When you think horror, do you think Robin Williams in Aladdin? If so, you’re in for a treat, because we’re talking killer genies with 1987’s The Outing! The Wishmaster he’s not, but this genie has some serious power creep going on, yet chooses the laziest, most bizarre ways to kill whomever he comes across. This is the most menacing antique lamp you’ve ever seen, and you’ll rethink your next trip to the history museum after watching it, so strap in as we grant your deepest, darkest desires in the most idiotic ways possible on this episode of Horror Movie Night!

Feel free to join in discussion at on our Facebook Group or in the comments below.

Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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You kids and your suburban problems. You know what you need? A trip to the woods to rough it a little. Nevermind the pervy locals and weed-crazed bugs, you just need a change of scenery. Who’s ready to grill? The guys are discussing 1993’s gooey giant bloodsucking bug flick Ticks this week, and all of the burning marijuana plants and extreme close-ups of Clint Howard push Matt, Adam and Scott to the brink of sanity. Lose your mind on another installment of Horror Movie Night!

Feel free to join in discussion at on our Facebook Group or in the comments below.

Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

Also subscribe to our podcast on Soundcloud and iTunes

Fan favorite writer and producer Jane Espenson (Buffy the Vampire Slayer, Torchwood, Once Upon A Time) took some time out of her hectic Comic Con schedule to sit down and chat with Geekscape about her show, Husbands.

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(l-r) Brad Bell and Sean Hemeon as Cheeks and Brady in “Husbands.”

Espenson co-created Husbands with Brad Bell  in 2011, solely for distribution on digital platforms such as Blip, YouTube and Roku. Husbands follows Cheeks (Bell) and Brady Kelly (Sean Hemeon) as a gay couple who drunkenly tie the knot in Vegas to celebrate the federal amendment for marriage equality, and stay married for fear that a divorce would devastate both the same-sex marriage cause and their careers.

The show quickly built up a large fan base, and for their second season, Epsenson and Bell ran a successful Kickstarter campaign, reaching 120% of their goal. The third season, and the upcoming fourth season, were  produced in partnership with CW Seed.

Husbands is known for its send-up of sitcom tropes, its brilliant humor (which often is layered over biting social commentary), and its intelligent and sharp comedic style. Guest stars on the show are another draw; Joss Whedon appears in every episode in season two as Wes; other guest stars include Jon Cryer, Mekhi Phifer, Felicia Day, Amber Benson, Emma Caulfield, Dichon Lachman, Nathan Fillion, Amy Acker, Seth Green and Michael Hogan and Beth Grant as Brady’s parents.

So we were very excited to sit down and talk about the show, how it started, and where it’s going with Jane Espenson herself.

Jane Espenson
Jane Espenson

 

Q: So, did you work with Brad prior to Husbands? How did the show come to be?

A: This is the first thing we’ve done together, other than a little stage play we worked on together. He had developed the character of Cheeks online, on YouTube, and had a number of videos up there that I found and fell in love with, and I finally reached out to him over Twitter, and we became lunch friends. We started talking about what we could do together.

He had the idea of doing an online comedy, and he had an idea of him and Alessandra [Torresani]  as young actors in LA, and I was like, ‘What’s more current events-y? What’s more, going on in LA? What’s a show you can only do now?’ and he said, “what if it’s a show about newlyweds?’ and I  said ‘Yes, that show will exist in five years, and it will be on NBC, and it will be called Husbands.”  And we were like, ‘Let’s just make it oursleves!’

Right away it was clear that this was something we were going to make ourselves, we weren’t going to go out and pitch it, we had a very clear vision for it. And that night, he did the first pass on the script that become our first story. And we filmed that, and we put it out there, and it got so much positive reception and made it so clear that there was an audience. So, we used that as part of a Kickstarter campaign for season two, and then the third and fourth stories were all through the CW Seed. And they’ve been amazing. It’s really the best way, I think, if you want creative control. We also realized how valuable it is to have good input from someone who has objectivity on the series, so we have readings and producers read the scripts, for the feedback.

Q. So the first episodes were really short, only two or three minutes each. Why did you decide to go with that format?

A. It was one sitcom length story, we just released it a scene at a time. In later seasons we released it an act at a time. But it’s the same number of scenes, and they add up to standard sitcom length.

Q. Did you know beforehand that you were going to release just short scenes? 

A. We knew beforehand, because at the time no one would click on anything that was longer than three minutes. It was just how people used YouTube then. So we were like, let’s just make sure no scene is longer than two-and-a-half pages. And we were very strict about that. We’ve loosened up on that a little because we are releasing things of a longer length, but it’s still a standard sitcom length story.

Q. Did keeping the scenes so short affect the way you approached the writing?

A. A little bit, just because you had to be very draconian with yourself. You couldn’t indulge in a three page run of puns, it was like, no, this scene has to end now. So in that sense it tightened our writing up. But we both have very good instincts, about when a scene is over. If you look at our scripts now, it’s rare that a scene goes over three pages. We had a big exception, with the first scene of “I Dream of Cleaning” episode, was a really long scene, but it was really broken up into what we call French Scenes, where somebody exits and a new scene starts. So if you look at it that way, we still kept ourselves very strict. The scenes were still quite short.

Q. So the Kickstarter was very successful. What was it like using Crowd sourcing for your funding?

A. We knew it was going to be a certain amount of work. Tania del Rio, who’s an artist who works with us, she designs our T-shirts and our poster, and one of the stories in our comic book, she ran the Kickstarter campaign. Like, she ran the shipping, which is one of the bigger jobs. We already had content, since we had season one, so a lot of our work–those two difficult things–what do you present, and how do you get the rewards out–were already done. So we just sat back and watch the numbers roll. It was amazing. We knew, in just a few hours, that we were going to make our goal. I just kept texting Brad in the middle of the night ‘We just got $500 more dollars!”

But then it’s a little nerve wracking, because any one can take their money back. So we had one big donor, and for awhile, if he had backed out, we wouldn’t have made our goal. But once we had the cushion, then we started breathing.

Q. You have quite the list of guest stars in Husbands…

A. Yes. Jon Cryer, we were very happy to work in Jon Cryer. And Joss Whedon coming is as Wes was amazing. And there was Amy Acker, Michael Hogan…

Q. Including quite a few that also are on Thrilling Adventure Hour…

A. (laughs) That’s true. Nathan Fillion, Michael Hogan….I think Michael Hogan did Thrilling Adventure Hour because I recommended him, because I knew what a great sport he’d been on Husbands. I’d worked with him on Battlestar [Galactica], but with Husbands I got to hang out with Michael a lot more. Battlestar was in Vancouver, and I didn’t get up there much, so I never really hung out with Michael. Being here, on our set, what a fun guy Michael Hogan is. I would work with him anytime, any day. He’s a great guy. So different than Colonel Tigh.

I mean, I knew good people that I wanted to reach out to. And then to have all of them respond so positively to the material…and then to meet new people, like John Cryer, who Brad and I didn’t know, or Mikhi Phifer, who is just really, really great. And that was something that we wanted to do, we really wanted to have this be a part of the civil rights movement, and we wanted Brady to have a baseball friend.

Q. One of the things the series has been getting a lot of buzz about is the deftly it handles the social issues while still remaining a sitcom. Do you find that difficult?

A. That is all Brad. He is a very political animal, and a very socio-political animal. And he’s always got stuff, on any topic, and you’ll say ‘what about this? I haven’t really thought about this yet.’ and he’ll say, ‘oh, I have.’ He’s very well reasoned, and he has opinion that are the next opinion. He doesn’t go with the crowd, he’s always the guy going ‘Well, yeah, but…’

So when we all thought it was great that we have these very masculine men being written into these shows on TV,  Brad was going ‘Why is masculine being better? What’s wrong with femininity?’ And just like that, your eyes open. And in example after example after example, your eyes get opened. Like, if you say ‘Isn’t it great that so-and-so came out of the closet? Isn’t it great they’re getting all this recognition?’ And Brad’s saying ‘Not everybody had a choice to come out. Where’s the recognition for the people that were always out? That didn’t have a choice?’ And it’s really made the show something special. And Cheek’s moments, where he talks about that, are the most-watched part of our show.

Watch the Husbands trailer below and let us know what you think! Did we ask Jane all the right questions? What did you want to know?

Briefly: Now I really wish that I made it to last night’s screening (I’m currently sitting the airport awaiting my flight to Los Angeles).

Following last night’s very special screening of Trick ‘r Treat at the Egyptian theatre in Los Angeles, Legendary Pictures announced that a Trick ‘r Treat sequel is in the works with original director Michael Dougherty at the helm.

This is awesome news! After never having a theatrical release (even though it definitely deserved it), Trick ‘r Treat quickly became a cult classic, and I hear about more and more people discovering it each and every year. Dougherty is a talented director, and I really can’t wait to see what he and his team come up with for this sequel.

You can rewatch the Q&A from last night’s screening below, and let us know if you’re excited! There’s no real info on the film yet, but we’ll be sure to share it as soon as it’s announced!

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Cult favorite Trick ‘R Treat is set to close out Beyond Fest this Monday, October 28th at 7:30 p.m. with a theatrical screening and a subsequent panel which will include Dylan Baker (Steven), Brian Cox (Mr. Kregg), Quinn Lord (Sam) and Jean-Luc Bilodeau (Schrader). Seth Green (Dads, Robot Chicken) will be moderating the panel. Fans who may not be able to get to the Egyptian Theatre in Los Angeles can watch the entire event via live-streaming on Legendary’s Facebook page.

We recently had the opportunity to interview Dylan Baker (The Good Wife, Smash) and Quinn Lord (The Imaginarium of Doctor Parnassus, Once Upon a Time) about their experiences filming Trick ‘R Treat, and now we’re here to share their insights and on-set antics with you.

Quinn Lord (Sam) and Dylan Baker (Steven) will be at the theatrical screening of Trick 'R Treat, Monday, Oct. 28th.
Quinn Lord (Sam) and Dylan Baker (Steven) will be at the theatrical screening of Trick ‘R Treat, Monday, Oct. 28th.

Q. What drew you to this film/role initially?

Baker: I was really intrigued by the script, and with Michael’s (Dougherty, director) excitement about the holiday, his love of it. He really imbued the script with this sense of Halloween having a guardian spirit; that the rules of Halloween were, in fact, very strict and were enforced by this really spooky, child-like presence, Sam. And that these rules had to be taught; that my role, the Principal role, was about really being serious about teaching children the importance of honoring these unwritten rules and traditions of Halloween.

Lord: I don’t really remember the process exactly, but I do remember being in the auditioning room with Michael (Dougherty, Director) and I had just done the audition for Sam, and I asked Michael if he would like to see what I thought Sam would do if he had a cat? And Michael said sure, so I improv’ed, started walking around the room and mimed gently petting a cat and saying (creepy voice):  “Nice kitty.”  And then I picked it up by the tail and just walked off-screen. And I think that might have been it.

Q. What was your favorite part about filming Trick ‘R Treat?

Baker: Well, the set was just a lot of fun. Michael–Dougherty, the Director–Michael was a great guy to work with, he was always joking–one of the actresses, Leslie Bibb (Emma), she was really easily scared. And Michael used to do things–this one time he hid in her trailer and when she went in during break he jumped out. She screamed bloody murder.

Lord: I had this one scene where I had to throw an egg at Charlie (Brett Kelly); and when he turns around, I flip him the bird and run away. I remember thinking it was a ton of fun to do, for a seven-year-old.

Q. What was your favorite part of the movie?

Baker: Ha, that’s a hard question. Every aspect of it was just so much fun; Anna Paquin’s character was amazing. And it certainly gave her a taste for blood that has proven quite successful for her!

Lord: The four girls–spoiler alert (laughs)–the whole twist at the end of that story, I really enjoyed that; but my favorite part isn’t a finished scene, actually. I really liked wearing the mask; getting a mold made of my face–they just dumped all this plaster on me and I was like ‘ahhh’–and having this latex mask for the moment when the burlap sack  is removed, that was really cool. When I was wearing the mask I could only see out of the top corner of the mask and it was really interesting to me.

Q. Why do you think this film as become such a fan favorite? 

Baker: Well, it’s really one of a kind, isn’t it? I mean, I can’t think of another movie that explores the traditions and rules of Halloween like this one; Halloween even gets a mascot, in Sam, which isn’t something that had been done. And it combines it all with some horror, suspense, some humor; and the fans just love it. It’s a movie you can watch over and over–in fact, I ran into Brian Cox in London a few months ago and we were talking about Trick ‘R Treat and how enduring it is, and how the fans are just so appreciative of it.

Lord: All these people have enjoyed this movie for so long, and I think the key is because you can watch it over and over again; I think you can watch it ten times in a month before you start to know exactly what is going to happen in each scene; I watch it every year at Halloween; because it’s so re-watchable. It allows you to catch different things, almost like easter eggs. It’s almost like watching a new movie, of re-experiencing it, that “oh, this is going to be awesome!” feeling.

Q. Trick ‘R Treat will be live-streamed during it’s theatrical screening on Oct 28th; what are your thoughts on Facebook and other  social media in the film industry?

Baker: I think it’s amazing. It’s such an amazing tool–I mean, the whole live streaming is great, but also there’s the fact that it just adds so much to who you can reach. I just left the Heartland Film Festival, where I was showing my newest movie, 23 Blast, and Facebook was such a huge help just in getting the word out to people in Indianapolis and letting them know we were going to be there, and getting information out about the movie and the festival. I think it’s great.

Lord: They play such a large role. It allows for so much communication across such great distances. It plays such a big role in movies these days; people can participate in things if they can’t make it in person and share their art and thoughts with other people who like the same thing.

Tickets for the screening on October 28th can be purchased from the Legendary Facebook page.