With Star Wars being all the rage, now is the perfect time to review Lucy Collin’s crochet kit, Star Wars Even More Crochet. The kit is a sequel of sorts to the popular Star Wars Crochet, which was released in 2015. And while the original kit was dedicated strictly to the classic trilogy, this new release features a mix of characters from the original films as well as those found in The Force Awakens.

The box containing the goods is quite fun by itself, with color photos of the amigurumi (crochet dolls) from the pattern book. Characters can be found not only on the front and back of the box but also two of the sides, giving it a festive air.

Found in the enclosed book are patterns for a Jawa, BB-8, Rey, Finn, Poe Dameron, Kylo Ren, Obi-wan Kenobi, Lando Calrissian, Admiral Akbar, Nien Nunb, the four members of the Cantina band, and Greedo.

The kit includes the materials needed to make a Jawa and BB-8, even safety eyes and stuffing.

Sounds great, right? And it is, in theory. However, I encountered several issues with the yarn and the hook. For starters, two important things to keep in mind when crocheting amigurumi is that your gauge is tight enough to keep the stuffing from showing through and that the yarn weights are the same. I noticed right off that the weight for the black and brown yarns for the Jawa were different. I ended up using some yarn from my stash instead (both chosen were worsted weight).

Next off, the crochet hook provided was crooked when I took it out of the box (you can’t tell in the photo because it is facing up). And while the hook was still usable, I did find it very uncomfortable to hold after more than 20 minutes.


It is a shame about the pack-ins because the book for the most part is great. The patterns were well-written and I did not encounter any errors. The only problem was the Techniques and Terminology section, which gives a rundown on the different stitches found in the patterns. I have been crocheting a long time and thankfully knew how to do all of the required stitches already but even I was confused by some of the diagrams used in that section. If you know what you are looking at, you eventually have a moment of “I see what you did there” but I can’t see it being of any help to someone unfamiliar with the techniques. I guess that is where Youtub comes to the rescue.

Here is my finished project, Martini the Jawa. He didn’t take long to make. I did have the split the crochet sessions into bits because my hand really did not like working with that bent hook. But all told, I estimate it took me between two to two and a half hours to finish. Not bad at all.

I am going to give the kit as a whole a 2 out of 5. For $24.99, it should come with usable supplies. The pattern book on its own earns a 4 out of 5. The patterns are relatively simple with a great blend of characters from the series’ past and present. The only problem was the not-helpful Techniques section. Other than that, it was super fun.

[This review is based on a sample provided by Thunder Bay Press. All opinions are my own.]

[This review is based on a sample provided by the publisher.]

Viz Media’s Sushi: Jiro Gastronomy is unlike any other title I have seen in their library. Written by Jiro Ono and Yoshikazu Ono, the book can be seen as a survey of the world of sushi as well as view into  Jiro Ono’s Tokyo, Japan-based restaurants, Sukiyabashi Jiro.

[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN

The majority of the pages are used for the “Omakase Tasting Menu,” in which each spread of pages is dedicated to a certain sushi. You can see two samples from this chapter below.

[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Hiroshi Suga] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
 

I loved the inclusion of the Japanese name for the sushi, both in Romaji and Hiragana. I think it might come in handy for ordering from Japanese menus. Each of the fish descriptions mentions when that particular one is available to order. For example, you will note that the Abalone is only in season from May to September whereas the Golden Cuttlefish is fine all year round.

The sushi descriptions for the sample pages put focus on how the restaurant, Sukiyabashi Jiro, handles each particular type of sushi. And while some entries dedicated more time than others to this topic, it is always mentioned.

Perhaps the biggest draw for Sushi: Jiro Gastronomy isn’t so much the information contained within but the beautiful accompanying images. I was so hungry after reading this book. I have no clue how the photographer did it but they managed to perfectly capture all the alluring aspects of each particular dish.

 

[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN
[Photo by Kenta Izumi] SUSHI SUKIYABASHI JIRO: JIRO GASTRONOMY© 2014 Jiro ONO, Masuhiro YAMAMOTO/SHOGAKUKAN

The section on “How to Eat Sushi” was actually my favorite part. It was amusing to read as well as informative. Some of the descriptions, such as the one shown above (which I was particularly fond of), have a more lengthy description. Others are much more concise, about one short sentence.

The final section “Dining at Sukiyabashi Jiro” is very short, basically giving a rundown of what to expect when visiting their establishments. It was nice addition for people traveling to Japan who might want to eat there after staring at their food for so long. Thankfully, addresses to both locations as well as their business hours are also in this chapter.

Sushi: Jiro Gastronomy earns a tasty 5 out of 5. It isn’t the type of book I would normally read but it was informative, well-written, and dang if those pictures didn’t make me salivate.

Well, after covering the tease of the first chapter, I finished up Go Set a Watchman. For those of who have yet to read it, I’m sure you’re still probably wondering what the truth behind the recent hubbub really is. In Harper Lee’s first—and until now, only—book, To Kill a Mockingbird, the epic father figure, Atticus Finch is basically a superman (given the time period) lawyer for civil rights. He set the bar for basic human decency during a period of awakening in American society. He was a bright beacon for the reformation of white guilt into something more constructive, as a nation began the attempt to make right the sins of our fathers.

There are probably several other ways to describe the character’s impact on society but—judging by the headlines these days—whatever it is, we’re still working on it all these decades later. . . which is rather mind blowing. So it is that, while Mockingbird was a wonderful dream to shoot for, Watchman is probably a more realistic presentation, kissed with optimism for finding a path that was still out of reach then and there—a path we’re, shockingly, still trying to navigate.

The new Atticus is not a superman—probably unrelatable to many but the most progressive at that time—he’s just a sorta decent (for the time) old dying white guy who recognizes that times are rightfully changing. He knows the new America needs to happen and recognizes that he won’t be welcomed by it because of his ingrained prejudices and his contemporaries’ actions in the old. His only hope of contribution to the new order is that he might have succeeded in raising his daughter to be a strong intelligent leader—that she will help overtake his generation and, hopefully, wipe their sins from the nation.

The most important thing to remember here is that this is a progressive book for the fifties, when it was written, offering little more today than perspective and understanding for a bygone era. The fact that that time is not quite as bygone as we’d like, makes Watchman all the more relevant.

Now, I must say, hopefully not giving too much away, people’s reactions are actually the whole point of the story! What I’ve read in articles and on Twitter—some from people refusing to read it!—are the themes directly addressed in the book. I find that telling. It may be the issue we have yet to face as a society—that we’d rather imagine everything’s fine instead of facing the truth and doing something to correct it.

In that regard, Watchman could prove to be even more powerful than Mockingbird, especially for today, because it pops that bubble of optimistic illusion and forces us to look at the ugly truth still facing us—daring us to make it right once and for all.

For the literary geeks; I have to say I quite enjoyed the experience of the author’s work with little touch from an editor. It felt raw and immediate to find her thoughts spit out across the pages just as they had formed in her brain. Switching between perspectives, time periods and storylines as they occurred to her. Did I occasionally have to reread some sentences to realize a subtle transition had taken place?—yes. But it was exciting and thrilling to feel like I was cresting the wave of inspiration with her as the muse pulled her in a new direction. The way she used words and sentences to paint her creations was beautiful to experience. I fell in love with Jean Louise (Scout) Finch and her world from the first chapter and felt the horrible sting as that world changed before her eyes.

GoSetAWatchman_Cover01_360x544Honestly, as a reader, my favorite moments were those where we find Jean Louise flirting—with Henry, life and adventure or possibility. Her character is sharp and witty—a pleasure to experience. Her vulnerabilities are charming; her strengths, admirable. She’s tough and unwilling to take guff from anyone but, for all her experience living in New York, it’s her naiveté that I found most disarming. Scout as a young woman may actually be the perfect avatar for America today—believing the world to be sunnier than the hard truths lurking under the surface—truths that must be addressed to cure the persistent cancer. In her defense, she may not know all the facts but she knows what’s right and she’s ready to take a stand. My favorite exchanges were between her and Henry as he does his best to court her. My favorite line out of context was actually delivered by her uncle (probably my second favorite character), “I’ve played hell with her fruitcakes.” I’m considering adopting it as a non sequitur hashtag, #IvePlayedHellWithHerFruitcakes. You know that has a lot of uses—let’s make it a thing.

That said, however, I’m left with the impression that this is a short story that was stretched out like taffy, reaching out beyond what was necessary to tell the tale. That is to say, as author’s drafts tend to be, it was not efficient. It’s easy to see why some wise editor, over half a century ago, advised Lee to take some aspects of this story and build a new one from them. It’s the recommendation that gave Lee immortality with Mockingbird. However, her raw skill and talent here for carving characters and worlds from words breaks my heart that she wasn’t inspired to write more through the decades.

All told, I think Go Set a Watchman, is a read you won’t regret. It may not leave you feeling like you’re connecting with a rosy dream world but the lingering effect may be the impression of a better connection with an ever evolving real-world America and inspire you to make it the best you can.

Roger Ma’s The Zombie Combat Field Guide, a Coloring and Activity Book for Fighting the Living Dead, came out this week and it’s a blast. Is it for adults? Is it for kids? This is tough to say, but anyone interesting in surviving the zombie apocalypse should check it out.

9780425278369H

Just like similar coloring and activity books, except maybe a bit more adult themed, this one has all kinds of fun pages.

For example…a zombie is attacking you and your first thought is to pull on hair to keep their mouth from chewing on your face. Good idea? Bad? Check it out:

the_zombie_combat_field_guide_3

Not only do you have fun coloring, you can also learn! Did you know the decomposed scalp would rip away so easily? Neither did I!

The book also assists in the zombie apocalypse decision making process with fun pages such as this one:

the_zombie_combat_field_guide_4

It’s never an easy decision…right?  These are just some of the really fun pages to check out.

The illustrations by Y.N. Heller are also awesome. It’s so cool seeing such graphic imagery in the format of a coloring book.

The book includes sections on physique, how the zombies attack, and some interesting tips and tricks. Plus, you get to color while you learn. Who doesn’t love coloring?

For ordering information, check out this link. The book is available now!

 

Geekscape author Dennis Finocchiaro covers everything from Legos to movies, and even writes his own stuff. Check out his collection of flash fiction that take place during the zombie apocalypse here.

 

What kind of nutjob dresses up like an animal and crawls around a night fighting crime?  We’re talking about someone who has an obsession of fighting crime, devoted their life to intensive training, and can’t maintain a healthy relationship with anyone but their butler.  On top of this, he’s followed around by a string of acrobatically-inclined kids in tights and the love of his life is a jewelry-snatching furry.

If you said “The Riddler,” you’d be wrong.  Like, really wrong.  I don’t even understand your thought process there.

If you said “Batman,” you’re stating the obvious and not being clever at all.  Though, of course, you’d be correct.

But is Batman actually crazy?  And, if he is, are all of the incarnations of Batman through the years crazy as well, or are some of them less nuts than others?  What about his famous Gallery of Rogues?  The Mad Hatter… probably nuts.  But villains like the Joker walk that fine line—is he insane, or is he just acting insane?  Why do some of Batman’s enemies end up at Arkham, but others end up at Blackgate?  And what’s up with all of those Robins?

In Batman and Psychology: A Dark and Stormy Knight, psychology professor and Batman fanatic, Dr. Langley, answers these questions.  With chapters like “Why the Mask?”, “The Fathers: Why do we Fall?”, and “The Madhouse: What Insanity?” Langley tackles not only the mind of Batman as we currently know him, but the collective being that is Batman from the character created in Detective Comics #27 to Adam West’s quipping crime fighter down to the darkly brooding Batman of Nolan’s Dark Knight series.

Through Langley’s explorations, we learn of the people –both villains and friends—that have touched Batman’s life through case studies, as well as how external events influenced the direction that the comics Batman inhabited took, like the impact Dr. Wertham’s book, Seduction of the Innocent had on the comic book industry.

Batman and Psychology is not simply an easy read about Batman but, first and foremost, an academic text.  Langley cleverly combines his two loves –as evinced by the title—to create a work that will draw the most disinterested psychology students in by using the seemingly universally loved Byronic hero of Batman.  Using concrete examples from the Batman universe(s), Langley explores Freud, Jung, Erikson, as well as Kubler-Ross’ Stages of Grief and many other classic theories psychology principles, making it a helpful read for any struggling student of psychology.

 

Batman and Psychology is published by Wiley.

When I was little, I was obsessed with dragons.  They were the beasts that replaced my beloved unicorns once I realized that the single-horned equines were for weaklings—scales and breathing fire?  So much cooler than a horn and the ability to attract virgins.

Rachel Hartman gets that.  Stepping away from the vampire/werewolf/zombie nonsense that has caught the young adult genre by its under-developed… er… boot-straps, Hartman has created an amazing world in Seraphina that doesn’t just feature dragons, but is defined by their presence.

The eponymous Seraphina is the latest assistant to Goredd’s court composer, Viridius, taking on the job just as one of the city’s beloved princes has gone and lost his head… to a dragon.  Well, the theory is that a dragon was the cause of death, but in a city only four decades into a rather unstable treaty with dragon society, that theory rapidly becomes “fact”—whether it’s true or not.

What makes things worse than they already were is that Hartman’s dragons can take human form.  That doesn’t sound too bad until we learn about the doubtful social skills of the dragons— skills a few steps removed from the comparatively charming cordiality of Star Trek’s Vulcans.  The culture clashes in the story hearken back to the race riots of the mid 1900s—with only one side erupting in violence.

But it is because of the dragons’ ability to take human form that Seraphina exists at all.  The supposedly impossible offspring of a human and dragon, Seraphina possesses physical and metaphysical manifestations of her blended heritage and does her best to hide them—something that was infinitely easier before she caught the notice of the royal family.

Running through a city slowly going mad, trying to uncover political machinations worthy of Lord Littlefinger while keeping her origins hidden, Seraphina finds that she might not be the only child of mixed blood and that sometimes that very blood comes back to haunt you.

Seraphina is one of those books that, if you risk putting it down, thoughts of it will stay with you until you pick it up once more.  The prose is simple and intense, dreamily romantic yet cuttingly precise.  You will fall in love with Seraphina and the beautifully wrought world she inhabits in minutes, so prepare for a captivating ride.

 

Seraphina is published through Random House Children’s Books.

On the threshold of forty most men would inevitably find themselves crumbling under the weight that is a mid-life crises.  Michael Ian Black however uses this milestone as a means of evaluating his life thus far, and unlike his demographic counterparts it is done without measuring his life in terms of youth squandered.  He retrospects his life in search of an answer to one question.  How exactly did he get to this point in his life?

You're Not Doing It Right
Black Stares off into nowhere on the cover

What follows next is Michael Ian Blacks newest book You’re Not Doing It Right the journey into adulthood as told with the frankness and sincerity only allowed by one who truly understands and loves his subject material: By subject material meaning his family, though I’m sure he loves himself as well. Actually he may in fact love himself more so then his family, or so it seems at times in the book through some of his descriptions and accounts of interactions with the aforementioned parties (for example his use of “cocktail wieners” while describing his wife in the chapter “I Hate My Baby” made me cringe and laugh simultaneously)

You’re Not Doing It Right is most easily described as a memoir (by me, the book publisher and by the technical definition of the word according to Webster’s so it must be true; though I wish I could find a more fitting word that doesn’t come across so decidedly french and pretentious).  Throughout the book Michael Ian Black tracks his life as told in a series of events that are allowed to unfold in their own chapters, by following this format Michael Ian Black has created a novel that builds upon itself freely and comes across refreshingly accessible.

You’re Not Doing It Right is written with the wit and comedy that one would come to expect from someone who has made a career out of making others laugh.  Surprisingly to some however may be Michael Ian Black ability to be his funniest when he is just being honest with his audience. Allowing them a rare glimpse at the man behind the stage persona built for the public eye.

Chapters like “I Hate My Baby” are told with such brutal honesty you can’t help but find yourself laughing while completely relating to the situation he is found himself in, even if you have never been in that particular situation yourself.  As a whole the book reads this way a lot.  If viewed simply as a snapshot some chapters should based on subject matter alone be more accessible then others.  For instance not everyone will have had a direct experiences like those described in the chapter “Dead Dad Kid” where the author talks about his experience with the death of his father.   His ability to write chapters like this with such clear prose of emotion it affords the reader the chance to enter the situation themselves; not as a third party to a tale retold in hindsight but as a guest embraced lovingly by the moment itself.

Full of laughs and heartfelt sentiment from start to finish I would recommend this book to anyone who is married, has kids, or hopes to someday be a member of one or both of the previous parties (aka that’s a recommendation to everyone if you couldn’t figure that out for yourself).