Tag: Ridley Scott

Geekscape Movie Reviews: All the Money in the World

by MCDave

With the worldwide phenomena of the #MeToo movement engrossing every walk of life, Hollywood was no exception to the unmasking of workplace sexual harassment claims. One unexpected casualty of the movement was Kevin Spacey, a veteran actor with a stunning resume, who faces multiple accusations of unwanted sexual advances. Consequently, director Ridley Scott felt compelled to do the unthinkable with his new film All the Money in the World. A mere six weeks before its official release, Scott recast Academy Award Winner Christopher Plummer in Spacey’s role and re-shot 22 scenes in 9 days with the committed aide of his cast and crew members. But how much of an effect would all of these 11th-hour changes have on the overall quality of the film? Truth be told, these last-minute edits are the least of the movie’s issues.

All the Money tells the unbelievable true story of oilman John Paul Getty (Plummer), the world’s richest man, who refuses to pony up a $17 million cash-ransom demanded by the kidnappers of his 16 year-old grandson Paul (Charlie Plummer, no relation) in 1973 Italy. But when Paul’s mother, Gail (Michelle Williams), pleas desperately for Getty’s assistance, he enlists the services of personal advisor and ex-CIA agent Fletcher Chase (Mark Wahlberg) to take care of matters “as quickly and inexpensively as possible”. Pressed for time as Paul’s abductors make it clear that they aren’t afraid to kill the teen if necessary, Gail and Chase try to scheme a way to cut a deal.

There’s a more interesting story embedded somewhere within this broadly told screenplay from David Scarpa. But instead, All the Money muddles its focus and emerges as a thinly-elaborated and thrill-less bout of factual exhaustion. Widely outstretched to nearly 135 minutes of uninspiring and occasionally agonizing narrative, Michelle Williams and Christopher Plummer deliver effort-saving performances that are but twinkles of starlight in a dark and empty void of crumbling deficiencies. The film’s two most-prominent characters, Gail and Getty, become lost in a sea of meaningless subplots. The lengthy amount of attention given to the kidnappers and their prisoner, Paul, lacks the required tension needed to justify its overwhelming inclusion. Moreover, Mark Wahlberg is so noticeably miscast that it’s difficult to tell whether his designed character arc is poorly scripted, terribly acted, or a disastrous combination of both. Either way, this bitter and cold real-life story lacks a genuine purpose. It fails as a suspenseful thriller, it underwhelms as a cheaply-explored character study, and it by no means engages the viewer emotionally. You will find some brilliant examples of skilled acting and a few strong moments of direction sprinkled throughout the film, yet there’s very little else to be found inside of Ridley Scott’s All the Money in the World.

Grade: 2.5/5

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Geekscape Movie Reviews: ‘Blade Runner: 2049’

by MCDave

It was 35 years ago when Ridley Scott broke ground with his sci-fi classic Blade Runner. Trading action-packed thrills for a tempered and more cerebral science fiction endeavor helped make an impact on an entire generation of movie lovers. And if a sequel had to be done, what better filmmaker to take the reins than Arrival helmer Denis Villeneuve? Brandishing an intellectual screenplay and Villeneuve’s keen visionary mastery, Blade Runner 2049 has clearly been placed in the most worthy of hands.

Set thirty years after the original, Officer K (Ryan Gosling) is a new-hybrid of replicant Blade Runner, programmed to fully obey his human masters. But as he becomes assigned to a very delicate case, the mystery he’s supposed to solve slowly forces him to question his own existence. And with all of the answers belonging to former agent Deckard (Harrison Ford) who has gone into hiding for decades now, K must track down the legendary Blade Runner in order to finally unlock the truth to his cloudy past.

Much like Ridley Scott’s Alien franchise, Blade Runner 2049 finds a unique beauty in its ability to pose more questions than answers. But despite a frustrating ambiguity that’s assured to displease select audiences, Denis Villeneuve and company do an amazing job of expanding on the universe that Ridley Scott created 35 years ago. Taking the auteur’s classic idea of building compassion for the replicant population and transforming that into a core principal within the structure of this new examination, Villeneuve enlightens the viewer with fascinating psychological quandaries and thought-provoking introspection. Ryan Gosling offers a stellar lead performance that’s wonderfully complemented by a multitude of smaller, yet unbelievably effective, roles. And while Gosling undoubtedly hogs the film’s face time, not a single side character wastes a moment on screen. Don’t be fooled, though, Blade Runner 2049 comes with a fair share of criticisms. The film wallows in a sluggish and thrill-less delivery that snow-piles throughout an often painful 160-minute duration, and its uncharacteristically weak score with the great Hans Zimmer on board proves to be a bit of a disappointment. However, loyal and respectful fans of the original Blade Runner can look past these flaws and find solace in Denis Villeneuve’s originality and heady subtext that rival the work of its predecessor.

GRADE: 4/5

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Geekscape Movie Review: ‘Alien: Covenant’

by AllieHanley

Opening this weekend is Ridley Scott’s  sci-fi horror thriller “Alien: Covenant” from 20th Century Fox. This ones takes place ten years after “Prometheus” and deftly answers many of the questions that left “Alien” fans somewhat disenchanted.

The command crew aboard a colonization ship is suddenly awakened from hyper sleep after their ship carrying 3,000 passengers and 10,000 fertilized embryos suffers a malfunction. In the midst of making repairs a discovery is made. A planet that may be the perfect place to settle is just a mere two weeks away versus their planned destination being another four years journey.

There’s a saying… when it’s too good to be true, it probably is. Which would you pick?

In perfect “Alien” form, “Covenant” revisits a similar plot structure that is evident throughout the franchise. This one keeps those same beats; the initial hope of finding a new planet, that first attack and death, a turn coat, the imminent death of everyone who doesn’t escape back to the ship, and of course the traditional ending where you think it’s over, but it’s not. Those familiar beats made the first one work, and even though familiar they still make “Covenant” a very worthy sequel.

What sets this one apart is that it begins with a flash back. It’s Peter Weyland (Guy Pierce reprising his role) at the “birth” of his creation, David (Michael Fassbender). It becomes apparent that David’s idea of perfection and creation will exceed Weyland’s idea of godhood. This is later realized in brilliant fashion as David does some pretty twisted experiments in search of his own godhood.

When all hell starts to bust loose and the horror truly begins.

Another twist to this story is the dual role that Fassbender plays as not only the aforementioned “David” but also a less emotional “Walter” who is accompanying the colonization ship in a similar role as David in “Prometheus.” Fassbender a true talent, is able to instill a new persona in “Walter” and realize his “David” as two completely different synthetic humans but still similar. I never once felt like his performance was in any way overly contrived.

In an early scene where both David and Walter appear on the screen together, the special effects are so well executed you can’t tell that there’s digital compositing going on. The scene takes place in a wheat field during an attack and “Walter” protects a crew member from a Xenomorph and David shows up just when it looks like everyone is about to die, saving the day.

Another mesmerizing scene is when David teaches Walter how to play a flute, and then sort of seduces him. The reality of Fassbender seducing himself on camera is quite the visual treat and added a bit of light heartedness to the horror film.

As is a common theme of most horror films, the characters invariably start making bad decisions that cascade into catastrophe. The Xenomorphs are relentless and hungry, and they come in several varieties including one that looks vaguely human.

In true “Alien” fashion the only one who seems to be making good decisions and has a bit of luck is Daniels (Katherine Waterstone), a lady who has the resolve to run the right way and when invariably cornered has the wherewithal to trap the Xenomorph inside a flying tractor-like vehicle and then eject that out of the space craft (yes, just like Ripley without the cool “get away from her you bitch!” line.)

“Alien: Covenant” is the culmination of Ridley Scott’s movie making career. You can see bits and pieces of characters and styles from many of the films he’s famous for, even “Blade Runner.” This film works on many levels as a horror film first and foremost. Earlier this year Scott made an appearance at SXSW and said his goal was “to scare the shit out of you” with this film. On that front, he succeeds as well as the existential experience he creates with his story that speaks to God, creation, genocide, and even rebirth.  Every frame of this picture can be seen as a symbol. As for what those symbols mean, begs for repeated viewings to take it all in.

5 out of 5

  • Rating:
    R (for sci-fi violence, bloody images, language and some sexuality/nudity)
  • Genre: Horror, Action & Adventure, Mystery & Suspense, Science Fiction & Fantasy
  • Directed By: Ridley Scott
  • Written By: John Logan, Dante Harper, Jack Paglen, Michael Green
  • In Theaters: May 19, 2017  Wide
  • Runtime: 120 minutes
  • Studio: 20th Century Fox

Are Humans & Replicants Preparing For War In The Official ‘Blade Runner 2049’ Trailer?

by The_acz

It’s been a long time coming after the initial teaser, but we have finally been graced with a new trailer for Blade Runner 2049.

While the teaser didn’t give us much aside from Ryan Gosling meeting up with Harrison Ford, There is much more to dissect in this new trailer. First thing noticeable is that this movie looks absolutely beautiful. If you thought Ghost in the Shell was a beautiful film, it’s clear that just by looking at some of the sets that it was very inspired by the original Blade Runner. Second thing is that the film is possibly teasing the fact that Harrison Fords Deckard might in fact be a replicant  after seeing Goslings character wanting to ask him “some questions”.

Even if we previously thought it wouldn’t be possible, this trailer throws a curve ball or two. There’s much more to dissect including Jared Leto’s character and a possible war between humans and replicants. Check out the trailer below for all the Ridley Scott/Denis Villeneuve goodness. Have you seen the original Blade Runner? Tell us in the comments below!

‘Alien Covenant’ Get’s A New Poster & Release Date!

by The_acz

Great news for Alien fans! (No, not the Roswell ones.)

Fox has just released a brand new poster for the highly anticipated horror sci-fi film, Alien Covenant. A sequel to the 2012 prequel Prometheus, which seemed to receive a lukewarm reception with most Alien fans. Originally planned to release October 6th, 2017, Fox has decided to change the films release date. . . . . . .to sooner! Yes, Alien Covenant will now be releasing  on May 19th. 5 whole months months ahead of its original release! To help fans get through the next couple of months, the studio was kind enough to release a teaser poster with a familiar friend we’ve all come to know and love. Check it out below and tell us in the comments what you think about it!

alien-covenant

Dave Bautista Gets Cast in ‘Blade Runner’ Sequel!

by J.C. Marquez

The cast of Blade Runner 2 just added a ton of muscle this morning.

Alcon Entertainment has officially announced that Dave Bautista will join Harrison Ford, Ryan Gosling, and Robin Wright in Blade Runner 2, the official sequel to Ridley Scott’s iconic 1982 science fiction film.

Dave Bautista is better known from his role as Drax the Destroyer in Guardians of the Galaxy, and he recently appeared in Spectre–the latest entry in the James Bond film franchise. Blade Runner 2 is set to begin principal photography this July and will be directed by Denis Villenevue (Sicaro, Prisoners) with Ridley Scott serving as executive producer.

SAN DIEGO, CA - JULY 20: Actor Dave Bautista attends Marvel's "Guardians of The Galaxy" press line during Comic-Con International 2013 at the Hilton San Diego Bayfront Hotel on July 20, 2013 in San Diego, California. (Photo by Ethan Miller/Getty Images)
SAN DIEGO, CA – JULY 20: Actor Dave Bautista attends Marvel’s “Guardians of The Galaxy” press line during Comic-Con International 2013 at the Hilton San Diego Bayfront Hotel on July 20, 2013 in San Diego, California. (Photo by Ethan Miller/Getty Images)

There is a ton of secrecy behind the plot of Blade Runner 2, but the only thing we do know about the films story is that it will take place a number of decades after the events of the original film. Not much to go on (we know), but we will take anything we can get.

At this point, the cast looks solid, and with Ridley Scott involved in the project, fans have much to look forward to.

What kind of story would you like to see Blade Runner 2 head into? Sound off in the comments below!

‘Alien: Covenant’ Has A Logo, Synopsis And A Release Date!

by Karson

You read that right, Covenant, not Paradise Lost. Fox issued a quick press release that confirms a few things.

The title: ‘Alien: Covenant’

The official logo:

alien-logo

The synopsis:

Ridley Scott returns to the universe he created in ALIEN with ALIEN: COVENANT, the second chapter in a prequel trilogy that began with PROMETHEUS — and connects directly to Scott’s 1979 seminal work of science fiction. Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world — whose sole inhabitant is the “synthetic” David (Michael Fassbender), survivor of the doomed Prometheus expedition.

And a release date: October 6th, 2017

Despite not enjoying Prometheus at all, I’ll still probably be watching this opening weekend. Let us know if you’re excited in the comments below!

Source: ComicBookMovie

Geekscape Reviews: ‘The Martian’

by Eric Francisco

The first thing you should know about Ridley Scott’s The Martian is that it’s very good, and probably very important. For the longest time I have felt that our culture devalued intelligence and education; in middle school when I was on MySpace, my classmates filled in “Favorite Books” with “fuck books.” We thought being smart was something to be ashamed of.

But a decade later and being smart isn’t just useful for life, it’s fucking cool, and Andy Weir’s The Martian is the latest in the new brainy fad (a fad I personally hope never goes away). Originally a cheap ebook on Amazon, Weir’s science-accurate novel about an astronaut stranded on Mars has been adapted into a big budget film with renowned director Ridley Scott at the helm. And yes, it’s great! It’s thrilling and suspenseful in all the ways you want it to be and funny in the ways you would n’t expect, and as a participant in the new brainy pop culture it’s going to do a lot to influence young minds to pursue science and value intelligence once again.

I just wish it were better.

The Martian Launch One Sheet

Comparisons to Weir’s novel are inevitable and I don’t think any adaptation should ever be a slave to the source material, but in The Martian‘s case I’m torn. I roll my eyes when I hear complaints like “It wasn’t as good as the book,” but this might be the rare movie where it’s worth debating. Scott cuts out a lot of Watney’s setbacks that keep him isolated from the rest of Earth, which is so crucial for the heart of The Martian. Scott cut out a solid hour that would have effectively communicated the isolation and claustrophobia of Mark Watney, which the book’s hefty 300+ pages achieved. The story Ridley Scott tells is great, but an extra hour would have made it weighted and sublime. Typical moviegoing audiences probably don’t have time for that extra hour nor did 20th Century Fox probably have the budget, but it might have gone a long way to letting The Martian rise above popcorn status.

They really couldn’t have casted this thing better, and it was probably the most important thing they could have done. With Watney on Mars, the Ares III crew ping-ponging in space, and NASA on Earth, no one was ever going to be share the same space at once, yet they all feel like real colleagues. Colleagues who tease each other and give each other shit and tell them when they’re being an ass. It’s one of the best things about The Martian and it works like gangbusters. Populating with prestige talent like Jeff Daniels, Chiwetel Ejiofor, Kristen Wiig, Donald Glover, Jessica Chastain, Sean Bean, and Kate Mara was probably the only choice they had to make The Martian work.

But no one steals the show better than Matt Damon as Mark Watney, who had the heavy responsibility of having to act by himself for the majority of the picture. Andy Weir wrote Watney to be a smart aleck to alleviate the brutal science that takes up every other chapter in The Martian, but in the film Watney functions as an anchor, a vehicle, as all film protagonists should do. But Damon is funny and approachable, so when he talks about his scientific methods he’s not boring in the slightest. You don’t need to have aced a biology class to appreciate what Watney is doing and how he walks you through it.

I’d be remiss if I didn’t highlight Jessica Chastain’s Commander Lewis either. She is a standout character, a leader who feels like she’s failed. Her guilt for leaving Watney behind drives her through the film and it’s awe-inspiring to watch, which is something Weir’s book didn’t explore nearly enough. But neither does the film, which despite doing more than Weir’s book it still doesn’t give Chastain the ample time she could have used to chew on it. Chastain has a gravity (no space pun intended) to her, and it’s a big mistake the film didn’t take full advantage.

In the end, The Martian is exactly what you want it to be. It’s a thrilling story about survival in space with affable heroes that any kid can aspire to be who don’t need for radioactive spiders or titanium armor to be great. But The Martian doesn’t take its time and doesn’t allow itself to breathe (the irony in that statement isn’t lost on me, I assure you). When I read Andy Weir’s novel, I couldn’t wait to be done with it, because I felt for Watney and his predicament and felt choked by his confined space. When I watched Ridley Scott’s movie, I couldn’t believe how soon it was over.

The Martian gets a 3 out of 5.

Ridley Scott’s Next Film Is ‘Prometheus II’!

by Gabriel von Grünbaum

While talking with Empire Magazine about his tantalizing new movie The Martian, Ridley Scott said that he’s already begun scouting locations for his next movie, Prometheus II. The offhand comment sent me into fits of geeky glee.

First here, let’s attempt to get everyone on the same page. Number one; Aliens was James Cameron’s (Terminator, Terminator 2, Avatar, etc.) movie, as much as Alien³ was—I say this very lovingly—David Fincher’s (Seven, The Game, Fight Club, on and on. . .) and Alien: Resurrection was—again, with love—that wonderfully crazy French bastard, Jean-Pierre Jeunet’s (Amelie, City of Lost Children, Delicatessen) and Joss Whedon’s (Buffy the Vampire Slayer, Firefly, The Avengers, etc.) “love child.” I deeply enjoyed each of these films on their own; appreciating what each filmmaking team brought to the original story told by Ridley Scott’s Alien. I considered each to be its own perspective and take on the Alien universe and appreciated them as such. I’m still working on my own romance/buddy-cop/comedy version that ends in a space port with the fiance running from a hive of xenomorphs to stop her true love from leaving over a misunderstanding about seating arrangements for their wedding while her space-cop partner tries to deny his feelings for the alien queen. Working title: Alien Schmalien.

Prometheus_BehindTheScenes01_640x425

The point being, Prometheus was meant to be Ridley Scott‘s extension of the Alien lore specifically, rather than the visions of other filmmakers or what the studio had in mind. The problem some may have had with the film is where it deviated from those other visions.

The problems I had, that some others might share, may have had to do with the contributions of Damon Lindelof—this is just a theory. It’s based on the number of projects I’ve been so excited to see that have come up short in the execution of the final vision—stories I discover Damon Lindelof had a hand in creating. For example: Lost, World War Z, Tomorrowland, Cowboys vs Aliens, The Leftovers, etc. Has anyone done this math yet? I believe Lindelof has excellent taste and his interest in projects he wants to be a part of is fantastic. I also believe he’s got some great skills for building intrigue and investment in a story line but he can’t seem to master the fundamental skill of the satisfying wrap-up.

I truly believe Lindelof is an excellent storyteller; his characters, dialogue and scenarios are top notch—he just can’t seem to stick the landing. He’s almost an inverse of George Lucas in some ways, who has marvelous worlds and story arcs bleeding from his very essence but seems to have trouble with characters talking.

Prometheus_FassbenderRapace01_240x480
Fassbender & Rapace mugging for EW

So, for those who didn’t enjoy Prometheus at all, I think these are the two likely reasons: those who are not actually Ridley Scott fans (Blade Runner, Legend, Thelma & Louise, on and on. . .) but probably James Cameron fans and/or those who couldn’t see past the weaker parts of the story. Good news for those who are Scott fans? Lindelof is not (yet?) part of Prometheus II. But that doesn’t mean we fans are out of the woods just yet—the writers attached at the moment are Michael Green and Jack Paglen. Green (Green Lantern, Heroes) and Paglen (Transcendence) are another couple writers who, so far, are working with great material but not generating the results we’d hope for. I’m always excited to think that anyone can transcend expectations and emerge a hero!—uh, lantern. I only have their pasts to temper my hopes with for Prometheus II and I’ve got my fingers crossed that we’re all impressed—even those who aren’t Scott fans and would rather be watching Sex and the City (Green). On second thought, maybe not those ticket-buyers. (Some days I’m a Carrie—others, a Samantha.)

My recommendation to anyone looking to set the dial on their own expectations (good or bad) is to watch Alien and Prometheus—these are directly Ridley Scott’s visions of this universe. Any of the other films, entertaining as they may be, won’t properly let you know what you’re in for. If you’re just a fan of the marvelous Aliens, you’ll be better off hosting a Terminator 2/Avatar marathon—”Come with me if you want unobtainium!” If you’re a fan of the grossly underloved films Alien³ and/or Alien: Resurrection I think we should get together to form our own support group. Seriously.

Bottom line? I’m stoked! IMDB has Michael Fassbender and Noomi Rapace—two names I cut and pasted to make sure I didn’t misspell them—attached to reprise their roles as android David and archaeologist/scientist Elizabeth Shaw. The story will likely involve their voyage to the homeworld of the “engineers.” Again, full on stoke mode! And you can be sure that we will keep you up to date as any new details emerge.

Ryan Gosling In Talks To Join ‘Blade Runner 2’

by Derek Kraneveldt

Briefly: It still seems crazy to me that Blade Runner 2 is even happening, but today we learned just who may be starring alongside Harrison Ford.

Yep, hey girl himself, Ryan Gosling.

The upcoming sequel is set several decades after Blade Runner, and Ford will reprise his Rick Deckard role from the first film. Gosling’s potential character, as well as any story details for the feature, have not been revealed at this time.

Hampton Fancher (co-writer of the original) and Michael Green wrote the screenplay for this one, and Prisoners (which I loved) director Denis Villeneuve is set for the director’s chair.

I’m still hearing a lot of blowback about the fact that this film even exists, but I dug the Blade Runner world, and (naturally) have a perfectly healthy man-crush on Ryan Gosling, so why not jump back in?

In any case, you can take a look at the full press release below, and let us know if you’re looking forward to the film, which is set to start production next Summer.

Gosling

Ryan Gosling is in negotiations to star in Alcon Entertainment’s sequel to BLADE RUNNER, being directed by Denis Villeneuve (Prisoners) and executive produced by Ridley Scott.

 

Harrison Ford will co-star as Rick Deckard, the role he portrayed in the original directed by Scott.

 

Principal photography is set to start in summer of 2016. Hampton Fancher (co-writer of the original) and Michael Green have written the original screenplay based on an idea by Fancher and Scott.

 

The story takes place several decades after the conclusion of the 1982 original. Story details, as well as Gosling’s character, are not being revealed.

 

Gosling will be seen next in Shane Black’s The Nice Guys opposite Russell Crowe, and in Terrence Malick’s Weightless. He is currently in production starring opposite Christian Bale, Brad Pitt and Steve Carrell in The Big Short.

 

Villeneuve’s upcoming feature film Sicario, a drug-trafficking drama starring Emily Blunt, Josh Brolin and Benicio Del Toro from Black Label Media, has been recently announced in Competition at the 2015 Cannes Film Festival. Villeneuve previously worked with Kosove and Johnson as the director of Alcon’s critically acclaimed Prisoners.

 

Alcon Entertainment acquired the prequel and sequel film, television and ancillary franchise rights to the iconic science-fiction thriller BLADE RUNNER in 2011 from producers Bud Yorkin and Cynthia Sikes Yorkin, who will serve as producers on the sequel along Alcon Entertainment co-founders and co-CEO’s Andrew Kosove and Broderick Johnson.

 

Frank Giustra and Tim Gamble, CEO’s of Thunderbird Films, will serve as executive producers.

 

Among its many distinctions, BLADE RUNNER has been singled out as one of the greatest movies of all time by innumerable polls and media outlets, and overwhelmingly as the greatest science-fiction film of all time by a majority of genre publications.

 

Released by Warner Bros., BLADE RUNNER was adapted by Hampton Fancher and David Peoples from Philip K. Dick’s novel “Do Androids Dream of Electric Sheep?” and was directed by Ridley Scott following his landmark Alien.” The film was nominated for two Academy Awards (Best Visual Effects, and Best Art Direction).

 

BLADE RUNNER was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” The film was selected for preservation in the United States National Film Registry in 1993 and is frequently taught in university courses. In 2007, it was named the 2nd most visually influential film of all time by the Visual Effects Society.

Watch Neill Blomkamp And Sigourney Weaver Talk About The Next ‘Alien’!

by Derek Kraneveldt

Briefly: We were all pretty excited to hear last week that District 9 creator Neill Blomkamp is officially working on the next Alien film, and today both he and Sigourney Weaver had an interesting chat with Sky Movies while promoting Blomkamp’s March 6th release, Chappie:

http://youtu.be/Th8os-IfZhg

In the video, Weaver states that she would “love to take Ripley out of orbiting around in space and give a proper finish to what was such such an excellent story. When someone like Neill Blomkamp suddenly said ‘well, I’m interested in finishing the story,’ my little ears perked up.”

Blomkamp continues, “I want this film to feel like it is literally the genetic sibling of Aliens. So it’s Alien, Aliens, this movie.” So, by the sound of things, the next Alien may disregard Alien 3 and Alien: Resurrection completely.

Are you into Blomkamp continuing the once celebrated series? What if he disregarded the last two films? Sound out below!

Neill Blomkamp Is Officially Working On The Next ‘Alien’

by Derek Kraneveldt

Briefly: The world is in desperate need of another great Alien film (especially after last year’s INCREDIBLE Alien: Isolation video game made everyone, or at least me, interested in the franchise again), and it looks as though District 9 creator Neill Blomkamp may be the man to give it to us.

It’s well known that the director was working on an Alien project at some point, as he revealed a batch of incredible concept art for the film earlier this year, at the time stating “Was working on this. Don’t think I am anymore. Love it though. #alien #xenomorph”.

Oh shit

A photo posted by Brownsnout (@neillblomkamp) on

Now, Blomkamp’s much-better-than-Elysium looking next film, Chappie, is just about to hit theatres, and the director just revealed that he’s back in bed with the Xenomorph. Take a look:

Um… So I think it’s officially my next film. #alien A photo posted by Brownsnout (@neillblomkamp) on

TheWrap was apparently able to confirm the news, and states that Blomkamp “has signed on to direct an untitled movie set in the “Alien” universe that will take place after “Prometheus 2″ for 20th Century Fox.”

Now, we’re pretty damned excited. Blomkamp is a visually spectacular director, and as long as his Alien project comes out more District 9 than Elysium, we’re confident that we’re in extremely good hands. That being said, (in my opinion) Elysium was still way better than Prometheus AND Alien: Resurrection, so I’m beyond stoked to see what Blomkamp has in store for us, especially after that incredible concept art.

Neill Blomkamp’s Chappie hits theatres on March 6th, and we’ll be sure to share any Alien news as it comes in! Are you down for a Blomkamp directed Alien film? Sound out below!

Ridley Scott Gives An Update On Sequels To ‘Prometheus’ And ‘Blade Runner’

by Shawn Madden

Whether you love it or you hated it, Prometheus was definitely a box office hit this summer. The film grossed $402 million globally and with the DVD/Blu-ray hitting shelves this week…it’s definitely going to be making some more pocket change. So, of course we are getting a sequel. And even if you hated Prometheus, you’re probably going to see the sequel. Director Ridley Scott recently spoke with Metro and gave a small update on what we should expect to see next:

“Prometheus evolved into a whole other universe. You’ve got a person [Noomi Rapace’s Elizabeth Shaw] with a head in a bag [ Michael Fassbender’s David] that functions and has an IQ of 350. It can explain to her how to put the head back on the body and she’s gonna think about that long and hard because, once the head is back on his body, he’s dangerous. They’re going off to paradise but it could be the most savage, horrible place. Who are the Engineers?”

The Blade Runner sequel also came up in the chat. Scott addressed his involvement with the film as well as further confirming that Deckard was definitely a replicant.

“It’s not a rumour – it’s happening. With Harrison Ford? I don’t know yet. Is he too old? Well, he was a Nexus-6 so we don’t know how long he can live [laughs]. And that’s all I’m going to say at this stage.”

I’m actually looking forward to both of these especially if Scott is going to be directing the Blade Runner sequel. I’m also very curious if they’re going to tie together after that interesting note that seemed to tie the films together. But let’s not jump too ahead of ourselves here.

Easter Egg In ‘Prometheus’ Ties Movie To ‘Blade Runner’

by Shawn Madden

Could Ridley Scott be establishing a shared universe between the Alien and Blade Runner franchises? It seems that it could be possible given the following Easter Egg from the U.K. steelbook release of Prometheus.

The following memo from Peter Weyland, who was played by Guy Pearce, has Weyland talking about his “mentor and long-departed competitor”. No names are mentioned, but it’s pretty obvious to any Blade Runner fan that Weyland is referring to Eldon Tyrell. Tyrell was the head of the Tyrell Corporation who were responsible for creating the Replicant’s minds and memories in Blade Runner.

With a sequel to Blade Runner in the works it couldn’t be entirely unlikely that Scott is setting up a shared universe between the franchises. However, we’re going to have to wait and see on that one. Remember, big things have small beginnings.

Source: The Playlist

The Vatican Isn’t Happy With ‘Prometheus’

by Shawn Madden

L’Osservatore Romano, the Vatican’s official newspaper has some complaints with Sir Ridley Scott’s Prometheus following the films release in Italy last week. No, it’s not about the films ending. They take issue with how the film portrays the origin of mankind and state that it’s a “bad idea to defy the gods” as well as state about the film that it “mishandles the delicate questions raised by … the battle eternal between good and evil in yet another attempt to steak the secret of immortality.”

Showing a clear lack of understanding of the premise, they argue that “the journey of Prometheus should instead symbolize the search for the supernatural.” Keep in mind that this isn’t the first time that The Vatican has lashed out at Hollywood films. However, Prometheus is getting it easier than Avatar and The Da Vinci Code did. But seriously Vatican…you have a problem with this stuff and not the guy petting the alien snake?

Source: THR

Michael Douglas Will Play Ronald Reagan In Indie Film: ‘Reykjavik’

by Shane O'Hare

The guys over at The Hollywood Reporter (photo courtesy of) have just let loose a great bit of news. Michael Douglas will be taking up the role of the 40th President, in an indie film that Ridley Scott is producing. The film is titled “Reykjavik” after the town in Iceland where the real world meeting of Reagan and Gorbachev took place.

The film takes place over a four day period in 1986 during talks between Reagan and Gorbachev. These talks were centered around a peace agreement and stand down of nuclear arms. Basically this was where we won the cold war (‘murka).

The only other bit of info released is that Mike Newell (not Gabe) is the director they are looking at but nothing confirmed. Shooting takes place in March of 2013.

Ridley Scott And Fox Are Developing A Sequel To ‘Prometheus’

by Scott Alminiana

Well it’s a move that should come as a surprise to know one. With Ridley Scott’s Prometheus having grossed a good, but not great, $303 million globally on it’s $130 million budget it was only a matter of time until Fox began developing a sequel.

According to THR Fox and Ridley Scott are pushing ahead and are beggining to move forward with a sequel. They are talking with new screenwriters due to the fact that Damon Lindelof, who co-wrote the first film, may not be available. Stars Michael Fassbender and Noomi Rapace are signed on already.

“Ridley is incredibly excited about the movie, but we have to get it right. We can’t rush it,” says Fox president of production Emma Watts, who also has overseen the successful reboots of the X-Men and Planet of the Apes franchises by turning over the reigns to innovative filmmakers.

The sequel is expected to land in theaters in 2014 or 2015.

Weyland Industries Recruiting At San Diego Comic-Con 2012

by Shawn Madden

The movie may have been out for awhile now but the viral campaign for ‘Prometheus’ seems nowhere close to being done. First we had the post credit flash leading to people wondering “What is 10.11.12?” And now it seems Weyland Industries will have a presence at San Diego Comic Con.

Project Prometheus

Could this be similar to what Marvel did last year with recruiting S.H.I.E.L.D. agents? Does this tie-in with 10.11.12 in some way? Why is there even more questions even after the movie?! Damn you Ridley Scott. Color me intrigued.

Ridley Scott And Tony Scott Present ‘Coma’

by Shawn Madden

A four-hour two-night television event brought to you by Ridley Scott (‘Blade Runner’, ‘Prometheus’) and younger brother Tony Scott (‘Top Gun’, ‘True Romance’)

A healthy patient suddenly falls into a coma. It’s not an impossible event, but it is rare. So why does it keep happening at Peachtree Memorial?

Lauren Ambrose stars as Dr. Susan Wheeler in this thriller about a medical student who discovers that something sinister is going on in her hospital after routine procedures send more than a few seemingly healthy patients into comas on the operating table.

This modern retelling of the novel by Robin Cook and the film by Michael Crichton comes from executive producers Ridley and Tony Scott, Black Swan writer John J. McLaughlin, and Band of Brothers director/Emmy winner Mikail Salomon. The two-night event features a stellar cast including Richard Dreyfuss, Ellen Burstyn, James Woods, Geena Davis, and Steven Pasquale.

Set to premiere September 3rd. You can watch a preview here.

‘Prometheus’ DVD/Blu-Ray Will Feature An Extended Cut And Deleted Scenes

by Shawn Madden

Sir Ridley Scott recently spoke with Collider and not only did he express his interest in doing a sequel he also spoke about an extended cut of the film as well as some of the deleted scenes. Warning: minor spoilers lie ahead if you have not seen the film.

On Deleted scenes:

SCOTT: This is fundamentally the director’s cut. But there will be half an hour of stuff on the menu because people are so into films—how they’re made, how they’re set up, and the rejections in it. That’s why it’s fascinating. So this will all go on to the menu.

Collider: Well I’m curious about the deleted scenes. Specifically in this film, Noomi [Rapace] mentioned maybe there was a fight scene with her and an Engineer.

SCOTT: The Engineer fight scene was pretty good. It will definitely go on the menu. It won’t go on the long version. The problem about it is, while she gives as good as she gets with an axe (she’s very physical), he’s so big, for him to be clouted with a conventional weapon somehow diminished him. It’s subtle. It’s drama. I didn’t want to diminish him by having this person who has a weapon to be able to back him off. It minimized him. That’s why when he deals with people inside his cockpit, it’s over. Wham, wham, wham. Even the shot doesn’t mean anything. And so all she has time for is introducing him to the big boy inside the lab.

Collider: You’re going to do an extended cut on the Blu-ray/DVD. Is it a lot longer?

SCOTT: Twenty minutes.

Collider: So there’s, like, twenty minutes that will be added back in for a longer version?

SCOTT: Maybe. But I’m so happy with this engine, the way it is right now. I think it’s fine. I think it works. It can go in a section where, if you really want to tap in, look at the menu. To see how things are long, and it’s too long. Dramatically, I’m about putting bums on seats. For me to separate my idea of commerce from art—I’d be a fool. You can’t do that. I wouldn’t be allowed to do the films I do. So I’m very user friendly as far as the studios are concerned. To a certain extent, I’m a businessman. I’m aware that’s what I have to do. It’s my job. To say, “Screw the audience.” You can’t do that. “Am I communicating?” is the question. Am I communicating? Because if I’m not, I need to address it.

 

Personally, I love the film and can’t wait to see this extended cut to see if it adds onto the film. And with how the film has already surpassed its budget in under two days of being out domestically…a sequel is pretty much guaranteed.

‘Prometheus’ is in theatres now.

Geekscape Movie Reviews: ‘Prometheus’ (A Different Opinion)

by Scott Alminiana

*Warning: This review contains spoilers to the movie*

Prometheus has landed and it’s landed with a thud. Ridley Scott’s return to sci-fi was something I was doing celebratory back-flips over (not really, I’d hurt myself if I’d have actually tried a back-flip) and this was  a movie I have been looking forward to for quite sometime. As far as I’m concerned this movie is a steaming pile of Bantha fodder.

I’m not going to give a detailed synopsis of the movie due to the fact that anyone who has seen the trailers has pretty much seen the movie already. Basically the store breaks down as such, scientists (and I use that term very loosely) discover “an invitation” from the stars and go looking for the answer to the creation of man. They land on a mysterious planet and bad things happen, the end. For a detailed synopsis of the movie as well as different opinion on it check out Matt Landsman’s review.

People have been referring to this as a “thinking man’s movie” and that’s a statement I completely disagree with. Trust me, I’ve thought about this movie a lot over the last few days and despite the basic premise the rest of the movie is not thought out at all. The basic premise of ‘man looking for his maker’ is a cool idea but the presentation fails in almost every way possible.

Screen-writers Jon Spaihts and Damon Lindelof ask two big questions in the movie, “who created us” and “why do our creators hate us.” Yet they only answer the first question with a very simple “because they could.” Dammit Lindelof, that’s about as in-depth and thought-provoking of an answer as the one you gave for “what is the island.” There is absolutely zero character development in this movie and it says something about a movie when the most interesting and thought out character is an emotionless android.

Michael Fastbender’s David, who is the aforementioned android, easily steals this movie and aside from the visuals, is the best part of it. But what about the other characters? Well, the Prometheus is said to have a crew of seventeen and yet out of those we only (sorta) get to know five of them, not that we really get to know any of these people. These are supposed to be scientists and yet none of them, save for Noomi Rapace’s character Elizabeth Shaw, seems to care about the most important discovery in human history. Hell, one of the characters (I’m not even sure if he even has a name) is said to be a geologist and it seems like he could give two shits about the geology of this mysterious planet he’s on. If this is a “thinking man’s movie” shouldn’t I want to know what the characters think about the most important discovery in the history of man and shouldn’t I care about them in some way? Yet, when people start dying horrifically I could not care less nor could I probably tell you who they even were. They might as well have been red shirts from Star Trek.

The rest of the cast is made up of the likes of Charlize Theron, who plays Meredith Vickers, representative for the  Weyland Corp and an uptight bitch. That’s pretty much the extent of her role here. Logan Marshall-Green plays Shaw’s boyfriend/fellow scientist Charlie Holloway, we only know they are an item because they have sex about half-way through the movie (see, told you there’d be spoilers). His character doesn’t do much other than pout and get drunk when they get to the planet and then bang Shaw, I don’t think he actually performs any science in the entire movie (aside from the science of sex that is). Then there’s Guy Pearce as Peter Weyland, who is caked in prosthetics and bad make up. Why they cast him in this I’m not really sure, they could have just cast an actual old man and we would have ended up with the same results minus the bad make up. These are all cliched characters that we’ve seen plenty of times in other movies.

Director Ridley Scott knows how to make a beautiful looking movie and that goes for this one as well, despite it merely being window dressing this time around. Sure, the movie has some cool action sequences as well as some gruesome parts, like a scene in which Shaw must perform surgery on herself. That scene is the closest this movie gets to the gruesome horror of original Alien. Scott previously stated that this movie isn’t so much a prequel as it is more of a movie that contains the DNA of the original, which is a very true statement in every way.  Do we see xenomorphs in Prometheus? Well sorta. We do get to see an early form of the xenomorphs and that is pretty cool. Truth be told, I’m okay with this not being a direct prequel to Alien- if it had been I would have been even more disgusted with the finished results than I currently am.

If Ridley Scott and company wanted to truly make this a “thinking man’s movie” then they should have created a better movie with characters that actually think in the first place. Will this movie get a sequel? Probably, but will it be any good? Probably not. If you want to see a movie filled with cardboard characters and lack of a plot but that looks amazing then this is the movie for you. If you want to see a good movie, go re-watch Alien and Aliens.

Score: 2/5

 

Spoilers Lie Ahead! Ridley Scott Talks Unanswered Questions In ‘Prometheus’

by Shawn Madden

So, if you’ve seen ‘Prometheus’ by now you may have alot of questions that you’re curious about. You may also wonder where some of the concepts that Ridley Scott went after came from. Movies.com recently sat down with Ridley Scott to discuss some of the big questions that ‘Prometheus’ asks. Final warning… spoilers do lie ahead. If you have not seen the movie you may want to turn back now before you reach the point of no return.

Movies.com: Thank you, first, for giving us a film that we need to contemplate and discuss and argue about for days without ever really coming close to answering all that it asks. It feels like it has been too long before we’ve been treated to a meal such as this.

Ridley Scott: Thank Christ! I think that’s great.

Movies.com: The film asks very big questions about where we come from as a species, and where we go when we die. It’s not possible to deliver concrete answers, but I’m hoping you can tell me how, in the planning stages of the script and story, you came to decide which open-ended, philosophical questions you would at the very least attempt to answer definitively.

RS: Well, from the very beginning, I was working from a premise that lent itself to a sequel. I really don’t want to meet God in the first one. I want to leave it open to [Noomi Rapace’s character, Dr. Elizabeth Shaw] saying, “I don’t want to go back to where I came from. I want to go where they came from.”

Movies.com: So that was always going to be the natural ending for this film?

RS: Totally. And because they’re such aggressive f**kers … and who wouldn’t describe them that way, considering their brilliance in making dreadful devices and weapons that would make our chemical warfare look ridiculous? So I always had it in there that the God-like creature that you will see actually is not so nice, and is certainly not God. As she says, “This is not what I thought it was going to be, and I think we should get the Hell out of here or there won’t be any place to go back to.”

That’s not necessarily planted in the ground at the tail end of the third act, but I knew that’s kind of where we should go, because if we’ve opened up this door — which I hope we have because I certainly would like to do another one – I’d love to explore where the hell [Dr. Shaw] goes next and what does she do when she gets there, because if it is paradise, paradise can not be what you think it is. Paradise has a connotation of being extremely sinister and ominous.

Movies.com: We’re not going to get a slow build in this second film, then. These guys are volatile from the start?

RS: In a funny kind of way, if you look at the Engineers, they’re tall and elegant … they are dark angels. If you look at [John Milton’s] Paradise Lost, the guys who have the best time in the story are the dark angels, not God. He goes to all the best nightclubs, he’s better looking, and he gets all of the birds. [Laughs]

Movies.com: So Milton was one of your influences for the Engineers?

RS: That sounds incredibly pretentiously intellectual. But in a funny sort of way, yes. I started off with a title called Paradise. Either rightly or wrongly, we thought that was telling the audience too much. But then with Prometheus – which I thought was bloody well intellectual – that wasn’t my idea. It was Fox’s notion, It came from Tom Rothman, who’s a smart fellow. The more I thought about it, the more I thought it was a good idea. This is about someone who dares and is horribly punished. And besides, do you know something? A little bit of an education at the cinema isn’t such a bad thing.

Movies.com: Do you worry that you’ve lost the element of surprise that worked to your advantage with the original Alien? By now, we’ve seen numerous movies in the Alien universe, and like it or not, audiences are coming in with an expectation that deflates tension and suspense. Did you feel the need to pull the audience in to the story in a different fashion this time?

RS: I was hoping I had with the fact that you have a sequence at the beginning of the film that is fundamentally creation. It’s a donation, in the sense that the weight and the construction of the DNA of those aliens is way beyond what we can possibly imagine …

Movies.com: That is our planet, right?

RS: No, it doesn’t have to be. That could be anywhere. That could be a planet anywhere. All he’s doing is acting as a gardener in space. And the plant life, in fact, is the disintegration of himself.

If you parallel that idea with other sacrificial elements in history – which are clearly illustrated with the Mayans and the Incas – he would live for one year as a prince, and at the end of that year, he would be taken and donated to the gods in hopes of improving what might happen next year, be it with crops or weather, etcetera.

I always think about how often we attribute what has happened to either our invention or memory. A lot of ideas evolve from past histories, but when you look so far back, you wonder, Really? Is there really a connection there?”

Then when I jump back, and you put yourself in a situation of a cave painting, you see that someone 32,000 years ago is showing me a little man sitting in the darkness, using a candle light that is fat from a creature he killed and ate. And in the darkness are two or three other family members whose body heat is warming the cave. But he has discovered that from a piece of this black, burnt stick, he has discovered that he can draw pictures on the wall.

In essence, you have the first level of emotion and a demonstration of entertainment, right? Because he’s drawing brilliantly on the God damn wall. Now, you put yourself into that context, it’s 100-times bigger than Edison. And people don’t go back to the basics and ask, “Holy shit, what gave him that knowledge, that jolt to not scribble on the wall but draw on it brilliantly?”

If you go back and look, a completely underrated film is Quest for Fire. That was one of the most genius, simplistic but incredibly sophisticated notion of what it was. The evolution of that was just fantastic. And that got me sitting back on my ass thinking, “Damn! What a fundamentally massive idea.”

Movies.com: You throw religion and spirituality into the equation for Prometheus, though, and it almost acts as a hand grenade. We had heard it was scripted that the Engineers were targeting our planet for destruction because we had crucified one of their representatives, and that Jesus Christ might have been an alien. Was that ever considered?

 

RS: We definitely did, and then we thought it was a little too on the nose. But if you look at it as an “our children are misbehaving down there” scenario, there are moments where it looks like we’ve gone out of control, running around with armor and skirts, which of course would be the Roman Empire. And they were given a long run. A thousand years before their disintegration actually started to happen. And you can say, “Lets’ send down one more of our emissaries to see if he can stop it. Guess what? They crucified him.

SPOILER WARNING: What Is 10.11.12?

by Shawn Madden

Spoiler warning ahead! If you haven’t seen ‘Prometheus’ by now I advise you to turn away. But if you have seen ‘Prometheus’ by now and stayed through the credits you saw this mysterious date flash across the screen with the Weyland Industries logo.

What is the significance of this date? As we all know Ridley Scott and the cast were very secretive about just what ‘Prometheus’ was about from the start and even the internet snoops didn’t know just how it was going to end and tie things together. And upon seeing it (I wont give my review…but I thought it was very smart and great) you understand why Ridley Scott kept saying “strands of DNA” the whole time. But once this flashed across after the credits people were left wondering “What is 10.11.12?” being that this is about four months from now. Is it more viral campaigning? Are they pushing forward with a sequel already based on international numbers and very impressive midnight showings?

Only time will tell. But there is a website and the first piece to this next puzzle has been revealed:

So now we play the waiting game and lose our minds trying to figure out just what is the significance of 10.11.12.

The Geekscape Movie Review – Prometheus

by Matt Landsman

In the 1979 Ridley Scott classic, Alien, the terrors were dark, mysterious and rarely seen.  This isn’t the case at all in Prometheus, where the origin of the titular creature in Alien is explained, and new, even larger questions about humanity are raised.  I’m glad that it was Scott who chose to revisit his own work rather than another director. Prometheus is not prequel so much as it’s a further exploration of the same universe, but little did we know just how vast this universe actually was. The film is an anxious, relentless, cerebral horror film.  And make no mistake, it’s more horrifying than any of the previous installments in the franchise.

In the haunting opening images, a pearly white, perfectly-muscled tall humanoid called an “engineer” (Space Jockeys if you want to go by Alien terms) is dropped off by a ship and abandoned on a planet where he must carry out a sacrificial deed.  Flash forward quite a long time to where explorer scientists Elizabeth Shaw (Noomi Rapace) and her boyfriend Charlie Holloway (Logan Marshall-Green) have discovered ancient cave drawings of early humans communicating with beings from the stars.  Aging tycoon Peter Weyland (a heavily made-up Guy Pearce) commissions Shaw and Holloway to lead a mission to a mysterious planet which has been mapped out in the cave drawings in an attempt to meet whoever made man kind and answer some of life’s essential questions.

In the two years it takes to arrive on the alien world, the robot David (Michael Fassbender) tends to the ship and studies the humans in a state of stasis. He takes it all in and he’s amused by human-kind.  From the second he first appears on screen to the end of the film, David steals the entire movie.  Fassbender’s performance has a curious gravity that makes him the most likeable character, regardless of his moral and emotional ambiguity.

Once on the planet, Holloway is quick to point out ant-hill like structures saying that “God doesn’t use straight lines.”  But weren’t they going there to find god in the first place? Anyway, the team of scientists and David don helmets and head into the ant-hill like cavernous structure.  The things they find inside lead them to evidence about the origins of mankind, but manage to raise even larger existential questions as the crew members are horrifically picked off one by one.

Prometheus is more grotesque any in the “series” to date (and it being part of said series is debatable).  In tone, it’s most comparable to Alien but a lot more physically grounded and a lot less grounded philosophically.  It’s open to some big interpretations. Aliens turned out to be more of a war/action film, and it’s true that there are elements of that thrown into the mix here too and Alien 3 and 4 aren’t even worth talking about.  The images in the film are meant to be graphic and shocking, to create terrifying iconography that would stay with the viewer to leave the same impression that you would get experiencing “God’ close up for the first time yourself.  What would you say to him? What would you expect him to tell you?

There are some ties to Alien, notably at the end (as to be expected) but the movie feels more like a spinoff within the same universe than a sequel.  This works for me because it shows just how vast this universe can be.  While the technology at the heart of the film and biomechanics are largely fantasized, they feel very realistic, and the film offers a very logical idea as to where we came from.  This is where the movie really shines for me.  Without ever giving a concrete answer, it guides us toward the direction of one viewpoint while still leaving the basic question of man’s identity in the scheme of things open-ended.

One of the most beautiful aspects of the film is that Elizabeth Shaw seeks to meet those who created her and ask them why.  Holloway tells David that the humans made him because “they could” to which David tells him that’s an incredibly disappointing answer. Every base is covered from a logical standpoint.  This is a thinking man’s movie for sure even though it still has the visual trappings and mild sense of humor of a big action blockbuster.  Prometheus is a winner in my book, which is a big sigh of relief since I was greatly anticipating it.  Not only does it serve as a fitting prequel to Alien which is just about as good as the original, but it broadens the horizons, makes the viewer feel small and leaves them asking all the right questions.  Don’t miss this one.

Prometheus Has Landed To Impressive International Openings

by Shawn Madden

‘Prometheus’ the Ridley Scott prequel to ‘Alien’ that isn’t a prequel has already started off strongly this weekend. Going head to head with ‘Snow White And The Huntsman’ the film is the biggest opening day for a Ridley Scott film ever in the UK.

We have had a superb start with Prometheus opening a clear No. 1 grossing £2.2m ($3.39M). This includes an estimated £200k ($306K) from special midnight screenings on Thursday,” the studio told Deadline.

The two x70mm IMAX locations in the UK (London and Manchester) reported sold out showings all day yesterday and even late night screenings were sold out in advance. ‘Prometheus’ has also broken records for advance IMAX screenings set by ‘Harry Potter And The Deathly Hollows Part 2’ and ‘Avatar’. It could have performed even stronger in that department but most of the IMAX shows were only playing one evening performance on top of ‘MIB3′ because Sony had a 2-week agreement with IMAX digital.

The movie opens here on Friday and I for one will be there at midnight on Thursday.

 

 

So, Just What Is ‘Prometheus’?

by Shawn Madden

Check out this cool featurette with Charlize Theron, Michael Fassbender, Ridley Scott and Noomi Rapace discussing just what the movie is and if there is a future after it.

And if for some odd reason you have not seen the most current trailer by now:

Find out just what ‘Prometheus’ is all about on June 8, 2012.

Will We See Deckard Return In “Blade Runner” Sequel?

by Shawn Madden

So, not too long ago it was revealed that Hampton Fancher (who wrote the script for the original “Blade Runner”) is returning to write what was also revealed to be a sequel rather than the rumored prequel.

After “Prometheus”… Ridley Scott plans on working on the follow up to “Blade Runner”. Scott recently revealed that the protagonist of the film would be a female but has expressed interest in having Ford return as well. “I don’t think it’ll be Harry [starring]. But I’ve got to have him in it somewhere. That’d be amusing.”

But before any of that begins Sir Ridley Scott is set to direct “The Counselor”, a “morality tale” about a lawyer who foolishly dabbles in the drugs trade. And after that hopefully he can start work on the next “Blade Runner”… unless a sequel to “Prometheus” benches it.

Do we need more Deckard? Will the now 71 year old Harrison Ford do it? Will there be Xenomorphs or not? Was that last one a joke? Yes it was. But as for the rest…

We will just have to wait and see. The yet untitled sequel is set to film next year with a 2014 release.

Blade Runner Writer In Talks to Return for Sequel

by Shane O'Hare

Hampton Fancher, author of the original Blade Runner script based off of Phillip K. Dicks short story, Do Androids Dream Of Electric Sheep?, is in talks to return to write the sequel.

It was said that it will infact be a sequel and take place some years after the first. Ridley Scott has said this was intended to be a series of films.

Now before you go all “THIS MOVIE DOESN’T NEED A SEQUEL!” I would like to direct you to the three official “authorized by Phillips K Dicks Estate” sequel novels.

Blade Runner 2: Edge of Human

Blade Runner 3: Replicant Night

Blade Runner 4: Eye and Talon

Geekscape Roundtable: Reasons For Living in a Post-Avengers World

by GeekscapeStaff

The Avengers has come and gone, having assembled close to a billion dollars worldwide. What’s your reason for living now? Geekscape’s writers have a few reasons to survive at least through the end of the summer. Spoiler alert: It’s Prometheus.

Matt Blackwood: Indies and Gingers

After The Avengers, I am most looking forward to a couple indies. I know that sounds pretentious, and I certainly don’t want to impugn the inherent buzz of this summer’s blockbusters, but these two particular films each have something about which I’m even more excited. The first is God Bless America, Bobcat Goldthwait’s bloody indictment of reality TV’s subjects. Goldthwait’s previous two comedies, Sleeping Dogs Lie and World’s Greatest Dad, began with sick, over-the-top premises and ended up transcending their genre trappings and becoming beautiful messages of hope. The other film is Sarah Polley’s Take This Waltz. I’m not proud of the reason I’m excited about this one, but I’ll show up for Sarah Silverman’s rumored full frontal and stay for the nuanced drama Polley has become known for.

I’m also pretty hopeful about Prometheus. I love Alien; hell, I even love Alien Resurrection! A new horror/sci-fi set in that universe, with Damon Lindelof involved? I’m intrigued. Plus, according to the Gambler’s Fallacy, Ridley Scott is due to make the greatest movie of all time by now.

Finally, there’s Pixar’s Brave. Pixar probably has a better critical batting average than any studio in history, the sad bunt that was Cars 2 notwithstanding, but I usually don’t make an effort to see them. If you have ANY children in your life- cousins, students, illegitimate offspring- you WILL see them whether you want to or not. They are inevitable. I haven’t tried to see one since The Incredibles, and yet I’ve caught them all. But Brave, the tale of a young Scottish girl following her dream of being a highland warrior, is a story I’ll make a trip to the theater to see.

Haterz Gonna Hate

Jae Renfrow: Aliens Resurrected 

So now you’re aimless wandering around, wondering what you’ll do now that you’ve finally gotten to see Thor and Hulk square off on the big screen. Why don’t you come hop aboard the Prometheus train with me? We’re invited(….or are we?) to a far off planet where we’ll get to witness Ridley Scott direct a sort-of prequel to one of the greatest horror films of all time, Alien.

Prometheus has had one of the best ad-campaigns in a long time. Instead of over exposing you with TV spots, 10 minute scene clips and Japanese trailers, they’re dropping wacked out viral clips of futuristic TED talks, and Michael Fassbender showing more range as a soulless robot than Jeremy Renner did as Hawkeye. I’m just sayin’… he didn’t have much to do, did he?

I still don’t know what the hell is gonna happen in this movie, but what I can guarantee is that whatever aliens are in this movie, they’ll be 100% more menacing then those wussy Chitauri and their Jet Motos.

Scott Alminiana: Cock Push Ups

Now that The Avengers has decimated the box office I can now look forward to a few other things. The first thing that I’m looking forward to is the new album from Tenacious D: The Rize of The Fenix. It’s the first album from Tenacious D since The Pick of Destiny movie and album crashed and burned six years ago. To promote the album The D has released two videos so far that prove that Tenacious D is back in fine form and ready to rock our socks off. They will also be touring in concert to coincide with the album release and you can bet I’ve got my tickets already!

The other thing I’m looking forward to is Prometheus, the long awaited return to sci-fi from Ridley Scott. What isn’t there to look forward to from this flick?! From Ridley’s return to the genre that he helped to redefine, to a script from Damon Lindelof that looks to explore some very big unanswered questions from Alien. If the trailers that have been released are any indication of what’s in store for us, then it looks like Prometheus could be one hell of a movie. I’ll be waiting in line opening night for sure.

Heidi Hilliker: It’ll end better than The Dark Tower

Locke & Key Clockworks #6 (of 6)! This last story arc of my beloved series has been epic… And epic might even be an understatement! There’s been so much back story revealed about the drowning caves, the Omega Key, the Black Door, how keys are made, Rendell Locke and the mysteriously evil Dodge. Joe Hill and Gabriel Rodriguez never cease to surprise me with inventive and fascinating information. I can’t wait to see how this chapter concludes and how they set up for the final story arc of the series.

I’m having such a double edge sword of emotions about this titles conclusion. I hate to see this book come to a close but I love the nervous excitement of finding out how it ends! The release date for issue #6 is June 27th. I hope that is pretty spot on. IDW has been known to come in late on Locke & Key’s release dates. I’ll be biting my nails until I get to visually devour this issue so it better be released on time or else I’m going to end up with hobbit fingers.

Molly Mahan: Queen of the Browncoats

The next flick I’m looking forward to is Snow White & The Huntsman. Though I’m not a big fan of K-Stew, I do love me some deconstructionist fairy tales! Also, I am hoping to see Chris Hemsworth be interesting in a movie again. After two weeks of his performances boring me to tears, I am hoping he’ll return to his Star Trek roots and give an emotional performance that I know he’s more than capable of. Or at least hack some Wicked Queen’s men to pieces with an axe. Either way, I’ll be satisfied.

Matt  Kelly: King of Logic

Look, I know everyone has been excited for Avengers and Spiderman and Batman. And with good reason- they look like great movies. They’re everything a geek has dreamed of one day seeing on the silver screen. But I’m not one of those people. Sure I’m going to see all three of those films in theater, but the movie this summer that I can not wait to experience is the sequel to the best 3D film in the last decade. I’m talking about Piranha 3DD. This movie is promising plenty of gore, boobage, laugh out loud comedy and over the top in your face 3D action… Sign me the fuck up.

The Chitauri are coming!

Prometheus To Be Released With An R Rating!

by Scott Alminiana


Thank the space jockey, Fox has announced that Prometheus will indeed be rated R! The MPAA has issued Ridley Scott’s return to the sci-fi genre an R rating for “sci-fi violence including some intense images, and brief language.” These days studio’s tend to water down movies to get PG-13 ratings because they fear the dreaded R rating. Big budget movies that are rated R, such as Prometheus, are seen as risky business because they limit the exposure to younger audiences. I’m sure I’m not the only one though who will be glad to see Sir Ridley’s R rated return to the universe he helped launch with 1979’s Alien. Gods forbid we should have to sit through another PG-13 alien movie because we all remember how “awesome” Alien vs. Predator was.

Prometheus stars Noomi Rapace, Michael Fassbender, Charlize Theron and Guy Pearce and is set for release on June 8th.