Tim and Sax look at some of the hold comic themed records from the days when The Riddler could release an album and ever kid in American would buy it. Also they mostly suck. Plus some ranting about whatever pissed us off and some fantastic “News of the Doomed” including a cheese fire that shuts down a tunnel… you’ll have to listen for an explanation.

This time, Tim and Sax record their review immediately after seeing Captain America 2: The Winter Soldier while still inside the theater!  You actually hear the boys get kicked out of the Cinerama Dome in Hollywood.  The review is full of spoilers, but you probably know them all by now anyway. In addition, Robot Cowboy presents an Audio Comics dramatization of the legendary Avengers #4, which literally thaws Captain America out after World War 2 and brings him in to present day Marvel continuity.  Tell your friends.

It’s Crisis on Infinite Podcasts as “Make It So” comes to Fandom Planet to launch its second season! Join the boys as well as CC2K’s Robert J. Peterson and Jordan Byrne and Brittany Wallock for an exploration of the Trek universe while they all watch TNG episodes from season 2.

The boys are back with more Fandom Planet and today its a very extended round table review of the blockbuster movie “Man of Steel”. Joining Tim and Sax are Comics and Comics alumni Ed Greer, Asterios Kokkinos, Tom and Miranda Franck, and The “Consistent” Ron Swallow.

This spoiler filled review looks at the good and the bad in this latest incarnation of Superman and the state of superhero films in general.

Lets go!

Tim and Sax take a look at what’s coming up at this years Stan Lee’s Comikaze Expo with special guest Regina Carpinelli. We’ve got the 411 on all the guests, special events, and surprises in store for the second year of this wildly successful convention. Listen close folks as we may have some information you can’t get anywhere else. Stay tuned for information on where you can catch Tim and Sax at the Con as well as more on upcoming Fandom Planet events.

 

Also this:

It’s a Deadman’s Party as the producers and star of the fan film “Requiem for a Deadman” join Tim and Sax. Producer and AVN Award Winner Nicki Hunter (“Naughty Office 19”) and  writer/star Wes Calimer (“Cutting Veggies”) discuss their labor of love and the hard road they encountered bringing Arnold Drake’s and Carmine Infantino’s baby to live-action. We discuss the relation between pornography fans and comics geeks (there isn’t much) as well as the benefits of kickstarter versus sponsorship. Learn what it takes to create a live-action version of a fan favorite comic book.

2012 San Diego Comic Con is under way.  Tim and Sax’s annual tradition continues as they and their friends make sure YOU are in the know for all the MUST-SEE events, guests and non-stop fun.  Personal updates and invitations are provided JUST FOR YOU from our pals Jerry Beck (and the WORST CARTOONS EVER!), The Battlestar Galactica Fan Club w/ Richard Hatch, Drew Seldin from Tri-Force prop replicas, our boss Jonathan London, Steve Rude,STEVE SEELEY & MICHAEL MORECI, Titan Books and many more!

Also, our pal Mark Evanier is hosting about a dozen panels that are ALL very cool.  He’s talking about Tarzan, Jack Kirby, Superman & Batman, Silver Age Marvels, Richie Rich, cartoon voices, Joe Simon, Archie, Mad Magazine and a zillion other things!  His guests on his panels include Marv Wolfman, Scott Shaw!,  Sergio Aragonés, Kieth Knight, Paul Levitz, Genius  Paul Dini, Batton Lash , Herb Trimpe, the amazing Stan Freberg and zillions more!

Ian Brill, formerly of BOOM! Comics, stops by to discuss his new self-published labor of love, “Dracula World Order.”  The independent comic features Ian’s story of Dracula creating a Vampire-Tocracy (our words, not his; he’s a better writer) and the struggle of the common people to survive in an oppressive time.  The book also features the additional talents of Tonci Zonjic, Rahsan Ekedal, Declan Shalvey and Gabriel Hardman, so you KNOW it’s good.  Ask for it by name at your local brick & mortar comic shop or order your copy today at http://www.tfaw.com/Profile/Dracula-World-Order-1___409125

Also, our friend Craig Yoe visits with Tim & Sax via SKYPE to talk about his new book “Frazetta Funnies” featuring the work of master artist Frank Frazetta, but not as you may expect.  In stead of barbarians and Molly Hatchet album covers, the book contains funny animal stories which, while light and fun, show Frazetta’s amazing skill at creating a page layout unparallelled.  Also, the boys discuss Yoe’s monthly POPEYE book from IDW (for which he is co-editor), a collection of underground S&M comics created by Superman’s Joe Shuster, zombies, Krazy Kat and what it’s like to have the coolest job in the comics industry.

Visit the official Dracula World Order page here:   http://draculaworldorder.tumblr.com/post/24607453321/dracula-world-order-is-coming-hi-im-ian-brill
Visit Craig Yoe’s YoeBooks site here:  http://yoebooks.com/

Tim and Sax rush into action to try and guess who DC comics is going to out as gay in the next few weeks. Speculations include sgt rock, wildcat, and jerry Lewis, along with the most famous members of the DC Elite. Come with us on a journey of sexual-forensics, laughter, and a lengthy discussion of who counts as “iconic”.

Sax and Tim’s note: Just after we recorded this it was reported that the group “One Million Moms” came out against DC having this or any gay characters and suggested they would boycott the books.  In response the folks at Fandom Planet would like to suggest we all buy whatever issue announces the Gay character in record numbers.

Being gay is nothing to be ashamed of, and we support DC in bringing more homosexual characters into everyday comics. From Renee Montoya to Kate Kane to whomever this turns out to be (Plastic Man?) we support them.

Oh and at the end of this episode we talk for a bit about Batgirl: Spoiled (Sax’s new webseires) check it out here: http://bit.ly/BatgirlTeaser

Former writer & producer for “Lost” and creator of the ABC Family Show “The Middleman,” Javier Grillo-Marxuach joins the boys to discuss his new comic series from APE, “Ramiel: The Wrath of God.”The book has been reviewed by the comics industry and even gained some mainstream press attention in a recent piece in USA TODAY which features a preview of issue #1. You can see the article here: http://www.usatoday.com/life/comics/story/2012-04-26/Ramiel-angel-comic-book-series/54562724/1

Along the way, all three men get very, very silly and start making fun of
everything! This is one of our most laugh-filled episodes. Even ROBOT
COWBOY Chimes in!

 

PS: we used an image from http://justjennrecipes.com/ramiel-cupcakes/2012/04/24/ for our header image here… also she makes cupcakes… um… eat them ALL!

This episode features two very special interviews! First, Tim and Sax visit with Roger Langridge, writer for IDW’s new monthly Popeye comic. The book is not only an homage to the classic EC Segar strip of the 20’s and 30’s, but is so visually appealing that
it could be a lost relic of the era, time traveled to the 21st Century for our enjoyment. Ask for POPEYE from IDW at your LCS! In addition, the great Mike Baron joins us from him home thanks to the miracle of SKYPE to discuss the return of NEXUS, which he co-created
with the magnificent Steve Rude in 1981. NEXUS makes his return to comics THIS WEEK thanks to DARK HORSE. We talk with Mike about creator owned properties, the maturity of a storyteller and his story, and the evolution of NEXUS.

Today is the Long Beach Comic Con! Can’t go? Feelin’ bummed?

Well… NO MORE! Tim Powers of Fandom Planet and Mr. Sam Proof are live streaming interviews and features from the Long Beach Comic Con floor today! It’s the second best thing to being there yourself! Check it out!

Login to chat with your facebook, twitter, or linked in account

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Next week Fandom Planet is heading to the LBCC 1 day Expo. So in celebration of one of our favorite events:

Tim and Sax present some of their favorite interviews from the last Long Beach Comic Con. The boys were webcast live to an audience of almost 30,000 worldwide as they met with creators, cosplayers, writers, producers and fans. They made new friends and hung out with old friends. Here are some of the interviews from that show, including:

Iron Man pro Bob Layton promoting a new movie project
The creators behind “Ninja Mom”
George Chase, the brilliant mind behind the indy comix hit “Comic Book Junkies”
and
AVN award winner and X-Rated goddess Nikki Hunter

And much, much more.

Tim And Sax meet with Aaron Fechter, the inventor of Showbiz Pizza, the subject of the recently profiled “Rock-A-Fire Explosion” documentary. Aaron is a 21-st Century Mad Scientist with splashes of robotics, rock & roll, charm, and wackiness. Aaron discusses the history of the legendary Showbiz Pizza empire, how the Rock-A-Fire robots were invented and the personalities that brought them to life, and the roller-coaster ride of success that Showbiz brought him. Creating a cultural icon from scratch is not an easy thing, and it was even MORE difficult in the early 1980’s!

Also, listen to this show to learn how YOU — yeah, you!— can win a copy of American Dad, Volume 7, on DVD. All 19 episodes of Season Seven can be YOURS for absolutely free. It’s Fandom Planet’s AMERICAN DAD contest! Listen, Win, Enjoy your DVD set! Many will enter, few will win. No purchase necessary. Void where prohibited. American Dad DVD’s are courtesy of our friends at FOX HOME VIDEO.

Last week, on March 29th, HB 2549 passed the Arizona State legislature, that’s both houses of the state congress, and the bill is now sitting on Governor Jan Brewer’s desk awaiting her decision.

For those of you who remember your Schoolhouse Rock, a bill is only bill until it is signed by the governing body (The President, or in this case, the state’s governor).  We can only hope Governor Brewer elects to veto this bill on the grounds that it is a brazen pile of poopy.  In fact, under HB 2549, we could be prosecuted for saying that.

If you listen carefully, you can hear Thomas Jefferson spinning in his grave as The Great State of Arizona prepares to accept, into law, a bill that would make it a crime to communicate via an electronic medium (like the Geekscape Forums, text message, email, radio, e-book or website) any speech that is intended to (these are actual, quoted words from the bill) “offend,” “harass,” “terrify,” or “annoy.”  In addition, the bill would also outlaw certain sexual speech.  Yes, a law in th 21st Century United States that would outlaw certain speech.  Outlaw…speech.

This means that under this law, if you are in Arizona and you see something that offends you via an electronic medium, the person responsible for that message can be punished for offending you.  This means that if someone calls you a naughty name on a website forum:  BAM!  Criminal Record.  Rush Limbaugh calls someone a “slut” on the radio in Arizona:  BAM!  Prosecution for Limbaugh under Arizona State Law.  Somebody reads a piece of graphic horror fiction by Steve Niles:  BAM!  Niles is hauled into court in Arizona.

This law would seriously restrict dialog and discourse, no matter how rooted in good-natured ribbing it might be, between sports fans of rival teams, between fans of Star Trek versus Star Wars, between Marvel and DC.  Anywhere that there is a rivalry where the conversation, in an electronic medium, gets bawdy or “trash talking,” this bill proposes to make that a criminal zone in Arizona.

This is a violent offense to the US Constitution’s First Amendment.  For those of you as old as us, who don’t remember High School Civics, here’s the Amendment:

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

The high points: “No law.. abridging the freedom of speech, or of the press…”  It’s the principle on which The US was founded.

Further, in this bill, the terms “offend,” “harass,” “terrify,” and “annoy” are not clearly defined, so anything annoying would be illegal in Arizona.

Free Speech is protected by the Constitution, even if it is offensive or ill conceived.  Everything from The Westboro Baptist Church’s hate-crap to “Juggs Magazine” to the diatribe of fanboys upset over the crappiness of the Green Lantern movie is protected speech.  To make it illegal is, in itself, a crime.

How it made past both houses of congress in the state is astounding.

We at Fandom Planet, along with the good people of Media Matters and The Comic Book Legal Defense Fund,  ask you to protect the First Amendment rights of all the people of Arizona and reject or amend H.B. 2549.

The phone number to the Governor’s office is 800-253-0883.  Email can be sent at this website:  http://www.azgovernor.gov/Contact.asp

If you are in Arizona, exercise your right to petition the government and speak out against bad law while you still can.

***********************************

Fandom Planet is the first syndicated all-Geek podcast/radio show. Taking the well established “Drivetime” radio format and turning it on its head, hosts Powers/Carr (that’s Los Angeles Stand-up Comedians Tim Powers and SAX Carr) talk to one or more “creatives” from the worlds of television, movies, comics, video games, and beyond. We created the #AllisonScag4Cassie movement, to encourage the producers of the Hack/Slash movie to cast “Warehouse 13” actress Sallison Scagliotti in the title role. The Fandom Planet is a galactic central point for all geeks to come together and realize that everyone is an enthusiast for something– and that binds us together. We know geeks have power, but only when their voices are heard. Fandom Planet, therefore, will do our best to bring your message to the rest of our listeners.  Listen to Fandom Planet here on Geekscape or on iTunes.  Contact the boys at fandomplanet@yahoo.com

 

 

In the 1980’s, the cool kids all went to Showbiz Pizza to see the animatronic actions of the robot performers collectively known as The Rock-A-Fire Explosion. Like the Atari 2600 and the Commodore VIC20, the Showbiz Pizza of the 80’s gave way to corportate giant Chuck E. Cheese, but the Rock-A-Fire Explosion lives on. Billy Bob, Fats the Gorilla, Mitzi the Mouse and the rest are held in esteem by fans all over the world, and their leader is small-town DJ Chris Thrash.

The Rock-afire Explosion Documentary film reveals how Chris came to revive this fallen 80’s gem, explores his and a number of other fan’s obsessions with the animatronic band, and chronicles the rise and fall of Showbiz Pizza and what was once a 20 million dollar per-year venture for inventor Aaron Fechter. More than this, the film is a look at the importance of nostalgia, ever-changing media culture, and the eternal quest to stay young.

Tim and Sax are joined by Producer/Director Brett Whitcomb and Writer/Editor Brad Thomason to discuss the glimpse into the human condition, American commerce, and a man’s dream that refuses to die.

You can learn more about the Rock-A-Fire Explosion Showbiz Pizza documentary here: http://www.rockafiremovie.com/

Also, at the end of this episode is Tim’s tribute to the late Davy Jones, the Monkee.

Over the past several days, much has been written about the plight of creator Gary Friedrich, the man behind the creation of Marvel’s Ghost Rider.  There isn’t much more to say about Gary, his attempt to be compensated by Marvel for creating a property that has spawned two profitable feature films, and the resulting $17,000 counter-suit Marvel and the courts dropped on him.

Gary at a Con showing off his creation.

The law is the law and there’s not much sense in rehashing copyright law or work-for-hire.  We have seen the screwjobs given to Joe Simon, Jack Kirby, Siegel & Shuster, Jerry Robinson, Bill Finger, Archie Goodwin, Alan Moore.  It’s an unfortunate circumstance in the comics business and it seems the new trend is to sue for ownership of characters created decades ago as work-for-hire.  (Even Stan Lee Media is currently suing Marvel for the rights to Spider-Man, The X-Men, The Fantastic Four and others.)

We at Fandom Planet are not lawyers.  You might be, but statistically speaking, you’re probably not.  It is more likely you’re a fan and if you are a fan, this is the part of the article that should be most interesting to you.

The fact of the matter is this:  Gary Friedrich is not well.  He’s in poor health and he doesn’t see a nickel of any of the revenue generated by merchandise or media featuring Ghost Rider.  He’s had to stop selling merchandise featuring Ghost Rider at conventions (which was a source of income for him and his wife) and it’s our opinion that the $17,000 suit is not a result of damages to Marvel but a punitive effort by a corporate giant to stop the little guy from making a buck.  Even if it’s a buck the corporate giant squeezed out of the little guy in the first place.

Sad Ghost Rider is sad about lawsuit.

Do we know this to be true? No. How could we? However. damages not withstanding, a suit of this kind against a sick man is in BAD taste. In our humble opinion: Marvel should have, after quietly waving its hand to dismiss his lawsuit, given the man a sizable donation to his health. We’re sure the folks at Marvel might consider that a tacit admission of guilt, but what it WOULD have been was a kind gesture to a very unwell creator that just made them millions of dollars. Or… that remains to be seen.

Friend of the show Steve Niles has orchestrated a relief fund for Gary.  We support Steve in his efforts (as does creator rights crusader and comics god Neal Adams).  The fandom community has been very generous and it looks like it’s gonna be OK for Gary as far as getting this settlement behind him.

Gary Friedrich we salute you!

Last week, the Ghost Rider feature film opened in the US.  We haven’t seen it.  We’re not going to see it.  We LOVE the Ghost Rider character but we’re not going to see this film in protest of how Marvel’s treated Gary.  INSTEAD, we are going to donate the cost of two tickets to Ghost Rider (in our part of Hollywood, according to Fandango.com, that’s $26.00 for two adult tickets to a screening of Ghost Rider 2) to the relief efforts.  We encourage you to do the same.

NOTE: Business is business. We get that. We are not claiming to know what happens behind closed doors at Marvel or anywhere else. Still we love Ghost Rider, and we love the man who created him. Fandom Planet feels like money spent to support properties we love should always somehow trickle down to those who made them in the first place. Its a simple, non-judgmental, mantra. We won’t be seeing Ghost Rider 2, but if you want to see the film, toss a few bucks to Gary, its what artists deserve.

For further reading, we submit this article from FORBES:  http://www.forbes.com/sites/danielnyegriffiths/2012/02/10/ghost-rider-watchmen-lawsuit/

And this piece from Neal Adams:  http://www.bleedingcool.com/2012/02/13/neal-adams-addresses-comics-industry/

To contribute to Gary’s Relief Fund right now through Steve Niles’ amazing efforts, click here:  http://www.steveniles.com/gary.html

Consider it penance for seeing the FIRST Ghost Rider movie.

Fandom Planet et al

by Sax Carr and Tim Powers AKA Fandom Planet

There’s a LOT of talk of late about why anyone should, or should not, go see the recent 3D re-releases of the Star Wars films. The argument goes something like this:

I’m not going!  George Lucas RAPED my childhood!

…but… its Star Wars!

Cute.

While we agree that the artistic merit of the prequels is questionable at best, that is NOT why we won’t be going to see the films in theaters over the next few months or years. We’re not going because the medium of the 3D movie is horrible, and 3D re-released films cheapen the movie industry. It sets a dangerous precedent of attaching a gimmick to a crappy film and re-packaging it to gullible consumers.  We’re not going, and you shouldn’t either. We’ll explain:

There have been more then enough complaints online about the recent Hollywood trend of almost exclusively remaking films. “Where is the creativity!??!” cries the Internet. Well, the reason this keeps happening is because people continue to SEE these remade films. In fact, a remake is an sure-fire favorite to make MORE money than a new property because name recognition means so much in this wildly over-saturated era. (The concept is that the more familiar the public is with a film’s premise or hero, the more likely people will see it and the less selling the studios will have to do to convince you to go.)  Hollywood is not invested in making new, artistically viable, movies as much as its into making MONEY. Remakes make money, and thus there are MORE of them. Simple.

Crappy, but simple.  This is why there have been THREE “Alvin & The Chipmunks” movies.

There is a pretty effective explanation in this amazing review of the ‘09 Star Trek by Red Letter Media:

So, a couple years back when the 3D craze was really taking off (again), which we blame mostly on the lack of magic shows in small towns, which means Americans were dying to see stupid film parlor tricks. “Watch me pull a rabbit out of my ass and then toss it slowly at the  camera.”

 Ta… fucking… DAH!

Somehow the 3D film moved from being a gimmick reserved almost exclusively for the 3rd movie in a series (Jaws 3?) into a MUST have for any movie that comes out. (Green Hornet) Really? 3D is a must have? What’s next Smell-O-Rama? Cinemascope? Personally, We credit this all to the Back To The Future supporting villain “3D Glasses Guy”.  Billy Zane, the actor who played the 3D Glasses Guy (editor’s note: the below photo obviously shows Billy Zane standing next to 3D Glasses Guy, not playin him… no one has heard of Puke Yellow Sweater Guy in front of him since though) was also “The Phantom” in that 90’s Blockbuster Dud.

In the back you’ll see the greatest villain in cinema…

We think 3D films do NOTHING for audiences. They add nothing to the film experience.  They don’t impress us. Plus, a fair amount of the population either can’t see modern 3D (because of eye issues, Tim Powers included), find them nauseating, or can’t afford the extra five or ten bucks attached to the ticket price. Very few films are truly benefited by 3D, including Avatar and a few others that we can think of. Sadly Avatar also sucks.

It requires pointing out that the gimmick of 3D films was a fad in the 1950’s and used to sell such stinkburgers as Gorilla at Large, Robot Monster, Fantastic Invasion of Planet Earth and this winner:

(In full disclosure, Tim loves “Robot Monster” but does not consider it great cinema.)

Sigh.  Back to the point.

In  the middle of making EVERY film 3D, the folks at Disney hit on the idea of re-releasing some of their popular films again in 3D. Predictably this led to a huge amazing WIN. (read:  “money”) Gen X folks, eager to connect with their children (for once) brought them out to see these films again, and suddenly it was a huge success. Now every studio is trying desperately to find their old films to push back out on us with a quick 3D retooling. THIS CAN NOT HAPPEN!

In the days before home video, Disney would re-release one of their “classic” animated films to theaters every few years so new generations could see Robin Hood or Sleeping Beauty but that practice is no longer necessary.  Although we would rather see the amazing animation in Dumbo than the cookie-cutter Tangled.

Our objection has  less to do with George Lucas and how much money he needs to bleed out of his eager and devoted fans. This is is not about the movies sucking, nor not living up to the original trilogy. That is an argument settled years ago.  This is about not allowing the most profitable thing in cinemas to be yesterday’s cinematic leftovers. Why, you ask?

BECAUSE THEY WILL DO IT!

If Hollywood can just rehash  old movies, especially before cast and such signed contracts that gave them a piece of the action, and put them back in theaters,  why would they take a risk on new movies? Why risk anything when say Ghostbusters, Caddyshack, Labyrinth, Howard The Duck, or Porky’s II can be put back on the screen in 3D or smell-a-vision or whatever. Hollywood is about managing risk. When we march like zombies into any theater with a picture of a light-saber on the door…  we’re giving them ammunition for the gun that kills new creative endeavors.

By the way… this is the same principle as when you click “like” on a video in the “Shit BLANK says to BLANK” format. You are making more of those videos happen. Why create new Internet sketches when that existing format is still marketable.

Shit nerds say to other nerds who are PART OF THE FUCKING PROBLEM!

We digress. And, sadly, We’re also part of the problem, too, sometimes.

We understand these movies had a deep and powerful impact on most of our childhoods, or at least we wanted them to. Many people live their lives to cosplay, explore, and enjoy Star Wars cannon. That doesn’t give you licence to simply walk into these traps for nostalgia sake. We get it:  you love Star Wars!  But if you just eat up whatever crap they feed you, then you make sure then next thing they create is also going to suck. Worse, and this again is the point of this article, if you just consume perpetual reworks of the other films, when will other movies like it be made again?

Get it? Star Wars for the next generation! HA! HA! HA!

New films, even if they are re-makes (and we’ll discuss that in a second), do a lot for our society. They contribute to our general artistic growth, and they give young actors, writers and directors a chance to break out as well as giving established talent some well needed work. The same goes for people on the other side of the camera.  New movies do better for more people than re-released films shoveled down our throat because we can’t let go. George Lucas does not need any more money. We promise.

(Note: We know the 3D engineers that re-master these films need work too, but trust me, there are other, NEW movies, going into 3D.)

Re-Makes work differently in our opinion, but mostly because we enjoy the story telling options available when we revisit the well worn territory of something we all know and love. By and large we support the trend to adapt or re-make intellectual properties because it’s no different, to us,  than having two different people tell you a famous fairy tale. The new author leads to new insight It’s a good thing. (Did you know “The Maltese Falcon” with Humphrey Bogart was the THIRD remake of that story?)  Of course there is a very broad line between the ‘09 Star Trek reboot and the upcoming movie Battleship. Still, we support remakes on principle.

 I’m from a GOOD remake! Also… I look like a date you had once!

A 3D re-release is not the same. Its being served the same film we had before. That does nothing to retell the story. 3D effects are not going to change our perception of the Star Wars universe. We will not be fed our childhood at an premium cost. Fuck that.

We are all way smarter than this. (We hope.  We know YOU are, right?)

Plus, and this is a minor point, we thought putting old films back in theaters was the job of the little 3rd run indy theaters we all know and love. This is another attack on the brick and mortar mom and pop shops in favor of giant multiplexes. We love those little theaters. They exist to show you the films that no multiplex would ever bother to show. They make a little money by putting the Princess Bride back up for a weekend. Lets not handicap that. Just say NO.

So in short, we are not going to see this film because cheapens film in general. We won’t see it because every dollar the film makes puts us in danger of a almost creatively devoid film market. Seeing this film contributes to cheating future generations or their own iconic films and instead keep repeating our own fandom forever. Of course we are supporters of Fandom, but everyone deserves their own. We aren’t going to see this movie. Neither should you.

This and all 3D re-releases are off our dance card.

And, as we discussed earlier, the movie sucks Wookie Balls.   

On March 3, the HUB Channel (check your local cable/sat TV provider) launches the much anticpated “The Aquabats! Super Show!”

The show’s creator and de-facto star, Christian Jacobs (aka MC Bat Commander, leader of the Aquabats!) joins the show to talk about life with The Aquabats, the creation of the Super Show and the success of his other children’s TV show, “Yo Gabba Gabba.”

“The Aquabats! Super Show”! centers around The Aquabats, a band of superhero musicians on a never-ending quest to fight evil, preserve justice and become the world’s greatest rock and roll band. The format of the show consists of both live-action and animated segments chronicling the adventures of The Aquabats, intercut with various sketches, cartoons, parody commercials, music videos and live footage of the band in concert.

Tim’s daughter, Katie, also has a cameo in “The Aquabats! Super Show!”

Bill Hudson, oldest brother in the 1970’s pop music and television sensation “The Hudson Brothers,” and father of Golden Globe winning actress Kate Hudson, joins Tim to discuss his new book “2 Versions, The Other Side of Fame and Family.”

While enjoying success as part of the The Hudson Brothers, Bill Hudson fell in love and married actress Goldie Hawn. After their divorce, Bill found himself in the middle of the controversial issue of parental alienation. His rights as a father to see his children were often played out in the media because Oliver and Kate became actors themselves.

Now Bill is ready to share his fascinating Hollywood stories of life as a teen idol and husband to two famous women, Goldie Hawn and Cindy Williams.

His book also talks about how parents can often become alienated from their children when they don’t have primary custody. Hopefully, at some point, this family will be able to have a healthy adult relationship before it’s too late.

Sax is away on assignment. Tim is left alone and scores an interview with writer Arvid Nelson, the man responsible for Dynamite Comics’ new “Lord of the Jungle” series starring, naturally, Tarzan. The comic is a faithful adaptation of the great Edgar Rice Burroughs’ novels starting right from the beginning. “Lord of the Jungle” is one of the best new comics out there. It features great artwork by Roberto Castro and, if you’re lucky to get one, a painted cover by the great Alex Ross. The cover price for the first issue is only a buck. Do yourself a favor and pick up an issue today. Arvid has a lot to say about Tarzan and his love for the character and the medium of comic books is very, very clear. AAAAAA-oooooo-aaaaaaaaaa! Editors Note: After Tim recorded this interview it was announced that the Edgar Rice Burroughs Estate had filed a lawsuit against Dynamite for the use of the Tarzan IP (and others). We chose to air this episode unedited with hopes of contributing to the knowledge of the issue. We will be covering the story from here on out.