When you consider creative geniuses who left us far too early, Jim Henson has to come to mind. Despite the puppeteer’s decades-long career that defined the childhoods of generations with clean and iconic comedies such as Sesame Street, Fraggle Rock and everything The Muppets, you can’t help but feel cheated that Henson passed away after just 53 years. And while the name “Henson” has long been synonymous with wholesome humor, the legend’s middle child and eldest son, Brian, has journeyed down a shockingly naughty path with his new puppet comedy, The Happytime Murders. This R-rated transition probably isn’t what his father envisioned, yet Brian Henson’s uninhibited and vulgar puppet murder mystery proves more than just a cheap novelty with a unique shtick.

In a world where humans and puppets co-exist, despite the fact that puppets are viewed as inferior citizens, Phil Philips (voice of Bill Barretta) was once the first puppet police officer. However, tragic circumstances cost him his badge and now Phil spends his days as a private detective taking on small cases. But when a mysterious killer begins targeting the stars of a once-popular puppet sitcom, Phil teams up with his former police partner (Melissa McCarthy) to put an end to these murders.

My appreciation for The Happytime Murders will inevitably feel overblown, mostly due to the critical backlash feasted upon Brian Henson’s new film. But despite its desperate quest for laughter at the hands of shock value and gross immaturity, The Happytime Murders offers a well-cloaked mystery delivered at a fantastic pace. The film’s story engages with its hysterical characters and natural fluidity. And although Melissa McCarthy’s time in the spotlight continues to fade, she delays the inevitable with a strongly executed and insanely committed comedic turn. However, the true standout of the film is its clever and concise screenplay. The jokes are relentlessly thrown at you from a variety of angles, and through it all the leading star, puppet Phil Philips, begins to feel more and more human-like, which is a true testament to the writing. The Happytime Murders isn’t a movie designed for all audiences, as it’s obviously short on subtlety and artistry. Yet, if you’re willing to put all seriousness aside and open up to some lewd silliness at the hands of more than just a few crazy puppets, you’ll be able to enjoy The Happytime Murders for the absurd and raunchy comedy that it is.

GRADE: 3/5

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Remember The Dark Crystal? That really trippy and creepy Jim Henson film that probably scared the daylights out of you as a kid?

Today, Netflix announced that they are currently working on a prequel series to the cult classic film, and will release it sometime soon. The best news about this has to be that the series will be staying true to its roots by keeping the characters as puppets and animatronics, instead of going the CGI heavy route like most would do. What do you think? Have you ever seen The Dark Crystal? Are you planning on watching this prequel? Tell us in the comments below!

 

Jim Henson was a huge influence on many people’s lives, mine included. I’ll never forget watching the old Muppet Show episodes with my parents back in the day. Fozzie’s bad jokes, Gonzo’s crazy antics and Kermit’s loss of all control were a weekly bonding moment for my whole family.

And then came Muppet Babies, which drew us in on Saturday mornings. What a show! The young Muppets, plus their friendly caretaker (all we saw of her were her legs), all in an animated special. As a matter of fact, CBS loved the show (and the ratings) so much that they immediately asked for a spin-off which was eventually named Little Muppet Monsters.

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Never heard of it? Neither did I. I even asked Geekscape’s Muppet expert Matt Kelly, who had read something about the show but didn’t know much more. I’d never heard of it until I was reading an old comic book from 1985 that included and ad for the Saturday Morning Cartoon Lineup of CBS. And right there, under Muppet Babies was the listing for Little Muppet Monsters.

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The show was supposed to bring Muppet Babies from thirty minutes to an hour on Saturday mornings. The hour-long package would have been called Muppets, Babies and Monsters. There were three main characters in the show: Tug, Boo and Molly. They lived with the Muppet rats (which eventually brought about the creation of Rizzo) and would have had cameos from many of the big Muppets, including The Electric Mayhem, Scooter, Kermit, and Miss Piggy.

The show was going to be a mix of live-action Muppets and cartoons. It would have included animated versions of Pigs in Space plus a segment called Kermit the Frog, Private Eye, which would have been introduced by the puppet Kermit. Also included was something called Muppet Sports Shorts that starred Animal. In episode one he was learning about the high balance bar.

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Of course, anytime a person wants to watch something from their childhood for free, they head to YouTube, where I found the first episode. It had that quirky Muppet sense of humor, but I have to agree that it wasn’t very good. The monsters seemed to live in the basement of The Muppets’ home or possibly the theater. The first episode included many of the segments mentioned earlier, plus Fozzie’s Comedy Corner:

Production included eighteen episodes, but only three aired on CBS. Many people, including Henson himself, didn’t think the combination of live-action puppets and cartoons worked, and it was his idea to pull the plug on the show. Here is the intro to the show:

According to Wikia, another problem was with the slow creation of the cartoon segments by Marvel Productions. It was replaced with Muppet Babies reruns from the previous season, and high ratings continued. But either way, the long-lost show gives Muppet fans something to check out while they wait for the next film.

So what do you think? Had you heard of Little Muppet Monsters? Let us know!

Some exciting news for Muppets fans today. Sure, the next film is still over a year away, but you can’t get much better than an official title, synopsis, and image this early in development.

 

The title is very straightforward; you won’t find any silly subtitles or an exorbitant amount of numbers on the end of this one. The next Muppets film is simply called The Muppets… Again.

 

Of course, a lot is changing for this new film. Thankfully, director James Bobbin and songwriter Brett McKenzie return, but The Muppets human stars Jason Segel and Amy Adams are nowhere to be found. This time you’ll get major characters portrayed by Ricky Gervais, Tina Fey, and Ty Burrell.

 

It sounds like this sequel will be on a much larger scale than the last film too; while The Muppets had the gang trying to save their own beloved theatre, according to the synopsis, this time they’re going worldwide!

 

Disney’s The Muppets… Again! takes the entire Muppets gang on a global tour, selling out grand theaters in some of Europe’s most exciting destinations, including Berlin, Madrid and London. But mayhem follows the Muppets overseas, as they find themselves unwittingly entangled in an international crime caper headed by Constantine—the World’s Number One Criminal and a dead ringer for Kermit—and his dastardly sidekick Dominic, aka Number Two, portrayed by Ricky Gervais, creator of “Derek” and the Golden Globe®- and Emmy®-winning series “The Office” and “Extras.” The film stars Golden Globe-, Emmy- and SAG Award®-winning actress and writer Tina Fey (“30 Rock,” Mean Girls, Date Night) as Nadya, a feisty prison guard, and Emmy Award winner Ty Burrell (TV’s “Modern Family”) as Interpol agent Jean Pierre Napoleon.

 

The Muppets… Again is set to hit theatres on March 21st, 2014. Take a look at the first official stills below, and let us know just how excited you are for this one!

 

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I will never understand people who hate Christmas. I know that they exist. I’ve had conversations with many of them. I just still don’t understand it. Maybe it’s the nostalgic person in me that fondly remembers Christmas holidays of the past. Curled up on the couch, fire in the fireplace and Christmas specials on TV.

For years, I’d eagerly await December, when I could watch Garfield’s Christmas Special, Christmas at the Playhouse and A Very Claymation Christmas. However, my favorite as a child (and as an adult) was the beautiful Muppet Family Christmas. It’s a genuine crime that this special has yet to get a proper DVD release (Little Shop of Horrors finally got a Director’s Cut release this year so I’m still hopeful that I’ll get my beloved Christmas special on DVD one day).

The Muppets and Christmas just seem like a match made in heaven. The Muppets are like Christmas 365. I’m forced to quote Walter from last years The Muppets film. “As Long as there are talking frogs and singing bears and swedish chefs and boomerang fish the world couldn’t be that bad a place. As long as there are Muppets. There is hope”

Behind the helm was Jim Henson. He had that magic “something” that made us believe anything was possible. He believed life was meant to be fun and dreamed to be a person who made the world a better place for having lived it. In the eyes of the world he fulfilled his dream and when he died the Muppets would die with him.

That’s what makes The Muppet Christmas Carol so important. The first Muppet film made without Jim as well as original muppeteer Richard Hunt the film would literally make or break the Muppets’ staying power. Henson’s son Brian would helm the director’s chair and Kermit would be performed by Steve Whitmire.

This mostly faithful (or as faithful as The Muppets could be) adaptation of Charles Dickens classic was the perfect way to show that The Muppets had not lost an ounce of their magic and power. The tale is filled with comedy (mostly presented by Gonzo’s performance as Charles Dickens and his sidekick Rizzo the Rat) as well as heartwarming (and occasionally heartbreaking) moments.

Michael Caine is brilliantly cast as Scrooge and makes the transition from mean-spirited, sorrowful and joyful so seamlessly that he forces you to go through all of these emotions along with him. Years later when I finally took the time to read the novella it was him that I visioned most out of every previous performance I’d seen.

Originally, it was proposed that the Ghosts would be performed by Miss Piggy, Scooter and Gonzo but the idea was scrapped when it was decided these iconic Muppet characters would only distract viewers from the emotional leverage of these ghosts. It was a brilliant idea. Each ghost has their own unique puppeteering style. Be it the weightless Marionette style of the Ghost of Christmas Past, the full body costume of the Ghost of Christmas Past or the frighteningly clocked Ghost of Christmas Yet to Come, they have their own innovative touch of magic that only the muppets could produce.

However, while the performances, the puppetry and script all help drive the story, the most memorable moments come from the brilliant songwriting of Paul Williams. Much like when he wrote songs for The Muppet’s debut film The Muppet Movie, The Muppets Christmas Carol contains a wonderful blending of themes. Williams’ songs all have an upbeat feeling and themes about love and the magic of Christmas, yet he still allows them to have a hint of sadness to them.

While my favorite song of the film has always been “It Feels Like Christmas”, the highlight is “When Love Is Gone”, a song cut from the theatrical release because Disney studios found it to be too serious to keep a child’s attention. While Williams and Henson both fought to keep the song in the movie, it wasn’t until the Home Video release that the song was returned to the film (leaving the theatrical release with an awkward and obvious cut). In it, the farewell song from Scrooge’s lost-love Belle eventually turns into a duet between the girl of his past and Scrooge of the present. What I love about this is it implies that after all these years, Scrooge still remembers the words Belle said when she left him.

So was the Muppets take on this classic tale of love, Christmas and redemption a box office success? Sadly. No. While the film is wonderful and was well received critically, it failed to reach the high expectations that Disney had set for it. In 1992, it faced the competition of Home Alone 2: Lost in New York and Aladdin (which was still in theaters after months of release). Still, while grossing $27 Million, it didn’t completely bomb, it did sent the early message that The Muppets may not survive without their creator. It wasn’t until 4 years later that the franchise would rediscover success, when the Muppets returned in the successful Muppet Treasure Island. But it was a temporary victory. 1999’s The Muppets From Space marked the beginning of a slow decline into obscurity, where they stayed until last year’s The Muppets revived them in a fashion that only thousands of Muppet fans could dream of a decade earlier.

Despite the poor box office (second lowest Muppet box office at the time), the film has developed a cult following and has become a quintessential film of the season. Today, the film is now 20 years old. I still fondly remember seeing it in theaters when I was 7 with my mother and then best friend Mac (who I have lost contact with and may have been killed by a bear during a circus accident). I was completely obsessed with the film, laughing at all the appropriate points and even feeling sadness when Tiny Tim had died. In the end, perhaps that’s why we love The Muppets, because no one seems to do Love and Joy quite like them.

After the success of last year’s The Muppets, it’s no surprise that Walt Disney Pictures greenlit a sequel very quickly. Just last week it was revealed that Christoph Waltz (Django Unchained) was set to play an Interpol agent in the film. The sequel is being described as a comedy caper set in Europe.

James Bobin is returning to direct and co-write the film with Nicholas Stoller. Sadly though Jason Segel, who both starred in and co-wrote the first movie, won’t be involved as far as the production but may appear as a cameo. Just today it was revealed that the film is set to hit theaters December 20th, 2013.

The Muppets 2 will be filmed at Pinewood Studio in London from late January until some time in April. The film will feature brand-new songs by Bret McKenzie and may feature a brand-new Muppets in the cast as well. Yes, that means more than just one. Expect more casting announcements for the film very soon.

Source: Collider

Academy Award winning actor Christoph Waltz (Inglorious Basterds, Django Unchained) has begun negotiations to join the cast of Disney’s sequel to The Muppets. If Waltz joins the cast he will play an Interpol inspector in the Europe set follow-up.

The studio is currently also on the hunt for “a Russian femme fatale and a male lead whose intentions are always in question”. The film is set to be helmed by James Bobin, who co-wrote the screenplay with Nicholas Stoller.

Source: THR

This is a movie documentary that has actually on Netflix streaming for quite a while now, but it’s one I’m sure that a lot of people have seen. You should see this, you should see this right away. THIS documentary will strike a chord in the hearts of geeks for sure. It’s a story about following your dreams.

Being Elmo follows the career of puppeteer Kevin Clash, the man behind the furry innocent monster known as Elmo. His story is inspirational and charming to say the least. Elmo has become one of the most widely known characters from Sesame Street and is beloved by children and adults alike, but the story of the man behind the puppet is one that wasn’t known until now. Even if you weren’t a fan of Sesame Street growing up you will enjoy this one for sure. Don’t take my word for it though, check it out for yourself.

Beloved by children of all ages around the world, Elmo is an international icon. Few people know his creator, Kevin Clash, who dreamed of working with his idol, master puppeteer Jim Henson. Displaying his creativity and talent at a young age, Kevin ultimately found a home onSesame Street. Narrated by Whoopi Goldberg, this documentary includes rare archival footage, interviews with Frank Oz, Rosie O’Donnell, Cheryl Henson, Joan Ganz Cooney and others and offers a behind-the-scenes look at Sesame Street and the Jim Henson Workshop.

 

About an hour ago it was announced that Jerry Nelson had passed away. While he won’t receive the news coverage of some of the other celebrity deaths this week, it’s the one that affected me the most and to be honest, I think Jerry would have liked it that way.

While Muppeteers like Jim Henson, Frank Oz and Dave Goelz shined in the spotlight controlling Kermit, Fozzie, Gonzo and Ms Piggy. Jerry Nelson was the king of the Supporting Muppet role bring to life such famous felt fellows like Sgt Floyd Pepper, Robin the Frog, Uncle Deadly and Camilla the Chicken.

However he got to shine in later years as Emmet Otter in the Emmet Otter’s Jug Band Christmas special as well as Gobo Fraggle and Pa Gorg in the hit HBO series Fraggle Rock.

His most iconic character will always be Sesame Street’s the Count which he continued to provide the voice for even after retiring in 2004. He was a member of the Muppet family until his dying day (even providing some voice over work in last years The Muppets).

He will be missed by the entire Muppet loving community.

R.I.P. Jerry Nelson
7/10/34 – 8/23/12

Heat Vision  is reporting that Alex Manugian and Rango co-writer Jim Byrkit have been hired to write a script for Fraggle Rock, the big-screen version of the Jim Henson series from the 80’s.

Fraggle Rock aired on HBO from ’83-’87, it now maintains cult status among fan. It followed the adventures of Gobo, Mokey, Red, Wembley and Boober, mupplets called Fraggles who lived in caves under-ground.

A movie has long been in the works, the latest of which is being set up by New Regency with The Jim Henson Co. and the Montecito Picture Co. are producing. There’s no word yet on when it will hit theaters, so dance your cares away and save your worry’s for another day. Let the music play, down at Fraggle Rock!

Let the music play!

I’m not sure who first posted this video today, but I discovered it through Liquid Squid and the Muppets subreddit. Regardless of who shared it first, it’d be a travesty for us here at Geekscape to not also share it with you guys!

Now for people in their 20’s/30’s it’s hard to even imagine that there was a time where Jim Henson couldn’t just say ‘I want to do this’ and people would hand him money, felt and cameras. But in the 70’s Henson was seen as only marketable to small children. He had a dream of making the Muppets a household name that was accessible to all ages. Thus the Muppet Show was born. This was the pitch video he sent out.

There is so much that works in this video. The patriotic music, the increasing excitement of the host, the fourth wall breaking. Regardless CBS (among other studios) turned the project down. It wasn’t until Lew Grade (head of British Commercial Station ATV) offered Henson money to make the project a reality and giving us the Muppet Show we know and love today!

Chris Hardwick is a- wait. Am I really explaining to you who Chris Hardwick is? Why would I do that? You probably already know who he and what his Nerdist brand are all about (unless you live in a cave)! In this episode, Chris and I talk about the formation of Nerdist, the new Nerdist Youtube channel, how he deals with criticism and a lot more. As someone who’s been skeptical of Chris in the past, I found him to be immediately personable, even opening up about some of the more difficult parts of his life. And he’s absolutely, undeniably a legit geek! I loved our conversation, was impressed by his complete honesty and am absolutely a convert and fan. I hope you agree! Oh, and subscribe to his channel already! They’ve got Farscape on it! FARSCAPE!

Find it on iTunes

Though both Kermit The Frog and Jim Henson both have stars on the Hollywood Walk of Fame, it wasn’t until today that the furry and felt-made folks of the Muppet clan had their very own collective award.

Created by Jim Henson as a combination of marionettes and puppets, the Muppets have wormed their way into pop culture and the hearts of kids and wanna-be kids the world over. From Sesame Street to the new-to-home-video “The Muppets,” the cuddly creatures have taught generations the value of being good citizens, how to count and that C is for “cookie”.

Through “The Muppet Show”, Kermit led a fabric-ated force of new characters to the living rooms of America, bridging the gap between the preschool set and their long-suffering parents. Celebrity cameos and edgy humor made the show a success with youngsters and adults and secured a legendary status for Miss Piggy, Fozzie Bear, Rowlf the Dog, Gonzo and many others that we now inexplicably know by name.

Tuesday’s ceremony was a great honor, and just happened to coincide with the release of “The Muppets” on Blu-ray and DVD. On hand for the festivities were Disney Studios Chairman Rich Ross and Henson Company CEO Lisa Henson, daughter of Jim Henson. They each gave short (ill-rehearsed) speeches about the value of Muppets in their lives and then made way for a gallery of Muppet honorees, including Frog, Piggy, Bear, Gonzo, Prawn and of course the new and marketable Walter, who appears in the new movie.

Star and writer Jason Segel was seen prowling about, as well as several of the Muppeteers who pilot the iconic characters. Much mention was made of the Oscar-winning song, “Muppet or Man” and the crowd was assured this is only the beginning of the start of a new era for the Muppets.

Personally, I was more of a cartoon kid growing up but I found myself a bit wistful this morning while immersed in Muppetmania. I remembered how neat it was to have a show like The Muppet Show that had my parents laughing as much as I did. I also have a love of puppets in general and to see that art form elevated to its highest popular status is pretty incredible, humbling and inspirational.

Far from simply potholders with arms, The Muppets have now found their place of honor in front of Papa Disney’s El Capitan theater right on Hollywood Boulevard. Synergy at work. Here’s the video I shot of the occasion:

 

Twenty years ago, the world lost Jim Henson. I was four years old at the time, but I remember learning about his death a few months later on the television special “The Muppets Celebrate Jim Henson.” While in college years later, I purchased a bootleg of the broadcast on eBay and it’s always been one of my most prized possessions.

Jim Henson has always been my biggest influence. While movies like Star Wars and Jaws made me want to make movies, and Kevin Smith showed me that it’s possible to make it with just a cheap camera and your friends, Jim Henson taught me that anything was possible. It’s hard to reflect on a person who I never met and who died before I was out of pre-school. I could use my assumptions and write about his importance and influence on the entertainment industry, but first I want to talk about his influence and importance to me.


I was born about a year before my parents were married. They didn’t have a place to live at the time so the first year-and-a-half was spent at my mom’s parent’s house. While she went to work, my grandfather would baby-sit me and had me watch Sesame Street and The Muppet Show reruns. I’ve always loved the Muppets. As far back as pre-school I remember watching many Sesame Street VHS tapes. I’d listen to songs like Ladybug Picnic, Alligator King and Telephone Rock roughly three times a day and wore through the VHS tapes to the point where they could no longer play.

Perhaps it was because of that first year of my life that I developed a very close relationship with my grandfather. Our family would have parties and while everyone was drinking and watching football, I’d hang out with my grandpop in his music room. We’d listen to old jazz records, he’d play his banjo, and we’d always watch either the Marx Brothers, Mel Brooks or Muppet films. The Muppets helped shape my concept of comedy and their influence is noticeable in multiple comedians and comedy writers ranging from comedy troupes like The State and Stephen Lynch to directors like Lloyd Kaufman and Kevin Smith. Comedian Chris Hardwick even referred to the Muppets as one of his two biggest influences on the twelfth episode of his podcast “The Nerdist” (The following episodes his guests WERE The Muppets).

I come from a family (at least on my mother’s side) where everyone is a musician. When we’d have parties, there were always different family members performing songs. But the show stopper was when my Uncle Tommy (who was an amateur stand-up comedian/impersonator) would get a Kermit the Frog puppet and sing Rainbow Connection while my grandfather played banjo. Still, somewhere around junior high I really stopped caring about Jim Henson and the Muppets. It wasn’t like I stopped liking them – I just never thought about them any more. It wasn’t until my grandfather’s death in 2001 when they reentered my mind. The day after his funeral, I turned on the TV and was greeted by Kermit the Frog singing Rainbow Connection in the opening credits of The Muppet Movie. I immediately broke down crying. This brutal moment had reopened a door into the world of Jim Henson for me.

Every person who’s ever worked with Henson says the same thing when they’re interviewed about him: He was friendly, funny and always coming up with new ideas. In a world where it feels like every movie is full of CGI and 3-D effects, we sometimes forget how wonderful the practical effects of the past were. While movies like Deep Blue Sea and the Star Wars prequels look cheesy and dated already, a movie like Labyrinth still shines with fantastical wonderment.

It’s easy for me to say that Jim Henson is the reason I write or direct or do comedy. What people forget are the other things that Henson inspired in us and taught us. He taught many of us how to read and write through his characters on Sesame Street (and his legacy has continued to educate long after his death). He taught us to love each other, to care about each other, to believe in ourselves and of the unlimited powers of our imagination. 

What always made things work for Henson was the way he depicted his characters. They were human – legit real creations – that were so much more than just pieces of felt and ping pong balls. When you watch the Muppet Show, you identify with these characters, be it the glamorous Miss Piggy, the misunderstood Gonzo, the stuggling artist Fozzie, the always relaxed Rowlf, or Kermit, who has the most daunting task of all the Muppets: struggling to keep everything together. I sincerely believe that everyone can be connected with a Muppet. But what made these characters so special and such an impact on generations of people young and old were the ways that they interacted with each other. They fought and they performed, but at the end of the day, they cared about each other. The Muppeteers were friends, and those friendships came through in the characters.  

There’s a song lyric that has always made me think of Henson. The lyric is from the song “Pure Imagination” from the 1973 film “Willie Wonka and the Chocolate Factory”: “If you want to view paradise/Simply look around and view it/Anything you want to do/Want to change the world, there’s nothing to it.” Jim Henson made the world believe that anything was possible. He created wonderfully elaborate worlds in his films. He made us all believe that as long as we believed in ourselves, we would succeed. He was the living example of following your dreams.  

Jim Henson started his career on public access television with Sam & Friends, a show that almost immediately oozed Jim’s trademark off-key brand of humor and introduced future classic characters like Kermit and Rowlf the Dog. While producing the show, Henson started to experiment with techniques that forever changed the way puppetry was performed on television. Until that point, it had always been a ventriloquist act, but Henson used monitors and raised sets in order to allow puppeteers to hold puppets over their heads and watch their performances on the screens. He made a living using the puppets to make commercials, appear on talk show appearances and even directed an award-winning short film called Time Piece. However it was when Joan Ganz Cooney and the team at the Children’s Television Workshop approached him about their educational show Sesame Street that Henson truly got to shine. 

It was there that Henson began to build a legacy with a new version of Kermit the Frog, in addition to Oscar the Grouch, Bert and Ernie, Cookie Monster and Big Bird – just to name a few.  Henson always downplayed his role in the success of the show, but Cooney frequently praised his work and the Public Broadcast Service called him “the spark that ignited our fledgling broadcast service.”

Henson worried that he’d be typecast as only a children’s entertainer and began producing a series of adult sketches for Saturday Night Live, but the writers were not fans. Michael O’Donoghue famously stated, “I don’t write for felt.” It was from there that the groundbreaking Muppet Show began to grow. American Networks mostly rejected the series, feeling that the Muppets could only appeal to children, but it was with the help of a media mogul named Lew Grade that the show got made. Like most great shows, it was a slow burn to its popularity. But in 1979, Henson made The Muppet Movie, which became the 61st highest-grossing movie of all time and made the song Rainbow Connection a radio hit as well as the song most attributed to the Muppets.

The fame didn’t hold up forever, however. After the box office failure of Labyrinth and the low ratings for his television shows The Storyteller and The Jim Henson Hour, Henson began negotiations to sell the company to the Walt Disney Company to save the Muppets and give him more time on the creative side of show. Less than a year later, Henson began feeling flu-like symptoms and started feeling sick and constantly tired. Early on May 15, 1990, he was having trouble breathing and began coughing up blood. His ex-wife Jane Henson was by his side and she claimed in an interview with People Magazine that Jim thought he may be dying but didn’t want to bother going to the hospital. Jane said this was likely due to his desire to “not be a bother to people.” The following day, Henson died of pneumonia.

Someone recently put the entire funeral service on YouTube. While this might be a morbid thing, it’s an incredibly touching memorial filled with Dixieland music, singing, laughing and personal stories of favorite moments with Jim. There’s this constant struggle between great sadness and intense happiness for a great man who most of us never met. Many of the comments expressed a feeling of sorrow, as if they lost a close friend and not just a random celebrity. I completely identify with those sentiments, as there has never been another celebrity whose death has left such a feeling of emptiness inside me like Jim Henson’s passing.

In the last few months, I’ve been working on an EP planned for a July 20th release titled Musicians Celebrate Jim Henson, and one of the most impressive and inspiring things about this project for me has been the outpouring of love and respect that Jim Henson still has today. This is just one person’s opinion on a great man. If you grew up on Sesame Street or Muppet Babies, if you learned how to play drums from watching Animal, if as far as you’re concerned the only true Christmas special out there is when the Muppets visit Fozzie’s grandmother, then please use the Geekscape comments and share your fondest memories of this man. And especially remember how his great influence is still significant 20 years after his death. 

The following clip is from the 1990 TV special Muppets Celebrate Jim Henson. This clips sums up the man far better than I, or anyone else, could.