Today, Nintendo unveiled a limited edition for the highly anticipated Legend of Zelda: Majora’s Mask 3D. Retailing at $49.99, this special edition will include a copy of the 3DS title and a special Skull Kid figurine to give you the creeps at night.

Releasing day and date with the standard release at select retailers, (neither of which have been announced as of yet,) this is an easy purchase for hardcore Zelda fans.

 

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While I’m not sure if anyone saw this coming, let me just say that it’s a relief knowing that we’re getting this. With Nintendo, it seems like for every limited edition we do get, (like Wind Waker HD,) we miss out on two more, (Mario Kart 8, Bayonetta 2, and Hyrule Warriors spring to mind.) Be ready to jump on those pre orders, I have a feeling this one might go fast.

Majora’s Mask 3D is set for a 2015 release.

Wanna see the giant robots from Power Rangers beat each other up set to the creepy-as-hell “Requiem” from 2001: A Space Odyssey and Godzilla? Of course you do!

It occurred to me just this morning that at some point this year we will finally see tangible, physical evidence of next year’s Power Rangers reboot film. Once again, no, we still don’t know anything about it but rest assured we will let you know ASAP. (If I don’t die of cardiac arrest while posting it, that is.)

Until then, check out this 3D animated short film on YouTube from artist Dai Zyujin (fitting name!), who rendered two iconic Megazords from Power Rangers fighting each other in a bustling metropolis.

It’s a pretty great demonstration of the artist’s skills. The colors may be absurdly bright and saturated, but as the work of one guy it’s remarkably impressive filmmaking. It’s also the second in a series, and somehow this is the first I’ve ever seen of it. He (if he’s a he, very well could be a she!) is going to have one hell of a demo reel.

If you’re unfamiliar, these bad boys are the Daizyujin from Kyoryu Sentai Zyuranger (better recognized as the Dino Megazord from the original Mighty Morphin’ Power Rangers) and the Ohblocker from Chikyu Sentai Ohranger, or the Super Zeo Megazord from Power Rangers Zeo (which was a phenomenal season of Power Rangers, for the record). He’s the fella with the bright shapes, looking like he just jumped out of a pre-schooler’s toy chest. The one you saw a glimpse of  at the end who sucker punched the Mighty Morphin’ team was the Turbo Megazord, from Power Rangers Turbo. Hence the car wheel, obviously.

I’m about to bore you with my extreme Power Rangers fanboy knowledge, but this fight in theory could have happened (except maybe the Turbo Megazord). The Dino Megazord was long destroyed by the time the events of Power Rangers Zeo, but if time were not an issue? None of the core Power Rangers represented here share the same roster; the original Mighty Morphin’ whippersnappers everyone remembers (and won’t shut up about how racist the Ranger colors were) piloted the Dino Megazord, while the Zeo Rangers, whom you could consider their successors, piloted the Zeo Megazords. Tommy was of course the Green/White Mighty Morphin’ Ranger, but he had his own Zords and never piloted the Dino Megazord. But he also was the Red Zeo Ranger, which means he’s right there in the Super Zeo Megazord punching the shit out of his former comrades. The Turbo Megazord, however, was piloted by the same group of Power Rangers (with the exception of the Blue Ranger, Justin, who joined the team that season), but halfway through Turbo there was yet another roster change. So, maybe the Turbo Megazord is still able to join the fight.

I am so sorry if I lost anyone in that last paragraph.

With the 2016 Power Rangers on the horizon, this was a nice treat to watch. The artist has nothing to do with the movie as far as I know, but since Saban Brands or Lionsgate won’t even show us a peep, this is about as close to an epic Megazord fight we’ll see (until the trailer debuts online, of course).

Check out artist Dai Zyujin’s deviantArt page here!

Warner Bros. Pictures has just announced that next Summer, Superman will be returning in 3D! Yep, when Zack Snyder’s Man of Steel hits on June 14th, you’ll have the choice to see it in 2D, 3D, and IMAX! Is this exciting news? Or will the simple fact that a 3D version exists ruin the experience for you?

Check out the press release below!

BURBANK, CA, November 7, 2012 – Warner Bros. Pictures and Legendary Pictures announced today that director Zack Snyder’s upcoming action adventure “Man of Steel” will be presented in 3D in select theaters, as well as in 2D and IMAX®, so fans of the iconic superhero will be able to experience the much-anticipated movie in their format of choice.

Snyder stated, “The film is going to be a visually exciting experience in all formats: 2D, 3D and IMAX. Anticipating how audiences today embrace 3D, we designed and photographed the movie in a way that would allow ‘Man of Steel’ to captivate those movie goers, while respecting fans who prefer a more traditional cinematic experience. We’ve taken great measures to ensure the film and the story come first, and 3D is meant as an enhancement.”

The film stars Henry Cavill in the role of Superman/Clark Kent, alongside three-time Oscar® nominee Amy Adams (“The Fighter”), Oscar® nominee Michael Shannon (“Revolutionary Road”), Academy Award® winner Kevin Costner (“Dances with Wolves”), Oscar® nominee Diane Lane (“Unfaithful”), Oscar® nominee Laurence Fishburne (“What’s Love Got to Do with It”), Antje Traue, Ayelet Zurer, Christopher Meloni, Harry Lennix, Michael Kelly, Richard Shiff, and Academy Award® winner Russell Crowe (“Gladiator”).

“Man of Steel” is produced by Charles Roven, Emma Thomas, Christopher Nolan and Deborah Snyder. The screenplay was written by David S. Goyer, from a story by Goyer & Nolan, based upon Superman characters created by Jerry Siegel & Joe Shuster and published by DC Entertainment. Thomas Tull, Lloyd Phillips and Jon Peters are the film’s executive producers.

Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a Zack Snyder Film, “Man of Steel.” The film is slated for release on June 14, 2013 and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Video game movies are a weird anomaly. They’re projects that have plots, atmospheres, and scenes already perfectly laid out,  yet whoever is in charge typically decides to throw all that away, and whatever ends up releasing is an abysmal shell of what could and should have been. Without fail, video game movies SUCK (the latest example of this would be last week’s Silent Hill: Revalation).

So what happens when you make a video game movie about a game that never existed? Wreck-It Ralph is born, and apparently it freaking rocks.

Ralph’s home game, Fix-It Felix Jr.

The premise of Wreck-It Ralph is phenomenal, yet so simple that I’m really surprised it hadn’t been thought of before. Ralph has been doing the job of video game villain for 30 years, and he’s tired of it. The bad guy doesn’t want to be the bad guy anymore, so Ralph sets out to prove that he’s not as much of a villain as everyone makes him out to be. Unbeknownst to Ralph, his leaving the Fix-It Felix arcade cabinet sets off a series of events that could get his own game unplugged, as well as many others in the arcade. Along the way Ralph meets an array of loveable characters, and the film also features countless cameos from other games throughout its duration.

The bad guy never gets invited to parties.

The world of Wreck-It Ralph takes an almost Toy Story approach to explaining how it works. When people are around (the hours that the arcade is open) everyone simply does what they were programmed to do. After hours however, each character has a life of their own just as we do outside of our own work. Being a villain, Ralph is not a very popular guy, and after 30 years he’s understandably lonely and upset about the whole situation.

Ralph ends up in game central (a power bar, which brilliantly explains how the games connect to one another) in order to find a game in which he can win himself a medal (meaning he’ll be seen as a hero instead of a villain). He’ll eventually meet the hilarious Vanellope von Schweetz, an adorable outcast (just like Ralph) that just wants to be a part of her own game (the colorful Kart racer Sugar Rush). The relationship that grows between the two is where Wreck-It Ralph really shines: the pair are hilarious, touching, and at times heartbreaking.

2012’s most adorable animated duo.

As mentioned above, Wreck-It Ralph‘s premise and plot are effective and engaging, and thankfully this goes for the rest of the film too. Voice acting in the movie is top-notch from every single character: there is no weak point, though John C. Reilly (Ralph) and Sarah Silverman (Vanellope) stand out as especially excellent. Visuals are equally impressive, with detailed characters and worlds that tend to go on for as far as you could possibly see. I also love the manner in which the art style changes based on the era of the game the characters are in: the modern Hero’s Duty features hundreds upon hundreds of enemies in a bleak Gears of War style world, while the classic look of Fix-It Felix has sparse environments filled with simple looking characters with choppy animation, just as you’d expect from an older game.

‘Hero’s Duty’ a hilarious satire of the modern FPS

The fact that Disney was able to get so many character cameos from so many different companies is something that I definitely can’t go without mentioning. I don’t want to spoil anything here, but every time one of these recognizable faces showed up on screen, I couldn’t help but smile. There are so many references to different titles that it’s certainly hard to keep up with them all, but I’m sure with each watch of Wreck-It Ralph you’ll pick up on things that you never noticed before.

Bad-Anon is just the tip of the cameo iceberg.

The only real problem that I had with Wreck-It Ralph is that things tend to flow a bit too conventionally. Ralph and Vanellope are both outcasts who form an important, life changing relationship. One of them messes the whole thing up, and it isn’t until the character’s darkest hour that they realize the massive error that they’ve made. Pretty standard stuff, and it slightly drags down an otherwise quite original experience. The film may also be slightly predictable for either extremely intelligent children or anyone over 15, but at its core Wreck-It Ralph is a family film, so I can’t fault it for being easy to understand.

Is Wreck-It Ralph worth your quarters? The answer is undoubtedly yes. Phil Johnston, Jennifer Lee, Rich Moore and the rest of the team have crafted an astonishing, believable, touching world worthy of repeat viewings, and one that will most definitely leave you itching for more. Whatever your age, you’re guaranteed to leave the theater smiling.

Wreck-It Ralph scores a nostalgic 4/5, and is one of the best animated films of the year.

 

Silent Hill was one of the few video game adaptations that actually lived up the game and this month we will see the release of the sequel into theaters. Check out this cool Italian poster for the flick featuring painted renderings of the main characters. If the movie turns out to be good I just may have to hunt one of these down.

Silent Hill: Revelation 3D is based on the acclaimed survival horror videogame franchise by KONAMI and is the sequel to Hadida and Carmody’s earlier Silent Hill directed by Christophe Gans. For years, Heather Mason (Clemens) and her father have been on the run, always one step ahead of dangerous forces that she doesn’t fully understand. Now on the eve of her 18th birthday, plagued by terrifying nightmares and the disappearance of her father, Heather discovers she’s not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her in Silent Hill forever.

Silent Hill: Revelation 3D hits theaters on October 26, 2012.

Source: Badtaste

Check out the first trailer for the sequel to the 1974 horror classic! You should know by now that you never go into the basement.

Lionsgate’s “Texas Chainsaw 3D” continues the legendary story of the homicidal Sawyer family, picking up where Tobe Hooper’s 1974 horror classic left off in Newt, Texas, where for decades people went missing without a trace. The townspeople long suspected the Sawyer family, owners of a local barbeque pit, were somehow responsible. Their suspicions were finally confirmed one hot summer day when a young woman escaped the Sawyer house following the brutal murders of her four friends. Word around the small town quickly spread, and a vigilante mob of enraged locals surrounded the Sawyer stronghold, burning it to the ground and killing every last member of the family – or so they thought.

Decades later and hundreds of miles away from the original massacre, a young woman named Heather learns that she has inherited a Texas estate from a grandmother she never knew she had. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars…

Texas Chainsaw 3D is in theaters January 4, 2013.

Well, those hoping to catch Warner Bros. The Great Gastby this December are going to have just a bit longer. The company has decided to move the movie from Christmas to the summer of 2013. So, what’s the deal with that? Warner Bros. President of Domestic Distribution Dan Fellman stated:

“Based on what we’ve seen, Baz Luhrmann’s incredible work is all we anticipated and so much more. It truly brings Fitzgerald’s American classic to life in a completely immersive, visually stunning and exciting way. We think moviegoers of all ages are going to embrace it, and it makes sense to ensure this unique film reaches the largest audience possible.”

Which could be entirely true or it could be what we have seen happening quite a bit recently with studios fearing that their films aren’t going to be able to survive out there. Why am I saying that? Because both Peter Jackson’s The Hobbit: An Unexpected Journey AND Quentin Tarantino’s Django Unchained are coming out that month. Especially due to BOTH The Great Gatsby and The Hobbit being released in 3D meaning they are going to have to compete for those screens. Also, let’s keep it real…we are ALL going to see those two before we see The Great Gatsby. So, maybe Warner Bros. is being honest with their reasoning or they’re just playing it safe. Either way the film is moved back to next year because they think the movie will be the “perfect summer movie around the world”. Well, I don’t know about that one.

Source: Deadline

Check out the first trailer for Silent Hill: Revelation which looks just as creepy as the first movie.

Heather Mason and her father have been on the run, always one step ahead of dangerous forces that she doesn’t fully understand, Now on the eve of her 18th birthday, plagued by horrific nightmares and the disappearance of her father, Heather discovers she’s not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her forever.


Silent Hill: Revelation
hits theaters on October 26th.

Well, it looks like we will be getting that fourth ‘Jurassic Park’ that has been talked about for years. Deadline is reporting that Universal is setting Rick Jaffa & Amanda Silver to write the script for the fourth film. Steven Spielberg and Kathleen Kennedy will be producing the film but Spielberg will not be directing this one.

Will we get robotic dinosaurs or cgi? Will it be yet another island they forgot about? Will we get any of the original cast? Just sayin’…Jeff Goldblum please.

I don’t have those answers. What I do know is that Universal is re-releasing the original film in 3D on July 19, 2013. Anybody hear that? It’s a, um… It’s an impact tremor, that’s what it is… I’m fairly alarmed here.

Amazon.com has listed a new item. It was five years of build up that led to one of the greatest (well… if not the best) comic book movies of all time… ‘The Avengers’. And now you can get them all in one collectors set.

(10-Disc Limited Edition Six-Movie Collector’s Set) [Blu-ray]
• Marvel’s The Avengers (Blu-ray 3D and Blu-ray)
• Captain America: The First Avenger (Blu-ray 3D and Blu-ray)
• Thor (Blu-ray 3D and Blu-ray)
• Iron Man 2 (Blu-ray)
• The Incredible Hulk (Blu-ray)
• Iron Man (Blu-ray)
• Bonus Disc – “The Phase One Archives” (Blu-ray)
• Collectible packaging with exclusive memorabilia from the Marvel Cinematic Universe

Release date is still TBA. Check back on Amazon for more details.

Amongst others Fox has set release dates for sequels to ‘X-Men: First Class’ and ‘Rise Of The Planet Of The Apes’.

First up we have on Memorial Day (May 23, 2014), Fox unleashes ‘Dawn Of The Planet Of The Apes’ The sequel to the $483 million grossing ‘Rise Of The Planet Apes’ Rupert Wyatt will be returning to direct. Andy Serkis has been confirmed to be returning as Caesar.

On July 18, 2014 we will see the release of the currently untitled sequel to the highly acclaimed and successful ‘X-Men: First Class’. Matthew Vaughn will return to direct and Bryan Singer will return to produce. Most of the cast has been confirmed as returning. Vaughn has previously stated about the sequel that “First Class is similar toBatman Begins’ where you have the fun of introducing the characters and getting to know them, but that takes time. But with the second one, you can just get on with it and have a rollicking good time. That’s the main difference between ‘Batman Begins’ and ‘The Dark Knight'”

Also on what new characters to expect “We will only have one more new character. I won’t say who he… I won’t say who he or she is! But we will only be bringing one more new character in, because, I think, as Professor X is in a wheelchair, Magneto needs to have a nemesis he can fight with. Someone that will be his equal. I know who it is. It would be nice if I could say something, but I can’t, mate!”

Other announced releases:

Percy Jackson: Sea of Monsters’ will hit theaters August 16, 2013.

‘Robopocalypse’ will be released April 25, 2014.

And finally… after the success of ‘Titanic 3D’ Fox has decided to re-release ‘Independence Day’ in 3D on July 3, 2013

Source: Deadline

Well, looks like there is more to GI Joe being pushed back than originally reported:

According to Dwayne “The Rock” Johnson’s tweet here it looks like they will actually be shooting new scenes for 3D rather than opting for a simple post film, 3D conversion.

Originally it was Jon Chu who chose to not shoot the film in 3D due to the budget.

[Per: The Hollywood reporter]

THR: How was it decided not to shoot the film in 3D?

Jon M. Chu: There was a point where we were talking about it when I first came. It seemed like a natural thing, but I told them, “I know 3D. This is what we need. If we’re going to do 3D, we’re going to do it right.” It had a certain price tag to it, and I was like, if you guys are down I’m down, but I do need more time to do it right. And they were about to do it but they cut it just a little bit short, and [I said,] “if you guys are going to cut it short there is no point. Let’s make a movie — let’s go for it and we’ll go all out. And we shot on film, super-35, and I thought this may be one of the last times I get to shoot on film, and it was actually kind of freeing. I mean, I love 3D and I think there is a lot you can do with it, but there is something to be said about just not waiting for anything. You’re just going. We shot so much film. I mean I think we shot 1.2 million feet of film.

Yesterdays announcement disappointed and let down numbers of fans that were looking forward to the original release date next month. The announcement also led to plenty of speculation as to why the film was being pushed back nearly a year. Some critics even stating Paramount had other motives beyond the 3D. The most interesting of the rumors being that Paramount is using the additional time to actively pursue Joseph Gordon-Levitt to return as Cobra Commander. While I see this being highly unlikely…you never can rule anything out these days. But I don’t see it happening.

GI Joe: Retaliation hits theatres March 29, 2013. Well… hopefully.

Get ready to return to Jurassic Park, just in time for the film’s 20th Anniversary in next year. Universal has just announced (via Deadline.com) that they are re-releasing their classic Spielberg blockbuster in 3D on July 19th, 2013, right smack dab in the middle of Summer. While re-releases of classic movies in 3D is not a new trend, usually they are released in the Winter or Spring, as to not compete with the big, shiny new movies of Summer. At the same time, Universal  has moved up the release of their Tom Cruise sci fi flick Oblivion to April 26, 2013. This seems a bit odd, as April seems a better date for an older movie, but what do I know?

While I am sick to death of 3D, I don’t mind older films getting the 3D re-release treatment, because that seems to be the only way to get those classic films on the big screen for a whole new generation of ignorant teenagers  fresh, new moviegoers. If the only way for that to happen is to release them in 3D, then so be it. Besides, what would you rather have….this or a lame Jurassic Park IV?

Soon to be "Comin' At Ya!" in 3D, scaring the pants of impressionable children brought to the theaters by irresponsible parents.

by Sax Carr and Tim Powers AKA Fandom Planet

There’s a LOT of talk of late about why anyone should, or should not, go see the recent 3D re-releases of the Star Wars films. The argument goes something like this:

I’m not going!  George Lucas RAPED my childhood!

…but… its Star Wars!

Cute.

While we agree that the artistic merit of the prequels is questionable at best, that is NOT why we won’t be going to see the films in theaters over the next few months or years. We’re not going because the medium of the 3D movie is horrible, and 3D re-released films cheapen the movie industry. It sets a dangerous precedent of attaching a gimmick to a crappy film and re-packaging it to gullible consumers.  We’re not going, and you shouldn’t either. We’ll explain:

There have been more then enough complaints online about the recent Hollywood trend of almost exclusively remaking films. “Where is the creativity!??!” cries the Internet. Well, the reason this keeps happening is because people continue to SEE these remade films. In fact, a remake is an sure-fire favorite to make MORE money than a new property because name recognition means so much in this wildly over-saturated era. (The concept is that the more familiar the public is with a film’s premise or hero, the more likely people will see it and the less selling the studios will have to do to convince you to go.)  Hollywood is not invested in making new, artistically viable, movies as much as its into making MONEY. Remakes make money, and thus there are MORE of them. Simple.

Crappy, but simple.  This is why there have been THREE “Alvin & The Chipmunks” movies.

There is a pretty effective explanation in this amazing review of the ‘09 Star Trek by Red Letter Media:

So, a couple years back when the 3D craze was really taking off (again), which we blame mostly on the lack of magic shows in small towns, which means Americans were dying to see stupid film parlor tricks. “Watch me pull a rabbit out of my ass and then toss it slowly at the  camera.”

 Ta… fucking… DAH!

Somehow the 3D film moved from being a gimmick reserved almost exclusively for the 3rd movie in a series (Jaws 3?) into a MUST have for any movie that comes out. (Green Hornet) Really? 3D is a must have? What’s next Smell-O-Rama? Cinemascope? Personally, We credit this all to the Back To The Future supporting villain “3D Glasses Guy”.  Billy Zane, the actor who played the 3D Glasses Guy (editor’s note: the below photo obviously shows Billy Zane standing next to 3D Glasses Guy, not playin him… no one has heard of Puke Yellow Sweater Guy in front of him since though) was also “The Phantom” in that 90’s Blockbuster Dud.

In the back you’ll see the greatest villain in cinema…

We think 3D films do NOTHING for audiences. They add nothing to the film experience.  They don’t impress us. Plus, a fair amount of the population either can’t see modern 3D (because of eye issues, Tim Powers included), find them nauseating, or can’t afford the extra five or ten bucks attached to the ticket price. Very few films are truly benefited by 3D, including Avatar and a few others that we can think of. Sadly Avatar also sucks.

It requires pointing out that the gimmick of 3D films was a fad in the 1950’s and used to sell such stinkburgers as Gorilla at Large, Robot Monster, Fantastic Invasion of Planet Earth and this winner:

(In full disclosure, Tim loves “Robot Monster” but does not consider it great cinema.)

Sigh.  Back to the point.

In  the middle of making EVERY film 3D, the folks at Disney hit on the idea of re-releasing some of their popular films again in 3D. Predictably this led to a huge amazing WIN. (read:  “money”) Gen X folks, eager to connect with their children (for once) brought them out to see these films again, and suddenly it was a huge success. Now every studio is trying desperately to find their old films to push back out on us with a quick 3D retooling. THIS CAN NOT HAPPEN!

In the days before home video, Disney would re-release one of their “classic” animated films to theaters every few years so new generations could see Robin Hood or Sleeping Beauty but that practice is no longer necessary.  Although we would rather see the amazing animation in Dumbo than the cookie-cutter Tangled.

Our objection has  less to do with George Lucas and how much money he needs to bleed out of his eager and devoted fans. This is is not about the movies sucking, nor not living up to the original trilogy. That is an argument settled years ago.  This is about not allowing the most profitable thing in cinemas to be yesterday’s cinematic leftovers. Why, you ask?

BECAUSE THEY WILL DO IT!

If Hollywood can just rehash  old movies, especially before cast and such signed contracts that gave them a piece of the action, and put them back in theaters,  why would they take a risk on new movies? Why risk anything when say Ghostbusters, Caddyshack, Labyrinth, Howard The Duck, or Porky’s II can be put back on the screen in 3D or smell-a-vision or whatever. Hollywood is about managing risk. When we march like zombies into any theater with a picture of a light-saber on the door…  we’re giving them ammunition for the gun that kills new creative endeavors.

By the way… this is the same principle as when you click “like” on a video in the “Shit BLANK says to BLANK” format. You are making more of those videos happen. Why create new Internet sketches when that existing format is still marketable.

Shit nerds say to other nerds who are PART OF THE FUCKING PROBLEM!

We digress. And, sadly, We’re also part of the problem, too, sometimes.

We understand these movies had a deep and powerful impact on most of our childhoods, or at least we wanted them to. Many people live their lives to cosplay, explore, and enjoy Star Wars cannon. That doesn’t give you licence to simply walk into these traps for nostalgia sake. We get it:  you love Star Wars!  But if you just eat up whatever crap they feed you, then you make sure then next thing they create is also going to suck. Worse, and this again is the point of this article, if you just consume perpetual reworks of the other films, when will other movies like it be made again?

Get it? Star Wars for the next generation! HA! HA! HA!

New films, even if they are re-makes (and we’ll discuss that in a second), do a lot for our society. They contribute to our general artistic growth, and they give young actors, writers and directors a chance to break out as well as giving established talent some well needed work. The same goes for people on the other side of the camera.  New movies do better for more people than re-released films shoveled down our throat because we can’t let go. George Lucas does not need any more money. We promise.

(Note: We know the 3D engineers that re-master these films need work too, but trust me, there are other, NEW movies, going into 3D.)

Re-Makes work differently in our opinion, but mostly because we enjoy the story telling options available when we revisit the well worn territory of something we all know and love. By and large we support the trend to adapt or re-make intellectual properties because it’s no different, to us,  than having two different people tell you a famous fairy tale. The new author leads to new insight It’s a good thing. (Did you know “The Maltese Falcon” with Humphrey Bogart was the THIRD remake of that story?)  Of course there is a very broad line between the ‘09 Star Trek reboot and the upcoming movie Battleship. Still, we support remakes on principle.

 I’m from a GOOD remake! Also… I look like a date you had once!

A 3D re-release is not the same. Its being served the same film we had before. That does nothing to retell the story. 3D effects are not going to change our perception of the Star Wars universe. We will not be fed our childhood at an premium cost. Fuck that.

We are all way smarter than this. (We hope.  We know YOU are, right?)

Plus, and this is a minor point, we thought putting old films back in theaters was the job of the little 3rd run indy theaters we all know and love. This is another attack on the brick and mortar mom and pop shops in favor of giant multiplexes. We love those little theaters. They exist to show you the films that no multiplex would ever bother to show. They make a little money by putting the Princess Bride back up for a weekend. Lets not handicap that. Just say NO.

So in short, we are not going to see this film because cheapens film in general. We won’t see it because every dollar the film makes puts us in danger of a almost creatively devoid film market. Seeing this film contributes to cheating future generations or their own iconic films and instead keep repeating our own fandom forever. Of course we are supporters of Fandom, but everyone deserves their own. We aren’t going to see this movie. Neither should you.

This and all 3D re-releases are off our dance card.

And, as we discussed earlier, the movie sucks Wookie Balls.