With so many niche outlets and creators out there making their own content, it has either never been easier or harder to get your work seen! So whether you are female, black, LGBTQ+, Asian, Latino or other let’s talk about amplifying your independent voice in Hollywood by making your own content for your own audience. This episode I’m joined by the cast and creative team behind the independent show ‘Casting the Net’ to talk about creating a series with Black female leads, distributing it on an independent niche platform and the challenges and advantages that come with it! Series director Andrew P. Jones joins me along with series star Linara Washington (Killing Them Softly) and actors Willard Pugh (RoboCop 2, Airforce One, The Color Purple) and Charley Koontz (CSI: Cyber, Community) to talk about making the series, how the independent filmmaking scene is changing to be more inclusive (or not) and of course I’m going to ask about working with Stephen Spielberg.

Watch the new teaser trailer for ‘Casting the Net’ here!

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The COVID-19 Pandemic has brought live action film and TV production to a halt worldwide. But as it continues and quarantines are lifted, it’s time to get back to work. What exactly does that mean to filmmakers, both at the studio level and independently? To help me with some of those questions is my own producer and friend Noam Dromi. Noam is a writer and producer with extensive and award winning film, video and new media experience (he also wrote ‘Dolphin Tail’… one of Matt Kelly’s favorite movies) and we discuss how technology is going to be a crucial part of changing the game and getting our films back up and running. Along the way I urge you all to go see ‘The Vast of Night’, we discuss what role podcasting and groups like Geekscape have in the future of entertainment and more! Also, previous Geekscape guest Matt Pinfield is in need of some help so I have linked his GoFundMe below along with some of the other podcasts Noam and I are producing during the Pandemic. Enjoy!

Please visit our friend Matt Pinfield’s GoFundMe and donate if you can!

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I’ve gotta admit that I was pretty nervous sitting down withs Dean Devlin, writer and producer of tentpole films like ‘Independence Day’, ‘Stargate’ and ‘Godzilla’ and producer of TNT hits like ‘Leverage’ and ‘The Librarians’. But I think things smoothed out pretty quickly as we started talking about Dean’s new directorial effort ‘Bad Samaritan’, starring Robert Sheehan and David Tennant. The film is out this week and Dean is quick to talk about the film being a completely independent production and about his long history with (and without) the Hollywood studios. Among some of the highlights are his opinion of modern film criticism, whether or not last year’s ‘Geostorm’ was a mistake and his relationship with filmmaker Roland Emmerich. Also, what are the things that attracted him most to putting ‘Bad Samaritan’ together the way he wanted! There’s a lot to digest here, Geekscapists, so enjoy!

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It’s Halloween season and Hollywood lit manager Kailey Marsh has her finger on the horror pulse as the architect of The Blood List, a yearly list of some of the top horror and genre scripts in Hollywood! Kailey comes on the show to talk about screenwriting, making the List and her best advice for aspiring screenwriters! On top of that, we talk about the controversial Season Premier 7 of ‘The Walking Dead’ and I give some brief thoughts on the impressively awesome ‘Doctor Strange’!

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This morning I put on a Mighty Morphin’ Power Rangers T-shirt. I thought nothing of it. I needed a clean shirt, because it’s appropriate and it was a breezy fifty degrees in the continental Northeast so being shirtless would be an unpleasant experience. As I began my day, wearing that T-shirt bought at a Spencer’s for bored suburban kids, a coworker sent via Slack the Entertainment Weekly article showing the 2017 Power Rangers costumes.

My immediate instinct, which I didn’t do, was to take off my shirt and burn it in the office. My second instinct, which I did do, was shut off my laptop and go for a walk. It was a breezy fifty degrees in the continental Northeast.

I didn’t burn my shirt because a) that is arson and b) I would be (pun not intended) fired. But I became restless, because I am tired of this.

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I am tired of hearing about the Power Rangers movie. No, I’m not tired of Hollywood’s insistence on summer tentpoles and reboots — the American film industry has always adapted cartoons, comics, plays, and books, Francis Ford Coppola’s The Godfather was adapted from Mario Puzo’s airport book — but tired of it as circus.

I am not tired of the pandering to my childhood, which was fine but not interesting so why are you trying, but the assumption that it is a thing to appropriate. To see it in ostentatious design and called “edgy,” as if it needed permission by those who never cared to exist. I am a mother seeing my daughter participate in a pageant without my permission. No, I do not “own” Power Rangers so Lionsgate, the producers of the film, do not need my permission. But excuse me. I have bothered to care more than most for twenty years. I do not have a say, legally, but y’know? I should have a say.

Power Rangers is not sacred. It is toys, made to sell merchandise and branded products like cereals and comic books and pajamas. I have no delusions what Haim Saban — who by the way is like the twelfth richest person in the world — had always intended for his teenagers with attitude. He was going to parade them and sell them, always. Power Rangers is not Calvin and Hobbes. (I wish more creators had Bill Watterson’s heart). And yet, I give a shit about it.

I give a shit about the TV show. I give a shit about the toys (not the ones made explicitly for children, I find the “for adults” collectibles quite nice). I give a shit about its continuity and its themes, how it entertains me and let me forget the world can be awful. I like to watch Power Rangers when I’m mad about my work. I like to watch Power Rangers when I’m feeling alone. I like to watch Power Rangers when racist, sexist, orange baboon Donald Trump makes one of his vile remarks that is causing irreparable damage to us as a nation. I like to watch Power Rangers when another mass shooting happens and people unfathomably think thoughts and prayers are enough. I like to watch Power Rangers when I see the world at its worst because I want to believe people can selflessly, and proudly, be at their best.

But I am tired of this. This movie. The emerging details, released my publicists at odd ours timed to dominate the news cycle and every bit showing why none of this is a good idea. And the spectacle, oh heavens the spectacle. Power Rangers is becoming a grotesque parade where the internet’s collective noise of Twitter snark and critics’ hot takes creates the sobering experience to bear witness intelligent people whose careers I model mine after say some of the dumbest fucking things about a thing I know too well, while making me feel shitty that I do. (No tweets or examples I can show here, but let’s just say I dread what my colleagues will say when the trailer comes out.) They say never meet your heroes. Well I actually have, and they don’t make me feel as anxious.

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I know the internet is a place where everyone has a voice, and it would be horrifically Orwellian if I wanted it silenced. And the best option — log off, walk away — is always an option, as I did today. But I also make my living on the internet, so it’s kind of hard to do my job when all y’all, not just my “heroes” but regular people who never gave an ounce of thought to Eltarian politics or the purpose of the Morphing Grid, or even watched past Power Rangers in Space are making a ruckus. I don’t want you to shut up, but in the name of Zordon, can you do some Wikipedia searching first?

Oh, and if you’re wondering my thoughts on the costumes: They look gross. Why are they glowing blue? Why are their helmets so goofy and look nothing like dinosaurs? Why do the Pink and Yellow Rangers have boob armor and wedges? Why do they look as evil and menacing, and damn near identical, to Rita Repulsa? What is even the point? I want to see them in action because CGI production art does not flatter these suits. Right now, I’d rather they just wear licensed T-shirts.

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Hollywood got a taste of anime glamour Tuesday night at the Egyptian Theater with the premiere of Puella Magi Madoka Magica the Movie Part III: The Rebellion Story. I spoke with Marketing Specialist at Aniplex, Joanna Metoki, about the event. She mentioned the first people to get in line arrived around noon (the event page said doors open at 5:30PM with the film starting at 7PM). Anime fans are dedicated! Regarding the fans, Metoki said, “you could feel the excitement” and that you “could tell the fans were serious about this movie.” She also added “the fans were amazing!” I asked Metoki which Madoka character she liked best and she said Mami was her favorite  because “she was so passionate about what she was doing,” and she liked that Mami was a mentor and helped the other girls.

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From Left to Right: Christina Vee (Homura), Sarah Williams (Sayaka), Mitsutoshi Kubata (President of Shaft), Atsuhiro Iwakami (Aniplex producer), Lauren Landa (Kyoko), Cassandra Lee (Kyubey), Christine Marie Cabanos (Madoka), Alexander von David (English ADR Director) *The voice actors are from the English cast*

As I surveyed the fans I noticed many cosplayers dressed in Madoka Magica outfits. One of the first groups I talked to came all the way from Las Vegas, Arizona and New Mexico to attend the premiere! They arrived in full cosplay around 2PM. When asked if they had trouble picking out who will cosplay which character, they said their choices just fell into place. They have all been cosplaying for a few years and met mainly through conventions but stayed in touch via Skype. This event was such a big deal to them that they planned their trip as soon as they saw the trailer on part 1 and 2 of Puella Magi Madoka Magica the Movie (part 1 and 2 screened together last year).

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From Left to Right: Ana, Katrina, Aubree, Jude

Another friendly group came from a closer location, Claremont, CA. They also have been cosplaying for a few years and met through school. Last year, some of them saw part 1 and 2 twice because not everyone could make it to the same screening. Jacob decided to crossplay (dress as a character of the opposite sex) because there really are no boys in the show. He also mentioned that it was actually nice to wear a skirt and tights. I was rather impressed that he even wore fake lashes thought he mentioned they were hard to put on.

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From Left to Right: Jacob, Samantha, Madelynn

Getting in line somewhat on the later side, around 6PM, this young lady still managed to rock her cosplay. She attended a screening last year but was not able to make it to the premiere. As soon as ticket sales were announced (a friend clued her in) she made sure to get a ticket to this year’s premiere! She mentioned she has been casually cosplaying for about five years and she chose Kyoko because she likes that Kyoko is bratty in order to cope with the troubles she has endured.

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Hope

Along with cosplays of specific characters, I spotted a cute gothic lolita outfit. She mentioned she had just got the dress and wanted an occasion to wear it. The premiere of an anime film was the perfect opportunity and she felt the unicorns on the dress suited the event. She was also sporting a Madoka key chain/charm that she purchased at last year’s event.

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Karlee

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Not only were there fans who cosplayed, there were some professional cosplayers at the event that posed on the red carpet with the voice actors, handed out gift bags and added a huge slice of kawaii (Japanese for ‘cute’) to the event. I spoke with Madoka herself (Jessie) about her experience at the event.

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Characters from Left to Right: Mami, Kyoko, Lauren Landa (English voice of Kyoko) Homura, Madoka, Sayaka

K: How was it cosplaying at the Madoka premiere?

J: A lot of fun! It’s always nice getting to meet people who go to these events and work with the companies.

K: Did you make your costume?

J: Yes.

K: How did you get involved with Aniplex?

J: I was hired by ACParadise

K: Are you a fan of the Madoka series?

J: Yes!

K: Any memorable moments from the premiere?

J: The producer wearing a tie to match my costume was pretty great, plus the movie was amazing.

At the screening, there was a pretty awesome merchandise table that had domestic merchandise and special merchandise imported from Japan just for the event! Aniplex provided a printed sheet/purchase form that people were able to look at before they reached the actual goodies. They also made announcements when items sold out (many items did sell out!) so that customers knew before reaching the cash register. The merchandise that remained after the premiere will be sold at the Downtown Independent screenings, so if you could not make the premiere, you might be in luck! Anime Jungle was the exclusive vendor selling the merchandise this year (as well as last year) and I spoke with their general manager, Tetsu Shiota. Anime Jungle is a store in Little Tokyo (as well as in Japan!); they usually have a booth at conventions and at special events.

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I also interviewed EJ Rivera, Marketing Specialist at Aniplex, about the event.

Congratulations on a sold out premiere! How do you think the event went overall?

Thank you very much. The event went pretty well.  It was great to see the fans having a great time and enjoying Madoka Magica together along with our special guests.

Were you surprised by how quickly tickets sold?

Very surprised; tickets for the event sold out immediately after they went on sale. It pretty much shows how strong the following is for the Madoka Magica Series.

What was your favorite part of the evening?

My favorite part of the evening was the Talk Session following the movie; it was great to see both Mr. Kubota (President of SHAFT) and Mr. Iwakami (Aniplex Producer) provide some in-depth insight on the Madoka Magica series and –Rebellion– itself. It was also great to see the fans enjoying the Talk Session. We definitely wanted to give the fans a unique and special experience at this event.

The premiere expanded from last year’s premiere! Why the change in theater and scale of the event?

Seeing how popular the first two movies were here in the US, we really wanted to give the fans a memorable experience when attending this event. We weighed our options and believed the Egyptian Theater would be the best venue to host this special event.

How are fans receiving the film?

From what I saw from the US Premiere Event, it looks like the fans enjoyed the film. It was great to see everybody in the theater clapping once the credits started.

Any final comments on the event?

On behalf of Aniplex of America, I would like to thank everybody who attended the Madoka Magica –Rebellion– US Premiere Event here in Los Angeles, CA. We hope that you enjoyed the event and we look forward to organizing more events like this in the future.

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Hope you enjoyed my coverage of the Puella Magi Madoka Magica the Movie Part III: The Rebellion Story premiere. Click here for additional screening dates and locations. Check back soon to read my review of the film!

 

Here are some pictures of the lovely and handsome people involved with the film on the red carpet!

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Sarah Williams (Sayaka)

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Christina Vee (Homura)

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Lauren Landa (Kyoko)

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Cassandra Lee (Kyubey)

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Christine Marie Cabanos (Madoka)

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More sad news from Hollywood. Omarosa Stallworth, fiancé of Michael Clarke Duncan, let everyone know today that the actor has passed at the young age of 54.

Duncan recently suffered a heart attack in June and it seems he was not able to fully recover.

Duncan had a huge amount of acting credits under his belt. He was best known for his Oscar-nominated performance as John Coffey in Frank Darabont’s adaptation of The Green Mile. His popularity skyrocketed afterwards, having been involved in a multitude of projects in the years following.

His passing is quite unexpected. The actor’s IMDB page lists numerous projects still production. It’s too early to tell how those projects will be affected.

Duncan was well known in the geek world, being involved in titles such as Daredevil, the 2003 animated Spider-Man series, Teen Titans, Sin City, and most recently as the voice of Kilwog in last years Green Lantern.

Rest in peace big guy. You’ll be missed.

Michael Clarke Duncan

 

Though both Kermit The Frog and Jim Henson both have stars on the Hollywood Walk of Fame, it wasn’t until today that the furry and felt-made folks of the Muppet clan had their very own collective award.

Created by Jim Henson as a combination of marionettes and puppets, the Muppets have wormed their way into pop culture and the hearts of kids and wanna-be kids the world over. From Sesame Street to the new-to-home-video “The Muppets,” the cuddly creatures have taught generations the value of being good citizens, how to count and that C is for “cookie”.

Through “The Muppet Show”, Kermit led a fabric-ated force of new characters to the living rooms of America, bridging the gap between the preschool set and their long-suffering parents. Celebrity cameos and edgy humor made the show a success with youngsters and adults and secured a legendary status for Miss Piggy, Fozzie Bear, Rowlf the Dog, Gonzo and many others that we now inexplicably know by name.

Tuesday’s ceremony was a great honor, and just happened to coincide with the release of “The Muppets” on Blu-ray and DVD. On hand for the festivities were Disney Studios Chairman Rich Ross and Henson Company CEO Lisa Henson, daughter of Jim Henson. They each gave short (ill-rehearsed) speeches about the value of Muppets in their lives and then made way for a gallery of Muppet honorees, including Frog, Piggy, Bear, Gonzo, Prawn and of course the new and marketable Walter, who appears in the new movie.

Star and writer Jason Segel was seen prowling about, as well as several of the Muppeteers who pilot the iconic characters. Much mention was made of the Oscar-winning song, “Muppet or Man” and the crowd was assured this is only the beginning of the start of a new era for the Muppets.

Personally, I was more of a cartoon kid growing up but I found myself a bit wistful this morning while immersed in Muppetmania. I remembered how neat it was to have a show like The Muppet Show that had my parents laughing as much as I did. I also have a love of puppets in general and to see that art form elevated to its highest popular status is pretty incredible, humbling and inspirational.

Far from simply potholders with arms, The Muppets have now found their place of honor in front of Papa Disney’s El Capitan theater right on Hollywood Boulevard. Synergy at work. Here’s the video I shot of the occasion: