It’s about freaking time.

If you’ve been following Geekscape for any length of time, you’ll know that we’re big fans of Jason Trost (the dude, and his work), and even bigger fans of The FP.

It’s been about seven years since The FP first blew our freaking minds. Back in the day, we had our own screening of the feature, had basically the whole Trost family on Geekscape (and Jason has returned numerous times in the years since, even to talk about FP2 back in March), and spent way, way too long playing The FP rhythm game on our phones.

I even dressed up as a member of the 248 for Halloween one year.

Jason and company have worked on a myriad of insane projects in the years since The FP, but naturally, myself and fans all over the world wanted to see what happened to our pals from Frazier Park. We featured a couple of Crowdfunding campaigns for the sequel over the past few years, and FP2: Beats of Rage premiered at Fantastic Fest back in September.

The film has had screenings across the world in the months since the premiere, and as none of those screenings were anywhere near me, I’m beyond excited that FP2: Beats of Rage is now available on VOD.

US/UK fans can rent or buy through Amazon, or even watch for Free as a part of Amazon Prime.

The film is also available for purchase in glorious 4K, and with a bunch of special ass features, from Vimeo. Special features include:

– Behind the Beats
– Deleted Scenes
– FP Tour
– English + French Subtitles
– Silver Screen Muggers
– What is Beats of Rage?
– Feature Commentary

In any case, I’ve been waiting for this sequel for years, and I’m beyond excited to finally have the opportunity to see it. Believ’ dat! Watch the trailer below, and let us know what you think of FP2: Beats of Rage!

“JTRO retired from Beat-Beat Revelation after he restored control of the FP to the 248 and finally brought back the alcohol and the ducks. But when the exact same problem again threatens Frazier Park, he embarks on the journey of a lifetime deep into The Wastes, and this time, the shiz is triple serious. Joined by hypeman KCDC, he must defeat gang leader AK-47 on his own turf while the fate of getting drunk hangs in the balance.”


When Jason Trost released The FP back in 2011, I don’t think anyone could have predicted the influence it would have on some people. Some fans made life-long commitments with The FP tattoos (Like Geekscape’s own Frank Sanders), some made life-long commitments with marriage (more on that later), and many allowed the film’s dialogue to become part of their every day vernacular. I know I’ve often ask someone “What are you being for Halloween this year? A Bitch!?” and for that I’ll always be appreciative of Jason “J-Tro” Trost.

Not pictured: Frank’s awesome The FP tattoo

I was thrilled when I looked at the films playing this year’s Fantastic Fest and saw FP2: Beats of Rage would be screened.  It played midnight Saturday for a rowdy crowd of fans and a newlywed couple (seriously listen to the interview at the bottom of this page for more information on this). The Alamo has a strict no-talking rule – with one exception, because if you’re watching the FP2: Beats of Rage and you’re not chanting J-TRO and yelling about at the screen… you’re not doing it right.

So is it good? It is. Is it better than the original? For me not quite, but it’s still damn good. It’s also worth noting that this was my only watch of FP2: Beats of Rage so far, while my love of the original grew with more viewings. I have a strong feeling that FP2 will also be a grower.

The film takes place a few years after the original FP ends, J-Tro is alone again, isolated from his friends, mostly spending his time in a garage fixing old technologies like a Bop-It (not to be confused with Skip-It) and stealing alcohol to get drunk in a drainage pipe. When his former trainer BLT is 187ed by AK-47 of the Wastelands, JTRO must go on a journey to his birthplace to compete in the ancient Beat-Beat tournament Beats of Rage.

While the original film took its comedic beats by very seriously paying homage to films like Rocky IV and Rambo: First Blood Part II despite the outrageous subject matter; Trost does more of the same here, but this time parodying the outrageous sequels like Temple of Doom, Beyond Thunderdome and just a slight dabble of Krull. It allows the film to not just be a carbon copy of the original and is a giant breathe of fresh air for the budding franchise.

During the Q&A following the screening, Trost promised that Part 3 will be on the horizon. Until then I eagerly await the next installment. Learn more about the movie and the newlyweds that attended the screening by checking out the interview below, and be on the lookout for more Fantastic Fest coverage!

Here’s something new on Geekscape: The Geekscape Hang Session! We’ve got a big community and it’s been going on for a long time… so why not use the podcast to get to know each other better? This time we hang out with Frank Sanders, the only Geekscapist I know who has a Geekscape tattoo! We get to know Frank a little better, get the story behind some of his tattoos and the origin of his tough exterior (and teddy bear interior) along with his Top 5 Films of all time! Geekscape is a community first and foremost so here’s a chance to know each other a little better! The Geekscape Hang!

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Briefly: It’s been 84 years…

Not really, but it’s been almost 6 years since The FP first blew our freaking minds. Back in the day, we had our own screening of the feature, had basically the whole family on Geekscape, and spent way, way too long playing The FP rhythm game on our phones.

I even dressed up as a member of the 248 for Halloween one year.

Jason and company have worked on a bunch of cool projects in the years since The FP, but naturally, myself and fans all over the world wanted to see what happened to our pals from Frazier Park.

I’m so, so happy to see that after what seems like years of teasing, Beats of Rage: The FP 2 is finally on its way.

Jason and crew have already shot the first 30 minutes of the project, with the intention of pitching Beats of Rage as a television series. Jason notes that “We were going to try and pitch is as a TV show… but, politics YO! That could take a mo suckin’ eternity. Plus, we think this shit is so dope, we’re sick of waiting! Let’s just finish the movie and get this shit up into your living room with a beer in your hand ASAP!”

That sounds great to me. We’ve waited this long, NOW LET’S SEE THIS SHIT! FOR THE DUCKS!

Here’s the synopsis for Beats of Rage:

In a dystopian future… the world is in a booze drought. Disputes are fought to the death via the dancing arcade game Beat-Beat Revolution, which has absolutely no relation to Dance Dance Revolution. Alternate Reality yo.

In this ghetto ass fantasy, in order to save The FP once again… again, JTRO -The Beat-Beating champion from a legendary bloodline of beat-beaters and KCDC – his mystical hype man, must quest deep into The Wastes, a world decimated by the beat wars, in order to compete in the ancient Beat-Beat tournament, “Beats of Rage”. JTRO travels deep into the realm of his birthplace where he must dig deeper than six feet to vanquish the self-proclaimed lord of the Wastes, AK-47. Will JTRO fulfill KCDC’s prophecy? Will he be able to RENIG before it’s too late and save The FP from runnin’ dry once and for all?

In just a couple of days, the team has raised nearly 25% of their miniscule $25,000 goal. We’ve seen freaking Potato Salads make more cash than that, so fans should definitely be able to hit this target (and way, way more than that). Naturally there’s some shit in it for you (aside from simply letting this exist). Backer rewards include credits, soundtracks, copies of the film, shirts, having your photo in the film, a ticket to the premiere, and even a role in the movie.

Did I mention that you can watch 10 minutes of the project right now?

Yeah, you can.

So for For Jason. For Frank Sanders. For us. It’s time to show that you’re a true member of the 248 and make this shit happen. Open your chequebook. Click the freakin’ share button. Make Beats of Rage: The FP 2 happen.

You can head to the IndieGoGo page right here, and watch ten minutes of the project below.

https://vimeo.com/222572260

Jason Trost’s The FP was one of my favourite films of 2011.

The film sounds absolutely absurd when you try to describe it; it’s a classically-styled action set in a dystopian future filled with hilarious slang, gangs that fight each-other by facing off in ‘Beat-Beat Revelation’ matches (yep, it’s basically DDR), and of course, ducks.

But it’s pretty much impossible to watch it and not fall in love. The heart and soul emanating from The FP is a rare joy, and has led the myriad of friends that I’ve shown the film to fall in love with it just as I have. We even had Jason, Brandon, and Sarah Trost on Geekscape to discuss the film way back in the day.

Now, it’s finally getting a sequel: enter Beats of Rage: The FP Part II

What a freaking title.

An Indiegogo campaign for the sequel launch yesterday, and JTRO let us know just why it’s taken so long for a sequel to finally be official, and why he’s decided to try it now. Here’s just a few words from the heartfelt campaign:

Since THE FP, I’ve been trying to figure out what to do next with my career.  Financially,  THE FP was viewed as a failure.  It wasn’t my big break, it wasn’t even a small break.  So I’ve been forced to make a series of movies based on the piles of trash I’ve had available to me at the time, which have all served as great learning experiences, but I’m not truly proud of any of them in the way I am THE FP, because none of the others have been my dream movies.  I’m sick of making movies I like, I want to get back into making movies I love and I know you love.

Things wrapped up nicely at the end of the first film, so what could the sequel be about? Well, The FP needs saving… again! Here’s the plot description:

In this ghetto ass fantasy, in order to save The FP once again… again, JTRO and KCDC must quest deep into The Wastes in order to compete in the ancient Beat-Beat tournament, “Beats of Rage.”  JTRO travels deep into the realm of his birthplace where he must dig deeper than six feet to vanquish the self proclaimed lord of the Wastes, AK-47.  Will JTRO fullfil KCDC’s prophecy?  Will he be able to RENIG before it’s too late and save The FP from runnin’ dry once and for all?

How could you not want to see that?

This time around, JTRO and company are looking for a cool $100,000 to make Beats of Rage happen. Sure, it sounds like a lot (well, not if you compare it to the myriad of video game campaigns that are funded millions of dollars in just a few days), but this time around, Trost wants “to actually spend that money on the movie and give you guys something new, fresh and exciting.  We want breathing room.  The time to make the right choices.  The ability to not have to rip half of the script pages out on set.'”

Sounds fair.

As always, there are plenty of sweet, sweet backer rewards up for grabs, including producer credits (you’ve always wanted to be a producer, haven’t you?), signed copies, ducks, posters, street cred, and way, way more.

So let’s make this happen! The campaign till has 59 days to go, and has made great progress in its first 24 hours. Take a look at the Beats of Rage: The FP Part II teaser trailer below, head here to back the project, and be sure to SHARE it with everyone you know. Everyone.

https://youtu.be/PFeQ2m3dF24

After watching that teaser, is anyone else planning a The FP re-watch this weekend?

Filmmaker Jason Trost arrives back on Geekscape to talk about his new film ‘How To Save Us’, opening in select markets this weekend! Along for the ride is Tallay Wickham, one of the actresses from the film, as they talk about the ghost story’s origins in video games… like Silent Hill! Tallay and I share our love for all things Professor Layton and Jason calls ‘The Witcher 3’ the first Witcher title you definitely have to play! We discuss retro throwback indie films like ‘Kung Fury’ and how they often miss the point and I talk about Ron Gilbert’s new game ‘Thimbleweed Park’! Also, how this year’s Nintendo Championship totally miss the mark and whether having The Rock remake ‘Big Trouble In Little China’ is a good thing or a bad thing! Enjoy, Geekscapists!

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This is it! Geekscape 300! Joining us for this super-sized Geekscape spectacular is Clerks star Marilyn Ghigiotti, who not only brings us lasagna (which made my head explode), but also catches us up on her post-Clerks work and talks about the process of finding out she’s going to be in ‘Clerks 3’! Gilmore, Ben Dunn and Ian Kerner appear to reenact the first Geekscape! Witney Siebold and Jason Trost talk ‘Elysium’, with Ian Kerner and Jon Schnepp (who gives us an updated on ‘The Death of Superman Lives’ documentary)! Stan Lee’s Comikaze organizer Regina Carpinelli previews what’s in store for this year’s Comikaze and Geekscape writers Juan Carlos Marquez and Josh Jackson tell us why ‘Pikmin 3’ is definitely worth picking up! PLUS! ‘Airwolf’ comic writer David Gorden calls in along with longtime Geekscape writers Jacob Lopez, Shane O’Hare, Matt Kelly and Derek Kraneveldt! JUAN CARLOS!!!

 

If you’re a regular around these parts, you know how much we love Jason Trost. He’s the man behind last year’s phenomenal The FP (which made it on Jonathan’s best of 2012 list), and this year’s All Superheroes Must Die. We’ve also featured him on the podcast twice (here and here), and had a long conversation with him before All Superheroes Must Die released just a few months ago.

 

JTRO’s at it again, this time with #WetAndReckless. Grindfist Pictures has just released the film’s official trailer and poster, and they look bad-ass. Check them out below, and let us know what you think! The full feature however, won’t make it to release without our help, so read on for the details!

 

 

A reality television show goes horribly wrong forcing its ill-equipped stars to hunt for buried treasure to find a way home.

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#WetAndReckless stars Lucas Till, Jason Trost, Scout-Taylor Compton and Sean Whalen, and it should be a freaking blast! As mentioned above, it does need our help to see the light of day. Jason has has created an IndieGogo campaign to raise funds for the film’s distribution. Check it out here, claim some cool rewards (like a limited edition autographed poster), and help us all see JTRO’s latest!

 

Jason, we’ll be backing your shit up until the end, for reals.

Geekscape arrives at the ToadHop Network with a brand new episode featuring guest co-host Corey Roberts and guests Jason Trost and Lucas Till! Jason and Luke talk about their new movie ‘All Superheroes Must Die’! Luke talks about his character of Havok in ‘X-Men: First Class’ and the chances of returning in ‘X-Men: Days of Future Past’! Corey Roberts says some inappropriate jokes! ‘The Baytown Outlaws’ director Barry Battles calls in to talk about what it took to make the movie and how you can check it out now on VOD, iTunes and Amazon! PLUS! Appearances from Geekscape’s Shawn Madden and Frank Sanders!

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2012 was a strange year at the movies. While comic book movies, remakes and sequels continued their multiplex dominance, there was an entire wealth of indies, festival films and curiosities that made 2012 a pretty diverse year. Even now that it has come to an end, I can’t produce a confident list of 2012’s Best Films… and I saw almost everything (sorry, Cloud Atlas).

So instead of Best (as Matt Kelly provided after seeing only 15 films all year), here’s my list of ‘The Films I Enjoyed The Most of 2012;. It’s a wide-ranging, mixed list, appropriate for a pretty wide-ranging, mixed year. Yes, these are the ones that I got the most out of in my own selfish, film-loving way.

The List:

#1 – Life of Pi – Ang Lee has been one of my favorite filmmakers for about fifteen years. Strange that his one film that you’d think was made for me was the one I enjoyed the least (Hulk). Luckily, this year’s Life of Pi more than made up for it as my favorite moviegoing experience of the year. I bemoan most 3D films, as I should, because most 3D films look pretty bad and suffer from the 3D not being fully thought out. It becomes more of a distraction than attraction. Here, with Ang Lee’s careful integration of digital effects and visual care, is the best 3D film I’ve ever seen. Even in the quiet moments, the movie jumps with energy. And during the big visual crescendos the movie erupts. Life of Pi, both on the script and on the screen, is a complete celebration of storytelling. I loved every moment of it.

#2 – The Hobbit: An Unexpected Journey – Last January, I thought this movie would be on this list, and here it is. I just didn’t know that I’d try and experience it several times just to see it in different formats. Peter Jackson and company pulled off a Herculean task in bringing Middle Earth to the screen, both as The Hobbit and its integration into The Lord of the Rings. Yes, there was some awkward shoe-horning in the film (and where the hell did Radagast go!?!) but still, making a six-part film series of this level of quality can only be celebrated. I love being in Peter Jackson’s Middle Earth and am excited to return next year, regardless of frame rate.

#3 – The FP – I probably saw this movie more than any other film in 2012 and I’m proud that Geekscape was the product pusher through which many of you discovered it for yourselves. Of any film on this list, if The FP were a living, breathing person, it would be the one you’d most want to hang with. It’s equal parts everything you loved about the movies you grew up with plus the addition of video games and attitude mainlined right into its twisted brain.

#4 – The Raid: Redemption – Everyone’s lumping this film in with Dredd. I’m not going to do that. Beyond the tower assault storyline, and the large amount of violence, these movies are pretty different. Watching The Raid at SXSX in March was the loudest and craziest I’ve ever seen a theatrical audience. They were ready to rip the seats out of the Paramount Theater and start hitting each other with them. Unlike the bullet-charged explosiveness of Dredd, The Raid is a pretty hardcore martial arts film. The pain it inflicts is more personal and visceral than Dredd’s machine gun violence. In my interview with The Raid director Gareth Evans last spring, we spoke about how the silat fighting discipline was sort of the joke of the martial arts world before he filmed The Raid (and its predecessor Marantau). It says a lot about the film that no one is joking about it today. It’s just 100% bad-assery.

#5 – John Dies At The End – This is the craziest movie I saw this year. Of all the films from 2012, John Dies At The End is probably the one I think most Geekscape readers will appreciate the most. It’s equal parts science fiction, monster and occult film… but told through a narrative that is just as slapstick as it is intelligent. Really, John Dies At The End is almost impossible to describe, especially if I want to avoid spoiling it for you (I really do)! Every time that you think the movie is going in one direction or is about one specific thing, it pulls a complete 180 on you and pursues a wilder and more satisfying direction. And just when you think you can contain this movie, it spills out and becomes about something much larger than you can imagine. Really, the most impressive thing about this already impressive movie is its ability to articulate some pretty complex ideas about our own existence in a fun and exciting way. This is one destined for cult status among us geeks.

#6 – Les Miserables – This was an impressive production. Just on a technical level, Les Miserables had some of my favorite shots of any film I’d seen this year. Director Tom Hooper’s visual communication with an actor’s performance was second only to the work I saw in The Master or Holy Motors (which was probably the best performance I’ve seen this year). In many of the film’s one take masters, the focal depth on the actor’s performances was almost razor thin, leaving little room for the performer to move. Then they both start moving. It’s pretty impressive to watch both the performances of the actor’s and the camera. I’m not a big fan of musicals so it’s hard for them to make my list. Les Miserables did it pretty easily.

#7 – Dredd 3D – This is my favorite comic book movie of 2012. It didn’t have the loose plot threads and “what the fuck logic” of The Dark Knight Rises or the multiple personality complex of The Avengers first act that completely took me out of loving the movie the first time I saw it. And I’m not even going to elaborate on the heartbreak that was The Amazing Spider-Man for me. You can listen to the linked podcasts for those. What I will say is that Dredd 3D is the most faithful adaptation of the 2000AD source material that you’re ever going to see on-screen. Everything about the movie was spot on and completely drenched in kerosene from beginning to end. The non-stop violence. The broken world. The breakneck pace. Much like 2000AD, mainstream American audiences weren’t ready to accept this movie into their theaters. This isn’t Spider-Man. It isn’t Batman. And it isn’t The Avengers. It’s just pure adrenaline. I can’t wait to see it over and over.

#8 – Django Unchained – All of Quentin Tarantino’s movies are interesting… and this is one of his more interesting ones. I still don’t know if I 100% loved it. In my book, it does the same near-fatal thing that Inglourious Basterds does. It hits a dinner table scene during which the movie’s locomotive energy runs out of steam and is only re-injected by a high octane shoot out like an adrenaline needle stabbed through a breastbone. Sound familiar? It’s almost scary how structurally similar the last acts of these movies are and you can start at the Django scene around the dinner table and the underground cafe scene in Inglorious to start your study. Both involve characters carefully masking their identities but ultimately showing their hands. They both end in those identities being revealed and the main characters forced to move their plans into action and within twenty minutes a historical building full of people is being shot to shit with almost no survivors. And ultimately, the movie ends with an ambush by the movie’s lead on the movie’s biggest sellout, whether that be a turncoat Nazi or a race traitor of a house-slave. And that’s where Tarantino’s ability to make cinematic mix-tapes saves the day. In anyone else’s hands, this would all be painfully redundant. But these aren’t anyone else’s hands. While you often get the feeling while watching Tarantino’s films that you’ve heard these songs before, damn if they aren’t arranged and cranked up in the greatest possible way here. Bring on the director’s cut.

#9 – The Master – This is a film I actually enjoyed much more after it was over. It just stayed with me for a long time. The precise camera work, the performances, the riddle of the film’s subject, everything in this movie felt done with so much care that I couldn’t dismiss it upon leaving the theater. The Master makes you work to appreciate its message, and whether it be a study of the birth of Scientology, a condemnation of the audience’s passivity or an admission of P.T. Anderson’s own insecurities, there is a lot to explore here on several levels.

#10 – The Impossible – Can you love a movie simply for its sound design? I think you can… but luckily The Impossible is a whole lot more. The incredible sound design is just the first thing you experience. I know that Zero Dark Thirty and a few other movies I experienced this year did the whole “the audience will hear our movie before they see our movie” black screen intro… but none of them did it as effectively as the opening moments of The Impossible. It really sets the mood for a film whose most intense moments exist in 360 degrees and not just on screen in front of you. J.A. Bayona’s 2007 ghost film The Orphanage made me a fan, but here his camera work is so selective and claustrophobic that it really gives you a sense of helplessness against the rushing tide. This game of visual keep away and the way that the story is told a little out of sequence to keep information from us, combines with the immersive sound surrounding you to create a movie that is as visceral as it is inspiring. Much like Danny Boyle’s 127 Hours, I realized afterwards that I’d been holding my breathe for much of the movie. Combined with two perfect tight-rope performances by Naomi Watts and Ewan McGregor (really, the entire family in the film), this is a movie that’s only going to get better as people discover it over time. From here on out, Bayona’s name should be spoken alongside the other elite Spanish speaking directors like Alejandro Iñárritu and Alfonso Cuarón (so really, it should be spoken among any elite directors period).

 Close, But No Cigar (Not that we condone smoking…)

The following are movies that I loved this year, and they’re a pretty eclectic mix, but for some reason or another they stayed out of the Top 10. In a few hours I may look back and change them again… but by then we’ll be too deep into the new year. We can only move forward!

 Argo

 Zero Dark Thirty

 Holy Motors

 Wreck-It Ralph

 End of Watch

 The Avengers

 Moonrise Kingdom

 Safety Not Guaranteed

The Imposter

Brave

This year I saw roughly 15 movies, including my top 10 movies of the year (also known as 2/3’s of the movies I saw this year). For this reason, there’s a bonus list of the 10 movies that may have made my top 10 had I actually gone and seen it.

10. Wanderlust
David Wain is the least likely person to have a moderately mainstream film career. Films like Wet Hot American Summer and The Ten scream ‘Underground Cinema”. So when he followed them up with the mainstream Role Models it was a bit of a shock. Wanderlust walks the line of being part mainstream film and part off the wall, The State-influenced humor. I know a few people (including Geekscape film critic Dave Traverso) disliked the film but I was a fan of it’s charming story and quirky characters.

9. God Bless America
Bobcat’s previous film World’s Greatest Dad was an incredible masterpiece that appeared on many of 2009’s best of lists. The film is the best product Bobcat ever put out. God Bless America doesn’t live up to it, but it certainly tried its best and comes pretty damn close. If this film was about 20 minutes shorter and contained a few less repeatetive speeches it could have been my favorite film of the year.


8. Pitch Perfect
No film managed to be better than it deserved to be quite like Pitch Perfect. Much like Fired Up! in 2009, Pitch Perfect manages to appeal to both sexes and being a well written parody. Will Pitch Perfect win any awards? Not likely. Are there movies not on this list that are much more deserving to be in someone’s top 10 for artistic merits? Certainly. But there are definitely few films I enjoyed quite as much as this film. If you love Mean Girls, Bring it On and Clueless than you need to give this film an honest chance.

7. The Avengers
This might be the most important films of 2012 for no other reason than ten years ago this was nothing more than a fan boy dream. Even when Sam Raimi was making Spiderman, Tim Burton was making Batman and Bryan Singer was making X-men it seemed absurd that we would one day find a franchise that literally built itself much like a comic book, with various one shot movies all containing crucial pieces to a much bigger final product. On top of it all, it’s just fun.

6. Jeff, Who Lives at Home
I went to see Jeff Who Lives At Home on a whim. I didn’t know what to expect but was certainly glad I made the decision to check it out. It’s a nice indie film about fate and family and taking risks. Much like Paul Rudd in last year’s Our Idiot Brother, Jeff is a stoner who sees the world in a way most people refuse to view it.

5. American Reunion
I have always loved the American Pie franchise, in fact I even own the 4 (yes 4) direct to DVD movies that have nothing to do with the main characters. American Reunion is like hanging out with a group of friends you haven’t seen in years. In other words, it actually creates the feeling of a class reunion for the viewer. I enjoyed seeing these old friends and definitely hope to see them again.

4. Moonrise Kingdom
Wes Anderson pretty much is his own genre of film. I’ve almost always been on board with his films (I’m not a big fan of Darjeeling Limited) and Moonrise Kingdom was no exception. The film is a fantastic blend of Wes Anderson’s style and a childlike charm. It is easily his best film since The Royal Tenenbaums.

3. The Cabin in the Woods
There are few better love letters to a genre like Cabin in the Woods. The film manages to point out plenty of the biggest stereotypes and cliche’s of Horror movies while remaining a quality horror movie. But here’s to hoping it doesn’t follow another cliche’ and have a million shitty sequels.

2. Sleepwalk with Me
Mike Birbiglia wrote, directed and starred in this film about Matt Pandamiglio (totally seriously not him) a comedian suffering from REM Sleep Behavior Disorder. This disorder causes him to act out his dreams which occasionally end in minor to severe injuries.

1. The FP
When Jonathan called me about this movie all he kept telling me was that I HAD to see this movie. There’s reasons that I never doubt Mr. London. No film this year had the effect on me that The FP did. This film changed the way my friends spoke. It even divided our friendships between people who loved it and people who hated it. Will this win any awards? Doubtful… but it doesn’t stop this from being a complete and utter masterpiece.

10 MOVIES THAT COULD HAVE BEEN IN MY TOP 10 IF I ACTUALLY SAW THEM

1. Brave
2. Chronicle
3. Argo
4. Dredd
5. Goon
6. Comic Con Episode IV: A Fan’s Hope
7. Life of Pi
8. Wreck-It Ralph
9. Pirahna 3DD
10. Looper

 

Jason Trost is a name we use a lot here at Geekscape. Whether we’re featuring the admirable artist on the most alcohol fueled episode of the podcast EVER, or simply showing off his anticipated next project, Jason’s is a name we keep an eye on around these parts.

It all started earlier this year with The FP. We name-drop this one pretty consistently too, so if you still haven’t seen it… what the hell is wrong with you!? Watch the trailer below, and you’ll see why The FP is something special:

I’ve shown the film to countless individuals, who have each reacted in the exact same manner; 10 minutes in they’ll beg me to turn it off, but by the end, everyone begs for more. Sadly, there isn’t any more (yet), but on the bright side, JTRO’s All Superheroes Must Die hits VOD in just a few days!

Last week I had the incredible opportunity to sit down with Jason and talk about the new movie (along with a few other topics)! Check out the transcript below, and when you get a chance to see All Superheroes Must Die, make sure to let us know what you think of it!

For those who don’t know, in your own words, describe All Superheroes Must Die.

Jason: Saw meets The Running Man. Everyone else is comparing it to Battle Royale, The Hunger Games, or this, that and the other thing. For me it always started with Running Man because that’s what I loved when I was a kid so it was definitely a huge influence.

It’s like a superhero movie with a little bit of a Verhoeven take which I wanted to do. Basically James Remar, the bad guy for me just plays a Paul Verhoeven villain. He’s just classic Robocop. 

Essentially the movie is about these four superheroes who get tossed into an abandoned town, are stripped of all their superpowers, and are forced by their arch-nemesis who is supposed to be dead to play games and compete against each other to try and survive the night.

It’s really that classic 1980’s, 80 minute romp against the clock. It’s like The Warriors in that we’re not going to spend an hour setting up these superheroes, it’s more like you’re dropped right in the middle of this superhero series, and this is episode 250. You’ll find out who these characters are through the actions they take throughout the movie, rather than bogging it down with an hour of origin story, which is really driving me nuts with all the superhero movies today.

Where did the concept come from? Was it another high-school/college short like The FP was, or did you come up with it later?

Jason: I came up with this one later. I think I was about 23 when I thought of the idea. We had finished The FP, the editing was done and we were just waiting in limbo while nobody wanted to buy it. I had nothing to do and was just sitting there one boring spring afternoon. I was doing a music video and thought “you know what would be cool? Running Man with superheroes.” It was really just as stupid as that. When you’re on set for twelve hours and have nothing to do and are just staring at the walls, that’s just what happens.

That’s where it started out and we just ran with it. Then we had a little bit of money and a really short time window before Lucas went off to do X-Men and we were really sick of not doing anything so we thought “how do we make this work?” We just went on back to the FP and shot a movie in different parts of it, and some similar ones too, you’ll recognize some locations from the last film for sure.

The movie was originally titled Vs. Why the name change?

Jason: That got changed because Image (the distributor) believed, which I agree with, that it would be more marketable with a title like All Superheroes Must Die.

Vs. is kind of a vague title; if you’re going to sell a movie like this you need to think “what are you going to watch when you’re stoned on Netflix in the middle of the night? Are you going to watch something called Vs. or something like Surf Nazis?” I think that’s the case with this one: if it’s three in the morning and you’re drunk or something, you’d watch All Superheroes Must Die over Vs. any day.

We touched on this a little bit already, but to me, All Superheroes Must Die looks like one part Saw, one part Battle Royale, and a whole lot of Jason Trost. Have you heard any other interesting comparisons?

Jason: There’s a lot of Kick-Ass going around, and I get it. When you see the movie though you’ll realize that it’s really nothing like Kick-Ass at all. Kick-Ass is about a bunch of people that don’t have powers but just want to be superheroes. These people really did have powers, and it’s more about what you do when you’re trained to do and think a certain way for your entire life, and what you do when that’s no longer possible. It’s a ‘what makes a superhero super’ kind of conflict; is it just powers, or is it something more than that?

The movie started filming back in 2010. What was the development process like?

Jason: I pretty much got the idea, wrote the script a week later, and then found out we had about $20,000 and a very short time frame to do anything with it. This was all in April, and we knew we would have to shoot in June before Luke left a week later for X-Men. 

It was a spur of the moment idea that just kind of happened. The development process was really short. With The FP, I had been working on a script since I was about 16 and we finally made it when I was 21. This one was a very short turnaround, with the final cut hitting less than a year after the idea came up, which is nuts!

I’m seeing a lot more publicity for All Superheroes Must Die than I did for The FP. As you’re becoming more of a household face (at least in the houses I frequent), do you find more people recognizing you on the street?

Jason: Yeah I’ve been getting a little bit of that if I’m in the right circle. When I went to Comic-Con it was insane, and I didn’t really expect it to happen at all. There was even someone dressed as JTRO walking around, and I thought that was quite the commitment. Someone even asked my if I was “dressed like the guy from The FP,” and I just said “yes I am.” It’s been a blast!

A lot of your family members were involved with The FP. Is this also the case this time around?

 Jason: Yeah it was definitely the case. We used the barn that was The Foundation in The FP. We used it basically as a stage for different sets in this movie.

My dad did some effects for us, and my sister did the costumes right before she went on to do Project Runway. We literally had to finish all the costumes for the movie in two weeks; she was basically getting a bag put over her head and being driven out to New York to be on that show with no contact for six weeks.

How’s working with James Remar? Rickshaw sure seems a lot different from the Harry Morgan that I’m used to seeing. 

Jason: He’s awesome. I love James. I’ve been friends with him since I was ten years old because my dad was doing effects of Mortal Kombat: Annihilation. We were over in London and Thailand for four months when I was in fifth grade. I was on set doing nothing, and I had a Game Boy and we bonded over playing Tetris and now here he is in my movie all these years later.

What were some of the challenges you faced while making the film?

Jason: It was definitely the money factor. We had to figure out how to make this movie for what the budget of food is on most independent movies. Constantly trying to create things out of nothing, taking things out of the script or condensing them because they were impossible to do due to time or money constraints. It was a constant struggle of trying to keep the movie cohesive and not a total piece of shit. I think we achieved that in the end, but it was definitely very hard.

Conversely, what was the most exciting aspect of being a part of this project?

Jason: I loved being in a superhero costume. I’ve been dreaming of it since I was a kid. I’ve been Batman probably ten times for Halloween. It was just awesome going to work and putting on a superhero costume and holding a gun and getting makeup scars across my face. It’s everything you want to do when you’re six years old, and I just got to do it. It was awesome.

This one’s right from Jonathan: Has Luke sold out? Are you happy for him, or would you like to kill him in his sleep?

Jason: (Laughter). I don’t think he’s necessarily sold out. If he has, thank God, because it’s what’s selling our movie. I’m definitely happy for him, and I hope they don’t just give him the shaft on the next X-Men. 

How is All Superheroes Must Die different from other superhero films?

Jason: I’m not really sure that it is totally different. It’s a lot of what you’ve seen a million times, just told in a very different way. It’s shot as though it’s a dark indie movie instead of a typical blockbuster comic book film. Really it should have come out in the 1980’s, and it’s kind of weird that it didn’t.

I can’t wait to see it. When will we be able to check the movie out?

Jason: It comes out on VOD on January 1st, and then will hit theatres a few days later on the 4th. On the 29th it’ll hit Blu-Ray, DVD, and iTunes. It’s all coming out very quickly.

How about an update on Hatchet 3?

Jason: That was so much fun. I went to New Orleans and shot that which was great. I didn’t know it was possible for there to be so many bugs in one place. Of course we were shooting in actual swamps, and I had to have bug spray on three layers of clothing just to avoid being eaten alive.

It was awesome though. I get to fire a gun, I get to be a stupid southern cop, and I had no idea I was going to have an accent until the first take. I just looked around, and everyone else was doing one, and I didn’t want to seem out of place, so I just went for a mix of Shane from The Walking Dead mixed with Tommy Lee Jones, and there it was.

That’s all folks! All Superheroes Must Die hits VOD this Monday! When you’re hungover on New Years Day, make sure to check it out!

Here at Geekscape, we’re pretty huge fans of Jason Trost. This year’s The FP was a hilarious, weird, and extremely original romp through the war torn land of Frazier Park. I couldn’t tell you how many people I’ve shown The FP to, and after a few minutes of “this is the dumbest thing I’ve ever seen”, every single person has ended up loving it. The movie was quite clearly a labour of extreme love, and I can’t wait to see more of that in JTRO’s next film, All Superheroes Must Die.

Distributor Image Entertainment has just given the film an official release date. Awesomely enough, All Superheroes Must Die will receive a limited theatrical run along with the originally planned VOD release. VOD will be available on New Year’s Day (January 1st), while the film’s theatrical engagement will begin just 3 days later (January 4th).

The film won’t be playing anywhere near me, but if VOD had lines, I’d be the first one in it! Check out the trailer below, and let us know what you think!

If you’re hungering for more JTRO, back in March we featured him along with siblings Sarah and Brandon, in a hilariously inappropriate, unusually alcohol-filled episode of Geekscape.

This episode I talk to filmmaker Ward Roberts about his film ‘Dust Up’, currently available on VOD. A loud and gritty, violent, modern Western, ‘Dust Up’ is the kind of cult movie we love to introduce you to here on Geekscape. Similar to ‘The FP’ and other uniquely awesome films, I think you’ll get a kick out of our conversation, talking about making the film, casting Buffy’s Amber Benson… and what I think is the craziest ‘money shot’ in film! Enjoy!

Subscribe to the show on iTunes!

I start this episode off telling all of you to go pick up “The FP” this week! Also, “Adventure Time” Season 1 is coming to DVD in July! Fantastic! Falling Skies has returned to TV and why should you be watching it? Is “Before Watchmen” turning itself around? Ed Brubaker’s got your Captain America fix! I review Pixar’s “Brave” and it’s fantastic! And Geekscape favorite BigYanks gets married… finally! But what do we get him?

Subscribe to the show on iTunes!

It’s no secret that Geekscape loves the post apocalyptic dancing movie, The FP.

Exhibit A

Exhibit B

Exhibit C

Well the film got an iOS game. 

Not much else. It is a DDR clone for your touch iDevices. It has funny movie tie ins and references. So if you are a fan, go download.

The Blu-Ray and DVD ships June 19th, as well as digital download versions. To preorder a copy, hit up Drafthouse Films

Geekscape has been behind this crazy ass instant cult classic since the first trailer dropped and we’re beyond thrilled to be hosting a screening of our favorite indie movie of 2012: THE FP!

Join us and our friends at Flixist for an excusive screening with select Cast and Crew in attendance!

BUY YOUR TICKETS HERE: http://tugg.com/events/515#.T4zBvI7pjG1

This WILL sell out so get your tickets!

PLUS! Special Q&A and Dance Contest!

April 26th at 7:30pm!

Just $9!

AMC Citywalk Stadium 19!

Stick around after the movie for not only a Q&A with the filmmakers but also an FP-style dance contest, voted on by the audience (so bring your crew or you might get 187’d)!

Winners and contestants will receive gifts and prizes so get ready to challenge for the title!

Be there for the ducks!

You might want to strap yourself in for this episode, featuring Brandon, Jason and Sarah Trost of the new film “The FP”. I’ve been trying for weeks to get Geekscape involved in The FP as it’s the most fun I’ve had watching a movie in a long time. Know going in that you’ll either love or hate this movie. You’ll probably love or hate this episode. But that’s how shit gets in The FP. I’m pretty stoked to have gotten a chance to sit down with Jason, who plays the lead and co-wrote the script, Sarah, who designed everything you see on screen and Brandon, who co-wrote and directed the movie. We talk online critics, making this movie for scratch and making fun of Hollywood action films. I can’t wait for all of you to watch this movie when it comes out! We’re going to talk about this one for years!

Find it on iTunes

THE FP opens in select cities this Friday, March 16 and is available in
theaters ANYWHERE across the country through Tugg.com, the collective
action platform that allows individuals to choose what they want to see at
their local theater.  More info here — http://tugg.com/thefp

A few weeks ago I went to the premiere of one of the most fun films I’ve seen in a long time. Distributed by Drafthouse Films, The FP has been described as Mad Max and The Warriors meets The Wizard. Some people just called it Dance Dance Revolution: The Movie. Walking out of the screening, Joe Starr and I just called it “amazing”.

Now you can see what we’re talking about. Be warned: this is a movie that you’re either going to LOVE or HATE, and I’ve met people on both sides. It’s just proof that you’ve got to take sides in The FP…