Oscar Wilde once said that “life imitates art far more than art imitates life”, but that isn’t the case with Jeff Tomsic’s debut feature film, Tag. The comedy opens with a claim that the film is based on true events, prompting me to immediately turn to my guest and casually remark at the looseness of the inspiration. And as the film navigates through its wild premise into a warm and heartfelt conclusion, Tag closes with real-life footage of the actual men behind the decades-long game that influenced the film, most of which closely resembled the hilarious onscreen moments captured by Tomsic and instantly spawned a newfound appreciation for the story.

Five childhood friends embrace the mantra that “we don’t stop playing because we grow old, we grow old because we stop playing”, and it’s resulted in an intricate lifelong game of Tag that spans the entire country during the month of May every year. These committed participants use the elaborate game to strengthen the bond of their friendship and keep correspondence as they grow older. Yet, the stakes get raised when Hoagie (Ed Helms) informs the other guys that Jerry (Jeremy Renner), the game’s most accomplished player who’s never been tagged before, plans to retire at the end of May. Therefore, Hoagie and the rest of the crew engage in multiple plots to finally tag Jerry once and for all.

Jeff Tomsic’s perfectly cast debut feature comes with many strengths and weaknesses en route to a satisfying finale that culminates on a completely uplifting note. And while this softens the blow regarding the film’s various miscues and shortcomings, Tag‘s wonderful closing sequence fails to mask blatantly egregious issues within the movie. For starters, I immediately picked up on a clear violation of the game’s “no tag back” rule. An error like this is small and forgivable, yet a massive writing blunder surrounding Tag‘s unexpected “twist” at the end of the film proves much more detrimental. An earlier line of dialogue completely contradicts the story’s attempted misdirection and this careless lack of attention to detail stains an otherwise decent effort. Admittedly, Tag‘s characters are relentless in their quests for laughs, mostly at the hands of comedy stalwarts Hannibal Buress, Jake Johnson and Isla Fisher, hitting on jokes nearly as often as they whiff. Consequently, this approach keeps a light-hearted and persistently funny foundation constant throughout the film, however it also shines a bright spotlight on the frequent failed attempts at generating laughs. And although Tag begins with a clever and unique story, the novelty begins to wear off throughout the film’s latter stages, which mounts pressure to deliver on a strong conclusion. Thankfully the film does just that, leaving Tag as a teetering comedic effort whose countless highs and lows will tip the scale in different directions for each individual viewer.

GRADE: 3/5

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Captain Underpants used to and still is one of my favorite book series when I was younger.

It always seemed that in spite of some of the gross out humor, the books had likable characters, clever jokes, and even some good lessons at the end of them. Now DreamWorks has finally released a trailer for the film, and it’s looking pretty faithful and solid so far. The film seems to be borrowing from multiple books, most likely combining the first 4 books into one film. So far, the cast is a bit odd with Ed Helms as Mr. Krupp, Kevin Hart as George, and Thomas Middleditch as Harold. Check out the trailer yourself! Are you excited for this film? Tell us in the comments below.

 

When Harold Ramis passed away last year, a comedic legend was lost. But while most people who look back at Ramis will see Dr. Egon Spengler from the Ghostbusters films, his greatest achievements came from beyond the camera where he directed classics like Caddyshack, Groundhog Day and National Lampoon’s Vacation. Fast-forward a trio of decades and a promising young team of writers and directors, John Francis Daley and Jonathan Goldstein, turn to funnyman Ed Helms to revive the Griswold’s family legacy. And let’s just say, Harold Ramis would be extremely proud of their decision

When regional pilot and a grown up Rusty Griswold (Helms) detects some serious troubles at home, he decides to spice things up by taking his unenthusiastic family on a road trip to the majestic theme park from his childhood, “Walley World”. But in typical Griswold tradition, what was supposed to be a fun-filled bonding experience turns into a hellish road trip that pushes each of them to their respective limits. Yet, if they can just make it to “Walley World” and ride the epic Velociraptor roller coaster, perhaps the trip will be worth it after all.

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Unlike many (and I do mean many) 21st century comedies that rely on shock value to generate amusement from its crowd, Vacation finds humor in a reminiscently familiar place. Capturing all of the mannerisms and bone-headed charm of former patriarch, Clark Griswold (played by Chevy Chase), Ed Helms gives a nostalgic performance that is a breath of fresh air from all of these poorly written and contemporary comedies. The writing and directing duo, Daley and Goldstein, mold together a brilliant concoction of the older films with some modern edgy twists that allow Vacation to stand as a solid film all on its own. Each new member of the Griswold family plays a vital role to the story and truly encapsulates the all-for-one tradition of the iconic franchise.

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Despite many riotous laughs and unforgettable scenes, Vacation fails to go from start to finish without a hiccup. There are a handful of over-the-top and unrealistic situations that would usually plague a film such as this, but Helms and his co-stars always guide the audience back to the Griswold family norm, which is too good of a place to resist. Another noticeable blemish resides in the somewhat hefty collection of jokes that don’t pan out. Although these moments are sporadic, but evident, throughout the entire film, it becomes routine to let them pass by with ease as more of Vacation‘s cheeky and hysterical humor is always quick to follow.

In an age where reboots, remakes and sequels are typically off base and disappointing, Vacation serves as a gratifying reminder of when a new branding is handled with respect and class. While I must caution that the film is by no means an instant classic like its original source material, this new entry delivers an abundance of laughs and proves to be a worthy inclusion to the franchise. The actors go all-out and it pays huge dividends by the time the credits roll. If you’re a fan of the Griswolds, then don’t miss your chance to relive another adventure with one of our favorite movie families.

GRADE: 3.5/5

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Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour & Night Vale Cross Over Marquee at SDCC.
Photos by Bigwhitebazooka courtesy of Ladykiller

Thrilling Adventure Hour returned to Comic Con last month in a cross over show with Welcome to Night Vale, an event of such magnitude that they last time they tried it (in Seattle, in March), the recording equipment literally could. not. even.

Performing to a packed house at the Spreckles Theatre in San Diego, the show followed Sparks Nevada, Marshal of Mars (Marc Even Jackson), Crouch (Mark Gagliardi) and the usual Sparks Nevada: Marshall of Mars crew as they travel through space and time to save the moon–allowing for the “Marshal of Mars” and the Night Vale worlds to collide.

Done in three acts (with an intermission!) the first act opens with Wil Wheaton–as the omniscient narrator/god-like being–and quickly segues into “Marshal on Mars”, with Sparks Nevada (Marc Evan Jackson) and Croach (Mark Gagliardi) dealing with the subversively silly criminal element (this time it’s James Urbaniak as a good-guy shoe salesman turned bad and his two robot outlaws). Things go from bad to worse when Pemily Stallwark (Molly Quinn), now Marshal of the Moon, shows up needing help to save Earth’s lunar satellite. An introduction of a timey-wimey-super-duper-don’t-think-about-it-too-hard device allows people to travel across space, time, and apparently dimensions, and Croach is zapped to Night Vale.

Thrilling Adventure Hour and Night vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller
Thrilling Adventure Hour and Night Vale cast and guest stars at SDCC 2014. Photos by Bigwhitebazooka courtesy of Ladykiller

Act II begins like a typical Night Vale episode. Cecil (Cecil Baldwin) begins with the news that there is a new Destroy-the-Moon initiative. The citizens of Night Vale, Cecil tells us, have tried throwing objects at the Moon and will shortly escalate to yelling insults at it. Also, a strange, overly literal being has been going around town demanding that people cease their plans to destroy the moon. Cecil, the Mayor Dana Cardinal (Jasika Nicole), Carlos the Scientist (Dylan Marron) and Steve Carlsberg (Hal Lublin) end up getting zapped back to Mars with Croach. And thus ends Act II.

Act III (after a fairly interminable intermission) has the combined casts banding together to save the moon with some (extremely convenient) time-zapping, a few deaths (!!!), a few more resurrections, and heartfelt professions of love, friendships and respect between various pairs. There’s also some discussion about paradoxes and the general head-ache-inducing vagaries of time (and dimension!) travel.

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Cecil (Cecil Baldwin), Mayor Dana Cardinal (Jasika Nicole), and Carlos the Scientist (Dylan Marron) at the SDCC cross-over Thrilling Adventure Hour/Welcome to Night Vale performance.
Photos by Bigwhitebazooka courtesy of Ladykiller

While maybe not the most coherently plotted Sparks Nevada episode (Night Vale tends to eschew plots completely, so it wins by comparison), the combined cast elevated the show; and the audience, eager and ecstatic at the combining of the two fan-favorite shows, did not let a joke slip by them. The verbal sparring between Baldwin, Sparks and Gagliardi is quite possibly some of the best comedic repartee we’ve heard in awhile, and the 30-second half written/half-improv’d competing cries-of-alarm between Carlsberg and Felton (Craig Cackowski) brought the house down.

All in all, the cross over was extremely successful in bringing together the two worlds; it was funny, irreverent, touching and, well, everything we’ve come to expect from both shows.

The episode won’t be aired for awhile, but you can catch up on all the most recent episodes of Thrilling Adventure Hour here and Night Vale here while you wait!

2009 seems like such a short time ago. Yet, almost four years have passed since Todd Phillips’ The Hangover helped set the bar for modern day comedies. Then, like clockwork, Phillips and the people at Warner Bros. decided to milk this cash cow for all it’s worth. With dollar signs in their eyes, they began a four year plan releasing The Hangover Part II in 2011 and the third installment this weekend. While many may feel that the franchise has run its course, especially after the disappointment of “Part II”, the newest inclusion is definitely a step up over its immediate predecessor.

Freshly off his meds, Alan (Galifianakis) has reclaimed his impulsive ways and becomes too much for his friends and family to handle. After agreeing to check into a facility, the Wolfpack ventures to Arizona to help Alan receive the treatment that he needs. However, the trip is quickly derailed when a drug lord named Marshall (played by John Goodman) takes Doug hostage and threatens to kill him in three days unless they bring him Leslie Chow (played by Ken Jeong), who has robbed the kingpin of millions of dollars.

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Breaking from the tiresome and formulaic structure of the franchise’s first two installments, The Hangover Part III is a fluctuating adventure filled with an abundance of hysterical moments alongside a downtrodden dose of Mr. Chow’s character. Clearly an improvement over Phillips’ previous visit to the Wolfpack universe, the film dishes out a healthy portion of outrageously hilarious scenes. It’s also moderately gratifying to watch the franchise come full circle. Taking a Seinfeld finale approach, The Hangover Part III marks the return for many of the original’s memorable characters (thankfully, there’s no Mike Tyson). Phillips gives a valiant attempt at wrapping everything up with a nice little bow. However, the post credit clip reminds us that when it comes to a brand that’s grossed north of $500 million dollars in box office revenue, the door must be left open for a return. Representing another unfitting and unjustifiable decision from the director.

Although The Hangover Part III has no shortage of laughs, there is plenty to dislike about the Wolfpack’s alleged final adventure. It became apparent during the less-than-acceptable sequel that Mr. Chow is a leech, sucking the blood and life out of the entire franchise. Therefore, his inexcusably grand role in this third chapter ultimately deflates the film. Chow receives far more onscreen attention than every other character except Alan. Moreover, much to its detriment, these two oddballs have managed to attract an increasing level of absurdity throughout the course of the trilogy. The beauty behind the original was the collaborative comedic efforts from its trio of stars. Yet, Cooper and Helms, along with an under-utilized cameo by the always phenomenal John Goodman, take a back seat to the shenanigans of Alan and Chow, merely making them props to the story. Consequently, it does the film a huge disservice, leaving plenty to be desired with The Hangover Part III.

THE HANGOVER PART III

 

If you’ve poured enough of your hard earned dollars into the first two inclusions of the franchise, then there’s nothing lost by avoiding The Hangover Part III in theatres. Despite being a step up from the second installment, the newest effort is still a huge drop off from the timeless magic captured in the original. Hardcore fans will inevitably enjoy the full-circle approach taken by director Todd Phillips, yet there’s no valid argument against waiting to catch The Hangover Part III on DVD.

Grade: 2.5/5

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Slowly, but surely, the writing and directing duo known as the Duplass brothers have been making a unique impression on the movie world. Brothers Jay and Mark (who’s most known for his role as Pete on the FX television show The League) first broke through the barrier in 2008 with their successful throwback to the comedy-horror genre called Baghead. Then, their follow up feature in 2010 came in the form of the comedy Cyrus. Both films, slightly awkward but carrying a sense of earnest realism, helped to define their original style. Now, in 2012 the Duplass brothers offer up their third release called Jeff, Who Lives at Home. Staying true to their roots, Jeff, Who Lives at Home is yet another strange blend of real life emotion and unusual characters.

Jeff (played by Segel) is a pot smoking slacker still living in his mother’s basement. Searching for a sense of meaning to life ever since the passing of his father, Jeff can’t help but wonder about his destiny. When Jeff’s mom Sharon (played by Sarandon) asks him to do a simple task, Jeff sets out on a wild adventure around Baton Rouge following so-called “signs”. Along the way he runs into his brother Pat (played by Helms) who’s facing a marital meltdown. Believing that there’s a bigger picture behind all of this, Jeff attempts to help save his brother’s marriage and finally unlock his destiny.

With their most resonating and successful release to date, the Duplass brothers use Jeff, Who Lives at Home as a platform to conjure up a poignant and heartfelt experience. I’ve always enjoyed how Jay and Mark seem to have their films come full circle in a convincing fashion. Once again, the writers/directors leave no loose ends in what will surely be one of 2012’s most fulfilling features. At the center of this genuine little gem is its remarkably honest script. As many in Hollywood will tell you, it’s virtually impossible to turn a bad script into a good movie. A well written screenplay is at the heart of any masterpiece. With Jeff, Who Lives at Home, there’s an exceptionally penned heart-filled story wrapped up in an awkward and unconventional shell. For all of the brow-raising nuances you’ll see onscreen, the film’s brilliant and uplifting resolve makes them seem almost necessary. Within all of this lies the true beauty of the Duplass brothers and their groundbreaking efforts.

Along with the movie’s satisfying big picture script and excellent direction, Jeff, Who Lives at Home works as well as it does because of Jason Segel. Starring as the lovable slacker Jeff, Segel helps bring a well intended persona to life. Jeff is an easy character to connect with and he becomes the necessary light in order to attract the audience. He sees the world in such a simple and childlike way that, as a viewer, you can’t help but pour every ounce of your heart into his journey. Segel’s performance is unforgettable and perhaps his most notable to date.

Despite its abundance of glowing aspects, Jeff, Who Lives at Home is far from flawless. Much like their 2010 film CyrusJeff, Who Lives at Home is falsely being pitched as a comedy. Outside of the occasional chuckle, there’s nothing overtly hilarious in this feature. Similar to Cyrus, any overblown comedic expectations will create a sense of awkwardness and misunderstanding. If you walk into the theatre expecting to see a well crafted drama with a peppering of jokes, you’re level of appreciation for the film will surely skyrocket.

With a somewhat dragging 83 minute runtime, Jeff, Who Lives at Home is an otherwise wonderful destiny-filled journey. You’ll get caught up in Jeff’s personal quest for a purpose and, when all is said and done, you’ll leave the theatre completely moved by the entire experience. The film packs an enormous amount of heart in only 83 minutes. If you’re a sucker for an uplifting tale, then don’t hesitate to see the latest effort from the Duplass brothers, Jeff, Who Lives at Home.

Stars: 2 and a half stars out of 4

Grade: B

Note: When MCDave isn’t meandering around Geekscape, he can be found at Movie Reviews By Dave