The last few years saw some great strides forward for various realms of equality, but more recently, a setback has left many feeling down about the state of gender equality. So, in an effort to remain optimistic about not just the world at large, but the world of art, here are five female leaders who knew how to get it done.

Yeah, we realize that we’re a little late for International Women’s Day, but… better late than never?

Buffy Summers – Buffy the Vampire Slayer: The titular heroine of Joss Whedon’s seminal show, Buffy was a direct response to Whedon’s desire to see the female victims in horror movies turn around and turn the tables on their attacker. What this subversive impulse brought us was an upbeat, funny teenager with the weight of the world placed squarely on her shoulders. Though she initially tried to escape her destiny, Buffy quickly rose to the challenge of being a strong leader in a world that saw her as little more than a girl. From preppy cheerleader to fearless general, Buffy grew up before our eyes, and helped buck the stereotype that beautiful girls need saving.

Laura Roslin – Battlestar Galactica: After the apocalyptic Cylon attack on the Colonies, Roslin remains the highest ranking surviving member of the Presidential line of succession, and is sworn in as President of the Twelve Colonies of Kobol. What makes Roslin so different to many of the women in power often seen in the media is that she didn’t have a clear political ambition. This unwanted ascension to the mantle of leader saw her grappling with her own instincts and qualities to reach her one goal: the survival of humanity.

Ellen Ripley – Aliens: After surviving the horror movie that was Alien, Ripley reluctantly joins a mission to investigate another potential infiltration. The second film in the franchise departs significantly from its predecessor, largely doing away with the horror motifs to contrast them with a war theme, casting Ripley as what many have hailed the first true action heroine. She continually comes up against male voices who seek to silence her, and is forced, in the end, to take matters into her own hands – once again for the good of all.

Leslie Knope – Parks and Recreation: In the everyday world of small town government, it might be difficult for some to imagine anyone kicking ass, but those people have clearly not encountered the sheer force of nature that is Pawnee’s Leslie Knope. From childhood, Leslie wanted to serve her country, and we see her doing that every single day. Despite her setbacks, including the small-minded town in which she lives, Leslie fights on to make the world better. What makes Leslie so special (well, one of the things), is her friendship with her boss, the hyper-masculine, anti-government Ron Swanson. Though their views stand at direct opposition, Leslie and Ron are always able to work together and remain friends – an optimistic model for how all leaders should behave.

Katniss Everdeen – The Hunger Games: Possibly the most influential heroine in recent memory, Katniss’ journey from peasant on society’s outer rim to revolutionary leader began when she volunteered as tribute for The Hunger Games to spare her younger sister from the same fate. As the world watched, Katniss defied the odds, and teamed up with her childhood admirer, Peta, to win the deadly competition. By subverting the ruling class’s expectations of her, Katniss became a marked woman – singled out for elimination by the government, and forced into a second Hunger Games. This act galvanized not only Katniss’ resolve, but thrust her into the spotlight as the face of a resistance movement to bring about revolution.

School is back in session! With it comes new things to learn and new social anxieties to realize. And if you’re especially lucky, there may be an interesting new face hanging around the fringes of your circle of friends, wanting nothing more than to get to know you (and possibly bestow some sort of witch’s curse upon you or alien slug-monster inside of you). Give your fancy book-learnin’ a rest and take a gander at these here back-to-school spookshows!

10) The Woods (2006)

When Bruce Campbell is your dad and he ships you off to a creepy all-girls school in the wilderness, you can pretty much assume that something bad is going to happen. There’s a foreboding headmistress (Patricia Clarkson, no less), mean girls and an ominous witch legend. is it just the new school jitters, or an actual curse? Imagine the setting and concept of Suspiria, mixed with the time period and character focus of Girl, Interrupted, minus the gore. For some reason, The Woods was not given a theatrical release, instead being shipped direct to bargain DVD bins everywhere and being largely forgotten, but it’s worth a watch if you can handle the slow pace.

9) Suspiria

Dario Argento’s 1977 pastel gorefest is a must for any “new kid at school” movie list. You don’t have to be a world-class ballerina to enjoy this classic Italian horror, though I’m sure it helps… I will never understand why someone at this dance academy decided it was a good idea to store all that razor wire in one room. Come on now!

8) Phenomena

Didn’t get enough Argento? Well, good, here’s another: 1985’s Phenomena. More weird Italian boarding schools, more ominous headmistresses, more Goblin soundtracks, and this time, Donald Pleasance and a razor-wielding chimpanzee. Really. Thrill at young Jennifer Connelly’s bad acting and the disturbing amounts of live bugs they used! All of the usual Argento plotholes are here, so it’s best to just sit back and not question anything. So, basically higher education in general.

7) Child’s Play 3

Time travels differently in the Child’s Play universe (much like it did during Chem 111 for me), with the third movie taking place eight years after the events of Child’s Play 2, though only a year passed in our time. Andy Barclay is understandably messed up after his previous run-ins with Chucky, and finds himself at a military academy. A newly-reassembled Chucky follows and sets his rubbery sights on a young recruit to be his new fleshsuit. It’s a thoroughly run-of-the-mill killer doll film, but worth watching if you’ve got 90 minutes to kill and a thing for foul-mouthed toys.

6) Disturbing Behavior

https://www.youtube.com/watch?v=3vPdDyROQJM

After the death of his brother, James Marsden moves to a sleepy Pacific Northwest town with his parents and sister (Katharine Isabelle in overalls, by the way. Overalls.) Even his chiseled features can’t get him in with the cool kids, so he slums it with a paranoid stoner, a Powder stand-in, and gothy Katie Holmes. If that sentence doesn’t illustrate how insanely 90s this film is, I don’t know what would. There’s a convoluted plot about mind controlled teens too, but the plot is secondary to William Sadler’s Rainman impression. How bad does this town suck if your only romantic interest is Katie Holmes? Poor James Marsden.

5) The Faculty

As mentioned earlier, sometimes you gotta watch out for those mind-controlling alien slug monsters, though it seems odd that they would attack a small town in Ohio of all places, during an Indian summer drought of all times. I mean, this species is intelligent enough to master space travel, but not smart enough to wait until springtime when it rains every day? Kevin Williamson must’ve been a bit over-busy on Dawson’s Creek to do a logic-check on this plot, which is basically new girl shows up, stops people from beating up Elijah Wood, stops Josh Hartnett’s amphetamine business, gets gothy Clea Duvall to shower, and teaches the T-1000 to be a little easier on his football team.

4) Fright Night 2

https://www.youtube.com/watch?v=0uYdPX2EG5U

Almost all the stuff you loved about Fright Night, college edition! Charley Brewster and Peter Vincent are once again thrown together to take down a sexy female vampire instead of Prince Humperdink. If you start waking up from frat parties with a killer hangover and really gross hickeys, you might want to brush up on your whittling skills and grab a couple bottles of Garlique.

3) The Craft

Sometimes the only thing that can make you feel comfortable at a new school is to join a coven of witches. Is it weird that this trope comes up 3 times on this list, or does it just show how likely this scenario really is? I never moved around, so I can’t say, but Robin Tunney sure knows how to pick her friends – or at least, her friends know how to pick her. There’s complainer-to-cutiepie Neve Campbell, token Rachel True, and trailer chic Fairuza Balk. If they were X-Men, their powers would be skin-shedding, racism-finding, and the ability to float 4 inches off the ground and kill your drunk stepdad, respectively. That’s the kind of horrors that await anyone who tries to join their clique, so you have been warned.

2) Nightmare on Elm Street 2: Freddy’s Revenge

If your family moves into the town where a bunch of teens died in their sleep, CHECK THE BASEMENT FURNACE. There will invariably be a Freddy glove and directions on how to win over your crush (who looks oddly similar to Meryl Streep) by killing your classmates at her pool party. Score! I’ll never know why they went with Freddy’s Revenge instead of The Man Inside Me, but if you’re looking for tips on how to fit in as the new kid in town, look no further!

1) The Lost Boys

https://www.youtube.com/watch?v=U_lwtRMg0ts

Of all of the new towns in all of the movies listed here, Santa Clara has to be the coolest. There’s a carnival every day on the boardwalk, a well-stocked comic store, oiled-up saxophone dudes and gypsy vampires. You can have a new girlfriend with big hair and mom jeans, while your brother pals around with Corey Feldman; there is literally no downside to this scenario. Just don’t touch Grandpa’s root beers and double-thick Oreo cookies or there’ll be hell to pay.

Honorable mention:

Buffy the Vampire Slayer season 1 episode 1, because it’s hard to top Buffy’s first day in Sunnydale. New friends, new town, new vampire menace… Pretty standard Hellmouth stuff.

So, what do you think? Did I miss any hidden horror gems in the bottom of my moving boxes? Leave a comment!

Hulu recently added the complete Buffy the Vampire Slayer television series to its expansive library, and of course, my mind went straight to my favorite Monster of the Week episodes. For better or worse, I love Monster-of-the-Week episodes, mainly because they are self-contained stories. I particularly appreciate that they are heavy on action and light on interpersonal drama, which has a penchant for getting thick in Sunnydale normally. So, without further exposition, let’s talk about our 13 favorite monsters!

btvs_2-20_sea-monster

13 – Sunnydale High Swim Team (Go Fish, S2E20)
The first two seasons of Buffy used tons of monster tropes from the 1940s and 50s, often turning the concepts on their heads, and Go Fish was no exception: sea monsters and Soviet science projects! The swim coach and school nurse are inadvertently transforming the team into gill men, and of course Xander is the one member of the Scooby Gang that almost gets mutated. Not the first or last time the poor guy got used like a ragdoll by the writers. For example…

missfrench

12 – Miss French (Teacher’s Pet, S1E4)
Who didn’t have a crush on that one teacher in high school? My English teacher, who will remain unnamed, was one such object of teenage affections, though I don’t think she was actually a 7-foot-tall praying mantis. As with Go Fish, this episode took liberties with a couple of 1950s horror tropes in the best possible ways. Dangers of sex, horny teens ignoring that internal voice telling them they’re going to get eaten by the substitute teacher, and a nice little gotcha ending, though it irks me that the remaining egg was never brought back in a later episode.

Buffy_Hush

11 – The Gentlemen (Hush, S4E10)
I know, I know, Hush is the second-best Buffy episode ever (behind Once More… With Feeling), so why is it so low on this list?? As much as I like the episode, I don’t love the creature design of the Gentlemen. Maybe it’s Slenderman oversaturation, or too many poorly-written creepypastas about grinning monsters, but it doesn’t exactly send chills up my spine. Regardless, the episode is fantastic, disturbing in its lack of sound, and deserved every award it received.

2X12BE1643

10 – The Bezoar (Bad Eggs, S2E11)
Similar in theme to Teacher’s Pet, but with much creepier monsters, Bad Eggs follows the gang as they pretend their monster eggs are babies, get their energy sucked out of their faces while they sleep, then get full-on controlled by the gross little beasts before Buffy takes a pickaxe to the mother Bezoar’s eye. I know this episode got me to practice safe sex, so I think it did its job.

The_Pack_New

9 – Hyena people (The Pack, S1E6)
Poor Xander. Never accepted by his high school brethren, except when they’re killer ghosts, mantis ladies or possessed by wild animals. I like the idea of the Pack, but some of the acting is pretty wooden, even with an added first-season handicap (because really, most of Season 1’s acting is atrocious). I also dig that the Pack was an actual threat – I mean, they ate the school mascot AND Principal Flutie! This was also an early example of how the writers weren’t shy about knocking off main and second-tier characters. What of the 4 teenagers who committed murder and cannibalism, and ran off when the possession was lifted? Xander remembered everything he did, so I’m assuming the others did too. That fact makes this one way darker.

sluggoth

8 – Ronnie/Sluggoth demon (Beneath You, S7E2)
By the last couple seasons, the Monster of the Week episodes were few and far between, so it was refreshing to get one so early in Buffy’s final season. Even if Ronnie was just turned into a Graboid by a re-vengeanced Anya, and there’s a lot of dramatic interludes between the estranged Scooby Gang, the creature subplot stands out in an otherwise drama-heavy season.

Ted_(Buffy_the_Vampire_Slayer)

7 – Ted (Ted, S2E11)
Let’s ignore the more depressing later Joyce Summers episodes and bask in the glory of her robot suitor, John Ritter. A good chunk of Buffy episodes include a level of ambiguity around her seeing evil when it’s just human nature, but it usually turns out she’s right. I guess that’s the downside (or perk, maybe?) of living on a Hellmouth – if something appears sinister, it probably is. This is another episode that harkens back to the 1950s, so of course it pleases me. And come on, it’s got John Ritter!

gachnar

6 – Gachnar (Fear, Itself, S4E4)
My favorite of the Buffy Halloween episodes! Fear, Itself boasts a haunted house, somebody ELSE turning invisible (sorry Xander), a 4”-high Cenobite wannabe, and an introduction to Anya’s crippling bunny phobia. This might be the most fun-filled episode on the list, but there are still a few more nastiest left.

-Der-Kindestod-buffy-the-vampire-slayer-6652350-1048-788

5 – Der Kindestod (Killed by Death, S2E19)
Remember earlier when I said creepy smiles don’t bug me? I take it back; Der Kindestod is terrifying. Look at that mug and tell me you’d be okay waking up with that staring down at you. Did I mention he sucks your life force through retractable eye-stalks? Eeeeuuuugh. I was pretty relieved when Buffy snapped his neck.

Queller

4 – Queller (Listening to Fear, S5E9)
One of 2 lamprey-type monsters featured in the show (and this list), the Queller wiggled out of a meteorite and went bonkers around town, feeding on Sunnydale’s mentally unstable hospital population. Even Buffy’s mom got a faceful of demon phlegm. Not my preferred method of shuffling off this mortal coil, but to each his or her own.

gnarl

3 – Gnarl (Same Time, Same Place, S7E3)
Gnarl is disgusting. One little scratch from his gross coke-nail and you’re paralyzed, a stationary buffet of skin for him to peel off strip by strip. The creature design plus his peculiar feeding habits solidifies this one’s spot near the top of the list. While it might have been nice to have another go-round with this creep, it’s probably for the best (and my sleep cycle) he only made it 40 minutes into a 45 minute show.

Wig_lady_snake

2 – Wig Lady (Doublemeat Palace, S6E12)
While I’d admit that she’s less disturbing than Gnarl, the Wig Lady from Season 6’s Doublemeat Palace is my all-time favorite Monster of the Week. This is partially due to the surprise reveal and creature design, but I’m also a terrible sucker for Soylent Green tropes and, ahem, eat that sort of thing up. Doublemeat is double-sweet!

617_NormalAgain1

1 – Glarghk Guhl Kashma’nik demon (Normal Again, S6E17)
And for the #1 slot, the criminally-overlooked demon from the mind-bending Normal Again. I can see why, though: its creature design is similar to the Polgara demon from Season 4 (which also sported an extendable bone-like stinger in its arm), and the episode itself turns the entire show inside out, depending on your interpretation. The crux of the story is whether Buffy’s entire life as Slayer, fighting demons and saving the world, is a delusion she has chosen over life as a patient in a mental hospital. It’s never implicitly stated which version is “real,” but the moment she says farewell to her mother and chooses the Slayer-verse is a major tearjerker. The monster doesn’t need to be incredibly memorable, because the point of the episode is which life is real, and whether Buffy chose the right one.

So, do you agree with this list? Who were your favorite Buffy monsters? Sound out below!

Can’t really say I’m surprised about this one. The hugely popular Netflix original series, Daredevil , is getting greenlit for a second season.

After only 11 days from it’s premiere, Netflix saw the overwhelming success and decided to fund the next installment, with some crew changes. Doug Petrie (Buffy the Vampie Slayer) and Marco Ramirez (Sons of Anarchy) are now on board as LEAD showrunners with the project.

Rumor has it that production may start as early as July which moves it parallel with Luke Cage and ahead of Iron Fist and Defenders. 

Source:  Hollywood Reporter

“Echo Park is this magical world and I wanted people to get lost in it.”

That’s what author and Buffy the Vampire Slayer alum Amber Benson told me about her new book, The Witches of Echo Park, while signing at Midtown Comics in downtown New York. My life’s scenery has been predominantly New Jersey and its malls, exits, pork rolls, and diners, so I felt compelled to learn a little about the still-foreign land that is southern California, never mind that I have been to Comic-Con.

The first installment of a planned series, Echo Park follows 20-something Lyse who returns home to Los Angeles to be with her terminally ill great-aunt Eleanora, the woman who raised her. With her time running out and a looming threat rising, Eleanora brings Lyse into her underground world of magic and sorcery and bestows her leadership of her coven. It’s a total 180 from her comfortable new life in Georgia for sure.

When I first heard of Witches of Echo Park I was kind of unimpressed. It reeked of tween fantasy for a more experienced crowd, targeted to women who grew up reading Harry Potter and are now post-grad/in grad school living on their own. Books are art and art is for everyone, target demos be damned, but I just didn’t think I could relate to it. Still, I kept an open mind as I opened the attached excerpt in my email.

An hour later, I’m frantically hitting the right key refusing to acknowledge I just finished the last page.

Accompanied by my best friend and some new pals I met on line (all of them Buffy fanatics), I sat down with Amber Benson herself, who told me she had a great time doing the Geekscape podcast a few days before. You remember that, don’t you?

http://instagram.com/p/xuxMmhAN0a/?modal=true

The Witches of Echo Park isn’t your first book, but what inspired your venture into writing? Did you maybe write something as a kid that started those gears turning in your head?

Amber: I wrote a lot of really bad poetry as a kid. We’re talking like, “the flower is dead, just like you and me someday,” just ridiculous, gothic, bad bad poetry. But I was reader. I was a book whore. Even now, I read constantly. Even at 38, I’m still a book whore! But that is what inspired me to write, I would get lost in books. They were magic to me. To sit down and read a book and travel to a new world and meet these characters and feel connected to them just saved me in my childhood and adolescence. That is why I wanted to write, because I wanted to do that for somebody else.

Mind if I ask what your favorite book of all time is?

Amber: Oh my gosh, my favorite book of all time? That’s really not fair!

It’s a hard question.

Amber: That’s a really hard question. I’m a big Dostoyevsky fan. Probably The Idiot by Dostoyevsky is my favorite book of all time. It’s my go-to favorite. I know it’s random, weird thing. [laughs]

What specifically inspired specifically Witches of Echo Park? How did you come to blend fantasy with southern California? And why Echo Park?

Amber: Echo Park is my hood. And I spent a lot of time wandering around. I like to take long, hike-y walks. Hike-y walks. Is that a real thing? A hike-y walk?

I think so. You’ve written enough to invent stuff now.

Amber: [laughs] There’s something just really magical about that neighborhood. You walk down Sunset Boulevard and there’s really hipster coffee shops and sort of nestled in between them are these botánicas where you can walk in and get spells. I’m not kidding you, real spells and saint’s candles, and Aqua Net hairspray, which I never quite understood why that was there.

I remember, you wrote that in the book.

Amber: Mmm mm. And then you walk up and down these stair streets. They’re stairs that have street names, and houses that you can only access via these stairs. There’s no way you can get to them via car. You have to go up the stairs to get through to these adorable little bungalos with magic fairy lights. There’s just something super magical about that place. If you go to the top of Echo Park Avenue there’s this swing. It’s just an empty field, a tree, and a swing hanging from the tree, and it’s like, “This is where memories go.” And it looks out all over Water Village and Glendale and it’s just absolutely gorgeous and magical. And that’s my hood! I wanted other people to know how beautiful and wonderful it is.

How much of the book can you describe as autobiographical? Aside from the obvious witches and fantasy elements, of course.

Amber [laughs] That’s the real stuff! I am magic! Just so you know, Eric.

So this is a memoir?

Amber: This is a memoir. I am magic. I do magic. I give magic. [laughs]

How much is autobiographical in the sense of how much of you is in Lyse or Eleanora? 

Amber: It’s so funny. I didn’t realize how much of me was in the book until I was with my therapist. [laughs] And we were talking about it, and she was like, “So basically you’re telling me this is like, a lot of this is your…” and I was like, “Oh, my, God.” I wouldn’t say that I’m Lyse or Eleanora or any of the characters specifically, there are pieces of me in all of them. And a lot of the characters, pieces of them are based on people who lived in my neighborhood. My group of ladies. Not that any of them are them, wholly, but I stole pieces and put them in the characters.

But a lot of the stuff with Eleanora and Lyse and the coming-home aspect, of accepting your fate and figuring out who you are and owning that, that’s a big part of who I am and what I’m trying to do with my life. I see it in the other series, like the Calliope Reaper-Jones books, but there’s a part of me that has to learn to own that I am who I am and I don’t need to hide my light under a bushel, or be uber-humble so people like me or be freaked out by some of the stuff that I do. You have to own who you are. Just because I’m doing this awesome stuff and I’m happy in my life doesn’t mean I don’t want other people to be happy. There’s room in our lives for all of our lives to shine. Me just owning who I am inspires other people to go, “You know what, I’m awesome, and what I’m doing is really cool and I want other people to be a part of that.”

It’s tough being a woman. You’re taught that you’re supposed to be humble and not own who you are. You’re supposed to just be meek. And I don’t want to be that way. I want to go, “You know what? I’m fucking lucky to do what I do, I get to write what I want and I got to be on this amazing show, and I’m just gonna own it.”

You certainly have people who love you for that.

Amber: That was just a meandering way of saying these books are just ripped from my home life, apparently. [laughs]

Lyse is about to have some massive responsibilities dropped on her shoulders. What kind of journey are we about to embark with her? How will she, as a 21st century post-college grad, accept that she is supposed to lead a coven of witches?

Amber[laughs] There’s a big, over-arching plot line that will play out more in the next couple of books. It sort of involves covens all over the world and this sort of corporate, sort-of religious group called The Flood, basically trying to bring about the end of days. They want to wipe the slate clean, they don’t like the magic and things happening.

Hence “the flood.” Very ominous.

Amber: Yeah. So Lyse is going to play a very big part in that. It just goes beyond a coven, it becomes fighting this sort of corporatized vision of religion trying to decimate the world.

The title is Witches of Echo Park, but how far will Lyse’s journey take her? Will we be seeing ethereal planes, spiritual worlds, or will it all be in Echo Park?

Amber: We’re going to be on the Earth. [laughs] But we are going to be bigger than Echo Park. We’re not going to be going to Middle Earth or anything like that.

You’ve built new mythologies several times, be it Calliope-Reaper Jones or Ghosts of Albion. These are entire worlds and you’re the architect. How do you maintain order in the chaotic creative headspace?

Amber: I walk softly and carry a big stick, as Teddy Roosevelt used to say. [laughs] I keep document files of all the information. I hopefully keep things. I have a great editor who is on top of it and copy editors that make sure I’m doing what I need to be doing and not making gross misjudgments with plot and structure. So, I have a team that help me keep it in order.

A little about Buffy if you don’t mind.

Amber: Sure!

You played a pop culture icon in Tara. You brought a face to LGBTQ youth to the world stage. Even today the struggle for equality continues. How do you feel about being this kind of iconic figure for almost a whole generation?

Amber: I feel like Alyson and I were both really lucky to play these characters and got to bring this relationship to life. I’m not a religious person, but the word “blessed” comes to mind. We opened the door, you know? Not just us, it was a group effort, there were a lot of people working to make this happen, but there needed to be representation in pop culture. The LGBTQ community needed to be represented. Those characters needed to be three-dimensional, real characters. And I think, we, and Joss, opened the door. Or kicked it in a little bit, actually. And I’m so honored we got to do that. I feel very blessed to walk in their shoes.

You’ve also built an audience with modern fantasy. After Echo Park, what other genres are you seeking to explore? For example, would you perhaps pen a sci-fi story?

Amber: I would love to write sci-fi. I’m a big hard sci-fi fan. I’m a big Neal Stephenson fan. I would love to write something of that milieu, that would be amazing.

What is Witches of Echo Park ultimately about, and what is it about to you? What is it about Lyse and her journey that you want to tell the world?

Amber: It’s a prodigal child story, about coming home and owning who you are and accepting that we’re all special. Not trying to hide it, not trying to be humble about it, but saying, “I am special because I am human, because I am here, and I am willing to be open to this world.” And that is Lyse’s journey, to be open to this magical world and willing to become the better version of herself.

Thank you so much. I hope New York treated you well.

Amber: New York is awesome, always.

The Witches of Echo Park is available now. You can keep up with Amber Benson on Twitter, and listen to her on the Geekscape podcast talking with our fearless leader Jonathan London.

 

I was at RetroCon this weekend and got a chance to sit down with Alvree of Ashen Phoenix. Alvree is one of the quirkiest and interesting guests I’ve ever had. Instead of talking Cosplay we ended up discussing how great Horror Movies and Halloween is. A perfect way to end September and kick off October.

The song playing during the intro is II by Athletics off their album Who You Are Is Not Enough.

Follow Saint Mort on Facebook and Twitter

If you really like the show get Matt something nice off his AmazonWishList

Subscribe to Us on iTunes

 

 

In this month’s Vampirella vs. Fluffy the Vampire Killer, writer Mark Rahner continues his series of Vampirella one-shots, taking Vampi into the worlds of current vampire fandoms. Previously, in Vampirella Annual 2, we witnessed Vampirella venture to the fictional city of Spoons, where she went to a convention for Gloaming, the in-universe equivalent of Twilight, and battled the fans and characters of the franchise (based, in part, by Rahner’s own experience in Forks, WA). This time , Vampirella is pitted against a satirical version of the much beloved pop-culture alluding, cheer leading, vampire slaying Buffy Summers. And. It. Is. Awesome.

Granted, my lack of love for Joss Whedon is well documented, so it may be hard for me to not actively fangasm all over this particular book for poking fun at the Buffyverse. That said, I do believe any Whedonite who can take a light jab at his or her fandom will thoroughly enjoy this book as much as anyone who isn’t all that familiar with the Slayer and her universe. Which is to say: a lot. It truly is a book for just about anyone, except maybe children (there’s a sufficient amount of blood and gore) and die hard religious conservatives (but they don’t read comics, right?).

Here’s the gist of the story: Vampirella goes undercover as a teacher (cue: multiple jokes and references to Van Halen’s Hot for Teacher) at a high school that is located right on top of an occult portal to Hell (insert: snide comments about government and improper use of tax dollars). Luckily for the town, peppy Fluffy and her friends Xtanley and Sallow, along with her Minder Miles, all attend or are employed by the school and therefore have been able to handle the supernatural situation up to this point. However, a new group of demonic (im)Puritans are mutilating the sexually active members of the student body in order to unleash the wrath of a greater demon, who gets his power from sexual repression, onto the world. And as “Abstinence Education Week” is in full swing at the school, there’s a lot of pent up sexual frustration going on. Whatever shall the teen-aged vampire killers do?

In addition to Fluffy and company, Whedonites may even be able to spy their beloved creator hidden somewhere in the story, as well.

The dialogue is plenty clever, even with—or perhaps because of—the forced puns and dated music and film references. I found myself genuinely laughing and giddy throughout. Even so, my favorite line is actually an on-the-nose statement about feminism, particularly reactionary to Whedon’s brand of female hero.:

After countless jabs from Fluffy regarding Vampirella’s scanty costume, Vampi finally states, “Empowerment means I can wear whatever I want and kill anyone who has a problem with it.”

While killing isn’t exactly an option in the real world, the sentiment is understood. Clothes, or lack thereof, should not be the focus or the excuse of any attacks on a person (from slut shaming to “forcible” rape). But that’s a different article entirely.

Like all satire worth its salt—and any decent horror story—, Vampirella Vs. Fluffy the Vampire Killer is more than just wildly entertaining. It addresses serious real world problems, as well. While playfully jabbing at the Whedonverse, critical hits are dealt to the United States’ ultra-conservative movement’s war on education and sex via the “Abstinence Week” setting, the demons’ M.O., and even a line of dialogue from Sallow that is poignant and painful in retrospect. It’s too much of a spoiler to disclose here, so pick up the book. Seriously. I’d love to discuss the themes further.

Finally, the art. While Nick Bradshaw‘s cover serves its purpose, interior artist Cesar Razek (Zorro) is pitch perfect, rendering gorgeous, in addition to some truly gruesome, images. While Vampirella, Fluffy, et al, are of course comic book beautiful (as are the men in the story), his style here is decidedly not cheesecake, which is always a relief. I love my female heroes and I will defend to the death (in true Voltaire fashion) their honor and right to style to any non-comic reader or slut shaming jerk, no matter the artist or the writer. Nevertheless, it certainly makes my job easier when I don’t have to do so in view of 20 consecutive panels of pure T&A and back breaking poses. So thank you, Mr. Razek for that. I hope to see your art again in the near future.

If you are looking for something fun and bloody, clever and violent, all the while remaining culturally relevant, then Vampirella vs. Fluffy the Vampire Killer is most certainly the book for you this Hallowednesday (see what I did there?).

Vampirella vs. Fluffy the Vampire Killer is out Oct. 24 from Dynamite Entertainment. Look for it at your local comic book shop!