Bryan Singer announced who will be playing Storm, Cyclops, and Jean Grey via Twitter today in his upcoming prequel/sequel: X-Men: Apocalypse.

Bsinger Quote

 

The three will be playing fan favorites Cyclops, Storm and Jean Grey (portrayed in the original trilogy and last year’s Days of Future Past by James Marsden, Halle Barry and Famke Janssen), with Alexandra Shipp (Straight Outta Compton) playing Storm, Sheridan (Mud) as Cyclops and Sophie Turner (Game of Thrones) as Jean Grey.

Xmen Cast
(l-r) Alexandra Shipp, Tye Sheridan, and Sophie Turner join the cast of X-Men: Apocalypse as Storm, Cyclops and Jean Grey, respectively.

Set in the 80’s–a full two decades before first X-Men movie–Apocalypse also stars Michael Fassbender, Jennifer Lawrence and James McAvoy reprising their roles from Days of Future Past.

The movie starts shooting this April and is set to release in May 2016.

What do you guys think? Perfect casting? Don’t know what Singer was thinking? Let us know in the comments!

Heroes of the Storm: BlizzCon 2014 Line Up
Heroes of the Storm: BlizzCon 2014 Line Up

Continuing its storm of announcements at BlizzCon 2014, Blizzard announced the Closed Beta for Heroes of the Storm will be begin on January 13th, 2015.

Players can opt into the Beta through their Battle.net account on the Beta Profile Settings page. Players can also win access to Heroes via the Bring Your Friends to the Brawl Facebook app.

Heroes of the Storm is a free-to-play brawler staring fan favorites characters from across the Blizzard universes. Players can customize their heroes and engage in 5 v 5 battles across a variety of battlegrounds–each one requiring a different strategy.

New characters announced at BlizzCon this year include Thrall, Jaina, the Lost Vikings, and Sylvanas; as well as two new battlegrounds, The Sky Temple and the Spider Queen.

The Lost Vikings, one of four new heroes announced at BlizzCon 2014.
The Lost Vikings, one of four new heroes announced at BlizzCon 2014.

Blizzard plans on introducing new heroes every four to six weeks, and promises a lot of consistent new content every few months once the game goes live.

Check out the intro video below to see the new heroes in action, and let us know in the comments which hero you’re most excited to play!

 

http://youtu.be/u-PLBTXpyKI

What do you think? Can’t wait? Can’t be bothered? Let us know in the comments!

SUper excited about the new expansion to Starcraft II? Can’t wait to see what it will look like? Well, look no further, because we have pics straight from BlizzCon 2014, from maps to new units to character art. Why are we still talking and not showing? We don’t know!!

Character Art

Vorazun
Vorazun

Rohana
Rohana

Raynor
Raynor

Kerrigan
Kerrigan

Karax
Karax

Artanis
Artanis

Zeratul
Zeratul

Concept Art

 

SCII Legacy of the Void: Concept Art
SCII Legacy of the Void: Concept Art

SCII Legacy of the Void Art. Courtesy of Blizzard.
SCII Legacy of the Void Art. Courtesy of Blizzard.

SCII Legacy of the Void: Dark Templar Shakuras
SCII Legacy of the Void: Dark Templar Shakuras

Screenshots

 

StarCraft II Legacy of the Void:  Shakuras Courtesy of Blizzard
StarCraft II Legacy of the Void: Shakuras
Courtesy of Blizzard

StarCraft II Legacy of the Void:  Shakuras Courtesy of Blizzard
StarCraft II Legacy of the Void: Shakuras
Courtesy of Blizzard

StarCraft II Legacy of the Void:  Shakuras Courtesy of Blizzard
StarCraft II Legacy of the Void: Shakuras
Courtesy of Blizzard

StarCraft II Legacy of the Void: Shakuras. Courtesy of Blizzard.
StarCraft II Legacy of the Void: Shakuras.
Courtesy of Blizzard.

StarCraft II Legacy of the Void:  Shakuras Courtesy of Blizzard
StarCraft II Legacy of the Void: Shakuras
Courtesy of Blizzard

StarCraft II Legacy of the Void:  Korhal Missile Turret Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal Missile Turret
Courtesy of Blizzard

StarCraft II Legacy of the Void: Korhal Bridge. Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal Bridge. Courtesy of Blizzard

StarCraft II Legacy of the Void:  Korhal Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal
Courtesy of Blizzard

StarCraft II Legacy of the Void:  Korhal Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal
Courtesy of Blizzard

StarCraft II Legacy of the Void:  Korhal Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal
Courtesy of Blizzard

StarCraft II Legacy of the Void: Korhal
StarCraft II Legacy of the Void: Korhal

StarCraft II Legacy of the Void: Shaskuras War Council and Rohana
StarCraft II Legacy of the Void: Shaskuras War Council and Rohana

What do you guys think? Super excited now? Have you checked out the trailer? Signed up for the Beta? Not impressed at all? Let us know in the comments!

Blizzard announced “Legacy of the Void,” the highly anticipated final chapter in the Starcraft II trilogy at BlizzCon 2014, promising an ‘epic conclusion’ to Raynor, Kerrigan, Zeratul and more, as players guide the Protoss and aim to unite the three races to battle the ultimate evil that threatens all life in the universe.

We had a chance to interview Allen Dilling and Justin Thavirat, Lead Artists for “Legacy,” about Starcraft II, Kerrigan, and all things Zerg.

“We really feel like everyone’s stories will finish up in way that the players will enjoy and appreciate,” said Thavirat. “And we’re really excited about the fact that it’s stand-alone, so players can just jump in and start with ‘Legacy.’”

SCII Legacy of the Void Art. Courtesy of Blizzard.
SCII Legacy of the Void Art. Courtesy of Blizzard.

That’s right, “Legacy of the Void” will be a stand alone game—players can purchase it and play without owning, or even had played, “Wings of Liberty” or “Heart of the Swarm.”  “Legacy” will have both new strategies and units for single player play, but also two new game modes, Archon Mode, a new co-op gameplay; and Allied Commanders, an objective based co-op that allows players to take on the persona of famous commanders and play through a series of special scenarios.

“’Legacy of the Void’ will deliver the quintessential StarCraft II experience,” said Mike Morhaime, CEO and cofounder of Blizzard Entertainment. “The new single-player campaign will wrap up the massive story, and we’re excited to share new game modes that will open up different ways to play the game and additional units that will expand the rich strategic depth of StarCraft II multiplayer.”

StarCraft II Legacy of the Void: Korhal Bridge. Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal Bridge. Courtesy of Blizzard

“Legacy” has numerous changes that will require players to play much more offensively, including increasing the effectiveness of Marines and Medic, and lowering the amount of resources available on each mineral deposits or vespene gas geysers.

“The new maps and upgraded units really allow for more diverse strategies, and it also allows players to get a more in-depth look at the worlds people are coming from.” Said Dilling. “For example, you’ll finally get a chance to see a Protoss mother ship, where the whole race lives, which we’ve never done before.”

StarCraft II Legacy of the Void: Shakuras. Courtesy of Blizzard.
StarCraft II Legacy of the Void: Shakuras.
Courtesy of Blizzard.

A number of Terran, Protoss and Zerg units are upgraded, and whole new units are being introduced for each of the races, most specifically to increase a player’s effectiveness in multi-player, including improved HERCs, Siege Tanks, Lurkers, Ravagers and more.

“We really wanted multiplayer, and the new Co-op Archon Mode, to be something that all players could enjoy, from the e-sports pros to someone who just picked up the game.” Thavirat said. “And with the upgraded units and new modes, I think players will really enjoy it.”

“Making sure that the social aspect of the game was there, with the automated Battle.net tournaments and the new modes, was a real priority for us.” Dilling added.

StarCraft II Legacy of the Void:  Korhal Courtesy of Blizzard
StarCraft II Legacy of the Void: Korhal
Courtesy of Blizzard

“Legacy” will also offer new multiplayer maps and tilesets to allow the player to battle throughout the Koprulu Sector.

A release date has yet to be announced, but players can sign up for the official Beta at www.starcraft2.com. “Legacy” will be available on both PC and Mac simultaneously.

Let us know what you think in the comments. And follow SJ on twitter @sjbwrite to get all the latest Blizz updates.

That’s right, hot of the presses and available for you to see right now, it’s the much teased, much rumored new Blizzard game, straight from BlizzCon 2014–you know what, we’ll stop talking and play the trailer.

http://youtu.be/t1Qw_0kvRLs

Almost lost in the avalanche of announcements at BlizzCon 2014 today was the Warcraft cast. Never fear, though, we at Geekscape are here, battling exhaustion and bad internets, to bring you all the Blizzard news worth reporting.

And to not keep you in suspense any longer, here’s the casting (as we know it):

The Alliance

Travis Fimmel (Vikings) has been tapped to play Anduin Lothar. Yes, that Travis Fimmel and that Anduin Lothar. Lothar is known to most fans as the well-meaning, upright (maybe even a little uptight…) war hero and last true descendent of the Arathi bloodline.

Travis Fimmel will plau Aunduin Lothar in Blizzard/Legendary Pictures Warcraft movie.
Travis Fimmel will play Anduin Lothar in Blizzard/Legendary Pictures Warcraft movie.

King Llane Wrynn (grandfather to Prince Anduin Wrynn) is the ruler of the Kingdom of Azeroth during the First War (so that pretty much answers the when and the what of the movie, as the rest of cast confirms) and will be played by Dominic Cooper of Captain America: The First Avenger and Need for Speed.

Dominic Cooper will play King Llane Wrynn in Blizzard/Legendary Pictures Warcraft movie.
Dominic Cooper will play King Llane Wrynn in Blizzard/Legendary Pictures Warcraft movie.

Paula Patton (MI:5) joins the Alliance as Garona, a strong willed survivor torn between two loyalties.

Paula Patton will play Garona in the upcoming Warcraft movie.
Paula Patton will play Garona in the upcoming Warcraft movie.

Also joining the cast are Ben Foster (Lone Survivor)  as Medivh, the Guardian of Trisfal, corrupted and forsaken by the demonlord Sargeras, Ben Schnetzer as Khadgar, Medivh’s last apprentice and one of the great heros of the Alliance, and Ruth Negga (Agents of Shield) as Lady Taria, Queen of Stormwind and Llane’s great love & trusted advisor.

(l-r) Ben Foster, Ben Schnetzer and Ruth Negga have joined the Warcraft cast as Medivh, Khadgar and Lady Taria.
(l-r) Ben Foster, Ben Schnetzer and Ruth Negga have joined the Warcraft cast as Medivh, Khadgar and Lady Taria.

 

The Horde

The leading figures of the Orc Horde were announced as well.  Toby Kebbell (Planet of the Apes) as Durotan, Chieftain of the Frostwolf Clan (for the Horde!), with Rob Kazinsky (Pacific Rim) as Orgrim, Durotan’s right-hand man, and Clancy Brown (The Highlander) as Blackhand, the Destroyer. Rounding out the Horde announcements is Daniel Wu as Gul’Dan, the supreme Orc ruler who can’t see the dark path he is leading his people down.

Warcraft Mov cast 2
l-r Toby Kebbell, Rob Kazinsky, Clancy Brown, Daniel Wu will all appear as famous Horde leaders in the Warcraft movie.

 

While exciting news (if somewhat disappointing that only two women were named, and both as lovers/advisors…still, that’s double the number of woman roles that were announced in the first Star Wars casting announcement, so…improvement? Maybe?), there’s still a lot we don’t know about the movie…other than it comes out in 2016, and it clearly deals with the First War and the creation of the Dark Portal.

Stay tuned for more Blizzard news from BlizzCon, and let us know in the comments what you think!

 

Blizzard, as is their want, opened up BlizzCon 2014 with a rousing, crowd-pleasing announcement: a new, team-based, pick-up-and-play, first person shooter called Overwatch.

Set in a near future earth, Overwatch follows a variety of characters (12 were available to play at Blizzcon, with vague promises of more to come), each with their own special ability, as they battle in groups of six on battlegrounds with multiple levels, allowing players to go from alley to roof to interior quickly and easily, across maps which showcase familiar but highly-stylized future locations (like a London with a hoverbus. Forget hoverboards, when are we going to get a double-decker hoverbus?).

OW110_Final

Overwatch follows disparate heroes who have found themselves without a home when the super-special-secret force known as Overwatch gets disbanded (this seems to becoming a popular backstory…see .Agents of Shield, or Watchman, or The Incredibles…well, the list goes on). Each character has strengths and weakness, which when combined into a team can ‘accomplish the incredible.’

“Overwatch is our take on a vibrant, near-future universe with amped-up characters and action-packed team-based gameplay,” said Mike Morhaime, CEO and cofounder of Blizzard Entertainment. “With every new Blizzard game, we look at our favorite aspects of a genre and put our own spin on things. Our goal with Overwatch is to create an awesome FPS experience that’s more accessible to a much wider audience while delivering the action and depth that shooter fans love.”

Map_KingsRow

Each character has a distinct backstory, which explains both their abilities and motivation, and defines how they interact with each other and other characters in the game.

Overwatch has a lot of story in it…about a metric ton.” Overwatch developers said at the panel after the announcement “but ultimately the narrative aspect of Overwatch is not connected to the game play. We’re trying to experiment with Overwatch, to try to make the story happen outside of the gameplay.”

While it wasn’t exactly clear how party balance will be maintained (players will be able to choose any character to play, even if that character is already being played on the same team…which leads to the ‘what if there’s six of one character?’ question), but developers were confident that issue would be resolved to allow players great freedom of choice and party balance.

An achievement system and the price point of the game are also unknowns at this time, but that doesn’t seem to be dampening interest, as the line for the demo–which is already hours long–proves.

Stay tuned for a deep dive into the 12 characters we know about, as well as review of the gameplay here at BlizzCon.

Interested? You can sign up for Beta access and follow all Overwatch news and info at www.playoverwatch.com.

As let down as I was by the Tranzalore episode last December, I was still in a stew of anticipation for the new Doctor and the new series. As the premiere date got closer, I’ll even admit that the anticipation wound up to a fevered pitch. I was very, very, very excited!

So, I wanted to wait a day before I wrote up my thoughts about the premiere episode of Doctor Who‘s eighth season, “Deep Breath,” in order to separate coherent opinion from a sort of post-Christmas morning let down. So, a day (and one more viewing) later, and I’ve found (disappointingly) that the issues remain.

Not to say there weren’t flashes of pure, Doctor-y brilliance in the episode. And if Peter Capaldi, our new Doctor, can be that good amidst that much rubbish, imagine how good he’ll be when he actually gets a better story!

Needless to say, if you haven’t seen the newest episode, and don’t like spoilers, don’t read any further!

Peter Capaldi as Doctor Who and Jenna Coleman as Clara. Courtesy of the BBC
Peter Capaldi as Doctor Who and Jenna Coleman as Clara.
Courtesy of the BBC

So, first, what worked:

1. Peter Capaldi: From ‘furious eyebrows’ to dinosaur-translating to that delightful Scottish brogue, Capaldi’s Doctor is angry, wry, sad, puzzled, conceited, arrogant, lost, humble and very, very lonely (as all of Moffat’s Doctors are). From the ungainly fingers sticking out in all directions to the sauve pose and reveal of the red silk lining of his new suit; from the desperate wretchedness of “Who frowned this face for me?” to the rapier-wit comedy of “You said that all by yourself”; from the frantic flirting with a larger-than-it-should-be dinosaur to the calm humor when he tells Clara (Jenna Coleman) that he is not her boyfriend, Capaldi reveled in his Doctor, and invited us along for (what I hope will be an amazing) ride.

2. Vastra and Jenny Flint (mostly): Vastra (Neve McIntosh) has always been one of my favorite reoccurring characters, and her and Jenny Flint’s (Catrin Stewart) relationship is given more time in this episode than any other; Jenny almost becomes a fully fleshed character. The quick allusions to Vastra’s other cases make me want a spin-off (though the Sherlock Homes references got to be a little much) and their lizard-lady kiss was certainly the first of its kind on television. Vastra provided such much needed snark and sarcasm (until she also become a monologue mouthpiece bent on lecturing fan-girls, but more on that later).

3. The Alley Scene: Capaldi and a homeless man in an alley, where Capaldi ruminates on ‘why this face.’ Moffat writing at its best: evocative, funny, illuminating without feeling like an info-dump, and creating a connection with the audience. By the end of that scene, I was sold on Capaldi’s Doctor.

4. Jenna/Doctor in the Restaurant Scene: It was funny. Both Coleman and Capaldi were obviously enjoying themselves, and the banter fairly sparkled. For that brief scene, I could see Clara and the Doctor as a team (versus other scenes, where I keep being told they were but didn’t actually see it).

5. Heaven/The Last Scene: Did I miss something? Do we know that woman named Missy (Michelle Gomez)?? Who was she? Where was she? How does she know the Doctor? What is she on about? In 30-seconds I went from ‘meh’ to ‘oh, ok, well I guess I have to watch this season.’ She’s clearly going to be a presence over the next few months. If anyone knows who she is, please say in the comments! Or even if all you have is a vague idea or an loud opinion. It is the Internet, after all. Don’t be shy!

Doctor Who
Michelle Gomez as Missy the Mystery Woman in Doctor Who: Season Eight.
Courtesy of the BBC

Alright, now on to what didn’t work.

And so much didn’t, right? Huge plot holes; convenient, highly-coincidental happenings; every single character getting a two minute monologue about how the new Doctor is the Doctor and how we should all just get over it and move on; a bad-guy that was oh-so-not-subtly a mirror to our own Doctor’s emotional state–the list, quite literally, goes on.

1. The Dinosaur: I have nothing against the odd dinosaur (I went through the dinosaurs are awesome phase just like everyone else) but why? And how? The TARDIS has been stuck inside any number of things (organic and inorganic) and time-traveled out of them, and none of those things got pulled along for the ride (and this dino is HUGE. Sorry, Vastra, you’re ‘I was there.’ didn’t explain away that one). And aside from the ‘huh…how?’ issue, there’s the fact that now we have an episode about a dinosaur, an ancient being, lost out of its time, alone and stranded, worlds away from its family and home (gee, are you getting some subtext here? You should be, because, like a lot of this episode, it’s not so much sub- as just right out there, completely textual). And if for some reason we didn’t grasp the allegory, Moffat made sure we did by having the finally-asleep-Doctor translate the lost, lonely and cold dinosaur’s thoughts for us.

2. The Attempts at Humor: This is mostly about Strax. I usually really like Strax and his obtuse, violence-first approach is good for a gallows humor. This episode, his humor is too broad, too easy. And the bit where he hits Clara in the head with the newspaper? What was that? It wasn’t funny, and it cuts from Clara flying backward, directly to Clara coming into the kitchen with neither a bruise, nor any discussion about the concussion-causing projectile. And the medical examination that follows (though explained by Strax) seems gratuitous (oh, hey, your subconscious shows men playing sport and sex! You naughty girl! How dare you have a perfectly healthy libido!). Other ‘funny’ moments that weren’t: the Doctor falling through the trees; the Doctor flipping onto the horse (only because it looked so odd); Vastra having Jenny strike a pose but not really painting her, and then asking Clara to take her clothes off when she comes into the room; Clara kicking the sonic screwdriver into (we’re led to believe) the Doctor’s crotch (hey, dick humor! Everyone likes that, right?)

The jokes feel forced and fall flat–while individually funny, perhaps, they don’t feel coherent with the whole. It’s like halfway through someone said, ‘oh, this Doctor is too dark. Too edgy. Let’s force in some humor–hey, those Three Stooges were funny, right? Why not try some stuff like that?’

Vastra and Strax in Season Eight, Episode One "Deep Breath.: Courtesy of the BBC
Vastra and Strax in Season Eight, Episode One “Deep Breath.:
Courtesy of the BBC

 3. The Lectures: By my count, we were told on four separate occasions that the Doctor was still the Doctor, he just looked different. Older, grayer, but still the Doctor, and we just needed to get over it and accept it. And if we couldn’t, well, then, we weren’t worthy to be in his presence (or hang out with Vastra’s unveiled self, either). Much like the end of the Christmas Special, the characters take time out from the episode to essentially to give the audience (really, the super-fans) a little scolding. Now, I was sad to see Matt Smith’s Doctor go, but was looking forward to a new Doctor (that is, after all, part of the charm of the show). Being constantly reprimanded about how missing the old Doctor was somehow selfish, childish and judgmental soured a great deal of the episode for me. Which leads me to…

4. Clara: Jenna Coleman seems like a perfectly nice, gracious and talented young woman. But to be honest, I have never been a huge fan of the Clara companion. And in this episode she surpassed her worst moments from all of last season combined–through no fault of her own, or even her character’s. Rather, it felt like Moffat had decided to use her as a stand-in for every Super Fan who went into hysterics when Matt Smith left, and then twisted and forced the episode to show how shallow, unsubstantial, egomaniacal and self-centered those Super Fans are–and, as mentioned in point #3, every character there, up to and including Matt Smith’s Doctor, decided to give her a lecture.

On top of that, she was singularly useless. Why was she even there? We kept getting told how important she was to the Doctor, but other than vacillating between dull disdain of his new form (how many gray hair insults can you cram into an hour-and–half show?), near-hysteria over the new Doctor’s behavior, and perky-wide-eyed naivete, she didn’t seem important. Yes, she told us a number of times (as did Vastra, and Strax and even the Matt Smith Doctor himself) how important she was to him, but why?

And how many times was she going to have to get saved by the Doctor? I counted three times in one episode. When the Doctor leaves her behind in the Larder, there’s a GIANT LEVER right next to the door, and instead of pulling it and, I don’t know, escaping, she decides to hold her breath and cry. Why? Supposedly Jenna Coleman is leaving after the Christmas Special, and if this episode is any indication of what they are doing with her character, I can’t blame her.

Peter Calpaldi as the 12th Doctor. Courtesy of the BBC
Peter Calpaldi as the 12th Doctor.
Courtesy of the BBC

5. Gaping Plot Holes. Gaping Plot Holes Every Where: The aforementioned dinosaur. The killing of said dinosaur for its optic nerve (what?? really??). The clockwork re-building robots (yet another metaphor of regeneration and renewal, in case we weren’t getting the inner turmoil) living under Victorian London.

Note: For those of you wondering, the clockwork fix-it robots first showed up during David Tennant’s Doctor in an episode titled The Girl in the Fireplace. It’s the only 2006 episode written by Moffat. If you haven’t seen it, you should. It is very, very good, and also one of the first episodes that unequivocally makes the Doctor a romantic figure. Which makes this episode’s clear statement that the Doctor is not a romantic figure very much the bookend at the end of that particular era.)

The Doctor and Clara getting stuck in the restaurant (what happened to the Doctor running away?). Once in the Larder and running away, Clara has to go back for the Doctor, pushing him in front of her, and then stops, for NO REASON, and that’s why he leaves her behind (‘Too slow.’ the Doctor says. But she wasn’t).

I don’t mind the idea of this Doctor being one to sacrifice others for a greater good–the Doctor has done that in the past–but I do have a problem with it being so blatantly stupid.  The fact that Clara pounds on the door and wails against its not opening when there’s a GIANT RED LEVER right next to it. The fact that she stays in the Larder for an improbable amount of time when the door is open, panicking. The fact that the clockwork robots can tell if you’re breathing, but crying apparently does not clue them into one’s humanity. The fact that Vastra and Jenny swirl down to the larder on giant swathes of cloth but don’t think to, I don’t know, drop a rope or ladder so they can get out. No, they literally jump in and pull their only method of escape down with them. Or that Strax, the military-trained, death-before-dishonor, we-are-Sparta-warrior-dude was the first to need to breathe and didn’t even react to that.

Or the fact that the entire episode is spent telling Clara that this Doctor is different. He’s not her Doctor anymore. He’s still the Doctor, but changed, and she’ll need to accept his changes and then at the very end, the Doctor comes out and says he hasn’t changed, he’s exactly the same, and can’t she see him for him?

So which is it? It’s enough to make a girl’s head explode.

Dinosaur!?! Courtesy of BBC
Dinosaur!?!
Courtesy of BBC

I have high hopes about Capaldi’s Doctor and the rest of the season. This particular episode was not a great one–certainly not for such a long-awaited premiere–but there were hints of a excellence in it. I hope the rest of the season gets better. Considering the episode didn’t even touch on Gallifrey and the other Time Lords who clearly exist since, you know, they saved the Doctor, hopefully we’ll find out more about that soon.

Also, what kind of Doctor do we think this 12th Doctor will be? If the 10th Doctor was ‘the one who regrets’ and the 11th Doctor was the ‘one who forgets’ does that make the 12th Doctor the one who’s redeemed? It certainly seems so, with the Doctor’s ‘I’ve made mistakes’ speech.

What did you think? Love Capaldi? Hate Capaldi? Don’t care? Let us know in the comments!

Dishonored, the Steam-Punk, first person, stealth-and-cover shooter/RPG (yeah, genre mashing is a thing now) is free to play for the weekend (from, well, now to Sunday at 1 p.m.) as well as being 75% if the urge to purchase takes you.

dishonored27

Dishonored is available here, free to download and play until Sunday, and only $4.99 for the original and $10.19 for the Game of the Year Edition, which includes the game and four DLCs: Dunwall City Trails, Knife of Dunwall, Void Walker Arsenal and The Brigmore Witches.

Here’s the trailer, in case you need some more encouragement!

Last night, on the last episode of the season, Mythbusters hosts Adam Savage and Jaime Hyneman announced in a video segment that long-time co-hosts Kari Byron, Grant Imahara and Tony Belleci will not be returning next season.

Hyneman and Savage thanked Byron, Imahara and Belleci in the video, with Savage saying that “You’ve literally given you’re blood, sweat and tears in the name of science and it has been a total pleasure, not only to work with you, but to call you friends.”

“We wish you the very best of luck and thank you.” Hyneman said.

back, l-r, Grant Imahara, Kari Bryon, Tory Belleci front, l-r, Jaime Hyneman, Adam Savage Courtesy of Discovery Channel
back, l-r, Grant Imahara, Kari Bryon, Tory Belleci
front, l-r, Jaime Hyneman, Adam Savage
Courtesy of Discovery Channel

The three haven’t specified what they may be doing next, though Imahara won a Geekie last week for his performance in the web series Trek Continues, and Byron has been busy at the White House (yes, that White House) working on encouraging young woman to enter the STEM fields.

The Mythbusters official website has created a retrospective of Byron, Belleci and Imahara you can see here, and you can watch Hyneman and Savage announce the trio’s leaving here.

What do you think? Is Mythbusters as we know it over forever? Or was it time for a change? Let us know in the comments!

Sin City: A Dame to Kill For, is the sequel to the gritty, perverse, irreverent and occasionally funny Sin City, created by the iconic graphic novelist Frank Miller (300, The Spirit) and directed by Robert Rodriguez. Both movies live in the black-and-white, highly stylized, extremely violent oeuvre both Miller and Rodriguez are known for, but unlike it’s predecessor, Sin City: A Dame to Kill For is all about the style, with no room for story or substance.

Bruce Willis and Jessica Alba in Sin City: A Dame to Kill For
Bruce Willis and Jessica Alba in Sin City: A Dame to Kill For

Senator Rourke (Powers Boothe) returns as the ultimate bad-guy, but the role, which was the underpinning to the Hartigan (Bruce Willis)/Nancy (Jessica Alba) story that drove the first movie, is two-dimensional here. He is a bad guy because he is a bad guy–all sense that the power he holds has perverted his greatest strengths to his most horrible vices is gone. It is especially clear in his interactions with Johnny (Joseph Gordon-Levitt), a story which seems to exist in the movie solely to show that (a) Gordon-Levitt looks very good in a tight suit and a smirk, and (b) that Rourke is a terrible person. Which we already knew.

A Dame To Kill For suffers from these issues through out. The main story–about Dwight (Josh Brolin here, Clive Owen in Sin City), and his one-true-love/femme fatale Ava Lord (Eva Green, playing the cat eyed, sullen, secretive part we’ve seen her do before, only this time with a LOT more nudity–seriously, we now know more about Green’s body then we ever really wanted to)–feels forced and falls flat of the deep, haunting, resonating love story between the doomed Hartigan and Nancy we saw in the first movie.

Josh Brolin and Eva Green as Dwight and Ava in Sin City: A Dame to Kill For
Josh Brolin and Eva Green as Dwight and Ava in Sin City: A Dame to Kill For

The subtle and clever interweaving of individual story and plot that made Sin City more than just a comic-book movie, and vaulted it into cult-status, is missing completely here. While there are multiple viewpoints and stories being told, including an intro by Marv (Mickey Rourke, unrecognizable in Elephant-man style make-up), each story stands by itself, touching against the others only by chance at Kadie’s Bar, where Alba’s Nancy performs a series of increasingly embarrassing strip-teases. Nancy is watched over by Marv (for some unknown reason), except when he is manipulated by one of the other characters to go off and get involved in murder and mayhem. This lack of coherence and depth, despite the solid performances by the entire cast, makes A Dame To Kill For merely all right–occasionally funny, and sometimes cringe-inducing, but never riveting.

The largely black-and-white film uses sharp, evocative jabs of color (red blood, green eyes, a sudden flash of strawberry blonde hair) as not-subtle-at-all indicators of characterization or an attempt-at-wry commentary (Ava’s eyes go green when her true character is revealed). Characters leap out of the black-and-white world of Miller’s Sin City, capturing the essence of the visual work extraordinarily well. We saw it 3D, which added nothing except a vague headache caused by the glasses.

Overall, the film is visually stunning, well acted, but unable to drive its story across numerous characters and plot lines.

Sin City: A Dame to Kill For is open at a theatre near you.

What do you think? Seen it? Won’t see it? Can’t hardly wait to see it? Watch the trailer below and let us know in the comments!

Geekscape Rates: 2.5/5 Stars

Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC.
Photos by Bigwhitebazooka courtesy of Ladykiller

Thrilling Adventure Hour returned to Comic Con last month in a cross over show with Welcome to Night Vale, an event of such magnitude that they last time they tried it (in Seattle, in March), the recording equipment literally could. not. even.

Performing to a packed house at the Spreckles Theatre in San Diego, the show followed Sparks Nevada, Marshal of Mars (Marc Even Jackson), Crouch (Mark Gagliardi) and the usual Sparks Nevada: Marshall of Mars crew as they travel through space and time to save the moon–allowing for the “Marshal of Mars” and the Night Vale worlds to collide.

Done in three acts (with an intermission!) the first act opens with Wil Wheaton–as the omniscient narrator/god-like being–and quickly segues into “Marshal on Mars”, with Sparks Nevada (Marc Evan Jackson) and Croach (Mark Gagliardi) dealing with the subversively silly criminal element (this time it’s James Urbaniak as a good-guy shoe salesman turned bad and his two robot outlaws). Things go from bad to worse when Pemily Stallwark (Molly Quinn), now Marshal of the Moon, shows up needing help to save Earth’s lunar satellite. An introduction of a timey-wimey-super-duper-don’t-think-about-it-too-hard device allows people to travel across space, time, and apparently dimensions, and Croach is zapped to Night Vale.

Thrilling Adventure Hour and Night vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour and Night Vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller

Act II begins like a typical Night Vale episode. Cecil (Cecil Baldwin) begins with the news that there is a new Destroy-the-Moon initiative. The citizens of Night Vale, Cecil tells us, have tried throwing objects at the Moon and will shortly escalate to yelling insults at it. Also, a strange, overly literal being has been going around town demanding that people cease their plans to destroy the moon. Cecil, the Mayor Dana Cardinal (Jasika Nicole), Carlos the Scientist (Dylan Marron) and Steve Carlsberg (Hal Lublin) end up getting zapped back to Mars with Croach. And thus ends Act II.

Act III (after a fairly interminable intermission) has the combined casts banding together to save the moon with some (extremely convenient) time-zapping, a few deaths (!!!), a few more resurrections, and heartfelt professions of love, friendships and respect between various pairs. There’s also some discussion about paradoxes and the general head-ache-inducing vagaries of time (and dimension!) travel.

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Cecil (Cecil Baldwin), Mayor Dana Cardinal (Jasika Nicole), and Carlos the Scientist (Dylan Marron) at the SDCC cross-over Thrilling Adventure Hour/Welcome to Night Vale performance.
Photos by Bigwhitebazooka courtesy of Ladykiller

While maybe not the most coherently plotted Sparks Nevada episode (Night Vale tends to eschew plots completely, so it wins by comparison), the combined cast elevated the show; and the audience, eager and ecstatic at the combining of the two fan-favorite shows, did not let a joke slip by them. The verbal sparring between Baldwin, Sparks and Gagliardi is quite possibly some of the best comedic repartee we’ve heard in awhile, and the 30-second half written/half-improv’d competing cries-of-alarm between Carlsberg and Felton (Craig Cackowski) brought the house down.

All in all, the cross over was extremely successful in bringing together the two worlds; it was funny, irreverent, touching and, well, everything we’ve come to expect from both shows.

The episode won’t be aired for awhile, but you can catch up on all the most recent episodes of Thrilling Adventure Hour here and Night Vale here while you wait!

After building anticipation since last year’s BlizzCon,  Blizzard announced the release date for the newest World of Warcraft expansion, Warlords of Draenor, at a special event last Thursday.

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The expansion, which takes place 35 years prior to the current game, will drop of November 13th–just a week after this year’s BlizzCon–and is currently available for pre-order here. Player’s can purchase the digital edition for $49.99 or the deluxe edition for $69.99.

While both editions include the level 90 character boost, the deluxe edition not only includes two pets (dread raven and dread hatching), but also continues Blizzard’s trend of combining multiple products in one shiny package with a Diablo III pennant and Starcraft II portraits.

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Blizzard also announced the Collectors Edition (there’s been no official price point announced, but Amazon and Gamstop show it at $90). The collectors edition includes everything in the digitial deluxe edition, as well as:

Physical DVD of the expansion
Behind-the-scene DVD and Blu-ray set
Soundtrack on CD
The Art of the Warlords of Draenor, a 160-pages of concept art, finished images, and CG images
A Blackhand mouse pad

Blizzard also released the almost-five-minute long cinematic, which you can watch below.

What do you think, readers? Can’t wait? Done with Blizzard? Waiting to see? Let us know in the comments!

Robin Williams was found dead on Monday in his home in Marin, the Marin Sheriff’s Office confirms.  Authorities say the apparent cause of death was suicide.

Robin Williams was found dead on Monday, August 11th. He was 63.
Robin Williams was found dead on Monday, August 11th. He was 63.

Celebrities and fans alike have turned to Twitter to mourn the lose of the award winning actor, including Steve Martin, who said, “I could not be more stunned by the loss of Robin Williams, mensch, great talent, acting partner, genuine soul.”

William’s publicist, Mara Buxbaum, released a statement saying that Williams had been “battling severe depression of late.” She went on to say, “This is a tragic and sudden loss. The family respectfully asks for their privacy as they grieve during this difficult time.”

Williams rose to fame in his role as Mork in Mork & Mindy and went on to become a lauded and critically acclaimed actor and comedian for his portrayals in such movies as Good Will Hunting, What Dreams May Come, Dead Poets Society and others . His most recent show, “The Crazy Ones,” was cancelled after one season on CBS.

Susan Schneider, Williams’ wife, released the following statement to the New York Times’ Dave Itzkoff:

“This morning, I lost my husband and my best friend, while the world lost one if its most beloved artists and beautiful human beings. I am utterly heartbroken. On behalf of Robin’s family, we are asking for privacy during our time of profound grief. As he is remembered, it is our hope that the focus will not be on Robin’s death but on the countless moments of joy and laughter he gave to millions.”

Most of us know Kristen Nedopak from The Skyrim Parodies, or as the host of ThinkHero TV, or the weekly series onScienceFiction.com. Or maybe as the Producer/Writer of Pucker, a series of irreverent indie comedy shorts. But last year Kristen decided she needed more to do, and founded The Geekie Awards, an award show for geeks, by geeks,  and she sat down with us last week at Comic Com to discuss her newest endeavor.

Kristin Nedopak at the 2013 Geekie Awards.
Photo by Joe Lester

Q. What led you to create the Geekie Awards?

A. Actually, the best ideas come from things that don’t exist, right? And I’m a creator, I make Sci-Fi/Fantasy stuff, and coming to Comic Con–and I always say this to people–coming to Comic Con, you’re a geek, and you love everything here, but in the outside world, people don’t always take that seriously. They’re like, ‘What’s that costume? What are you doing?’ You know, I’ll go out in cosplay and people will look at me like I have three heads. And in the entertainment industry, we know that these multi-million dollars movie chains like Marvel, they’re huge, but the average everyday person is still like ‘Oh, it’s just fun, everyday entertainment. If something is going to win an Oscar, it’s going to be this drama.’ And I had been talking to agents and going to festivals–because I write and direct my own stuff–and I just kept getting this feedback, that it was such a weird niche, it was too geeky, they weren’t into that. And I would be getting awards, or nominated for awards, but it would only be for costume design. So, I was talking to my publicist, and I said, ‘they’re not really looking at the stories.’ And if this was a geek award, it would be about the story. And that’s kind of how I came up with it. I just, I wished there was something for geeks. And my publicist said, ‘Why don’t you make it?’ and that’s how the idea formed. Of course, it was a lot more work after that.

Q. And how long did it take, from idea to actual show?

A. Well, the show is in its second year, but it was around for a few years before, in development, sort of kicking it around. Trying to get a team involved.

Q. How many entries did you get for each? 

A. We had about 450 entries this year. Last year was about 250. So we basically doubled. Our top categories our Web Series and Podcasts, they’re huge, there’s a lot of material to go through. We’re still trying to reach the video game industry. But all of the entries, they all need to be seen. There’s such talent here.

(l-r) Stan Lee, Kristin Nedopak and Seth Green at the 2013 Geekie Awards
(l-r) Stan Lee, Kristen Nedopak and Seth Green at the 2013 Geekie Awards
Photo by Joe Lester

Q. You mentioned video games. Do you find a lot of resistance in that industry to these awards?

A. Well, I work in entertainment, but video games is kind of its own beast. I wouldn’t say there’s resistance from people in the industry as much as the developers were so burnt out trying to get into the industry that they just felt, ‘oh, this is another show that I’m not going to get into, and it’s just another thing that I don’t know if I have the confidence to do.’ And a lot of the feedback I got was like that. So we really worked hard to encourage those people to enter. And I think once they found out it was indie games, it made them feel like, ‘ok, this is for indie games, I’m not going to go up against Blizzard or Activision.’ It’s not about having millions and millions of dollars, it’s about making a really cool game. That was probably the biggest challenge.

Table-top games, now, they loved it!

Q. The Geekie Awards have a lot of categories…

A. I know! And we only have so much time on the show, and a lot of people ask me, ‘how do you fit all those podcasts or all those webseries into one category?’ But that’s what we do, we really try to give the award to the piece that is the best, of the best, of the best, of its category. We don’t do Best Actor or Best Screenplay, because we’re looking at them as a whole. But we do honors, so after the show we’ll hand out honors to things, like, if the music was exceptional, or if a film was the best sci-fi film, it’ll get an honor. So we do try to make everyone feel like they were awesome.

It’s one of those things, that if you’re good, you’re good, and people are going to see it.

Q. Let’s take podcasts, as an example. Podcasts can run the gamut from a talk show, to a radio play, to a game show. How do you pick the ‘best’ from such radically different formats?

A. That’s pretty much the most asked questions I get from my judges, especially a new judge. They come on board and they say ‘I don’t know how to do this, they’re all so different.’ And we tell them, don’t judge this by comparing it to anything else. Judge it individually. I have a scoring system, so it will be about, how is the production quality, how are the hosts, how is the voice over? And they take all of those pieces into consideration, and then it becomes the best of the best. And you’ll see, with the nominees, that it’s a really good mix. A lot of times, especially with the podcasts, it comes down to the entertainment value. Was I having fun? Was I entertained? Did I learn anything new?

For the films and series, it’s definitely about production and story. And if you’re good, you’re gonna get up there.

Last year, one of the nominees was a gameshow podcast, and it was so random, and they loved it, and that guy ended up using the nomination to get is show booked on a bigger channel. So it’s one of those things, that if you’re good, you’re good, and people are going to see it.

Kristin Nedopak hosting the 2013 Geekie Awards - Photo By Joe Lester
Kristen Nedopak hosting the 2013 Geekie Awards
Photo By Joe Lester

You can catch The Geekie Awards 2014 nominees here and the live show on August 17th, 2014 at the Avalon Hollywood. You can still purchase tickets here, or if Hollywood is just to far to get to (looking at you, South Bay), you can watch the live stream, including the live band pre-show, on the website.

Watch the promo below, and let us know if you’ll be tuning in and what you think in the comments!

We met with  the prolific Jenna Busch at her booth at Comic Con last week, where we got to talk with her about Star Wars, comics, Pern, cosplay and women in pop-culture.

Jenna is the co-host of “Cocktails with Stan” with Stan Lee, a co-host of Most Craved for CraveOnline, and a writer for Zap2it,  After Buzz TV, Fanhattan, Screen Crave, Inside Horror, Huffington Post, AOL, Popeater, Newsarama, JoBlo, Blastr, UGO, IGN, Moviefone, SheKnows, Coming Soon, Screen Junkies, Famous Monsters and Geek Week and Inside Horror. She is also a comic book writer and recently had two stories published in the comic anthology, “Womanthology.”

Earlier this year, Jenna founded Legion of Leia, which encourages and supports girls in their love of pop culture, comics, and sci-fi, both as fans and as future creators.

So clearly, we had some questions!

A sneak peak of Jenna Busch's Cupcake
A sneak peak of Jenna Busch’s Cupcake Quarterly photo shoot.

Q: So, what’s on your schedule for this Comic Con?

A: I am doing so many things. I’m doing on-camera interviews for GeekNation, they’ve been very silly and fun. I’ve interviewed Sam Whitworth, Kelly Hu, Chloe Dykstra and Colin Ferguson. And I’m signing my pin-up magazine, Cupcake Quarterly, and I was on the Most Dangerous Women of Comic Con panel, which talked about women in pop culture. I also moderated Jane Espenson’s and Brad Bell’s Husbands panel, and the Eflquest Panel.

Q. Were you always a geek and then parlayed that into a career?

A. I have been a geek since the very beginning. Really, honestly, with the X-Men comics. I wanted to be Storm because I wanted a snow day. And then Princess Leia, and fantasy novels. Especially Anne McCaffrey’s Pern novels. I got into writing and covering the geek world because of friend of mine, Chris, had started the site UGO, and he asked me to interview Jack Nicholson, which isn’t something you say ‘no’ to. And it all ballooned from there.

Q. What do you think the next hurdle for women in pop culture is going to be?

A. I still think it’s the way a lot of characters are drawn. It still seems that a strong woman character is a character that acts like a man. Now, I am all about sword fighting and punching people–I’ve broken noses in the past–and I appreciate that. I think it’s awesome.  But I also think that, if we devalue the feminine, than we’re basically saying that the feminine isn’t as important–which is something we talked about on the Husband’s panel as well. I think the most important thing is having a well-rounded character, not just having somebody kick ass.

And it’s interesting, because when I started doing this, I was one of the only women who covered geek. I worked with reporters who were all men, all wonderful, never had a problem with any of them. And even as a kid, I never had a problem, maybe because I grew up on a block with all boys, and they were totally fine. They were like, ‘hey, look, we have a Leia.” I guess I’m known well enough now that nobody really asks me to defend my geekdom, because I am just ridiculously geeky. But I do find that if someone disagrees with me online, the first thing I get are rape threats, ‘this is what you look like’ insults, death threats, you know, that sort of thing.

Q. Do you find, as a woman, that appearance is still the first thing you’re judged on?

A. Absolutely. It’s the first thing that happens. I’m not saying I don’t want to be called pretty, because really, that’s nice. But the first compliment you get is that. And then it’s, ‘you’re smart’, or ‘I love your writing.’ Although, as we’re talking, I’m sitting here signing my pin-up magazine. So there’s nothing wrong with sexuality, I’ve done three pin-up magazines, there’s nothing wrong with that, I love them. I would just like something to be valued above that.

If you dress a certain way, someone’s going to look at you a certain way. That’s just the way it is. So I’m going to dress any damn way I want.

Q. It’s very hard to maintain an ability to be sexual and sensual without being sexualized. How do you deal with that?

A. It’s a difficult thing. Adrianne Curry and I were discussing this on the panel, and part of the reason that I profiled her for Legion of Leia, is because I think it’s really important to own your sexuality. And eventually it will become unacceptable to treat anyone a certain way.

I mean, if you ask any woman to look at a comic book, you can tell the difference between; this chick is sexual, she owns her sexuality, whether overt or not; and you can tell the difference between that, and looking at a drawing that someone did just to create a object for sex. Even if you can’t put your finger on what the difference is, every single person knows it and its intention.

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Q. Let’s talk about Cosplay, which is a hot button topic in regards to women, pop culture, and sexual awareness.

A. I love it.  One year for Halloween my whole costume was ‘sexy in red.’ Because, once again, I don’t think there’s a problem with any of it. So, say I decide to cosplay Sexy Robin, you still don’t get to grope me on the floor, and at the end of the day, that costume is my interpretation of Robin, so who’s to judge that?

I mean, it’s a weird thing to navigate. If you dress a certain way, someone’s going to look at you a certain way. That’s just the way it is. So I’m going to dress any damn way I want. And trying to make a divide between ‘real’ girl geeks and the ‘sexy cosplay’ girls doesn’t help. You can’t win anything that way. And in the end, you defend your sisters. And that’s really, really important. Because we’re not getting anywhere if we don’t.

Q. So what did you think about the Marvel announcement about a woman Thor?

A. I think it’s really cool, that we’re part of that story line. I think that’s really great. However, I don’t like that they used it as a marketing technique. I understand why, but when they put it out on The View, it bothered me because, I knew what the intention was–though people get into comics for all different reasons, and maybe somebody who had never been interested in comics before saw that on The View and thought, ‘Hey, that looks interesting.’ But the fact that it was only on The View points to a ‘this targets women’ mindset.

It also bothers me because we know it’s not going to be a permanent change. And it’s not her name, and I know retconning happens all the time, but it wasn’t Freya or Sif, it was Thor. That being said, the character design looks awesome.

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Q. You founded Legion of Leia. What started that? What do you hope to achieve with it?

With Legion of Leia, the whole point was that I wanted to do something positive, instead of just complaining. I wanted to do something that would support women in sci-fi, so we do a profile every week with celebrities, non-celebrities. Right now we’re doing a focus on character design, and eventually we’d like to be able to fund young women’s projects.  And I’m hoping that all the celebrities we’ve profiled might become mentors further down the line.

I just did a signing for it, and a woman came up to me with her, like, 11-year-old son. And she told me, ‘I brought my son over because I want him to have positive female role models too.’ And I was like, ‘I’m going to cry now, and that’s going to be fine!’

It partially came out of the Star Wars casting. One new woman, but tons of men. And I wrote on my blog that my niece is going to have one woman to look up to. And my nephew will have tons of male role models. Now since then, there have been a lot of women added to that cast. I don’t know if they gender-swapped Gwendolyn Christie’s character in reaction to fans saying there needed to be more women or not. But the fact that the rumor is out there, says something good to me. I think its wonderful that they’re doing it, that they’re adding more people in.

And then I was having lunch with my friend, and I was talking about this picture I had of me dressed as Leia as a kid. And she said ‘Oh, I have the same thing.’ And I wondered how many of our friends had dressed up a Leia as kids? So on May 4th, which is Star Wars day, we asked everyone to change their profile picture to Leia. And we had so many people participate. It was thousands and thousands of people, celebrities like Jane Epsenson, Adrianne Curry, everyone did it, and we thought, ‘Oh, this is way bigger than we thought it was.’ So we set up a website, and a Facebook page, Instagram, Twitter, everything. And all of these people are responding to it. Jane [Epsenson] had a profile, Clare Kramer. We’re hoping Gale Anne Hurd, producer of The Walking Dead and all things cool, will do one. So a lot of people are starting to respond to it.

The other thing that sparked it, is that I had two comics that I wrote get published in an anthology, and I was at a booth a few years ago showing the book, all excited because it was the first time I’d been published in printed form, and this little girl came over and asked me if she could hug me. And her mom explained that the little girl had always wanted to make comic books but she didn’t think girls could do that. And it sparked something, because I want little girls to know that girls can do something like this.

Q. So what would you say to a young woman, right now, who was looking at getting into this business? What can they do to prepare themselves?

A. I think they need to read as much as possible. From everybody. Women creators, men creators. They need to look at different art and find their style.  And then ignore it when people tell them no. Because they will get kickback. And you’ll get kickback as guy too, but you’ll get a little extra kickback as girl. But just keep pushing and don’t let anyone tell you you can’t do it.

It would be great if we could get to a place where we’d just refer to someone as an astronaut, not a female astronaut–unless the story was somehow specifically about her being a woman. That we talk about a writer, not a female writer, or a chef, not a female chef.  But the more we’re out there, the more people see women in these fields–eventually it becomes accepted.

You can find Jenna on Twitter or follow her on her Blog.

Fan favorite writer and producer Jane Espenson (Buffy the Vampire Slayer, Torchwood, Once Upon A Time) took some time out of her hectic Comic Con schedule to sit down and chat with Geekscape about her show, Husbands.

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(l-r) Brad Bell and Sean Hemeon as Cheeks and Brady in “Husbands.”

Espenson co-created Husbands with Brad Bell  in 2011, solely for distribution on digital platforms such as Blip, YouTube and Roku. Husbands follows Cheeks (Bell) and Brady Kelly (Sean Hemeon) as a gay couple who drunkenly tie the knot in Vegas to celebrate the federal amendment for marriage equality, and stay married for fear that a divorce would devastate both the same-sex marriage cause and their careers.

The show quickly built up a large fan base, and for their second season, Epsenson and Bell ran a successful Kickstarter campaign, reaching 120% of their goal. The third season, and the upcoming fourth season, were  produced in partnership with CW Seed.

Husbands is known for its send-up of sitcom tropes, its brilliant humor (which often is layered over biting social commentary), and its intelligent and sharp comedic style. Guest stars on the show are another draw; Joss Whedon appears in every episode in season two as Wes; other guest stars include Jon Cryer, Mekhi Phifer, Felicia Day, Amber Benson, Emma Caulfield, Dichon Lachman, Nathan Fillion, Amy Acker, Seth Green and Michael Hogan and Beth Grant as Brady’s parents.

So we were very excited to sit down and talk about the show, how it started, and where it’s going with Jane Espenson herself.

Jane Espenson
Jane Espenson

 

Q: So, did you work with Brad prior to Husbands? How did the show come to be?

A: This is the first thing we’ve done together, other than a little stage play we worked on together. He had developed the character of Cheeks online, on YouTube, and had a number of videos up there that I found and fell in love with, and I finally reached out to him over Twitter, and we became lunch friends. We started talking about what we could do together.

He had the idea of doing an online comedy, and he had an idea of him and Alessandra [Torresani]  as young actors in LA, and I was like, ‘What’s more current events-y? What’s more, going on in LA? What’s a show you can only do now?’ and he said, “what if it’s a show about newlyweds?’ and I  said ‘Yes, that show will exist in five years, and it will be on NBC, and it will be called Husbands.”  And we were like, ‘Let’s just make it oursleves!’

Right away it was clear that this was something we were going to make ourselves, we weren’t going to go out and pitch it, we had a very clear vision for it. And that night, he did the first pass on the script that become our first story. And we filmed that, and we put it out there, and it got so much positive reception and made it so clear that there was an audience. So, we used that as part of a Kickstarter campaign for season two, and then the third and fourth stories were all through the CW Seed. And they’ve been amazing. It’s really the best way, I think, if you want creative control. We also realized how valuable it is to have good input from someone who has objectivity on the series, so we have readings and producers read the scripts, for the feedback.

Q. So the first episodes were really short, only two or three minutes each. Why did you decide to go with that format?

A. It was one sitcom length story, we just released it a scene at a time. In later seasons we released it an act at a time. But it’s the same number of scenes, and they add up to standard sitcom length.

Q. Did you know beforehand that you were going to release just short scenes? 

A. We knew beforehand, because at the time no one would click on anything that was longer than three minutes. It was just how people used YouTube then. So we were like, let’s just make sure no scene is longer than two-and-a-half pages. And we were very strict about that. We’ve loosened up on that a little because we are releasing things of a longer length, but it’s still a standard sitcom length story.

Q. Did keeping the scenes so short affect the way you approached the writing?

A. A little bit, just because you had to be very draconian with yourself. You couldn’t indulge in a three page run of puns, it was like, no, this scene has to end now. So in that sense it tightened our writing up. But we both have very good instincts, about when a scene is over. If you look at our scripts now, it’s rare that a scene goes over three pages. We had a big exception, with the first scene of “I Dream of Cleaning” episode, was a really long scene, but it was really broken up into what we call French Scenes, where somebody exits and a new scene starts. So if you look at it that way, we still kept ourselves very strict. The scenes were still quite short.

Q. So the Kickstarter was very successful. What was it like using Crowd sourcing for your funding?

A. We knew it was going to be a certain amount of work. Tania del Rio, who’s an artist who works with us, she designs our T-shirts and our poster, and one of the stories in our comic book, she ran the Kickstarter campaign. Like, she ran the shipping, which is one of the bigger jobs. We already had content, since we had season one, so a lot of our work–those two difficult things–what do you present, and how do you get the rewards out–were already done. So we just sat back and watch the numbers roll. It was amazing. We knew, in just a few hours, that we were going to make our goal. I just kept texting Brad in the middle of the night ‘We just got $500 more dollars!”

But then it’s a little nerve wracking, because any one can take their money back. So we had one big donor, and for awhile, if he had backed out, we wouldn’t have made our goal. But once we had the cushion, then we started breathing.

Q. You have quite the list of guest stars in Husbands…

A. Yes. Jon Cryer, we were very happy to work in Jon Cryer. And Joss Whedon coming is as Wes was amazing. And there was Amy Acker, Michael Hogan…

Q. Including quite a few that also are on Thrilling Adventure Hour…

A. (laughs) That’s true. Nathan Fillion, Michael Hogan….I think Michael Hogan did Thrilling Adventure Hour because I recommended him, because I knew what a great sport he’d been on Husbands. I’d worked with him on Battlestar [Galactica], but with Husbands I got to hang out with Michael a lot more. Battlestar was in Vancouver, and I didn’t get up there much, so I never really hung out with Michael. Being here, on our set, what a fun guy Michael Hogan is. I would work with him anytime, any day. He’s a great guy. So different than Colonel Tigh.

I mean, I knew good people that I wanted to reach out to. And then to have all of them respond so positively to the material…and then to meet new people, like John Cryer, who Brad and I didn’t know, or Mikhi Phifer, who is just really, really great. And that was something that we wanted to do, we really wanted to have this be a part of the civil rights movement, and we wanted Brady to have a baseball friend.

Q. One of the things the series has been getting a lot of buzz about is the deftly it handles the social issues while still remaining a sitcom. Do you find that difficult?

A. That is all Brad. He is a very political animal, and a very socio-political animal. And he’s always got stuff, on any topic, and you’ll say ‘what about this? I haven’t really thought about this yet.’ and he’ll say, ‘oh, I have.’ He’s very well reasoned, and he has opinion that are the next opinion. He doesn’t go with the crowd, he’s always the guy going ‘Well, yeah, but…’

So when we all thought it was great that we have these very masculine men being written into these shows on TV,  Brad was going ‘Why is masculine being better? What’s wrong with femininity?’ And just like that, your eyes open. And in example after example after example, your eyes get opened. Like, if you say ‘Isn’t it great that so-and-so came out of the closet? Isn’t it great they’re getting all this recognition?’ And Brad’s saying ‘Not everybody had a choice to come out. Where’s the recognition for the people that were always out? That didn’t have a choice?’ And it’s really made the show something special. And Cheek’s moments, where he talks about that, are the most-watched part of our show.

Watch the Husbands trailer below and let us know what you think! Did we ask Jane all the right questions? What did you want to know?

Geekscape sat down with the executive producer, and series creator, Kevin Murphy, and Defiance cast members Grant Bowler (Nolan), Julie Benz (Amanda Rosewater), Stephanie Leonidas (Irisa), Tony Curran (Datak Tarr), Jaime Murray (Stahma Tarr), Jesse Rath (Alak Tarr) at Comic Con last week to talk about the show’s second season.

Spoiler Warning: There are some in the article below.

 

COMIC-CON INTERNATIONAL: SAN DIEGO -- "Defiance Press Room/Panel" -- Pictured: (l-r) Julie Benz, Grant Bowler, Stephanie Leonidas, Jesse Rath, Jaime Murray, Tony Curran, and Executive Producer Kevin Murphy -- (Photo by: Evans Vestal Ward/Syfy)
COMIC-CON INTERNATIONAL: SAN DIEGO — “Defiance Press Room/Panel” — Pictured: (l-r) Julie Benz, Grant Bowler, Stephanie Leonidas, Jesse Rath, Jaime Murray, Tony Curran, and Executive Producer Kevin Murphy — (Photo by: Evans Vestal Ward/Syfy)

So the big news everyone was talking about is, of course, that Mia Kirshner’s Kenya is returning to the show mid-season. After her seeming murder by Stahma Tarr (Jaime Murray) at the end of last seasons, Kenya’s fate as been surrounded in mystery. While the details of her return are fuzzy, she will be back, returning in the Aug. 7 episode.

Meanwhile, the Tarr family drama will continue, with Datak running into more legal troubles.

“I think that, in the end, Stahma loves Datak. But in season one, she was trying to control events subtly, from within the strictures of her society. I think in season two Stahma is starting to get used to being an active, outward part of the town, and the business.” said Murray. “But in the end, her and Datak have been through too much, and are too entwined emotionally, to ever leave each other.”

Season two, which skipped forward nine months from the season one finale, has certainly shaken up the show, adding new characters and unraveling the lives of others.

“Amanda is really going through a lot.” said Benz, now a brunette, in keeping with her character’s darkening story line. “Losing Kenya and the mayorship was a big blow. She’s using drugs, there’s the whole device implanted in the brain issue. She’s gone a lot darker and has a lot of issues she has to deal with.”

Amanda Rosewater isn’t the only character dealing with dramatically changed circumstances.

“We definitely shook up the world of Defiance as much as we could.” said Murphy. “And for season three, it’s going to be even more of an upset.”

Defiance still has not been confirmed for a third season as of yet, however Murphy has said it will cover the Pale Wars and what happened to each person during that time.

Check out the Comic Con exclusive season two trailer here and let us know what you think in the comments!

TNT’s new hit drama, The Last Ship, was at Comic Con to talk about the show, what to expect in the last half of season one, and where the show will go in the just announced 13-episode season 2.

Geekscape had a chance to speak with the cast and creators of the Micheal Bay produced virus-killing-the-world-apocalyptic series. With us were executive producers Hank Steinberg and Steven Kane, and cast members Eric Dane (Grey’s Anatomy), Adam Baldwin (Firefly) Rhona Mitra (Underworld: Rise of the Lycans), Charles Parnell (Fringe), and Travis Van Winkle (Happy Endings).

Ship press room
(l-r) Eric Dane, Rhona Mitra, Charles Parnell, Travis Van Winkle and Adam Baldwin at The Last Ship’s press room at SDCC.

Loosely based on the book of the same name by William Brinkley (or, as Dane said “we share a name and a title, and that’s about it”), The Last Ship follows Captain Tom Chandler (Dane) as the captain of the U.S.S. Nathan James, Dr. Rachel Scott (Mitra), who may have the cure; XO Mike Slattery (Baldwin), who’s loyalty to Chandler is tested by the decisions the Captain must make; Lt. Danny Green, the leader of the Naval Mountain Warfare Unit; Lt. Kara Foster (Marissa Neitling, Leverage) a combat officer in the CIC; and Command Master Chief Russell Jeter (Parnell), who leads the ship’s enlisted men and woman as they struggle to find  a cure for a deadly virus that is decimating earth’s population.

“In this world, 100 people die every day. So we’ve got this ticking clock occurring in the show.” said Dane. “It’s apocalypse now. It’s still unfolding.”

Eric Dane, Rhona Mitra and Adam Baldwin in TNT's The Last Ship.

Eric Dane, Rhona Mitra and Adam Baldwin in TNT’s The Last Ship.

The show has a very close working relationship with the US Navy, including shooting the majority of shipboard scenes on actual in-use Navy vessels. In order to work with the Navy’s schedule, show creators had to write the entire first season so that almost all shipboard scenes could be shot during a tight three-week window provided by the Navy.

“It was a little insane. We had no idea what we were doing, or where it fell into the season as a whole sometimes.” said Baldwin with a laugh. “We’d go from episode 3, scene 4, to episode 9, scene 8. It could get a little confusing. But being able to work on the actual ship, was incredible.”

In addition to shooting on Navy ships, the show has US Navy advisers both in the writer’s room and on set, and a number of the extras in the show are actual Navy personnel. To thank the Navy for all of their support, the cast and crew flew out to Washington D.C. for a special premiere of the pilot for the US Navy early this summer.

“Some times, they had a completely different reaction then non-military audiences.” said Van Winkle. “In the scene where I kiss Kara, most audiences were like, ‘whatever,’ but the Navy guys just blew up. ‘Cause they knew what a big deal it was.”

Kane elaborated: “I think the best moment I had so far was when we were in Washington D.C., and young Navy woman came over to me, and thanked me–and the show–for the moment with Christina’s character, [LTJG Granderson], for showing a same-sex relationship in the Navy with such honesty, and for having that in the show.”

(l-r) Travis Van Winkle, Adam Baldwin, Eric Dane and Christina Elmore on TNT’s “The Last Ship.”

As for what fans can expect in the rest of season one and going into season two?

“Slattery and Chandler definitely are going to continue to have some issues.” said Baldwin. “It’s the nature of the situation and the XO and CO relationship.”

“I think fans are going to be absolutely shocked by how season one ends.” said Steinberg. “Season two is going to build but also take us in some different directions.”

“Episode nine is the big musical episode.” said Van Winkle.

Unfortunately we couldn’t get anyone else to confirm this.

Watch the Comic Con exclusive trailer below and let us know what you think in the comments!

Geekscape got a chance to sit down with the creators and cast of USA’s upcoming new show, Dig, at Comic Con last week. Dig is being billed as an “action adventure event series,” and stars Jason Isaacs (Awake, Harry Potter) as an FBI agent stationed in Jerusalem who, while investigating a murder, gets embroiled in a 2000 year old conspiracy of world-changing proportions.

We met with series creators Tim Kring and Gideon Raff, as well as pilot director SJ Clarkson, writer Carol Barbee and series stars Alison Sudol (A Fine Frenzy) and David Costabile (Breaking Bad)  to discuss the show’s world, mythology and creation.

(l-r)  Gideon Raff, Tim Kring, Alison Sudol and David Costabile at the San Diego Comic Con Dig Panel.
(l-r) Gideon Raff, Tim Kring, Alison Sudol and David Costabile at the San Diego Comic Con Dig Panel.

Alison Sudol stars as Emma Wilson, an American archaeologist working in Jerusalem. Sudol, well known for her work as front woman for the band A Fine Frenzy, has recently moved into acting with roles on Dig as well as the new series Transparent and the indie film Other People’s Children.

“Acting always terrified me.” Sudol said. “But I knew it was something I wanted to do. And I was really lucky in being able to start my acting career with just wonderful projects.”

On working with Isaacs, Sudal said “He was wonderful to work with. Just a great human.”

On the mysterious events that occur in Dig, Sudol, like her cast mates, was maddeningly mum.

David at the Dig press panel.
David Costabile at the Dig press panel.

David Costabile said of his character Tad Billingham “It was very fun. A lot of fun, because of the secrets he holds.”

Billingham is a TV personality and religious expert who backs a religious congregation with a global agenda.

“There’s a lot that he knows that nobody else does, so in scenes where he’s in the background, what he’s doing might be a clue to what’s really going on.”

Costabile was recently seen on Suits and Breaking Bad.

Dig Tim Kring
Tim Kring, Executive Producer for Dig, at the San Diego Comic Con press panel.

“I knew I wanted to do a show about archeology, and history. And Raff had this amazing idea, based on real history–if you search the items and elements you’ll see in the show, you’ll  see they’re real things–and the start of it was always in that, in Raff’s writing.” said Tim Kring, co-creator and executive producer. Kring is well known for his work on Heroes, including the upcoming Heroes Reborn.

“I was looking for my next project, and I’d had this idea for awhile,” said Raff, co-creator and executive producer. “And to see it come to life so well, with this amazing cast, is really exciting.”

Raff is currently the executive producer on Tyrant and the critically acclaimed Homeland, which was based on Prisoners of War, the Israeli series he created.

Gideon Raff, co-creator and executive producer of Dig.
Gideon Raff, co-creator and executive producer of Dig.

Pilot director SJ Clarkson (Heroes, House, Ugly Betty) invested a great deal of thought into how to make the disparate worlds of the script read through every shot.

“I used different lenses for each location–Norway, Jerusalem, and the American desert–and we spent a lot of time discussing the color of each world.” said Clarkson. “So that in the end, each location feels different, both in color but also in the shape and feel of the shots.”

Carol Barbee, one of the writers on Dig, added: “We are able to start scripting in January, so it really gave us a lot of time to work out the series as a whole, to know what bit of episode one was going to fit into episode six.”

“Which made shooting the pilot that much more fun…and specific.” said Clarkson. “Because I had to layer in, very subtly, links to what will happen later.”

When asked if they could give any hint to the mystery at the heart of Dig, neither lady could say.

“I will say,” said Clarkson, “that the color red is very important. Viewers will want to watch for the red.”

Dig will air on the USA network this Fall.

Watch the official Comic Con trailer below and let us know what you think in the comments!

http://youtu.be/K0XqWYdErrU

penguins-of-madagascar-28436727-720-457

 

Dreamworks Animation presented a panel on their upcoming movie, Penguins of Madagascar, the next installment of the Madagascar series, which is centered fully on the adventures of everyone’s favorite flightless birds, the Penguins.

Directed by Eric Darnell (writer for the previous Madagascar movies) and Simon J Smith (Bee Movie), and starring Benedict Cumberbatch, Ken Jeong, John Malkovich, Tom McGrath, Chris Miller, John DiMaggio and Christopher Knights, Penguins takes the Skipper and his compatriots deep into the world of global espionage.

dreamworks-animation-panel
Benedict Cumberbatch at the SDCC Penguins of Madagascar panel. Cumberbatch plays Agent Classified in the upcoming movie.

Cumberbatch, Malkovich and McGrath were at Comic Con to talk about their work on Penguins; Cumberbatch plays Agent Classified, a 007-type agent (and also a wolf) who runs a MI-6/SHIELD type agency, while Malkovich takes on the role of the villain, Dr. Octavius Brine (an octopus, naturally). McGrath reprises his role as Skipper, the erstwhile leader of the Penguins.

A–very good–trailer clip was shown to loud applause, and the cast discussed their experiences working on the animated film.

“It was a really interesting character to play.” said Malkovich. “He’s sort of a large, remorseless kind of psychopath, really.”

Cumberbatch revealed that he had just met Malkovich that day, despite co-starring in the movie together, and spoke about how working on the movie taught him a great deal about voiceover work.

The Penguins were originally only in one small scene in the original Madagascar movie, but their popularity has spawned books, a TV show, and now their own movie.

“We found a way to integrate them more into the story,” said McGrath. “And now after three movies, 10 video games, 80 TV shows, they get their own movie.”

Penguins of Madagascar opens on November 26th, 2014. To tide you over, here’s the trailer:

http://youtu.be/N-SElhktQF0

Are you excited? Were you at the panel? What did you think?

Dig, the new USA series from Tim Kring (Heroes) and Gideon Raff (Homeland), investigates a mystery surrounding an archaeologist that has its roots in a conspiracy dating back 2000 years. The cast and showrunners will be at SDCC to discuss the show, offering sneak peeks and details as what we can expect when the show premieres in the Fall.

USA Network's DIG

The panel will be on Thursday, July 24th, at 11:30 a.m. at the Hilton Bayfront Hotel, Indigo Ballroom, and will feature  Alison Sudol (Emma),  Kring (creator and executive producer), Carol Barbee (DIG writer) and SJ Clarkson (DIG pilot director). Other possible attendees are Jason Isaacs (Harry Potter), Anne Heche (Hung), Lauren Ambrose (Six Feet Under) and executive producer Raff.

Dig follows Isaacs as FBI Agent Peter Connolly, who is stationed in Jerusalem and begins investigating the mystery around Emma (Sudol) and probably running up against stonewalling bureaucrats, impatient bosses and international intrigue. Heche plays Lynn Monahan, head of the Jerusalem FBI Office. The trailer looks pretty intriguing.

http://youtu.be/EunzMGCBY8A

Let us know what you think about the new show in the comments!

 

Fast on the heels of the announcement that the new wielder of Mjolnir will be a woman, Marvel announced on the Colbert Report last night that the new comic book series “All New Captain America” will feature Sam Wilson–the character also known as Falcon–as Captain America, marking the first time a black character has taken on that persona.

This adds some much needed diversity to Marvel’s line-up, as Marvel’s Nick Fury from the Avengers is the only other notable character of color (though, outside the Marvel universe, the upcoming Fantastic Four reboot does have Johnny B. Storm being played by African-American actor Michael B Jordan).

Sam Wilson as Captain America in the upcoming comics.
Sam Wilson as Captain America in the upcoming comics.

Steve Rogers, the original Captain America, will remain in the comics as Sam Wilson’s mentor. Rogers was stripped of his power–and became an aged, frail man–when a long-time enemy drained the serum from him. Rogers passes the shield to Wilson.

“This is the fireworks factory we’re arriving at, and now everything’s going to blow up and be very pretty and exciting to look at,” said Rick Remender, writer of the new comic book series. “I’ve been having a lot of fun writing Sam. It’s a completely different attitude. The fact that he’s not a soldier shifts things up a bit. Sam’s not going to be Steve. Steve can be very rigid. That can be kind of joyless at times, whereas Sam is absolutely not that.”

Falcon, played by Anthony Mackie, was a pivotal character in this year’s Captain America: The Winter Soldier. The character was first introduced into the comics in 1969.

You can view the full announcement on The Colbert Report  here.

What do you guys think of Sam Wilson as Captain America? Let us know in the comments!

Fans of Sharknado (or at least, fans who love to hate Sharknado) and other Syfy original programming will have plenty to see next weekend at the San Diego Comic Con. 

Syfy (does anyone else read this as sphy-e?) is hosting five panels at the Con: Sharknado 2, Defiance, Dominion, Helix and Ascension.

Sharknado 2

Actual Poster. Not actual size.
Actual Poster. Not actual size.

Sharknado 2 is the sequel-that-social-media spawned (after the twitterverse blew up over Sharknado) and the panel will feature Ian Ziering, Tara Reid, Vivica A Fox, Kari Wuhrer, Judah Friedlander and Director Anthony C Ferrante. Join them to discuss the “social media and pop culture storm of the century.” Special we-shouldn’t-have-to-say-it-but-better-safe-than-sorry note: Functioning chainsaws are not allowed at the Convention.

The Sharknado 2 panel will be on Thursday, July 24th, from 7:15 p.m. to 8:15 p.m. in room 6BCF (that’s a real room number. Honest).

Sharknado 2 will premiere on the Syfy channel on July 30th at 9/8c.

And in case you have no idea what a Sharknado is, here’s the trailer for the sequel:

Syfy will also have panels for it’s original television programming. Which it totally has. It’s not all WWE wrestling and Sharknado’s on Syfy  channel, you guys!

Dominion

Dominion is a new show premiering on Syfy this Fall. Guns, angels and  actual guns. Awesome.
Dominion is a new show which premiered this summer. Guns, angels and actual guns. Awesome.

Dominion premiered on Syfy on June 19th, and airs on Thursday at 9/8c. It’s set after Armageddon, and mankind’s last bastion of safety is the City of Vega, which was Las Vegas (there’s a sin metaphor here somewhere). It takes place after the events in the movie Legion,  where the war between Heaven and Hell has wrecked earth, and Mankind is pitted against Angels and Demons to survive. The panel will feature the series stars Chris Egan, Tom Wisdom, Roxanne McKee, Alan Dale and Anthony Stewart Head, as well as Executive Producer Vaun Wilmott.

The panel is on Friday, July 25th. from 5:30 to 6:30 p.m. in room 6DE.

Helix

So many pretty people, looking serious and doing science! We're so excited! The cast of SyFy's new show, Helix. Courtesy of SyFy
So many pretty people, looking serious and doing science! We’re so excited!
The cast of SyFy’s show, Helix.
Courtesy of SyFy

Syfy will also be featuring a panel with the cast of Helix, so we can ask all those burning questions. Like “How did you get a second season?” and “Where exactly are you in the Arctic where it’s equally night and day all the time?”

The second season will premiere sometime in Winter 2015.

And, if you want to know what we really think about Helix, head over to our 10 Things Wrong With Helix article.

Kyra Zagorsky, Mark Ghanime, Jordan Hayes, Neil Napier, and Executive Producers Ronald D Moore and Steven Maeda, will be on the panel, which will be from 12 p.m. to 1 p.m.  at the Hilton Bayfront Hotel in the Indigo Ballroom.

Defiance

Syfy's Defiance is now in its second season.

Syfy’s Defiance is now in its second season.

 Defiance returned to Syfy this summer for its second season. The show, which follows a group of diverse cross-section of humans and aliens attempting to live together on a terraformed Earth in the small frontier town of Defiance.

The popular multi-platform show is bringing its stars to Comic Con for a panel on Saturday, July 26th, from 1 pm to 2 p.m. at the Hilton Bayfromt Hotel in the Indigo Ballroom (hey, you can go for Helix and stay for Defiance!). The panel will feature Grant Bowler, Julie Benz, Stephanie Leonidas, Tony Curran, Jaime Murray, Jesse Rath and Executive Producer Kevin Murphy.

Defiance airs on Thursdays at 8/7 c and check out the season 2 trailer below:

Ascension

Ascension
Ascension, Syfy’s new Six-Hour Miniseries

Ascension marks Syfy’s return to the six-hour mini-series, which will debut in November of this year.  Ascension  follows a covert space mission, launched in 1963, that sent hundreds of people on a century long voyage to find another planet that humanity could survive on. The journey reaches its halfway mark when a murder on board causes the ship’s population to question the mission and their purpose.

Syfy’s Ascension panel will feature Tricia Helfer, Brian Van Holt, Andrea Roth, and Executive Producer Philip Levens, and will be from 3:15 to 4:15 p.m. on Saturday, July 26th,  in room 6DE.

Here’s a look at the (intriguing) trailer:

http://youtu.be/QpDVwfiLNRM

What do you think, Comic-Conners? Which panel is a must for you? All of them? None of them? Let us know in the comments!

So after two blink-and-you’ll-miss-them teasers, the BBC finally released an actual trailer for season eight of Doctor Who. At just a little over a minute, the trailer tantalizes and leaves no doubt that it’s definitely going to be a Stephan-Moffat-trope heavy season.

Peter Capaldi as Doctor who and Jenna Coleman as Clara.
Peter Capaldi as the Doctor and Jenna Coleman as Clara.

While we all wait for August 23rd to roll around, we thought we’d quickly go through the 15 moments in the trailer that scream ‘Moffat is here!” to us, as a way to pass the time and also to reassure us all that the man behind the Doctor is still wildly playing at our heartstrings:

1. The TARDIS on fire. While the TARDIS malfunctioning has always been a running convention for all of the Doctors, Moffat especially seems to like doing horrible things to it, blowing up its control room, having the Doctor leave the e-brake on, making weird plant-life grow all over it. So the first full shot (minus the close-up of a handle and some weird Space-Mountain tunnel lights) is, of course, the TARDIS on fire.

2. A young flirty-smart woman who is both trouble and savior. Yup, right on cue, after the TARDIS blows up, it’s a close up of  Clara Oswald, looking at first serious and then surprised/scared.

3. Scared about what, you ask? Well, Moffat has never been afraid to go for the gusto in terms of bad guys (though his best episodes, in our opinion, are the ones were he constrains himself to one–like “Blink,” which was the first episode to feature the angels and still the scariest thing to watch alone pretty much ever). For season eight, Moffat isn’t holding himself back. First up, Daleks! Nice whomp-whomp sound combined with a close up on a Dalek eye stalk.

4. The ominous and prophetic sounding sound byte, that, when parsed, is usually just a common sense statement. There’s usually three or four in a Moffat trailer, and here’s the first. The Dalak, saying : “Life returns” along with a:

5.  Shot of the new inside of the TARDIS. It looks…clean. Crisp. A lot more blue and more glowing buttons then we had before.

6. And now we need someone who’s close to the Doctor to worry about him. And, yup, there’s Clara, all by herself, walking through some very blue hallway, in profile, while she muses: “I don’t think I know who the Doctor is anymore.” OF COURSE NOT. He’s a NEW doctor. Sheesh.

7. If all goes according to previous trailers, right about now we’ll…yup. There it is: The Doctor in some agonizing/mortally dangerous moment, striking a completely unrealistic but HIGHLY dramatic poise.

8. What’s next? Well, tradition has it that it should be another ominous and oddly prophetic sounding phrase from an old enemy. And, yup, check. The same Dalek, saying (over the image above, natch): “Life fails.” Which when you think about it is sort of a Captain Obvious statement but ok, we’ll go with it.

9.  Halfway through and we haven’t seen the TARDIS flying and/or landing–oh, no, here it is. Which means we all know what’s next, right? That’s right, it’s time for the:

10. High angle shot of the Doctor, either looking up or just in the act of looking up at the camera.

11: Which wouldn’t be complete without a Doctor-logue (which is what we call the monologues the Doctor embarks on when he’s trying to outtalk or bravado his way out of something), and sure enough, there’s Capaldi, saying: “I am the Doctor. I have lived for more than 2000 years–

Wait, wait, wait. What? We interrupt this list for a ‘wtf?’ More than 2000 years?? Wasn’t he just like, 800? Where did the 1200 years come from, Moffat?? Where?? We know he was on Trenzalore for awhile, but 1200 years?? Really? Really?

UPDATE: Thanks to our lovely readers, the age question has been answered. Thank you!

Ok, back to our normally scheduled list-acle.

11.5. “I’ve made many mistakes. Isn’t it time I fix them?” At which point we need a quick glimpse of our companion with the Doctor, and whatever his new suit-of-choice will be, and there it is. Very severe, this Capaldi suit.

12. Now the companion needs to ask a leading question so that the Doctor can be portentous…yup, yup, there it is “Where are going?” she asks, giving the Doctor the perfect in for his next line: “Into darkness.” Oh, oh, very good, very dramatic.

13. Now we need a super fast series of shots where at least half of them will make us laugh and the other half will make us giddy with excitement while also showcasing old friends and enemies. And yup, cut to Vastra, teasing the Doctor almost nonchalantly and then it’s: daleks, glowy blue tunnel, dinosaurs in London, Cybermen (sort of) looking things, the Doctor on a horse, Clara looking scared, zero-gravity in the TARDIS, lots of Daleks and a spinning out of control TARDIS and what’s next?

14.  Well, classic Moffat would be  quiet statement by the Doctor to remind us how tortured and tormented he really is, how hard it is for him to be a ‘good man’ (see “A Good Man Goes To War” for a well-done but essentially two hour riff on this). But surely he’ll do something–nope. Nope. There it is. A gazing out into the distance Doctor cuts to a slightly hopeless Doctor, sitting next to Clara, asking: “Am I a good man?” to which every fan girl in the world went “YES.” (it was like a million souls all forgot Matt Smith at once, and then…nothing). Of course Clara, as a Moffat saucy, sexy, smart but not too-smart companion, will have to say the saucy, sexy, smart but not too-smart answer, which is:

15. “I don’t know.” Because the crux of  Moffat’s Doctor is a conflicted and wounded Doctor, isn’t it?

There isn’t even a second of footage to shed some light on the mysterious new character, Danny Pink, who will be played by Samuel Anderson and (apparently?? maybe??) will be joining the Doctor and Clara on their travels.  Way to keep us in suspense, Moffat!

All that being said, we’re very (very very very very very) excited to see what a not Matt-Smith Doctor will look like, though if the trailer is any judge, it’ll be Moffat-y.

What did you think? Watch the trailer below and let us know in the comments!

Harry Potter has returned in a new short story by J.K. Rowling posted on the Pottermore website.

Set in the 2014 Quidditch world cup, written from the perspective of everyone’s favorite love-to-hate journalist, Rita Skeeter, the story allows for quick glimpses into the lives of the now 34-year old Harry and his circle of friends.

A graying Harry–with a mysterious scar on his cheek–attends with his wife, Ginny, with Ron–who’s hair appears to be thinning–and Hermione. Some of the details come close to depressing–Harry and Ginny’s marriage seems a little rocky, for one–but since this is being written by Skeeter, its hard to tell what is snark and what is actually the true state of affairs.

Poster from Harry Potter and the Deathly Hallows.
Poster from Harry Potter and the Deathly Hallows.

The story–the first time Rowling has written directly about the main characters of the Harry Potter series since the last book was released–is part of series of World Cup stories that Rowling has posted to the the Pottermore site, meant to coincide with the actual World Cup in Brazil.

Rowling is also working on a new movie set in the Potter universe, based on the textbook “Fantastic Beasts and Where to Find Them,” which follows the adventures of the author, Newt Scamender. The movie marks Rowlings debut as a screenwriter.

What do you guys think? Can’t wait to read it? Read it and have an opinion? Don’t care, one way or the other? Let us know in the comments!

Doctor Who starts its new season on Saturday, August 23rd, and last week the BBC put out its first teaser of Peter Capaldi as the new Doctor.

And here’s another one:

What do you guys think? Can’t wait? Don’t think Capaldi will ever be as good as Smith/Tennant/<insert favorite Doctor here>? Tell us in the comments!