Tonight’s MTV Movie Awards premiered a brand new clip for Shane Black’s highly anticipated Iron Man 3. That clip has now made its way online, and as long as you’re in the United States (sadly, it’s region locked), you can check it out below.

Someone, please tell me what happens. MTV isn’t friendly to Canadians.

Iron Man 3 hits theatres on May 3rd.

 Marvel Studios’ “Iron Man 3″ pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Phase two is nearly here! Disney has just released (another) new TV spot for the insanely anticipated Iron Man 3. This one is called ‘Life’, and features some tiny (tiny) snippets that we haven’t seen before.

This movie looks phenomenal: every trailer, clip, and image has managed to impress, and I’m sure that the feature will not disappoint. Check out the new spot below, and let us know what you think! Iron Man 3 hits theatres on May 3rd!

Marvel Studios’ “Iron Man 3″ pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

The first film in Marvel Studios “Phase Two” hasn’t even hit theaters yet but that isn’t keeping them from getting prepared for their big conclusion. The studio will bring Earth’s Mightiest Heroes across the pond and begin shooting at Pinewood-Shepperton in early 2014, with pre-production for the film most likely get underway later this year. This isn’t the first time that Marvel has shot across seas, a good chunk of Thor: The Dark World takes place in London and James Gunn’s Guardians Of The Galaxy will be taking advantage of Shepperton Studios when filming on the movie begins in a few months. With plot details for the film being kept under wraps, it’s pretty hard to speculate just what they’re going to be filming when they travel across the pond and begin production.

The currently untitled sequel to The Avengers is set to hit theaters May 1, 2015.

Source: Screen Daily

Marvel’s The Avengers will be re-assembling again very soon. This time it will happen on the Oscar Stage. Cast mates Robert Downey Jr., Chris Evans, Samuel L. Jackson, Jeremy Renner and Mark Ruffalo will all assemble once again to present an award. Sadly, they couldn’t get Scarlett Johansson, Clark Gregg, Maria Hill and Chris Hemsworth to complete the full lineup. But then again that’s a lot of people to have one one stage. Check out the full press release below.

 

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“We are happy to re-unite the Avengers cast to present on our show,” said Craig Zadan and Neil Meron. “Audiences who enjoyed the year’s biggest box office hit will be excited to see these terrific actors back together again.”

 

Downey has twice been nominated for an Oscar, for his leading role in Chaplin (1992) and for his supporting role in Tropic Thunder (2008).

 

Evans, who will be making his first Oscar show appearance, will be seen in the upcoming The Iceman.

 

Jackson was nominated in 1994 for his supporting role in Pulp Fiction. He can also be seen in this year’s Best Picture nominee Django Unchained.

 

Renner was nominated for his leading role in 2009 Best Picture winner The Hurt Locker and for his supporting role in The Town (2010). Renner had roles in this year’s The Bourne Legacy and Mission: Impossible – Ghost Protocol (2011).

 

Ruffalo received his first nomination for his supporting role in 2010 Best Picture nominee The Kids Are All Right.

 

Oscars® for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

 

Source: Deadline

Here it is! Geekscape’s 6th Anniversary Party episode! We talk The Hobbit, Spider-Man, comics, videogames and SO MUCH MORE! Guests in this jam-packed episode include Geekscapists Brian Gilmore, Ben Dunn, Eric Diaz, Hong, Molly Mahan, Shawn Madden, Scott Alminiana and more! Guests include Ash Paulsen, Garrett Medina, Matt Raub, Sam Weller, Tom Pinchuk, Coco and Kelly Quinn, Jon Schnepp and plenty more! Gilmore talks about marrying Ben’s sister and my wife talks about being married to me! And of course… there are tons of big announcements along the way! This is it! Enjoy!

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Gavin Hignight has written for cartoons like Teenage Mutant Ninja Turtles, Iron Man: Armored Adventures and more! In comics, he’s released his own Manga supernatural biker gang book “Motor City”. On this episode of Geekscape, Gavin joins me to talk about his semi-autobiographical book “The Freak Table“, about growing up in Middle School and High School as a complete outsider and member of a counter culture movement about to go mainstream. Sound familiar? Yeah… there’s probably a lot that will resonate with us on this episode of Geekscape!

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Better late than never right?

EW today released some new info regarding the highly anticipated Phase One box set. The fantastic looking bundle was originally set to release back in September, but was delayed due to a lawsuit over the case design.

We now have a new release date for the 10-disc set (featuring a slightly different looking briefcase), and while it’s still months away, I can’t help but get excited. New pre-orders are set to start later today, while the set will be available on April 2nd (just 133 more days).

The set will also include additional content that would not have been there had it hit shelves on time including never before seen clips, and a Phase Two preview featuring “footage, concept art, and a few new surprises.”

I’m in. How about you?

Source: EW

Marvel relaunched another very popular character today as part of Marvel NOW! Tony Stark is back with a new creative team and a few news toys. And this first story arc references back to a story from years ago: Extremis. Obviously, Marvel is introducing the popular storyline to those who have not read it and is giving people an idea of it just in time for the release of Shane Black’s Iron Man 3.

The story starts by seeing Tony going back to some of his playboy ways. However, this is quickly brought to an end after he receives a special message from Maya Hansen, the inventor of the Extremis formula. It seems that she was kidnapped and forced to recreate it for A.I.M. before being killed. So, now it’s up to Tony to get these demons back into the bottle.

This is definitely a solid first issue. The story is interesting and the only problem that I can really find is that sometimes it takes a little longer to get to the action than you’d expect. I don’t mean that in a negative sense because the issue is hardly boring at all. There’s a lot going on in this issue that is obviously setting things up for what’s to come but at times it seems to drag a bit. Kieron Gillen does handle the writing job overall pretty well especially when it comes to writing Tony’s character. If there was anyone right to take over on Iron Man… it’s definitely Gillen.

As far as the artwork goes I really do like Greg Land on this book. There are plenty of people who dislike that he uses quite a bit of photo reference in his art. However, with the team of Greg Land on pencils, Jay Leisten as inker and Guru eFX on colors, this is a gorgeous title. The best scenes of course come when Tony is armored up and let’s the suit rip.

Final verdict: The first issue of the new series isn’t mind blowing but it is definitely a good jumping on point for new readers as well as something that older readers can enjoy. The series definitely seems to have quite a bit of promise and I am on board to see where it goes. Hopefully the story picks up after this introduction. A solid issue overall though.

Grade: 3.5/5

What a week! While I was working on our slew of Geekscape related projects, like ‘Doc of the Dead’, the Geekscape went crazy! New trailers for ‘Iron Man 3’, ‘Django Unchained’ and the ‘Evil Dead’ remake! Is Frank Grillo suiting up for Captain America 2? Ant Man starts filming in January! ‘Arrow’ steps up its game and ‘The Walking Dead’ REALLY steps up its game! Plus! What’s with soft hearted assassins? And ‘Silent Hill: Revelation 3D’ director Michael K. Bassett talks being a serious gamer!

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Well, we kind of already knew about these but it hadn’t been officially announced. Until today that is and with one big surprise. At New York Comic Con today Marvel revealed that next February we will see the release of Guardians Of The Galaxy #0.1 from the creative team of Brian Michael Bendis (The Avengers) and Steve McNiven (Nemesis). The first issue will then hit stands in March. The roster is the same team that will appear in the upcoming movie consisting of Starlord, Groot, Rocket Racoon, Drax, and Gamora. But, that’s not all. There’s a surprise member on the team…Iron Man!

February will also see the launch of a brand new Nova series from the team of Jeph Loeb (Batman: The Long Halloween) and Ed McGuinness (Superman/Batman) that will focus on the newest member of the Nova corps, the young Sam Alexander.

Source: Newsarama

So the latest epic Marvel “event” Avengers Vs X-Men has come to a close, and to say opinions are mixed is putting it mildly. I’m gonna go on record here and say the series was mostly entertaining, but there were also a  ton of storytelling misfires along the way.
Unlike the past few years, the events of AvX actually felt like they mattered, and had actual repercussions on the Marvel Universe. This hasn’t been the case for some time…I mean, can anyone tell me what the point of last year’s “Fear Itself” was? Or “Siege?” How pointless did “Secret Invasion”  ultimately feel?

By the way, SPOILERS for the entire series of AvX in this article. If you haven’t read it, please do so now. Or you can just read the Wikipedia entry, I don’t care. I’m certainly not going to explain what happened here in detail, I’m going to assume if you’re reading this you know the basic plot and outcome of Avengers Vs. X-Men by now. All good? Ok, then let’s talk about the good, the bad, and the downright ugly of AvX….

The Good

AvX Was A Series That Lived Up To It’s Premise

So many of these crossover events don’t live up to their premise. Secret Invasion from 2008 is a perfect example, a series that promised that many of the characters we’d known and loved for decades had been replaced with duplicate Skrull agents. This could have been a truly wild revelation in the Marvel Universe. But it turns out, pretty much only C-lister Mockingbird was actually replaced by a Skrull. Yawn. But AvX really only promised Avengers fighting X-Men, and boy howdy, it sure gave us that (maybe too much of that) At least it was a series that delivered on the inside what the cover said it was on the outside. And far be it from me from denying the simple pleasures of super heroes beating up other super heroes.

The Return of the Mutant Race

Back in 2005, Marvel EIC Joe Quesada decided that there were way too many mutants in the Marvel Universe, therefore making them seem less like a feared and hated minority and more like a powerful majority. So in 2005’s House of M mini series, he had a now crazy Scarlet Witch use her reality altering hex power to erase the mutant gene in 99% of the world. (leaving only the X-Men and their villains as the world’s sole mutants. Convenient) Suddenly, there were only 198 mutants left in the Marvel Universe. Problem is, 198 mutants isn’t so much a race, as it is a really good turn out for a party. What Joe Quesada didn’t understand is that prejudice isn’t always about numbers; women are 51% of the population  after all, and they are discriminated against, in some countries even treated as barely human, merely because they’re not in positions of power. It’s not always just about numbers.

I’ll admit that this new “mutants as endangered species” scenario led to some interesting stories, although it seems the writers and editors at Marvel were too scared to make the comparisons to the Jewish Holocaust that to me were obvious. The mutant population is nearly exterminated, and the hardened survivors form there own tiny nation, armed to the teeth in an effort to make sure no one fucks with them ever again. Meanwhile, Wolverine takes his mutants to New York state, where he feels that integrating as part of regular American culture and not separating is the way to go. If this all doesn’t sound like an allegory for the Jewish post WWII experience, then you’re not paying attention. The X-Men have always fully embraced their allegories to the civil rights movements of the 60’s and the gay rights movements, but it seems they were too scared to fully commit to the Israel metaphor for fear of offending people. (people do understand that all metaphors are not exact) If you’re too scared to really go where you wanted to go for fear of backlash, then at least give us back the idea of a mutant race that’s thriving and growing day to day.

The Death of Prof. X

This has been a long, long time coming. How many near deaths has the man had? He was shot way back in the early 90’s only to recover, then again he was shot in the head at the end of 2007’s Messiah Complex, only to survive that too. He hasn’t been an interesting or vital character for a really long time, and with his original students now in teaching positions, he no longer really has a real role either. I know that as far back as the mid 80’s, X-Men writer Chris Claremont wanted to take ol’ Chuck out, but Marvel didn’t let him. Instead, he was sent off into space for six years with his alien girlfriend, and all the X-teams at the time talked about it as if he were dead, even though they knew he was just on a really long and far away vacation.

Marvel has always played with idea that Charles Xavier was this Martin Luther King type figure for the mutant community, and Magneto as kind of the Malcolm X. Well, to take that metaphor to it’s natural conclusion, then that means that Xavier has to die tragically, a martyr to his people. For decades, the various X-Men teams have been talking about “carrying on Xavier’s dream.” You only carry on someone’s dream if that person isn’t around to do it, and he was. But now that he’s finally gone, Xavier can be a more powerful a character in death than he could be in life.

The Redemption of the Scarlet Witch

Another event that was a very long time coming was the redemption of longtime Avenger Wanda Maximoff, the Scarlet Witch. She is to the Avengers what Sue Storm is to the Fantastic Four, or Jean Grey was to the X-Men. And yet for the past eight years, ever since 2004’s Avengers Disassembled, she’d been treated like total crap. In that series, years of misfortune (finding out her father was Magneto, having her android husband’s mind wiped, and finding out her children weren’t real for starters) caused Wanda to have nervous breakdown and cause major death and destruction to the Avengers with her Chaos Magicks. She then wiped out the mutant gene to piss off her father in House of M.

On the one hand, it is commendable that Marvel has made the most powerful character on each of their signature teams a woman. But on the flip side, it seems Marvel always has their most powerful females unable to cope with such power, as if estrogen + cosmic power must always lead to global catastrophe. I don’t recall Silver Surfer or Thor constantly going off the rails whenever bad things happened to them. When the original Dark Phoenix saga happened, it was new and innovative, but by the time they did the same story with Scarlet Witch, it felt like a rehash, with the character damage nearly impossible to overcome. But at least with the conclusion of AvX, they’re seemingly on their way to restoring this character’s reputation.

The End of the Storm/Black Panther Marriage

And good riddance too. When Marvel decided to marry their two most popular African characters, mostly because they just both happened to be African, it was one of the dumbest story ideas ever. It killed Storm as a vital member of the X-Men (“hey everyone, just dropping in to say hi, even though I’m Queen of a whole nation now. Remember when my character mattered?”) and forced Black Panther stories to involve mutants. It was all so lame, and in my opinion, kinda racist. I have to admit, one of the best moments of the series was when Panther tells storm the high priest of the Panther clan has annulled their marriage, and Storm says “but you’re the high priest” or words to the effect, and he just glares back. Cold T’Challa. Cold.

The Bad

The  Inconsistent Art

There were three artists in total on AvX, and much like the writing, the art was all over the place. The first few issues were drawn by John Romita Jr. who I’m afraid wasn’t bringing his A-game to the drawing table. While Romita can draw bulking giant characters like the Hulks and Thor to perfection, as well as the square jawed types like Cap, his women are almost always ugly looking, and his layouts, at least with this series, are kind of boring. Then came Olivier Coipel’s stunning art at the halfway point of the series, and suddenly everything looked much better. Andy Kubert finished out the series, but while the art wasn’t ugly, it wasn’t really his best either. When people read this book in trades in the future, it is going to feel really schizophrenic due to the art ranging from ugly to great to just ok.

Sloppy Storytelling

Ultimately, the main characters of AvX were Cyclops, Wolverine, Captain America, Tony Stark, Hope and Scarlet Witch, with everyone else there just to punch each other, give some needed exposition, and throw out a one liner or two. But for much of the series, Scarlet Witch was sidelined, so her importance at the end of the series felt like it came out of left field at the end. Xavier’s death at the hands of Cyclops was a huge moment in the Marvel Universe, yet in terms of this series, Xavier barely played a part, rendering his death scene less impacting than it should have been. And then there’s Nova, someone who was positioned to be an important part of the series at the very beginning, but is all but forgotten until a cameo at the end. Maybe if this series had one writer instead of many, it would have felt a lot more consistent. Too many different writers and artists made the whole thing feel really messy, with moments of greatness and equal moments of awfulness. And with so many different writers (the book was written by Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman and Matt Fraction) how can it NOT feel as if written by committee?

This Series Should Have Been Six issues, Not Twelve 

As entertaining as parts of it were, there is no reason this story took six months and twelve issues to tell, aside from milking it for as long as possible to get more money from loyal fanboys. It could have been told in half the time and with a lot less filler in the middle.

The Ugly

The Character Assassination of Scott Summers

Poor Cyclops just can’t seem to catch a break. Despite being the original X-Man, he’s taken a back seat to Wolverine in terms of popularity for decades now. But in the early 2000’s, Grant Morrison took steps to make Cyclops an equally compelling character as Wolverine or anyone else in the pages of New X-Men, and that was taken even further by Joss Whedon in his run on Astonishing X-Men. But subsequent writers have slowly taken “being strong” to just “being a dick.”

And for every fan who is now saying that at the end of this series that Cyclops was right all along, well yes… he was. The Phoenix force was indeed coming for Hope, and Hope reignited the mutant race. But that doesn’t change the fact that the Phoenix could have just as easily destroyed the Earth instead, and when Captain America and the Avengers showed up to remind him of this fact, he had a giant temper tantrum about it instead of acting like a rational human being.

What Cyclops should have done when Cap showed up on his doorstep is say “ok, you want to take Hope into custody to potentially save the world? Maybe take her into space or someplace she won’t do any damage? Fine, but she’s a mutant, so wherever she goes, we go to protect her.” But no, Cyclops had to act like a belligerent asshole, and be all “get off my lawn!” and hit Captain America with an optic blast. So all the actual Avengers fighting X-Men stuff that the series was named after was Cyclops’ fault.

What isn’t Cyclops’ fault is anything he or the other Phoenix Five did while being under the control of the Phoenix. The only reason they got possessed at all was because of something Tony Stark did, and yet I’ve seen little guilt on his part for his actions here. When Jean Grey went all Dark Phoenix back in the day, she destroyed a whole world with billions of inhabitants. When she got better, she got a pass. Yet under the influence of the Phoenix, the worst thing Scott Summers did really was kill one man. And yet, he’s now imprisoned like a war criminal. If the Phoenix was responsible for these actions, then none of the Phoenix five should be held accountable any more than Jean Grey was, especially now that the Phoenix is gone. You can’t have it both ways Marvel. Either the Phoenix controls you or it doesn’t, and if it does, then there is a huge double standard going on between Scott Summers and Jean Grey right now.

Having said all that, it seems bizarre that Cyclops has shown little to no remorse over the death of his mentor and father figure, whether he was really fully responsible or not. (there was some remorse shown in the tie in issue of Uncanny X-Men, but it was too little, too late) His attitude at the end of AvX seems to be  “It was all worth it, because my people were restored.”  All of that would be consistent if he hadn’t killed Charles Xavier, who was practically his father. But he did kill him, so it makes him seem strangely callous and almost like another character entirely. There is no way that the Scott Summers who has existed at Marvel for nearly fifty years would be so unrepentant about Charles Xavier’s death at his hands as he was. At the end of AvX, Cyclops is as broken a character as Scarlet Witch was for years, and I hope it doesn’t take eight years to restore him to true heroic status. Because none of the good things that came out of AvX are worth years and years of “villain Cyclops” we are now about to get.

Final Verdict

Now that it is finally over, I’d say there was as much good and bad to AvX, with only the shoddy treatment of Cyclops tipping the scale to more bad than good. However, on the plus side, This series finally brings about an end to almost a decade’s worth of stories in the Marvel Universe, creating an almost clean slate for a refreshed new world for the creators at Marvel to play in. Instead of separate X-Men and Spider-Man and Avengers universes within the Marvel U, we are getting one unified Marvel Universe again, as it was back when Stan Lee, Jack Kirby and Steve Ditko created it, and to me that’s good. If it took AvX to get us there, then it was all worth it. Well, unless you’re Cyclops that is. Then it just sucks to be you right now.

Marvel Animation Studios debut feature Iron Man & Hulk: Heroes United, is set to be released April 23rd, 2013. The film will “team Tony Stark and Bruce Banner in a fight against the villain Zzzax, a creature formed out of pure energy who can absorb human minds.”

The film will feature a mix of hand drawn art as well as computer generated animation, similar to MTV’s Spider-Man series from a few years ago. Adrian Pasdar (Heroes) will voice Iron Man and Fred ­Tatasciore (Ultimate Spider-Man) will voice Bruce Banner/The Hulk. Zzzax will be voiced by Dee Bradley Baker, who is probably best known as the voice of Klaus on American Dad. Jeph Loeb stated:

“The challenge was to pick up the banter between the two of them. Certainly, Adrian Pasdar’s performance is inspired by what Robert Downey Jr. does, and Mark laid down such an incredible path for us to be able to follow.”

Loeb also added the following about their future plans:

“It’s our hope that we will start doing more feature-length direct to Blu-ray and DVD stories. They’ll more than likely be in team-up situations. We find it works really well when we have big exciting adventures with two or more of our heroes.”

Source: EW

It’s currently a great time for comic book fans at the local multiplex. Three of the biggest movies of 2012 are based on comic book properties. The Avengers accomplished feats we would have never imagined possible ten years ago and has gone on to become the third highest grossing film of all time. The Amazing Spider-Man swung its way into our hearts and made us feel like teenagers again. The Dark Knight Rises concluded a trilogy that left us satisfied in a way that many fans have not felt with a trilogy since… well, you know which trilogy. But it wasn’t always like this.

At one point superhero movies were B-list movies that were destined to one day be available in five dollar bins at Best Buy right next to horrid video game films. The seventies and eighties saw comic book adaptations as jokes with few minor exceptions such as Superman, Batman, and a few other b-list properties. The nineties were full of poor excuses for comic film adaptations like Steel, Batman & Robin, Mystery Men and Judge Dredd.

But at some point the superhero movie began to improve in both story and scale. Studios started to see the positive results of doing right by the superhero genre. Don’t get me wrong, we still saw plenty of failure with movies that could have been great. I’m looking at you Ghost Rider, Fantastic Four, Spider-Man 3 and X-Men: The Last Stand (oh, the bad theater memories associated with those last two…). But the good is starting to consistently outweigh the bad. So looking back at the history of the superhero film, which ones played pivotal roles in bringing us to where we are now?

1978’s Superman: The Movie is regarded by many as the first true superhero film, perhaps because Richard Donner fought to take the subject matter seriously. When he agreed to be director, the script he got was nothing but campy humor. He threw that out, brought in Tom Mankiewicz to do heavy rewrites and the result was nothing short of fantastic. Not only did we get brilliant direction from Donner, but we got some of the most iconic performances from talented actors. The impact of this movie can still be seen reflected in many movies including Sam Raimi’s homage in Spider-Man 2 when Peter Parker opens his shirt to reveal his costume underneath and most recent in the brief Gwen Stacy/Spider-Man swinging sequence in Marc Webb’s Amazing Spider-Man.

Many elements of the Superman mythos introduced in the film have since been incorporated into the regular continuity of the DC Universe. While the sequel Superman II (which Donner started but was finished after his firing by Richard Lester) received much praise, the reception to the sequels that followed was not so great, with Brian Singer’s love letter to Donner’s original Superman Returns regarded by some as one of the worst comic book adaptations. Throughout the 80s, after the success of Superman 1 and 2, we saw a dark period full of horrible attempts at comic book movies, including the spin-off film Supergirl. But in 1989 things would brighten up. Funny that it required a Dark Knight to do so.

In 1989, Tim Burton’s Batman arrived in theaters, one of the first truly “dark” comic book movies and completely changed the game, leading to a comic book resurgence at the box office and well received comic book films like Dick Tracy, Teenage Mutant Ninja Turtles and The Rocketeer. But as fresh as Tim Burton’s cinematic take on Batman was, the memories of the campy 1960’s caped crusader hung tight. The movie was even criticized in some places for being “too dark”. Burton once joked, “ever since I did Batman, it was like the first dark comic book movie. Now everyone wants to do a dark and serious superhero movie. I guess I’m the one responsible for that trend.” And he’s right. Tim Burton’s Batman is very responsible for the “darker”, more “mature” superhero film.

Just as with Christopher Nolan’s movies, the fans had many complaints about the casting choices in this film. Even the first trailer seemed to poke fun at the outcry, as comedic actor Michael Keaton responded to a caught crook pleading “who are you!?!” with a simple: “I’m Batman”. And he was. When naysayers ultimately saw the movie, they were blown away by the performances of both Keaton and Jack Nicholson, an inspired star-caliber casting choice.

Not only did the movie begin the trend of dark comic book movies but the success of Batman prompted Warner Bros. Animation to create the critically-acclaimed Batman: The Animated Series, resulting in the long-running DC animated universe. It also led to the theatrical release of Batman: Mask Of The Phantasm, which set the stage for mature theatrically released animated movies like Disney’s theatrical release of Studio Ghibli’s Spirited Away and Howl’s Moving Castle. How different would our theatrical landscape be today if this movie had not been released into theaters? IGN ranked Mask of the Phantasm as the 25th best animated film of all time in a list published in 2010. However,  things would not always stay bright. Tim Burton’s breakout film was eventually eroded by sequels (and Joel Schumacher), culminating in 1997’s Batman & Robin being quite possibly, hands down, the worst comic book movie of all time. But at least for a while, DC seemed to be on top of the comic book adaptation game, until a C-level Marvel property proved it had some real teeth.

In 1998, we saw the first appearance of Wesley Snipes as Blade on the big screen. Produced and released under the radar, and featuring an obscure Marvel character, this movie resulted in Marvel’s first successful comic book based film. And it immediately swung the bright lights of Hollywood onto the comic publisher’s massive stable of characters, lights dimmed by Roger Corman’s Fantastic Four and The Punisher movie of almost a decade earlier. In fact, after the disastrous performances of DC’s Batman & Robin and Steel, it gave Marvel some bragging rights and its success convinced studios like Fox and Sony to develop blockbuster films based on the X-Men and Spider-Man, Marvel’s two A-list superhero properties towards the end of the decade. Suddenly, superheroes were back in the game.

Blade also acted as one of the first times where we saw a sequel that was arguably better than the first film. His second Hollywood film (after Mimic), Guillermo del Toro’s take on the Marvel Comics vampire hunter in Blade II still doesn’t get the credit that it deserves but the box office proved that the franchise had bite, improving on the first film’s earnings and setting the stage for Underworld receiving a wider release the following year (before Kate Beckinsale was a proven box office draw). And even though David Goyer’s third film didn’t live up to either of the first two, it showed that less widely known Marvel properties (like Iron Man) could work as box office franchises. The third film also introduced us to the first big budget outing of a TV actor who would eventually become the big screen Hal Jordan. Looking back, Blade accomplished a more than most people remember. But if Blade cracked open the door for the future success of the superhero film, the following two films blew the door right off the hinges.

In the summer of 2000, Fox released X-Men to the big screen.  The move had a large list of A-list actors including Halle Berry, Ian McKellen, Patrick Stewart but also included a few untested or unknown talents, including director Bryan Singer, who was only known at the time for smaller, critically acclaimed films The Usual Suspects and Apt Pupil. Hugh Jackman, an unknown actor at the time, was cast three weeks into filming as a replacement for Dougray Scott. Leaked set images and costume tests were met with criticism by fans months earlier and leading up to the release of X-Men, expectations were not high that this movie was going to work at all.

But it did… in a big way. Jackman went on to become the most recognizable face of the franchise and a major Hollywood star. Actually, everyone involved in X-Men went on to find immediate success, but X-Men was a major risk for both Fox and Marvel and today many people fail to realize that without X-Men we would not have gotten The Avengers. A superhero ensemble film? X-Men proved that it could work. Singer and company proved that you could have a story filled with superheroes and fantastical elements that followed multiple characters and didn’t feel rushed or hazy around the edges. With a budget of $75,000,000 (small by today’s superhero standards), the film went on to earn twice that at the box office and paved the way for today’s wave of superhero box office goodwill. The following May, Sam Raimi’s Spider-Man broke box office records on opening weekend. Obviously, people loved their superheroes and X-Men hadn’t been enough for them.

Singer followed up the first film with X2: X-Men United which is still regarded as one of the best comic book movies ever. The story was bigger, the stakes were higher and the fights more elaborate. Prior to First Class, this was widely regarded as the best X-Men movie to date and featured morals, messages, themes and references to the comics that only avid fans would get. The opening sequence with Nightcrawler is still one of the best opening scenes in any comic book movie. It draws you in and you are instantly hooked. And the ending? One of the biggest set ups for a classic storyline that left fans going crazy (sadly, it was ruined by a horrible third chapter which followed the comic book movie curse). While X3: The Last Stand did feature some great casting and character additions (Ben Foster as Angel, Ellen Page as Kitty Pryde and Kelsey Grammar as Beast) it failed to live up to its predecessors by far. It was obvious that the Superhero movie had begun to buckle under the pressures of success (and Hollywood) and needed to be brought back to its roots. Luckily, DC and Warner Bros. had just rewritten the blue prints for success the previous summer.

It was now time for studios to take what they had learned from past outings and put it to work. In 2005 Christopher Nolan brought a dark knight back to the screen and changed the face of the modern comic book movie. After a series of unsuccessful projects to resurrect Batman on screen following the 1997 critical failure that was Batman & Robin, Nolan and David Goyer began work on the film in early 2003 and aimed for a darker and more realistic tone, with humanity and realism being the basis of the film. Nolan chose to rely on traditional stunts and miniatures and very minimally relied on CGI to further set a sense of realism in this new Bat-verse. The goal was to get the audience to care for both Batman and Bruce Wayne. Batman Begins was both critically and commercially successful.

Batman Begins was not only considered to have heralded a trend of darker genre films but also the rebooting of many franchises. This can most recently be seen with The Amazing Spider-Man where we see a return to the character in a more reality based story with darker tones. Batman Begins had become the game changer.  That was until Marvel Studios “suited up” for the first time in 2008.

Up until now Marvel’s properties had their hits and misses. Marvel’s movies had been handled by outside studios and now it was time for Marvel Studios first at bat with Jon Favreau’s Iron Man and it knocked it out of the park. While past films had tweaked the formula for the perfect superhero movie this had taken all of that in and set the standard. What made the film work ultimately is that there is a fluid mix of real drama, human pathos, computer-rendered special FX, sexual tension undercurrent romance, lighthearted hi-jinks and humor, as well as genuine chemistry between the stars of the film.

Especially important, the film’s producers realized that it was important for them to take the source material from the comics as serious material and use it as their basis for the entire story they built. It was obvious that the source material was given the kind of credibility and respectability it deserved, which resulted in the film having a quite healthy opening weekend. By earning a worldwide total of $585 million, it proved that even B-list Marvel superheroes had legitimate box office appeal with the right handling.

Marvel Studios thus proved that it was indeed the best place for these heroes to be adapted for the big screen. Iron Man was huge but it was also the first step towards something bigger. Marvel Studios followed up with The Incredible Hulk, Iron Man 2, Thor and Captain America: The First Avenger, establishing something that had never been seen before, a connected movie universe that culminated in what would go on to be the largest grossing superhero movie of all time and quite possibly the highest praised, The Avengers. The film currently sits at an impressive 92% on Rotten Tomatoes and has gone on to gross $1.5 billion dollars in ticket sales alone.

But, while The Avengers was huge it was just the beginning. Marvel is set to begin their “Phase Two” plan next year. We will see Iron Man, Thor and Captain America all return to the big screen with sequels but in 2014 Marvel Studios is preparing to take some of their biggest risks yet bringing less-known characters Ant-Man and Guardians Of The Galaxy to the big screen. This will all lead up to us assembling once again for the sequel to The Avengers in 2015. And it seems Marvel Studios success has shown another studio that a massive superhero ensemble movie can be done and done well.

Next year you will also believe a man can fly again when Zack Snyder brings Superman back to the big screen with Man Of Steel. This will be Superman’s first film since 2006’s not-so-critically acclaimed Superman Returns. This is reported to be DC’s first step to establishing their own connected universe much like Marvel has done with upcoming plans for a Justice League film to hit screens in the coming years.

And while the credits may be rolling on this article we all know by now that doesn’t always mean that it’s over. Stick around because there’s sure to be something else…

Well, if you didn’t expect this one…you should have. The terrorist organization The Ten Rings that captured Tony Stark in the first Iron Man will be returning for Shane Black’s Iron Man 3. The name of the organization was originally a wink to fans of the comics who knew that one of Iron Man’s most famous opponents, The Mandarin, had ten magical rings he would wear that would give him powers.

You can see the organization’s logo in the banner behind Mr. Stark. The same logo that appears on these hats:

It is highly likely that the group will obviously have ties to the movies antagonist, The Mandarin. However, the actual details of those ties are unknown at the moment. A trailer is expected to be released in the coming weeks and just like the rest of you I can’t wait for Phase Two to start.

Source: LR

Could the cast of Jonathan Hickman’s New Avengers be an incarnation of Marvel’s The Illuminati? At least Skottie Young’s variant for the issue would imply this being that Black Bolt, Iron Man and Mr. Fantastic were all member of the group. And if you’re unfamiliar with the group:

The “Illuminati” was a secret organization comprised of several of the world’s most powerful heroes: Sorcerer Supreme Doctor Strange; Black Bolt, King of the Inhumans; Charles Xavier, founder of the X-Men and mutant rights activist; Reed Richards, founding member of the Fantastic Four; Namor the Sub-Mariner, King of Atlantis; and Iron Man (Anthony Stark), founding member of the Avengers. These six men worked together for an unspecified amount of time to mold and shape the status of the superhuman world and the world around it.

Minus Black Panther each member on this cover was a member of this group. Could they be re-uniting after the events of AvX? I guess only time will tell but this is definitely an interesting line-up to put together for an Avengers title.

Source: Newsarama

The current Divided We Fall storyline will see the Ultimate Universe debut of the Iron Patriot in Ultimate Comics Ultimates #19 this December. Earlier today Newsarama revealed the cover by Adi Granov . However, there is no word on just who is actually in the armor. Many are speculating that it just may be Captain America himself. Who do you think is suiting up later this year?

Flixist managing editor Alex Katz joins me to talk about a ton of name changes! Star Trek 2 gets a name! G4 is getting rebranded in 2013! Wonder Woman is getting another crack at TV on the CW! Will Cloud Atlas be a giant mess or a giant accomplishment? Alex tells you why you should be playing ‘Horn’ on your iOS devices! PLUS! Will Doctor Strange be in Thor 2 and who should play him? And who should play Ant-Man while we’re at it?!?

After recording the show, I realize Clive Owen would make a pretty bad ass Doctor Strange and Sean William Scott could do a non-super adaptoid Eric O’Grady Ant-Man. Who else can you think of?

Subscribe to the show on iTunes!

Marvel Studios has revealed via their Facebook page for the superhero epic and box office smash hit, The Avengers that the movie will be returning theaters this Labor Day Weekend! Starting tomorrow up until the 6th of September you will be able to once again assemble in theaters. The studio released a high-resolution still of Thanos to get fans even more hyped to see it again. Will you be assembling once more this weekend before you pick up the movie on DVD or Blu-Ray on September 25th?

Check out the Skottie Young Baby variant covers for a good chunk of the Marvel NOW! debut issues below. Thanks to the guys at Bleeding Cool for this first look at these covers. Tell your kids in advance that I am sorry for their college funds disappearing. I can’t wait to get my own hands on the Uncanny Avengers and Deadpool ones.

Uncanny Avengers

Deadpool

Fantastic Four

All New X-Men

Indestructible Hulk

Thor: God Of Thunder

Invincible Iron Man

A+X

It’s now official, Avengers 2 WILL assemble once again on May 1st, 2015. This is the date fellow writer Shawn speculated last week! Can he see the future?!

Joss Whedon will write and direct the sequel to the massive success that is The Avengers.

The sequel will be the culmination of Marvel’s ‘Phase Two’ films that begins with Iron Man 3 on May 3, 2013. That will be followed by Thor: The Dark World (November 8th, 3013), Captain America: The Winter Solider (April 4th, 2014), Guardians of The Galaxy (August 1st, 2014). Ant-Man, which still have no official start date nor a release date is also speculated to be released in 2014.

It’s a great time to be a Marvel fan! Stay tuned to Geekscape as we’ll bring you the latest updates on all the ‘Phase Two’ slate of movies as well as all your geek-related news. Excelsior!

Pretty much right after the news broke that Joss Whedon will be helming and scripting the highly anticipated re-assembly of Marvel’s The Avengers, Marvel Studios issued a statement detailing his contract. In doing this they just may have revealed when we will see the team assemble next. And apparently an “insider” at MTV News backs this up:

“Marvel has a very set agenda of what they want to do, they are already kind of ahead of the game [on the sequel] because they’ve got the guy that did it before doing it again and something tells me Joss already has the template [for the film],” an inside source told MTV News. “In terms of the time frame, I think that it is well in the works. … It looks like the release date might be May 1, 2015, but that can change depending on people’s schedules.”

I mean if you look at the studios upcoming slate of movies, the 1st of May in 2015 seems a pretty damn obvious, especially considering Whedon’s contract and “creative contribution” ends in June of 2015. It would also follow Marvel Studios trend of releasing their big films towards the start of May just like they did with Iron Man, Iron Man 2 (which was the last week of April), The Avengers AND the upcoming Iron Man 3.

Marvel NOW! is coming soon and with it we will see the relaunch of Iron Man by Kierron Gillen and Greg Land. Check out a first look at the book as well as excerpts from the interview with Gillen telling us what to expect from the series.

Gillen on what to expect from the book theme wise:

It’s funny, he’s moved his position a bit and his heart roams but the main thing is the question of belief. Anyone reading AvX can see what Tony is going through and he’s wrestling with stuff he doesn’t normally touch. It’s him looking at two plus two and asking why it equals four. That’s kind of the heart, the underlying theme of [IRON MAN], the idea that Tony Stark starts prodding areas where he hasn’t prodded as much before, while at the same time being a clear scientific, technological book. I stress, I’m not trying to turn Iron Man into Mystic Knight in issue one. That was the joke for a while actually, I had a list of ideas of everything I could possibly do and after looking at it I thought, “This is the worst thing I can possibly do.”

The symbolism that I bring immediately into the book [is] a lot like the Arthurian concept of the grail-knight: the idea that Tony Stark is the grail-knight, or at least aspiring to be the grail-knight. When we meet him he’s left Resilient and he’s digging into what’s going on. Pepper has a line in the first issue saying, “Oh, you’re not having a midlife crisis are you? Just buy yourself a suit of armor.” That’s where we start and he begins to ask questions.

The story will focus on him questioning things about himself and trying to find out exactly how the universe ticks, what’s this all about and why he does this anyway. It’s going to be one of the major themes of the book going forward. For as long as I’m on the book it will be one of the two major themes I’m working on, like on UNCANNY X-MEN [with] the theme of power and the corruption thereof.

On exploring Tony’s relationships with women and single issue stories:

Oh hell yeah. It’s actually a key part of my second theme. I’m going to explore Tony and his relationship with women. I’m interested in Tony’s selection of women in everything, from his mom, to Pepper, to the random people he’s sleeping with and everything that relates to them. He’s a complicated guy and he does bad things occasionally without thinking. Well, not [without] thinking exactly but he’s not always thinking about the right thing. He’s not the distracted genius but he always has something else going on.

Matt Fraction did a brilliant take on the corporate figure and his run is a defining arc, so I’m staying away from it. Tony is still a scientist and will still be working on the armor but it’s all about him going out into the world and the whole grail-knight comparison. All the traditional corporate motifs are there but they’re not the primary drive of the book. Tony will be in the armor a lot, he’ll be going out into the world.

The first five issues will be single stories that will share [both] a defining motif and a plot but it will be Iron Man facing new instances of technology and each is basically a new villain. Each issue will illuminate something about Tony and they’re all very different. Issue two is a lot like the Bruce Lee Kung-Fu Island story; it’s like a joust, it’s all about the knight imagery, essentially going to a tournament. Issue three is like a ninja story, Tony Stark trying to be a full-on stealth master, issue four is a horror story and issue five is something a little more romantic and scientific but I’m going to keep that one under wraps.

I really want to mix it up with single issue stories because I think that quite a few people are feeling the same way. Single issues are an exciting place to go and anyone can jump on with any of the first five issues, not just issue #1. [In] each of those issues I introduce Iron Man; I say something meaningful about a character that you may know already and I want it to be accessible and to pop. That’s the thing with Greg Land: his photorealistic style really pops and it’s a glamorous book in that way.

On Greg Land’s art and if he can draw a “pretty glamorous party”:

He can! Issue #2 is Tony at the top of a hotel sitting in a recliner next to a pool working on an Iron Man helmet with people enjoying a party around him. That’s just how Tony would roll. That stuff is going to be really interesting. The opening scene of the first issue has Tony admiring a view and telling himself that he’s seen so much that any man would question what’s before him and yet he never did. That’s what the end of the five issues [is] going to be like.

As opposed to doing the [morphing] armor, he’s doing precision-based tech. He’ll have to switch out arms and legs. His argument being that you can get more kick out of a specific tool and the theme [of it will] be about making choices and living with it. It will be like choosing a specific suit for a specific mission, taking a certain arm configuration and taking a different piece off. There will be a lot of changes in the armor throughout the series; in the first five issues there will be a different armor every issue.

Source: Marvel

 

• They gather to stop the horrors of the Marvel universe before they happen…
• …but the secret group known as the illuminati failed to stop the Phoenix time and time again.
• They come together one last time…but will it be enough?

NEW AVENGERS #29
Written by Brian Michael Bendis
Pencils by Mike Deadato
Cover by Ron Garney
Source: CBR

• Nelson/Murdock no more! Foggy’s discovered a secret Matt’s been keeping–and he doesn’t take it well!
• And a last page shock that will have Daredevil fans buzzing!
• Series Stalwarts Mark Waid and Chris Samnee bring you a turning point in the lives of Marvel’s most famous legal team!

DAREDEVIL #16
Written by Mark Waid
Pencils & Cover by Chris Samnee

It was only a matter of time before Disney started using Marvel characters on their shows. I’m actually amazed it took them this long. According to the Hero Complex, a slew of Marvel heroes and villians will be featured in a special episode of Disney XD’s Phineas and Ferb.

Announced at Comic-Con, “Phineas and Ferb: Mission Marvel” will have Spider-Man, Iron Man, Thor and Hulk drop into Danville but they’re not happy to be there — a scheme by Dr. Doofenshmirtz has robbed the mighty quartet of their powers.  The marooned heroes will have a fight on their hands with four super villains — the Red Skull, Whiplash, Venom and M.O.D.O.K. — who are working together with Dr. Doofenshmirtz.

Phineas and Ferb: Mission Marvel wont hit TV until the summer of 2013 but fear not fans, here’s a teaser to hold you over.

I have a 6 year old niece so I am well-versed in the greatness that is Phineas and Ferb. Anyone who’s worried that the Marvel characters will be poorly handled needn’t worry. I fully support this move on Disney and Marvel’s part. It’s a smart move and I’m sure it’s just the first of many to come.

Have you been wondering just what comes in the ten-disc Marvel Cinematic Universe – Phase One: Avengers Assembled Box Set? Well we now have a trailer for you detailing just what you will be getting. Minus the access denied folder with contents that not even I know. Trust me…I am dying to know what’s in it. Our own Scott Alminiana has pre-ordered this set after we saw it on the floor of this years San Diego Comic-Con. Will you assemble and purchase this ultimate collection?

When last we left I had managed to make it through Preview Night and Day one of SDCC and had seen Shawn battle to the death with a Power Ranger. If you haven’t read Part I yet check it out here. That was only half the story though, I now bring you Part II of my journey through Comic-Con.

Day Two: One of my buddies lives in San Diego and he was gracious enough to let me crash on his couch for the duration of SDCC. This was great because it meant I didn’t have to spend money on a hotel room but it did have one major draw back. Since parking downtown can be a nightmare I decided that I would take the trolley and save myself the hassle (and some money) of finding parking. I parked at Qualcomm stadium, home to the San Diego Chargers and got on the trolley only to find it packed. Not only was it packed but it got worse with every stop. We were like sardines in a can. Personal space was non existent.

When I finally made it to the convention and made it off the massively over-crowded trolley I decided to go get in line for some panels.  Being a huge fan of Community I wanted to see their panel which was scheduled for 10 am in Ballroom 20. Being that I’m a newbie to the whole thing I foolishly thought getting in line at 9 am would be plenty early to guarantee that I got in. Oh how I couldn’t be more wrong. The line weaved it’s way from the inside of the convention, outside and down some stairs and back up to some tents. After 30 minutes of waiting it was pretty apparent that I wouldn’t be seeing the Greendale gang that day so I abandoned my plans and headed back to the Geekscape booth to form a new battle strategy. It was during this time that my efforts to try and get a Court of Owls mask from the DC booth comes into play. It’s a long story in it’s own right, check out the story of that here.

After a quick lunch consisting of greasy pizza in the Gaslamp it was off to the Marvel: Ultimate Comics panel. It was a good panel, the panellists (Marvel EIC Axel Alonso, Editors Sana Amanat and CB Cebulski, writers Sam Humphries and Nathan Edmonson, and artist David Marquez) talked about some of the big things that are coming to the Ultimate universe in the form of the ‘Divided We Fall’ event that is spanning the books.  They also announced a new mini series Ultimate Comics Iron Man: Demon In The Armor that will be debut in October and written by Nathan Edmonson with art by  Matteo Buffagni. They also showed the cover to issue #1 of the series before opening the floor to questions. Most of the questions were fairly standard and forgettable but there was one question that stood out above the rest. A kid who looked to be maybe 17 and was your stereotypical nerd asked this question (this is almost verbatim), “I know you can’t confirm it but if you were going to how would you, even though I know you can’t confirm it, how would you do an ultimate version of Anti-Venom? How would you?” The panel tells him that they don’t have any plans for the character but don’t want to discuss their take on the character because it would then pigeon-hole them if they did. The fanboy did not like this answer and quickly fired back with “…well I’m JUST sayin’…” at which time Axel Alonso jumped in and asked him, “well if how would you write the ultimate version of Anti-Venom?” You could immediately hear a collective grown from the audience as soon as Alonso asked that question. Fanboy’s explanation was painful and went something like this, “well I think he should get hit by something like radioactive and then he’d have radioactive poison running through his body!” Yeah, the kid just basically described Venom, good job. Axel Alonso told him he deserved a free tshirt for his pitch and gave him one, I think they just wanted Anti-Venom boy to go away…and so did I.

Once that panel ended I hit the floor again to take in the sights. I actually ran into a guy I used to work with years ago, SDCC has that way of bringing people together. Spent the rest of the day wandering around and checking things out and just taking in all the sights. Earlier in the day I had managed to score a wrist band to see the new Marvel One-Shot: Item 47 at a theater in the Gaslamp at 7 pm. Not wanting to get shut out of yet another free event I made sure to get there early and get in line. Luckily since I had a wrist band this proved not to be a problem and was able to get in. Check out the Geekscape reveiw of it here to see what we thought of it. Getting out of the theater and getting our bags, which we had to check in prior to the screening proved more difficult than getting in. People were freaking out and loosing their minds trying to get their stuff back. As usual chaos rained supreme amongst the nerds. Once that was all said and done with it was time to call it a night and get a fresh start for Saturday.

Day Three: Saturday at SDCC is the craziest day out of all. Everyone know this but knowing it and seeing it are two different things. After once again dealing with a crammed trolley ride to the convention I met up with a friend and we went and sat in on the comiXology panel. It was an interesting panel. It’s crazy to think that digital comics have only been around for a few years and has come so far. I like the idea of digital comics and know that it will play a big part in the future of comics but my sticking point on them has always been the price. If I’m going to pay $3.99 for a comic I’d rather have a hard copy of it. If they lowered the price on digital versions I’d buy them in a heartbeat. I love the push that Marvel is doing by giving you a free digital copy with some of their books. That’s a cool cross promotion and a smart move.

After that panel we went across the street and checked out the Batmobiles that were on display. It was awesome! Then we ran into Wil Wheaton at Starbucks before meeting up with Eric, who was in line for Hall H. We spent the rest of the day hanging out in line and relaxing, while holding on to hope that we would get into Hall H to see the Marvel panel. Sadly we did not get to see that but we did get to see a bunch of those crazy bible-thumpers try and convert people that were in line. Can I just say that I absolutly hate those guys, super fucking annoying. On the plus side though, we did manage to get an awesome picture of the Jesus guy   standing next to the booty ring toss van. Anal play and God together at last! Thus endeth my Saturday at SDCC.

Day Four: Waking up on the final day of SDCC was a sad event. I was exhausted but also was sad to know that it Comic-Con was coming to an end and I’d have to wait another year to do it all over again. The trolley ride proved to be far less stressful than the prior two days and I even managed to find a seat. My first stop once I got to the convention was the Marvel booth. I had finally caved and decided to pre-order the ‘Phase One’ 10-disc blu-ray set. Once that was purchased I met up with my buddy at the Oni Press booth where they were selling advanced copies of Scott Pilgrim’s Precious Little Life in color! I bought a copy of the ‘Evil Edition’ which features Matthew Patel on the cover. I then got in line and was able to get Scott Pilgrim creator Bryan Lee O’Malley to sign it. After that I made a few more purchases and then decided to go check out the Marvel: Amazing Spider-Man panel. It was a mostly lackluster panel but they did briefly discuss Alpha, who is going to be Spider-Man’s new teenage sidekick and how he’s connected to Peter Parker. Look for Alpha to debut in issue #692.

The last panel of the day in Hall H was the Sons of Anarchy panel which I was lucky enough to get into. I’m a big SOA fan and can thank my brother for getting me hooked on that show. The entire cast was present and they showed fans the opening scene to the first episode of the upcoming season. During the panel, we found out that Ron Pearlman is the worst member of the cast when it comes to riding a motorcycle. Fans gave Pearlman a giant round of applause when his Make-a-Wish appearance as Hellboy was brought up. The entire panel was a fun time with the cast-members swearing like sailors…or to be more accurate, members of a motorcylce club. The ladies in the audience lost their minds a few times, especially over Charlie Hunnam (Jax) and Theo Rossi (Juice).

After that panel let out it was time to call it a day and make my way back to Qualcomm stadium to fetch my car and hit the road. All in all I had a blast at SDCC 2012 and it wouldn’t have been possible without Mr. Jonathan London and Geekscape. So a very big thank you to Jonathan and Geekscape for letting me experience the madness that is San Diego Comic-Con!!! Until next year….

In October we will see the start of the Marvel NOW! event in which Marvel will be launching a number of new titles. It appears in order to make room for the new titles a total of nine are set to be cancelled. This October, the following titles will be coming to an end.

-Captain America #19
-Fantastic Four #611
-FF #23
-Incredible Hulk #15
-Invincible Iron Man #527
-New Mutants #50
-The Mighty Thor #22
-Uncanny X-Men #20
-X-Men Legacy #275

This could mean we may see these books being relaunched with new titles and creative teams (there’s a rumor that John Romita Jr is taking over on Cap) at issue number one between October and February. I know for a fact there will be Iron Man, Thor and Captain America titles (either re-launced or re-named) but the rest are up in the air as far as I know. Full details will be revealed at Marvel’s Comic-Con panel this week.

UPDATE: Marvel has released the official image and information on the books.

Taken from Entertainment Weekly’s Comic-Con issue we have the following:

The artist behind this teaser (and Chief Creator Officer of Marvel) Joe Quesada had this to say about the new looks for these characters. “There are some costume changes. There are some new character attitudes. Some characters may be changing their identities altogether. There’s a reason Sue Storm is there. And why there’s a floating robot near Hulk. We’re trying a lot of fun and new different things, we’re exposing characters who we’ve had in our toy chest for a long time.”

UNCANNY AVENGERS

Following Avengers Vs. X-Men, Captain America will apparently decide that he hasn’t done enough for the mutants over the years and this results in a new book from writer Rick Remender and artist John Cassaday. With a team including Cap, Thor, Wolverine and Havok, this is an exciting twist which will apparently see that latter, “become one of the biggest players in the Marvel Universe.” Their first villain will be none other than the Red Skull! However, it won’t be the version most recently seen in comics as the writer explains. “In 1943, Arnim Zola, who was this bio-fanatic engineer, recorded the Red Skull’s consciousness, and set it to wake up 70 years later. So the Red Skull [in Uncanny] is right out of 1943-44. Prime Nazi scumbag. In his mind, he’s taking that vitriol and hate and Nazi horror and methodology, and pointing it at the mutant species.”

AVENGERS

“It’s not six Avengers, it’s 18 or more,” teases writer Jonathan Hickman. The book will be pencilled by Jerome Opena, and the first arc will be entitled “Avengers World”. Published twice a month, it will apparently tell five and six issue arcs as well as much smaller one-shot stories. There’s currently no word on which heroes will make up the roster, but one of them WILL be Shang-Chi.

ALL-NEW X-MEN

“The X-Men is a tough nut to crack. There’s thousands of characters, all of which have a website dedicated just to them. I wanted to make sure I had a take that was unique,” says series writer Brian Michael Bendis. As this is a time travel story, it will feature original X-Men, Cyclops, Iceman, Beast, Angel, and Marvel Girl. “Here’s the big question that the original X-Men are gonna be faced with: We’re gonna grow up, and this is what we’re going to get? That is not acceptable.” Since her death in 2004, fans have been desperate to see the return of Jean Grey and that is obviously exactly what they’ll get in this series. “It’s the one thing X-Men fans have always asked for is: They want Jean Grey back. But they want Jean Grey. Not reincarnated Jean, or the ghost of Jean. Well, you’re getting Jean back. And Jean is gonna be looking at a world that rattles her.” Stuart Immonen has been confirmed as artist.

So it won’t be a reboot but there WILL be drastic changes to the Marvel U. I’m not sure how I feel about it (especially Cyke’s new Eric The Red’ish outfit) but I am glad they aren’t killing Scott Summers. I promised to never read a comic again if they did. Some of the suits look cool though. Especially Thor, Spider-Man and Nova.

Source: EW

After ‘The Avengers’ hit theaters it was revealed that Marvel had a shot a short film in secret. The short film that will be featured on the Blu-Ray as well as receiving a screening during Comic-Con next week is titled ‘Item 47’. Now thanks to Entertainment Weekly we have details on the cast and just what the 12 minute ‘Item 47’ is about and how it is expanding the Marvel universe.

The film is the latest in the company’s series of shorts dubbed “One-Shots,” a comic book term for stories that wrap up in one issue. Lizzy Caplan (Party Down, pictured) and Jesse Bradford (Flags of Our Fathers) star as a down-on-their-luck couple who find one of the discarded alien guns from the finale to The Avengers — and proceed to make some incredibly bad decisions.

Item 47 refers to the gun itself, which S.H.I.E.L.D. would like very much to retrieve from the hapless young troublemakers. “The world is topsy-turvy now. There’s been an alien invasion, and things are crazy,” explains Marvel Studios co-president Louis D’Esposito, who directed the film himself. “So when this gun ­literally fell into their lap, this is a sign: We’re going to rob a few banks, we’re going to buy a boat, we’re going to the Caribbean, and all our problems will be solved.”

Two S.H.I.E.L.D. agents (Maximiliano Hernández, returning from Thor and The Avengers, and Lost’s Man in Black Titus Welliver, making his Marvel debut) are given the job of cleaning up the mess and stopping this modern Bonnie and Clyde (not coincidentally named Benny and Claire.)

The goal was to show some non-superpowered people reacting to the aftermath of The Avengers. “Anything that expands the world and shows you the more human elements of it, that just makes the world more colorful and fun for the average viewer,” says Eric Pearson, who wrote the screenplay for Item 47, as well as the previous two One-Shots: A Funny Thing Happened on the Way to Thor’s Hammer and The Consultant.