Man of Steel.

David of course has quite a few superhero writing credits under his belt. From Nolan’s Batman trilogy to Ghost Rider, Blade to The Crow, he’s been heavily invested with the stuff for decades. I know I can’t wait for Man of Steel, how about you?

Man of Steel soars into theatres on June 14, 2013.

Images have surfaced from the new Complete Screenplays of The Dark Knight Trilogy book. In addition to the scripts of all three films, the book also contains storyboards with concept art. This piece of concept art from the opening plane hijacking sequence shows us how Bane might have looked in The Dark Knight Rises.


What do you think? Better or worse than the final film?

 

Stan Lee announced the lineup of his new World of Heroes YouTube channel on Thursday, and despite being about as diverse as you can get in tone and style, every show does seem to fit Lee’s mandate of showing a “different side of herodom.”

Here’s the lowdown:

Geek Therapy
A scripted show starring America Young as a shrink specializing in nerdy neuroses.

Fan Wars
A sort of People’s Court in which Judge Jace Hall presides over fan debates such as who would win in a fight between the Avengers and the X-Men. Viewers will recognize the format from Lewis Black’s late Root of All Evil. The courtroom setting differentiates it slightly from the Nerdist channel’s Tournament of Nerds.

Bad Days
What happens when Batman locks his keys in the Batmobile? Find out in this series of bite-size cartoon vignettes showing all those times things don’t go quite right for our favorite heroes.

Geek DIY
Craftswoman extraordinaire Bonnie Burton (“Admiral Sackbar”) invites famous friends to join her as she takes on new fan-related projects.

Stan’s Rants
Stan Lee gets all up in your face to let you know exactly what he is thinking about a current development in the comics world and beyond.

Academy of Superheroes
A reality competition show in which aspiring real-life superheroes (yes, really!) learn everything they need to know from celebrity guest instructors.

SuperFans
Adrianne Curry visits and interviews real fanboys and girls around the country whose obsessions have taken over their lives and homes.

Chatroom of Solitude
Jeff Lewis, Phil Lamarr, and others portray supervillains who communicate (squabble and talk trash) over Skype. The hilarious highlight of the previews. NSFW.

Super.Model
An action series about a fashion model with super powers.

Head Cases
Peter David is still writing this sitcom he describes as Cheers with superheroes.

The new poster for The Dark Knight Rises is here and it’s…underwhelming?

Within five minutes of the release of the poster by WB, the internet has collectively flown into outrage over the lazy design of the new poster utilizing a pre-existing image of  batman against a recolored version of the first teaser poster. Amateur photoshop work for sure, and many fans have called WB’s marketing into question.

What do you guys think of this poster? Love it? Hate it? Framing it on your wall? Share your opinions with Geekscape!

 

I have been meaning to write about Natasha Romanoff aka Black Widow for a while, and with Battleship do to overtake The Avengers in the box office this weekend, I better write it now! So, here we go: why Black Widow is important to the portrayal of women in action films, especially in the superhero subgenre. (That’s what you call a thesis, folks!)

Although I’m not very familiar with the Marvel Universe when it comes to comics, I am fairly versed with action films in general, and superhero films in particular. I have  seen just about every single superhero movie since they became the “thing” again with the release of X-Men in 2000. Batman Begins, Iron Man, Superman Returns, Spider-Man, etc., etc. As you can tell by the titles, they were about men, and if you watched any of them you might have notice a severe lack of women. While each of these films had a leading lady of some degree—Rachel Dawes, Pepper Potts, Lois Lane, and Mary Jane Watson—you might also have noticed that each of these women also happens to be the titular man’s love interest.

Now, before someone gets offended or pissed off at me for denigrating the clever Pepper Potts or the brilliant reporter Lois Lane to “love interest”, I must say that, with the exception of Rachel Dawes, I am quite fond of all of these women, especially in their comic book form. That said, in the comics they have lives of their own and arcs that consist of more than “I will not date you, but I think you’re adorable” to “you have won me over with your heroism, let’s get to it!” As far as the movies are concerned, there isn’t much else to them, no matter how snappy their dialogue may be.

Enter Black Widow.

There she is!

Just like the rest of these women, she’s attractive, sophisticated, and damn good at her job.  Unlike the rest, she exists without the need of a romantic story line. She is a supporting character who helps the hero meet his goals and doesn’t feel the need to bang him for doing a good job. She is a breath of fresh air, not only in action movies, but movies in general. It is rare to find a female character who wants things, not just in addition to, but completely outside of a husband or boyfriend. What’s more, is she has survived two films without falling into that trope. It was easy for her not to do so in Iron Man, as Pepper Potts is the leading lady in that franchise, but to hop ship to The Avengers and not be paired with any of the men (two of whom lacking girlfriends going in), is pretty spectacular.

Yes, there were a few hints by others that she and Hawkeye may have more than just a working relationship, but each time it was dismissed by the present party. Additionally, in their shared scenes it was standard banter between co-workers. It’s so good to see a male and female character work together without emphasizing the sexual tension. It’s good to see they can be friends and not be destined to the When Harry Met Sally endgame of holy matrimony. It’s good to have movies where the main female character is too busy kicking ass and saving the universe to even think about her libido or if she’ll find true love and all that jazz.

Black Widows kill their mates, anyway. Life is sometimes better than sex. Sometimes.

Now, I’m not saying love is a bad thing. Seriously, it’s one of my favorite things in the universe (you may read my Valentine’s Day article about it), but romantic love isn’t for everyone. Not everyone wants it (believe it or not!), and very few people want it all the time. We go through ebbs and flows regarding the relationships we want and need in our lives (at least I know I do), and it’s nice to finally be able to go to my kind of movie and see the character I self-identify myself with due to the vagina thing (if nothing more) and not have to watch her fall madly in love with the hero. It’s liberating.

What I also like about Black Widow is that she can, for the most part, take care of herself. Aside from the weird horror film sequence in The Avengers where The Hulk–I mean, “the  Other Guy”–chases after her and she runs around, trying to hide like a terrified little girl, she’s a fairly competent hero. A competent hero sans-powers, at that! She kicks ass, takes names, and helps her team save the day with her interrogation skills and ability to coax the villain into monologuing his schemes away (no matter how obvious it may have been to the audience). Additionally, Black Widow’s introductory scene was awesome. Even with the god-awful hair whipping that was supposed to be a headbutt. The way she worked around the chair was pretty spectacular, and not something I had seen before.

Which is more beneficial: A woman with a gun or a bowman?

An interesting, independent female character who is trying to seek redemption on her own terms, and not in the arms of a lover? Yeah, she gets my vote for Best On Screen Female Comic Book Character. Definitely. Even with the over-sexualized portrayal of her in the advertising of the movie (but that’s been talked about to death, and I want to stay mostly positive in at least once when talking about The Avengers).

That said, as much as I like Black Widow, I’m not sure if a solo film starring her is where it should go. Perhaps a S.H.I.E.L.D. film is a good idea; but a solo film, I’d imagine, would basically just be a female James Bond movie, and would negate all the pros I was pitching, as Bond is nothing if not hyper sexed and romanticized, even if he refuses to fall in love. And yes, I recognize that seduction may very well be one of her tools for gaining information, but so far it hasn’t been used and I’d like it to stay that way.

Nevertheless, I see this as a major step forward (be it conscious or not by the filmmakers), and I hope that we can see more women like this in action films, and maybe it will coax DC into finally bringing a decent Wonder Woman project forward, and not just some half-assed attempt like last year’s pilot (which I watched and it was just dreadful).

In the mean time, we’ll see two women in The Dark Knight Rises. One being Selina Kyle aka Catwoman, the other is Miranda Tate who may potentially be Talia Al Ghul. If so, then both women are known for their romantic ties to the Batman just as much as, if not more so, they are known for anything else. Considering Catwoman is advertised as a major villain in the film, I doubt it will be all that defines her (and if Miranda is Talia then of course there will be a bigger arc, due to her Ra’s role in Batman Begins). Nevertheless, it seems doubtful that a romantic story arc–no matter how doomed to fail or tragic–will be missed in the case of either of these women. Not to mention, since the death of Rachel in Dark Knight, there will surely be a hole to fill in the Caped Crusader’s heart.

This feels somewhat reminiscent of 1992 … did you used to be a blonde?

We’ll see. I won’t necessarily be disappointed either way, I just hope it doesn’t take another decade or so before a female hero can exist without her presence being justified or dependent upon her male counterpart.

The Avengers continued to destroy box office records this weekend. According to Disney’s estimates, the Marvel blockbuster took in $103.2 million in its second weekend, surpassing Avatar‘s previously held record of $75.6 million.

This brings Joss Whedon’s juggernaut to $373.2 million in US earnings; worldwide, the film has now crossed the billion dollar mark in just 19 days, another record. Tim Burton’s soap opera adaptation Dark Shadows opened in second place, pulling in just under $29 million.

Shawarma sales are up by 80 percent, according to TMZ.

The new trailer has just dropped for The Dark Knight Rises and wow…it’s awesome!

The Dark Knight Rises starring Christian Bale, Tom Hardy, Anne Hathaway and Michael Caine opens in the US July 20th 2012.

It’s April 12th and we’re still posting April Fools Jokes? Actually we aren’t.  Deadline has reported that Sony Pictures is “re-imagining” the classic Archie Comics title with some of the original publishers of the comic as the producers.  The site says about the movie ” it will be an origin story in the vein of Spider-Man, about a young girl coming to terms with her remarkable powers.”

Mark Walters is in line to direct the project, scheduling permitting. Casting is sure to be an interesting process that we’ll want to keep an eye on for this project, but as of now, relatively few details have been released from Sony. Stay tuned for further updates when we attempt to answer the pivotal question, “why bother?”