Before it was officially revealed that Frank Grillo (Warrior, The Grey) had landed the role of Brock Rumlow aka Crossbones in Marvel Studios highly-anticipated Captain America: The Winter Soldier, comedian and radio host Matthew Aaron actually had revealed a week prior that the actor was testing for the role.

During a recent episode of Aaron’s radio show, Aaron called Grillo to congratulate him on landing the role. Arron asked Grillo if he would be appearing more than once as the villain to which Grillo replied:

“Yeah, it’s a good run.”

But more interestingly is that after Grillo returned to work on Homeland, the film he is currently filming with Jason Statham, Aaron revealed that the same source who had leaked the information that Grillo was testing for the role had leaked a little more information. The information was that not only would Crossbones appear in Captain America: The Winter Soldier but be making an appearance in Joss Whedon’s sequel to The Avengers. Aaron also added that Grillo will apparently portray Crossbones in three films total. So, one can assume that a third Captain America film would be the likely third portrayal unless he is set to make a cameo in another of the “Phase Two” films.

Of course, Crossbones won’t be the main villain in the sequel but with rumors of Baron Zemo as well as Radioactive man, could the speculation I made a few months come true? Could Marvel Studios be heading down the Masters Of Evil route? Also, if Grillo is planned for a third solo outing for Steve Rogers, could Marvel also be going after another of Ed Brubaker’s great story arcs: “The Death Of Captain America”?

This is all speculation at the moment but if it turns out to be true…well played Marvel Studios.

Source: The Matthew Aaron Show

Alongside the confirmation that Frank Grillo will portray the villainous Crossbones, Variety has also revealed that we will see another addition to the growing cast of Captain America: The Winter Soldier.

Samuel Jackson and Scarlett Johansson will be both be reprising their roles in the sequel with S.H.I.E.L.D. playing a major role in the film. So, this should come as no surprise that Cobie Smulders will be back as Agent Maria Hill. Her role in the sequel will most likely be minor.

Source: Variety

The US Presidential election is just ten short days away and the director of Marvel’s The Avengers, Joss Whedon, has decided to weigh in tell you why Romney is the right candidate put this country back on the path to the zombie apocalypse.

In the end, while he may not be a candidate this year, we need someone who knows of the impending doom that is upon us and is willing to support government funded parkour programs. Whedon for president in 2016?

Did you pick up this week’s issue of The Avengers? Well, you may want to run back out to your shop and pick this one up. During Brian Michael Bendis run the writer has killed a number of characters, and pissed off some people with who he killed, but this week we saw Bendis bring back a very iconic character. Spoilers lie ahead! You’ve been warned.

That’s right, ladies and gentlemen. The Wasp is back! Is it coincidence they brought her back just in time for Marvel Studios Ant-Man? Probably not.

So, how is she alive? Well, you’re going to have to hit your local comic shop and find out.

You’ve waited patiently and it’s finally time. The trailer for Shane Black’s Iron Man 3, the highly anticipated third solo outing for Marvel’s Armored Avenger is here! Marvel Studios “Phase Two” starts now!

Marvel Studios’ “Iron Man 3″ pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Iron Man 3 suits up and hits theaters May 3, 2013!

Just ahead of the trailer being released at midnight tonight, the first still photos have been officially released for Marvel Stduios Iron Man 3. The images feature Robert Downey Jr. and Gwyneth Paltrow in their Tony Stark and Pepper Potts roles, and a first official look at James “Rhodey” Rhodes’ (Don Cheadle) in the upgraded War Machine armor, The Iron Patriot.

Now that Warner Bros. has won their case against the Schuster Heir’s for the rights to Superman it seems that the studio can now focus on bringing their various heroes together for the planned Justice League flick.

We already knew this one was in the works, but  apparently a loss yesterday would have meant serious problems for any further use of one their main character’s key mythology on-screen would have been a major issue for the film. But now, according to The LA Times, who cite a “a knowledgeable person not authorized to discuss the matter publicly”, Warner Bros. is moving full speed ahead with the project.

“Warner hopes to shoot the film next year and release it in the summer of 2015. The studio already has a “Justice League” script in the works. Next it needs to attach a director and then cast the lead roles.”

So, summer of 2015 we may see the ultimate super-showdown between Justice League and the sequel to The Avengers in theaters. The site also confirm that WB are taking a reverse approach than Marvel took when it comes to bringing their characters to the big screen. It seems their plan is “to spin out other superheroes into their own movies following”. I’m a little shaky on that one myself. And to be honest, after the box office powerhouse that The Avengers was combined with their Phase Two films keeping people interested in these characters…I definitely can see the sequel dominating the box office again in 2015.

Just days ahead of the release of the trailer of Marvel Studios highly-anticipated Iron Man 3, which could honestly be an understatement, Walt Disney Pictures have released the full synopsis for the film.

Marvel Studios’ Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce and Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense (#39) in 1963 and had his solo comic book debut with The Invincible Iron Man (#1) in May of 1968.

Iron Man 3 is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Stephen Broussard, Victoria Alonso, Alan Fine, Charles Newirth, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.

Source: Stitch Kingdom

We’re exactly six days away from the first official trailer for Shane Black’s Iron Man 3 dropping. The highly anticipated first film in Marvel Studios  “Phase Two” has fans excited beyond belief. But, do you want to see a preview for the film early? Well, thanks to Marvel you have a chance to.  Marvel has unveiled a new Facebook “Fan Power” feature on the official Iron Man page and all that’s needed to unlock this sneak preview is that fans “re-energize Tony’s Arc reactor.” How do you do that? By simply clicking the like button here.

Tony Stark IS Iron Man! To re-energize Tony’s Arc reactor, “Like” the official Iron Man Facebook page. Every “Like” recharges Tony’s power supply. Once the Arc reactor reaches maximum capacity, you’ll be the first to see a special sneak preview of Marvel’s Iron Man 3!

Another huge day at NYCC, another HUGE announcement!

The Marvel Television Presents panel has just wrapped up, and in its conclusion dropped a huge bombshell. Jeph Loeb announced at the panel that fan-favourite Agent Coulson is in fact alive, and that Clark Gregg would be returning to the role for the SHIELD pilot.

Gregg of course has played Agent Coulson in many of the Phase One offerings, including Iron Man, Iron Man 2, Thor, and The Avengers.

Writer/Director Joss Whedon also stated during the panel “There was never gonna be a SHIELD show without Agent Coulson,”

Gregg is also set to play Principal Coulson in the next season of Ultimate Spider-Man.

Excited? How upset were you when you thought he died? How will he even return!?

Update: As MTV Geek and others are now learning, it appears as though Gregg’s Agent Coulson is actually set to headline the S.H.I.E.L.D series!

Source: Marvel

So the latest epic Marvel “event” Avengers Vs X-Men has come to a close, and to say opinions are mixed is putting it mildly. I’m gonna go on record here and say the series was mostly entertaining, but there were also a  ton of storytelling misfires along the way.
Unlike the past few years, the events of AvX actually felt like they mattered, and had actual repercussions on the Marvel Universe. This hasn’t been the case for some time…I mean, can anyone tell me what the point of last year’s “Fear Itself” was? Or “Siege?” How pointless did “Secret Invasion”  ultimately feel?

By the way, SPOILERS for the entire series of AvX in this article. If you haven’t read it, please do so now. Or you can just read the Wikipedia entry, I don’t care. I’m certainly not going to explain what happened here in detail, I’m going to assume if you’re reading this you know the basic plot and outcome of Avengers Vs. X-Men by now. All good? Ok, then let’s talk about the good, the bad, and the downright ugly of AvX….

The Good

AvX Was A Series That Lived Up To It’s Premise

So many of these crossover events don’t live up to their premise. Secret Invasion from 2008 is a perfect example, a series that promised that many of the characters we’d known and loved for decades had been replaced with duplicate Skrull agents. This could have been a truly wild revelation in the Marvel Universe. But it turns out, pretty much only C-lister Mockingbird was actually replaced by a Skrull. Yawn. But AvX really only promised Avengers fighting X-Men, and boy howdy, it sure gave us that (maybe too much of that) At least it was a series that delivered on the inside what the cover said it was on the outside. And far be it from me from denying the simple pleasures of super heroes beating up other super heroes.

The Return of the Mutant Race

Back in 2005, Marvel EIC Joe Quesada decided that there were way too many mutants in the Marvel Universe, therefore making them seem less like a feared and hated minority and more like a powerful majority. So in 2005’s House of M mini series, he had a now crazy Scarlet Witch use her reality altering hex power to erase the mutant gene in 99% of the world. (leaving only the X-Men and their villains as the world’s sole mutants. Convenient) Suddenly, there were only 198 mutants left in the Marvel Universe. Problem is, 198 mutants isn’t so much a race, as it is a really good turn out for a party. What Joe Quesada didn’t understand is that prejudice isn’t always about numbers; women are 51% of the population  after all, and they are discriminated against, in some countries even treated as barely human, merely because they’re not in positions of power. It’s not always just about numbers.

I’ll admit that this new “mutants as endangered species” scenario led to some interesting stories, although it seems the writers and editors at Marvel were too scared to make the comparisons to the Jewish Holocaust that to me were obvious. The mutant population is nearly exterminated, and the hardened survivors form there own tiny nation, armed to the teeth in an effort to make sure no one fucks with them ever again. Meanwhile, Wolverine takes his mutants to New York state, where he feels that integrating as part of regular American culture and not separating is the way to go. If this all doesn’t sound like an allegory for the Jewish post WWII experience, then you’re not paying attention. The X-Men have always fully embraced their allegories to the civil rights movements of the 60’s and the gay rights movements, but it seems they were too scared to fully commit to the Israel metaphor for fear of offending people. (people do understand that all metaphors are not exact) If you’re too scared to really go where you wanted to go for fear of backlash, then at least give us back the idea of a mutant race that’s thriving and growing day to day.

The Death of Prof. X

This has been a long, long time coming. How many near deaths has the man had? He was shot way back in the early 90’s only to recover, then again he was shot in the head at the end of 2007’s Messiah Complex, only to survive that too. He hasn’t been an interesting or vital character for a really long time, and with his original students now in teaching positions, he no longer really has a real role either. I know that as far back as the mid 80’s, X-Men writer Chris Claremont wanted to take ol’ Chuck out, but Marvel didn’t let him. Instead, he was sent off into space for six years with his alien girlfriend, and all the X-teams at the time talked about it as if he were dead, even though they knew he was just on a really long and far away vacation.

Marvel has always played with idea that Charles Xavier was this Martin Luther King type figure for the mutant community, and Magneto as kind of the Malcolm X. Well, to take that metaphor to it’s natural conclusion, then that means that Xavier has to die tragically, a martyr to his people. For decades, the various X-Men teams have been talking about “carrying on Xavier’s dream.” You only carry on someone’s dream if that person isn’t around to do it, and he was. But now that he’s finally gone, Xavier can be a more powerful a character in death than he could be in life.

The Redemption of the Scarlet Witch

Another event that was a very long time coming was the redemption of longtime Avenger Wanda Maximoff, the Scarlet Witch. She is to the Avengers what Sue Storm is to the Fantastic Four, or Jean Grey was to the X-Men. And yet for the past eight years, ever since 2004’s Avengers Disassembled, she’d been treated like total crap. In that series, years of misfortune (finding out her father was Magneto, having her android husband’s mind wiped, and finding out her children weren’t real for starters) caused Wanda to have nervous breakdown and cause major death and destruction to the Avengers with her Chaos Magicks. She then wiped out the mutant gene to piss off her father in House of M.

On the one hand, it is commendable that Marvel has made the most powerful character on each of their signature teams a woman. But on the flip side, it seems Marvel always has their most powerful females unable to cope with such power, as if estrogen + cosmic power must always lead to global catastrophe. I don’t recall Silver Surfer or Thor constantly going off the rails whenever bad things happened to them. When the original Dark Phoenix saga happened, it was new and innovative, but by the time they did the same story with Scarlet Witch, it felt like a rehash, with the character damage nearly impossible to overcome. But at least with the conclusion of AvX, they’re seemingly on their way to restoring this character’s reputation.

The End of the Storm/Black Panther Marriage

And good riddance too. When Marvel decided to marry their two most popular African characters, mostly because they just both happened to be African, it was one of the dumbest story ideas ever. It killed Storm as a vital member of the X-Men (“hey everyone, just dropping in to say hi, even though I’m Queen of a whole nation now. Remember when my character mattered?”) and forced Black Panther stories to involve mutants. It was all so lame, and in my opinion, kinda racist. I have to admit, one of the best moments of the series was when Panther tells storm the high priest of the Panther clan has annulled their marriage, and Storm says “but you’re the high priest” or words to the effect, and he just glares back. Cold T’Challa. Cold.

The Bad

The  Inconsistent Art

There were three artists in total on AvX, and much like the writing, the art was all over the place. The first few issues were drawn by John Romita Jr. who I’m afraid wasn’t bringing his A-game to the drawing table. While Romita can draw bulking giant characters like the Hulks and Thor to perfection, as well as the square jawed types like Cap, his women are almost always ugly looking, and his layouts, at least with this series, are kind of boring. Then came Olivier Coipel’s stunning art at the halfway point of the series, and suddenly everything looked much better. Andy Kubert finished out the series, but while the art wasn’t ugly, it wasn’t really his best either. When people read this book in trades in the future, it is going to feel really schizophrenic due to the art ranging from ugly to great to just ok.

Sloppy Storytelling

Ultimately, the main characters of AvX were Cyclops, Wolverine, Captain America, Tony Stark, Hope and Scarlet Witch, with everyone else there just to punch each other, give some needed exposition, and throw out a one liner or two. But for much of the series, Scarlet Witch was sidelined, so her importance at the end of the series felt like it came out of left field at the end. Xavier’s death at the hands of Cyclops was a huge moment in the Marvel Universe, yet in terms of this series, Xavier barely played a part, rendering his death scene less impacting than it should have been. And then there’s Nova, someone who was positioned to be an important part of the series at the very beginning, but is all but forgotten until a cameo at the end. Maybe if this series had one writer instead of many, it would have felt a lot more consistent. Too many different writers and artists made the whole thing feel really messy, with moments of greatness and equal moments of awfulness. And with so many different writers (the book was written by Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman and Matt Fraction) how can it NOT feel as if written by committee?

This Series Should Have Been Six issues, Not Twelve 

As entertaining as parts of it were, there is no reason this story took six months and twelve issues to tell, aside from milking it for as long as possible to get more money from loyal fanboys. It could have been told in half the time and with a lot less filler in the middle.

The Ugly

The Character Assassination of Scott Summers

Poor Cyclops just can’t seem to catch a break. Despite being the original X-Man, he’s taken a back seat to Wolverine in terms of popularity for decades now. But in the early 2000’s, Grant Morrison took steps to make Cyclops an equally compelling character as Wolverine or anyone else in the pages of New X-Men, and that was taken even further by Joss Whedon in his run on Astonishing X-Men. But subsequent writers have slowly taken “being strong” to just “being a dick.”

And for every fan who is now saying that at the end of this series that Cyclops was right all along, well yes… he was. The Phoenix force was indeed coming for Hope, and Hope reignited the mutant race. But that doesn’t change the fact that the Phoenix could have just as easily destroyed the Earth instead, and when Captain America and the Avengers showed up to remind him of this fact, he had a giant temper tantrum about it instead of acting like a rational human being.

What Cyclops should have done when Cap showed up on his doorstep is say “ok, you want to take Hope into custody to potentially save the world? Maybe take her into space or someplace she won’t do any damage? Fine, but she’s a mutant, so wherever she goes, we go to protect her.” But no, Cyclops had to act like a belligerent asshole, and be all “get off my lawn!” and hit Captain America with an optic blast. So all the actual Avengers fighting X-Men stuff that the series was named after was Cyclops’ fault.

What isn’t Cyclops’ fault is anything he or the other Phoenix Five did while being under the control of the Phoenix. The only reason they got possessed at all was because of something Tony Stark did, and yet I’ve seen little guilt on his part for his actions here. When Jean Grey went all Dark Phoenix back in the day, she destroyed a whole world with billions of inhabitants. When she got better, she got a pass. Yet under the influence of the Phoenix, the worst thing Scott Summers did really was kill one man. And yet, he’s now imprisoned like a war criminal. If the Phoenix was responsible for these actions, then none of the Phoenix five should be held accountable any more than Jean Grey was, especially now that the Phoenix is gone. You can’t have it both ways Marvel. Either the Phoenix controls you or it doesn’t, and if it does, then there is a huge double standard going on between Scott Summers and Jean Grey right now.

Having said all that, it seems bizarre that Cyclops has shown little to no remorse over the death of his mentor and father figure, whether he was really fully responsible or not. (there was some remorse shown in the tie in issue of Uncanny X-Men, but it was too little, too late) His attitude at the end of AvX seems to be  “It was all worth it, because my people were restored.”  All of that would be consistent if he hadn’t killed Charles Xavier, who was practically his father. But he did kill him, so it makes him seem strangely callous and almost like another character entirely. There is no way that the Scott Summers who has existed at Marvel for nearly fifty years would be so unrepentant about Charles Xavier’s death at his hands as he was. At the end of AvX, Cyclops is as broken a character as Scarlet Witch was for years, and I hope it doesn’t take eight years to restore him to true heroic status. Because none of the good things that came out of AvX are worth years and years of “villain Cyclops” we are now about to get.

Final Verdict

Now that it is finally over, I’d say there was as much good and bad to AvX, with only the shoddy treatment of Cyclops tipping the scale to more bad than good. However, on the plus side, This series finally brings about an end to almost a decade’s worth of stories in the Marvel Universe, creating an almost clean slate for a refreshed new world for the creators at Marvel to play in. Instead of separate X-Men and Spider-Man and Avengers universes within the Marvel U, we are getting one unified Marvel Universe again, as it was back when Stan Lee, Jack Kirby and Steve Ditko created it, and to me that’s good. If it took AvX to get us there, then it was all worth it. Well, unless you’re Cyclops that is. Then it just sucks to be you right now.

It’s a couple years away until production starts on the sequel to The Avengers. However, Marvel already knows what characters will be joining the team and now there’s a rumor that they are already looking at actresses to fill the role of one of these characters. According to Daily Mail, we should expect to see Carol Danvers AKA Ms. Marvel, who has speculated in the past. Not only that but the site goes on to state that Emily Blunt (Looper) and Ruth Wilson (Luther) are up for the role.

“Meanwhile, British actresses Emily Blunt and Ruth Wilson are head-to-head in a race for the most sought-after new female role in Hollywood. Emily, 29, and Ruth, 30, are both hotly tipped to play superhero Ms. Marvel in Avengers 2, the sequel to Avengers Assemble.”

So, for now take this rumor very lightly. But it is worth noting that if this is true it wouldn’t be the first time Marvel tried to nab Emily Blunt for a role. She was originally attached to to the role Black Widowin Iron Man 2, and she also turned down the role of Peggy Carter in Captain America: The First Avenger. Also with Marvel Studios going cosmic it doesn’t sound entirely unlikely. The only issue here is that this site isn’t really known for breaking casting news so we’re going to have to hold out on getting too excited on this one.

It’s currently a great time for comic book fans at the local multiplex. Three of the biggest movies of 2012 are based on comic book properties. The Avengers accomplished feats we would have never imagined possible ten years ago and has gone on to become the third highest grossing film of all time. The Amazing Spider-Man swung its way into our hearts and made us feel like teenagers again. The Dark Knight Rises concluded a trilogy that left us satisfied in a way that many fans have not felt with a trilogy since… well, you know which trilogy. But it wasn’t always like this.

At one point superhero movies were B-list movies that were destined to one day be available in five dollar bins at Best Buy right next to horrid video game films. The seventies and eighties saw comic book adaptations as jokes with few minor exceptions such as Superman, Batman, and a few other b-list properties. The nineties were full of poor excuses for comic film adaptations like Steel, Batman & Robin, Mystery Men and Judge Dredd.

But at some point the superhero movie began to improve in both story and scale. Studios started to see the positive results of doing right by the superhero genre. Don’t get me wrong, we still saw plenty of failure with movies that could have been great. I’m looking at you Ghost Rider, Fantastic Four, Spider-Man 3 and X-Men: The Last Stand (oh, the bad theater memories associated with those last two…). But the good is starting to consistently outweigh the bad. So looking back at the history of the superhero film, which ones played pivotal roles in bringing us to where we are now?

1978’s Superman: The Movie is regarded by many as the first true superhero film, perhaps because Richard Donner fought to take the subject matter seriously. When he agreed to be director, the script he got was nothing but campy humor. He threw that out, brought in Tom Mankiewicz to do heavy rewrites and the result was nothing short of fantastic. Not only did we get brilliant direction from Donner, but we got some of the most iconic performances from talented actors. The impact of this movie can still be seen reflected in many movies including Sam Raimi’s homage in Spider-Man 2 when Peter Parker opens his shirt to reveal his costume underneath and most recent in the brief Gwen Stacy/Spider-Man swinging sequence in Marc Webb’s Amazing Spider-Man.

Many elements of the Superman mythos introduced in the film have since been incorporated into the regular continuity of the DC Universe. While the sequel Superman II (which Donner started but was finished after his firing by Richard Lester) received much praise, the reception to the sequels that followed was not so great, with Brian Singer’s love letter to Donner’s original Superman Returns regarded by some as one of the worst comic book adaptations. Throughout the 80s, after the success of Superman 1 and 2, we saw a dark period full of horrible attempts at comic book movies, including the spin-off film Supergirl. But in 1989 things would brighten up. Funny that it required a Dark Knight to do so.

In 1989, Tim Burton’s Batman arrived in theaters, one of the first truly “dark” comic book movies and completely changed the game, leading to a comic book resurgence at the box office and well received comic book films like Dick Tracy, Teenage Mutant Ninja Turtles and The Rocketeer. But as fresh as Tim Burton’s cinematic take on Batman was, the memories of the campy 1960’s caped crusader hung tight. The movie was even criticized in some places for being “too dark”. Burton once joked, “ever since I did Batman, it was like the first dark comic book movie. Now everyone wants to do a dark and serious superhero movie. I guess I’m the one responsible for that trend.” And he’s right. Tim Burton’s Batman is very responsible for the “darker”, more “mature” superhero film.

Just as with Christopher Nolan’s movies, the fans had many complaints about the casting choices in this film. Even the first trailer seemed to poke fun at the outcry, as comedic actor Michael Keaton responded to a caught crook pleading “who are you!?!” with a simple: “I’m Batman”. And he was. When naysayers ultimately saw the movie, they were blown away by the performances of both Keaton and Jack Nicholson, an inspired star-caliber casting choice.

Not only did the movie begin the trend of dark comic book movies but the success of Batman prompted Warner Bros. Animation to create the critically-acclaimed Batman: The Animated Series, resulting in the long-running DC animated universe. It also led to the theatrical release of Batman: Mask Of The Phantasm, which set the stage for mature theatrically released animated movies like Disney’s theatrical release of Studio Ghibli’s Spirited Away and Howl’s Moving Castle. How different would our theatrical landscape be today if this movie had not been released into theaters? IGN ranked Mask of the Phantasm as the 25th best animated film of all time in a list published in 2010. However,  things would not always stay bright. Tim Burton’s breakout film was eventually eroded by sequels (and Joel Schumacher), culminating in 1997’s Batman & Robin being quite possibly, hands down, the worst comic book movie of all time. But at least for a while, DC seemed to be on top of the comic book adaptation game, until a C-level Marvel property proved it had some real teeth.

In 1998, we saw the first appearance of Wesley Snipes as Blade on the big screen. Produced and released under the radar, and featuring an obscure Marvel character, this movie resulted in Marvel’s first successful comic book based film. And it immediately swung the bright lights of Hollywood onto the comic publisher’s massive stable of characters, lights dimmed by Roger Corman’s Fantastic Four and The Punisher movie of almost a decade earlier. In fact, after the disastrous performances of DC’s Batman & Robin and Steel, it gave Marvel some bragging rights and its success convinced studios like Fox and Sony to develop blockbuster films based on the X-Men and Spider-Man, Marvel’s two A-list superhero properties towards the end of the decade. Suddenly, superheroes were back in the game.

Blade also acted as one of the first times where we saw a sequel that was arguably better than the first film. His second Hollywood film (after Mimic), Guillermo del Toro’s take on the Marvel Comics vampire hunter in Blade II still doesn’t get the credit that it deserves but the box office proved that the franchise had bite, improving on the first film’s earnings and setting the stage for Underworld receiving a wider release the following year (before Kate Beckinsale was a proven box office draw). And even though David Goyer’s third film didn’t live up to either of the first two, it showed that less widely known Marvel properties (like Iron Man) could work as box office franchises. The third film also introduced us to the first big budget outing of a TV actor who would eventually become the big screen Hal Jordan. Looking back, Blade accomplished a more than most people remember. But if Blade cracked open the door for the future success of the superhero film, the following two films blew the door right off the hinges.

In the summer of 2000, Fox released X-Men to the big screen.  The move had a large list of A-list actors including Halle Berry, Ian McKellen, Patrick Stewart but also included a few untested or unknown talents, including director Bryan Singer, who was only known at the time for smaller, critically acclaimed films The Usual Suspects and Apt Pupil. Hugh Jackman, an unknown actor at the time, was cast three weeks into filming as a replacement for Dougray Scott. Leaked set images and costume tests were met with criticism by fans months earlier and leading up to the release of X-Men, expectations were not high that this movie was going to work at all.

But it did… in a big way. Jackman went on to become the most recognizable face of the franchise and a major Hollywood star. Actually, everyone involved in X-Men went on to find immediate success, but X-Men was a major risk for both Fox and Marvel and today many people fail to realize that without X-Men we would not have gotten The Avengers. A superhero ensemble film? X-Men proved that it could work. Singer and company proved that you could have a story filled with superheroes and fantastical elements that followed multiple characters and didn’t feel rushed or hazy around the edges. With a budget of $75,000,000 (small by today’s superhero standards), the film went on to earn twice that at the box office and paved the way for today’s wave of superhero box office goodwill. The following May, Sam Raimi’s Spider-Man broke box office records on opening weekend. Obviously, people loved their superheroes and X-Men hadn’t been enough for them.

Singer followed up the first film with X2: X-Men United which is still regarded as one of the best comic book movies ever. The story was bigger, the stakes were higher and the fights more elaborate. Prior to First Class, this was widely regarded as the best X-Men movie to date and featured morals, messages, themes and references to the comics that only avid fans would get. The opening sequence with Nightcrawler is still one of the best opening scenes in any comic book movie. It draws you in and you are instantly hooked. And the ending? One of the biggest set ups for a classic storyline that left fans going crazy (sadly, it was ruined by a horrible third chapter which followed the comic book movie curse). While X3: The Last Stand did feature some great casting and character additions (Ben Foster as Angel, Ellen Page as Kitty Pryde and Kelsey Grammar as Beast) it failed to live up to its predecessors by far. It was obvious that the Superhero movie had begun to buckle under the pressures of success (and Hollywood) and needed to be brought back to its roots. Luckily, DC and Warner Bros. had just rewritten the blue prints for success the previous summer.

It was now time for studios to take what they had learned from past outings and put it to work. In 2005 Christopher Nolan brought a dark knight back to the screen and changed the face of the modern comic book movie. After a series of unsuccessful projects to resurrect Batman on screen following the 1997 critical failure that was Batman & Robin, Nolan and David Goyer began work on the film in early 2003 and aimed for a darker and more realistic tone, with humanity and realism being the basis of the film. Nolan chose to rely on traditional stunts and miniatures and very minimally relied on CGI to further set a sense of realism in this new Bat-verse. The goal was to get the audience to care for both Batman and Bruce Wayne. Batman Begins was both critically and commercially successful.

Batman Begins was not only considered to have heralded a trend of darker genre films but also the rebooting of many franchises. This can most recently be seen with The Amazing Spider-Man where we see a return to the character in a more reality based story with darker tones. Batman Begins had become the game changer.  That was until Marvel Studios “suited up” for the first time in 2008.

Up until now Marvel’s properties had their hits and misses. Marvel’s movies had been handled by outside studios and now it was time for Marvel Studios first at bat with Jon Favreau’s Iron Man and it knocked it out of the park. While past films had tweaked the formula for the perfect superhero movie this had taken all of that in and set the standard. What made the film work ultimately is that there is a fluid mix of real drama, human pathos, computer-rendered special FX, sexual tension undercurrent romance, lighthearted hi-jinks and humor, as well as genuine chemistry between the stars of the film.

Especially important, the film’s producers realized that it was important for them to take the source material from the comics as serious material and use it as their basis for the entire story they built. It was obvious that the source material was given the kind of credibility and respectability it deserved, which resulted in the film having a quite healthy opening weekend. By earning a worldwide total of $585 million, it proved that even B-list Marvel superheroes had legitimate box office appeal with the right handling.

Marvel Studios thus proved that it was indeed the best place for these heroes to be adapted for the big screen. Iron Man was huge but it was also the first step towards something bigger. Marvel Studios followed up with The Incredible Hulk, Iron Man 2, Thor and Captain America: The First Avenger, establishing something that had never been seen before, a connected movie universe that culminated in what would go on to be the largest grossing superhero movie of all time and quite possibly the highest praised, The Avengers. The film currently sits at an impressive 92% on Rotten Tomatoes and has gone on to gross $1.5 billion dollars in ticket sales alone.

But, while The Avengers was huge it was just the beginning. Marvel is set to begin their “Phase Two” plan next year. We will see Iron Man, Thor and Captain America all return to the big screen with sequels but in 2014 Marvel Studios is preparing to take some of their biggest risks yet bringing less-known characters Ant-Man and Guardians Of The Galaxy to the big screen. This will all lead up to us assembling once again for the sequel to The Avengers in 2015. And it seems Marvel Studios success has shown another studio that a massive superhero ensemble movie can be done and done well.

Next year you will also believe a man can fly again when Zack Snyder brings Superman back to the big screen with Man Of Steel. This will be Superman’s first film since 2006’s not-so-critically acclaimed Superman Returns. This is reported to be DC’s first step to establishing their own connected universe much like Marvel has done with upcoming plans for a Justice League film to hit screens in the coming years.

And while the credits may be rolling on this article we all know by now that doesn’t always mean that it’s over. Stick around because there’s sure to be something else…

To say fans were excited and lost their mind about the appearance of Thanos in Marvel’s The Avengers would be quite an understatement. Even since that scene fans have wondered when we would see the character again.  It was recently confirmed that the mad titan would be appearing again in James Gunn’s Guardians Of The Galaxy and Feige reveals that there are plans that have been set in stone for the character in the future.  MTV recently chatted with the man Marvel Studios Kevin Fiege, and discussed the future of The Avengers big mid-credits surprise.Feige stated:

“There’s a great track record now about lobbing something in at the last moment to get the audience buzzing. Particularly when it came to Thanos, [we knew] that most people in that audience had no idea who that purple guy was — but they could clearly tell he was important, and knew if they asked the two or three people sitting next to them, somebody would know who he was.

Clearly, there’s a purpose to us putting him in the end of that movie. We do have plans for him. I wouldn’t say we ever feel the need to rush anything one way or the other. We succeeded in Phase One because we stuck to our guns and stuck to the plan. That plan took place over many, many years and it ultimately paid off. I see Phase Two unfolding in the same way of us taking our time, us doing what’s right for each individual movie, while folding in elements that will not only build up to the culmination of Phase Two, but even Phase Three.”

Actor Damion Poiter was the man behind Thanos first outing on the big screen but we can most likely expect another actor to play the mad titan in the future. Fiege commented on that briefly:

“I think we feel pretty free to recast. That was cast for literally that one shot. Depending on what the role requires from future movies, we’ll go from there.”

“Suddenly, you have a million people who had never heard of an Infinity Gauntlet or a Mad Titan learning those terms. I love that. I love when the experience goes beyond the movie theater and encourages people to look deeper into our universe. I was equally excited by the notion that people went out and tried shawarma for the first time.”

Pretty sure we all tried shawarma after. Actually, I now even have a place that I go get shawarma. Are you guys ready for Phase Two? And who would you guys like to see play Thanos in the future of the Marvel Cinematic Universe?

Marvel Studios is taking a major risk with one of their “phase two” movies set for 2014 with the less known property Guardians Of The Galaxy. The upcoming “space epic” is planned to introduce audiences to a much larger Marvel Universe. With Guardians Of The Galaxy set to to lead directly into the sequel to The Avengers, one could only assume that Joss Whedon knows what is going on with that movie. Oh, and let’s not forget that Marvel Studios tapped James Gunn, a friend of Whedon’s, to direct the 2014 film. While speaking with MTV News about his take on Shakespeare’s Much Ado About Nothing, Whedon  shared with MTV News what he thinks about Gunn’s direction so far.

“James is what makes me think it will work. I myself was sort of like, ‘Well, I liked Rocket Raccoon as a kid, but I’m not sure how that plays [to a wider audience].’ And then they said, ‘Well, we’re thinking about using James Gunn.’ And I said, ‘Oh, then no, you’re fine.’ He is so off the wall, and so crazy, but so smart, such a craftsman and he builds from his heart. He loves the raccoon. Needs the raccoon. This is the guy who wrote ‘The Specials.’ People don’t understand how influential that movie was about heroes, about taking heroes and making them mundane. And [he directed] ‘Super.’ Gunn has barely started, but already has a very twisted take on it, but it all comes from a real love for the material. It’s going to be hard for the humans to keep up,” said Whedon. “I know he’s going to come from left field and I’m going to go, ‘What?’ And then, ‘Of course, why didn’t I think of that?’ And then I’m going to beat him!”

Well, it appears that the lawsuit surrounding The Marvel Cinematic Universe Phase One: Avengers Assembled Blu-ray box set has caused the release to be delayed until spring 2013. The collection was previously scheduled for release on September 25, 2012 and no specific date has been announced on when it will be actually released.

German luggage manufacturer Rimowa GmbH is claiming that their Topas attaché case, used by Nick Fury in the movie was reproduced outside of the terms of their agreement with the studio. They’re currently suing for trademark infringement, trademark dilution, unfair competition, and basically just saying essentially that Marvel is counterfeiting their case. he set, which includes a glowing replica of the Tesseract, is now being redesigned.

What will happen to the discarded plastic briefcases and what the new version of the set will look like is currently also unknown. Well, I know some people that are about to punch a hole in their wall.

Source: Entertainment Weekly

So, over the course of time from Iron Man up until The Avengers, we’ve seen Robert Downey Jr. as Tony Stark go through seven different Iron Man armors. This year at San Diego Comic-Con we saw a new armor that inverted the red-gold color scheme, and most people had assumed this was the Mark VIII armor. Well, turns out we all may have been quite wrong.

[Warning: Possible spoilers lie ahead!]

According to Latino Review (who tend to be quite reliable with Marvel Studios news), The Mandarin’s (Ben Kingsley) Extremis goons are going to be too powerful for Stark solo.

The Extremis-enhanced bad guys under direction of Ben Kingsley’s Mandarin villain are going to be too much for Tony to handle on his own, so he thinks ahead, thinks big and has a plan. Tony’s about to go out and fight some bad guys when he mentions the Mark XLVII to Pepper Potts. Pepper asks what happened to the other forty and Tony just smiles.
From the cockpit of Mark XLVII Tony is able to control multiple armors in battle. We over here at LR have been vaguely aware of an action scene where Tony was going to control multiple Iron Man suits (presumably they look similar to distract his enemies as to the location of kill-able Iron Man Prime), but the number 40 seems…awesome. 40 Iron Men.

This is definitely no far-fetched idea due to Tony Stark has sent out controlled armors in the comics before. Could this be one fantastically visual spectacle along the lines of the final battle in The Avengers or another high hopes that fizzled battle such as Iron Man 2? Honestly, I think this movie is going big. Marvel Studios has had to have taken note of the fans disappointments in the last chapter in the franchise and would not be stupid enough to repeat it again. So, what are your thoughts on this one?

So Labor Day is upon us, which means that for all intents and purposes, summer is over. Believe me, writing that is weird, because as I write this it is something like 80+ degrees outside. But weather aside, as far as Hollywood is concerned, the major summer movie blockbuster season was over with the release of The Expendables a couple weeks back. And I think it can now be made official: summer 2012 was THE summer of the super hero.

In the final box office tally of summer 2012, the three biggest movies were all comic book super hero movies. Avengers is the third biggest movie domestically of all time, destroying even the most ambitious of expectations. Worldwide, it made a billion and a half dollars. The Dark Knight Rises ended Christopher Nolan’s Batman trilogy with dignity intact, and is currently on track to be the number seven film released domestically of all time, also with a billion dollars made worldwide. And oh yeah…at #3 this year is the red headed step child of the summer, The Amazing Spider-Man, which despite its detractors, went on to make  $260 million domestic, and nearly $800 million worldwide. True, actual ticket sales are at their lowest in twenty years, but the success of these three mega hits in a summer filled with misses shows that even in the toughest movie going market, one can almost always count on the nerd dollar. A lot of people have been wondering when the comic book movie boom would end. Detractors have been saying “any minute” for what seems like years now. But looking at the box office tallies of this summer, it is pretty clear the American public is anything but sick of super heroes.

Going into Summer 2012, a lot of people were saying this would be the peak of the comic book movie juggernaut that has been with us since Summer 2000, when Bryan Singer’s X-Men started the modern super hero movie ball rolling in earnest. But was this past summer the peak of this phenomenon, or is this  just the begining of the second phase, leading not only to Avengers 2 in 2015, but also Warner Brother’s response to the Avengers in the form of Justice League?  Sure, a Justice League movie has been rumored for years now, and even once almost happened. But that was before Avengers made over a billion dollars at the box office; now Warner Brothers has to respond to Marvel’s success with their own super hero mega group flick. Warners has apparently approached directors from Ben Affeck to David Yates to the Wachowskis in a desperate effort to have this puppy ready by Summer 2015. It is a safe bet to assume that this time, when it comes to the League, they’re serious. On top of all that, based on how the last two summers have played out, not to mention how the next two summers are set to roll out, There will almost certainly be another super hero film that year, although the real question is who will dare to take on the JLA AND the Avengers in Summer 2015?

The ultimate super hero box office battle is set to take place in three years, when the Avengers take on the Justice League. Who would have thought THAT would ever happen?

Although there are plenty of comic book and super hero movies scheduled for next Summer as well as 2014, none are as likely to be as huge as an Avengers sequel or a Justice League movie. Right now, the sequel to the Avengers is maybe the most anticipated sequel since maybe The Empire Strikes Back. And even though there hasn’t been the same lead up, Justice League is at least as anticipated as the first Avengers was, as a JLA movie not only teams up Superman and Batman for the first time in live action, but also introduces live action versions of the Flash, Aquaman and Wonder Woman. While it is a safe bet that almost all of the super hero flicks coming over the next two Summer seasons will do well (only Guardians of the Galaxy is the real question mark) none are going to have the epic must-see feel of either of these potential 2015 movies. Add to that a potential third super hero flick into the mix that summer, and summer 2015 is set to dwarf summer 2012 in a big way. If there is a super hero movie peak, it is likely at least three years away still.

Avengers 2, The Justice League, and…..?

It is fair to say we can make a solid, educated guess on what the third super hero movie of summer 2015 won’t be, by process of elimination. Iron Man 3, The Wolverine, and Man of Steel are coming out next Summer, 2013, with Thor: The Dark World following that winter. So it is highly unlikely any sequel to those movies are coming out as soon as 2015, especially with both Thor and Iron Man presumably starring in Avengers 2. Same logic applies to Superman in  a JLA movie, that squashes his chances even more of having another solo film that summer. Summer 2014 has sequels to The Amazing Spider-Man, Captain America: The Winter Soldier and X-Men: Days of Future Past. So forget any X-Men movies in 2015 to go head to head with the Avengers or the JLA, and no Spidey or Cap sequels will follow that fast. Also, according to every reliable source, DC/Warners won’t have another super hero property out after Man of Steel until 2015, when Justice League is set to hit. In all likelihood, the third comic book property that summer will be a Marvel one, with one other notable possibility. But what? Who will be the third super hero movie to go toe to toe with the Avengers and the JLA? Here are my best guesses on who will likely complete the ultimate super hero movie summer three years from now.

Option #1: Daredevil

Fox is  just about to give up their rights to the Daredevil franchise to Marvel Studios/Disney. A grittier, more realistic take on a super hero might fill in the void left over from the end of the Christopher Nolan Batman movies, as the Batman in a Justice League flick will definitely be different. With Daredevil, It’s still a super hero movie, but it would be as dramatically different from Avengers and JLA as humanly possible, and not feel like direct competion. I’d say this difference gives Daredevil the best shot.

Option #2: The Fantastic Four

While Fox was willing to let the Daredevil rights go back to Marvel, it his highly unlikey that they will allow Marvel’s First Family to go anywhere anytime soon. We know they have a reboot of that franchise coming soon, with Chronicle’s Josh Trank at the helm, but will they dare to compete with both the Avengers and the Justice League? It is a 50/50 proposition really; an FF movie could benifit from super team mania that summer, or it could just get crushed between those two giants. I suppose it would ultimately depend on how good it is. It would amazing in a way if three of the four longest running super teams being published made it to movie theaters all in one summer. The twelve year old version of me’s head might explode.

Option #3: Dr. Strange

Marvel Studios has been teasing a Dr. Strange film for a while now, and it seemed the front runner for their 2014 movie until Guardians of the Galaxy took that slot. With Guardians, Marvel is going knee deep into outer space territory, and it seems after that the world of magic is the next logical step. Dr Strange could tie in somewhat to the overall Marvel Movie universe, while still being tangential to the greater Avengers story. Dr Strange, along with Ant-Man, are the last two Stan Lee created major Marvel properties from the 60’s who haven’t yet had a movie. I’d like to see the old man get his cameo.

 

Option #4: Teenage Mutant Ninja Turtles

Although the TMNT reboot was scheduled to be released in early 2014, the script review that leaked recently was so scathingly negative as to probably make producer Michael Bay reconsider the direction they are going in and push that movie back, maybe as far as summer 2015. Even though the Ninja Turtles are a super hero team of a sort, there is no chance anyone would ever confuse them with the Avengers or the JLA. They could carve their own little niche that summer.

 

There will be plenty of geek speculation for the next three years as to how summer 2015 will turn out, and there will be plenty of comic book films from now till then to keep us all excited (not to mention NON comic book films….I hear they still make those) But all eyes are on summer 2015, and after that….then maybe we can talk about whether super hero movies have peaked or not. In the meantime, let the speculation continue.

Earlier today it was announced that Marvel Studios would be re-releasing The Avengers into theaters for one week. But something stood out and lingered in my head throughout the day. When they made the announcement they released this image:

And with the image they stated:

Marvel’s The Avengers is back in theaters for Labor Day Weekend!

Don’t forget to stay through the credits…

Now obviously by now we’ve all stayed through the credits and we’ve seen both the Thanos scene as well as the shawarma scene. One does not simply leave a Marvel movie during the credits!

So, why make it a point to state that and already show the picture of Thanos? Could they be attaching an Iron Man 3 teaser with the re-release? They do already have the footage that they screened at Comic-Con and trust me when I tell you that it looks great. That alone would be a way to pack theaters once again.

Just earlier this month a trailer description leaked out online indicating that indeed a trailer was prepared for the upcoming movie. Another thing to note is that MovieFest attendees in Dublin, Ireland will be treated to some exclusive Iron Man 3 footage on the weekend after Labor Day. This could just be the Comic-Con footage being shown in Ireland for the first time, but could very well indicate that Disney prepared footage for a trailer for the re-release which is only taking place stateside and then decided MovieFest would be another good opportunity to show it.

Guess we are going to have to wait until tomorrow to find out!

When it was announced that Joss Whedon would be returning to write and direct the sequel to The Avengers and had signed a three-year exclusive contract….well, saying that fans were pleased would be an understatement. And just days ago it was announced that Whedon would be directing and co-writing the pilot for Marvel Studios upcoming live-action television series, S.H.I.E.L.D. Whedon recently chatted with Vulture and talked about his contract with Marvel Studios, directing the sequel to The Avengers and the S.H.I.E.L.D. pilot.

When asked if it had sunk in yet just how just how huge The Avengers went on to become:

It never really has, but when it does, I’m going to become such an enormous dick. [Laughs.] I’m going to have a personal dog polisher and the biggest posse ever. I’m going to be insufferable — well, I mean more insufferable than I already am. You know, at some point, the numbers become meaningless. They’re large, and you can’t really count that high. I felt like I had a particular mission in making what I felt was a slightly old-fashioned movie, because I grew up wanting to make summer movies and wanting to make superhero movies, and I got to do both at once. I felt like summer movies haven’t been what I remember them to be, so I felt like I would love to evoke something that’s less hip and ironic and more heartfelt and character-driven, and apparently, other people cared about that in a large way.
I don’t think it’s a perfect movie. I don’t even think it’s a great movie. I think it’s a great time, and I’m proud of it, but for me, what was exciting is that people don’t go to see a movie that many times unless it’s pulling on something from within, unless there’s a need there. That’s very gratifying.

Regarding his hesitation to helm the sequel to The Avengers and what he will be doing during his time with Marvel Studios:

It was part of what made it attractive to me. I loved the idea of being a consigliere. Every writer loves the idea of being able to go in and fix a problem and then leave without obligation. It’s fun! I also love these characters and the Marvel universe, and I grew up reading the books, and I’ve been going back and reading the old books and realizing that they shaped my storytelling way more than I give them credit for. Now I’m starting up a TV show, which is something I really wanted to do, but I thought it wasn’t going to be a part of my life for the next several years. It’s like a tapas menus of projects that excite me, in addition to the Avengers sequel, which I’m excited for because I’m incredibly excited about the next story that I’m going to tell. For me, it’s a huge win.

It is unbelievably daunting, especially because I don’t want to lose sight of all the other things I have on my docket and in my heart. So, it’s going to be an insane few years, but I feel ready for that. It’s an unholy amount of productivity, but as long as I give it all I can, it’s a good thing. What’s great is that the deal with Marvel is nonspecific, so I will give all I can, but the moment I can’t, I just walk away. The moment I say, “You know, I’d like to help more on this project, but I need this time for The Avengers,” there’s no obligation. It’s not like, “You must spend this amount of time on this movie.” It’s as much as it needs to be.

Discussing the recently green-lit S.H.I.E.L.D. TV pilot:

You know, I can’t guarantee that any of that will happen! But so far, it feels just fine. The important thing to me is that we know what the show is. We love what it is. It came together very organically, so when we went in to pitch [to Marvel], it wasn’t like, We’re trying to find this because you want a TV show, it was, Check this out. And that’s a good way to walk in a room.

Good support is wonderful, but it’s not a hill of beans, because they may give us all this support and then decide, “Eh. Yeah, it’s Friday.” They might give us all the support and then not do that, but then audiences might go, “Yeahhh … no.” You just can’t be sure. What I do know is that it’s the show it should be, and we’ve got some really dope notions. It’s going to work very well for people who either love the Marvel universe or for people who’ve never dipped a toe in the Marvel universe.

Reading this interview alone tells you why Joss Whedon is the perfect man for this job. I can’t wait to see what he brings to the table for the future of Marvel Studios. The currently untitled sequel to The Avengers is scheduled to hit theaters May 1, 2015.

Marvel Studios has revealed via their Facebook page for the superhero epic and box office smash hit, The Avengers that the movie will be returning theaters this Labor Day Weekend! Starting tomorrow up until the 6th of September you will be able to once again assemble in theaters. The studio released a high-resolution still of Thanos to get fans even more hyped to see it again. Will you be assembling once more this weekend before you pick up the movie on DVD or Blu-Ray on September 25th?

Just hours ago news broke that ABC has green lit the live-action TV series based on Marvel’s peacekeeping organization, S.H.I.E.L.D. and now the first details have been revealed straight from the mouth of the pilot’s co-writer & director Joss Whedon. Variety snagged a quote from Whedon earlier today:

“The storyline for the proposed series will be largely “autonomous” from the “Avengers” sequel feature. The series will revolve around the activities of the SHIELD org governing body for the superheroes featured in  The Avengers.”

As we reported earlier, Whedon will be directing the pilot as well as writing alongside his brother, Jed Whedon & his wife Maurissa Tancharoen. There is a high possibility we could see many of the cast of the Marvel One-Shot Item 47, which included Jesse Bradford and Lizzy CaplanMaximiliano Hernández, Titus Welliver, as possible recurring cast members. And let’s cross our fingers for an Agent Coulson cameo/flashback…or two.

Source: Variety

Marvel’s The Avengers is coming to Blu-ray and DVD next month and Entertainment Weekly has debuted a deleted scene from the superhero epic! This scene features an extended interaction between Mark Ruffalo’s Bruce Banner, post going Hulk mode on the helicarrier, and Harry Dean Stanton’s Security Guard. Even though Harry Dean Stanton’s cameo in the film was very quick it seems that more footage was shot but left on the cutting room floor. Check it out below.

Marvel Studios is currently searching for a female lead in the upcoming sequel to Captain America: The First Avenger. The New York Daily News is reporting that Marvel is looking at Anna Kendrick (50/50), Imogen Poots (Fright Night) and Felicity Jones (Like Crazy) for the female lead in the upcoming Captain America: The Winter Soldier.

So, what role will they filling? That is currently unknown but many are speculating that it could be S.H.I.E.L.D. agent Sharon Carter, the niece of Peggy Carter, who we saw played by Hayley Atwell in the first movie. Take this with a grain of salt though right now because as stated it is just speculation at the moment. All three are great choices but I have to lean towards either Anna Kendrick or Felicity Jones myself with Jones being my top choice after seeing her performance in Like Crazy. So, who would you want to see?

Captain America: The Winter Soldier is set to hit theaters April 4th, 2014.

After his demise in Marvel’s The Avengers tons of speculation began floating around if we would see the return of fan-favorite Agent Coulson (Clark Gregg) in the future. One of the most popular rumors was that maybe he could return as another fan-favorite character The Vision. Well, one fan over at TheRPF forums has sculpted out his “vision” for us to check out. And by my bad pun I definitely mean he made a sculpt of Clark Gregg as The Vision. There will be no more bad puns in this article I promise you.

So, what do you guys think? Would you like Clark Gregg to return as The Vision or would you prefer Agent Coulson to stay on the R.I.P. list?

It’s now official, Avengers 2 WILL assemble once again on May 1st, 2015. This is the date fellow writer Shawn speculated last week! Can he see the future?!

Joss Whedon will write and direct the sequel to the massive success that is The Avengers.

The sequel will be the culmination of Marvel’s ‘Phase Two’ films that begins with Iron Man 3 on May 3, 2013. That will be followed by Thor: The Dark World (November 8th, 3013), Captain America: The Winter Solider (April 4th, 2014), Guardians of The Galaxy (August 1st, 2014). Ant-Man, which still have no official start date nor a release date is also speculated to be released in 2014.

It’s a great time to be a Marvel fan! Stay tuned to Geekscape as we’ll bring you the latest updates on all the ‘Phase Two’ slate of movies as well as all your geek-related news. Excelsior!

Remember that guy who directed The Avengers? Well, he has a message for all of you guys out there.

 

So, basically Joss does(n’t) want you to see this movie that was written, directed and starring comic Mike Birbiglia. Sleepwalk With Me is based on Birbiglia’s own life experiences and his one-man show, book and album of the same name. And just like the character in the film, Birbiglia suffers from REM behavior disorder, which makes him prone to active bouts of sleepwalking. One such case that almost endangered his life. And we want you to check out the trailer for it below.

Sorry Joss but we may just have to check this one out! Sleepwalk With Me will be released in select theaters on Aug. 24th.

PS: If you didn’t get it. It was a joke. He wants you to go see the movie. So do it!

[via Bleeding Cool]

Pretty much right after the news broke that Joss Whedon will be helming and scripting the highly anticipated re-assembly of Marvel’s The Avengers, Marvel Studios issued a statement detailing his contract. In doing this they just may have revealed when we will see the team assemble next. And apparently an “insider” at MTV News backs this up:

“Marvel has a very set agenda of what they want to do, they are already kind of ahead of the game [on the sequel] because they’ve got the guy that did it before doing it again and something tells me Joss already has the template [for the film],” an inside source told MTV News. “In terms of the time frame, I think that it is well in the works. … It looks like the release date might be May 1, 2015, but that can change depending on people’s schedules.”

I mean if you look at the studios upcoming slate of movies, the 1st of May in 2015 seems a pretty damn obvious, especially considering Whedon’s contract and “creative contribution” ends in June of 2015. It would also follow Marvel Studios trend of releasing their big films towards the start of May just like they did with Iron Man, Iron Man 2 (which was the last week of April), The Avengers AND the upcoming Iron Man 3.

Well, after yesterdays announcement that Joss Whedon would return to write and direct the sequel to The Avengers it looks like Warner Bros/DC may be getting ready to make their own big reveal. It appears that DC may be announcing a director soon for Justice Leauge and according to Variety, it seems that they already have someone that they are eyeing. And that someone is Ben Affleck.

Since guiding WB’s “The Town” to commercial success and critical acclaim from both sides of the camera, Affleck has ascended high on the studio’s list of filmmakers who can be trusted with prime properties. Thus far, Affleck is the only candidate who’s been sent Will Beall’s “Justice League” script, which the “Gangster Squad” scribe was hired to write last summer.

Warner Bros. could be working to move this project forward in order to get it out by 2015 in time to compete with the sequel to The Avengers. Especially with Man Of Steel rumored to start a shared DC Universe next year. The one big hesitation for Affleck here is that Justice League would put him out of circulation as a director for a few years. Affleck is not a shoe in for the job at  this point though yet. One of the sticking points to him directing the film is that he wants to be a part of the cast. He is expected to meet with Warner Brothers  executives in the coming days. This definitely wouldn’t be the first time a studio picked a director out of left field to handle a huge blockbuster comic book adaptation. Do I need to remind you about Christopher Nolan, Jon Favreau and Marc Webb?

So aside from the uber awesome geektastic news that Joss Whedon is returning for Avengers 2, Disney also released the news that Whedon would be helping to develop a live action television series for Disney/ABC set in the Marvel Studios Movie-verse. Considering Whedon’s fairly awesome track record with producing quality genre shows, this is just about as good of news as the Avengers 2 announcement, at least to this geek. While Whedon would probably be too busy to be day to day on a new series, and do much apart from help develop it and (maybe) direct the pilot, no doubt his stamp would be felt on the show due to the writing staff he would bring in, as well as other considerations.

So that begs the question….just what Marvel characters would be ripe for exploitation on the small screen? You can forget about any of the Marvel A-listers, and even some of the B-listers like Iron Fist and Black Panther who have potential movies in development. The following are characters/concepts that are not only very unlikely to ever get their own movies, but are right within Joss Whedon’s wheelhouse as a writer and producer.

#5. Avengers Academy

No one does ensemble shows quite like Joss Whedon, and no one does shows about teenagers and younger people with special abilities taking on adult responsibilities better than Whedon either. Now that the Avengers has been established, how about a series where future wanna be heroes can train to be big time Avengers one day? The show can just use the title of the current comic as simply a jumping off point, and the characters from the current comics aren’t neccessarily needed. If he wanted, Joss can just do teenage or early twentysomething versions of some of his favorite B- list Marvel heroes, the kind that you know would never make it into a proper Avengers movie. Maybe take some Avengers no one cares about (I’m lookin at you, Sersi and Quasar) and just run with ’em. The one drawback to this concept is that Disney/Marvel might not want to oversaturate the name/concept of Avengers and make it seem less special by using it in a weekly televsion show. But if anyone can make it happen, it would be Joss Whedon.

#4. S.H.I.E.L.D

I would say that S.H.I.E.L.D is the obvious choice for an ongoing live action television series set in the Marvel movie universe, due to the fact that the covert agency played a part in all the films since the first Iron Man. In fact, it may be a little too obvious, which is why it is closer to the bottom of this list. But still….a S.H.I.E.L.D series would be like a lot like Alias or Mission Impossible, but set in a world where there are super heroes and villains in it, as well as magic and aliens as well. The most recent comic book version of S.H.I.E.L.D has the entire concept of the organization going back hundreds of years to the time of Leonardo da Vinci, and that might make for an interesting series that could span several seasons if done right.

#3. Spider-Woman

There is almost no one out there, especially no one with a Y chromosome anyway, that can write realistic and nuanced female action heroes quite like Joss Whedon. Obviously Buffy the Vampire Slayer is the most famous example, but also Black Widow in the Avengers would have just been “the hot chick” in the group under someone else’s direction, but under Whedon’s auspices she was maybe the most interesting and nuanced character on the team.

Which is why I think that Spider-Woman could be the perfect choice for a Whedon helmed series. As a character, Jessica Drew is damaged and with a strange past that she can’t make heads or tails of (think Dollhouse, only better) and she has a unique origin story to boot. On top of all that, the character has serious ties to S.H.I.E.L.D and Nick Fury (sweeps week cameo from Sam Jackson!) Because Jessica Drew isn’t as famous as other Marvel heroes, her supporting cast and roster of villains are more of an open book for Whedon to play without pissing off a huge fanbase of angry geeks. Lastly, she has a visually striking costume and overall look, and it’s time that television gave us a super hero who wore a costume and made it work, and didn’t shy away from that aspect like Smallville did for ten years.

#2. Damage Control

Originally created by the late, great Dwayne McDuffie as kind of as a sitcom set in the Marvel Universe, Damage Control is the company that cleans up the massive city wide damage done whenever super heroes battle super villains. I mean, somebody has gotta clean that shit up, right? First appearing in a series of mini series in the late 80’s and early 90’s, the characters kept popping back up in the Marvel Universe over the years, usually during some big event like Civil War that has a lot of collateral damage done to poor old Manhattan. The company has ties to both Tony Stark and S.H.I.E.L.D, which makes them fit in perfectly in the Marvel Movie verse. The lighter, jokier tone would fit in perfect with Joss Whedon’s sensibilities as well, and the fact that not many people are familiar with the comic means they have all but a blank slate to use; they can use the name and concept but create all new characters. This one is a bit of a no brainer.

#1.She-Hulk

Ok, I’d say it is pretty well established among geekdom how good Whedon is with strong female characters. Well, Marvel has one of the strongest female heroes out there already with Jennifer Walters, otherwise known as the Sensational She Hulk. For the last few decades, Bruce Banner’s less angry cousin the She-Hulk has been played as a quippy, off the cuff character by creators from John Byrne to Peter David and most recently Dan Slott. Jennifer Walters in the comics is a gamma powered lawyer who deals in court cases that deal strictly with super heroes and super villains and other strange phenomenon. Whedon kind of already has experience with the idea of lawyers who only handle otherworldly cases on his show Angel, which frequently featured the demonic law firm of Wolfram & Hart. Plus, She-Hulk by her very nature ties into the Hulk, who already stole the show in the Avengers movie and is a much beloved character. I know that Marvel Studios and Guillermo del Toro are planning an Incredible Hulk tv reboot, but I think this is an even better idea. Not to mention, getting a tall built actress and painting her green is a lot easier and cheaper than a CGI monster week in and week out.