It was 35 years ago when Ridley Scott broke ground with his sci-fi classic Blade Runner. Trading action-packed thrills for a tempered and more cerebral science fiction endeavor helped make an impact on an entire generation of movie lovers. And if a sequel had to be done, what better filmmaker to take the reins than Arrival helmer Denis Villeneuve? Brandishing an intellectual screenplay and Villeneuve’s keen visionary mastery, Blade Runner 2049 has clearly been placed in the most worthy of hands.

Set thirty years after the original, Officer K (Ryan Gosling) is a new-hybrid of replicant Blade Runner, programmed to fully obey his human masters. But as he becomes assigned to a very delicate case, the mystery he’s supposed to solve slowly forces him to question his own existence. And with all of the answers belonging to former agent Deckard (Harrison Ford) who has gone into hiding for decades now, K must track down the legendary Blade Runner in order to finally unlock the truth to his cloudy past.

Much like Ridley Scott’s Alien franchise, Blade Runner 2049 finds a unique beauty in its ability to pose more questions than answers. But despite a frustrating ambiguity that’s assured to displease select audiences, Denis Villeneuve and company do an amazing job of expanding on the universe that Ridley Scott created 35 years ago. Taking the auteur’s classic idea of building compassion for the replicant population and transforming that into a core principal within the structure of this new examination, Villeneuve enlightens the viewer with fascinating psychological quandaries and thought-provoking introspection. Ryan Gosling offers a stellar lead performance that’s wonderfully complemented by a multitude of smaller, yet unbelievably effective, roles. And while Gosling undoubtedly hogs the film’s face time, not a single side character wastes a moment on screen. Don’t be fooled, though, Blade Runner 2049 comes with a fair share of criticisms. The film wallows in a sluggish and thrill-less delivery that snow-piles throughout an often painful 160-minute duration, and its uncharacteristically weak score with the great Hans Zimmer on board proves to be a bit of a disappointment. However, loyal and respectful fans of the original Blade Runner can look past these flaws and find solace in Denis Villeneuve’s originality and heady subtext that rival the work of its predecessor.

GRADE: 4/5

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Can you believe that 2016 is coming to a close? In just a few days, we’ll abolish that dreaded six for ten more years, and a cool, clean, sexy seven will take its place.

2016 has been an incredible year for everything aside from presidential candidates and celebrity deaths, so as always, we wanted to share our favourite games, movies, moments and more of 2016.

Adam shared his favourite things yesterday, and today longtime critic MCDave is here to share his favorite films of the past year!

#10. Arrival

My top ten list begins with Denis Villenueve’s sci-fi drama, Arrival. This Oscar hopeful deviates from the stereotypical sci-fi structure by offering majestic cinematography and an artistic vision from its filmmaker. After 12 alien spacecrafts appear across the globe, the U.S. military reaches out to a linguistics expert (Amy Adams) to form a line of communication and determine if their motive is peaceful or violent. This cerebral effort works in opposition to some punishingly sluggish pacing which, admittedly, concludes in a remarkably clever fashion.

#9. The Nice Guys

One of the year’s most entertaining features came from Iron Man 3 director, Shane Black, and jump-started the summer blockbuster season. The Nice Guys stands as a successful twist on the buddy-cop genre as two private investigators (Ryan Gosling and Russell Crowe) look into the disappearance of a teenage girl. There are countless laugh-out-loud moments scattered throughout this hilariously scripted story that’s bound to get the sequel treatment.

#8. Remember

One of the only upsides to this year’s middling crop of releases is it allows me to offer praise to some lesser-known titles. One such film is the early-year release, Remember, from director Atom Egoyan. Christopher Plummer stars as Zev, an elderly man living in a retirement-home and experiencing early stages of dementia. He is reminded of his gruesome childhood in the Auschwitz internment camp where a Nazi guard killed both his and a fellow resident’s families. With nothing left to live for, Zev sets out on a vengeful mission to find the prison guard and kill him. Remember is a wildly engaging thrill ride that’s elevated by an explosive final scene you won’t want to miss.

#7. Nocturnal Animals

Tom Ford’s stylish sophomore effort isn’t everything you’d expect it to be, but it’s still quite good. Amy Adams stars as an art gallery owner who receives a manuscript of her ex-husband’s new novel. The book is dedicated to her and, as she becomes consumed by its grisly story, she reflects on the emotional torment she caused her former lover (Jake Gyllenhaal). I expected a more brutal and twisted affair, but what it lacks in physical anguish is made up with psychological misery. Michael Shannon and Aaron Taylor-Johnson offer fine supporting work while Tom Ford’s direction is on-point.

#6. Don’t Think Twice

The modern evolution of the comedy genre is actually quite sad. Character development in such a setting has become a lost art and cleverly-crafted humor is a dying skill. Thankfully, Mike Birbiglia’s personal indie comedy, Don’t Think Twice, represents a return to the glory days. The film follows a tight-knit improv comedy group who begin to experience fierce competition between one another when the world’s most notable sketch-comedy show scouts them for new talent. This wonderfully told story draws the audience into each of its characters and is highlighted by hilarious situational humor.

#5. Manchester by the Sea

Kenneth Lonergan’s emotionally charged Oscar contender is by no means an easy watch. Casey Affleck, who stands as the Best Actor frontrunner for his unmatched performance, plays a brutally scarred handyman who returns to his home town to care for his nephew after his brother passes away. Deeply immersed in feelings of hope, heartache and uncertainty, Manchester by the Sea absolutely pushes the dramatic envelope.

#4. Captain Fantastic

There’s something so euphoric about Captain Fantastic. On the surface the film’s central characters appear to be a crazed family who shut themselves off from the world by living deep in the wilderness of the Pacific Northwest. But at the same time, to have the fortitude and survival instincts to actually pull it off are impressive and convincing. There are countless controversial elements scattered all throughout this captivating story and artistically shot film that make Captain Fantastic a movie unlike any other.

#3. Hell or High Water

David Mackenzie’s tale of bank-robbing brothers is the perfect blend of the classic Western genre with a modern day flair. Chris Pine, Ben Foster and Jeff Bridges all provide phenomenal performances that catapult this slow-boiling and often witty screenplay into a completely well-rounded piece of filmmaking.

#2. Moonlight

I had heard all of the lofty praises for Barry Jenkins’ indie drama, but a familiar premise left my expectations extremely tempered. However, Moonlight was this year’s biggest surprise. It delivers the finest ensemble of 2016 and tells its powerful coming-of-age story with a level of tenderness and humanity that will leave you craving for more long after its credits roll.

#1. La La Land

In a year overrun with grim storylines from its major awards season contenders, Damien Chazelle’s whimsical musical is a fresh breath of upbeat originality and a bona-fide Best Picture selection. La La Land comes with its own roller coaster of emotions, but the film tells a deeply passionate story using a deliberate nod to classic cinema all while injecting a modern touch.

I first met Andrew Rader a month ago at Stan Lee’s LA Comic Con where he was promoting his new children’s book about space! And as an engineer at SpaceX, he knows exactly what he’s talking about! Beyond talking about his Kickstarter for the second book in his Epic Space Adventure series, which teaches kids all about space, we talk about the reality of a manned mission to Mars, colonization of our solar system and lots and lots more. If you’re a space or science fan, you’ll be as fascinated by this conversation as I was! Also, I give my thoughts on ‘Arrival’ and ‘Fantastic Beasts And Where To Find Them’! Enjoy, Space Cadets!

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There’s a titillating excitement for that first glimpse of the aliens in new science fiction film “Arrival,” starring Amy Adams and Jeremy Renner opening this weekend.

https://youtu.be/7eCdgsoHm7E

From director Denis Villeneuve (Sicario) is an intellectual sci/fi thriller about a talented linguist charged with the challenge of making first contact with aliens who arrive mysteriously in twelve different ships scattered randomly across Earth.

If you are familiar with the term slow-boil where a story takes it’s time to heat up, “Arrival” can be compared to a crock-pot. There’s a lot of good elements piled together in this film including some smart script writing from Eric Heisserer who has the tricky challenge of writing a moving human tale balanced with high-concept science fiction.

It comes down to do you want to make a film that is popcorn fodder like “Independence Day” or do you want to do something intelligent? Thankfully, Villeneuve chooses the high road taking the story based on Ted Chiang’s “Story of Your Life” and shaping it visually into a high concept movie from a micro viewpoint of mainly two scientists and their relationship with themselves and the aliens.

Just like the film “Interstellar” that was terrific up until the end when it went high concept and left more than half the audience behind “Arrival” faces similar challenges. Even so, Villeneuve stays true to the genre which is about challenging what is, and asking what if.

On that basis “Arrival” is stunning as it covers new ground incorporating what life and communication might be outside of the spacial dimension of time.

“Arrival” reminds me of two films that both beautifully captured high concept science fiction, “Cloud Atlas” and “The Fountain,” but ended up leaving half their audiences’ in the dust and frustrated with understanding what the heck was going on. “Arrival” faces similar challenges if conversations over heard after the screening can be trusted, and questions I personally answered to several who both enjoyed the film but didn’t quite grasp why things happened the way they did.

The lack of understanding for some will mean an uninspired reaction while others will fully embrace and appreciate a story of this magnitude.

Bottom Line: High praise is deserved for director Villeneuve who visually takes a high concept of science and incorporates it into a moving story about humanity and the nuances of life on Earth and not of Earth. Fans of science fiction will surely embrace this film of first contact while others who don’t fully comprehend may be confused in the end. Incoporating main stream talented actors like Adams and Renner, intriguing visuals, and a sumptious sound track that delivers quiet moments and powerful equally in resouding ways will go a long ways in helping those who don’t quite get the story to still enjoy the over-all film.

4 out of 5

PG-13,  1 hr. 56 min.

Drama, Mystery & Suspense, Science Fiction & Fantasy

Directed By:    Denis Villeneuve

In Theaters:    Nov 11, 2016 Wide