It was 35 years ago when Ridley Scott broke ground with his sci-fi classic Blade Runner. Trading action-packed thrills for a tempered and more cerebral science fiction endeavor helped make an impact on an entire generation of movie lovers. And if a sequel had to be done, what better filmmaker to take the reins than Arrival helmer Denis Villeneuve? Brandishing an intellectual screenplay and Villeneuve’s keen visionary mastery, Blade Runner 2049 has clearly been placed in the most worthy of hands.

Set thirty years after the original, Officer K (Ryan Gosling) is a new-hybrid of replicant Blade Runner, programmed to fully obey his human masters. But as he becomes assigned to a very delicate case, the mystery he’s supposed to solve slowly forces him to question his own existence. And with all of the answers belonging to former agent Deckard (Harrison Ford) who has gone into hiding for decades now, K must track down the legendary Blade Runner in order to finally unlock the truth to his cloudy past.

Much like Ridley Scott’s Alien franchise, Blade Runner 2049 finds a unique beauty in its ability to pose more questions than answers. But despite a frustrating ambiguity that’s assured to displease select audiences, Denis Villeneuve and company do an amazing job of expanding on the universe that Ridley Scott created 35 years ago. Taking the auteur’s classic idea of building compassion for the replicant population and transforming that into a core principal within the structure of this new examination, Villeneuve enlightens the viewer with fascinating psychological quandaries and thought-provoking introspection. Ryan Gosling offers a stellar lead performance that’s wonderfully complemented by a multitude of smaller, yet unbelievably effective, roles. And while Gosling undoubtedly hogs the film’s face time, not a single side character wastes a moment on screen. Don’t be fooled, though, Blade Runner 2049 comes with a fair share of criticisms. The film wallows in a sluggish and thrill-less delivery that snow-piles throughout an often painful 160-minute duration, and its uncharacteristically weak score with the great Hans Zimmer on board proves to be a bit of a disappointment. However, loyal and respectful fans of the original Blade Runner can look past these flaws and find solace in Denis Villeneuve’s originality and heady subtext that rival the work of its predecessor.

GRADE: 4/5

For more reviews, trailers and movie lists visit MCDAVE’s host site

Opening this weekend is Ridley Scott’s  sci-fi horror thriller “Alien: Covenant” from 20th Century Fox. This ones takes place ten years after “Prometheus” and deftly answers many of the questions that left “Alien” fans somewhat disenchanted.

The command crew aboard a colonization ship is suddenly awakened from hyper sleep after their ship carrying 3,000 passengers and 10,000 fertilized embryos suffers a malfunction. In the midst of making repairs a discovery is made. A planet that may be the perfect place to settle is just a mere two weeks away versus their planned destination being another four years journey.

There’s a saying… when it’s too good to be true, it probably is. Which would you pick?

In perfect “Alien” form, “Covenant” revisits a similar plot structure that is evident throughout the franchise. This one keeps those same beats; the initial hope of finding a new planet, that first attack and death, a turn coat, the imminent death of everyone who doesn’t escape back to the ship, and of course the traditional ending where you think it’s over, but it’s not. Those familiar beats made the first one work, and even though familiar they still make “Covenant” a very worthy sequel.

What sets this one apart is that it begins with a flash back. It’s Peter Weyland (Guy Pierce reprising his role) at the “birth” of his creation, David (Michael Fassbender). It becomes apparent that David’s idea of perfection and creation will exceed Weyland’s idea of godhood. This is later realized in brilliant fashion as David does some pretty twisted experiments in search of his own godhood.

When all hell starts to bust loose and the horror truly begins.

Another twist to this story is the dual role that Fassbender plays as not only the aforementioned “David” but also a less emotional “Walter” who is accompanying the colonization ship in a similar role as David in “Prometheus.” Fassbender a true talent, is able to instill a new persona in “Walter” and realize his “David” as two completely different synthetic humans but still similar. I never once felt like his performance was in any way overly contrived.

In an early scene where both David and Walter appear on the screen together, the special effects are so well executed you can’t tell that there’s digital compositing going on. The scene takes place in a wheat field during an attack and “Walter” protects a crew member from a Xenomorph and David shows up just when it looks like everyone is about to die, saving the day.

Another mesmerizing scene is when David teaches Walter how to play a flute, and then sort of seduces him. The reality of Fassbender seducing himself on camera is quite the visual treat and added a bit of light heartedness to the horror film.

As is a common theme of most horror films, the characters invariably start making bad decisions that cascade into catastrophe. The Xenomorphs are relentless and hungry, and they come in several varieties including one that looks vaguely human.

In true “Alien” fashion the only one who seems to be making good decisions and has a bit of luck is Daniels (Katherine Waterstone), a lady who has the resolve to run the right way and when invariably cornered has the wherewithal to trap the Xenomorph inside a flying tractor-like vehicle and then eject that out of the space craft (yes, just like Ripley without the cool “get away from her you bitch!” line.)

“Alien: Covenant” is the culmination of Ridley Scott’s movie making career. You can see bits and pieces of characters and styles from many of the films he’s famous for, even “Blade Runner.” This film works on many levels as a horror film first and foremost. Earlier this year Scott made an appearance at SXSW and said his goal was “to scare the shit out of you” with this film. On that front, he succeeds as well as the existential experience he creates with his story that speaks to God, creation, genocide, and even rebirth.  Every frame of this picture can be seen as a symbol. As for what those symbols mean, begs for repeated viewings to take it all in.

5 out of 5

Die hard “Alien” fans get their own special day to celebrate their favorite Xenomorph. April 26th has officially been deemed Alien Day. So, bust out your Alien shirt and attend a screening of the classic movie that started it all “Alien” (1979).

This one-night screening event features the original “Alien” film starring Sigourney Weaver at participating RPX Regal Cinema theaters. Fans will enjoy the thriller plus be treated to footage from “Alien: Covenant” and a one-of-a-kind exclusive commemorative ticket. Tickets go on sale tomorrow, April 18th for “Alien” and for advance tickets for “Alien: Covenant” at regmovies.com.

For more information on all ALIEN DAY activities, go to www.AlienUniverse.com where they have a contest for original fan art, trivia, and will also have a live stream featuring a Q & A April 26th. Check the site for specifics.

Fans can also join the #ALIENDAY conversation on TwitterInstagram, and Facebook.

Great news for Alien fans! (No, not the Roswell ones.)

Fox has just released a brand new poster for the highly anticipated horror sci-fi film, Alien Covenant. A sequel to the 2012 prequel Prometheus, which seemed to receive a lukewarm reception with most Alien fans. Originally planned to release October 6th, 2017, Fox has decided to change the films release date. . . . . . .to sooner! Yes, Alien Covenant will now be releasing  on May 19th. 5 whole months months ahead of its original release! To help fans get through the next couple of months, the studio was kind enough to release a teaser poster with a familiar friend we’ve all come to know and love. Check it out below and tell us in the comments what you think about it!

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I can’t think of a more fitting theme for October’s Loot Wear shipment than “Horror.” Now, all cards on the table, I have only seen one of the movies or shows represented in this shipment (scary movies are not my thing) so I may not be doing many of these items justice (but I will do my best).

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The one item I did recognize was the pair of Nightmare before Christmas socks. Much like the Sonic the Hedgehog socks from September’s crate, the image of Jack Skellington and Oogie Boogie is screen-printed on the garment.

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While I didn’t understand all the references, I was still impressed with the detail on the Alien long sleeve shirt. I will say my brother was pretty excited about it.

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lootwearoct16walkingdeadsocksAnd it apparently can’t be a horror-related thing without some mention of the TV show, The Walking Dead. The series gets not one, but two, items in the shipment: a pair of men’s boxer briefs and some socks. Both pieces share the same pattern, with silhouettes of different weapons from the show against a crimson background.

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The Shaun of the Dead shirt was stiff and rough to the touch. The cut of it makes me think it is a baby doll tee. The shirt’s image depicts shovels and a cricket bat (I think?) being grabbed at by the hands of the undead.

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The final item is a women’s raglan featuring Edward Scissorhands. It was super soft and moderately stretchy.

Aside from the individual item’s quality, I don’t have much I can comment on. The shipment, with the exception of the Shaun of the Dead shirt, was made well and of good quality fabric. This month’s theme just wasn’t for me but that is a risk you take with these subscription boxes.

If this unboxing has you interested in subscribing, you can get some money off of your first Crate either by following this link or entering “Geekscape” into the promo code area upon checkout.

Before I read Assassination Classroom, I had actually seen part of the movie on my flight to Japan. At the time I thought, “What is this strange movie?” Then I noticed the face of the teacher, and realized I had seen that face before. What teacher you may ask? Well, there is an alien creature here on Earth and he is going to destroy the planet unless the students of class 3-E can assassinate him by the end of the school year.

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The students of class 3-E are not your typical kids. Their class is considered the reject class by the rest of the student body because you are sent there if you have poor grades or you cause trouble. Now, they are also assassins in training. The teacher, later named by the students as Koro Sensei, makes a deal with Earth’s leaders that he will not destroy the planet if these particular students can successfully assassinate him.

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As you can guess from the plot, there is tons of action in this series. The action scenes play well and you can see the fights unfold. There is actually a lot of humor as well. What the teacher says and how it interactions with the human students creates a lot of funny moments. The particular art style is a little on the cute side and is like Love Hina and Negima!

Where does this thing come from? Why does he want to destroy Earth? Why these kids? Will they be able to complete their task of assassinating the alien creature? If you’re looking for something with an intriguing plot, action and humor, you should check out Assassination Classroom. This is definitely a fun one!

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Briefly: Back in December, Warner Bros. Interactive Entertainment officially revealed the next DLC pack for Mortal Kombat X.

The ‘Kombat Pack 2’ is set to release sometime in early 2016, and is set to include Xenomorph from Alien, Leatherface, Triborg and Bo’ Rai Cho.

Yep, those are some freaking crazy additions to the already intense roster.

Today, the studio debuted the first gameplay trailer for the DLC, and while each and every addition looks like a worthy Kombatant, the Xenomorph (complete with Facehugger) is by far the character I’m most looking forward to playing.

Of course, those who purchase the pack will also gain access to Goro (who was previously a pre-order bonus), as well as:

Apocalypse Pack – The Apocalypse Pack features three new character skins, reimagining characters Takeda, D’Vorah and Erron Black with an apocalyptic theme.

 

Brazil Pack – The Brazil Pack features three new character skins: Futbol Cage, Capoeira Liu Kang and Gaucho Kung Lao.

 

Kold War Pack – The Kold War Pack includes three new character skins: Motherland Sonya, Tundra Sub-Zero and Revolution Kano.

 

Kold War Scorpion – Kold War-themed Scorpion character skin.

Take a look at the trailer below, and be sure to let us know what you think!

Mortal Kombat X fans, your playable character roster is expanding in early 2016.

Today, Warner Bros. Interactive Entertainment confirmed the four new playable characters coming to Mortal Kombat X as downloadable content (DLC) by March 2016.  Leatherface from The Texas Chainsaw Massacre, the Xenomorph from Alien, Bo Rai Cho (no longer just a cameo!), and Tri-Borg–a fighter that harnesses the powers of Cyrax, Sektor and Robot Smoke!

We will update this story when specifics on release date and price points are confirmed. Until then, enjoy the trailer below!

Predator Vs. Alien? Jason Vs. Leatherface? Who wins? Sound off in the comments below!

You read that right, Covenant, not Paradise Lost. Fox issued a quick press release that confirms a few things.

The title: ‘Alien: Covenant’

The official logo:

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The synopsis:

Ridley Scott returns to the universe he created in ALIEN with ALIEN: COVENANT, the second chapter in a prequel trilogy that began with PROMETHEUS — and connects directly to Scott’s 1979 seminal work of science fiction. Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world — whose sole inhabitant is the “synthetic” David (Michael Fassbender), survivor of the doomed Prometheus expedition.

And a release date: October 6th, 2017

Despite not enjoying Prometheus at all, I’ll still probably be watching this opening weekend. Let us know if you’re excited in the comments below!

Source: ComicBookMovie

While talking with Empire Magazine about his tantalizing new movie The Martian, Ridley Scott said that he’s already begun scouting locations for his next movie, Prometheus II. The offhand comment sent me into fits of geeky glee.

First here, let’s attempt to get everyone on the same page. Number one; Aliens was James Cameron’s (TerminatorTerminator 2, Avatar, etc.) movie, as much as Alien³ was—I say this very lovingly—David Fincher’s (Seven, The GameFight Club, on and on. . .) and Alien: Resurrection was—again, with love—that wonderfully crazy French bastard, Jean-Pierre Jeunet’s (Amelie, City of Lost Children, Delicatessen) and Joss Whedon’s (Buffy the Vampire Slayer, Firefly, The Avengers, etc.) “love child.” I deeply enjoyed each of these films on their own; appreciating what each filmmaking team brought to the original story told by Ridley Scott’s Alien. I considered each to be its own perspective and take on the Alien universe and appreciated them as such. I’m still working on my own romance/buddy-cop/comedy version that ends in a space port with the fiance running from a hive of xenomorphs to stop her true love from leaving over a misunderstanding about seating arrangements for their wedding while her space-cop partner tries to deny his feelings for the alien queen. Working title: Alien Schmalien.

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The point being, Prometheus was meant to be Ridley Scott‘s extension of the Alien lore specifically, rather than the visions of other filmmakers or what the studio had in mind. The problem some may have had with the film is where it deviated from those other visions.

The problems I had, that some others might share, may have had to do with the contributions of Damon Lindelof—this is just a theory. It’s based on the number of projects I’ve been so excited to see that have come up short in the execution of the final vision—stories I discover Damon Lindelof had a hand in creating. For example: LostWorld War ZTomorrowland, Cowboys vs AliensThe Leftovers, etc. Has anyone done this math yet? I believe Lindelof has excellent taste and his interest in projects he wants to be a part of is fantastic. I also believe he’s got some great skills for building intrigue and investment in a story line but he can’t seem to master the fundamental skill of the satisfying wrap-up.

I truly believe Lindelof is an excellent storyteller; his characters, dialogue and scenarios are top notch—he just can’t seem to stick the landing. He’s almost an inverse of George Lucas in some ways, who has marvelous worlds and story arcs bleeding from his very essence but seems to have trouble with characters talking.

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Fassbender & Rapace mugging for EW

So, for those who didn’t enjoy Prometheus at all, I think these are the two likely reasons: those who are not actually Ridley Scott fans (Blade RunnerLegendThelma & Louise, on and on. . .) but probably James Cameron fans and/or those who couldn’t see past the weaker parts of the story. Good news for those who are Scott fans? Lindelof is not (yet?) part of Prometheus II. But that doesn’t mean we fans are out of the woods just yet—the writers attached at the moment are Michael Green and Jack Paglen. Green (Green LanternHeroes) and Paglen (Transcendence) are another couple writers who, so far, are working with great material but not generating the results we’d hope for. I’m always excited to think that anyone can transcend expectations and emerge a hero!—uh, lantern. I only have their pasts to temper my hopes with for Prometheus II and I’ve got my fingers crossed that we’re all impressed—even those who aren’t Scott fans and would rather be watching Sex and the City (Green). On second thought, maybe not those ticket-buyers. (Some days I’m a Carrie—others, a Samantha.)

My recommendation to anyone looking to set the dial on their own expectations (good or bad) is to watch Alien and Prometheus—these are directly Ridley Scott’s visions of this universe. Any of the other films, entertaining as they may be, won’t properly let you know what you’re in for. If you’re just a fan of the marvelous Aliens, you’ll be better off hosting a Terminator 2/Avatar marathon—”Come with me if you want unobtainium!” If you’re a fan of the grossly underloved films Alien³ and/or Alien: Resurrection I think we should get together to form our own support group. Seriously.

Bottom line? I’m stoked! IMDB has Michael Fassbender and Noomi Rapace—two names I cut and pasted to make sure I didn’t misspell them—attached to reprise their roles as android David and archaeologist/scientist Elizabeth Shaw. The story will likely involve their voyage to the homeworld of the “engineers.” Again, full on stoke mode! And you can be sure that we will keep you up to date as any new details emerge.

Briefly: We were all pretty excited to hear last week that District 9 creator Neill Blomkamp is officially working on the next Alien film, and today both he and Sigourney Weaver had an interesting chat with Sky Movies while promoting Blomkamp’s March 6th release, Chappie:

http://youtu.be/Th8os-IfZhg

In the video, Weaver states that she would “love to take Ripley out of orbiting around in space and give a proper finish to what was such such an excellent story. When someone like Neill Blomkamp suddenly said ‘well, I’m interested in finishing the story,’ my little ears perked up.”

Blomkamp continues, “I want this film to feel like it is literally the genetic sibling of Aliens. So it’s Alien, Aliens, this movie.” So, by the sound of things, the next Alien may disregard Alien 3 and Alien: Resurrection completely.

Are you into Blomkamp continuing the once celebrated series? What if he disregarded the last two films? Sound out below!

Briefly: The world is in desperate need of another great Alien film (especially after last year’s INCREDIBLE Alien: Isolation video game made everyone, or at least me, interested in the franchise again), and it looks as though District 9 creator Neill Blomkamp may be the man to give it to us.

It’s well known that the director was working on an Alien project at some point, as he revealed a batch of incredible concept art for the film earlier this year, at the time stating “Was working on this. Don’t think I am anymore. Love it though. #alien #xenomorph”.

Oh shit

A photo posted by Brownsnout (@neillblomkamp) on

Now, Blomkamp’s much-better-than-Elysium looking next film, Chappie, is just about to hit theatres, and the director just revealed that he’s back in bed with the Xenomorph. Take a look:

Um… So I think it’s officially my next film. #alien A photo posted by Brownsnout (@neillblomkamp) on

TheWrap was apparently able to confirm the news, and states that Blomkamp “has signed on to direct an untitled movie set in the “Alien” universe that will take place after “Prometheus 2″ for 20th Century Fox.”

Now, we’re pretty damned excited. Blomkamp is a visually spectacular director, and as long as his Alien project comes out more District 9 than Elysium, we’re confident that we’re in extremely good hands. That being said, (in my opinion) Elysium was still way better than Prometheus AND Alien: Resurrection, so I’m beyond stoked to see what Blomkamp has in store for us, especially after that incredible concept art.

Neill Blomkamp’s Chappie hits theatres on March 6th, and we’ll be sure to share any Alien news as it comes in! Are you down for a Blomkamp directed Alien film? Sound out below!

Briefly: Alien: Isolation is finally here, and we’re beyond happy to see that the game is just as terrifying as its marketing, and is receiving stellar reviews all over the place. Can we all just forget about Colonial Marines now?

Sega has just released the launch trailer for the title, which shows off some great moments that we haven’t seen yet, and also shows off some of the positive thoughts that the game has been receiving. The game looks scary as shit, and I can’t wait to play it… for a few minutes until I get too scared and have to turn it off.

Take a look at the trailer below, and let us know if you’ll be picking it up.

http://youtu.be/1fxE6C-m9Og

Briefly: Kari went hands-on with Alien: Isolation at E3, and one of the biggest surprises of the experience was just how tense the game can be.

It also doesn’t stink, which is almost a surprise after last year’s horrendous Aliens: Colonial Marines.

Sega has just debuted a new trailer for the anticipated game, and it’s one that shows a rough end for Ripley. We’re genuinely excited for the title, and now that it’s gone gold, we’re beyond excited for its release.

Take a look at the new trailer below, and let us know what you think. Alien: Isolation hits PS3, PS4, Xbox 360, Xbox One, and PC on October 7th.

Briefly: Kari went hands-on with Alien: Isolation at E3, and one of the biggest surprises of the experience was just how tense the game can be.

It also doesn’t stink, which is almost a surprise after last year’s horrendous Aliens: Colonial Marines.

Sega has just debuted a new trailer for the anticipated game, and it’s one that shows off the title’s E3 accolades. It seems as though most outlets are genuinely excited for the game, and it’s pretty easy to see why: it looks terrifying.

Take a look at the Amanda-narrated (Ripley’s daughter) trailer below, and let us know what you think. Alien: Isolation hits PS3, PS4, Xbox 360, Xbox One, and PC on October 7th.

Discover the true meaning of fear in Alien: Isolation, a survival horror set in an atmosphere of constant dread and mortal danger. Fifteen years after the events of Alien™, Ellen Ripley’s daughter, Amanda enters a desperate battle for survival, on a mission to unravel the truth behind her mother’s disappearance.

 

As Amanda, you will navigate through an increasingly volatile world as you find yourself confronted on all sides by a panicked, desperate population and an unpredictable, ruthless Alien.

 

Underpowered and underprepared, you must scavenge resources, improvise solutions and use your wits, not just to succeed in your mission, but to simply stay alive.

In Alien: Isolation, you get to play as Amanda Ripley, Ellen Ripley’s daughter. You start at an unmanned space station, not sure what has happened, and the reason behind the chaos is revealed as you play.

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An interesting fact: The technology in the game is the same as the technology in the original Alien film. The game is based on the world of Alien the movie and has the same suspense horror vibe.

In this survival game, your means of surviving are run, hide or fight – weapons/technology are not always reliable. One neat device you have is a motion detector but it is not always accurate. However, it is useful because you can scan the area ahead and get an idea if it is clear. During the game demonstration, Amanda would hide in a locker or a cabinet and have to wait for the threat to leave. You can even “hold your breath” in the game as the alien approaches your hiding spot. I really like this realistic approach to game play. There are many times when you want a character in a movie to just run and hide because you know their flimsy weapon will be no match, and now you can do that in this heart pounding game. Just watching the demo, it made you uncomfortable because it felt like you were actually there. It definitely is a thriller!

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Discover the true meaning of fear in Alien: Isolation, a survival horror set in an atmosphere of constant dread and mortal danger. Fifteen years after the events of Alien, Ellen Ripley’s daughter, Amanda enters a desperate battle for survival, on a mission to unravel the truth behind her mother’s disappearance. As Amanda, you will navigate through an increasingly volatile world as you find yourself confronted on all sides by a panicked, desperate population and an unpredictable, ruthless Alien. Underpowered and underprepared, you must scavenge resources, improvise solutions and use your wits, not just to succeed in your mission, but to simply stay alive.

The game’s release date is set for October 7th.

The man who has created some of the most terrifying, yet beautiful, works of art has passed away this morning at the age of 74.

Giger’s arguably most famous work was what he had created for the Alien series of science fiction films. He pioneered an art style that he referred to “biomechanical”, something that makes anything he works on from movies to sculptures to paintings all the way up to furniture, uniquely his.

The sad part of his passing is that it wasn’t directly related to disease. He suffered a fall recently and succumbed to the injuries.

He was a great man and will be missed.

Be sure to check out a great story of his work on the unfinished film adaption of Dune in the documentary of Jodorowsky Dune.

http://youtu.be/OPqh82Dz84Q

There has been a lot of shows lately that are adaptations, prequels or sequels to stand-alone films, which I personally think is great. Bates Motel is on A&E and Amazon just picked up the rights to a Zombieland pilot, both sure to set all of our nerd senses to tingling. All this got me thinking: there are so many other movies that could certainly benefit from being made into a television series, and here’s my list of the geekiest, most spectacular of the bunch. And yeah, I know a lot of these have already been adapted into animated series, but I’m talking big-budget, live-action primetime here folks.

10. Back to the Future

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This was one of those that had an animated series that I’m not counting, but COME ON! Wouldn’t you love to see a modern day Marty McFly tagging along with Doc Brown across all different kinds of history? The possibilities are endless. This even has potential to be (dare I say it) the American Doctor Who! Imagine the two traveling through time solving mysteries or something while picking up companions and having cultural differences from the other people in the town. It’s basically Back to the Future Part III over and over again. It’s almost completely unnecessary to the overall plot of the series, but so much fun that you forgive it anyways.

9. Kick-Ass

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This one is essentially a given once the film series stops being a thing. I mean, it’s already a comic book series, so the world for the television series is essentially already set up. I haven’t personally read comics (bad geek, I know) but I would assume that the makers of the movies would leave the series open enough for some additional materials. The movie has garnered a cult following with people who are probably too young to be watching it, and an MTV series would probably be the perfect vehicle to capitalize on this. Before all you purist naysayers immediately object to this being on MTV, think about the channel’s current programming. They create relatively consistent (and violent) original scripted shows, and this would catapult the Kick-Ass canon to further cult success. Food for thought.

8. Sky Captain and the World of Tomorrow

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Hey, you remember that Jude Law movie about robots attacking vintage New York you didn’t see? Well it was awesome. And if you cut down on some of the more unnecessary special effects, it could make for a brilliant, less-costly TV show. When you watch the movie you get the impression that there were meant to be sequels, but literally no one saw this movie so it was kind of impractical. But seriously. Cast two young show-runners in Law and Paltrow’s respective roles, my nominations being Dylan O’Brien (sidekick from Teen Wolf) and Ashley Benson (recently seen being a psycho slut in Spring Breakers), and there you go: ratings gold. There could be quirky one-liners, dramatic villains and sinfully cheesy season arcs, and everything would be perfect.

7. Starship Troopers

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I’m honestly surprised that SyFy Channel hasn’t jumped on this sooner. There was apparently an animated series devoted to the giant bug killing universe, but IMDb only lists 14 episodes, so that barely counts. But seriously, can you imagine a shit-tastic cable series with D-list former soap opera stars slaying poorly made CGI bugs? Wait. Let it sink in for a bit more. Thaaaat’s right. Now we’re on the same page. There were tons of straight to DVD sequels that have helped to expand this universe to something other than “the one where Neil Patrick Harris is a metaphor for Naziism” and has created a lot of “hate watch” fandom. Starship Troopers is one of the quintessential college “let’s get drunk to this” movies and a TV show would simply make all of our alcoholic endeavors so much richer.

6. Men in Black

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Yeah. There was an animated one of this too. Deal. While I am admittedly not a huge fan of the series, I would watch the shit out of it if it was a TV show. It seems like a premise that would serve much better as a serial anyways. My main problem with Men in Black is that the villains are never given enough time to have much emotional impact, and even if they were are too comical to really be taken seriously. I think that the MiB world would benefit strongly from a series pretty similar to Buffy, where characters are given time to grow and each season introduces a “big bad” who is the main villain throughout most of the series. If your nerd senses aren’t tingling from that description then you may want to get them checked.

5. Being John Malkovich

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This one is admittedly a little out of left field, but hear me out! So in the original film, John Cusack finds a portal that has the ability to transport one into the mind of John Malkovich. Pretty weird idea that doesn’t seem like it would work in a movie much less a TV show, right? Wrong. So in this writer’s view for the show, the portal is re-opened for whatever reason, preferably NOT by Charlie Sheen as referenced in the end of the film, only to discover that it can be manipulated to enter any celebrities mind. Get a good team of writers on board and you’ve got a brilliant series that is cancelled mid-season and establishes a cult following. BOOM. You’re welcome, Fox.

4. Children of Men

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I mean… it’s essentially already an AMC show. Let’s get real. Conflicted male protagonist with secrets (ahem, Mad Men) whose sole goal is to protect incompetent and sometimes pregnant women with hopes of saving the world (ahem, Walking Dead). That aside I do think that the film would make for an interesting mini-series, if not a full blown series. There are a lot of really interesting political things brought up, and the series could follow the beginning of the infertility problem with the population (if you haven’t seen it it’s about a society of people that can’t have babies) and further the movie’s somewhat cliffhanger of an ending. A low tech sci-fi show about dystopian societies are right up basic cable’s alley, and can you say Emmy material???

3. Alien

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The primary reaction to this one is probably “How the fuck do you make that into a series?” Oh trust me my friends, its very possible. Through various sequels, prequels and whatever the hell you would consider Alien vs. Predator, the Alien saga has built up quite an impressive universe for itself, not to mention a killer fan base. There are a lot of questions about the nature of The Company that were left unanswered by Prometheus, which was too preoccupied with being a stand-alone film to actually give the fans what they wanted, and a TV series is the perfect way to do that. If we are all insistent on not taking Prometheus back and pretending it didn’t exist, it can take up immediately after that film and be concerned with the more political sides of the Alien saga, while still having some aspects of sci-fi terror to keep things interesting. Seeing that HBO has a thing for stylized, dry (if a little boring at time *ahem Game of Thrones*) fantasy works, this would be a perfect addition to their line-up.

2. Who Framed Roger Rabbit

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If this was a series, childhood Paul would literally die of happiness. The real people/cartoon mix may be a little too difficult on the CGI count to be able to actually be a TV series but you have to admit it would be intriguing. I could work really well as a half hour sitcom if the raunchiness was amped up a bit from the original film. And by a bit I mean to like Family Guy levels. Yeah, the original was a kids movie and this would go against the original spirit of the film and blah blah blah but imagine the awesomeness of a PG-13 Roger Rabbit series? The movie was already pretty dark and a series would be the perfect thing to not only further the film’s cult following, but also to make the best damned animated/live-action cross over television series there is!

1. Blade Runner

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This. Really though. This. Just let this sink in for a while. Blade Runner has one of the most cinematically unexplored sci-fi universes, which confounds me because it’s fascinating. I guess there really wasn’t a desire to make a sequel, because the storyline of the film is pretty neatly wrapped up. There are so many great characters and such a rich history in the world, and it could be a very Battlestar Galactica-esque series, which I’m not just saying because I’m hoping for an Edward James Olmos cameo. It would probably work best if it were a prequel series to the film, telling the story of how the replicants came to be, their rise to prominence and their sub-sequential fall from glory. And the best part is, there would be almost complete creative control because the film is based on a short story that doesn’t give much more information than the film does. So in other words, this is my favorite show that isn’t actually a show yet.

 

That pretty neatly wraps up my list. Here’s hoping a few of these come to fruition before I die. And here’s hoping that Zombieland pilot doesn’t suck balls. Stay nerdy my friends. Stay nerdy.

 

Whether you love it or you hated it, Prometheus was definitely a box office hit this summer. The film grossed $402 million globally and with the DVD/Blu-ray hitting shelves this week…it’s definitely going to be making some more pocket change. So, of course we are getting a sequel. And even if you hated Prometheus, you’re probably going to see the sequel. Director Ridley Scott recently spoke with Metro and gave a small update on what we should expect to see next:

“Prometheus evolved into a whole other universe. You’ve got a person [Noomi Rapace’s Elizabeth Shaw] with a head in a bag [ Michael Fassbender’s David] that functions and has an IQ of 350. It can explain to her how to put the head back on the body and she’s gonna think about that long and hard because, once the head is back on his body, he’s dangerous. They’re going off to paradise but it could be the most savage, horrible place. Who are the Engineers?”

The Blade Runner sequel also came up in the chat. Scott addressed his involvement with the film as well as further confirming that Deckard was definitely a replicant.

“It’s not a rumour – it’s happening. With Harrison Ford? I don’t know yet. Is he too old? Well, he was a Nexus-6 so we don’t know how long he can live [laughs]. And that’s all I’m going to say at this stage.”

I’m actually looking forward to both of these especially if Scott is going to be directing the Blade Runner sequel. I’m also very curious if they’re going to tie together after that interesting note that seemed to tie the films together. But let’s not jump too ahead of ourselves here.

Could Ridley Scott be establishing a shared universe between the Alien and Blade Runner franchises? It seems that it could be possible given the following Easter Egg from the U.K. steelbook release of Prometheus.

The following memo from Peter Weyland, who was played by Guy Pearce, has Weyland talking about his “mentor and long-departed competitor”. No names are mentioned, but it’s pretty obvious to any Blade Runner fan that Weyland is referring to Eldon Tyrell. Tyrell was the head of the Tyrell Corporation who were responsible for creating the Replicant’s minds and memories in Blade Runner.

With a sequel to Blade Runner in the works it couldn’t be entirely unlikely that Scott is setting up a shared universe between the franchises. However, we’re going to have to wait and see on that one. Remember, big things have small beginnings.

Source: The Playlist

L’Osservatore Romano, the Vatican’s official newspaper has some complaints with Sir Ridley Scott’s Prometheus following the films release in Italy last week. No, it’s not about the films ending. They take issue with how the film portrays the origin of mankind and state that it’s a “bad idea to defy the gods” as well as state about the film that it “mishandles the delicate questions raised by … the battle eternal between good and evil in yet another attempt to steak the secret of immortality.”

Showing a clear lack of understanding of the premise, they argue that “the journey of Prometheus should instead symbolize the search for the supernatural.” Keep in mind that this isn’t the first time that The Vatican has lashed out at Hollywood films. However, Prometheus is getting it easier than Avatar and The Da Vinci Code did. But seriously Vatican…you have a problem with this stuff and not the guy petting the alien snake?

Source: THR

Well it’s a move that should come as a surprise to know one. With Ridley Scott’s Prometheus having grossed a good, but not great, $303 million globally on it’s $130 million budget it was only a matter of time until Fox began developing a sequel.

According to THR Fox and Ridley Scott are pushing ahead and are beggining to move forward with a sequel. They are talking with new screenwriters due to the fact that Damon Lindelof, who co-wrote the first film, may not be available. Stars Michael Fassbender and Noomi Rapace are signed on already.

“Ridley is incredibly excited about the movie, but we have to get it right. We can’t rush it,” says Fox president of production Emma Watts, who also has overseen the successful reboots of the X-Men and Planet of the Apes franchises by turning over the reigns to innovative filmmakers.

The sequel is expected to land in theaters in 2014 or 2015.

The Alien franchise is very near and dear to many hearts in geekdom. Of course, the importance of canon, storytelling, characters, and mythology surrounding this universe goes without saying. One should only expect amazing video games based on the universe.

Enter Aliens: Colonial Marines. This FPS shooter, with Xeno-baddies vs. Marine combat, is sure to spark gamers’ interest. The concept sounds great. Squad-based combat set in dark, creepy environments filled with Aliens running around on walls, ceilings, vents, and who knows what else. Even better, players are allowed to be Aliens themselves. Unfortunately, SEGA may have much to work on before this title goes gold.

Read up on the synopsis below!

You and your friends against the deadliest killers in the galaxy. Another glorious day in the corps.Buckle up, soldier! Welcome to Aliens: Colonial Marines. Created by Gearbox, the critically acclaimed and fan-favorite developers of Borderlands and Brothers In Arms, this first-person shooter is steeped in the eerie, claustrophobic and terrifying atmosphere that made the Aliens films successful worldwide. You and your friends will become the most badass military outfit in the galaxy – the US Colonial Marines. It’s down to you to not just survive but wipe out the Xeno infestation.Features:Enlist in the Marine Corps
Bringing you a true sequel to James Cameron’s classic Aliens, get tooled up with classic Marine weapons including pulse rifles, motion trackers and flamethrowers.The most authentic Aliens experience ever
Using authentic environments inspired by the film series including Hadley’s Hope, the Sulaco and LV-426, you will be immersed in an eerie, atmospheric world where any moment could bring your death.Drop-in / Drop-out co-operative gameplay
The masters of co-op bring their expertise to the Aliens universe. Xenos getting too tough? Call up your buddies so they can drop in with extra firepower. The whole campaign can be played with a squad of up to four players, dropping in and out as necessary through self-contained missions within an over-arching narrative.Loadouts and upgrades
Create your perfect killing machine. An extensive upgrade system allows players to customize their characters to play the way they want. Earn experience to get perks, new weapons and new looks for your squad.

Honestly, I’m worried about this game. It seems that the excitement that’s down on paper didn’t translate very well into gameplay. I wanted to like this game, but it felt very generic in a universe that spawned so much inspiration. I wasn’t able to actually play as a Xenomorph, but I was able to view live gameplay of SEGA employees who were playing as them. I won’t criticize the player model movement, or even the graphics engine itself. What worries me is the level of expectation I, and I’m sure many fans have or had.

E3 2012 Off-Screen Gameplay Footage

Over the shoulder gameplay footage from Comic-Con 2012

Xenomorph attacks are class based into two classes. Also keep mind that different classes may arise as the year goes by. The attacks themselves were pretty standard. Claw, jump, run on walls and ceiling, and pouncing.

Playing as a Marine is what you’d expect. You’re able to aim down the sights, use secondary fire options, and heavy weapons. The sense of urgancy that’s clear from the films is absent, and instead, it feels like I’m just shooting aliens and not Xenomorphs. Yeah, it was cool fighting alongside other players, helping each other out whenever we got cornered, but it’s just not what I expected.

A prime example is the screenshot above. That screenshot alone makes me want to buy the game. Playing the game should be able to translate feeling too. With a solid four months of crunch time, there is still hope for Colonial Marines. With some tweaks here and there, perhaps the horror in the title will arise, and Aliens: Colonial Marines will be able to proudly represent the Alien Universe.

Aliens: Colonial Marines is hitting the Xbox 360, Playstation 3, and PC February 2, 2013.

Pixar illustrator Josh Cooley made a collection of R-rated movie scenes in the style of a kid’s book and named it Movies R Fun. Sadly the book is sold out, but you can buy prints of the scenes here. Can you name all the movies these are from? I know I can. Enjoy!

Last week, our beloved Saint Mort asked me how I felt about the movie Predator. Not knowing the intention of the question, I responded with, “It’s the feel good movie of the century!” Because of that response, I am now writing this article. So, you best read it and like it, ’cause doing so will make you a god-damned sexual Tyrannosaurus, just like me.:

This Tuesday, June 12, 2012, Predator, the original film starring Arnold Schwarzenegger, Carl Weathers, and Jesse Venture, turns 25 years old! That’s right, the movie that stars two former governors, has now reached the age at which it can legally run for public office. Let that settle in for a moment. Also, if you haven’t watched the movie before, stop reading and do so. Now. After experiencing its 104 minutes of gloriousness, return to this page. I can wait.

You’re back? Great! Let’s get down to this.

Although I wasn’t yet alive when the film was original released (I turned 24 on Friday), and to be completely honest, I don’t believe I saw the movie in its entirety until I was 9 or so (and as my brother reminded me this morning, I still have yet to see the first sequel, Predator 2, but from my understanding I am better off), it is one of my favorite movies. Additionally, I have made certain to watch it several times this week, to capture the spirit of the film in this write up–and I will let you know that my bond with the species known as Predators goes back long before then and continues now. So while I may only be able to reflect on the film proper for 15 years, my relationship with the franchise goes back almost to as far as its own history does. Take a walk with me down memory lane …

Who’s the ugly motherfucker?  Is it you? Yes it is! Coochiecoochiepleasedon’thurtme

When talking about Predator, you almost always think of Alien in the subsequent thought. Although the two universes were initially created independent of each other (with Alien having almost a 10 year prior history), they are now intertwined. In my experience, however, they were always synonymous with each other (and it wasn’t until I finally re-watched Alien about eight years ago that I realized this wasn’t always the case) and I had always preferred Predator, even though it was my understanding more people prefer the Alien franchise. Am I just being contrarian or is there more to it?

I have always been an action movie person, with little-to-no tolerance for horror films. However, while Alien may be a horror film in the purest sense, the subsequent films in the franchise are heavily geared towards action, so to base it on that alone would be wrong. And while it is true that I do enjoy preposterous amounts of testosterone,  to deny Ripley her badassery would be a sin I dare not commit. So what is it about Predator that earns its place as first in my heart? For that answer, we will have to go back to when I was a wee tyke and did not yet know what the hell a Predator was.

But seriously: shaving without even a trace of stubble? That’s manly!

Now, I am the youngest in my family, and my brother who is 4 years my senior takes great pride in his role of how I was raised. He saw his role as my older brother to be tantamount to being my life teacher. Although some of the lessons were harder than others, he claimed it was all in an effort to make me “stronger”. A sentiment he proudly proclaimed to our mother when one time she watched him pin me down and force me to drink Tabasco  sauce, which my young palate had not yet gained a liking to. My mouth burned for a week, but I love the stuff now. Fancy that! It’s funny how often teaching and training can look like terrorizing …

On the terrorizing side of things were his Alien action figures which he would often use to insight fear into my psyche. Among them was a Flying Queen Alien, with wing flapping powers. I remember car rides where we would be forced to sit next to each other and he would bat its wings at my face and I’d be confused, scared, and defenseless against this 8 inch piece of plastic and start crying. While definitely the weakest response to that situation ever, I was probably five or six and those toys were damned terrifying. I’m sure there was some underlying fear that if I did fight back and broke the toy, I’d be in a world of hurt that surpassed any psychological warfare at the time. Or maybe I was just a little bitch. Hard to say. Nevertheless, it was then, in my darkest moments of fear and panic, that a hero would present himself and rise against my evil sibling overlord and his Flying Queen Alien. And that would be still evil (but less so) sibling overlord taking out his Predator figure to kill and defeat the Alien Queen.

The bane of my 5-year-old existence. I am pathetic.

Even though the Predator would promptly turn his tri-lasers on me after defeating his xenomorph prey, the few moments where I was free of the  flapping was a relief. Also, I rather have three red lights on me than repetitive plastic wings flapping in my face. I’m just saying.

It was in those moments a Predator fan was born. It would be a few more years until my parents saw I was old enough to watch the franchise, but in the fight of Aliens versus Predators, I had already picked me pony.

As I grew older, these memories were later repressed. Although I recalled the franchise fondly, it wasn’t one that I obsessed over. When a new Predator novel, comic, AvP film, etc., came out, I’d experience it, appreciate or complain about it, and then put it away somewhere to forget. None of the stories were quite able to get my juices going the way the original film had. It wasn’t until the release of Predators in 2010, when all the pre-adolescent memories came flooding back to me in waves. I’m not implying that the Predators movie was great, but it did resemble the original enough to bring me back to the franchise.

By which I mean it had an ensemble cast, a jungle, and some predators

Watching Predator now feels just as good as it did when it first came out, if not better. Action movies today seem to either be too serious or too tongue in cheek. Pithy one liners like, “Stick around” after nailing a bad guy through the heart with a machete, just aren’t said with the same amount of smugness as they were when Schwarzenegger quipped them 25 years ago. Actors and screenwriters today either try to pass them off as ironic, or ignore them all together. That said, even in this movie there are characters that look at others for their absurdly awesome one liners. When Jesse Venture’s character Blain famously states that he “ain’t got time to bleed,” after Richard Chaves‘s character informs him that he is, in fact, bleeding, Chaves responds to him the same way the audience does:  “Oh, okay,” with a hint of awe and fear in his eyes.  (I do want to point out that when Blain is later found dead, he isn’t bleeding–all his wounds are cauterized) While admitably absurd, the way Ventura and Schwarzenegger both state their lines with such matter-of-factness is something lost on this generation of action stars.

The 80’s definition of a man. By why need it be relegated to one decade? Why not now?

Granted, calling a group of special force operatives, “A bunch of slack jawed faggots” because they have no interest in chewing tobacco probably wouldn’t go over well at all today. Even if said ironically.

Speaking of horrible epithets towards a person’s sexuality (hell of a segue, right?), has no one else picked up on the homoerotic undertones on this movie? Ignoring for a moment that the Predator’s mouth itself looks like a giant vagina dentata, the testosterone pissing contests depicted throughout the 104 minutes of film are just ridiculous.

Seriously though, it does.

From the mid-air arm wrestling match between Dutch and Dillon, which starts on a shot of them shaking hands, biceps completely flexed, that is held up to a count of at least two Mississippi; to Blain constantly holding his massive gatling style minigun at hip level to look like an extension of his dong. Then there are the rather subtle shots of snakes doing nothing but being phallic symbols, to the subtext heavy scene of Mac telling the moon he will carve Blain’s name into the Predator once he kills him. The way he sells that monologue and angsts over Blain’s demise and saying “he was [his] … friend” leads one to question the true nature of their relationship, in a pre-Don’t Ask, Don’t Tell military. I’d like to see how it would have been handled today, when one could be out and still join the melee to destroy an extra terrestrial enemy.

Oh, and let’s not forget to mention, that the Predator vagina monster is defeated when he is squashed by a giant log. Phallic imagery ahoy!

They’re not even shooting at anything here. I’m serious.

Perhaps, I am just looking too deeply into an action movie that isn’t supposed to be taken all that seriously. But where’s the fun in that? I have heard it suggested that it may be a satire on action films, with the goofy ending credits giving some credence to that hypothesis. Yet, if that’s the case, I don’t think Arnold is in on the joke as I honestly believe it showcases some of his greatest acting ability, and is without a doubt his most bad ass here. While Terminator is my favorite Ahnuld led franchise, I must admit that his golden skinned Adonis, caked in mud to mask his heat signature, known as Dutch wins me over in ways the T-800 cannot (I can only hope the machine will one day learn to understand this, if not actually sympathize). From smug to betrayed, to confusion to fear, then back to smug again. He shows a full range of emotion that I did not know Austrians–let alone politicians–were actually capable of.

Arnold Schwarzenegger: Tree Hugger For Life … literally

There is so much more to say about this movie and how much I love it and why, but I think we’ve covered enough bases if not used enough words. So I’ll leave you here: no matter what the movie  is supposed to be, I am sure we can all agree that it is a great film and will stand a longer test of time than a mere quarter of a century. Additionally, it is true what they say: that if it bleeds we can kill, luckily we can all rest assured that this bad boy ain’t got time to bleed.

And now behold… “Predator: The Musical“!

Sir Ridley Scott recently spoke with Collider and not only did he express his interest in doing a sequel he also spoke about an extended cut of the film as well as some of the deleted scenes. Warning: minor spoilers lie ahead if you have not seen the film.

On Deleted scenes:

SCOTT: This is fundamentally the director’s cut. But there will be half an hour of stuff on the menu because people are so into films—how they’re made, how they’re set up, and the rejections in it. That’s why it’s fascinating. So this will all go on to the menu.

Collider: Well I’m curious about the deleted scenes. Specifically in this film, Noomi [Rapace] mentioned maybe there was a fight scene with her and an Engineer.

SCOTT: The Engineer fight scene was pretty good. It will definitely go on the menu. It won’t go on the long version. The problem about it is, while she gives as good as she gets with an axe (she’s very physical), he’s so big, for him to be clouted with a conventional weapon somehow diminished him. It’s subtle. It’s drama. I didn’t want to diminish him by having this person who has a weapon to be able to back him off. It minimized him. That’s why when he deals with people inside his cockpit, it’s over. Wham, wham, wham. Even the shot doesn’t mean anything. And so all she has time for is introducing him to the big boy inside the lab.

Collider: You’re going to do an extended cut on the Blu-ray/DVD. Is it a lot longer?

SCOTT: Twenty minutes.

Collider: So there’s, like, twenty minutes that will be added back in for a longer version?

SCOTT: Maybe. But I’m so happy with this engine, the way it is right now. I think it’s fine. I think it works. It can go in a section where, if you really want to tap in, look at the menu. To see how things are long, and it’s too long. Dramatically, I’m about putting bums on seats. For me to separate my idea of commerce from art—I’d be a fool. You can’t do that. I wouldn’t be allowed to do the films I do. So I’m very user friendly as far as the studios are concerned. To a certain extent, I’m a businessman. I’m aware that’s what I have to do. It’s my job. To say, “Screw the audience.” You can’t do that. “Am I communicating?” is the question. Am I communicating? Because if I’m not, I need to address it.

 

Personally, I love the film and can’t wait to see this extended cut to see if it adds onto the film. And with how the film has already surpassed its budget in under two days of being out domestically…a sequel is pretty much guaranteed.

‘Prometheus’ is in theatres now.

*Warning: This review contains spoilers to the movie*

Prometheus has landed and it’s landed with a thud. Ridley Scott’s return to sci-fi was something I was doing celebratory back-flips over (not really, I’d hurt myself if I’d have actually tried a back-flip) and this was  a movie I have been looking forward to for quite sometime. As far as I’m concerned this movie is a steaming pile of Bantha fodder.

I’m not going to give a detailed synopsis of the movie due to the fact that anyone who has seen the trailers has pretty much seen the movie already. Basically the store breaks down as such, scientists (and I use that term very loosely) discover “an invitation” from the stars and go looking for the answer to the creation of man. They land on a mysterious planet and bad things happen, the end. For a detailed synopsis of the movie as well as different opinion on it check out Matt Landsman’s review.

People have been referring to this as a “thinking man’s movie” and that’s a statement I completely disagree with. Trust me, I’ve thought about this movie a lot over the last few days and despite the basic premise the rest of the movie is not thought out at all. The basic premise of ‘man looking for his maker’ is a cool idea but the presentation fails in almost every way possible.

Screen-writers Jon Spaihts and Damon Lindelof ask two big questions in the movie, “who created us” and “why do our creators hate us.” Yet they only answer the first question with a very simple “because they could.” Dammit Lindelof, that’s about as in-depth and thought-provoking of an answer as the one you gave for “what is the island.” There is absolutely zero character development in this movie and it says something about a movie when the most interesting and thought out character is an emotionless android.

Michael Fastbender’s David, who is the aforementioned android, easily steals this movie and aside from the visuals, is the best part of it. But what about the other characters? Well, the Prometheus is said to have a crew of seventeen and yet out of those we only (sorta) get to know five of them, not that we really get to know any of these people. These are supposed to be scientists and yet none of them, save for Noomi Rapace’s character Elizabeth Shaw, seems to care about the most important discovery in human history. Hell, one of the characters (I’m not even sure if he even has a name) is said to be a geologist and it seems like he could give two shits about the geology of this mysterious planet he’s on. If this is a “thinking man’s movie” shouldn’t I want to know what the characters think about the most important discovery in the history of man and shouldn’t I care about them in some way? Yet, when people start dying horrifically I could not care less nor could I probably tell you who they even were. They might as well have been red shirts from Star Trek.

The rest of the cast is made up of the likes of Charlize Theron, who plays Meredith Vickers, representative for the  Weyland Corp and an uptight bitch. That’s pretty much the extent of her role here. Logan Marshall-Green plays Shaw’s boyfriend/fellow scientist Charlie Holloway, we only know they are an item because they have sex about half-way through the movie (see, told you there’d be spoilers). His character doesn’t do much other than pout and get drunk when they get to the planet and then bang Shaw, I don’t think he actually performs any science in the entire movie (aside from the science of sex that is). Then there’s Guy Pearce as Peter Weyland, who is caked in prosthetics and bad make up. Why they cast him in this I’m not really sure, they could have just cast an actual old man and we would have ended up with the same results minus the bad make up. These are all cliched characters that we’ve seen plenty of times in other movies.

Director Ridley Scott knows how to make a beautiful looking movie and that goes for this one as well, despite it merely being window dressing this time around. Sure, the movie has some cool action sequences as well as some gruesome parts, like a scene in which Shaw must perform surgery on herself. That scene is the closest this movie gets to the gruesome horror of original Alien. Scott previously stated that this movie isn’t so much a prequel as it is more of a movie that contains the DNA of the original, which is a very true statement in every way.  Do we see xenomorphs in Prometheus? Well sorta. We do get to see an early form of the xenomorphs and that is pretty cool. Truth be told, I’m okay with this not being a direct prequel to Alien- if it had been I would have been even more disgusted with the finished results than I currently am.

If Ridley Scott and company wanted to truly make this a “thinking man’s movie” then they should have created a better movie with characters that actually think in the first place. Will this movie get a sequel? Probably, but will it be any good? Probably not. If you want to see a movie filled with cardboard characters and lack of a plot but that looks amazing then this is the movie for you. If you want to see a good movie, go re-watch Alien and Aliens.

Score: 2/5

 

Spoiler warning ahead! If you haven’t seen ‘Prometheus’ by now I advise you to turn away. But if you have seen ‘Prometheus’ by now and stayed through the credits you saw this mysterious date flash across the screen with the Weyland Industries logo.

What is the significance of this date? As we all know Ridley Scott and the cast were very secretive about just what ‘Prometheus’ was about from the start and even the internet snoops didn’t know just how it was going to end and tie things together. And upon seeing it (I wont give my review…but I thought it was very smart and great) you understand why Ridley Scott kept saying “strands of DNA” the whole time. But once this flashed across after the credits people were left wondering “What is 10.11.12?” being that this is about four months from now. Is it more viral campaigning? Are they pushing forward with a sequel already based on international numbers and very impressive midnight showings?

Only time will tell. But there is a website and the first piece to this next puzzle has been revealed:

So now we play the waiting game and lose our minds trying to figure out just what is the significance of 10.11.12.

In the 1979 Ridley Scott classic, Alien, the terrors were dark, mysterious and rarely seen.  This isn’t the case at all in Prometheus, where the origin of the titular creature in Alien is explained, and new, even larger questions about humanity are raised.  I’m glad that it was Scott who chose to revisit his own work rather than another director. Prometheus is not prequel so much as it’s a further exploration of the same universe, but little did we know just how vast this universe actually was. The film is an anxious, relentless, cerebral horror film.  And make no mistake, it’s more horrifying than any of the previous installments in the franchise.

In the haunting opening images, a pearly white, perfectly-muscled tall humanoid called an “engineer” (Space Jockeys if you want to go by Alien terms) is dropped off by a ship and abandoned on a planet where he must carry out a sacrificial deed.  Flash forward quite a long time to where explorer scientists Elizabeth Shaw (Noomi Rapace) and her boyfriend Charlie Holloway (Logan Marshall-Green) have discovered ancient cave drawings of early humans communicating with beings from the stars.  Aging tycoon Peter Weyland (a heavily made-up Guy Pearce) commissions Shaw and Holloway to lead a mission to a mysterious planet which has been mapped out in the cave drawings in an attempt to meet whoever made man kind and answer some of life’s essential questions.

In the two years it takes to arrive on the alien world, the robot David (Michael Fassbender) tends to the ship and studies the humans in a state of stasis. He takes it all in and he’s amused by human-kind.  From the second he first appears on screen to the end of the film, David steals the entire movie.  Fassbender’s performance has a curious gravity that makes him the most likeable character, regardless of his moral and emotional ambiguity.

Once on the planet, Holloway is quick to point out ant-hill like structures saying that “God doesn’t use straight lines.”  But weren’t they going there to find god in the first place? Anyway, the team of scientists and David don helmets and head into the ant-hill like cavernous structure.  The things they find inside lead them to evidence about the origins of mankind, but manage to raise even larger existential questions as the crew members are horrifically picked off one by one.

Prometheus is more grotesque any in the “series” to date (and it being part of said series is debatable)In tone, it’s most comparable to Alien but a lot more physically grounded and a lot less grounded philosophically.  It’s open to some big interpretations. Aliens turned out to be more of a war/action film, and it’s true that there are elements of that thrown into the mix here too and Alien 3 and 4 aren’t even worth talking about.  The images in the film are meant to be graphic and shocking, to create terrifying iconography that would stay with the viewer to leave the same impression that you would get experiencing “God’ close up for the first time yourself.  What would you say to him? What would you expect him to tell you?

There are some ties to Alien, notably at the end (as to be expected) but the movie feels more like a spinoff within the same universe than a sequel.  This works for me because it shows just how vast this universe can be.  While the technology at the heart of the film and biomechanics are largely fantasized, they feel very realistic, and the film offers a very logical idea as to where we came from.  This is where the movie really shines for me.  Without ever giving a concrete answer, it guides us toward the direction of one viewpoint while still leaving the basic question of man’s identity in the scheme of things open-ended.

One of the most beautiful aspects of the film is that Elizabeth Shaw seeks to meet those who created her and ask them why.  Holloway tells David that the humans made him because “they could” to which David tells him that’s an incredibly disappointing answer. Every base is covered from a logical standpoint.  This is a thinking man’s movie for sure even though it still has the visual trappings and mild sense of humor of a big action blockbuster.  Prometheus is a winner in my book, which is a big sigh of relief since I was greatly anticipating it.  Not only does it serve as a fitting prequel to Alien which is just about as good as the original, but it broadens the horizons, makes the viewer feel small and leaves them asking all the right questions.  Don’t miss this one.

‘Prometheus’ the Ridley Scott prequel to ‘Alien’ that isn’t a prequel has already started off strongly this weekend. Going head to head with ‘Snow White And The Huntsman’ the film is the biggest opening day for a Ridley Scott film ever in the UK.

We have had a superb start with Prometheus opening a clear No. 1 grossing £2.2m ($3.39M). This includes an estimated £200k ($306K) from special midnight screenings on Thursday,” the studio told Deadline.

The two x70mm IMAX locations in the UK (London and Manchester) reported sold out showings all day yesterday and even late night screenings were sold out in advance. ‘Prometheus’ has also broken records for advance IMAX screenings set by ‘Harry Potter And The Deathly Hollows Part 2’ and ‘Avatar’. It could have performed even stronger in that department but most of the IMAX shows were only playing one evening performance on top of MIB3′ because Sony had a 2-week agreement with IMAX digital.

The movie opens here on Friday and I for one will be there at midnight on Thursday.