It’s been a few months since Season 2 of Marvel’s Daredevil premiered on Netflix, but the shadow of the House of Ideas continues to loom over pop culture with Joe and Anthony Russo’s Captain America: Civil War (read our review) and the recent Season 3 finale to Agents of S.H.I.E.L.D. on ABC. But no shadow is big enough for actor Stephen Rider, who portrayed attorney Blake Tower this season of Daredevil and is currently hopping onto a new vehicle — quite literally — in Discovery’s upcoming miniseries, Harley and the Davidsons premiering this September.

A three-part miniseries chronicling the beginning of the Wisconsin-based motorcycle brand, Rider portrays William Johnson, the first known African-American motorcycle rider to compete against his white counterparts and eventually have his own dealership. It’s a big story largely ignored, threatening to be forgotten by the withering pages of unwritten history.

“The things they had to go through, struggle they had to face riding and racing to become a brand,” Rider explains of the new miniseries to Geekscape in a phone interview. “They almost lost the businesses. [Harley and the Davidsons] chronicles their lives creating Harley-Davidson.”

After a string of short films since 2005 to TV guest roles in NCIS: Los AngelesLucky 7, and Shameless, Stephen Rider caught his first break in 2013 playing Admiral Stephen W. Rochon in Lee Daniel’s emotional historical drama The Butler. On a Monday afternoon just a few months ago, Geekscape spoke to Rider over the phone to talk about his role as a superhero attorney in the Marvel Universe, riding hog motorcycles, advice he gleaned from working with Denzel Washington (in 2012’s Safe House), to whether or not he’s Team Iron Man or Team Captain America.

Geekscape: What can you tell me about William Johnson, in Harley and the Davidsons? He’s got to have a fascinating story, being the first African-American in a generally and culturally white subculture.

Stephen: I’m in the process of still doing my research. One of the challenges is that he wasn’t a very vocal man so there’s a very limited amount of information on him. He did own a blacksmith ship in New York, he used to race in New York. That is how Harley-Davidson caught wind of him. In the process of him racing and riding with them and helping them fix motorcycles, there were opportunities that came so he could actually start his own. Because he was just as great if not better than most of the riders he was racing against back then, but because of his color, he was ostracized and wasn’t given opportunities until Davidson helped him get his own dealership. There were laws that pretty much said he could not be [owning a dealership] but it really didn’t say that through certain avenues. You see how they found a loophole in the system to be able provide and give opportunity to this man that wouldn’t have been afforded him otherwise.

Geekscape: Do you ride motorcycles yourself?

Stephen: I don’t ride Harley-Davidsons. I used to have a bike ten years ago when I was in college. I got into an accident and got back on it, but then I was like “Hmm, I am becoming an accident, I don’t think this is the best thing for me.” I have my motorcycle license and everything. But then Harley-Davidson reached out to my publicists in order for me to get into a class. I have plenty of opportunity to really get back into the flurry of things, it’s coming back [to me] so I am excited about that.

Geekscape: Let’s talk about Blake Tower in Daredevil. For lack of a better word, and pardon my French, he is caught up in some real shit. He is swarmed with Hell’s Kitchen and everything going on there. Talk to me about Blake Tower and what it took to get into the headspace of a guy in over his head, overwhelmed by everything.

Stephen: He knows a lot of superheroes. [laughs] He provides people with a lot of information in the comics that he appears in. Which is cool, because he is not specific like The Punisher. He wasn’t in that many comics like Punisher, but I think he is a really cool character because he can show up in a lot of different ways. He is in the middle of things. I think the challenge and I think the reason he is [who he is] because there is something about him that really stands by the law.

There is also something about him that knows that sometimes, the law can’t achieve certain things. One of the things that I looked at in approaching Blake Tower is that he comes from a place like Harlem. He’s seen the success of how the law works and he’s also seen the other side of it. I think he is willing to change it because he really loves the city he comes from. He is very invested. It is not just about his next career move. It’s about something that is very personal.

Geekscape: I got that impression too. On that note, it feels as though Marvel will flesh out Blake Tower in their film and TV universe. Will you be involved in the next season of Jessica Jones, or Luke Cage or Iron Fist?

Stephen: I hope I am but Marvel and Netflix are extremely secretive. I really don’t know anything unless they let me know. Typically I’m the last one to know. I feel like they have a million things percolating you’ll never know until the film turns into this blurry water and by that time I am probably filming it. I do hope to be a part of everything, the whole Marvel universe, but I really don’t know at this time. I hope like all of us. As an actor [that] can be frustrating but can also be exciting because I feel like nowadays, besides maybe Marvel and maybe Spielberg and maybe Abrams, you know everything. So if there is something secretive it makes me feel like a little kid again. It frustrates me, but it’s exciting at the same time.

Geekscape: I understand you once worked with Denzel Washington and he offered you advice. Would you care to share what that was, or what he’s just like?

Stephen: He is a very spiritual man. His work ethic is second to none. I didn’t know he worked that hard, and I work hard. One of the things he told [me] was, “Stephen, if you fall moving, stick to it. Even if you stumble, keep your eyes focused on what you’re trying to achieve. Brush off the dirt but keep moving.” He said if you look at after what you do and there is a Plan B and C, you’ll never do that. If this is something you want to do, this has to be Plan A. If Plan A is the only thing you could do, you’ll do everything it takes. When he said that to me it resonated. It’s a great evaluation. It allows me to evaluate myself and be like, “Oh, I don’t know why this six happening but for some reason I’m not doing all I can do to make things happen.”

Geekscape: Now that we know you as Blake Tower in Daredevil and we’ll soon see you in Harley and the Davidsons, what can you say about these two men you’re playing? How are they different or similar? 

Stephen: William Johnson is a common black man. Blake Tower isn’t. I have start with the fact that one name is Blake Tower and one name is William Johnson. Just start there. That means the world they come from probably are extremely different. I have to look at the fact that Blake Tower might have gone to a private school. I can imagine someone named Blake Tower probably did go to a private school. I think William B. Johnson didn’t. He was born in the early 1900s or late 1800s at a time when picking cotton and working in the field [was normal]. It’s not a surprise he was a mechanic, he learned how to fix motorcycles and cars because that was something, back then, that was a specialized way of making money. I understand why he would do that or work as a waiter or on the railroad because those were the opportunities given to him. Blake Tower had advantages William Johnson never even dreamed of.

William B. Johnson comes from the 18th century. Blake Tower comes from the 20th and 21st. What I love is you get to see how far we have come, in a sense. You have this man who is extremely successful at what he was capable of doing back then. Blake Tower believed the same things in a lot of ways. Like, “Regardless of the fact, this is something I aspire to because I believe in something beyond myself. I believe in our community. I believe in my neighborhood. I believe Hell’s Kitchen has the ability to be greater than what I see it to be, what I see it currently.”

Geekscape: Last question: Are you Team Captain America, or Team Iron Man?

Stephen: You know, I don’t think this is that simple. I understand both sides. It’s so easy to understand both. You understand why Captain America has to support his friend. What happened to Bucky is not something Bucky wanted to happen. He was forced to. It was something that was out of his control. I can’t expect Captain America to go against his friend. I wouldn’t go against my friend. At the same time, from Iron Man’s standpoint, I see how this is affecting the greater good. Shoot. I hope they all get along. You know, if I had to choose one, if you’re saying Stephen, you have to choose, probably Captain America. Because I think of the friendship and loyalty he has. I think that resonates with me.

Just because Lionsgate will release a full-length Power Rangers movie next year doesn’t mean there still can’t be a television series either. As the show enters heaven knows what season, production of Saban’s Power Rangers on Nickelodeon will adapt Toei’s Shuriken Sentai Ninninger, part of the long-running Super Sentai franchise in Japan, as 2017’s Power Rangers Ninja Steel. Casting sides posted on RangerCrew reveal the new names for the characters, and they are as generic as you could imagine.

Here they are, the Ninja Steel Rangers: Brad, Glen, Sophie, Harriet, Vince, and Morty. Not confirmed yet are the character’s Ranger colors — Morty sounds like a jokester/side character than perhaps a bearer of the Gold Ranger mantle — but RangerCrew is stating Brad will be the Red Ranger. There is also an Uncle Zane, who seems to be related by blood to Brad and will function as a mentor to the Rangers.

Generally casting sides provide character details, but only Vince has anything distinct written in the sides. It reads, verbatim: “Jock attire. Besides attire, Vince has a HIGH LEVEL of arrogance and conceitedness. Look at the Zap Brannigan and J. Peterson as great examples.”

Futurama fans will recognize the Zap Brannigan reference, but does anyone know who “J. Peterson” is supposed to be? Google is only bringing up is the linguist on Game of Thrones. I’m pretty sure he’s not an arrogant guy, even though he did basically invent Dothraki. Like Morty, he could end up being a joke side character than a Ranger, but he could also be a suitable Blue Ranger as well. (To anyone who saw Ninninger, the only other male Ranger is Yellow and his character was kind of a goof, of the clumsy variety. That’s not an attribute you’d give to a jock.)

Anyway, those are the new Power Rangers! They’re not any more distinct than Jason, Zack, and Kimberly, and there have been weird-ass names in Power Rangers history. At least there won’t be a Tyzonn, or an Udonna, or even a Ziggy for awhile.

This morning I put on a Mighty Morphin’ Power Rangers T-shirt. I thought nothing of it. I needed a clean shirt, because it’s appropriate and it was a breezy fifty degrees in the continental Northeast so being shirtless would be an unpleasant experience. As I began my day, wearing that T-shirt bought at a Spencer’s for bored suburban kids, a coworker sent via Slack the Entertainment Weekly article showing the 2017 Power Rangers costumes.

My immediate instinct, which I didn’t do, was to take off my shirt and burn it in the office. My second instinct, which I did do, was shut off my laptop and go for a walk. It was a breezy fifty degrees in the continental Northeast.

I didn’t burn my shirt because a) that is arson and b) I would be (pun not intended) fired. But I became restless, because I am tired of this.

https://www.instagram.com/p/BFB8a8Kmzo4/?taken-by=powerrangersmovie&hl=en

I am tired of hearing about the Power Rangers movie. No, I’m not tired of Hollywood’s insistence on summer tentpoles and reboots — the American film industry has always adapted cartoons, comics, plays, and books, Francis Ford Coppola’s The Godfather was adapted from Mario Puzo’s airport book — but tired of it as circus.

I am not tired of the pandering to my childhood, which was fine but not interesting so why are you trying, but the assumption that it is a thing to appropriate. To see it in ostentatious design and called “edgy,” as if it needed permission by those who never cared to exist. I am a mother seeing my daughter participate in a pageant without my permission. No, I do not “own” Power Rangers so Lionsgate, the producers of the film, do not need my permission. But excuse me. I have bothered to care more than most for twenty years. I do not have a say, legally, but y’know? I should have a say.

Power Rangers is not sacred. It is toys, made to sell merchandise and branded products like cereals and comic books and pajamas. I have no delusions what Haim Saban — who by the way is like the twelfth richest person in the world — had always intended for his teenagers with attitude. He was going to parade them and sell them, always. Power Rangers is not Calvin and Hobbes. (I wish more creators had Bill Watterson’s heart). And yet, I give a shit about it.

I give a shit about the TV show. I give a shit about the toys (not the ones made explicitly for children, I find the “for adults” collectibles quite nice). I give a shit about its continuity and its themes, how it entertains me and let me forget the world can be awful. I like to watch Power Rangers when I’m mad about my work. I like to watch Power Rangers when I’m feeling alone. I like to watch Power Rangers when racist, sexist, orange baboon Donald Trump makes one of his vile remarks that is causing irreparable damage to us as a nation. I like to watch Power Rangers when another mass shooting happens and people unfathomably think thoughts and prayers are enough. I like to watch Power Rangers when I see the world at its worst because I want to believe people can selflessly, and proudly, be at their best.

But I am tired of this. This movie. The emerging details, released my publicists at odd ours timed to dominate the news cycle and every bit showing why none of this is a good idea. And the spectacle, oh heavens the spectacle. Power Rangers is becoming a grotesque parade where the internet’s collective noise of Twitter snark and critics’ hot takes creates the sobering experience to bear witness intelligent people whose careers I model mine after say some of the dumbest fucking things about a thing I know too well, while making me feel shitty that I do. (No tweets or examples I can show here, but let’s just say I dread what my colleagues will say when the trailer comes out.) They say never meet your heroes. Well I actually have, and they don’t make me feel as anxious.

https://www.instagram.com/p/-5ORfsgN92/?taken-by=ericthedragon

I know the internet is a place where everyone has a voice, and it would be horrifically Orwellian if I wanted it silenced. And the best option — log off, walk away — is always an option, as I did today. But I also make my living on the internet, so it’s kind of hard to do my job when all y’all, not just my “heroes” but regular people who never gave an ounce of thought to Eltarian politics or the purpose of the Morphing Grid, or even watched past Power Rangers in Space are making a ruckus. I don’t want you to shut up, but in the name of Zordon, can you do some Wikipedia searching first?

Oh, and if you’re wondering my thoughts on the costumes: They look gross. Why are they glowing blue? Why are their helmets so goofy and look nothing like dinosaurs? Why do the Pink and Yellow Rangers have boob armor and wedges? Why do they look as evil and menacing, and damn near identical, to Rita Repulsa? What is even the point? I want to see them in action because CGI production art does not flatter these suits. Right now, I’d rather they just wear licensed T-shirts.

As of this writing there are less than thirty minutes left of May 4th, the official/unofficial “Star Wars Day” because it’s fun to make puns that sound like a speech impediment. But here on Geekscape, every day is Star Wars Day.

With that in mind, a hero who goes by the name deimosdoestube on YouTube created this excellent mash-up trailer of the CW superhero series The Flash with the final trailer for Star Wars: The Force Awakens. Some of it looks hilarious awkward, like making Tom Cavanagh’s Harrison Wells talk like Harrison Ford’s Han Solo, but for the most part it still works thanks to clever editing and timely music cues. The sweeping John Williams score fits almost too perfectly for The Flash that I kinda wish Williams actually scored the show. Then again, it’d be nice if Williams scored everything.

The video, titled The Flash: The Speedforce Awakens which is totally cute, was uploaded a whole two weeks ago, but perhaps due to the flurry of Star Was Day coverage it’s only now making the rounds. Side note: While deimosdoestube skips over it, remember that Star Wars actor Mark Hamill has been on The Flash, both the current show and the campy 1990 abomination, as the super-villain Trickster.

I’ve ceased becoming impressed with mash-up trailers and The Force Awakens offered no shortage of bad ones, but this one was pretty aces. Way to go, internet. You’ve surprised me again.

EDIT: Just came across this too, which is several weeks older but no less relevant. An artist by the name Bosslogic made this The Flash poster in the exact style of The Force Awakens. Maybe Barry should use his Speed Force to visit a galaxy far, far away?

https://www.instagram.com/p/9IBVssG1KC/

Mighty Morphin’ Power Rangers is one of the best selling comic books right now. That shouldn’t be a surprise, because it’s really good! According to Diamond Comics Distributors, Power Rangers written by Kyle Higgins and published by BOOM! Studios was the #2 selling comic of March 2016 surpassing DC’s Superman and Marvel’s Star Wars. I live in a world where Power Rangers sells more than Star Wars, and I love it. (Nothing against Star Wars, for the record. That’s a great book too.)

In a recent interview on Comic Book Resources, BOOM! marketing president Filip Sablik hinted something grander at play for the rainbow-colored super squad at BOOM due to the series’ success. “It’s been around 20-plus years, and every couple years it gets completely reinvented,” Sablik said. “What’s amazing about the possibilities is, you could go do a Power Rangers project that’s completely in a different part of their mythology, that’s aimed at different readers. The Power Rangers series we’re doing is very much for people that were kids when the series came out. That’s a very different tone than if we were to do a series that was currently on the air and that’s aimed at kids.”

BOOM! has already planned a limited spin-off series, Power Rangers: Pink from DC writer Brendan Fletcher (Black Canary), which is going to be totally sweet. But what else could they do? Here are six killer ideas for BOOM! if the company is serious about expanding upon its newest goldmine.

1) Rita and Zordon’s 2,ooo Year War

Ten thousand years ago, Rita Repulsa and Zordon locked each other into a stalemate. When Zordon trapped her in a space dumpster, Rita locked Zordon away in a dimensional warp. That’s what that giant tube is all about. But what happened in that original battle?

https://www.youtube.com/watch?v=FJaBxHtMS5g

If there’s one thing Power Rangers doesn’t get recognized for is its wholly original take on space fantasy not seen since Edgar Rice Burroughs. There’s an entire galaxy of stories and mythology Power Rangers came loaded with right out of the first episode. What happened between Rita and Zordon? Who was Zordon when he was a wizard? What was his home planet, Eltar, like? How important was Zordon to the Eltarians? Why and how did Rita become who she was? We later saw glimpses of Rita’s family — her brother Rito Revolto and her father, Master Vile — but we really don’t know enough about Rita’s species or origins. There was also some confusing retconning in Season 2, when it was revealed Lord Zedd left Rita in charge. So what was Rita to Zedd before that?

We never saw these questions answered in the original Power Rangers TV show, because there were toys to sell and garbage to clean up at Angel Grove park. But a comic book — not restricted to TV budgets — would be an excellent medium to explore the entirely unexplored fantasy-driven mythology of Rita and Zordon’s origins before five teenagers with attitude came around.

2.) How the Alien Rangers of Aquitar Assembled

In Season 3 of Mighty Morphin’ Power Rangers, the Rangers are turned into children and must journey to find the Zeo Crystals to reverse the spell. For the final ten episodes of Season 3, the Alien Rangers of Aquitar (whose costumes came from 1994’s Ninja Sentai Kakuranger) took over protecting Angel Grove, fending off against Zedd’s monsters like Hydro Hog.

But we never saw their story. Who were these Aquitar guardians like when they first teamed up? How did they team up? Unlike the Power Rangers of Earth, the Alien Rangers seem sanctioned by the Aquitar government. (And what KIND of government does Aquitar have?) Eventually in Power Rangers Zeo, Billy leaves Angel Grove and lives on Aquitar. If Billy is to suffer a similar fate on Higgins’s Power Rangers, it would be nice to know he’s living with characters we comfortably know.

https://www.youtube.com/watch?v=0yPo_tRP0HU

3.) What Became of the Colonial Green Ranger

In the Season 2 two-parter “Return of the Green Ranger,” Rita Repulsa recruits the Wizard of Deception into making a clone of Tommy Oliver who unleashes a clone carrying the Green Ranger powers against the White Ranger, the real Tommy. While the two Tommys battle, the other Rangers are sent back in time to 18th century Angel Grove because… Because. Eventually, the two Tommys go back to 1700s Angel Grove to save the Rangers and colonial Angel Grove from the Wizard’s mutant rat monsters. (It barely makes sense when you watch the episode.) Now fighting for good, the Green Ranger clone stays behind to protect Angel Grove in the colonial era.

This is where I should clarify that many fans speculate Mighty Morphin’ Power Rangers takes place in an alternate Earth. There were no colonial settlers out west before the Louisiana Purchase, especially not in what would become Angel Grove, California. So, it’s historically impossible a Green Ranger could protect a colonial California village (aside from the fact that I’m talking about a Green Ranger in THE COLONIAL PERIOD).

But you know, what if? None of “Return of the Green Ranger” hasn’t happened (yet?) in Higgins’s series, which is still covering Tommy’s early days as the real Green Ranger. But time travel is a funny thing. If — and this is a big fat if — there’s already a Green Ranger who protected westward settlers and Native Americans from ancient threats in 1700s Angel Grove? The comic could be more accurate and set as a proper western. What would the history books say about him? I’d love to see a comic book about that in the same vein as Marvel’s Old Man Logan or DC’s Gotham by Gaslight.

4.) How Dax Became Masked Rider, and What Happened to Him

You do know that Alpha 5, the quirky robot assistant to the Power Rangers and Zordon, wasn’t made by Zordon, right? Alpha, that sentient automaton, was built on the distant planet Edenoi, which by Season 3 of Power Rangers was a Mad Max-esque wasteland dominated by the evil Count Dregon. Prince Dax, a.k.a. the Masked Rider, teams up with the Power Rangers in the three-part episode “A Friend in Need” which served as a backdoor pilot for his own spin-off series, Masked Rider.

Masked Rider tanked in the ratings, so don’t bet a full-fledged Masked Rider comic book could do well in sales. But tied well enough to Higgins’s Power Rangers and there’s a universe of potential. We never really saw what became of Dax’s adventures when Masked Rider ended, and he was never  heard from again in the Power Rangers universe. He’s still around somewhere. I wonder what he’s up to.

https://www.youtube.com/watch?v=SX6-DwRXe8Y

5.) The Story of the Phantom Ranger, Zordon’s Son

In Power Rangers Turbo, an obsidian stranger came to help the Rangers whenever they needed him the most. He was the mysterious Phantom Ranger, who got shockingly close with Cassie, the Pink Ranger. He was a soft-spoken hunk in diesel tubes, and his costume was totally badass. I went as him for Halloween once.

But who was he? By Power Rangers In Space the Phantom Ranger had disappeared, and in the climactic finale “Countdown to Destruction” he and the Blue Senturion were fighting the Alliance of Evil on — Eltar? It was never explained. Many fans have long speculated whether or not the Phantom Ranger was Zordon’s son. It’s a good theory with little to support it, but that hasn’t stopped countless fanfiction from dominating the fandom.

A comic book exploring the Phantom Ranger, as the son of Zordon of all people, would be a fascinating one in the whole of the Power Rangers universe. Why didn’t the Phantom Ranger become one of the Power Rangers? Why did Zordon keep him a secret? What was he like before he put on that Darth Vader-esque outfit? As a kid, I used to think he was horribly scarred, hinted by the entire storyline surrounding his stolen ruby that gave him life like Iron Man’s Arc Reactor.

As the son of the mentor to the world’s greatest heroes, a cast-off prince would be an incredible story to explore. And maybe, just maybe, his broken relationship with his father led to his loss at the hands of Rita…

6.) The Real, Original Power Rangers: The Zyurangers?

It’s been widely hinted in Power Rangers lore that Zordon has always used a group of teenagers to battle the forces of evil. Cases of “Ancient Rangers” have appeared in instances like Power Rangers Wild Force and Power Rangers Lost Galaxy. But, if you haven’t already noticed, ancient history has never been fully explored.

Who were Zordon’s “Power Rangers” when his war with Rita ended? As a fan with nothing better to do, I’ve always thought how cool it would be if Zordon’s first Power Rangers resembled the Zyuranger, from Kyoryu Sentai Zyuranger, the 1992 Super Sentai series that provided the initial basis for Mighty Morphin’ Power Rangers.

Geki, Dan, Goushi, Boi, Mei, Burai. Sure, they don’t have to be the actual Zyurangers, but it’d be the ultimate fanservice in a legitimately cool way if the Rangers who actually preceded Jason, Billy, Zack, Trini, Kim, and Tommy were in fact the “Zyuranger.” Like the Alien Rangers, I wonder what they were like. What bugged them? What were their goals? What would they be like raised in a society that’s been at war for two millennia? Geki and Burai’s story — a spoiled prince versus his pauper brother — is ripe with so many possibilities.

https://www.youtube.com/watch?v=BOjBcWEJzLg

As far as I’m concerned, BOOM! is killing it with Power Rangers. But exploring these stories is too good of an opportunity for anyone with the license to pass up.

Captain America: Civil War isn’t just a refreshing change of pace from Marvel’s routine formula in its winning franchise strategy, it is simply a great movie. Though exhausting in how it juggles its staggering ensemble cast, Civil War is a thrilling, heartfelt, and often times funny smash and bash rumination on accountability and oversight in the 21st century. Though it doesn’t come away completely unscathed, when the smoke clears Civil War will be celebrated as a total victory for Marvel and the entire superhero genre.

Inevitably, no matter how close you get with co-workers, friends, and family, eventually you want to punch one of them in the face. The premise behind Marvel’s Captain America: Civil War directed by Joe and Anthony Russo and loosely based on the 2006 comic of the same name, is of course more complex than that. But the rage is palpable for those of us without superpowers: Following another international incident that causes brutal bystander casualties, the privately-operated Avengers — led by the square jawed but complex Capt. Steve Rogers, a.k.a. Captain America (Chris Evans) — are coerced by the world’s governments to come under multinational oversight. Former Avenger and billionaire Tony Stark, a.k.a. Iron Man (Robert Downey Jr.) is the right kind of type-A personality who leads several of the Marvel heroes’ support while Rogers opposes, refusing to shift blame to others. The two titans of Marvel clash, attract new superheroes to the cause — Black Panther (Chadwick Boseman) and Spider-Man (Tom Holland) — while a neutral enemy plays their card in a terribly distracted world.

The 13th film in the ever-expanding Marvel “Cinematic Universe,” Civil War is a retroactive “fix” or a sneaky jab to critics who complain these films fetishize 9/11 imagery for spectacle. Civil War re-contextualizes the sweeping victories in 2012’s The Avengers and 2014’s The Winter Soldier into something more consequential. Maybe Hulk smashing does cause real damage. After the mind-numbing death orgy of 2013’s Man of Steel and its succeeding Batman v SupermanCivil War is like a sincere apology on behalf of the genre to a weary audience. And as an apology, it presents breathtaking, incredibly choreographed action and some really knee slapping hysterics.

Of all the things to consider Civil War, one would assume “funny” could be the last adjective. But Civil War is light, very light, without treading on childish goofiness (though I personally like when superhero movies embrace that). Even in the middle of jaw-dropping action there’s time for a joke, and it’s never forced or even insincere. Step away from the politically presumptuous comic book from Mark Millar and what Civil War is is an excuse for superheroes to fight. Marvel is, always, an obscenely budgeted, delicately crafted, A-list starring version of a Mighty Morphin’ Power Rangers script. And yet the magic of Marvel is that it revels in that joy without posturing, or even feeling embarrassed by its kitschy roots.

Positively, Civil War is stacked with characters. Regrettably, it juggles them so much it’s nearly tiresome. Civil War by its nature will attract fans who could tell you everything about T’Challa and Wakanda before Chadwick Boseman walks on screen (Boseman is GREAT, by the way, and the Black Panther costume is pure eye candy), but in the nearly two and a half hour running time you witness a revolving door of characters, who all come with their own arcs, backgrounds, and motivations. For so long one could skip the last Marvel movie, but Civil War will punish that. The Russos should be commended for the tight wire act they display with the film’s characters, but it’s not perfect and could never be. So those who didn’t bother with Ant-Man or, more importantly, Age of Ultron will find themselves at a loss with who’s who.

I have no where to put this sentence, but it bears mentioning: Sebastian Stan’s Bucky, a.k.a. The Winter Soldier, is very much the centerpiece of Civil War in a way he never was in the original comic book. And Stan performs reliably well as a cold (excuse the pun), detached puppet for a darker enemy. Everything extends like a web around Bucky, whose presence is very much why almost everything in Civil War works.

Speaking of “webs” and working, Civil War has introduced us to our best Spider-Man yet. Tom Holland is a real delight as the teenaged Peter Parker, considerably younger and whimsical than previous actors Andrew Garfield and Tobey McGuire, who Holland outshines. He’s charismatic but comfortable in the role, as comfortable as the bright, vibrant suit he wears as the webslinger. The film really does speed through Spider-Man’s “origin” to the point it’s almost barely mentioned — and yeah, because we know it already — but it’s there and you can bet it’ll be explored at length in 2017’s Spider-Man: Homecoming.

Civil War is a lot of things: Funny, tense, well-paced, exhilarating — go in to the German airport fight scene knowing nothing, it’s better that way. It also falls victim to some of the trappings of the Marvel Universe. The stakes are tangible and, most importantly, there, but they also somehow aren’t due to the inevitable sequels and bombastic Infinity War on the horizon. Still, Civil War is a real win for the summer movie season. No matter the reasons why they fight or who wins — and there is a winner! — who doesn’t relate to wanting to sock the annoying one in the car complaining about where you’re going to eat, or a co-worker being smug in the email thread or Slack channel? You don’t need superpowers to maybe think these guys are still just human.

Captain America: Civil War gets 4 1/2 out of 5.

Clara Oswald’s time with the Doctor has come and gone. Now that Jenna Coleman has departed her role in Doctor Who, the long-running sci-fi series on BBC, the search for a new companion to travel alongside Peter Capaldi’s Twelfth Doctor across the cosmos commenced behind closed doors. And the search has ended. Meet Billy, portrayed by Pearl Mackie. A lengthy preview was uploaded by surprise on the show’s official social media channels. (Note: For some reason the perfectly normal YouTube link isn’t embedding, so you’ll have to click here to check it out.)

Who’s Pearl Mackie? That’s a good question! She’s a relatively new actress with very few notable roles prior to Doctor Who. If you happen to be a British soap fan (aren’t we all?), she played Anne-Marie Frasier in the BBC One series Doctors — what a coincidence! — in 2014. A year later she performed in a stage adaptation of the 2003 novel The Curious Incident of the Dog in the Night-Time for the National Theatre’s West End. And now, she’s on Doctor Who!

So far, so great. Capaldi and Mackie have some great chemistry that I’m excited to see play out, especially with how totally worn out Coleman seemed to be. I don’t know how much longer Capaldi has in his contract, but I’m glad Doctor Who — a behemoth of a sci-fi franchise — is willing to cast people of color if they stubbornly insist on keeping their Doctor an old white guy (although Capaldi has been the best old white guy, for what it’s worth). Doctor Who will be a star-maker for Mackie, and I can’t wait to see what’s in store for Billy.

Doctor Who returns to air for its tenth season in 2017. The show is expected to continue until 2020.

You unlock this door with the key of imagination. Press A to continue.

You’re probably going to experience that in a new Twilight Zone video game/live-action series currently in development with direction by Ken Levine, behind the BioShock series from Irrational and 2K Games. The game, as WIRED describes it, will “explore the spaces between movies and games.” Unlike Quantum Break which hyped a similar premise, The Twilight Zone game is using technology from Interlude, known for the Dr. Pepper/Avengers Super Bowl commercial with Hulk and Ant-Man. The technology, according to WIRED, allows for “seamless move[ment] between multiple streams of video. So expect something pretty cutting edge, even for a not so triple-A video game.

For BioShock fans it must be exciting, but considering the nature of The Twilight Zone is he really the best call? Twilight Zone plays with light and dark themes to explore the gray areas, while BioShock is heavy-handed with its themes. (C’mon: Choosing to kill little girls, or be Superman Jesus? Not that hard there.)

The logo for the upcoming 'The Twilight Zone' video game/live-action series from Interlude.
The logo for the upcoming ‘The Twilight Zone’ video game/live-action series from Interlude.

In an interview with WIRED, Levine describes the primary function behind the game being “empathy through agency.” He describes thusly: “I think of it as the viewer’s angle in the chair. When you watch something, you’re sitting back in the chair. When you’re gaming, you’re leaning forward in the chair. This is an interesting place in between … your brain is forward in the chair.”

(Guys if you haven’t noticed, that WIRED interview is stacked.)

As a nerd who errs more on Twilight Zone than BioShock, I’m excited! I’m so stoked over the prospect of interacting with the themes Twilight Zone haunted me with, but I just hope Levine eases up on his brick-heavy morals. Plus, as much as I’d like to “play out” classic episodes like “In the Eye of the Beholder” or “Time Enough at Last,” there’s really not much choice for interactivity there. What, are we gonna “Press X to unwrap bandage”? I do wish a studio like Telltale Games, reputable for their “interactive narrative” games based on licenses like The Walking Dead and Game of Thrones would take a stab at Twilight Zone, but I’m sure Interlude are cooking up something good.

A release date and platform was not disclosed.

The logo for 2017’s Power Rangers directed by Dean Israelite is now unveiled, and, well I’m not going to dance around this. It looks like garbage.

Looking like chrome vomit from a late ’90s PlayStation game, the logo for Power Rangers is uncomfortably color-less, sporting a bizarre emphasis on black, red, and some blue. It’s not quite what I wanted from something as beloved to me as Power Rangers, and honestly the current blank logo they have would have been fine.

https://www.instagram.com/p/BEMgDroGztT/?taken-by=powerrangersmovie&hl=en

I guess this is supposed to be dark and gritty? That’s kind of what Dean Israelite and literally anyone else involved with this movie has been describing the production as. Given how well Marvel balances the line between family friendly and profoundly dark, not to mention how much Zack Snyder’s nihilism plagued Batman v Superman: Dawn of Justice it’s amazing to me that anyone thinks “dark superheroes targeted to children” is in any way a good idea.

As far as the logo itself, I wish I had evidence but it looks like something I actually made when I was 6 toying with the clip art in Windows 95. I printed it and kept it on my wall. I seriously wish I could show you how this logo is something an actual 6-year old made, because I did!

While we have yet to see a trailer for this, let’s reserve judgement until then. Meanwhile, last week they opened up a Snapchat account. I haven’t seen them post anything, but hopefully a social media intern doesn’t accidentally send out sexts.

https://www.instagram.com/p/BDyhOOPmzgl/?taken-by=powerrangersmovie&hl=en

Power Rangers will be released on March 24, 2017. It stars (deep breath) Darce Montgomery, RJ Cyler, Ludi Lin, Naomi Scott, pop star Becky G, and 30 Rock and The Hunger Games star Elizabeth Banks.

Though Batman v Superman: Dawn of Justice was the cinematic equivalent of a dumpster fire, it wasn’t enough to stop excitement for the upcoming Suicide Squad, releasing in theaters August 5. Starring Will Smith, Jai Courtney, Jared Leto, Margot Robbie, (deep breath) Viola Davis, and many more, the new trailer — which premiered during the MTV Movie Awards tonight — cements Suicide Squad‘s place in the Justice League cinematic universe.

This thing, using Sweet’s “Ballroom Blitz,” is loaded with new footage, showing more of Ben Affleck’s cameo as Batman as well as comedic moments that Suicide Squad aims to inject into this otherwise grim and dour superhero universe. (I have no may of knowing if these scenes came from the current reshoots happening right now).

It’s less crazy editing than the “Bohemian Rhapsody” one that wowed us all a few months ago, but it’s still quirky and way more fun in just three minutes than two and a half hours of Zack Snyder’s monstrosity.

Suicide Squad is being directed by David Ayer and hits theaters August 5, 2016.

The westernized remake/adaptation of the Japanese manga and feature film Death Note is heading to Netflix after originally being developed by Warner Bros.

In an exclusive over at TheWrap, Warner Bros. is close to negotiations with the streaming service Netflix to pick up production of Death Note, directed by acclaimed indie filmmaker Adam Wingard, behind recent hits such as You’re Next and The Guest. In addition, actor Natt Wolff (Paper Towns) and Margaret Qualley (The Leftovers) have been enlisted to star.

Wolff will play an as-of-yet unnamed student who comes into possession of a supernatural notebook, a “Death Note” wherein whoever’s name is written will die. In the original Japanese manga written by Tsugumi Ohba and its later anime and live-action film adaptations, the central protagonist/anti-hero is named Light, a brilliant high school student with a god complex who he is accompanied by a Japanese ghost of death (“shinigami”) upon possessing the book.

According to TheWrapDeath Note was about to begin production until the studio opted not to move forward. Because of the project’s elongated timetable, Warner gave the filmmakers the option to shop it elsewhere. Within 48 hours, “nearly every studio head” approached them, according to TheWrap‘s sources.

In the wake of a mediocre box office for Batman v Superman: Dawn of Justice, Warner Bros. has admitted it will produce fewer films, and among them appears to be Death Note which has languished in production hell for several years. (Ha, kinda fitting.)

Roy Lee, Dan Lin, Jason Hoffs and Heroes star Masi Oka will produce Death Note from a script by Fantastic Four scribe Jeremy Slater. There is no word on a release date.

On a recent weekday afternoon at a cozy loft in New York City, Microsoft held a press demo for the new Xbox One exclusive third-person shooter, Quantum Break. While playing as Jack Joyce, the time-stopping protagonist modeled and voiced by X-Men star Shawn Ashmore, I turned around to see Ashmore, in the flesh, standing five feet away. During what must have been my fifth double take, my avatar was shot, killed, fell to ground writhing in pain. Ashmore, the real one, winced.

I let Shawn Ashmore die while Shawn Ashmore watched, is what happened.

A few hours later, I’m finally talking to Ashmore himself. I apologized for getting him killed. He said it was okay, and explained how trippy it is to be in a video game again (he was last playable in the video game tie-in for 2006’s X-Men III: The Last Stand).

“The X-Men video game it was like a day of voice recording,” he said to me, reminiscing. “I was so not involved, and I didn’t particularly like that game honestly. To me there was no depth. It was kind of cool to see myself running around and flying and on the ice-slide because at that point I hadn’t done it in the films either. I was like, ‘Oh, at least I get to do the ice-slide here’ This is something totally different.”

He was referring to Quantum Break, the hybrid shooter that’s also a live-action series. During the course of the game, certain actions players make as Jack will be reflected in live-action “episodes” of Quantum Break. Whether it’s successful or not, no one can deny Microsoft and developer Remedy — known for Max Payne and Alan Wake — are trying something bold. “This doesn’t just feel like a video game to me,” Ashmore says. “This feels like a full experience. I think this is potentially a new step to tell stories, get to play great characters this way, and I feel like being part of this was a great step for me. I would do this again in a second.”

For Geekscape, I sat down with Ashmore during the demo in New York to discuss his involvement, the process of being an actor in a game, and we even look back on a few fond childhood memories. Animorphs, anyone?

At one point Quantum Break was very different than it is now, At what point did you jump in in the game’s development?

About two years ago. I’m not exactly sure how much material they’d released or how far the development was along. I think [director] Sam [Lake] was saying today that they’ve been developing for about three years, so obviously it was a fair ways down the line before I jumped in, but it was about two years ago.

What was your first impression then?

I got to watch a demo first and I was blown away. I loved the story, I loved the character. I grew up playing Remedy games so I knew the level of character and storytelling that they were going to bring to it, and the visuals I thought were incredible. You know the stutters, the ripple effect? The game play mechanics I thought were really, really fun. They’ve come a long way from when I first saw them, but just the concept and the idea I thought was really strong, and I was in immediately. As soon as I saw the thing I was like, “Yeah. Okay. Let’s do this. Let’s go.”

What are your impressions of Jack Joyce, the character you play in Quantum Break? What was it like slipping into his shoes that’s been different from your other roles?

What I thought was interesting is that, you know Jack has a slightly troubled past and you don’t know too much about it in the amount you play, but there’s backstory we got to work and figure out. This is sort of Jack Joyce’s origin story. He becomes a super hero by the end, but what I thought was interesting, he’s sort of like an everyman thrown into an extraordinary situation, so he reacts like a normal person would. A lot of games I play there’s this rugged, swashbuckler kind of attitude, like cavalier and that works. That works for a lot of games. What I liked about this is that it felt grounded to me. It felt like when he’s scared, he’s scared. When he’s upset, he’s upset. Just a very grounded, real character being put through the ringer emotionally as we go through the game.

That being said it’s also a lot of fun, like once Jack has these abilities he becomes powerful and enjoys that too. I like Jack. I like Jack’s troubled past, and  as the game progresses you get into a lot of these notions and you go deeper into who these guys are, what their relationships are, the classic idea of Paul Serene, them being best friends and then being pitted against each other. It’s a much more complex relationship than just protagonist and antagonist. These guys love each other, yet they’re pitted against each other, and I think that brought a lot of drama and I thought that was a very interesting relationship to explore as the game goes through. I just thought it was very complex when I jumped in.

https://www.youtube.com/watch?v=eU17_kd-e4w

There is much ado about Quantum Break‘s story because it’s told in a very unique way. It’s both television and video games. What was that experience like for you, maintaining a character through a digital process and then live-action?

Let’s talk about digital because that was the majority of my work. Because the video game is told from Jack’s perspective and the show is told from the antagonist’s, so it’s the same story told from two different perspectives. So Jack is more involved in the digital aspects, the game aspects than the show. There’s obviously crossover, but I spent more time with the game. It was challenging. It was totally different. I’d never done motion capture work before.

In all the X-Men films we shot it on set and then it was manipulated digitally afterwards, so to do the motion capture stuff was challenging because it’s just a new process. But it was also a lot of fun because it’s really stripped down. It’s a very raw way of capturing performance because it’s actors in big empty room working together, so you have the words, the page, the characters, and the actors recording together, so it felt natural. It felt easy once you got into it, and because you’re doing these sometimes ten minute takes, you get rehearsal ahead of time which you don’t get with film and television.

One of my healthy skepticisms about Quantum Break was the user experience, playing a video game and then watching a show for twenty minutes. As a gamer yourself, what do you think about that experience?

I’ll be honest. I think that if you’re not invested in the story, you’re not going to want to sit and watch the show. That’s what it is. When you’re playing action, you want to play an action game. Again, what Remedy does and what I was so excited for is that they tell a great story. You’re invested in the characters so you want to know more, and I think that that’s what’s important, and that’s what I when I approached the project, that’s what I got out of it. I thought the same thing. I was like, “Okay. That’s interesting.” But when I play a game a lot of times I just want to hit the skip and get back to the action.

I think by telling a story from two perspectives and interweaving the drama and the characters are hopefully grabbing people early, you’re going to want to learn more, so to me that was very important because this is a new way of telling a story. I think that’s really interesting, but I totally understand what you’re saying and I thought about that before I became involved, but when I read the story, I was like “This can work.” Remedy can weave this story so you want to know more. You want to spend as much time as you can with these characters.

I’d be remiss as a so-called “90s kid” if I didn’t ask: Animorphs! We’re in an era where everything kind of comes back and is renewed. Would you want to do Animorphs again?

It’s crazy. I was seventeen when I shot Animorphs in Canada. We didn’t get Nickelodeon in Canada. I worked on the show for two years, but none of my friends watched it. Nobody watched it in Canada because it wasn’t on TV. I came down to the States, I was walking around and people were like, “Oh, my God. Jake.” I was like, “Oh, wow. People actually watch this show.” That was an incredible experience. Then like I’d say maybe a year and a half or two years ago, like I hadn’t heard the word Animorphs in like fifteen years, and all of a sudden it came on Netflix and, again, people were walking down the street and they were like, “You’re the guy from Animorphs.” It had this resurgence, and I heard a rumor somewhere that they’re talking about making an Animorphs feature film, and I think it’s a lot of fun.

Would you want to be involved in that revival?

Absolutely. Sure. I’m probably way too old to play Jake anymore, but absolutely. That would be a lot of fun. That was one of the roles that helped me start a career as an actor, so it’s kind of near and dear to my heart, and it was a great experience at the time.

In 'Quantum Break' players take control of Jack Joyce, portrayed in the game and the live-action series by 'X-Men' star Shawn Ashmore.
In ‘Quantum Break’ players take control of Jack Joyce, portrayed in the game and the live-action series by ‘X-Men’ star Shawn Ashmore.

The big reason I bring up Animorphs is because you have a history with genre. You’ve also, of course, been in the X-Men movies. You’ve done a lot of straight-forward drama and comedies too, but you’re known in genre. What attracts you as an actor to this realm?

I grew reading fantasy, science fiction, comic books. This is my world. Entertainment-wise this is the kind of stuff I love, and I do love straight drama, and I love hard-hitting art house films, but growing up I was reading Lion, The Witch, and The Wardrobe and X-Men comics, and I was playing video games, so this is my childhood. This is the stuff I love, and the reason I love science fiction and fantasy is that I think that you can tell such an extraordinary story. Normal people going through extraordinary things, that’s awesome, and as entertainment there’s escapism. That’s what I liked. I like heightened fantasy, that heightened world.

A lot of the projects that I’m attracted to as an actor are because I would want to watch them. I would want to play them. This is a game that I would love, you know a story driven game with science fiction elements, heightened game play. This is the kind of stuff that I want to play, so from the X-Men to Smallville, to Fringe, and all that stuff. I’m a fan of that. I do my best work when it’s a project that I’m excited about.

Fun question. Out of all the superpowers you’ve had in your career, which one would you actually want to have in real life?

Jack Joyce of course. [laughs] No, I actually am not sure I would want to have Jack’s powers because it’s kind of a burden. I think as you play through the game you realize that time travel is very, very complicated and the repercussions can be very challenging. I think being able to manipulate time might be as much of a burden as it would be as a gift. Maybe I’d go with Bobby Drake, although I’m cold all the time anyways.

Would you be open to coming back for Quantum Break 2 or 3?

Who knows what’s going to happen, but yeah. I would love to be a part of video games again. I loved working with Microsoft and Remedy. They’re creative, collaborative teams. That’s what I want as a performer. As an actor sometimes you step into work where everything is so set you don’t really get to have a say, so you’re just coming in and doing exactly what they want. With Quantum Break a lot of the character and the story were there, but I got Sam and the writers were open to my opinion, so I felt like, “Okay. They want me to bring a lot to this character.”

Is it rare as an actor to have that kind of input in a character?

Not always. For a big studio feature that’s not really the way. It’s more collaborative when you’re on an independent scale, and a lot of that has nothing to do with studio features not wanting actors to have an opinion. There’s so many rungs on the ladder, so if you want to make a change you got to go all the way up to the top, and I was dealing directly with the creative director of the company [for Quantum Break] so if I had an idea I could voice it. They weren’t all good ideas and they didn’t use all of them, but we had an open dialogue where I could talk, so I felt comfortable with the Remedy team immediately. That’s important.

You don’t want to feel uncomfortable you can’t say anything. If I couldn’t give them what they wanted performance-wise, I would say, “Hey, guys. Can we try changing this line? I’m not getting there. What can we do?” They’re accommodating to help me get where we needed because everybody benefits. If the performance is better, the story will be better, and a lot of the times it’s just as an actor sometimes you have a block, like a line just doesn’t read well. On the page it’s great and another actor could pull it off, but for you it just doesn’t roll off your tongue the right way. They were always willing to make adjustments and make things work and that was important.

For longtime Animorphs or X-Men fans, where can we see you next after Quantum Break

I’m about to go shoot a pilot for ABC up in Toronto called Conviction. I’ve a film called Devil’s Gate that just finished. Sort of like a thriller, dark thriller. 

Could we maybe see you in a cameo for X-Men: Apocalypse?

No. I can say I’m not in X-Men: Apocalypse. I always hope that there’s another X-Men on the horizon for me because I loved that character. I’d love to go back again, but I am not in Apocalypse.

Quantum Break will release on Xbox One on April 5th.

https://www.youtube.com/watch?v=d4or8YE-6P4

Obviously, spoilers for “King Shark” from The Flash are discussed below.

In an unexpected move, the CW’s wildly great The Flash unveiled the identity of Zoom in “King Shark,” just a week after the game-changing “Escape from Earth-2.” As many fans predicted, Zoom is Jay Garrick — or some form of him. But as Entertainment Weekly confirms in an interview with executive producer Andrew Kreisberg, Zoom is actually Hunter Zolomon, the Earth-1 doppelgänger of Jay Garrick. Is this the right move for The Flash?

As much as I hated the Hunter Zolomon theory — honestly, yeah. It was absolutely brilliant.

https://www.youtube.com/watch?v=WN-Ru9d4vxQ

I admit, I’m kind of furious The Flash, which I strongly believe is one of the best shows across all of TV and we should be so lucky to witness, went with one of the popular theories that I flat out wrote off. I thought there’d be no way the writers would let Hunter Zolomon, an unassuming man whose only relation to the characters is that he is Garrick’s Earth-1 version, be Zoom. And yet, they made him Zoom.

Yes, I do know Hunter Zolomon is one of the Reverse-Flashes in the comics, so he would obviously be Zoom. But The Flash and any TV or movie adaptation aren’t beholden to comic book mythology on a leash. The unassuming method in which Zolomon was introduced was very unconventional, and to make him the season’s major villain would have been a huge misstep if The Flash writers weren’t careful. (Thankfully, they were.)

“Zoom … is Hunter Zolomon, a.k.a Jay Garrick,” Kreisberg told EW. The logistics of how that guy sitting in the bench in that one episode earlier this season is actually the evil Zoom, who’s stalked Barry and S.T.A.R. Labs all season long, will continue to befuddle until the show gives us answers in due time. “How all of that plays out and what’s actually happening, we’ll leave for after the break,” Kreisberg said, presumably laughing while stroking a cat because everyone in this show is CRUEL and EVIL.

But while I’m kicking myself for missing the mark, I thought I would hate The Flash for choosing what I thought would be the worst option. But now that I’m thinking about it, it’s damn ingenious. Yeah, why not let the unassuming guy in the park be the ultimate, strongest villain on The Flash? If Zolomon “bumped” into Caitlyn or Cisco or anybody and had him speak even one line of dialogue, all bets would have been off that he’s Zoom. Nothing would be worth speculating or engaging. The The Flash subreddit wouldn’t have been so #lit with theories, speculation, or just plain fun and instead everyone would hate each other like they do on the Arrow subreddit.

I applaud The Flash for creating a worthy mystery whose answer only brings up more, exciting questions. Who is the man in the iron mask? (My answer, probably the real Jay Garrick.) How did Zoom/Hunter hide his Speed Force? (My answer, the Velocity-9 masked his speed to resemble Flash’s — it’d be hard if you’re a speedster and you’re burning blue lightning and not yellow.) Whose body was the one Zoom/Hunter Zolomon killed? (My answer… I have none. I can’t think of anything.)

I’m impressed that The Flash took one of the worst theories I ever saw, went with it, and still managed to convince me it’s great storytelling. I don’t think I’ve ever seen anything quite like it. And I’ve definitely never seen anything quite like The Flash.

Contrary to previous reports, the apocalypse hasn’t been canceled.

According to Deadline, Legendary Pictures has not only given the green light for Pacific Rim 2, a sequel to Guillermo del Toro’s 2013 mecha movie but it’s also signed on Steven S. DeKnight to direct with a script by Jon Spaihts (PrometheusDoctor Strange). DeKnight is best known for creating Spartacus which aired on Starz from 2010 until 2013. He recently produced Marvel’s Daredevil for Netflix.

The news that there’s a Pacific Rim 2 at all is news to fans of the original film. The original film underperformed at the domestic box office but smashed records overseas, but it wasn’t enough for Warner Bros. and Legendary to immediately pursue a sequel. There were additional reports of Legendary shifting focus to build a monster movie universe involving King Kong and Godzilla, which would have somehow left Pacific Rim out of the equation. But it doesn’t matter now, because Pacific Rim 2 is on the way.

A cast has not yet been announced.

Deadpool is a movie so in love with the main character, it forgot about everything else.

At last, 20th Century Fox has produced the big-budget Deadpool, an R-rated superhero movie that Marvel fans wished for. This movie shouldn’t exist, not the least of which because it features a crass cult-favorite superhero at a time when superheroes are toys at the Disney Store. And for many that’s a plus, because that’s simply who Deadpool is: He’s arrogant, gross, sarcastic, constantly breaks the fourth-wall, and revels in murder and mayhem. He’s a symbol of a lot of what comic books did wrong in the 1990s, and miraculously survived through the new millennium to keep the audience he enjoys today. If only that audience had higher standards.

I’ll count myself among that audience: I too love Deadpool and wanted this movie ever since the maligned X-Men Origins: Wolverine left me cold. X-Men Origins was an offense to a lot of filmmaking, but to fandom’s sensibilities they only care about Wade Wilson. I’m happy to report that Deadpool miraculously nails its lead character almost pitch perfect, played by a Ryan Reynolds who so clearly believes in what he’s doing. His natural comedic timing coupled with his understanding of the character really makes it feel as though Wade Wilson made the leap from the comic book page. Reynolds also served up a bonus of crowd-pleasing abdominal muscles and a Canadian geniality that are likely the sole reasons why Fox gave the project the greenlight at all — jerk superheroes live and die by their actors, and only Reynolds could have been Deadpool. If not, this movie would have stayed in production hell.

Ryan Reynolds and Morena Baccarin in 'Deadpool.' The two share great chemistry that barely overcomes the averageness of their shared journey.
Ryan Reynolds and Morena Baccarin in ‘Deadpool.’ The two share great chemistry that barely overcomes the averageness of their shared journey.

In fact, making Deadpool must have been hell. Deadpool works well on the comic book page because of his unique humor and fourth wall-breaking sensibilities, which is not easy to bring to screen. There’s a chance for it to go so wrong so badly, and maybe once or twice it actually does when a few jokes fall a few notes flat. But director Tim Miller — a first-time filmmaker, who began his career in CGI and video games, which you may notice in the opening credits — shows promise as an artist who can walk the tightrope between action and comedy. But he’s no Edgar Wright or Jackie Chan, masters of doing both within the same frame.

So where does Deadpool go wrong? Structure, for one. The film knows its audience so well, that it wastes no time introducing Reynolds in the costume killing dudes, but in doing so it compromises build-up, suspense, and worse, investment. Deadpool’s opening should have been crowd-pleasing, but instead it feels as empty and hollow as the CGI it’s made of. Deadpool sacrifices pacing and rhythm in exchange for an immediate rush, and as a result suffers. It adopts lengthy flashbacks in a structure that will feel familiar to fans of Arrow on the CW, in which current events are given exposition through relevant flashbacks. And I hate that about Arrow, and thus found it aggravating in Deadpool.

A fourth wall-breaking character would also point out the absolute cliches of its own film. Or so you’d think. Aside from a few jabs, Deadpool outright ignores Wade from X-Men Origins despite sharing continuity with the X-Men films (which are so broken anyway so it doesn’t matter). In Deadpool, Wade is a retired U.S. military operative haunted by a hefty 49 kills — humor is his defense mechanism. He’s now a mercenary, but only helps good people who deserve it (this is supposed to make sense) and falls in love with a hooker (Morena Baccarin, of Firefly and Homeland fame) at his favorite merc bar. After some great sex, Wade discovers he has terminal cancer and in his desperation turns to a promising but shady “superhuman” program. His “doctor” is Ajax, who looks nothing like his comic book version so there goes Deadpool being faithful to the source material I guess, and tortures Wade to disfigurement. Wade swears revenge, hoping Ajax will cure him before he can kill him.

TJ Miller and Gina Carano in 'Deadpool.' Carano is kept to a minimum while Miller goes all-in.
TJ Miller and Gina Carano in ‘Deadpool.’ Carano is kept to a minimum while Miller goes all-in.

For a movie bent on self-awareness, Deadpool does nothing to address some of its own cliches. Ajax is a British villain out of every Bond film, Morena Baccarin’s Vanessa is still a damsel in distress no matter how you cut it, and like every Marvel movie a big, massive structure is seen falling in the climactic fight. Wouldn’t it have been great if Deadpool — which is technically not a Marvel movie — take actual shots at the shortcomings of the MCU, which get clearer with every passing film?

Also disappointing for Deadpool is its over-reliance on a CGI superhero. Being a more martial arts-centric superhero with a violent streak, I had hoped to see something like The Raid in Deadpool, which is perfect for the character. Though the opening sequence on the highway (which is a retake of the leaked concept trailer) is quite nasty, the final fights are less bloody or noteworthy.

Less disappointing are Deadpool‘s array of side characters. TJ Miller (Silicon Valley) is on absolute fire, while the legendary Leslie Uggams, a Tony Award-winning performer, shows she is totally game for gross shit as Blind Al, Wade’s roommate after post-Ajax. Their presence is cut a little too short, and by the end you’ll realize they almost contributed nothing except some pep talk. But at least they’re vastly entertaining all the way through. Gina Carano is fine and thankfully less talky, while Colossus and Negasonic Teenage Warhead will vary depending on one’s own familiarity with the X-Men.

Deadpool is a study in contradictions. It’s a superhero movie, but the hero is an asshole. It stars Ryan Reynolds, one of the most handsome men in the world, but his face gets shriveled like a testicle (they keep that one-liner, by the way). It’s an R-rated popcorn commercial movie, but its target audience are clearly white guys who laugh at the same bacon jokes on Reddit. It’s a movie that wants to satirize superhero cliches, but falls victim to its own (remember Yinsen in Iron Man, Tony Stark’s prison mate who dies and inspires him? Deadpool has a Yinsen too).

Ultimately, Deadpool is a dream come true, but maybe we should have asked for more.

GRADE: 3.5/5

On paper, The Magicians sounds like Harry Potter. But when you actually read it, it couldn’t be more different.

Yeah, it’s a school for magicians and it’s about teen angst and there’s big nasty villain they have to eventually kill. But there’s not a heck of a lot of goofy wand waving or chocolate frogs at Brakebills. Written by TIME journalist Lev Grossman, The Magicians trilogy is coming to live-action TV adaptation on Syfy. The show has already made its premiere online but formally kicks off this week.

Back at the New York Comic-Con last October, executive producers Sarah Gamble and John McNamara spoke to the press about the challenges of adapting Grossman’s successful series, especially at a time when Syfy is seeking a total reboot of its brand of genre TV.

So, right off the bat, how much of the books are you guys covering in this first season?

John McNamara: Part of one and part of two.

Sarah Gamble: So, Julia disappears for a lot of book one. She’s back at the end of book one but she’s very changed. That’s not the same girl who was at the beginning of the story. So, we move those timelines to be current. Essentially she went off and did that stuff while Quentin was in his first year of Brakebills. So, when we talk about it with Lev, we say we’re sort of doing the Julia origin story, in a way, this season.

What has Lev Grossman been like throughout the process? How much as he been involved and how much has he left up to you guys?

John McNamara: This is going to be such a boring answer you’re going to go into a coma. He’s great, the process has been very smooth. There’s nothing. I would tell you if there was like, cause everything gets out anyway.

Sarah Gamble: He’s kind of an asshole, you know. He’s super generous.

John McNamara: He’s not a good actor so you know he’s not lying. He has one scene.

Sarah Gamble: He has a cameo. He’s great, so I don’t know what John’s talking about.

John McNamara: He’s good. He’s good. He didn’t say the lines as written, so I don’t know. He improvised a bit, which I thought was good.

What was the most unexpected challenge that you had in adapting these books into a series. Did you run into anything that made you go, “I did not expect I’d be dealing with this”?

John McNamara: Well, one thing was, the pilot was always a tough opening, for me, because, the first ten pages of the book you’re in Quentin’s head and the whole point is like, how do you pull that out and dramatize it? And we finally saw that Quentin, like he was someone who was depressed. Say, aww, we’ll just try him in a mental hospital, see what happens. I sent that to Lev, and he was like, “How’d you know?”. We were like, “What?”. He was like, “Yeah, we sent Quentin to the mental hospital. I just never wrote the scene.” So, we somehow guessed right. That’s what I mean by trail and error. We just kept guessing and sometimes Lev would say, “Woo hoo, no, no, no, no, no, don’t do that.” And other times he was like, “Wow, how’d you, it’s like you almost read my mind.” So it’s literally just trying stuff and trying stuff and trying stuff and trying stuff.

Like intuitively knowing what works and what didn’t.

John McNamara: Intuitively implies constant success and in fact, we used to, it was eighty percent failure, to get the twenty percent we felt right.

Sarah Gamble: Yeah.

John McNamara: Re-writing is really about right where it’s at. Nothing comes out perfect the first time.

Syfy is trying to get back into the genre game in a big way. The Magicians is at the forefront of their initiative. Is there an extra pressure from the network on The Magicians for putting Syfy back on the map?

John McNamara: If there is, they’ve kept it to themselves.

Sarah Gamble: I don’t know if there is, if it’s possible to do extra pressure on top of just the normal pressure of just watching the first season. I think you’re at max but I do think there’s excitement about it, and there’s desire at the network to put out a certain kind of show and you feel that. They’ve been great.

When The Magicians came out, it was hailed as the next-gen Harry Potter. It basically is Harry Potter, but far more world-weary. There’s drugs, alcohol, a lot of sex — which by the way, the fox sex. Is that going to happen?

Sarah Gamble: Yeah. Oh yeah. I got an email just a little while ago saying the foxes are in the province.

John McNamara: Guess what foxes don’t do? They’re like writers, they don’t do what they’re told.

This audience that has grown up with Harry Potter, and like Quentin they’re probably in grad school themselves. So, was it just a matter of time for a project like this to happen? You mentioned before there were a ton of roadblocks getting this greenlit.

Sarah Gamble: Maybe so. I do think that there is, there are multiple generations of adults who grew up with these canonical fantasy series and it just like, it affected their lives, I mean it’s in their DNA, right? It’s in my DNA from from growing up and reading all that stuff and I think the thing that Lev get right in the books, because the homage to some of these other fantasy stories is very knowing on his part, but he doesn’t just add the adult stuff of sex and drugs. He also deconstructs the metaphor. Good and evil are not as black and white. The idea that you have a destiny is not as clear. He makes all of the things more adult. So I actually think there’s a lot of grit and there’s a lot of depth for people.

John McNamara: [Lev] once said, when we were talking was, there are no Dumbledores in real life so there are no Dumbledores in my books.

I noticed that there’s a distinct lack of mentor figure in The Magicians. Even Star Wars has mentors. Was it difficult guiding the show without Quentin having a human GPS to tell him where to go?

Sarah Gamble: No, it’s fun!

John McNamara: No, actually, I couldn’t write if he had a GPS because I think they’re bullshit. I think that our mentors end up being very flawed people who fuck you over as much as they help you. You know, and I like go back to my favorite show of all time, Star Trek. Who was Captain Kirk’s mentor? Nobody. He’s on his own man. That’s why he’s drinking so much.

https://www.youtube.com/watch?v=4T0a2B71qs8

The Magicians premieres January 25 on Syfy. The first episode is available now on YouTube.

Bo Jackson, Ilya Kovalchuk, Barry Sanders, Michael Jordan. Donnie Yen.

The first four men were some of the greatest athletes to leave at the top of their game. The last man, Donnie Yen, isn’t an athlete nor is he quite retiring, but stands at the precipice of a new era in his career — one that commands the death of an old one. At 52 years old, Yen is the premiere action icon of Hong Kong but will step into international stardom as he enters a galaxy far, far away in Rogue One: A Star Wars Story this December.

Ip Man 3, the final chapter in Wilson Yip’s sweeping Ip Man saga, is also Donnie Yen’s final foray into martial arts epics. His move is akin to Jet Li, who left sweeping, choreography-intensive period epics after 2006’s Fearless and continued his career in more pop and commercial fares. Not that Ip Man 3 is any less of a popular or marketable product; premiering Christmas Eve in Hong Kong and January 22 in the U.S., the film has grossed some $116 million worldwide.

During the U.S. press tour for Ip Man 3, I spent some time with Donnie Yen to talk about the finality of this era in his career and the beginning of what’s to come.

Donnie Yen as Ip Man in 'Ip Man 3' from Well GO USA
Donnie Yen as Ip Man in ‘Ip Man 3’ from Well GO USA

This is your third outing as the legendary Wing Chun grandmaster Ip Man. What did you do differently to prepare for the role this time, that you didn’t do in Ip Man or Ip Man 2?

Yen: I think the preparation was done eight years ago when I first took on the role, because I didn’t know whether I could really create an important character such as this one. But the first one obviously became very very successful, and then I know that I can act many other different ways. I have to kind of maintain the same characteristic as the very first one.

So for me, the challenge wasn’t so much of the character. I felt really good about entering the third installment, and back in Asia, I used to tell all the reporters, the pressure was on Wilson Yip, the director.

What have you learned about yourself from playing Ip Man these last few years? What have you discovered taking on such a huge role that means so much to so many?

Yen: I think when a person, when an actor plays a role, he’s representing a good part of himself. That’s why the same role played by different actors will have different results, so therefore when you’re watching [my] Ip Man you’re watching the maturity of Donnie Yen. The first installment to the third installment you see the maturity level, and you can see that complexity, that growth from the film.

The big show stopper of Ip Man 3 is your fight with Mike Tyson. What was it like shooting with Tyson? How did that scene come together?

Yen: We spent a lot of time. That’s the culture over there, we spent a lot of time perfecting every shot. We spent three weeks. Compared to my very very first martial arts film, 33 years ago, when I spent a whole month shooting a scene, three weeks is still nothing. A long time right? But it was a pleasant experience for me.

I’m a big fan of his boxing, I’ve watched every single one of his fights, and I know that fighting on screen there’s an opportunity to create one of the best fight scenes in film history. So I was very excited, but at the same time, I know what kind of fight that I’ll be getting into. I want to leave the set safely and go back home. Mike is a wonderful guy, and very good to work with, and very professional about it, and we had a great experience.

Notorious heavyweight Mike Tyson and Donnie Yen trade fists in 'Ip Man 3.'
Notorious heavyweight Mike Tyson and Donnie Yen trade fists in ‘Ip Man 3.’

You mentioned working on your first film just now. Ip Man 3 is probably your final martial arts film. Do you think it’s really the last time? 

Yen: I’ve been in the film industry for 33 years, stared in 68 movies, made numerous type of screen heroes, so for me to play another kung fu movie… I don’t know If I can ever play another kung fu hero, that same type of character, that can compare to a character like Ip Man. That’s why at the time I gave some interviews saying that [about] Ip Man 3. But then there could be a Ip Man 4, so never say never.

Do you personally hope there to be an Ip Man 4?

Yen: The director approached me already because apparently we’ve broken all the records in Asia, and it’s supply and demand. If the fans love it, why not. I’m feeling good about my physical shape.

So doing sweeping kung-fu epics isn’t about the overall wear and tear on your body.

Yen: It’s not like you’re fighting in the ring, where you have to be young, and you basically excel in those three minutes. How you make fighting is a good part of acting. The more mature you are the better the actor you are.

You just brought up that Ip Man 3 is breaking records in Asia, but you’re about to break in the U.S. and abroad very soon. We’ll see you in Star Wars soon! How’s that going?

Yen: The movie is going to be a great film… and that’s all I can say. [laughs] I’m flattered, and excited, I’m the first Chinese actor ever to be invited to be part of this whole Star Wars universe. That’s great, to bring my children to the premiere.

What’s the most memorable memory you have from making Ip Man the last couple years?

Yen: Like I said, I’ve been in this for so long, and I’ve made many [movies]. I believe [Ip Man] influenced the action industry everywhere in the world. I still believe in that. Eight years ago when it first opened it actually changed the game, and it gave me a great opportunity to choose my roles as an actor, and I’m very grateful.

So after Ip Man 2 I kind of took a step back away from the character and explored the possibilities as an actor. The last five years, and I’ve probably did about fifteen movies in the past, I don’t know how many movies in the last five years, you know from playing Grandmaster to comedies, Monkey King and undercover cops, you name it. As an actor, I don’t take anything for granted. I scored a wide range of different characters, so at the end to say that I have to come back, it’s to this role, this is my iconic role.

Do you feel any pressure from being “the” guy that could bridge Hong Kong and Hollywood cinema?

Yen: Let me give you… I’ll share this very true experience with you. I’ve also shot Crouching Tiger Hidden Dragon 2, right? So, I was in this event in China and I was eating pizza with Leonardo DiCaprio, a star with different couple of big boys sitting on the table, and Harvey Weinstein came up to me — Harvey Weinstein bought the rights for Crouching Tiger, and he said, “Donnie, you’re going to be in Crouching Tiger 2, this is such a great move for you, you’re breaking Hollywood…” I told Harvey, I really appreciate the opportunities, I’m really flattered, but this is not what I want next year in my life. I’ve been in the business for 33 years, you know, if anything is going to give me satisfaction, it’s not about where or which industry that I’m going to be in. It’s the subject of the film that’s going to bring the satisfaction to me. Any films that can convey the message of positivity to society, I’m in.

Ip Man 3 is out now in theaters.

During Shout! Factory’s Zyuranger marathon (which we’ve been tweeting along all morning!), a new promo aired advertising the next Super Sentai release: Ninja Sentai Kakuranger!

That’s right: the source material for Mighty Morphin‘s third season replacement squad Alien Rangers as well as the giant Zords — the Ninja Megazord and Shogun Megazords — will hit U.S. shores on DVD.

It’s currently unknown what the specific date will be as well as what bonus features, if any, will be included. Zyuranger had the panel that I moderated as a bonus while Dairanger was a bare bones release.

I’m very excited. Kakuranger is the series I was most hoping for when Shout! began to import the Super Sentai series. Former Ninja Warrior contestant Kane Kosugi, who also starred in DOA: Dead or Alive and Isaac Florentine’s Ninja: Shadow of a Tear plays Jiraiya, a.k.a. Ninja Black in Kakuranger. He plays a California-born ninja and speaks a ton of English in the series. I can’t wait!

https://www.youtube.com/watch?v=BYWzu1mARsE

Set the date: On January 23rd at 9am PST, Shout! Factory will stream a marathon of Kyoryu Sentai Zyuranger, the original Super Sentai series from Japan that provided the aesthetic basis of Mighty Morphin’ Power Rangers, on Shout! Factory TV. The marathon will be hosted by Eiji Tsuburaya: Master of Monsters author August Ragone, who previously hosted Shout! Factory’s various kaiju movie marathons last year.

https://www.instagram.com/p/BAacWq3otEZ/

I never thought as a die-hard Power Rangers fan that we’d ever see a U.S. domestic release of the Super Sentai series that provided the basis for Mighty Morphin’ Power Rangers. Yet in 2015, Shout! Factory made our dreams come true with not one, but two complete DVD sets of Kyoryu Sentai Zyuranger and Gosei Sentai Dairanger. I’ve been working my way through Dairanger a lot more slowly than I like, but I’m also just enjoying them like fine wine: Slow, steady, and savoring every second. (Even if Dairanger is admittedly not that great.)

https://www.youtube.com/watch?v=4H1S4mQhifo

I’m also considering this a present from Shout! Factory to me since the marathon is happening literally the day before my birthday. Thanks Shout! You guys shouldn’t have. But please do, and more often.

The CW’s Legends of Tomorrow, the spin-off series of Arrow and The Flash, will premiere later this month on January 21. The show’s junior varsity superheroes like The Atom, Firestorm, and White Canary team-up and travel back in time to prevent Vandal Savage from dominating the future. His name is Vandal Savage — who thought it was a good idea to get him in office?

Anyway, a new clip released by The CW shows off Caity Lotz’s White Canary — resurrected and renewed thanks to John Constantine — as she clears house in a biker bar during the Ford administration.

https://www.youtube.com/watch?v=y0MpkbAoFj0&feature=youtu.be

Neat! I always loved Lotz’s Canary and I’m actually happy she was brought back and not kept dead. Are you excited for Legends of Tomorrow like we are?

Months ago at the New York Comic-Con, I sat at the press room tables when Rashida Jones occupied the empty seat next to mine. A known millennial icon for her role as the beautifully ambiguous ethnic blend that represents the dream of the American melting pot Ann Perkins in NBC’s Parks & Recreation, I shook as I took on the first question. It was simple: Just what is Angie Tribeca?

“You should know that it is very silly in a way that’s great,” Jones said. “It’s a procedural. It’s kind of in the tradition of Airplane! and Police Squad! It’s slapstick.”

Slapstick doesn’t begin to cover it. Angie Tribeca, premiering January 17 on TBS, is channeling a wackier brand of comedy that marks a left turn from the subtle deliveries of Parks & Recreation or the adult juvenilia in other millennial comedies (ArcherIt’s Always Sunny, The League, take your pick). I suspect few my age, early to mid-20s, didn’t have an upbringing in Hot Shots! or Leslie Nielsen movies, but that’s Angie Tribeca. It’s Hot Shots! for the Law & Order: SVU college kids. 

“It’s very different, and way more difficult than I would have expected,” recalls Jones. “Because this kind of comedy is so easy to enjoy, there’s something about the contrast of how serious everybody is with how ridiculous the jokes are that make it really fun to watch. Doing it, it’s hard to figure out when you should be totally straight, when you should break and let the audience realize that you know that things are stupid. It’s definitely been a learning curve for me, but challenging and fun at the same time.”

“I feel like that is my favorite kind of comedy,” Jones adds. “It’s what I grew up on. It’s made me want to be in comedy, and I feel like there’s a dearth of that now in TV.”

She’s right. Passé in 2016, slapstick is on an extended coffee break ever since its modern incarnations, such as the Scary Movie franchise, failed to click after the mid-aughts. But the comedic lessons of Buster Keaton still reson

The series is produced by comedy duo Steve and Nancy Carrell, best known for their work on The Office. Shortly after her stint in Parks & Recreation ended, the Carrells wanted Rashida almost immediately. “They approached me, which it’s a miracle that Steve knew my name. I still found that hard to believe,” Jones recalls. “I was going to take a little acting break after Parks and then they sent me this script, and I was like, ‘Oh, no, I have to do this. I can’t not do this.’ It was so, so funny. Obviously their comedy instincts are unbeatable, so I knew I was in good hands.”

Considering the action premise of Angie Tribeca, I asked if Jones had any stunts that took the gags steps too far. Turns out, slapstick allowed cut corners in the goofiest ways. “Because it’s slapstick, you can be okay with your stunt person not being you. There’s a time in the pilot when Geils is doing this crazy chase through a college, and then you cut to him at one point, and it’s very clearly not him doing parkour off the side of a building. So it’s something that we lean into.”

Shortly after Jones finishes, Angie Tribeca producer Ira Ungerleider joins our table. He lists off every kind of influence that went into the series. If you’re a fan of British comedy, you may want Angie Tribeca on your radar.

“I was just very, very influenced by the Zucker Brothers, Airplane!, Top Secret, Kentucky Fried Movie, Monty Python, Black Adder, The Young Ones, Police Squad, the Naked Gun movies. I’m also very into the Marx Brothers, Bob Hope’s early movies, early Woody Allen.”

“I just love word play, silliness, absurdity, satirical takes of very specific genres,” Ungerleider explains. “When I got a call asking, ‘Do you want to meet Steve and Nancy Carell to maybe executive produce this show?’ and then I saw the show I just said, ‘Holy shit.’ If I didn’t believe in God before, I do now. I feel like there is people out there that love this kind of humor and there is finally an outlet for it.”

As I did with Jones, I asked how and why Angie Tribeca opted for a different style of comedy than its contemporaries.

I think against the grain is the best possible thing you can do right now,” Ungerleider explains. “I have a lot of experience in network half hour and I love that world, and when it’s done well it’s fantastic.  Seinfeld was my favorite show of all time. There is such an opportunity now. People talk about the giant landscape and the numbers of channels and the web series and streaming, but as a creator and an artist it’s such an opportunity to be able to do stuff that’s weirder and darker and absurd.  I think you have to figure out a way to get your little thing that you are doing out into the people so that they can check it out.”

I reiterate these interviews happened months ago at the New York Comic-Con. In the time since, TBS announced they would air all of Angie Tribeca as a marathon, the entire season in one swoop. Ungerleider talks of letting people find it and allow it to grow organically — I interviewed Slate‘s Andy Bowers regarding the popular sci-fi podcast The Message and he discussed similar sentiments. I wonder if Angie Tribeca still poses a chance.

Perhaps it will. Angie Tribeca is already greenlit for a second season, which will air just a week after its initial premiere on January 25.

Angie Tribeca — the whole thing — premieres January 17 on TBS.

P.S. While getting images and video for this article, I stumbled upon videos from First Slice. Because I’m right next to the subjects, you get two full minutes of me awkwardly nodding to Rashida Jones, co-star Andree Vermeulen, and the other EPs of Angie Tribeca. Enjoy?

https://www.youtube.com/watch?v=_o8airMXrOg

https://www.youtube.com/watch?v=fpGWd5fquvM

If you didn’t know, BOOM! acquired the rights to Saban’s Mighty Morphin’ Power Rangers last summer and the first issue, the #0 prelude, will arrive on store shelves this month. Judging by how BOOM! handles its licenses and the great care Kyle Higgins has stated he’s approaching the project, you should be keeping Power Rangers on your radar. I can’t speak for everyone at Geekscape, but Power Rangers is the most-anticipated comic of 2016.

Last fall, writer Kyle Higgins (best known for his work on DC’s Nightwing and his original series C.O.W.L. from Image Comics) went on the interview train and spoke to everyone from Comic Book Resources to GQ about his interpretation of the ’90s teenagers with attitudes. Throughout them all he reiterates a lot of the same points: The story will begin after the events of the “Green With Evil” saga which featured Tommy’s turn as Rita’s evil Green Ranger. The “contemporary” story (it takes place in 2015, instead of 1993) will feature themes of trust and the isolation of being an outsider.

Kevin Wada's variant cover for 'Power Rangers #1' releasing in March.
Kevin Wada’s variant cover for ‘Power Rangers #1’ releasing in March. First shown by ComicsAlliance.

It’s difficult for me to really convey to non-Power Rangers fans why a kitschy show stitched from cheap Japanese sci-fi resonates so much. Many can’t get past the rubber suits and Doctor Who special effects, but deep down there is a rich story to be had about friendship and teamwork through the 20-plus years of stories. To the show’s discredit, they’ve regularly failed at telling that story effectively.

Plagued by tight budgets, exhausting schedules, and the burden to sell toys, it’s in the DNA for Power Rangers to be an sloppy, cobbled-together mess. Sometimes it’s been brilliant (Time ForceDinoThunderRPM), but it’s often been despite itself. Still, the premise at its most bare-bones is forever promising: Five teenagers become superheroes to save the world. To anyone who has read Spider-Man or X-Men or the Harry Potter books, that shouldn’t be strange or a poor story in the slightest.

The character designs as they will appear in the series, from artist Hendry Prasetya. First revealed by ComicBook.
The character designs as they will appear in the series, from artist Hendry Prasetya. First revealed by ComicBook.

A comic book, with a wide-open imagination and hardly a budget to consider, is probably the best medium for the show, and I say that with memories of the television show in my head. I love seeing the live-action martial arts and Megazords as much as any Power Ranges fan, but in the interest of a rich and compelling story without the kitschy flavor that has turned off 90% of the first-world audience away from the show, a monthly comic book series is exactly the kind of medium this story needs to stretch.

And it seems Kyle Higgins is aware of that.

In an interview with Comic Book Resources:

[T]o me, the heart and soul of Power Rangers as a concept is a combination of the ordinary made extraordinary, great power and great responsibility, and teamwork. As kids, we all want to feel special — especially when we don’t fit in.

 

As anyone who’s ever been the new person in a group, on a team, or at a high school can attest, it’s often incredibly hard to fit in. It takes time to get to know people, earn their trust, and for them to earn yours. You often overcompensate, make mistakes, and rub people the wrong way. And while a group might look great on paper, there are going to be bumps along the road as everyone learns to work together — just look at any LeBron James basketball team of the last five years. Take that dynamic, add in the clique-drama of high school, the stakes of trying to save the world, and the fact that Tommy spent weeks trying to kill the Power Rangers — while under mind control — and it’s easy to understand how his addition might take some getting used to.

Here is Higgins speaking to the LA Times:

It’s a big serialized story. And one of the benefits that we have that the original show didn’t was, we have a format that really lends itself to serialized storytelling. I’m working with [artist] Hendry Prasetya, who is just fantastic. He can draw anything. So we’re able to do things visually that the show was never really able to do because of the limitations the show had, like using preexisting footage.

 

Thematically and emotionally I’m able to explore things in the writing that the show with the format of the show was never really able to do either. So working within this medium has been a lot of fun, specifically, for Power Rangers. I think it lends itself quite well to it.

 

So while there is a big focus on Tommy, especially in the first arc, everyone kind of has their own story and they all feed into each other’s. I really wanted to make sure I was exploring different storylines for each Ranger.

 

[Y]ou’re looking at a group of individuals who are a part of a team and each one is defined by not only a different color but different kinds of flourishes in their costumes as well. So visually you have this group of individuals that is also a part of a larger whole, and there was just something about that. Even the X-Men, growing up, didn’t feel as much like a unified team as the Power Rangers.

And with Newsarama:

I would never say never to [origin tales], but I’m telling new stories. I’m not telling stories for the sake of filling in for continuity or for the sake of answering mythology questions like that. To me, that’s a bulls— reason to tell a story. If it has an emotional truth to it and it’s part of what I’m trying to tell, that’s great, I’ll use it. First and foremost, my focus is on these six rangers and their interactions and their lives and the drama that comes out of being both a Power Ranger and a teenager.

And with GQ. Never forget this time GQ took Power Rangers seriously.

“There’s something very pure about it,” he adds. “It’s good versus evil in its purest, best form. Not for one minute did I think there was any sort of stigma for doing a book like this. I love the world, I love the characters, I love the concepts, and if I can do something cool with it, then I want to do it.”

At New York Comic-Con, I asked Higgins what his plans were to address the series’ diversity — because no one will shut up about certain Rangers being certain persons of color — and he had this to say:

When I watched the show growing up, I didn’t think about that at all. I don’t really have a great answer right now, but it’s something that I’m aware of, it’s something that’s definitely on my radar. I can’t really give too much info on what we’re going into at this point, but it’s definitely something on our radar.

So we’ve got compelling teenage drama concerning trust and friendship with the exciting superhero action and giant robots you can expect. What’s not to love?

Power Rangers #0 from BOOM! Studios will hit store shelves January 13.

Obviously, spoilers for Star Wars: The Force Awakens are below.

A few weeks ago I was scouring Target looking for any available Captain Phasma figures in my area. I like collecting 6″ figures and wanted to add what I thought would be the best thing about The Force Awakens to my shelf. Gwendoline Christie is a delight both on screen and off (based on my impressions, I do not know her personally), so I was excited that she would be, in all things, Star Wars.

When The Force Awakens started and Captain Phasma walked on screen I smiled ear-to-ear. That smile quickly faded. For all its high marks, The Force Awakens fumbled Captain Phasma so badly it’s almost embarrassing.

Make no mistake: Star Wars: The Force Awakens is as wonderful as you’d hoped. A bit slavish to the original trilogy perhaps, but I’m thankful to finally see a good, possibly great Star Wars movie (I’ll need multiple viewings) in my lifetime. It will really make you wonder what kind of wasted effort the whole prequel trilogy was, if that wasn’t already obvious. I hope Force Awakens shuts up the grating prequel apologists.

But Force Awakens isn’t without its own missteps, and by far the most glaring is Captain Phasma. There was hope she’d succeed the legacy of Boba Fett, the badass gunslinger antagonist, the “Dragon” who has no other motivation than to get the job done. But she does end up succeeding Boba Fett’s legacy in the worst ways, that is being a total chump.

When Force Awakens begins she’s as ruthless and robotic as anyone wanted, functioning as a scary authoritarian against Finn (then still named FN-2187). Instructing him to see his rifle’s data whether or not he fired on the villagers is an Orwellian nightmare. We’re off to a good start!

But the rug is quickly pulled underneath. The next time we see Phasma beyond standing there for set dressing, it’s when Finn, Han, and Chewie have infiltrated the Starkiller base and hold Phasma hostage. Finn has some bottled-up tension towards her — it’s played for a laugh, and to my delight colors Finn’s character more — but it never had proper set-up. From what we saw, it was only that one time right after the opening village massacre. It makes me wonder what J.J. Abrams cut out that would have maybe really allowed Phasma to be the big scary threat she deserves.

But in the final version of Force Awakens, she isn’t. With a rifle to her head, she begrudgingly lowers the shields to allow the Resistance to enter the planet’s atmosphere. The camera turns their attention away from her for a few seconds, so when she defiantly stands up I thought she had managed to alert the First Order — she’s at a goddamn computer! — but she doesn’t. The shield lowers like Han and Finn want and she basically has a line like Dr. Claw from Inspector Gadget: Next time, Finn, next time! She goes out like a lame-o, with Han slyly suggesting they chuck her out a “trash compactor.” Cue audience laughing, my eyes rolling.

It happens off screen. We never see Phasma again for the rest of the movie.

Despite its imagination, Star Wars has long had a remarkably narrow representation of gender and ethnic diversities. Yes, there are aliens, but there are real people in our real world who deserve to be inspired by the images on screen. I never felt like Luke Skywalker no matter how many times I watched Star Wars. Even if he was written like cardboard, I was still attached to Adam the Black Ranger from Power Rangers, because he looked like me. I don’t look like Luke.

When it comes to women, Star Wars has been embarrassingly devoid, almost to the point where I wonder how anyone in that universe is born. Name five prominent women — name them, off your head, no Wikipedia — from the other six movies. You can’t, right? And that’s what makes Force Awakens almost like fresh air. I can’t sing the praises of Daisy Ridley’s Rey nearly enough. Beyond the stellar performance of Ridley (who is without a doubt the breakout star of Force Awakens), Rey is extremely capable and complex. This isn’t “Girl power!” feminism, though I’ll be happy when little girls watching Star Wars say she’s their hero. Rey is legit character, a modern textbook example aspiring screenwriters should study.

And there’s more than just her! Carrie Fischer is back as Leia, who has become a grizzled general. There’s Maz Kanata as a comforting guide, and played by Lupita Nyong’o who is stunning in her role despite being a cartoon. There’s another really cool side character, an X-Wing pilot played by Christina Chong. We don’t really get to know her and most of the heroic action is taken up by Oscar Isaac’s Poe, but her close-ups in the pilot seats give enough of a look that she might be someone’s favorite.

And there should have been Captain Phasma, but she’s so lame. I can actually think of a great scene that would have been perfect for her: Right around the second act before Leia and C-3PO arrive, the First Order attacks and Finn holds Luke’s lightsaber. He uses it for the first time against a random Stormtrooper with a really, really fucking awesome weapon that looks like a giant tonfa. Finn and this Stormtrooper go at it in one of the first fist-pumping moments in the entire movie. While I wouldn’t want Phasma to have lost the fight like the Stormtrooper did, it would have been damn near perfect for hers and Finn’s arc. Yeah, it came before the Starkiller base stuff, but still. That scene begs for Phasma to show off what she could do.

The silver lining (no pun intended — get it, she’s in chrome armor?) is that Phasma is still alive. If they actually chucked her into a garbage chute (ugh), it’s barely crippling so she’ll get out, unlike Fett and the sand butthole. I hope she really comes to her own in Star Wars VIII, but that movie is some 500+ days away. And I’m tired of waiting for Star Wars to give me the good stuff.

On the upside: I get to save like $30 on eBay buying a Captain Phasma figure.

Side note: Boba Fett was an interesting demonstration of using telling, not showing that was effective. His introduction had Darth Vader, the baddest motherfucker in the galaxy, finger lecture Fett with “No disintegrations.” One line establishes how much of a loose cannon Fett was, and that one line filled the imagination for decades. Phasma does not have that moment one bit, which further makes her appearance in The Force Awakens a bummer.

I have complicated feelings of the U.S.’ campaigns in the Middle East. But I unquestionably support our soldiers who are willing to make sacrifices I can’t. I have family who are veterans, like my brother, and I couldn’t be more proud of them. But I’d rather we live in a world where I didn’t have to worry about their safety abroad in the first place. It’s too much to ask I know, but we can hope, right?

In the meantime, DC All-Access host Jason Inman, himself a veteran, has started a drive like no other. Teaming up with Comics For Soldiers, Jason hopes to make the worlds of our brave men and women a little more fun by sending them 10,000 comic books.

Besides explaining the nitty gritty details, I hit up Jason for a quick interview about how he got the idea, his time as a soldier, and the logistical challenges he’ll face sending all those dang funny pages to the people who need a laugh the most.

So myself and I think a lot of people who watch DC probably don’t know, but you actually served in our armed forces. Can you give us a little background as to what that was like?

Jason: Yeah, I did. I joined up with the Kansas Army National Guard when I was in high school, because I’m originally from Kansas, and I wanted to travel the world when I was young, and it sounded like that was the opportunity, and so I did that. Of course, during my time in the Army National Guard, we got activated to full-time duty, so I was in the active army for a little bit over a year, and I spent 2005 in Iraq as part of Operation Iraqi Freedom. Then after that, I got out. I did my 6 years and I got out and I finished college.

What did you do out there, and what was it like? My brother was in the National Guard so I have an idea how both lonely it can get and how rich the camaraderie can be.

Jason Inman: We did a lot of security convoy duty, which meant that we drove a lot. We drove as security to all these civilian convoys, so a lot of my Iraq was spending time in a Humvee, or behind a 50-caliber gun protecting civilians. I got to see a lot of the country. I thought it was unique to see a lot of the ancient castles and stuff like that, but lonely’s a great way to put it. It was very lonely.

Luckily at the time, before I left, bought an iPod. It was the one that only had the spinning wheel and I loaded literally every single song I had. I know this is a weird tangent, but I put every single song that I ever had on there, and I hid that iPod, I slipped it into my Kevlar vest. Not only does a Kevlar vest, is it useful for protecting your life, it also has useful iPod pockets.

That’s awesome.

Jason Inman: I spent a lot of time listening to music. I listened to a lot of music and I read a lot of books. Any time we had down time, I would read a book. I looked at Iraq as a place that I didn’t want to be, of course, but it’s also an experience that not many other people have ever had. Not many people can be like, “I’ve been in a war zone with a weapon.” Very lonely, but now that I’m 10 years removed from it, you know, it’s one of the things that I’m very proud of that I did, and I’m very proud that I got to be part of these awesome group of guys and serve.

So you’re starting up this charity to send comic books. A lot of care package drives don’t do that, specifically sending comics books. Can you tell me about the origin of where you came up with this idea? Is there a big demand for things like comic books from soldiers overseas?

Jason Inman: I try to be charitable every December, because I think that’s one of the best things about the holiday season and I was thinking, “What I could do?” And I remember when I was over there that I once got a care package, and at the bottom of the care package was this issue of Ultimate X-Men. I read that from front to back and I kind of give credit to that issue of Ultimate X-Men that sparked my interest back into comic books, like hardcore. Everybody goes through that phase, you kind of give up comic books because you find out that, “Hey, girls are really pretty” or “Hey, boys are really pretty.” Comic books aren’t as pretty. That happened to me, [but I still] kind of read comics here and there. I’d heard about Preacher after that point, but I stopped going to the comic book shop every week.

But after Iraq, I started going back to the comic shop every week. I really thought this would be cool, this would be something neat, because there are amazing organizations out there that send plenty of care packages to the troops. I could never do it better than them, so I was like, “Okay, what’s the niche that I could fill?” I started Googling, and I found this awesome organization called Comics for Soldiers, and I started submitting them an idea. I was like, “What if we sent 10,000 comics overseas to the troops?” They’re a very small organization but they were totally game. There are plenty of nerds in the military like me, and opening up a box of comic books may not be the jam of every soldier over there, but I guarantee you they’ll open it up and they’ll at least flip through them, because they’ll be like, “This is neat.” But then the nerds in their brigade, their battalion, their squad, will just eat them up.

I can imagine that would be a sweet moment. I picture the one nerd in the battalion who hasn’t read anything for awhile suddenly gets an entire run of like, Spider-Verse.

Jason Inman: Yeah, it makes their day. They’re just like, “Holy cow. This issue of Spider-Gwen that I’d never be able to have. Holy cow.”

What is your game plan to send out the books? What are the logistical challenges that you’re about to endure sending out these books to soldiers?

Jason Inman: Well, the logistics are mainly going to be handled by the organization, Comics for Soldiers. They’ve been doing this for the last 3 or 4 years, and they were set up in the memory of Sergeant Robert McDowell. So the logistics of actually sending the books to the troops is theirs, because they have the contacts, they have the time, and they have the drive to do this. I just wanted to help them out, because I don’t think many people think about donating comics and they were an organization that already thought about doing this. I was like, “Well, if I can at least take care of their comics problem, then all they have to do is just get them to the troops, and that makes their job a quite a bit easier.”

I’m pretty certain that they won’t all go out in January, because shipping overseas is very expensive and paper is very heavy. But if we can fill their comic quota for the next 6 months, that’s amazing, and that’s more than enough of a good thing.

There are very, very obvious parallels between serving your country and growing up reading comic books, and I was just wondering motivated you to join the military? Did your geek background influence you wanting to serve or were there other things that made you sign up?

Jason Inman: You know, I don’t know if my geek background influenced me to serve my country. I think it was kind of the opposite. Because when I was reading comic books in high school, it was very much like, “Don’t let your friends now that you read comic books, because they’ll beat you up,” you know? Wolverine lost his adamantium, and Superman has long hair and a mullet, but we can’t tell our friends that we like that. But you know, I think the what really attracted to me, was simply doing something that not many people do.

Because when I was growing up, I didn’t know anybody in the military. I didn’t know anybody that had gone through basic training. I didn’t know anybody that had been in a war zone, and so I was like, “Okay, if I sign up for this, I get to travel the world. They’ll pay for a good chunk of my college, and I’ll be able to do a lot of stuff that a lot of people don’t get to do in their normal day to day lives,” and that was very appealing to me. I guess that you could say that it appealed to the adventure side, which would be the closest to the superhero thing, so maybe the deep culture and the superheroes did seep into my brain more than I thought they did.

You mentioned in high school you kind of had to hide your geekiness a little bit. But today you’re the host of DC All-Access. Have you heard from your high school friends who now see you on YouTube talking about comic books for a living?

Jason Inman: I’m not friends with very many people from my high school, but I went to a very, very small high school. But I have heard from a couple of them, and mostly my early college friends, and a lot of them all say that like, “Oh, yeah, that makes perfect sense,” or “You being the host of DC is exactly where you were always going to be.”

Any last words about the drive? Anything people who want to donate should know?

Jason Inman: Comics for Soldiers will accept comic books at any time. They have all the information on their site, but for us, we’re trying to get them 10,000 by January 1st. It’s just a little goal that we put on ourselves. I’ve been getting a lot of emails where people have been asking me questions and the one issue I want to address is that they can be comics from any company. They can be comics that can also be paperbacks and single issues. We’ll take anything, and also a lot of people have been like, “Man, I’ve got like 3 longboxes and I’d love to ship them, but it’s too expensive.” Don’t send all the longboxes. I appreciate your drive and I love you for it, but don’t go broke over this. Medium flat-rate boxes are $12.66, and you can fit 55 comic books in there. If that’s all you can give us, great. That’s so awesome. If all you can do is shove 5 comic books into a flat-rate envelope, awesome. Any amount you wish to donate is great. Don’t make yourself bankrupt to help the soldiers. The soldiers will appreciate you for it, but they also want to come home and you actually do have a home.

You can visit Comics For Soldiers on their official website.

There’s one week left in Into the Badlands, but it sure doesn’t feel like it. A plodding, busy episode leaves a questionable status quo to set up for its (presumed) finale. Will it be enough?

Let’s get this out of the way: the action remains superb. The fight in The Fort dungeon between The Widow and Sunny is among the best in all of TV action to date, and very few shows are willing to be as ballsy as Badlands. If the show doesn’t get an Emmy for stunts it’ll be a crime.

But otherwise, Into the Badlands suffers this week to juggling too many arcs and as a result, not feeling like we’ve gone anywhere. Quinn now knows M.K.’s secret, and Jade is most likely dead (presuming, since Quinn looked all kinds of disheveled when he sees M.K.). Those are the biggest developments. Can you think of anything else?

Granted, Veil now knows Sunny was involved with her parents’ murders, but Quinn was straight up lying to her or twisting the truth to fit his reality. But what will she do? I think she may have seen through Quinn’s lies and poisoned his precious Jade, but when could that have happened? (Side note: It’s gotta be Lydia who killed her. It makes the most sense.)

Sunny is really ceasing to be the star of his show. How he’ll manage to get out of the Badlands when the ticket price is M.K.’s head is his biggest challenge right now, and that went entirely unanswered this week. Also unanswered is what Ryder’s plan against his father is. After meeting his grandfather (Alien fans, it’s Lance Henriksen!) and failing to get the answers he seeks, Ryder arrogantly walks off determined to figure it out himself. One throwaway line by Henriksen’s character hints that M.K.’s dark power is more widely known, but Badlands doesn’t care to explore that further at the moment.

But will it really matter? Quinn is dying. They could literally just wait it out, but The Widow appears to be the impatient type. I can’t recall if she knows he’s sick (I feel like he does? Somebody must have told her. I think Ryder told her?) but I do know that it’ll be used against him. That much is obvious.

Into the Badlands heads home next week, and maybe for the final time as the show hasn’t been renewed yet. Would you want it to? There’s still a lot to explore, and I hope we get that chance.

Hong Kong superstar Donnie Yen is reprising his role as the legendary teacher of the one and only Bruce Lee, Ip Man in Ip Man 3 and a certain Mike Tyson (Yes, Mike Tyson) is standing in his way. These new character posters with a vintage flair are a must see, as they go from “Legit awesome” to “LOL.” In a good way of course.

First up, Donnie Yen himself as Ip Man.

Donnie

Now, the creme de la creme. Mike Tyson, seen through turn-of-the-century Chinese art. Oh my God, you guys. Oh my God.

Mike

I want this tattooed on my face, just like Mike Tyson.

Also, check out Danny Chan as an eerily uncanny young Bruce Lee.

Danny Chan as "Bruce Lee"

You can check out the rest of the character posters in our gallery below. Ip Man 3 hits theaters January 22.

When it was released internationally in 2000, Ang Lee’s Crouching Tiger, Hidden Dragon showed the world the rich wuxia genre. In the years since, “Crouching Tiger” has been a go-to slang for wicked kung-fu. The upcoming sequel exclusive to Netflix and IMAX theaters, Sword of Destiny, lives up to that legacy as shown in the new trailer.

Directed by renowned choreographer Yuen Wo-ping (Kill Bill, The Matrix), the Netflix-exclusive sequel stars Michelle Yeoh reprising her role with Rogue One: A Star Wars Story and Ip Man star Donnie Yen and Jason Scott Lee sharing the spotlight.

It’s definitely Crouching Tiger. While action cinema has slowly gone back to a wire-less practice (like in Netflix’s other project, Marvel’s Daredevil), it’s great to see action movies embracing the implausible again. I kind of missed wire action.

Crouching Tiger, Hidden Dragon: Sword of Destiny will be released February 26, 2016. Check out the poster below.

US_CTHD2_Keyart

If you went crazy wondering where last week’s Into the Badlands recap/review went, you can embrace your sanity now: I didn’t write it. Sorry, previous commitments stopped me from writing, but I’m here this week for “Two Tigers Subdue Dragons,” a middle-of-the-road episode with an awesome climactic fight and some neat twists to hook us for next week.

Spoilers are ahead.

Heavy on plot and heavy on action, “Two Tigers Subdue Dragons” propels us forward at a brisk pace as the first season of Into the Badlands approaches its end. (Already? I know! Snuck up on me too.)

The big twist we need to wrangle with: Zephyr is in cahoots with The Widow herself, and now Ryder has joined their alliance. Quinn’s once dominant stranglehold over the Badlands is crippling within his home. What do you think will kill him first: his illness or his own blood?

Elsewhere, Sunny has a tough time ahead of him. The River King, the only safe passage out of the Badlands, will have to offer M.K.’s head as payment. It kinda sucks since half the reason he wants out is because of M.K. Speaking of that kid, I’m beginning to suspect (and perhaps fear) we may not learn his origins and how he got his powers this season. Next week’s preview focused on a showdown between The Widow and Sunny, which is enough to take up its own episode without having room for M.K.’s backstory. They very well could explain M.K.’s origin, but it’s just unlikely.

I’m in love with how every Baron has their own flavor. We’ve seen enough of Quinn and his southern samurai, while The Widow’s navy bowler hat ninjas were cool while they lasted. I’m totally feeling Jacoby’s Scottish pirates: their costumes (black plaid? DOPE.), their gear, and the swagger they carried themselves with made me want to know more about them. I’d watch a whole episode around Zephyr (whose actress reminds me so much of Katie Sackhoff).

Next week isn’t going to be fun for anyone. Sunny will have to decide what he does with M.K., and he’s going to have the redheaded roadblock that is The Widow standing in his way. Ryder has aligned himself against his father, and with only two episodes left in the season that’s going to blow up in someone’s face.

After four decades as a television journalist, Linda Ellerbee is signing off, according to Variety. She will finish up on December 15, where Nickelodeon will air a retrospective on her 25-year career on Nick News.

“I’m a lucky woman,” said Ellerbee to Variety. “I saw the world, met many of the world’s most interesting people and was well paid to do so. Now I choose to go, and I go smiling. I’ve had a great time. And thank you for asking, but, no, I don’t intend to mellow.”

A native Texan known for her humor and style, Ellerbee began as a TV news correspondent in the ’70s before she landed the gig of co-anchor with Lloyd Dobyns for NBC News Overnight in 1982. She started hosting and producing for Nickelodeon in 1991 with Nick News, which helped kids such as myself better understand harrowing world events like the AIDS crisis, the racial motivations of the 1995 Oklahoma bombings, 9/11, the Kuwait invasion, and the Iraq War.

We ’90s kids like to wear rose glasses when it comes to pop culture nostalgia, but the ’90s were also a pretty shitty time, and it got even worse when we came of age at the turn of the century. But there was Linda Ellerbee, calm as a summer breeze, who walked through us the danger that lurked outside our door. But with intelligence and grace, she treated us like adults and taught us to not be afraid. For young bloggers and journalists like myself, Ellerbee represents one of the first known figures in reporting, and we couldn’t have had a better role model.

And so it goes. Thank you, Linda Ellerbee.

https://www.youtube.com/watch?v=rgyGfqFm7a4

Did You Know Gaming? is one of my favorite lunch break time-killers at work. Their 5-10 minute videos have unveiled the making and secrets of nearly a hundred prolific games, franchises, and consoles and it’s my favorite way to occupy my attention while I eat a pastrami. They’ve recently introduced a new series, “Unseen64” which delves into the doomed productions of cancelled video games. Their newest video reveals an amazing what-could-have been: Marvel’s The Avengers, which would have been a first-person action game with a story written by veteran comic scribe Brian Michael Bendis.

I’m really stunned by how well the FP aspects would have worked without the “S” part. None of the Avengers (except maybe Iron Man) would have shooting mechanics, but based on the footage from early builds it actually looks like it would have been a ton of fun. Each of the playable Avengers — Captain America, Thor, Hulk, and Iron Man primarily, with Black Widow, Hawkeye, and Ms. Marvel being unlockable — essentially fulfill a class not unlike *Team Fortress 2*, with everyone relying on each other’s strengths to make up for their own shortcomings. That’s teamwork! Which should be at the heart of most comic book games (Batman excluded).

Also notable is how the game isn’t based on the film, but The Avengers property with designs inspired by Joss Whedon’s movie and an original story riffing on Bendis’ Secret Invasion storyline. The tie-in video game quietly died a few years ago and none of us really noticed.

One thing that never ceases to amaze me about cancelled video games is how invincible they should have been. You’d think that a video game tied to one of the most lucrative films in history would have been cancellation-proof, but THQ’s financial woes were ultimately what killed the project. A more recent example is P.T., aka Silent Hills which its ingredients should have allowed it to survive: genre auteur Guillermo del Toro, Metal Gear Solid mastermind Hideo Kojima, and Norman Reedus, the breakout star of the world’s most popular cable series The Walking Dead. How on Earth do these things just fall through the cracks?