Although it took a pair of tries to finally get it right, last year’s Best Picture award went to Barry Jenkins’ poetic and astounding drama, Moonlight. The film focuses on a central character who experiences a life-long journey of uncovering his sexual identity. This underlying similarity also reigns supreme in Luca Guadagnino’s critically-adored festival darling, Call Me by Your Name, which makes it categorically impossible to avoid a distinct comparison between these two cinematic achievements. Yet, no matter how much you try to weigh one against the other, much like Barry Jenkins’ prestigious award-winner, Call Me by Your Name appears destined to end up as a Best Picture Nominee from the Academy Awards.

Set against the picturesque landscape of Northern Italy circa the early 1980s, Elio (Timothee Chalamet) is a gifted scholar and musician born to a professor (Michael Stuhlbarg) who’s gathering research during the summer months. And as his father’s latest research assistant Oliver (Armie Hammer), a strapping American man radiating with confidence and a chiseled build, visits and stays at the family’s residence, Elio’s sexual curiosity begins to transform from an internal passion to an exterior pursuit. The seventeen year old boy eventually confesses his feelings to Oliver and they embark on an unforgettable summer romance that’s doomed by an inescapable expiration date when Oliver must return home to the United States.

Call Me by Your Name is a sweet and subtle examination of first love in all of its beauty and heartache. James Ivory’s adapted construction of Elio’s sexual evolution from an inward curiosity to an outward plea for Oliver’s companionship is a true marvel. And while the film’s ability to stir an emotional response occurred more in a meditative retrospect than in the actual moment of viewing, mostly due to an overly detailed and laboring pace, director Luca Guadagnino achieves his ultimate goal and delivers an effective dramatic story. Speaking of Guadagnino, his eye is spectacular as he captures an array of masterful shots that are emboldened by pristine cinematography. These technical and atmospheric accomplishments are further supported by a fantastic lead performance from Golden Globe and SAG Nominee, Timothee Chalamet. The youngster serves as the life-force behind Call Me by Your Name and he effortlessly captures the undulating teenage emotion engulfed by first-time love. And despite my mixed feelings regarding Armie Hammer’s onscreen work, perhaps a little off-putting due to the clear age difference between the characters, fellow supporting star Michael Stuhlbarg mesmerizes with an unforgettable closing soliloquy regarding intimacy and the important of discovering love in its purest form. Experiencing Call Me by Your Name can often feel like a chore, wading through the sometimes exhaustive nuance of Luca Guadagnino and James Ivory’s storytelling, but it’s also a tender and heartfelt journey that’s worthy of your patience.

GRADE: 3.5/5

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Can you believe that 2016 is coming to a close? In just a few days, we’ll abolish that dreaded six for ten more years, and a cool, clean, sexy seven will take its place.

2016 has been an incredible year for everything aside from presidential candidates and celebrity deaths, so as always, we wanted to share our favourite games, movies, moments and more of 2016.

Adam shared his favourite things yesterday, and today longtime critic MCDave is here to share his favorite films of the past year!

#10. Arrival

My top ten list begins with Denis Villenueve’s sci-fi drama, Arrival. This Oscar hopeful deviates from the stereotypical sci-fi structure by offering majestic cinematography and an artistic vision from its filmmaker. After 12 alien spacecrafts appear across the globe, the U.S. military reaches out to a linguistics expert (Amy Adams) to form a line of communication and determine if their motive is peaceful or violent. This cerebral effort works in opposition to some punishingly sluggish pacing which, admittedly, concludes in a remarkably clever fashion.

#9. The Nice Guys

One of the year’s most entertaining features came from Iron Man 3 director, Shane Black, and jump-started the summer blockbuster season. The Nice Guys stands as a successful twist on the buddy-cop genre as two private investigators (Ryan Gosling and Russell Crowe) look into the disappearance of a teenage girl. There are countless laugh-out-loud moments scattered throughout this hilariously scripted story that’s bound to get the sequel treatment.

#8. Remember

One of the only upsides to this year’s middling crop of releases is it allows me to offer praise to some lesser-known titles. One such film is the early-year release, Remember, from director Atom Egoyan. Christopher Plummer stars as Zev, an elderly man living in a retirement-home and experiencing early stages of dementia. He is reminded of his gruesome childhood in the Auschwitz internment camp where a Nazi guard killed both his and a fellow resident’s families. With nothing left to live for, Zev sets out on a vengeful mission to find the prison guard and kill him. Remember is a wildly engaging thrill ride that’s elevated by an explosive final scene you won’t want to miss.

#7. Nocturnal Animals

Tom Ford’s stylish sophomore effort isn’t everything you’d expect it to be, but it’s still quite good. Amy Adams stars as an art gallery owner who receives a manuscript of her ex-husband’s new novel. The book is dedicated to her and, as she becomes consumed by its grisly story, she reflects on the emotional torment she caused her former lover (Jake Gyllenhaal). I expected a more brutal and twisted affair, but what it lacks in physical anguish is made up with psychological misery. Michael Shannon and Aaron Taylor-Johnson offer fine supporting work while Tom Ford’s direction is on-point.

#6. Don’t Think Twice

The modern evolution of the comedy genre is actually quite sad. Character development in such a setting has become a lost art and cleverly-crafted humor is a dying skill. Thankfully, Mike Birbiglia’s personal indie comedy, Don’t Think Twice, represents a return to the glory days. The film follows a tight-knit improv comedy group who begin to experience fierce competition between one another when the world’s most notable sketch-comedy show scouts them for new talent. This wonderfully told story draws the audience into each of its characters and is highlighted by hilarious situational humor.

#5. Manchester by the Sea

Kenneth Lonergan’s emotionally charged Oscar contender is by no means an easy watch. Casey Affleck, who stands as the Best Actor frontrunner for his unmatched performance, plays a brutally scarred handyman who returns to his home town to care for his nephew after his brother passes away. Deeply immersed in feelings of hope, heartache and uncertainty, Manchester by the Sea absolutely pushes the dramatic envelope.

#4. Captain Fantastic

There’s something so euphoric about Captain Fantastic. On the surface the film’s central characters appear to be a crazed family who shut themselves off from the world by living deep in the wilderness of the Pacific Northwest. But at the same time, to have the fortitude and survival instincts to actually pull it off are impressive and convincing. There are countless controversial elements scattered all throughout this captivating story and artistically shot film that make Captain Fantastic a movie unlike any other.

#3. Hell or High Water

David Mackenzie’s tale of bank-robbing brothers is the perfect blend of the classic Western genre with a modern day flair. Chris Pine, Ben Foster and Jeff Bridges all provide phenomenal performances that catapult this slow-boiling and often witty screenplay into a completely well-rounded piece of filmmaking.

#2. Moonlight

I had heard all of the lofty praises for Barry Jenkins’ indie drama, but a familiar premise left my expectations extremely tempered. However, Moonlight was this year’s biggest surprise. It delivers the finest ensemble of 2016 and tells its powerful coming-of-age story with a level of tenderness and humanity that will leave you craving for more long after its credits roll.

#1. La La Land

In a year overrun with grim storylines from its major awards season contenders, Damien Chazelle’s whimsical musical is a fresh breath of upbeat originality and a bona-fide Best Picture selection. La La Land comes with its own roller coaster of emotions, but the film tells a deeply passionate story using a deliberate nod to classic cinema all while injecting a modern touch.

Every year the Golden Globes come and go, and every year a select few walk away with the fancy awards.

The list of nominee’s have officially been released, and the lineup is quite interesting! This is going to be an exciting award show. I personally hope to see  Deadpool walk away with a couple Globes.

The 75th Golden Globes air January 8th and is hosted by Jimmy Fallon (Editors Note: Can we have a drinking game for all his fake laughter/outbursts?).

Movies

Best Motion Picture, Drama
Hacksaw Ridge

Hell or High Water

Lion

Manchester by the Sea

Moonlight

Best Motion Picture, Musical, or Comedy
20th Century Women

Deadpool

Florence Foster Jenkins

La La Land

Sing Street

Best Performance By an Actress in a Motion Picture, Drama

Amy Adams, Arrival

Jessica Chastain, Miss Sloane

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Best Performance By an Actress in a Motion Picture, Musical or Comedy

Annette Bening, 20th Century Women

Lily Collins, Rules Don’t Apply

Hailee Steinfeld, The Edge of Seventeen

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

Best Performance by an Actor in a Motion Picture, Drama

Casey Affleck, Manchester by the Sea

Joel Edgerton, Loving

Andrew Garfield, Hacksaw Ridge

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

Best Performance By an Actor in a Supporting Role in a Motion Picture

Mahershala Ali, Moonlight

Jeff Bridges, Hell or High Water

Simon Helberg, Florence Foster Jenkins

Dev Patel, Lion

Aaron Taylor-Johnson, Nocturnal Animals

Best Performance by Actress in a Supporting Role in a Motion Picture

Viola Davis, Fences

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

Best Director, Motion Picture

Damien Chazelle, La La Land

Tom Ford, Nocturnal Animals

Mel Gibson, Hacksaw Ridge

Barry Jenkins, Moonlight

Kenneth Lonergan, Manchester by the Sea

Best Performance by an Actor in a Motion Picture, Musical, or Comedy

Colin Farrell, The Lobster

Ryan Gosling, La La Land

Hugh Grant, Florence Foster Jenkins

Jonah Hill, War Dogs

Ryan Reynolds, Deadpool

Best Screenplay, Motion Picture
La La Land

Nocturnal Animals

Moonlight

Manchester by the Sea

Hell or High Water

Original Score, Motion Picture
Moonlight

La La Land

Arrival

Lion

Hidden Figures

Best Motion Picture, Animated
Kubo and the Two Strings

Moana

My Life as a Zucchini

Sing

Zootopia

Best Original Song, Motion Picture

“Can’t Stop the Feeling,” Trolls

“City of Stars,” La La Land

“Faith,” Sing

“Gold,” Gold

“How Far I’ll Go,” Moana

Best Motion Picture, Foreign Language
Divines

Elle

Neruda

The Salesman

Toni Erdmann

Television

Best Television Series, Drama
The Crown

Game of Thrones

Stranger Things

This Is Us

Westworld

Best Television Series, Musical or Comedy
Atlanta

Blackish

Mozart in the Jungle

Transparent

Veep

Best Television Limited Series or Motion Picture Made for Television
American Crime

The Dresser

The Night Manager

The Night Of

The People v. O.J.: American Crime Story

Best Performance By an Actor in a Television Series, Drama

Rami Malek, Mr. Robot

Bob Odenkirk, Better Call Saul

Matthew Rhys, The Americans

Liev Schreiber, Ray Donovan

Billy Bob Thornton, Goliath

Best Performance By an Actor in a Television Series, Musical, or Comedy

Anthony Anderson, Blackish

Gael Garcia Bernal, Mozart in the Jungle

Donald Glover, Atlanta

Nick Nolte, Graves

Jeffrey Tambor, Transparent

Best Performance by an Actor in a Leading Role in a Series, Limited Series, or Motion Picture Made for Television

Riz Ahmed, The Night Of

Bryan Cranston, All the Way

Tom Hiddleston, The Night Manager

Courtney B. Vance, The People v. O.J.: American Crime Story

John Turturro, The Night Of

Best Performance by an Actor in a Supporting Role in a Series, Limited Series, or Motion Picture Made for Television

Sterling K. Brown, The People v. O.J.: American Crime Story

Hugh Laurie, The Night Manager

John Lithgow, The Crown

Christian Slater, Mr. Robot

John Travolta, The People v. O.J.: American Crime Story

Best Performance by an Actress in a TV Series, Drama

Caitriona Balfe, Outlander

Claire Foy, The Crown

Keri Russell, The Americans

Winona Ryder, Stranger Things

Evan Rachel Wood, Westworld

Best Performance by an Actress in a Supporting Actress in a Series, Limited Series, or Motion Picture Made for Television

Olivia Coleman, The Night Manager

Lena Headey, Game of Thrones

Chrissy Metz, This Is Us

Mandy Moore, This Is Us

Thandie Newton, Westworld

Best Performance by an Actress in a Leading Role in a Series, Limited Series or Motion Picture Made for Television

Felicity Huffman, American Crime

Riley Keough, The Girlfriend Experience

Sarah Paulson, The People v. O.J.: American Crime Story

Charlotte Rampling, London Spy

Kerry Washington, Confirmation

Best Performance By an Actress in a Television Series, Musical, or Comedy

Rachel Bloom, Crazy Ex-Girlfriend

Julia Louis-Dreyfus, Veep

Sarah Jessica Parker, Divorce

Issa Rae, Insecure

Gina Rodriguez, Jane the Virgin

Tracee Ellis Ross, Blackish

And that’s it! What are you thoughts? Are there any nominees that you think should be dropped from the list; or any that should be added? Let us know!

There are certain things in this world that just can’t be explained. On the surface, Barry Jenkins’ profound new feature, Moonlight, focuses on a familiar premise using many unknown actors and actresses, but somehow it manages to transcend the superficial sum of its parts. Being able to pull off that rare feat is nothing to take lightly. And for that reason, Barry Jenkins and his entire collection of writers, actors and crew appear to be in line for a huge awards season run.

Moonlight tells the gripping story of an impoverished youth named Chiron growing up during the heart of “The War on Drugs” in the Miami projects. Chiron is taken under the wing of a local drug dealer (Mahershala Ali) and his girlfriend (Janelle Monae) while trying to avoid his drug-addicted mother (Naomie Harris). And as Chiron comes into his own, not only is he forced to battle the demons of his home life, he also struggles to come to grips with his sexuality.

moonlight-feat

Although Moonlight fails to venture into uncharted territory with its premise or story, the film unfolds in a truly mesmerizing manner. Within its partitioned structure, years pass from chapter to chapter bringing about a trio of performers to capture the essence of Chiron. Each are absolutely magnificent is this evolving story of self discovery and personal acceptance, but it’s Ashton Sanders who shines brightest. Sanders highlights the middle segment of the film during Chiron’s trying teenage years, where he experiences harsh bullying and a unforgettable glimpse into his sexual curiosity. It’s a challenging role that’s captured brilliantly by the young actor. Other standout performances come from Mahershala Ali, Janelle Monae and Naomie Harris. Ali gives a memorable turn in the opening chapter as Chiron’s flawed mentor, while Harris appears in all three parts as the boy’s drug-addled mother. Mounting buzz suggests that both Ali and Harris are the most likely to earn Oscar recognition but, make no mistake about it, there’s no shortage of impressive acting on display throughout the entirety of Moonlight.

moonlight1

In addition to countless exceptional performances that help create an engrossing story, Moonlight possesses flawless pacing and top flight direction. Barry Jenkins delivers a masterful vision that lifts the film from a recognizable tale to a refreshingly original finished product. And although Moonlight‘s stereotypical portrayal of urban drug addiction is slightly frustrating, it becomes an easily overlooked blemish by the time the third act arrives. In fact, I felt completely caught off guard by the film’s final scene, as I could’ve easily taken another hour of Chiron’s captivating journey. Needless to say, the surprising conclusion doesn’t feel cheapened at all as the story ends at a meaningful crossroads.

Moonlight is a beautifully poetic expression of artistic collaboration. The film doesn’t need to resort to shockingly graphic scenes of homosexuality to make a statement. It’s understood that less is more as long as everyone involved goes above and beyond, which they certainly do. Moonlight stands as a transcending indie film packaged wonderfully by Barry Jenkins into a certified and deserving awards season contender.

GRADE: 4.5/5

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