Review Copy provided by the distributor. 

19 Years ago Pokemon USA, along with help from 4Kids Entertainment, unleashed the English dub of Japan’s ever-popular Pocket Monsters Anime in North America, and almost 20 years later the original series is still being watched by millions of kids and adults alike.

This new Blu-ray release thanks to the help of Viz Media, is a wonderful way of returning to the first 52 episodes of the much-beloved series and dub.  Let’s jump right into things. This release is a 6 disc set containing 9 episodes each. Every episode is now watchable in 1080p HD making them look better than ever. Having just recently binged through the original series, the restoration done for this set is beautiful. The hand-painted backgrounds still maintain their original look, but look way sharper and clearer, making this one of the best ways to watch the original series.

The presentation is very nice. The box containing the Blu-ray itself is very nice to look at. The outer casing is shaped like a Pokedex, although opening up still reveals a bulky, but nice looking light blue case. Each disc has its own attract menu showing snippets of which episodes are contained on it. All the episodes also contain their original bumpers from when they first aired on TV. It’s a little touch, but seeing those we’ll be right back bumpers and the 4Kids logo during the credits brings back a strange sense of warm nostalgia. Also, yes, the Pokerap is still there for your viewing pleasure. Speaking of the Pokerap, it was a great addition to get the full U.S and U.K versions of the rap as a special feature.

Now if this just came with Season 1 restoration of Indigo League, it’d already make for a fun package, but Viz added a couple of other treats to this package; alongside the 6 disc set, the package also comes with the first 4 chapters of the ever popular Pokemon Adventures Manga, as well as a cookbook recipe for Sweet Potato Pikachu. Aside from those 2 additions, the real special features included on the disc are a bit of a disappointment.  On top of the 2 different versions of the Pokerap, each disc comes with a small Who’s That Pokemon Slideshow containing at least 3 Pokemon per disc. It’s nothing exciting and is pretty bare bones. If they really want to attach some cool Special Features, it’d be great to see the aired once and never again episode Beauty and the Beach. Cast interviews with the original voices could also be a fun addition.

At the end of the day, Pokemon Season 1 Champion’s Edition is a great buy for Pokefans old and new. These episodes look better than ever thanks to digital restoration, and having the original dub and bumpers together will make this set even more special if you grew up watching the series during its original airing. This collection runs from around $45-$70, so it’s definitely worth the pickup.

FINAL SCORE: ★★★★☆

Blu-ray link

 

We return to the Twilight Realm in the second volume of The Legend of Zelda: Twilight Princess by Akira Himekawa, published by VIZ Media. I loved the first volume and was very excited to get my paws on this one. Volume One left off at a pivotal point in the game, Link’s transformation into a wolf, and I wanted to see what happened next.

TM & © 2017 Nintendo. ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

I think those who have beaten the game that the manga was based on will appreciate the different points of view the manga offers. We get to see certain parts of the story from Zelda’s, Midna’s, and even Ilia’s perspectives. And I know that I have said this in my previous review but I love that Link talks! Through his dialogue, we see more into his backstory and personality. Gamers are used to Link being a silent protagonist and I found this change to be refreshing.

The plot in this volume moves at a steady pace. My single complaint with the previous book was that it took a while to get going, plot-wise. This is no longer an issue, thankfully.

TM & © 2017 Nintendo. ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

Beyond the intriguing story, Twilight Princess excels at its action scenes. It feels like you are playing out a battle in a game. I found myself holding my breath during Link’s fight with Diababa towards the end of the volume!

I can tell that that a lot of care was put into this series’ art. Every page oozes with detail, especially in the backgrounds and character’s clothing. The shading also does a great job of highlighting the contrast between Hyrule and the shadowy Twilight Realm.

TM & © 2017 Nintendo. ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

I am pleased to say that Volume Two of Twilight Princess continues to impress. The art suited the mood perfectly and the story kept me hooked. Like its predecessor, I give The Legend of Zelda: Twilight Princess Volume Two a 5 out of 5. I can’t wait for the story to continue in volume three!

[This review is based on a sample provided by the publisher. All opinions are my own.]

If you grew up on VIZ Media’s Shojo Beat magazine, odds are good that you read Matsuri Hino’s Vampire Knight. The manga continued long after the magazine ended its publication and fans will soon have the chance to read the sequel, Vampire Knight Memories.

Vampire Knight Memories © Matsuri Hino 2016/HAKUSENSHA, Inc.

The first volume switches between different periods in time frequently and changes up which main characters are in focus several times. The beginning of the book does not address the first series’ vampiric heroine, Yuki, as one might expect but her human friend, Sayori. We see snippets of her past relationship with Yuki but the main focus is on her blossoming love for the vampire Hanabusa. After that storyline, the spotlight is then granted to Yuki. I felt like hers was the shortest of the plots in this volume, which seemed a little odd given that she was on the cover. Yuki’s story then transitions to that of her children and Kaname, the vampire-now-turned-human.

Vampire Knight Memories © Matsuri Hino 2016/HAKUSENSHA, Inc.

Vampire Knight Memories does a good job of being true to its roots. It contains the haunting, melancholy tones that one might anticipate with a vampire-based series, interspersed with more energetic or emotionally-charged scenes (see the panel directly above for an example).

Vampire Knight Memories © Matsuri Hino 2016/HAKUSENSHA, Inc.

You need to finish the original series to have the full experience from Vampire Knight Memories. The beginning of the manga has a very quick summary of the important points but if that is all you have to go on, it will leave you feeling like you are missing something. However, I think it is fine that it is written this way. I doubt that people buying this book haven’t read through the Vampire Knight series cover-to-cover.

Vampire Knight Memories, Volume 1, is a little hard to grade because of its sequel status. In the situation in which you have read the previous series and know the backstory, I would give it a 4.5 out of 5. Fans will love to learn more about their favorite characters and see what has been going on since that final page of Vampire Knight.

If you are diving into this volume with no background knowledge whatsoever (which I don’t recommend), I would have to grade it a 1 out of 5. There simply is too much backstory that is incorporated into the plot (as it should be) for a new reader to understand what is going on entirely. Just start with the original series first and you will be much happier when you get to this volume. Trust me.

[This review is based on a sample provided by VIZ Media. All opinions are my own.]

The anime One-Punch Man was released on DVD and Blu-Ray recently, and I was given the chance to experience the show by way of the Blu-Ray/DVD combo set. I know that the series has many, many fans, but unfortunately, I am not one of them. I can see that the show has its merits, but it just didn’t grab me. I must not be the target audience or something.

The premise of One-Punch Man is promising enough. It follows the trials of Saitama, a man who became a hero for fun. After taking on a special training regimen, he became so strong that he could defeat any foe with a single hit.

©ONE, Yusuke Murata/SHUEISHA, Hero Association HQ

The show has a wealth of fight scenes and thankfully, they are well-animated. Unfortunately, outside of those scenes, the show was moderately plain. One-Punch Man is billed as an action/comedy, but the humor just falls flat despite the majority of the show attempting to prove it can get laughs. While it might just be a case of the humor being lost in translation, plenty of the jokes are visual, so I don’t think that is it.

©ONE, Yusuke Murata/SHUEISHA, Hero Association HQ

In my opinion, the show had a case of confused identity. I think if it focused solely on the action aspect, I would have liked it a whole lot more. The constant switching between serious and comedic tones was not only jarring but also after a while, a bit annoying.

I am sorry to say that in my book, One-Punch Man gets a 1 out of 5. I understand that despite my dislike for this series, it is much beloved by fans all around the world. I don’t know what I am not seeing that others found enjoyable.

Speaking of fans, the California-based punk rock band, Guns of Eden, liked the show so much that they created a musical tribute to it. You can view it below.

[This review is based on a sample provided by VIZ Media. All opinions are my own.]

Satoru Noda’s Golden Kamuy reminded me of one of those old American Westerns. The main character, Saichi “Immortal” Sugimoto is a veteran of the Russo-Japanese war,  trying to find a cache of gold that was hidden by a mysterious outlaw. He is joined by the young girl, Asirpa, a member of Japan’s indigenous Ainu people. The pair’s dynamic is fun to observe and brings a lot to the flavor of the manga.

GOLDEN KAMUY © 2014 by Satoru Noda/SHUEISHA Inc.

There is a plenty of action contained within these pages, much of which includes projectile weapons of some variety. Noda does a great job of mixing up the battle scenarios so each skirmish feels unique.

GOLDEN KAMUY © 2014 by Satoru Noda/SHUEISHA Inc.

One of the highlights for me was the focus on Ainu culture. Over the course of the first volume, Asirpa teaches Saichi about the equipment used for hunting, survival skills, and even cooking. The segment with Asirpa and Saichi cooking squirrel was particularly amusing. There is also use of Ainu words in some of the dialogue. It added a sense of authenticity to Asirpa’s character.

GOLDEN KAMUY © 2014 by Satoru Noda/SHUEISHA Inc.

The story so far is mostly set in the snowy mountains of Hokkaido and, after reading, I got the sense that the author must have had some experience surviving outdoor cold weather conditions. It wasn’t just the characters’ expressions (although those were fantastic – I got cold just looking at them!) but also the methods they used in various situations, like building an emergency fire for warmth. I don’t want to spoil how they went about starting the fire because it was brilliant.

The character art is relatively simple, with a clean look that is pleasing to the eye. It is in the landscapes and portrayal of animals that this artist really shines. The mother bear and cub that Saichi encounters early on are a perfect example of that.

GOLDEN KAMUY © 2014 by Satoru Noda/SHUEISHA Inc.

I give volume one of Golden Kamuy a solid 5 out of 5. The story and setting are one that aren’t usually touched upon in this entertainment form and Satoru Noda does a phenomenal job keeping the reader engaged. If you are looking for a great shōnen manga that doesn’t involve ninjas or alien warriors, I highly recommend you give Golden Kamuy a look.

GOLDEN KAMUY © 2014 by Satoru Noda/SHUEISHA Inc.

[This review is based on a sample provided by VIZ Media. All opinions are my own.]

Whether you are a squid, kid, or just a plain old lover of manga, you are sure to be excited with what VIZ Media has planned. The publishing house has teamed up with Nintendo to bring the manga novelization of the family-friendly shooting game, Splatoon, to English readers. Created by Hinodeya Sankichi, the series follows four Inklings – beings that can switch from humanoid to squid forms at will – as they are swept up in the turf war that encompasses the majority of the video game’s content.

The series is scheduled to launch later this year, exclusively in print form (sorry, Kindle readers!). I would not be surprised if the first volume’s release was timed with the launch of the game’s sequel, Splatoon 2, coming to the Nintendo Switch. It is also expected to ship in late 2017. I would be interested to see if the manga covered the story through the sequel as well. Only time will tell!

Are you excited about this upcoming release?

Earlier today Viz announced that they’ll be partnering with Hasbro to release an art book for the upcoming MLP Movie scheduled to release October 6th. Not much has been said about the book, but it will be pretty lengthy and also include full color art. The art is due for release sometime in August, 2 whole months before the film comes out, so be wary of spoilers. Are you excited about this announcement? What animated movie do you want to see get an art book? Tell us in the comments below!

If you are crazy about magical girl manga or just want to read something with a strong female lead, you can’t go wrong with VIZ Media’s newly released box set of Revolutionary Girl Utena. The classic series is widely known for its LGBT tones and unique take on the prince-princess trope.

This manga box set, which encompasses both the entire series of Revolutionary Girl Utena as well as The Adolescence of Utena, contains two large hardcover volumes plus a bonus poster. The books themselves are well-made and appear to be bound well enough to survive a lifetime of re-readings. Several full-color pages can be found at the beginning of each book, which I thought was delightful.

SHOJO KAKUMEI UTENA © 1997 Chiho SAITO, Be-PaPas /SHOGAKUKAN

The story starts off more like your standard magical girl manga, with a girl that doesn’t quite fit in and her mysterious romantic interest. Things take a unique turn when the heroine Utena takes a more active role in her future and that of her classmate Anthy, with her decision that rather than be the princess waiting to be rescued, she will become a noble prince. What follows is a world of magical fencing duels, mistaken identities, and even mystical deities.

SHOJO KAKUMEI UTENA © 1997 Chiho SAITO, Be-PaPas /SHOGAKUKAN

All of the main players in the story were fleshed out and had more to their personalities than met the eye. The Student Council President, Touga Kiryuu, is an excellent example of this. I actually ended up liking him much more than I thought I would as the story progressed. Even the female fencer Juri (who I felt was the flattest character) is expanded upon through a short story found at the back of volume two.

The other short story included, The Adolescence of Utena, is a retelling of the main manga’s storyline but with some serious alterations. It has a darker tone but I highly recommend giving it a read. It was fascinating to see what the story could have been if certain details were changed.

SHOJO KAKUMEI UTENA © 1997 Chiho SAITO, Be-PaPas /SHOGAKUKAN

The Revolutionary Girl Utena Manga Box Set wins a 5 out of 5. I thought the story itself was spectacular as well as an important piece of magical girl history. Combine that with a high-quality print with lovely detail abounds and you have yourself what I consider the definitive edition of the series.

[This review is based on a sample provided by VIZ Media. All opinions are my own.]

Can’t get enough Naruto? His story may have ended but its success spawned the sequel, Boruto: Naruto Next Generations, staring the now-adult ninja’s son named – you guessed it – Boruto. This series also features children of many of other characters from the original series.

In truth, I did not keep up with Naruto, but thankfully this manga has little side-notes about which children belong to which couples. As a relative newbie to the series, I greatly appreciated this feature. Without giving to much away, expect the offspring of pretty much every character you can imagine. It was fun to the teenagers from the first series as adults living peaceful, domestic lives. I imagine fans of Naruto will get an even bigger kick out of it than I did.

BORUTO: NARUTO NEXT GENERATIONS © 2016 by Masashi Kishimoto, Ukyo Kodachi, Mikio Ikemoto/SHUEISHA Inc.
The first volume centers around three key plot threads. The most prevalent of which is Boruto’s rocky relationship with his father. It looks as though, while Naruto may be a great ninja, he sucks at being an involved parent. Boruto’s dislike for his dad drives him to make several choices that I think he normally would be ambivalent about.

BORUTO: NARUTO NEXT GENERATIONS © 2016 by Masashi Kishimoto, Ukyo Kodachi, Mikio Ikemoto/SHUEISHA Inc.
Which leads us to the second thread: the Chunin Exam, a ninja certification test. Originally planning to sit it out, a series of events coaxes Boruto into participating. A good portion of the volume is dedicated to the trials of the Exam. This part felt a little boring. I realize that the whole “heroes facing a trial” trope is prevalent in shonen manga but it just wasn’t something I cared about. To the story’s credit, the characters did make use of some clever solutions to their tests and I imagine that fans of this genre will be wowed.

The third and final thread follows Orochimaru’s children and the odd relationship they share with him. This sequence takes place at the end of the book so I don’t want to spoil too much but there it is safe to say that a) Orochimaru is a weirdo and b) there is a twist at the end.

BORUTO: NARUTO NEXT GENERATIONS © 2016 by Masashi Kishimoto, Ukyo Kodachi, Mikio Ikemoto/SHUEISHA Inc.
As I said before, I didn’t have a ton of experience with the original Naruto manga to build on when I read this. All the same, it was somewhat enjoyable. I don’t think this is something that I would purchase nor continue to read on my own but I can imagine why readers who dig this type of story would be interested. It isn’t very often that fans get a chance to revisit beloved characters and see how their lives have progressed (fan fiction not included). That merit alone should warrant it a read for Naruto lovers.

Volume One of Boruto: Naruto Next Generations earns a 3 out of 5 in my book. If you are a fan of the first series, that score would probably be closer to a out of 5. I can see this sequel caters to fans and that is awesome but it also makes it harder for those initiated to jump into the story.

[This review is based on a sample provided by VIZ Media. All opinions are my own.]

I know many of you are up to your pointy ears immersing yourselves in the world of The Legend of Zelda: Breath of the Wild but even when you take a breather, you can still stay connected to the history of the series with VIZ Media’s new manga, The Legend of Zelda: Twilight Princess by Akira Himekawa. The first volume hit shelves March 14 but Geekscape was fortunate to get an early copy.

Truth be told, I never got very far in this entry in the series when it was on consoles (and what I did experience, I don’t really remember) so I was extra-excited to finally progress through the story. And what a story it is! If you played the game in either its Gamecube, Wii, or Wii U forms than the overall plot should be familiar but, guys, Link talks in the manga! That alone should be a reason to at least give it a look.

TM & © 2017 Nintendo. ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

If you are like me and did not experience the story prior to the manga, here is a brief run-down. The story opens on a mysterious kingdom, The Twilight Realm, and its ruler, the Twilight Princess Midna. After a cruel betrayal by the old Twilight Realm king’s advisor, Zant, the scene switches over to Link, who leads a peaceful life in the idyllic Ordon Village. A good portion of the first volume is dedicated to Link’s interactions with Ordon Village’s residents and does a great job of fleshing out Link as a character. The world of the Twilight Realm and that of Ordon Village only start to clash near the end of volume one.

TM & © 2017 Nintendo. ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

The art is drawn beautifully. I liked how the Twilight Realm had a lot of dark tones and shading while scenes in Ordon Village had a lighter palate. It helped set a contrast between the two locales. The art style is more realistic than previous Zelda manga which had a more cartoon-y vibe. Some of the monsters were a bit on the freaky side and there is graphic violence included (it isn’t awful but more than I was anticipating). I can see why this was rated “T for Teen.”

The one gripe that I can see some people having with this one is the pacing. If you were looking for an intense, action-heavy first volume, you find yourself slightly disappointed. There is plenty of action at the end but it isn’t consistent throughout. It personally didn’t bother me. It actually made it feel more like a video game somehow, with a slow build to the character heeding the call to be a hero.

TM & © 2017 Nintendo.
ZELDA NO DENSETSU TWILIGHT PRINCESS © 2016 Akira HIMEKAWA/SHOGAKUKAN

I loved this first volume of The Legend of Zelda: Twilight Princess and bestow unto it a 5 out of 5. If the rest of the manga is anything like this first book, I would say we have a real winner on our hands. Gamers and fantasy fans alike will find an thoroughly engrossing story and one that I look forward to continuing.

[This review is based on a sample provided by the publisher. All opinions are my own.]

It is no secret that I am crazy about Sailor Moon Crystal. The anime earned a 5 out of 5 in my review of VIZ Media‘s Blu-Ray and DVD set of Season One. Now it is Season Two’s turn to head to retail and as we saw in the recently announced One-Punch Man home media releases, there are multiple options available.

Fans can purchase the Limited Edition Blu-Ray and DVD Combo Pack ($79.99), the Standard Edition Blu-Ray and DVD Combo Pack ($69.99), or simply the DVD Set ($39.99). The Limited Edition Blu-Ray and DVD Combo Pack, seen below, contains all 12 episodes of Season Two on both Blu-Ray (in 1080p) and DVD (in 480p) as well as bonus content like clean opening and closing themes, a digital art gallery, and even a special interview with the J-POP group who sang the theme, Momoiro Clover Z. The four discs are packaged in an exclusive chipboard box, stuffed with art cards and a booklet filled with full-color illustrations, episode summaries, and more. Pre-ordering the Limited Edition Combo Pack from RightStuf also scores you an exclusive sun catcher as a gift-with-purchase.

For those who need a refresher, Season Two of Sailor Moon Crystal takes us through the “Black Moon Arc,” where we meet key characters like Chibi-Usa (you may remember her as “Rini” from that dub way back in the day) and Sailor Pluto. The season picks up immediately after the first season, in which a strange, little pink-haired girl crash-lands on Usagi and then proceeds to demand (at gunpoint!) that she surrender the Silver Crystal. I won’t spoil the rest for fans who haven’t watched yet (I am sure there are some of you) but I will say that I am personally excited to own this second season and it is definitely one you should check out.

The Standard DVD Set is available now but the other two, the Limited- and Standard-Edition Blu-ray and DVD Combo Packs, will be released on February 28.

[header image via Sailor Moon News]

The popular action-comedy anime One-Punch Man will see its North American home release debut this Spring, courtesy of VIZ Media. The series follows the trials of Saitama, a superhero hopeful whose years of special training left him so overpowered that a single punch knocks any who oppose him flat on their behinds! Check out the trailer below to get a taste of the action (and humor).

This release will be available as a Blu-Ray/DVD combo pack ($59.99), a Standard Edition Blu-Ray set ($49.99), and a Standard Edition DVD-only set ($39.99). The combo pack is a special edition that also includes an exclusive chipboard box, six OVA animated shorts (also available on the Standard Edition Blu-Ray set), six art cards, and a full-color booklet with episode summaries, character profiles, interviews with the team, and more. And of course, Blu-Ray episodes are presented in 1080p HD (DVD ones are 480p). Regardless of which set you choose, it will contain episodes 1-12 of the series, available both in original Japanese dialogue with English subtitles as well as English dialogue.

The Blu-ray/DVD combo pack is limited in edition and available for pre-order now at many retail sites as well as brick and mortar locations. But if you choose to place your order through Right Stuf, you will also receive a special, yet-to-be-revealed gift with purchase (while supplies last). The other two versions are likewise currently available for pre-order at the same places. All are scheduled to release on April 25.

[header image: ©ONE, Yusuke Murata/SHUEISHA, Hero Association HQ]

[This review is based on a sample provided by the publisher.]

Master of horror, manga-ka Junji Ito, known for the manga series Uzumaki and Gyo, plies his trade once again with the haunting Tomie. This book is rated “T+” for Older Teens and with good reason. The stories contained within stick with you long after the book is closed.

tomie-review-page-119
© Asahi Shimbun Publications Inc.

The chapters might be considered a series of separate incidents if not for Tomie’s appearance in all of them. And just who is Tomie? She is a young lady with the supernatural ability to charm men into a murderous rampage and, even though she is usually one of the victims, Tomie always comes back (and often in bizarre, almost nauseating, ways). Her ability to regenerate tends to lead to a sort of anxiety for the reader because even though a character may feel relief that Tomie is “dead,” we know better.

tomie-review-page-145
© Asahi Shimbun Publications Inc.

Ito’s art style lends itself to the well to the story. The images can be quite grotesque, as well they should be. Even the relatively “normal” scenes are a bit unsettling. I chalk it up to the expert use of light and shadow.

The English translation is superb. The dialogue is genuinely disconcerting. Just about every line feels weighted with a sense of foreboding. I appreciate the ability to carry over that emotion from language to language.

tomie-review-page-31
© Asahi Shimbun Publications Inc.

I will be honest, Tomie isn’t the sort of book I would choose to read. Horror is not a genre I particularly care for. I do, however, acknowledge that this title does an excellent job of what it sets out to do: spook the reader. I am still legitimately freaked out from reading this. Between the art style, the well-done translation, and the overall creepiness of the stories themselves, Tomie is a horror fan’s dream (nightmare?) come true, earning it a 5 out of 5.

tomie-review-page-242
© Asahi Shimbun Publications Inc.

Junji Ito’s Tomie: Complete Deluxe Edition releases December 20 in hardcover print for $34.99 as well as digitally on the Viz Manga app and Nook, Kobo, Kindle, iBooks, comiXology, and GooglePlay stores.

If you were a fan of Sailor Moon in the 90’s, you might remember Sailor Moon R: The Promise of the Rose, which was released on VHS back in the day. The Promise of the Rose is actually Sailor Moon R THE MOVIE and this January, select North American theaters will feature an HD remaster of the uncut version. I suspect it will be dubbed but am not positive. Adding to the excitement is the North American debut of the theatrical short, “Make Up! Sailor Guardians.”

Here is Viz Media’s teaser for the film:

Long before Mamoru found his destiny with Usagi, he gave a single rose in thanks to a lonely boy who helped him recover from the crash that claimed his parents. This long-forgotten friend, Fiore, has been searching the galaxy for a flower worthy of that sweet gesture long ago. The mysterious flower he finds is beautiful, but has a dark side- it has the power to take over planets. To make matters worse, the strange plant is tied to an ominous new asteroid near Earth! Faced with an enemy blooming out of control, It’s up to Sailor Moon and the Sailor Guardians to band together, stop the impending destruction and save Mamoru!

Information as to which theaters will be showing Sailor Moon R THE MOVIE have yet to be posted but it was noted that tickets go on sale soon. A special surprise gift will be given to ticket holders at the screenings (while supplies last, of course).

[This review is based on a sample provided by the publisher.]

Viz Media’s Sushi: Jiro Gastronomy is unlike any other title I have seen in their library. Written by Jiro Ono and Yoshikazu Ono, the book can be seen as a survey of the world of sushi as well as view into  Jiro Ono’s Tokyo, Japan-based restaurants, Sukiyabashi Jiro.

[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN

The majority of the pages are used for the “Omakase Tasting Menu,” in which each spread of pages is dedicated to a certain sushi. You can see two samples from this chapter below.

[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
 

I loved the inclusion of the Japanese name for the sushi, both in Romaji and Hiragana. I think it might come in handy for ordering from Japanese menus. Each of the fish descriptions mentions when that particular one is available to order. For example, you will note that the Abalone is only in season from May to September whereas the Golden Cuttlefish is fine all year round.

The sushi descriptions for the sample pages put focus on how the restaurant, Sukiyabashi Jiro, handles each particular type of sushi. And while some entries dedicated more time than others to this topic, it is always mentioned.

Perhaps the biggest draw for Sushi: Jiro Gastronomy isn’t so much the information contained within but the beautiful accompanying images. I was so hungry after reading this book. I have no clue how the photographer did it but they managed to perfectly capture all the alluring aspects of each particular dish.

 

[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN

The section on “How to Eat Sushi” was actually my favorite part. It was amusing to read as well as informative. Some of the descriptions, such as the one shown above (which I was particularly fond of), have a more lengthy description. Others are much more concise, about one short sentence.

The final section “Dining at Sukiyabashi Jiro” is very short, basically giving a rundown of what to expect when visiting their establishments. It was nice addition for people traveling to Japan who might want to eat there after staring at their food for so long. Thankfully, addresses to both locations as well as their business hours are also in this chapter.

Sushi: Jiro Gastronomy earns a tasty 5 out of 5. It isn’t the type of book I would normally read but it was informative, well-written, and dang if those pictures didn’t make me salivate.

If you are anywhere in the vicinity of Nintendo NY (formerly Nintendo World) in New York’s Rockefeller Center on October 7, I would totally head on over for a grand shindig to honor release of VIZ Media’s Super Mario Adventures.

The book is a compilation of manga, written by Kentaro Takekuma and illustrated by Charlie Nozawa, that ran in issues of Nintendo Power from 1992 to 1993. As one would expect, the story follows Mario and Luigi and their adventures to rescue Princess Toadstool and thwart Bowser. The entire series is contained within the single full-color volume. Super Mario Adventures will retail for $14.99.

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At the Nintendo NY event, party-goers can expect themed cupcakes, photo-ops with Mario and Luigi, plus an autograph/ Question and Answer session with surprise VIZ Media guests. Attendees who purchase Super Mario Adventures at the event will also receive an exclusive poster (while supplies last). The release party takes place on Friday, October 7 from 6PM to 8PM.

Are you planning on attending? Let us know in the comments!

[Warning: There are potential spoilers in this review.]

The original Sailor Moon anime series was my all-time favorite anime. But as much as I loved it, I wish that it followed the manga more closely. That wish has come true with the creation of Sailor Moon Crystal, a Sailor Moon remake whose storyline is more true to that of Naoko Takeuchi’s classic manga. Viz Media recently released Set 1 of the series in the North America.

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Rather than following the original anime’s “monster-a-day” formula, Crystal is more streamlined. It covers the entire Dark Kingdom story  arc in 14 episodes, which I felt was sufficient to tell the tale without dragging on. Another positive change was the somewhat more serious tone of the show. There are still plenty of light-hearted moments but Sailor Moon’s reaction to Tuxedo Mask’s brainwashing in later episodes definitely is less glossed over. And like the manga, the climax of that plot point is dramatically different than what was in the original anime.

For my part, I loved these changes. Crystal was created to celebrate the 20th anniversary of Sailor Moon. It felt like the show was maturing with its audience.

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I was very impressed with the voice acting in both the Japanese and English versions. It was so awesome that they got the original voice of Sailor Moon, Kotono Mitsuishi, to reprise her role in Crystal! She added an extra layer of nostalgia to the show and honestly, I had a hard time picturing someone else voicing her. On the whole, I didn’t have any issue listening either language track. No cringe-worthy acting here.

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I know that many viewers took issue with the Sailor Senshi’s transformation sequences being computer-generated. I will admit that it was a little jarring the first few times but after about four episodes, you stop noticing so much. I just wrote it off to myself as the artists trying to make their transformations more “separate from regular space” (I have no clue if that is the real reason).

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I had no problem with the general art style of the show (again, plenty of viewers did). Is it different? Yes. Is it visually unpleasant? Hell no. If you approach it with an open mind, I genuinely think you will agree that it is just fine.

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I bestow unto Set 1 of Sailor Moon Crystal 5 out of 5. I loved the hell out of this show. I didn’t know if it would live up to my expectations, the bar was set pretty high, but it beat out the original anime as my favorite anime of all-time. Any Sailor Moon fan owes it to themselves to check this series out.

[This review is based on a sample provided by the publisher.]

It is a big day for those gamers who double-dip into the realm of manga. VIZ Media has announced their acquisition of two very special titles: Super Mario Adventures and The Legend of Zelda: Twilight Princess.

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Super Mario Adventures, written by Kentaro Takekuma and drawn by Charlie Nozawa, first appeared in the pages of Nintendo Power magazine. They ran from from 1992 to 1993. This full-color manga is a collection of those works. Super Mario Adventures will be available beginning this October.

If you have any experience with the Mario series, then you can probably guess the plot. Princess Toadstool gets kidnapped by Bowser and Mario and Luigi spring into action to rescue her. Nostalgia abounds, to be sure.

The second title, The Legend of Zelda: Twilight Princess by Akira Himekawa, follows the plot of the similar-titled game. Expect lots of wolf-Link action. This series will debut in March 2017. To tide you over until then, I would highly recommend the Viz’s other titles in The Legend of Zelda series.

Aside from being a bit quiet on the animation end of things, Bee and Puppycat has a lot on its PLATE (sorry I couldn’t resist.)

From comic books, and other pieces of countless merch, the show has worked its way into peoples hearts, and now it can work its way into your stomach! Today marks the official release of Viz Media’s Easy Eats: A Bee and Puppycat Cookbook! While SDCC attendees were able to get their hands on the delicious recipe book about 2 weeks in advance, the book has now launched and is available to everyone. If you’re a fan of the series and would like to pick up a copy of your own, you can pick it up from Amazon or your local Barnes & Noble . You can also find a couple more links over on Viz’s official site.  Usually a copy of the book would retail for $16.95 USD, but for a limited time you can pick it up from the above mentioned sites for about 30% off! (that’s about $12.13 – $12.37.) The book features many popular and easy to prepare recipes straight from the show itself.

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Are you a fan of Bee and Puppycat? Are you planning on picking this book up? Tell us in the comments if you’re planning to, and if you already own it, are you enjoying it?

[This review is based on a copy provided by the publisher.]

Keiko Ishihara’s The Heiress and the Chauffeur, one of the newest series for Viz Media’s Shojo Beat line, is a love story set in Japan’s Taisho Period. It is a time when “new money” families begin to emerge in Japan. For Sayaka Yoshimura of one such family, like others before her, acceptance by society does not come easily.

Of course, Sayaka doesn’t seem to care a whit. She is mainly absorbed in dealing with her chauffeur and childhood acquaintance, Shinobu Narutaki. The young man is clearly smitten with her but being of a lower class, such a relationship would be forbidden. It is obvious through her actions that Sayaka reciprocates Narutaki’s feelings but isn’t entirely aware of them herself.

The first volume of a two-part series, this half spends most of its time  establishing relationships: Sayaka with her classmates, Narutaki with others of his rank, and of course, Sayaka with Narutaki. This is all well and good but there was not much progress in the story until chapter 3, the second to last chapter in the book (and my favorite, incidentally).

I hope things pick up in the second volume because it was still an enjoyable read. The art style is lovely and uses a lot of floral motifs in backgrounds and effects, which I somehow found fitting. The writing was also great. Each character felt like they had their own voice: Narutaki spoke more formally to members of higher stations; Sayaka spoke freely as you would expect from a young person of her social rank; and even side characters like Kazuko and Fumi had their own way of speaking.

Volume 1 also includes an adorable bonus story, “Luca and the Bandit.” I loved it! Not terribly long, the story follows a thief and two siblings. I can’t go into much detail without spoiling the ending but I will say the story’s inclusion added a great deal of value to the book in my eyes.

Fans of romantic manga or nonviolent period pieces should give The Heiress and the Chauffeur a look. With its excellent translation, pleasing visuals, and entertaining bonus story, I would give Volume 1 a rating of 4 out of 5.

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Ojousama no Untenshu © Keiko Ishihara 2011/HAKUSENSHA, Inc.

[This review is based on a sample provided by the publisher.]

VIZ Media recently released a limited edition art book, Blanc et Noir, featuring Takeshi Obata’s work. I can’t imagine many anime fans haven’t at least seen his art in passing. The artist is perhaps best known for Death Note but he also drew Bakuman and Hikaru no Go (my favorite of his series).

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OBATA TAKESHI ILLUSTRATIONS -Blanc et Noir- © 2006 by Takeshi Obata/SHUEISHA Inc.

 

With a title like Blanc et Noir, you can imagine that the images housed within are dark or sinister. But you would only be half-right. Yes, the majority of the pages are dedicated Death Note and its grim-looking cast but the rest of the (surprisingly heavy) book contains drawings from Hikaru no Go along with promo art from throughout Obata-san’s career and even some original works (see the image directly below.) One of the features are the author’s notes in the back, completely translated to English. The notes describe each page, including what series it is taken from, inspirations for the drawing, and other tidbits. I am glad they included this part as it adds a lot more depth to the pictures included.

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OBATA TAKESHI ILLUSTRATIONS -Blanc et Noir- © 2006 by Takeshi Obata/SHUEISHA Inc.

 

The quality of the book itself is impressive. The pages are large, as if you were holding a portfolio of thick posters. Some of the pages have a sort of film on them (which can be pulled away) or on a different textured paper (most are on a glossy-type page) to give certain images a different look The cover is a smooth matte black with a simple embossed silver emblem on the front. And the book is hefty! It has 132 pages of illustrations not to mention a four-page “How To Draw Section” and 12 pages of author’s notes.

review - Blanc et Noir, Obata Takeshi cover

OBATA TAKESHI ILLUSTRATIONS -Blanc et Noir- © 2006 by Takeshi Obata/SHUEISHA Inc.

 

Included with Blanc et Noir are three lithographs from art also found in the book. Those and the book are housed within a sturdy, textured book sleeve. Only 10,000 of this title were printed.

The edition size plus the quality of the product would justify the $99.99 price tag for most collectors and fans of Obata-san.  Even if you aren’t familiar with his work, it still makes for a cool book to display on your coffee table (people still do that, right?) if you can fit it into your budget. The cost is really the only downside to an otherwise awesome art book.

I would give Takeshi Obata’s Blanc et Noir4.5 out of 5. The book itself is spectacular but the price is a barrier some fans may not be able to get past.

With this being the 20th anniversary for the Pokémon series, it seems only natural that print media get in on the celebration. And no celebration is complete without cake! Or apparently sushi, pizza, or ramen. VIZ Media will release Maki Kudo’s The Pokémon Cookbook: Fun & Easy Recipes on December 6 and it is packed with 35 pocket monster-inspired recipes.

The book’s recipes will range from snacks to entrees to desserts. Pokéball sushi rolls, Pikachu-style ramen, and something called “Meowth” potatoes are some the dishes you’ll learn to make. Here’s hoping they cover bento art in some form or another.

Fans can purchase The Pokémon Cookbook: Fun & Easy Recipes this holiday season for US$14.99/CAN$17.99. In the meantime, take a gander at the Japanese version’s cover (seen below).

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Sailor Moon Crystal‘s third season began yesterday. Airing as a subtitled simulcast on Hulu and Viz, this season follows the manga’s “Mugen – Infinity” story arc also known as the Death Busters arc. Right out of the gate, viewers will notice that the look of the animation differs slightly from the first two seasons, most likely because of fan feedback. The new characters and transformation sequences are what I would call “classic” and less “stylized.”

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The first episode, entitled “Infinity 1- Premonition” (which, incidentally, is the same title as the corresponding manga chapter), also gives us our first viewing of the new opening and closing themes. The opening theme, “New Moon ni Ai Shite” (“Fall in Love with the New Moon”), will be performed by Etsuko Yakushimaru. The first of the ending themes (there are reported to be three in total) is “Eternal Eternity” sung by the actors for Sailor Neptune and Sailor Uranus, Sayaka Ohara and Junko Minagawa.

New episodes of Sailor Moon Crystal will be simulcast every Monday at 7: 35 AM Pacific.

Creating the greatest combination since peanut butter and Nutella, anime giant Viz Media is partnering the United Talent Agency (also known as UTA) with plans to create a range of live-action programming  utilizing popular anime and manga licenses. And the timing couldn’t be more perfect, with Viz celebrating its 30th anniversary this summer. While no specific series has been mentioned at this time, it is safe to say that is a very exciting development.

Given that Viz Media has a veritable treasure trove of hit titles in its library, it will be interesting to see which ones are chosen. I would love to see Kaori Yuki’s Grand Guignol Orchestra in live-action form. Oh! Or Yuu Watase’s Alice 19th! The list goes on.

What titles do you want to see reimagined as live-action series?

 

[This review is based on a sample provided by the publisher.]

I admittedly don’t have much experience in the whole coming-of-age genre. But when it came time to review the first volume of Inio Asano’s GOODNIGHT PUNPUN, that didn’t seem to be much of a problem. This manga is completely unlike anything I have ever read. The story follows Punpun Punyama, a boy (who is portrayed as a cartoony bird) growing up in a dysfunctional household in Japan. Volume One covers elementary school life up until the beginning of the first year of middle school.

OYASUMI PUNPUN © 2007 Inio ASANO/SHOGAKUKANOYASUMI PUNPUN © 2007 Inio ASANO/SHOGAKUKAN

 

One of the first things you notice when reading is that, beyond Punpun and his family, every other character is drawn as a normal human. The one exception is God, who looks as though he may be a photograph of a afro-headed, bespectacled, smiling man. I can’t help feeling that there is a deeper meaning to that choice, perhaps to display a sort of hierarchy in Punpun’s reality. All the same, to see such a great contrast contained within a single page can be a bit jarring.


OYASUMI PUNPUN © 2007 Inio ASANO/SHOGAKUKAN

 

The majority of Punpun’s interactions in Volume One are with his Mother’s younger brother and his classmates, specifically Harumin, Komatsu, Shimizu, and his crush, Aiko. The design for these characters is to be applauded because they all felt like real people with real flaws. Punpun’s uncle is definitely not ready to take care of a child and says thoughtless things at times. Shimizu is portrayed as having some hallucinatory mental disorder, in which he sees and hears things others do not and has delusions. His friends call him a “liar” and often disregard the things he says.  And Aiko? Well, without spoiling too much, let’s say she has a different view on life then most.


OYASUMI PUNPUN © 2007 Inio ASANO/SHOGAKUKAN

 

Whoever handled the English translation did a stellar job. Each line reads as though as if it was originally written is English. The dialogue maintains the nuance I expect was in the original. I will say I am dying to know what Punpun’s prayer, “Dear God, Dear God, Tinkle Hoy,” was in Japanese.

Is GOODNIGHT PUNPUN for everyone? No. The story is, at several points, very upsetting and because it takes place in a real world setting, it resonates more. It deals with some very heavy themes and situations.  However, if thought-provoking manga set in the real world is your jam, you can’t go wrong with GOODNIGHT PUNPUN.

Grab your great sword and some traps and prepare to head to your favorite book supplier! Viz Media is releasing Monster Hunter: Flash Hunter in English.With Monster Hunter Generations releasing this Summer, the timing is perfect for the series to create a buzz in the manga scene. The series is written Keiichi Hikami with artwork by Shin Yamamoto.

Veterans of the games will be familiar with the story’s universe but for newcomers, here is what Viz Media has to say about the setting as well as a teaser for the first volume:

It is an age when monsters rule the world, soaring through the sky, treading the earth and filling the seas. Humanity survives on the fringes, relying on a special kind of hero to defend the people from danger – the Monster Hunters!

In the opening volume of the series, hunting giant man-eating beasts is no job for the weak-hearted, but along with courage, it takes skill and experience to be a good Hunter. It also takes good teamwork. Raiga and his comrades are experts now, but when they started down the path of the Monster Hunter, they lacked these qualities. When they head off to confront the dragon-like Queropeco, they quickly learn that this flaw could cost them dearly…

As a fan of the video game series, I am looking forward to this one. The games’ plots always seemed to take a backseat to the gameplay and multiplayer action. It will be a nice change of pace to experience a bonafide Monster Hunter story.

Look for Monster Hunter: Flash Hunter both in print and digital form (available on Nook, Kobo, Kindle, iBooks, comiXology, Google Play, BOOK WALKER, and the Viz Manga app) when the first volume releases April 12.

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Hulu recently announced their anime release lineup for March. The highlights include a title I am particularly excited about. Additional episodes of Sailor Moon‘s fifth and final story arc, Sailor Stars, will be airing in the United States for the first time (legally). Two newly subtitled episodes will air each week. Look forward to episodes 190 and 191 on March 7, episodes 192 and 193 on March 14, episodes 194 and 195 on March 21, and episodes 196 and 197 on March 28. To add to the excitement, Sailor Moon Season Four is available to watch in its entirety.

Joining Sailor Moon are Bleach and Naruto Shippuden. The final season of Bleach (episodes 355 to 366) will be available, dubbed and uncut, beginning March 27. Naruto fans can experience weekly simulcasts scheduled every Thursday throughout March, beginning March 10 with episode 451.

Which titles are you excited for?

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Bibliophiles, have we got news for you! Yoshiki Tanaka’s famous science fiction series, Legend of the Galactic Heroes, will soon make its way to North American markets for the very first time. Coming to us by way of Haikasoru (a part of VIZ Media), the first volume, subtitled Dawn, releases March 8 on just about every platform imaginable.

The story is set in the 36th Century, with mankind having colonized all across the galaxy. Out in space, a war is being waged between The Galactic Empire and the Free Planets Alliance. The first volume focuses on the conflict between Reinhard von Lohengramm, an admiral of The Galactic Empire, and Yang Wen-li of the Free Planets Alliance. Reinhard dreams of becoming an supreme but benevolent ruler of the galaxy by overthrowing the powers that be. Meanwhile, Yang’s desire to preserve democracy and defeat the Empire may come at the cost of his ethics.

There will be a print copy (MSRP of US$15.99) of Legend of the Galactic Heroes, Vol. 1: Dawn as well an eBook edition, available from Amazon’s Kindle store, the Apple iBooks store, Barnes and Noble’s Nook Book store, the Kobo eBooks store, and the Google Play store. If you prefer to hear rather than read the story, Simon & Schuster Audio will have an audiobook edition (MSRP of US$23.99) read by Tim Gerard Reynolds.

Yoshiki Tanaka is also known for The Heroic Legend of Arslan, a fantasy novel series that has seen two anime adaptions as well as several video game titles. Perhaps if Legend of the Galactic Heroes sells well, Arslan might see similar treatment. That is just a wish of mine.

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Before I read Assassination Classroom, I had actually seen part of the movie on my flight to Japan. At the time I thought, “What is this strange movie?” Then I noticed the face of the teacher, and realized I had seen that face before. What teacher you may ask? Well, there is an alien creature here on Earth and he is going to destroy the planet unless the students of class 3-E can assassinate him by the end of the school year.

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The students of class 3-E are not your typical kids. Their class is considered the reject class by the rest of the student body because you are sent there if you have poor grades or you cause trouble. Now, they are also assassins in training. The teacher, later named by the students as Koro Sensei, makes a deal with Earth’s leaders that he will not destroy the planet if these particular students can successfully assassinate him.

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As you can guess from the plot, there is tons of action in this series. The action scenes play well and you can see the fights unfold. There is actually a lot of humor as well. What the teacher says and how it interactions with the human students creates a lot of funny moments. The particular art style is a little on the cute side and is like Love Hina and Negima!

Where does this thing come from? Why does he want to destroy Earth? Why these kids? Will they be able to complete their task of assassinating the alien creature? If you’re looking for something with an intriguing plot, action and humor, you should check out Assassination Classroom. This is definitely a fun one!

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Viz Media has announced that the iconic Japanese superhero sci-fi series, Ultraman, will make its return courtesy of a new Manga series.

Ultraman Manga Vol. 1

In case you’re unfamiliar with the series, Ultraman debuted in the late 1960’s and has since gained a worldwide audience. In Japan, the hero has become a cultural icon, triggering a pop culture phenomenon. After an ordinary human gained the power of the Giant of Light, an ordinary human gained the power to fight off giant monsters, or “kaiju”, that looked to destroy the Earth. The rest as they say, was history.

The manga series picks up years after the TV show ended. Following Shinjiro, an ordinary teenager who’s father happens to be the original Ultraman, the power that he inherits becomes the only thing that can stop a new threat, one that requires a new kind of hero.

Ultraman releases its first volume on August 18th in both physical and digital formats. Written by Eiichi Shimizu with artwork by Tomohiro Shimoguchi, the first book retails at $12.99.

Share your Ultraman fandom in the comments, and take a look at the full press release for all the details.

 

VIZ MEDIA LAUNCHES THE NEW ULTRAMAN MANGA SERIES

 

Kinetic Superhero Action Series Updates The Iconic Japanese

Sci-Fi Property For A Whole New Generation Of Manga Fans; Series To Launch In Print And Digitally

 

San Francisco, CA, August 11, 2015 – VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, announces the brand new ULTRAMAN sci-fi superhero action manga (graphic novel) series, which is set to debut in print and digitally on August 18th.

 

The series, written by Eiichi Shimizu with artwork by Tomohiro Shimoguchi, is inspired by the original classic Japanese superhero TV show that ran in the late 1960s and remains hugely popular in Japan as well as with international audiences. ULTRAMAN Vol. 1 is rated ‘T’ for Teens and will carry a print MSRP of $12.99 U.S. / $14.99 CAN. The series also launches digitally the same day via VIZManga.com and the VIZ Manga App, as well as from the Nook, Kobo, Kindle, iBooks, comiXology, and GooglePlay stores. Future editions of ULTRAMAN will be published quarterly under the VIZ Signature imprint. In Japan, the series currently appears in Hero’s magazine.

 

Decades ago, a being known as the Giant of Light joined together with Shin Hayata of the Science Special Search Party to save Earth from an invasion of terrifying monsters called Kaiju. Now, many years later, those dark days are fading into memory, and the world is at peace. But in the shadows a new threat is growing, a danger that can only be faced by a new kind of hero – a new kind of ULTRAMAN… Shinjiro is an ordinary teenager, but his father is the legendary Shin Hayata. When he learns that his father passed on the “Ultraman Factor” to him and that he possesses incredible powers, nothing will ever be the same again.

 

VIZ Media recently welcomed Eiichi Shimizu and Tomohiro Shimoguchi for their first-ever professional appearance in the U.S. as official Guests of Honor at the 2015 San Diego Comic-Con.

 

“In Japan, Ultraman is something of a national symbol, an iconic superhero that is instantly recognizable and universally loved, and we’re excited to bring the brand new manga to a new generation of fans,” says Mike Montesa, Editor. “The series wonderfully updates the classic sci-fi property with cinematic action sequences and sleek character designs. Catch the exciting return of this legendary hero this summer!”

 

Eiichi Shimizu worked on the story, script and mechanical design for ULTRAMAN. Tomohiro Shimoguchi provided character design and art. Together, the two have formed a creative dream team to produce a number of works including ULTRAMAN (Hero’s) and Kurogane no Rainbareru (Linebarrels of Iron, Akita Shoten). In addition to comics, they have expanded their field of interest to include character designs for video games and action figures.

 

For more information on ULTRAMAN or manga titles published by VIZ Media, please visit www.VIZ.com.