“Echo Park is this magical world and I wanted people to get lost in it.”

That’s what author and Buffy the Vampire Slayer alum Amber Benson told me about her new book, The Witches of Echo Park, while signing at Midtown Comics in downtown New York. My life’s scenery has been predominantly New Jersey and its malls, exits, pork rolls, and diners, so I felt compelled to learn a little about the still-foreign land that is southern California, never mind that I have been to Comic-Con.

The first installment of a planned series, Echo Park follows 20-something Lyse who returns home to Los Angeles to be with her terminally ill great-aunt Eleanora, the woman who raised her. With her time running out and a looming threat rising, Eleanora brings Lyse into her underground world of magic and sorcery and bestows her leadership of her coven. It’s a total 180 from her comfortable new life in Georgia for sure.

When I first heard of Witches of Echo Park I was kind of unimpressed. It reeked of tween fantasy for a more experienced crowd, targeted to women who grew up reading Harry Potter and are now post-grad/in grad school living on their own. Books are art and art is for everyone, target demos be damned, but I just didn’t think I could relate to it. Still, I kept an open mind as I opened the attached excerpt in my email.

An hour later, I’m frantically hitting the right key refusing to acknowledge I just finished the last page.

Accompanied by my best friend and some new pals I met on line (all of them Buffy fanatics), I sat down with Amber Benson herself, who told me she had a great time doing the Geekscape podcast a few days before. You remember that, don’t you?

http://instagram.com/p/xuxMmhAN0a/?modal=true

The Witches of Echo Park isn’t your first book, but what inspired your venture into writing? Did you maybe write something as a kid that started those gears turning in your head?

Amber: I wrote a lot of really bad poetry as a kid. We’re talking like, “the flower is dead, just like you and me someday,” just ridiculous, gothic, bad bad poetry. But I was reader. I was a book whore. Even now, I read constantly. Even at 38, I’m still a book whore! But that is what inspired me to write, I would get lost in books. They were magic to me. To sit down and read a book and travel to a new world and meet these characters and feel connected to them just saved me in my childhood and adolescence. That is why I wanted to write, because I wanted to do that for somebody else.

Mind if I ask what your favorite book of all time is?

Amber: Oh my gosh, my favorite book of all time? That’s really not fair!

It’s a hard question.

Amber: That’s a really hard question. I’m a big Dostoyevsky fan. Probably The Idiot by Dostoyevsky is my favorite book of all time. It’s my go-to favorite. I know it’s random, weird thing. [laughs]

What specifically inspired specifically Witches of Echo Park? How did you come to blend fantasy with southern California? And why Echo Park?

Amber: Echo Park is my hood. And I spent a lot of time wandering around. I like to take long, hike-y walks. Hike-y walks. Is that a real thing? A hike-y walk?

I think so. You’ve written enough to invent stuff now.

Amber: [laughs] There’s something just really magical about that neighborhood. You walk down Sunset Boulevard and there’s really hipster coffee shops and sort of nestled in between them are these botánicas where you can walk in and get spells. I’m not kidding you, real spells and saint’s candles, and Aqua Net hairspray, which I never quite understood why that was there.

I remember, you wrote that in the book.

Amber: Mmm mm. And then you walk up and down these stair streets. They’re stairs that have street names, and houses that you can only access via these stairs. There’s no way you can get to them via car. You have to go up the stairs to get through to these adorable little bungalos with magic fairy lights. There’s just something super magical about that place. If you go to the top of Echo Park Avenue there’s this swing. It’s just an empty field, a tree, and a swing hanging from the tree, and it’s like, “This is where memories go.” And it looks out all over Water Village and Glendale and it’s just absolutely gorgeous and magical. And that’s my hood! I wanted other people to know how beautiful and wonderful it is.

How much of the book can you describe as autobiographical? Aside from the obvious witches and fantasy elements, of course.

Amber [laughs] That’s the real stuff! I am magic! Just so you know, Eric.

So this is a memoir?

Amber: This is a memoir. I am magic. I do magic. I give magic. [laughs]

How much is autobiographical in the sense of how much of you is in Lyse or Eleanora? 

Amber: It’s so funny. I didn’t realize how much of me was in the book until I was with my therapist. [laughs] And we were talking about it, and she was like, “So basically you’re telling me this is like, a lot of this is your…” and I was like, “Oh, my, God.” I wouldn’t say that I’m Lyse or Eleanora or any of the characters specifically, there are pieces of me in all of them. And a lot of the characters, pieces of them are based on people who lived in my neighborhood. My group of ladies. Not that any of them are them, wholly, but I stole pieces and put them in the characters.

But a lot of the stuff with Eleanora and Lyse and the coming-home aspect, of accepting your fate and figuring out who you are and owning that, that’s a big part of who I am and what I’m trying to do with my life. I see it in the other series, like the Calliope Reaper-Jones books, but there’s a part of me that has to learn to own that I am who I am and I don’t need to hide my light under a bushel, or be uber-humble so people like me or be freaked out by some of the stuff that I do. You have to own who you are. Just because I’m doing this awesome stuff and I’m happy in my life doesn’t mean I don’t want other people to be happy. There’s room in our lives for all of our lives to shine. Me just owning who I am inspires other people to go, “You know what, I’m awesome, and what I’m doing is really cool and I want other people to be a part of that.”

It’s tough being a woman. You’re taught that you’re supposed to be humble and not own who you are. You’re supposed to just be meek. And I don’t want to be that way. I want to go, “You know what? I’m fucking lucky to do what I do, I get to write what I want and I got to be on this amazing show, and I’m just gonna own it.”

You certainly have people who love you for that.

Amber: That was just a meandering way of saying these books are just ripped from my home life, apparently. [laughs]

Lyse is about to have some massive responsibilities dropped on her shoulders. What kind of journey are we about to embark with her? How will she, as a 21st century post-college grad, accept that she is supposed to lead a coven of witches?

Amber[laughs] There’s a big, over-arching plot line that will play out more in the next couple of books. It sort of involves covens all over the world and this sort of corporate, sort-of religious group called The Flood, basically trying to bring about the end of days. They want to wipe the slate clean, they don’t like the magic and things happening.

Hence “the flood.” Very ominous.

Amber: Yeah. So Lyse is going to play a very big part in that. It just goes beyond a coven, it becomes fighting this sort of corporatized vision of religion trying to decimate the world.

The title is Witches of Echo Park, but how far will Lyse’s journey take her? Will we be seeing ethereal planes, spiritual worlds, or will it all be in Echo Park?

Amber: We’re going to be on the Earth. [laughs] But we are going to be bigger than Echo Park. We’re not going to be going to Middle Earth or anything like that.

You’ve built new mythologies several times, be it Calliope-Reaper Jones or Ghosts of Albion. These are entire worlds and you’re the architect. How do you maintain order in the chaotic creative headspace?

Amber: I walk softly and carry a big stick, as Teddy Roosevelt used to say. [laughs] I keep document files of all the information. I hopefully keep things. I have a great editor who is on top of it and copy editors that make sure I’m doing what I need to be doing and not making gross misjudgments with plot and structure. So, I have a team that help me keep it in order.

A little about Buffy if you don’t mind.

Amber: Sure!

You played a pop culture icon in Tara. You brought a face to LGBTQ youth to the world stage. Even today the struggle for equality continues. How do you feel about being this kind of iconic figure for almost a whole generation?

Amber: I feel like Alyson and I were both really lucky to play these characters and got to bring this relationship to life. I’m not a religious person, but the word “blessed” comes to mind. We opened the door, you know? Not just us, it was a group effort, there were a lot of people working to make this happen, but there needed to be representation in pop culture. The LGBTQ community needed to be represented. Those characters needed to be three-dimensional, real characters. And I think, we, and Joss, opened the door. Or kicked it in a little bit, actually. And I’m so honored we got to do that. I feel very blessed to walk in their shoes.

You’ve also built an audience with modern fantasy. After Echo Park, what other genres are you seeking to explore? For example, would you perhaps pen a sci-fi story?

Amber: I would love to write sci-fi. I’m a big hard sci-fi fan. I’m a big Neal Stephenson fan. I would love to write something of that milieu, that would be amazing.

What is Witches of Echo Park ultimately about, and what is it about to you? What is it about Lyse and her journey that you want to tell the world?

Amber: It’s a prodigal child story, about coming home and owning who you are and accepting that we’re all special. Not trying to hide it, not trying to be humble about it, but saying, “I am special because I am human, because I am here, and I am willing to be open to this world.” And that is Lyse’s journey, to be open to this magical world and willing to become the better version of herself.

Thank you so much. I hope New York treated you well.

Amber: New York is awesome, always.

The Witches of Echo Park is available now. You can keep up with Amber Benson on Twitter, and listen to her on the Geekscape podcast talking with our fearless leader Jonathan London.

 

Amber Benson arrives on the Geekscape show to talk about her brand new novel “The Witches of Echo Park”! We talk to Amber about writing, what her literary influences are and of course ‘Buffy the Vampire Slayer’! What are the dangers of doing a 3 hour Reddit AMA? What is her best and worst exchange with a fan? And just how sexual a book is “The Witches of Echo Park”? Things get a little raunchy as Ben geeks out and we all go a little blue! I recommend ‘Essex County’ to Amber and she talks about her cinephile love of ‘Nights of Cabiria’! Yes! It’s THAT weird of a Geekscape… and we wouldn’t have it any other way!

Subscribe to Geekscape on Soundcloud!

Subscribe to the Geekscape podcast on iTunes!

Subscribe to Geekscape TV on YouTube!

Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC.
Photos by Bigwhitebazooka courtesy of Ladykiller

Thrilling Adventure Hour returned to Comic Con last month in a cross over show with Welcome to Night Vale, an event of such magnitude that they last time they tried it (in Seattle, in March), the recording equipment literally could. not. even.

Performing to a packed house at the Spreckles Theatre in San Diego, the show followed Sparks Nevada, Marshal of Mars (Marc Even Jackson), Crouch (Mark Gagliardi) and the usual Sparks Nevada: Marshall of Mars crew as they travel through space and time to save the moon–allowing for the “Marshal of Mars” and the Night Vale worlds to collide.

Done in three acts (with an intermission!) the first act opens with Wil Wheaton–as the omniscient narrator/god-like being–and quickly segues into “Marshal on Mars”, with Sparks Nevada (Marc Evan Jackson) and Croach (Mark Gagliardi) dealing with the subversively silly criminal element (this time it’s James Urbaniak as a good-guy shoe salesman turned bad and his two robot outlaws). Things go from bad to worse when Pemily Stallwark (Molly Quinn), now Marshal of the Moon, shows up needing help to save Earth’s lunar satellite. An introduction of a timey-wimey-super-duper-don’t-think-about-it-too-hard device allows people to travel across space, time, and apparently dimensions, and Croach is zapped to Night Vale.

Thrilling Adventure Hour and Night vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour and Night Vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller

Act II begins like a typical Night Vale episode. Cecil (Cecil Baldwin) begins with the news that there is a new Destroy-the-Moon initiative. The citizens of Night Vale, Cecil tells us, have tried throwing objects at the Moon and will shortly escalate to yelling insults at it. Also, a strange, overly literal being has been going around town demanding that people cease their plans to destroy the moon. Cecil, the Mayor Dana Cardinal (Jasika Nicole), Carlos the Scientist (Dylan Marron) and Steve Carlsberg (Hal Lublin) end up getting zapped back to Mars with Croach. And thus ends Act II.

Act III (after a fairly interminable intermission) has the combined casts banding together to save the moon with some (extremely convenient) time-zapping, a few deaths (!!!), a few more resurrections, and heartfelt professions of love, friendships and respect between various pairs. There’s also some discussion about paradoxes and the general head-ache-inducing vagaries of time (and dimension!) travel.

Night Vale
Cecil (Cecil Baldwin), Mayor Dana Cardinal (Jasika Nicole), and Carlos the Scientist (Dylan Marron) at the SDCC cross-over Thrilling Adventure Hour/Welcome to Night Vale performance.
Photos by Bigwhitebazooka courtesy of Ladykiller

While maybe not the most coherently plotted Sparks Nevada episode (Night Vale tends to eschew plots completely, so it wins by comparison), the combined cast elevated the show; and the audience, eager and ecstatic at the combining of the two fan-favorite shows, did not let a joke slip by them. The verbal sparring between Baldwin, Sparks and Gagliardi is quite possibly some of the best comedic repartee we’ve heard in awhile, and the 30-second half written/half-improv’d competing cries-of-alarm between Carlsberg and Felton (Craig Cackowski) brought the house down.

All in all, the cross over was extremely successful in bringing together the two worlds; it was funny, irreverent, touching and, well, everything we’ve come to expect from both shows.

The episode won’t be aired for awhile, but you can catch up on all the most recent episodes of Thrilling Adventure Hour here and Night Vale here while you wait!

Fan favorite writer and producer Jane Espenson (Buffy the Vampire Slayer, Torchwood, Once Upon A Time) took some time out of her hectic Comic Con schedule to sit down and chat with Geekscape about her show, Husbands.

husbands 2
(l-r) Brad Bell and Sean Hemeon as Cheeks and Brady in “Husbands.”

Espenson co-created Husbands with Brad Bell  in 2011, solely for distribution on digital platforms such as Blip, YouTube and Roku. Husbands follows Cheeks (Bell) and Brady Kelly (Sean Hemeon) as a gay couple who drunkenly tie the knot in Vegas to celebrate the federal amendment for marriage equality, and stay married for fear that a divorce would devastate both the same-sex marriage cause and their careers.

The show quickly built up a large fan base, and for their second season, Epsenson and Bell ran a successful Kickstarter campaign, reaching 120% of their goal. The third season, and the upcoming fourth season, were  produced in partnership with CW Seed.

Husbands is known for its send-up of sitcom tropes, its brilliant humor (which often is layered over biting social commentary), and its intelligent and sharp comedic style. Guest stars on the show are another draw; Joss Whedon appears in every episode in season two as Wes; other guest stars include Jon Cryer, Mekhi Phifer, Felicia Day, Amber Benson, Emma Caulfield, Dichon Lachman, Nathan Fillion, Amy Acker, Seth Green and Michael Hogan and Beth Grant as Brady’s parents.

So we were very excited to sit down and talk about the show, how it started, and where it’s going with Jane Espenson herself.

Jane Espenson
Jane Espenson

 

Q: So, did you work with Brad prior to Husbands? How did the show come to be?

A: This is the first thing we’ve done together, other than a little stage play we worked on together. He had developed the character of Cheeks online, on YouTube, and had a number of videos up there that I found and fell in love with, and I finally reached out to him over Twitter, and we became lunch friends. We started talking about what we could do together.

He had the idea of doing an online comedy, and he had an idea of him and Alessandra [Torresani]  as young actors in LA, and I was like, ‘What’s more current events-y? What’s more, going on in LA? What’s a show you can only do now?’ and he said, “what if it’s a show about newlyweds?’ and I  said ‘Yes, that show will exist in five years, and it will be on NBC, and it will be called Husbands.”  And we were like, ‘Let’s just make it oursleves!’

Right away it was clear that this was something we were going to make ourselves, we weren’t going to go out and pitch it, we had a very clear vision for it. And that night, he did the first pass on the script that become our first story. And we filmed that, and we put it out there, and it got so much positive reception and made it so clear that there was an audience. So, we used that as part of a Kickstarter campaign for season two, and then the third and fourth stories were all through the CW Seed. And they’ve been amazing. It’s really the best way, I think, if you want creative control. We also realized how valuable it is to have good input from someone who has objectivity on the series, so we have readings and producers read the scripts, for the feedback.

Q. So the first episodes were really short, only two or three minutes each. Why did you decide to go with that format?

A. It was one sitcom length story, we just released it a scene at a time. In later seasons we released it an act at a time. But it’s the same number of scenes, and they add up to standard sitcom length.

Q. Did you know beforehand that you were going to release just short scenes? 

A. We knew beforehand, because at the time no one would click on anything that was longer than three minutes. It was just how people used YouTube then. So we were like, let’s just make sure no scene is longer than two-and-a-half pages. And we were very strict about that. We’ve loosened up on that a little because we are releasing things of a longer length, but it’s still a standard sitcom length story.

Q. Did keeping the scenes so short affect the way you approached the writing?

A. A little bit, just because you had to be very draconian with yourself. You couldn’t indulge in a three page run of puns, it was like, no, this scene has to end now. So in that sense it tightened our writing up. But we both have very good instincts, about when a scene is over. If you look at our scripts now, it’s rare that a scene goes over three pages. We had a big exception, with the first scene of “I Dream of Cleaning” episode, was a really long scene, but it was really broken up into what we call French Scenes, where somebody exits and a new scene starts. So if you look at it that way, we still kept ourselves very strict. The scenes were still quite short.

Q. So the Kickstarter was very successful. What was it like using Crowd sourcing for your funding?

A. We knew it was going to be a certain amount of work. Tania del Rio, who’s an artist who works with us, she designs our T-shirts and our poster, and one of the stories in our comic book, she ran the Kickstarter campaign. Like, she ran the shipping, which is one of the bigger jobs. We already had content, since we had season one, so a lot of our work–those two difficult things–what do you present, and how do you get the rewards out–were already done. So we just sat back and watch the numbers roll. It was amazing. We knew, in just a few hours, that we were going to make our goal. I just kept texting Brad in the middle of the night ‘We just got $500 more dollars!”

But then it’s a little nerve wracking, because any one can take their money back. So we had one big donor, and for awhile, if he had backed out, we wouldn’t have made our goal. But once we had the cushion, then we started breathing.

Q. You have quite the list of guest stars in Husbands…

A. Yes. Jon Cryer, we were very happy to work in Jon Cryer. And Joss Whedon coming is as Wes was amazing. And there was Amy Acker, Michael Hogan…

Q. Including quite a few that also are on Thrilling Adventure Hour…

A. (laughs) That’s true. Nathan Fillion, Michael Hogan….I think Michael Hogan did Thrilling Adventure Hour because I recommended him, because I knew what a great sport he’d been on Husbands. I’d worked with him on Battlestar [Galactica], but with Husbands I got to hang out with Michael a lot more. Battlestar was in Vancouver, and I didn’t get up there much, so I never really hung out with Michael. Being here, on our set, what a fun guy Michael Hogan is. I would work with him anytime, any day. He’s a great guy. So different than Colonel Tigh.

I mean, I knew good people that I wanted to reach out to. And then to have all of them respond so positively to the material…and then to meet new people, like John Cryer, who Brad and I didn’t know, or Mikhi Phifer, who is just really, really great. And that was something that we wanted to do, we really wanted to have this be a part of the civil rights movement, and we wanted Brady to have a baseball friend.

Q. One of the things the series has been getting a lot of buzz about is the deftly it handles the social issues while still remaining a sitcom. Do you find that difficult?

A. That is all Brad. He is a very political animal, and a very socio-political animal. And he’s always got stuff, on any topic, and you’ll say ‘what about this? I haven’t really thought about this yet.’ and he’ll say, ‘oh, I have.’ He’s very well reasoned, and he has opinion that are the next opinion. He doesn’t go with the crowd, he’s always the guy going ‘Well, yeah, but…’

So when we all thought it was great that we have these very masculine men being written into these shows on TV,  Brad was going ‘Why is masculine being better? What’s wrong with femininity?’ And just like that, your eyes open. And in example after example after example, your eyes get opened. Like, if you say ‘Isn’t it great that so-and-so came out of the closet? Isn’t it great they’re getting all this recognition?’ And Brad’s saying ‘Not everybody had a choice to come out. Where’s the recognition for the people that were always out? That didn’t have a choice?’ And it’s really made the show something special. And Cheek’s moments, where he talks about that, are the most-watched part of our show.

Watch the Husbands trailer below and let us know what you think! Did we ask Jane all the right questions? What did you want to know?

Briefly: Back in May of last year, we featured an incredible project called Blood Kiss in our ‘Crowdfund This’ column. By the end of its campaign, Blood Kiss had surpassed its Kickstarter goal by more than $38’000! Pretty amazing, right?

Now, with production set to begin this Summer, Blood Kiss creator Michael Reeves (who did a lot of work on a ton of amazing projects, including Batman: The Animated Series), along with the film’s production crew are heading to the Cannes International Film Festival in France to help market his vampire-themed film.

The film has been getting much attention in part because award-winning author/screenwriter Neil Gaiman (who needs no introduction here), will be making his acting debut in the film. Also joining the team will be acclaimed comic book artist Tom Mandrake who will create original artwork for the film.

Mandrake even drew Jonathan's character in the show.
Mandrake even drew Jonathan’s character in the film.

On the trip, Reaves said that he’s “thrilled to bring our vision for ‘Blood Kiss’ to Cannes and bring it one step closer to fruition. So far we’ve received a lot of support for the film and we want to bring some of that energy to this great film festival.”

Blood Kiss is set in 1940s Hollywood with a classic film noir tale of a sexy jazz singer in distress and a private investigator who gets a little more than he bargained for when he takes on a case involving mysterious vampires.

If you’re looking for more from the film, you should definitely check out Geekscape 292, producers Daniela Di Mase and Leah Cevoli chat with Jonathan about the film. We’re unbelievably excited that Michael and everyone involved are able to make the film a reality, and we really can’t wait to see more.

Excited for the movie? Be sure to sound out below!

Today is a huge day in the world of cinema.

You see, today Jurassic Park celebrates it’s 20th anniversary. The legendary film that broke records, captivated audiences with its groundbreaking special effects, and caused hundreds of kids around the world (myself included) to develop an extreme interest in dinosaurs (specifically the Raptor which pre-Jurassic Park most of us kids had never heard of). I really should be doing a Retroactive Thinking about it… but I’m not. I like Jurassic Park, it’s a great movie… but 5 years and one day after its release, a film came out that left a much larger impression on me. That movie is 1998’s Can’t Hardly Wait.

CantHardlyWaitPoster

I grew up in the mid-90’s. What I mean by this, is that since I was born in 1985, it was 1994-1995 when I really started caring about stuff. Once you hit the double digits, you start to listen to your own music, start going to the mall by yourself, and begin attending movies without your parents because now you’re a junior high student. The 90’s was full of forgettable teen flicks, and this was the one that started it all.

Can’t Hardly Wait (released June 12th 1998) was written and directed by Harry Elfont and Deborah Kaplan (who’s only other directing job was the criminally under-appreciated Josie and the Pussycats). The film not only reignited the teen flick after years of absence, but remains the best film of the resurgence (on par with American Pie). The simple plot follows a group of high school students at a giant graduation party. The biggest focus of the movie is on Preston Meyers, who has been in love with Amanda Beckett since freshmen year, but as long as he’s known her, she’s been dating Mike Dexter. Finally, on graduation day Mike and Amanda break up, and it’s Preston’s chance to tell her how he really feels.

We also follow the nerdy William Lichter as he attempts to get revenge on Mike Dexter, and Wigger Kenny Fisher (Seth Green) trying to lose his virginity. There are plenty of other small plot-lines mixed into the film (including a brilliant one about a high school band’s first show).

So why did this movie leave such a massive impact on me? It goes back to 1998. As shocking as it may be to you readers, but I was a bit of a geek in Jr. High. I remember this movie’s trailer and I remember not really having an opinion about it. Unlike when I saw something like The Phantom Menace trailer, I didn’t say ‘Man, I have to see that’. At the time I was hanging out with Adam, a kid who was my best friend throughout Junior High (and then we kinda went our separate ways in high school). I’ll always remember the day we finished 6th grade and felt like 2 grown ups (I, of course wouldn’t be an actual grown up until… well… I’m probably still not a genuine adult). I was invited by Adam to see this movie after our last day of school with a girl he was dating and her friend. As per usual, the girl’s friend had zero interest in me, so instead of getting my make-out on I just sat in a mostly empty theater watching Can’t Hardly Wait.

Can’t Hardly Wait was a rare type of movie. It was the only 90’s teen flick (again, except for maybe American Pie) that really had an 80’s feel to it. What I mean by that, is that the characters were relatable and very real. They represented the various cliche’s realistically without being stereotypes (much like Breakfast Club). It was the first time I felt like I was seeing my classmates accurately depicted on the big screen.

Six years after it’s release, I graduated high school, and while I didn’t attend a giant graduation party, I did attend a small party at my Salutatorian’s house. It was a typical gathering of high school outcasts. We decided to put on Can’t Hardly Wait, and we quickly realized that despite the film coming out when we were in 7th grade, we still graduated with those characters.

Every time I watch Can’t Hardly Wait, I desperately want to write my own teen flick. One day I will I’m sure, but no matter what I do or how hard I try, I’ll never create a teen movie as incredible and relatable as this film.

Simply put, I love the shit out of this movie. I’ve even attended at least three Halloween Parties dressed as Kenny Fisher (see below). Some people own every version of Star Wars ever released, and I’ve purchased every version of Can’t Hardly Wait made available. The VHS, the DVD, The 10 year reunion DVD, and on the day that Harry and Deborah release the uncut R version of the movie on Blu-Ray I will purchase it as well (and probably a Blu-Ray player so I can watch it).

You may be asking ‘an R rated version?’ In order to get a PG-13 there were various scenes that had to be cut from the movie. This also involved us losing one of the main characters in the original film, Crying Drunk Girl. Crying Drunk Girl (played by Jennifer Elise Cox) was the key character linking all the storylines together. The joke being that she hears Denise and Kenny get locked in a bathroom, she knows Preston, and offers to help Amanda find him. However, no one can understand her because she’s too drunk to produce genuine words. All of her dialogue would have appeared as subtitles letting audiences in on the joke. She eventually hooks up with the foreign exchange student.

Amber Benson and Jason Segel in Can't Hardly Wait
Amber Benson and Jason Segel in Can’t Hardly Wait

Two other characters, Stoned Girl (played by Amber Benson) and Watermelon Guy (Played by Jason Segel) saw a major cut to their screentime. Segel originally had a scene explained that for the last year he’s been soaking a Watermelon in Vodka, while Benson’s character only appears on screen for 2 seconds staring at a banana. Here’s hoping that somewhere an unrated version of the movie will see the light of day.

So, take some time and remember the 1998 film that launched enough careers that my friends and I like to play “Six Degrees to Can’t Hardly Wait”. Maybe Doug Benson will play that on Doug Loves Movies… in fact, I’m going to tweet that at him.

TweetToDougBenson

‘Blood Kiss’ is an upcoming Vampire Noire film from television writer Michael Reaves, that stars Neil Gaiman and Amber Benson! Yes, Neil Gaiman is acting in it! After successfully hitting their Kickstarter goals, producers Daniela Di Mase and Leah Cevoli arrive on Geekscape to talk about the project’s stretch goals as well as what a “Vampire Noire” is in the first place! Daniela talks about getting Neil involved in the project and Leah shares her love of all things vampires! Oh, and I kind of give Leah a hard time about her vampire teeth while asking if I can have a special role in the film!

Cool thing from the episode: After listening, comic book and Blood Kiss artist Tom Mandrake drew this picture of me in my starring role:
stake_TomMandrake

With talent like this, I wonder just how quickly Blood Kiss is going to hit its goal.

Emmy Award winning writer Michael Reeves has developed an ambitious new film project, but he (and everyone else involved) needs your help if the feature is ever going to see the light of day. The project is called Blood Kiss, a ‘Vamp Noir” film (an entirely new genre) that revolves around detective Joe Belicek, who must solve the murder of a vampire before a deranged killer murders them all.

Inspired by Film Noir, Blood Kiss is set in 1940’s Hollywood, and already has some fantastic names attached to it. Blood Kiss will feature the acting debut of the incredible Neil Gaiman, who had some fantastic words to say about the film’s script:

“Michael sent me the script. I told him, “it’s a terrific script.” and he said, “I want you to act in it.” I replied “There’s nobody else I would act for.”

Blood Kiss will also star writer/director/actor Amber Benson, who is no stranger to vampire media after spending three years as Tara Maclay on Buffy the Vampire Slayer.

Some of the cool rewards up for grabs!
Some of the cool rewards up for grabs!

It’s easy to see that Blood Kiss is going to be phenomenal, so let’s help the project get made! The Blood Kiss Kickstarter launched earlier today, and in just a few hours has raked in over $7000. There are some some amazing rewards up for grabs for anyone that contributes to the film, including digital downloads, posters, Blu Rays, premiere tickets, and much, much, more. If Blood Kiss sounds like your cup of tea, head to Kickstarter and pledge, pledge, pledge!

Watch the project’s Kickstarter video below, and don’t forget to check out Blood Kiss on Twitter and Facebook! We’ll be sure to keep you updated on this one as the campaign continues, and as we learn more about it!

This episode I talk to filmmaker Ward Roberts about his film ‘Dust Up’, currently available on VOD. A loud and gritty, violent, modern Western, ‘Dust Up’ is the kind of cult movie we love to introduce you to here on Geekscape. Similar to ‘The FP’ and other uniquely awesome films, I think you’ll get a kick out of our conversation, talking about making the film, casting Buffy’s Amber Benson… and what I think is the craziest ‘money shot’ in film! Enjoy!

Subscribe to the show on iTunes!