After a series of dozens of tiny, creepy teasers that had nothing to do with the actual show, FX recently released a longer (though still only one minute) teaser showing just what’s to come in the upcoming season.

I can’t wait for the premiere. I was definitely a fan of the flawed, yet extremely entertaining first season. Whatever this year has to offer, it looks as though we’re at least going to get some fantastic performances.

American Horror Story: Asylum premieres in just nine days (October 17th)

“I hope you don’t mind if I don’t use anaesthetic” is a line that has stuck with me since first watching this. I can’t wait to see what this season (set long in the past) has to offer!

Telltale has just announced that the fourth (and penultimate) chapter of The Walking Dead will be releasing this week.

The episode will drop TOMORROW on PSN, and the next day on Xbox, OS X, and PC. This doesn’t leave me much time to prepare!

This is the second time that Telltale has done this, and I think it’s a fantastic way to garner excitement. The previous episode had no announcement until it was already available, meaning when I saw it, I said “OH SHIT” instead of “Oh cool, just a few more weeks”.

Here at Geekscape we could not be more in love with the series. Jonathan has called it his favourite iteration of The Walking Dead, and I’ve gone to say that it’s my absolute favourite piece of zombie fiction (which I still stand by, no other title has made me feel the way this one does).

If you haven’t played the game yet, what are you waiting for?

Silent Hill: Revelation is fast approaching! The title is set to release on October 26th, and it seems as though marketing is now in full gear.

On Tuesday we showed you a fantastic looking international poster for the film. Todays poster release is a little more conventional, and a little scarier too. This one features the series’ iconic nurse character in her full bloody outfit, no faced attire.

Check it out below, and let us know what you think!

Source: FearNet

Check out the first trailer for Rob Zombie’s Lords Of Salem. Zombie’s newest horror flick revolves around the city of Salem, Massachusetts being visited by a coven of ancient witches. Many who have already seen the film are saying it’s actually his best work to date. It’s said to star Zombie’s wife, Sheri Moon Zombie, Bruce Davison, Jeff Daniel Phillips and many more. Definitely a creepy as hell teaser for the flick.

Heidi, a radio station DJ, receives a wooden box containing a record. Heidi listens and the bizarre sounds within the grooves immediately trigger flashbacks of Salem’s violent past. Is Heidi going mad or are the Lords of Salem returning for revenge on modern day Salem?

No release date has been set yet.

I’m really looking forward to the upcoming second season of American Horror Story (subtitled Asylum). The first season had it’s flaws, but overall was an excellently serialized account of a broken family and a haunted house.

Season one wrapped up so nicely that for some time I wonder how it would be continued. I was delightfully surprised when it was announced that each subsequent season of the series would be its own stand alone story. This makes the series extremely welcoming to newcomers, and its nice to see a chapter wrapped up because it should be, not simply continued for the sake of producing more.

Another very cool aspect is the fact that much of the cast from season one are returning as different characters, last year had a lot of great performances, and its nice to know we’ll be getting the same quality this year!

Check out the teaser for the upcoming season below! I know I’ll be checking into this asylum, how about you?

American Horror Story: Asylum premieres on October 17th on FX.

October is here and that means that it’s time for horror movies to hit theaters. While there will be plenty of movies to see, Scott Derrickson and C. Robert Cargill’s Sinister may actually be one you want to check out. Sinister is by no means a revolutionary horror flick, but it’s definitely a solid and well made movie as well a slight breath of fresh air in the horror genre which has become generic and stale these days.

Ellison Oswald (Ethan Hawke) is a true crime writer who has had one big hit book that was followed by two subsequent failures. He moves his family into the house of a murdered family to research his latest book, and of course being that it’s a horror movie, some not-so-normal events begin to occup as he discovers the true details behind the crime. Oswald  discovers an old box of 8mm film in the loft, but there’s more to these films than we know.

Sinister actually kind of takes a new twist on the now overly played out found-footage device that has become popular among horror flicks. But rather than follow the same formula, Derrickson and co-writer Cargill mix it into a classic thriller style flick to scare you in unexpected ways. Rather than attempt to scare you with visuals they favor a more bump-in-the-night style approach. The scariest things about Sinister are not what see you but rather what you don’t actually see. Well, minus that creepy as fuck opening sequence.

The highlight of this movie is Ethan Hawke’s fantastic performance which will be the only one you remember. And even though his character is constantly putting his family in danger you remain sympathetic in spite of it. The rest of the cast is pretty forgettable and the chemistry between Hawke and Juliet Rylance, who plays Oswald’s wife, just isn’t there on her side. It’s good to see Hawke in more films because his performances are usually really enjoyable. Yes, even in Daybreakers.

Scott Derrickson does a fantastic job directing on this film. The movie doesn’t feel cramped, while we never actually leave a handful of rooms. The first half of Sinister is kind of takes it slow in order for us to get more familiar with Ellison and really grasp on to what he’s uncovering. But the lingering and creepy feelings do end up delivering with real scares and action in the second half of the film. The film does have it’s share of stupid moments that may make you scratch your head for a moment. But when it comes down to it, honestly, what horror movie doesn’t?

Sinister is by no means a big game changer and it doesn’t try to be. However, it is definitely a chilling and compelling date night flick and definitely possesses the same entertainment value as any of the big budget competition in the genre. This movie is sure to make it on to many peoples guilty pleasure lists.

Rating: 3.5/5

Last week, MachinimaFlixist and Geekscape grouped up to hold an awesome (and awesomely successful) advanced screening of the upcoming horror Sinister. It was a ton of fun (or so I hear, I’m stuck up here in Canada), and an awesome experience for everyone involved.

Apologies to those who wanted to go but couldn’t! The screening turned out far more successful than we could have imagined: as we let you know previously, we actually had to ask for a bigger venue as we sold out the original so fast.

If you missed the screening, you’ll get a shot to see Sinister when it releases on October 12th. The film is said to be one of the scariest of the year, and currently holds 100% on RottenTomatoes. I know I’ll be lining up!

We managed to grab a few photo’s at the screening (just a few, in all our excitement we forgot that our phones also double as cameras). Also take a look at the exclusive poster that was created for the screening!

Folks lining up long before the film.
Huge lineup! A little bit closer now!
Sinister‘s director Scott Derrickson was there! Here he signs posters before the show.
The exclusive poster, created just for the screening!

Did you make it to the show? What did you think!?

Thanks again to all who made the screening such a success!

A few weeks ago we showed you the trailer for Barry Levinson’s (Bugsy, Rain Man) upcoming found footage title The Bay. 

The film looks terrifying and absolutely fantastic. This new clip is no exception, and really showcases (realistically I might add) just how unlikely humanity typically can be to help someone in need.

Check out the new clip below and get excited, this should be great.

The Bay hits theatres (and VOD) on November 2nd.

Need a plot refresher? Here’s the synopsis:

The quaint seaside town of Chesapeake Bay thrives on water; it is the lifeblood of the community. When two biological researchers from France find a staggering level of toxicity in the water, they attempt to alert the mayor, but he refuses to create a panic in the docile town. As a result, a deadly plague is unleashed, turning the people of Chesapeake Bay into hosts for a mutant breed of parasites that take control of their minds, and eventually their bodies. A brutal and harrowing creature feature for the 21st century, THE BAY chronicles the descent of a small town into absolute terror.

Just 17 more days until season 3 of AMC’s The Walking Dead will hit your television!

Seems as though most folks are excited enough as is, but here’s a new TV spot to get you a little more riled up!

Again, season 3 premieres on October 14, and it should be pretty interesting to see what this gang does when it heads to prison!

Season three also looks a lot more interesting than the second, which I honestly had a hard time getting through. How about a new episode of your version Telltale!?

A few days ago the first trailer for The Collection hit the net (spoiler: creepy as hell. Check it out here). Looks like LD Entertainment is ramping up promotion, as today they released the first poster for the upcoming film.

What do you think of it? Were you a fan of the first film? I haven’t seen it myself, but I’ll definitely be checking it out before this one releases!

The Collection is in theatres November 30th.

Need a refresher on the plot? Here’s the synopsis:

When Elena’s (Emma Fitzpatrick) friends take her to a secret party at an undisclosed location, she never imagined she would become the latest victim of The Collector, a psychopathic killer. The Collector kidnaps and transports her to an abandoned hotel he’s transformed into his own private maze of torture and death. Upon learning of his daughter’s disappearance, Elena’s wealthy father (Christopher McDonald) hires a group of mercenaries to retrieve her from the vicious grips of The Collector. These mercenaries coerce Arkin (Josh Stewart), the only man to have escaped the wrath of this heinous monster, to lead them through the gruesome labyrinth. Now, Arkin finds himself fighting for his own life in order to save Elena. “The Collection,” directed by Marcus Dunstan and written by Dunstan and Patrick Melton, is a suspense horror film with nonstop thrills at every turn, starring Josh Stewart (The Dark Knight Rises), Emma Fitzpatrick (The Social Network), and Christopher McDonald (Requiem for a Dream).

I’ve always found the Paranormal Activity franchise to be very intriguing. Oren Peli’s directorial debut felt like a breath of fresh air in the tired genre. The film felt raw and real, and was a genuinely terrifying experience.

It seems like now there is a new (typically bad) found footage title every few weeks unfortunately, and the film that I felt reinvigorated the genre is likely solely responsible for this.

I have also really enjoyed the Paranormal Activity sequels to this point. While not fully maintaining the fresh feeling of the original, the films are so well tied together that the series really needs to be watched as a whole, and feels much stronger that way. I was especially impressed and surprised with the plot of the second film, beginning long before the events of the first, and following through until right after.

The series is turning into a yearly event from Paramount (and why not, the films are inexpensive to make and have a fantastic return). October is approaching, and so is the series’ fourth instalment. I just hope the series can stay away from Saw syndrome, where a very cool and scary idea turned into a joke.

Paranormal Activity 4 hits theatres on October 19. Check out the newest trailer and let us know what you think!

I’m not quite sold on this one yet. From the trailer it doesn’t present the insanely tense atmosphere that some of the previous titles have. I guess I’ll find out in October! If it’s horrible, at least we’ve got The Bay to look forward to.

Dead Space is a fantastic series. I picked up the first title from a bargain bin not knowing much about it, but upon popping it into my PS3, I quickly learned that I was in for a huge treat.

The game is more action than survival horror (definitely not in the same style as the Silent Hill series). Even with the action heavy gameplay, it still manages to be creepy as hell.Dead Space has excellent visuals (even today) and great a soundtrack. The plot is also very strong, featuring a deep story revolving around religion and corruption.

Dead Space 2 also received much praise. I’ve had that one on my shelf since launch day, but have yet to open it up. I do plan to play the hell out of it, but that time simply hasn’t come. It also had a fantastic ad campaign with the extremely memorable “You Mom Hates Dead Space 2″ series of videos.

I hope to get to the second title soon, as the release of Dead Space 3 is fast approaching! The game is set to hit shelves in February 2013. Developer Visceral games teased us today with a long look at what to expect from the third game. Check it out below and let us know what you think!

Of course you’ve heard of Telltale’s video-game version of The Walking Dead, their fantastic adaptation of Robert Kirman’s insanely popular series.

Here at Geekscape, we’ve been gushing over the title since the first episode hit in April, and have been enthusiastically eating up every tidbit of information since (check out our reviews of the currently available episodes here, here, and here).

Are you afraid of online purchases? Or simply want a physical copy that you can take with you when the zombie apocalypse happens? You’re in luck as Telltale recently tweeted the following:

You’ll be able to pick up a copy of The Walking Dead on an old fashioned disc on December 4th!

However, you should instead pick up the game right now if you haven’t, as it’s one of the best of the year!

With no Dredd 3D showings near me until this evening, I decided to take a stroll down to The House at the End of the Street. It’s a large house, with some pretty faces and some half-decent performances, but is it worth the 101 minutes and your ~$10? Read on to find out!

The film begins with an odd, yet intriguing opening. No introductions, no explanations, just a creepy looking girl slowly stumbling down a hallway. She treks her way to her parents room where she proceeds to kill them both brutally. The scene likely intended to feel much more dramatic, but it felt as though it was executed rather poorly. The camera is constantly jumping around, and irritatingly shifting in and out of focus for the duration, adding a high level of distraction to the scene rather than the discomfort that was likely intended.

The previous scene cuts away, and we’re introduced to Elissa (Jennifer Lawrence) and her mother Sarah (Elizabeth Shue). The pair has just moved into the area (made possible due to the events next door causing a huge drop in property value). As seems to be common in these films (even just a few weeks ago in The Possession), the family has been broken by a recent divorce, and mother and daughter are definitely having trouble getting along. I found many of the mother-daughter conversations to be among the weakest points of the film. Dialogue feels extremely forced, and the two characters will needlessly change tones and moods without a moments notice. Maybe this is realistic? I recall my sister doing this frequently.

A BBQ is hosted to welcome the pair to the neighborhood. It’s here that we spend a little  too much time on some extremely disposable characters (most of which we will never see again). The purpose of the feast is to learn how negatively the neighborhood feels about the house and its remaining resident Ryan, the (seemingly) only remaining member of the family. The feeling is extremely negative: though he is said to keep essentially to himself, one of the neighbors mentions that they wouldn’t mind if the house was to burn down with him inside.

The House at the End of the Street took too long to get to this point, and the pace doesn’t seem to ramp up for some time. When we’re finally introduced to the mysterious Ryan, an intense relationship (with an extremely awkward feeling performance from Max Thieriot) seems to bloom between he and Elissa almost instantaneously. He states that he’s never been able to speak to anyone as he can to Elissa, and she appears to eat up every word he says, all within a day or two of meeting.

Ryan of course,  isn’t being completely honest. He seems like a nice enough guy, but it’s then revealed that he keeps his murderous sister locked in the basement. What’s up with that? Seems like Elissa bit off more than she could chew with this one.

The House at the End of the Street was boring. It takes far too long to introduce its characters, and there are very few of them that we actually give a damn about (a decent performance from Jennifer Lawrence was about the only saving grace). Again, much of the dialogue feels forced, and does little to further plot or character. I can’t really pinpoint a time where the experience fell apart for me, because it rarely (if ever) feels like it’s fully together.

We then get a few instances of Cabin in the Woods level stupidity before the finale hits (I loved Cabin in the Woods, I’m referring to the deliberate stupidity of the characters). Ryan conveniently forgets to lock the door that has been constantly locking for years, and then after this puts the key to said door within easy rich of his prisoner. The finale approaches quickly now (though some scenes do seem to drag on forever).

Shortly before the film ends, there is a moment I found absolutely brilliant, that could have redeemed the rest of the experience. Of course however, it goes nowhere, and the rest of The House at the End of the Street degrades back into a nigh-unwatchable mess.

My recommendation: avoid this house at any cost, even if it’s just to tide you over until Dredd 3D shows (check out our review for that one here!).

1.5/5

This is some awesome news for Del Toro fans (read: pretty much everyone)

Deadline reports that a TV adaptation of the acclaimed vampire series The Strain is in the works for FX.

Del Toro himself, along with Chuck Hogan actually wrote the source material, and both will be handling the TV rewrite. Del Toro is also set to direct the pilot of the adaptation!

Deadline states that Del Toro originally envisioned The Strain as a television project. Networks weren’t interested however, and it was turned into a novel instead. The networks then came crawling back, but their pleas went unanswered until after the trilogy was completed.

Carlton Cuse (Losl) is set as showrunner, and will concurrently be running the A&E Psycho prequel Bates Motel. In an interview with Variety, Cuse spoke of the series, stating “These are very scary vampires, these are not romantic vampires. They will give you nightmares.”

The synopsis of the novels opening helps further this claim:

A Boeing 777 arrives at JFKand is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Ephraim “Eph” Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.

In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing.

So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city – a city that includes his wife and son – before it is too late.

It sounds terrifying, and it sounds perfect for a network like FX. I don’t get any Vampire Diaries vibes from this one either (no offence fans), meaning we may actually get some vampire horror back on TV!

Today is actually the first I’ve heard of the series, but it sounds extremely intriguing. The pilot isn’t set to shoot until next September, so you’ve got lots of time to get acquainted with the novels!

We let you know earlier this month that Halloween (John Carpenter, not Rob Zombie) was set to return to theatres next month. A trailer has just been released for Michaels return, so check it out!

Halloween will return to theatres beginning on October 25th, and the new mini-documentary You Can’t Kill The Boogeyman: 35 Years Of Halloween will be screening with it.

Looking forward to this? Will you be seeing it over any other horror films this Halloween?

Remember that messed up movie The Collector? Well, it got a sequel titled The Collection and the first trailer has been released. The movie is written by Marcus Dunstan and Patrick Melton (Saw IVVVI, and 3D) and directed by Dunstan. The sequel focuses on a woman who is abducted by a psychopathic killer and taken to a hotel that he has transformed into his own private maze. The film stars Emma Fitzpatrick (The Social Network), Josh Stewart (The Dark Knight Rises), and Christopher McDonald (Oh, its Shooter McGavin).

When Elena’s (Emma Fitzpatrick) friends take her to a secret party at an undisclosed location, she never imagined she would become the latest victim of The Collector, a psychopathic killer. The Collector kidnaps and transports her to an abandoned hotel he’s transformed into his own private maze of torture and death. Upon learning of his daughter’s disappearance, Elena’s wealthy father (Christopher McDonald) hires a group of mercenaries to retrieve her from the vicious grips of The Collector. These mercenaries coerce Arkin (Josh Stewart), the only man to have escaped the wrath of this heinous monster, to lead them through the gruesome labyrinth. Now, Arkin finds himself fighting for his own life in order to save Elena. “The Collection,” directed by Marcus Dunstan and written by Dunstan and Patrick Melton, is a suspense horror film with nonstop thrills at every turn, starring Josh Stewart (The Dark Knight Rises), Emma Fitzpatrick (The Social Network), and Christopher McDonald (Requiem for a Dream).

The Collection hits theaters November 30th.

We hope you’re looking forward to Sinister as much as we are!

The movie is being heralded as one of the scariest of the year, and from the look of this new red band trailer, Sinister certainly looks like it could be!

Sinister hits theatres on October 12th. It currently holds a 100% rating on Rotten Tomatoes, and from everything I’ve heard, it doesn’t seem like that will fall anytime soon!

Check out the trailer below, and read on further for some exciting news!

You’ve surely seen the posts these past few weeks about the special early showing of the film coming from MachinimaFlixist and Geekscape. The showing sold out very quickly, but we were able to charm our way into a larger venue. We hope you got your tickets however, as this larger venue is now 100% SOLD OUT!

Thanks for making the event such a success! It’s going to be awesome! We’ll see all of you on the 24th!

This is definitely one creepy looking movie right here starring Jessica Chastain (Lawless) and Nikolaj Coster-Waldau (Game Of Thrones). I’m pretty sure now that I posted this Jonathan will be talking about Ms. Chastain in the next podcast. Let’s just all hope this one is better than Don’t Be Afraid Of The Dark turned out to be.

Andres Muschietti directs Mama as his first big film from a script he co-wrote with his sister and producer Barbara Muschietti and “Luther” writer Neil Cross. Guillermo del Toro presents this supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night.

Mama hits theaters January 18th, 2013.

Check out the first trailer for the sequel to the 1974 horror classic! You should know by now that you never go into the basement.

Lionsgate’s “Texas Chainsaw 3D” continues the legendary story of the homicidal Sawyer family, picking up where Tobe Hooper’s 1974 horror classic left off in Newt, Texas, where for decades people went missing without a trace. The townspeople long suspected the Sawyer family, owners of a local barbeque pit, were somehow responsible. Their suspicions were finally confirmed one hot summer day when a young woman escaped the Sawyer house following the brutal murders of her four friends. Word around the small town quickly spread, and a vigilante mob of enraged locals surrounded the Sawyer stronghold, burning it to the ground and killing every last member of the family – or so they thought.

Decades later and hundreds of miles away from the original massacre, a young woman named Heather learns that she has inherited a Texas estate from a grandmother she never knew she had. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars…

Texas Chainsaw 3D is in theaters January 4, 2013.

Summit Entertainment today released a creepy new poster for their upcoming horror Sinister.  The film is being called one of the scariest titles of the year, and from the look of the trailers so far, it certainly looks like it could be!

The official release date of the film has also fallen back slightly. Slated originally for October 5th, it will now hit on October 12th instead.

In LA and want to see it even earlier? We let you know a few weeks back MachinimaFlixist and Geekscape are hosting a screening of the film on September 24th. The screening sold out quickly, but we were lucky enough to arrange for a larger venue! At the time of this writing, 51 tickets are left, but they’re moving fast!

Scott Derricksonthe director of the film, and producer Jason Blum will be there, and will be having a Q&A after the show!

Interested? Get your tickets here, and check out the new poster below!

It looks like V/H/S, an awesome horror anthology that we reviewed back in August is ramping up for its theatrical release on October 5. The film is currently available on demand from Magnet Releasing and is definitely worth checking out if you’re a horror fan!

A few very neat pieces of art have surfaced as promotion for the film in conjunction with Dread Central and EW. The first coming from Tony Moore of The Walking Dead fame.

Tony Moore

Jason Latour (Scalped) provides another, this one has a cool anaglyph 3D look (in fitting with the VHS theme and 80’s style posters)

Latour VHS

This is a fantastic promotion. I’d love to get my hands on a few of these. There are still  more to come too!

Again, V/H/S hits theatres on October 5th, but you should support Magnet in their VOD innovation by checking it out right now!

If you placed a gun to my head and asked me to name the greatest zombie movie ever made, with very little hesitation I’d say Return of the Living Dead. In a recent episode of my podcast Reddit Horror Club we reviewed this very film. The fact is most of what you know about horror movies stemmed from this “parody” more than the classics like Night of the Living Dead and Dawn of the Dead.

It was Return of the Living Dead that first introduced the concept of zombies eating brains, it was also in this film that you first see zombies that can run (for better or for worse). But that’s not why I love that particular film, I love it because it’s a fun movie with some of the best looking zombies ever committed to film. If you consider yourself a zombie fan and you’ve yet to see it, this must be fixed.

Now… let’s talk about Return of the Living Dead Part 2

One can almost argue the film is a reboot more than anything. So many elements of the movie are similar (including many characters from the first ROLD returning as similar characters with similar dialogue). It’s basically a kid’s friendly zombie film, the MPAA was going to give it a PG-13 rating if not for one particular sequence involving a zombie getting cut in half. For whatever reason the director refused and decided to stick with the R (which good for him because the effect is one of the best ones in the movie).

Being that it’s a kid friendly film instead of following a group of 8 punk rockers in a grave yard we follow a young boy named Jesse Wilson. Jesse becomes friends with two bullies who take him to their club house. While there they discover a barrel of Trioxin (which turns you into a Zombie). The bullies lock him in an old mausoleum while they tamper with the barrel eventually spraying themselves (and the entire graveyard) in the deadly gas.

As expected the dead begin to rise leaving Jesse one of the only people that totally understands what happens.

The film currently holds a 0% freshness on Rotten Tomatoes. This movie is bad but it’s fair from 0% awful. The audience reviews were a 46^ which I think is at least slightly more fair.

There are elements that movie does a little incorrectly. They push the comedy heavier than before and while the original was funny is a slightly satirical way this film focuses on more slapstick humor as well as a Michael Jackson/Thriller Zombie. The silliness is just that silly. Nothing is laugh out loud funny in the film to the level that the original would make you laugh. Despite having directed a few horror films before and afterwards director Ken Wiederhorn hated horror movies which would explain his constant desire to stay away from the horror and play up the comedy. Most of the cast seems to have disliked his directing style and have negative memories on the whole experience.

Despite all the issues with silliness the movie is still extremely fun. While they play every  piece of horror with their tongue firmly in their cheek they didn’t skimp on the zombie effects. Be it puppets or make up each zombie has their own unique design and personality.

I love this movie to death and I’m sure a big part of it is because it literally oozes 80’s. They will never make a movie like this again (probably not a bad thing) but despite the fact that everyone involved hated the experience it looks like they’re having fun and that definitely helps make the movie a fun experience.

Go rent this and the original, turn your brain off and enjoy one of the greatest zombie movies ever made and a film where they shamelessly kill various bullies and turn them into zombies as well.

IGN today debuted a new poster for October’s Silent Hill: Revelation 3D.

The movie is a sequel to 2006’s Silent Hill, which is based on the Konami series of survival horror video games.

I’m a huge of the Silent Hill games (though admittedly the last few years has made it tough to keep saying that). The first movie was not a great film by any means, but I was rather impressed with just how much it felt like Silent Hill. The atmosphere was great, music was taken right from Akira Yamaoka’s haunting game scores, as were the disturbing creatures and environments. Silent Hill: Revelation 3D looks to take a similar approach, so I’ll definitely be lining up for this one (I just hope that the actual plot is better).

Silent Hill: Revelation 3D opens on October 26th. Check out the new poster below! The trailer is also embedded, let us know what you think!

Silent Hill: Revelation 3D

The latest entry in the Texas Chainsaw Massacre franchise will be hitting theaters next January. A creepy poster has popped up online earlier this month and now the first image of Leatherface from Texas Chainsaw 3D has hit the net. The film is not a remake but rather a direct sequel to the 1974 original and picks up where that film left off: a young woman has escaped the horrors of the Sawyer family and has alerted the authorities.

The townspeople descend on the Sawyer household and burn it to the ground, seemingly putting an end to the family’s reign of terror.  The story then jumps decades forward and hundreds of miles away from the original massacre where a young woman named Heather has inherited a Texas estate from a grandmother she didn’t know she had. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars. It appears that the townspeople just may not have gotten rid of the entire Sawyer family.

The films is directed by John Luessenhop (Takers, Lockdown) andAlexandra Daddario, Tania Raymonde, Sue Rock, Scott Eastwood, Trey Songz, Keram Malicki-Sanchez, Shaun Sipos, Thom Barry, Paul Rae and Richard Riehle. The film will also feature several of the original cast members from the first flick including John Dugan who will reprise his role as Grandfather and Marilyn Burns, Bill Moseley and Gunnar Hansen.

Texas Chainsaw 3D hits theaters January 4, 2013.

Source: STYD

 

The Expendables franchise doesn’t do for me what it does for so many of you out there. Even though I am a child of the 80’s, I never cared a lick for all the overly muscled, testosterone overdose flicks that permeated movie theaters and video stores back then. I never even watched a single Stallone, Chuck Norris or Van Damme movie, at least not all the way through. And if Arnold wasn’t a cyborg from the future, fighting weird aliens in the jungle, or up on Mars, I pretty much didn’t care. Having huge muscles, firearms, and talking monosyllabically did nothing for me (for similar reasons, the Punisher is maybe the only iconic Marvel Comics character that I have zero interest in.) So when my fellow movie geeks squeel like school girls at the reunion of all these past their prime action stars when a new Expendables movie hits, I have to admit I get a little jealous. Because I want something like that to get all excited about, but with the movie icons that I loved from back in the day instead.

And the movie icons of my youth were of the even bloodier variety. I was a horror movie kid, and I took in Nightmare on Elm Street, Halloween, Hellraiser and similar movies like they were crack. Robert Englund was my Stallone, and Michael Myers was my Van Damme. I equally idolized the heroines of horror like Jamie Lee Curtis and Heather Langenkamp who kicked ass and sent their respective tormentors back to Hell. Well, at least until the sequel that is.

So with the success of the Expendables franchise, I think it is time to take the same premise and apply it to the modern horror icons. Get the classic versions of Freddy Krueger, Jason Voorhees, Michael Myers and the rest and put them into one big giant horror show. Go for broke, make it crazy and fun and a silly good time at the movies.

 

The Remakes Didn’t Cut It (No Pun Intended) This Would Celebrate The Classics

A few years back, something similar to what I’m suggesting was close to happening. When Freddy Vs. Jason came out in 2003, after some nine years of planning, it ended up making  $114 million on a $30 million budget. This was a massive success for this kind of R-rated movie, and plans were set in motion for a follow up. Rumors swirled that Freddy Vs Jason Vs Michael was coming, or even Freddy Vs Jason Vs Ash. Then, New Line’s remake of The Texas Chainsaw Massacre hit a few months later and was even more successful. New Line decided to remake and reboot their respective franchises instead, hoping for similar success. All plans for a follow up to to Freddy Vs Jason with even more characters was snuffed in favor of going the remake route. Dimension Films followed suit with a reboot of Halloween not long after. Sadly, all the remakes captured the imagination of virtually no one.

The Texas Chainsaw Massacre was the first of the 70’s/80’s horror remakes to hit big in the past decade, and started the ball rolling on all the others. I actually think it is a pretty decent remake, as it honors the original while certainly having it’s own feel to it. The success of TCM lead to the horror remake wave of the 2000’s; if you saw a horror flick in theaters this past decade, it was probably some form of torture porn, found footage style scares, or it was a crappy remake of a beloved movie from the 70’s/80’s slasher movie heyday.

The thing is, almost none of these remakes really clicked. Oh sure, they made some  money, at least enough money to cover their budgets. But critics and older fans like me saw them for the soulless, cynical cash grabs they were. the remakes for Halloween, Friday the 13th and Nightmare on Elm Street all opened pretty well in theaters, only to plummet hard the following week. Horror movies are almost always front loaded, but all these remakes were especially so. And more importantly, no one talked about them afterwards, except to talk about how much they sucked. Within a few months they were in the discount DVD bin at 7-11. Platinum Dunes (who produced the Friday the 13th and Nightmare on Elm St reboots for New Line)  scrapped their plans for follow ups to Friday and Nightmare. Rob Zombie’s Halloween got a sequel, but it made half of what the first one did. Platinum Dunes has even said they are out of the horror remake business for now. In short, these iconic characters are just sitting on a shelf now, collecting dust.

While most of the teenagers and early twenty somethings that are the prime consumer targets for most media are mind numbingly unaware of almost any pop culture that pre dates, oh, say the year 2000 or so, horror movie fans are a of a different breed. No matter how young they are, the serious horror fan has an encyclopedic knowledge of horror films, and from what I’ve gathered, most of them hate the new remakes as much as old fogies like me do. The remakes just didn’t work for any demographic, which is why I say…bring the originals back for one last hurrah. Give us a wise cracking Freddy Krueger again, a Michael Myers who isn’t a wrestler, bring back the classic monsters of yore, put them together in a movie Expendables style (or, if you will, Avengers style) and just go fuckin’ nuts. It might end up being terrible, but it probably won’t be boring.

So What’s The Plot?

So what should the plot be for a horror version The Expendables? Honestly, who cares.

Ok, ok, I’m kind of kidding. Seriously though, no one, and I mean no one, is going to go see this movie for the plot. They are going to go see it to see their favorite boogeymen from their youth hack up a bunch of stupid teenagers in bloody and inventive ways, and hopefully Freddy and Chucky will have awesome one liners. No matter which way you swing it, there is going to be a camp element to this. Better to just embrace it,  instead of overly complicating the plot to somehow have it all make sense. As much fun as Freddy Vs. Jason was, there was way too much of that in that particular movie. On some level, whoever is making this has to just accept that it all doesn’t really make sense, and just roll with it.

If this was the plot for the movie, I’d still watch it.

But since there has to be a plot of some sort, how about this for one? Freddy returns to Springwood to torment the nightmares of the teenagers once again. This time he uses the souls of other famous boogeymen to do his bidding in the dreamscape. So teenager #1 can get killed by Freddy in a classic Elm Street scenario, while teenager #2 gets whacked in Haddonfield by Michael Myers, and so on. At some point, they are all pulled out of the dream world and start reaking havok together for real. Cue Ash to the rescue! See? Easy as pie. Like I said, it doesn’t have to be complicated, it just has to be fun. A movie like this can’t try to bite off more than it can chew, it’ll never get good reviews from the New York Times no matter how good it is. Much like The Expendables, it’ll be made for the fans and for no one else.

Who NEEDS To Star In the Horror Expendables, Or Else There’s Just No Point

Robert Englund as Freddy Krueger

Obviously, Robert Englund needs to be Freddy Krueger in this movie. Without him, this whole thing just isn’t worth it. I know the man retired from playing Freddy, but if anything can get him back in the make up chair, it would be something like this. Come back Robert, make us forget that stupid remake and be the final word on Freddy for all time.

Kane Hodder as Jason Voorhees 

Obviously, everyone’s favorite hockey masked killer has to come back too. And he should be played by Kane Hodder, who played Jason for four Friday the 13th movies and was passed over for Freddy Vs Jason by that movie’s director Ronny Yu. Time to rectify that error. Kane Hodder is a horror legend, appearing in literally dozens of horror movies. If Jason is gonna be in this movie, it has got to be Kane Hodder. And he needs his iconic ch ch ch ah ah ah souto follow him where ever he goes.

Leatherface

Leatherface has been played by a different actor in almost every movie he has been in, including Kane Hodder in parts of Texas Chainsaw Massacre 2. Not sure who needs to be Leatherface here, but the character needs to be in this movie. Not to mention, the rights to the character are held by New Line Cinema, who also hold the rights to Freddy and Jason, so it is kind of a no brainer.

Michael Myers

The original iconic slasher. Bring back the silent, deliberate moving embodiment of evil from John Carpenter’s original classic Halloween, not the wrestler with the white trash upbringing (once again, fuck you very much for that Rob Zombie) Also, gotta bring back the classic Willaim Shatner mask. Michael Myers has been portrayed by several actors and stuntmen, but as long as they evoke “the Shape” and not Rob Zombie’s trailer park wet dream, I’m good.

Doug Bradley as Pinhead

Actor Doug Bradley has played Pinhead in three Hellraiser movies and countless straight to dvd sequels for almost twenty five years now. He almost was a surprise cameo at the end of Freddy vs. Jason, but that didn’t pan out for whatever reason. I can’t imagine Bradley wouldn’t be down for a movie featuring all his fellow horror icons.

Chucky (voiced by Brad Dourif)

Rounding out the main cast, you need the last of the great 80’s slashers in the form of Chucky from Child’s Play. We know character actor Brad Dourif will willingly voice Chucky in pretty much any movie, as there are even plans for a sixth Child’s Play movie for next year, this time straight to DVD. With so many other silent killers like Michael, Jason, and Leatherface, we need another trash talking, smart ass in the group besides Freddy. I nominate Chucky.

Bruce Campbell as Ash (or just as himself)

So who fights all these monsters and sends them back to Hell? Who else but Bruce Campbell? He could revive the Evil Dead trilogy’s Ash, or just play an exaggerated version of himself. In any event, the hero of this flick needs to be the one and only Bruce. I know he would be down to do this, as a couple of years ago, he made a public pitch for a horror version of The Expendables himself, although it obviously never got off the ground.

Cameos 

A movie like this is tailor made for tons of cool cameos. These are just the ones off the top of my head.

Elvira, Mistress of the Dark. -At 60, she doesn’t look a day over 30. As much of a horror icon as any of the boys. She needs her fifteen minutes here, or at least her fifteen seconds.


Jamie Lee Curtis-the original Scream Queen. All others must bow in submission. She has never shyed away from her horror movie roots, and would no doubt be down for something like this if the cameo was a fun one.


Christopher Lee-At the ripe old age of 90, Christopher Lee is easily the oldest horror icon on this list. But he’s still goin’. He makes cameos in like every Tim Burton movie, someone get him for this. Let’s be honest, the clock is ticking on this one.


Linda Blair-the little possessed girl from The Exorcist is all grown up now, and has no problem making fun of her turn as the pea soup vomiting, crucifix masturbating demon spawn. She’d make for another great cameo part.

Oh Yeah…There Is One Teeny Weeny Obstacle.

If there is anything to ever keep this from happening, it is the fact that the various characters are owned by several different parties. New Line Cinema/Warner Brothers owns Freddy, Jason and Leatherface, so that’s three down. (I would imagine it would be New Line who is the primary studio getting this made, but that’s just a guess) Michael Myers’ rights are currently at Dimension Films, which is owned by the Weinstein Company, as are the Hellraiser rights. Chucky as it Universal. The real trick will be to get the Weinsteins and Universal to loan out Micheal Myers, Pinhead, and Chucky, and convince them it would be in their best interest financially to do so.

The sequel to Rob Zombie’s Halloween remake pretty much flopped, and their plans for a Halloween 3D were scrapped not long after. Getting Michael Myers in a horror mash up produced by another studio is low risk, high reward for them, as it raises the profile of a character they own, and they don’t have to do any of the real work. Not to mention, they’ll be paid nicely for the use of the character no doubt. And right now Pinhead and Chucky are in straight to DVD Hell, a high profile theatrical release could only help those franchises as well for their actual rights holders. The trick is to get all the lawyers in a room to sit down and agree that by making this movie, everybody wins. Don’t let greed kill something as cool and fun as this could potentially be.

So there’s my pitch for an all horror version of The Expendables. This is money in the bank, not to mention a potentially very entertaining time at the theater for millions of fans who grew up watching these movies. So feel free to steal my ideas Hollywood, that’s what I’m here for. And you’re welcome.

With the summer movie season drawing to a close, fewer and fewer titles are released each week, and I’m running out of things to watch. The only movie opening in my city this week was the Sam Raimi produced The Possession.

Just returning from the film, I’m still pretty torn on exactly how I felt about it. When The Possession works, it really works, providing as much scary, disturbing imagery as you can handle, and in a very believable setting. When it doesn’t work however, it really doesn’t work, and pulls you right out of the world it’s so carefully trying to build.

The Possession opens well enough. We see an old woman scared out of her mind, the object of her fear a mysterious box on her mantle, which appears to be whispering to her. She escapes to the kitchen, and returns with a hammer, on a mission to break the box. She lifts the hammer above her head, but before she can strike, she freezes and falls to the ground. She writhes and seizes in disturbing, unnatural ways (think Regan MacNeil from The Exorcist) while the music and sound effects grow and grow in intensity before the woman simply stops moving.

Old Woman

This scene was an excellent and effective start to the film. We get an idea of the power of this malevolent being who either really dislikes old women, or simply wants something else entirely. We’re also introduced to one of the highlights of the film: its excellent sound direction. The score and sound design really add to the experience here, and help to make already intense situations overwhelmingly so.

Enter our main characters in the film, the Brenek family (or what used to be the Brenek family). The couple is just divorced. The family is confused and broken, with the kids moving in between homes as the mother and father try to rebuild their lives.

I find that it’s with the family story that The Possession really shines. After a fast opening, the horror aspects of the movie tend to move rather slowly. Much of the time, the film feels like an intense family drama more than a horror flick, and though it isn’t at all what I signed up for, for some reason I’m okay with that. The family dialogue is well written and interesting, and serves well to get you caring about these characters before shattering your hopes for them.

Clyde Brenek

Jeffrey Dean Morgan (Watchmen, Grey’s Anatomy) gives a fantastic performance as Clyde Brenek. He’s a father with nothing left but his kids and his job, and he gives both the best that he can. He handles the many emotions of the film extremely well, going from happiness to worry, sheer terror to heartbreak, and everything in between. He’s great, and extremely believable throughout, even when the movie starts pushing to extremes.

Natasha Calis also gives a quality performance as Em Brenek, Clyde’s daughter. She starts the film as a freaking adorable little girl before becoming the subject of the box’s desires.

Em becomes smitten with the box at a garage sale run by the old woman’s son (one could say it spoke to her, pun intended). We get one more glimpse of the old woman as the Breneks leave, appearing to be on her deathbed, screaming for her to leave the box alone.

Scary Whispering Box

I mentioned before that the actual horror elements of the film are rather slow. We get a bit of box whispering here and there as Em seems to become less and less connected with herself and her family, at one point stating “I don’t feel like myself”. Em’s strange behavior is typically attributed to the recent tough times the family has been going through, and not much else is thought about it.

It seems like it’s the actually in the scenes that involve the box that I find The Possession works the least. We see it open itself and whisper to Em a few times as she sleeps, but nothing much comes of it (obviously it’s actually the being inside that is speaking to her, but it looks like a freaking talking box and it seems silly). She brings the box to school and ends up beating up a kid who tries to touch it. The scene tries to be extremely intense but I found myself laughing at the absurdity of it instead.

The film runs 92 minutes, and while Em is disturbed for much of it, the actual possession doesn’t occur until over 60 minutes in. When a movie is titled The Possession, you really expect the actual possession bit to take up a larger chunk of it. Instead, when the actual event does happen, we’re so far into the film that it has to quickly jump to a resolution just so we can see the whole story. The film either needed to be longer, or simply get to the point quicker to avoid the abruptness of the ending.

Finally Possessed

When the demon finally enters Em, it really doesn’t seem like it wants to do much until they try and get it out of her. Really, it just seems to turn her into a bitch more than anything. If that’s the case, most of the girls I went to high school with had this box in their lockers.

It doesn’t help much when we get a generic scene of Jeffrey Clyde visiting a possession expert, who essentially tells him everything about the box, including what’s in it, where it came from, when it was made, and what he needs to do to fix things. This was definitely the weakest scene for me. It’s only purpose was to reveal everything to us that would have been better left as a mystery. Mystery’s are good! We don’t need to know everything about the being to know it’s not good. It really destroyed any sense of mystery that the film had built. Thanks for explaining the entire film, pal. Now, if only Joseph Gordon Levitt’s character from Inception had played the expert…

There’s one last bright spot in the film though. The exorcism scene works really well. Set in a very atmospheric hospital basement (for privacy’s sake, and since Em was already in the hospital anyways). The scene is creepy as hell largely due to the atmosphere (dim lighting, dirty and dank looking, hard surfaces making sound echo). This becomes especially true when Em breaks free, and Clyde chases her into the hospital morgue. This scene was extremely tense, suspenseful, and uncomfortable for seemingly everyone in the cinema: strobe lights and laughing creepy children make for a scary time. This isn’t anything that we haven’t seen in a lot of horror film’s before but The Possession manages to do these scenes very, very well.

Now for some SPOILERS.

Eventually, Em is caught, and the demon is returned to it’s prison. Upon the resolve of Em’s possession, everything seems back to normal much too quickly. This event was (cheesily enough), just what the Brenek family needed to bring it back together. Clyde looks happy again, and the very morning after they all could have lost their lives, they began joking about it.

The film closes however, with a car accident involving the vehicle containing the box with the demon. We hear the whispering again just before the credits roll. Looks like it didn’t get what it wanted, and is already trying to break free, already ready to try once more.

Again, when The Possession works, it works well. Tense scenes are very tense, atmospheric, and creepy. The family has great onscreen chemistry and their conversations definitely made you really care and want things to work out for them. As much as I liked this stuff, I came to The Possession to see a possession, and instead mostly watched a family drama where one of the characters is a creepy whispering box.

It was a good effort. The film looked great, and had a lot of strong cinematography on top of the great sound direction I mentioned before.

The Possession wasn’t overly memorable, but being that its only horror competition right now is the abysmal in every way imaginable “The Apparition”, I’m sure its box office numbers will be just fine.

3/5

It looks The War Z, the highly anticipated MMO is finally coming together!

Developer Hammerpoint Interactive showed off some alpha gameplay at PAX today, and even at this stage the game looks pretty neat (if not familiar).

The game takes a similar approach to the popular ARMA II mod Day Z, in that it’s a survival MMO set in the midst of a zombie outbreak. Huge maps and tons of people, and even more zombies should mean that there are always scares to be had, and people to meet up with.

The War Z seems to have borrowed more from Left 4 Dead than Day Z however, as it takes more of a traditional shooter approach than the latter does. Even many of the interface elements appear pretty familiar.

I’ve only put a few hours into Day Z myself, but so far The War Z looks to be a much smoother experience with an easier to understand interface. Day Z in my opinion has way too much going on control wise, and I find myself having to constantly look into the menu for the correct button to press.

Check out the video below! More info on the game can be found here.

 

Sony today released two new TV spots for the upcoming fifth installment in the Resident Evil franchise.

This is the first footage I’ve seen from the film and I have to say it looks intriguing. I’ve always been a huge fan of the games, but have skipped the last few film offerings (Apocalypse left a bad taste in my mouth). Maybe it’s time to check them out.

Resident Evil: Retribution opens on September 14.

A few days ago we showed you some creepy new images for the upcoming second season of American Horror Story. Looks like EW revealed some plot details this week too. Sounds like some weird happenings are going on in this asylum.

The plot revolves around an insane asylum run by a group of nuns, and many of the patients that call it home. Jessica Lange (Big Fish, American Horror Story) portrays Sister Jude, head warden at the asylum, who very well may be the craziest one of the bunch if her character last year is any indication.

We’re set to see things that out-weird anything from last season, including Nazi doctors, aliens, and Maroon 5 frontman Adam Levine, who says the coming season is “absolutely terrifying. Very gruesome.”

Co-creator Ryan Murphy also let out a tidbit about the future of the series, stating that “Every year of the show is a different miniseries, and there will be several chapters.” This insinuates that every year the show continues will be drastically different, which will certainly help to keep the scares fresh.

American Horror Story: Asylum premieres on October 17.

Asylum