July is coming up shortly. It is a month of conventions, BBQs, and (hopefully) air-conditioning. Oh yeah, and vampire-slaying. That last one is courtesy of Netflix’s upcoming series, Castlevania, based on the long-running video game series of the same name. The first teaser trailer for the show was released yesterday and it is sure to get your blood pumping! The animation has a definite anime flavor to it.

The official synopsis cleanly describes Castlvania‘s plot:

Inspired by the classic video game series, Castlevania is a dark medieval fantasy following the last surviving member of the disgraced Belmont clan, trying to save Eastern Europe from extinction at the hand of Vlad Dracula Tepe himself. The animated series written by best-selling author and comic book icon Warren Ellis and executive produced by Warren Ellis, Kevin Kolde, Fred Seibert and Adi Shankar.

You can take a gander at the trailer below. And post what you think of it in the comments. I know I am pretty psyched to watch this new show!

Universal today released a new featurette that digs deeper into Dracula Untold. The brutal looking film digs into the untold (duh) origin of Dracula, and looks to paint the character in a different light than we usually see him: a hero who turns to darkness to protect the ones he loves.

The film stars Luke Evans, Sarah Gadon, Dominic Cooper, Diarmaid Murtagh, Samantha Barks, and more, and hits theatres on October 17th. Take a look at the features below, and let us know what you think!

Briefly: I hadn’t actually heard of this one until today, but it actually looks pretty cool!

Universal today released the first official trailer for Dracula Untold. The brutal looking film digs into the untold (duh) origin of Dracula, and looks to paint the character in a different light than we usually see him: a hero who turns to darkness to protect the ones he loves.

The film stars Luke Evans, Sarah Gadon, Dominic Cooper, Diarmaid Murtagh, Samantha Barks, and more, and hits theatres on October 17th. Take a look at the trailer below, and let us know what you think!

http://youtu.be/3AXVuHRSR_w

Luke Evans (Fast & Furious 6, Immortals) stars in Dracula Untold, the origin story of the man who became Dracula. Gary Shore directs and Michael De Luca produces the epic action-adventure that co-stars Sarah Gadon, Dominic Cooper, and Diarmaid Murtagh.

Below is the definitive list of new and returning shows on network and cable (excluding the smaller niche channels such as Cartoon Network and Nickelodeon) that could possibly have a fandom, be near a fandom, or be fandom adjacent…

Peruse through the list, watch some trailers (though not every show has a trailer yet), and have fun!

So. Alphabetical order. Nice and neutral.

Starting with:

abc-logo

Marvel’s Agents of S.H.I.E.L.D

ABC, Tues, 8 to 9 p.m. Air Date: 9/24

Whedon’s back on the small screen, folks, and he’s brought Coulson. And Lola. While not necessarily a super-hero show (Coulson runs a small team of normal, if talented, people who track and contain—if needed—new superhuman talent), it lives and breathes at the intersection of Marvel and Whedon so really, anything could happen. Whedon has said that the new series is Avengers adjacent, taking place after the events of The Avengers, but focusing on the normal people on the peripheral of the super-hero action. It is expected that the show will interact with both Captain America: The Winter Soldier as well as the upcoming Avengers sequel.

Clark Gregg reprises his role as Phil Coulson (you could hear the screams of joy as far as Montana when he was revealed as being alive at the 2013 South by Southwest Festival this year). He is joined by Ming-Na Wen (Mulan, Stargate Universe, Eureka), fan favorite J. August Richards (Angel), Cobie Smulders (How I Met Your Mother, Avengers), and Ron Glass (Firefly, Serenity) along with a host of new, interesting characters that round out the team of S.H.I.E.L.D.

Quite possibly the most anticipated show airing this season—the pilot has gotten high scores at IGN as well as positive reaction from the San Diego Comic Con crowd—its pedigree and fan base should guarantee significant support—the question is will it appeal to a larger audience? Hopefully its adventure-of-the-week, underdog format will make it accessible enough for both the fans and the soon-to-be fans.

Once Upon A Time in Wonderland

http://youtu.be/vqOwV-2B5_w

ABC, Thurs, 8 to 9 p.m., 10/10

A spin-off of ABC’s hit Once Upon a Time, now in its third season, Once Upon a Time in Wonderland follows a now grown-up Alice, almost convinced her adventures were the ravings of an insane mind,  as she escapes from a Victorian London insane asylum and goes back down the rabbit hole.

Wonderland, however, is also a victim of the same curse as the residents of Storybook, Maine, prompting Alice into new and—hopefully— thrilling adventures.

The show is expected to cross over with Once Upon A Time and share characters and settings, as well as having the blending of ABC/Disney mythology that Once Upon a Time is known for (Once Upon A Time deals entirely with the Disney version of fairytales, stretching the premise as far as possible to include other characters, such as Mulan, Peter Pan, etc.).

Once Upon A Time had a similarly exciting premise that was never fulfilled, stuck instead in a mire of bad dialogue, over-exposition, predictable ‘twists’ and flashbacks with painfully obvious ‘lessons’ (only Rumpelstiltskin, played by Robert Carlyle, was ever able to convincingly play both sides of his characters). Hopefully Alice will not be plagued by the same issues.

Created by the same team as Once Upon a Time, Edward Kitsis and Adam Horowitz (who were also responsible for Tron: Legacy),  Alice stars newcomer Sophie Lowe as Alice, with Emma Rigby (Hollyoaks, Prisoners Wives) as The Red Queen, John Lithgow (Third Rock from the Sun to name one….) as the voice of the White Rabbit, and Naveen Andrews (The English Patient, Lost, The Adventures of Sinbad) as Jafar.

Mind Games is slated for a midseason release on ABC.
Mind Games is slated for a midseason release on ABC.

Midseason

ABC also has two shows slated for a midseason premiere which skate along the borderline of geekdom:

Mind Games

http://youtu.be/s2P9Qc5tgzo

ABC, Sundays, 10 to 11 p.m., 3/9/14

 From Kyle Killen (Lone Star, Awake), Mind Games stars Christian Slater and Steve Zahn as brothers who use psychological manipulation to help their clients solve problems; from the preview it looks a little like Franklin and Bash meets Leverage with some Lie to Me thrown in for good measure.

Resurrection

http://youtu.be/8MFrquHzlWA

ABC, Sunday, 10 to 11 p.m., Limited Series, 2/24/13

Based on Jason Mott’s novel The Returned,  and co-produced by a long list of people including Brad Pitt and Angelina Jolie, Resurrection stars Omar Epps (House), Francis Fisher (Eureka, Sons of Anarchy, Torchwood: Miracle Day) and Kurtwood Smith (That ‘70’s Show, Star Trek IV, 24). The show follows the lives of the citizens of Arcadia, Missouri as their loved ones begin returning from the dead—not as zombies, but as living, breathing, alive people the same age as they were when they died.

Castle returns to ABC on Monday, Sept. 23rd.
Castle returns to ABC on Monday, Sept. 23rd.

Returning Shows:

With renewals for both Once Upon a Time (Sun 8 to 9 p.m., 9/29) for its third season, and Castle (Mon, 10 to 11 p.m., 9/23) for its sixth season, ABC is a strong second among the networks for geek friendly fare.

 tumblr_ma7sj5lfJI1r5mzd8

BBC America—known for quality geekfare such as Merlin, Torchwood, Orphan Black, Being Human, Misfits, Vex, Spaced, Black Books and, of course, Doctor Who, Red Dwarf and Hitchhikers Guide to the Galaxy—only has one new offering for the Fall 2013 season.

Atlantis

BBC America, Saturday, 11/23, Time TBA

Atlantis is a fantasy adventure program created and written by Howard Overman (Misfits and Vexed) and Johnny Capps (Merlin). The show’s main cast reads like a Guide to Greek Myths (Jason, Hercules, Medusa, The Oracle) and the series is set to be one of the most expensive projects on the BBC Wales studio. There is no official preview/trailer yet, but numerous six-second teasers can be found here: https://www.facebook.com/bbcatlantis

Atlantis looks to be very much in the BBC Sword-and-Sandals adventure genre, and we can safely expect well written, well-acted episodes with the occasional extremely cheesy special effect.

The Musketeers debuts on BBC America midseason 2014.
The Musketeers debuts on BBC America midseason 2014.

Midseason

The Musketeers is slated for midseason debut, but there is little information on it other than the newest incarnation of the Doctor, Peter Capaldi, was filming the show (he’s Cardinal Richelieu) when he was offered the role of the Doctor. Also starring Santiago Cabrera (Heroes, Merlin) and Luke Pasqualino (Skins).

The Doctor Who 50th Anniversary is slated for 11/23/13
The Doctor Who 50th Anniversary is slated for 11/23/13

Returning Shows

While disappointingly low on the new shows slate this season, the returning shows more than make up for it. With the Doctor Who 50th Anniversary special on 11/23/13, as well as season 8 coming up (and a new Doctor), Orphan Black returning midseason (March 2014), and of course, the ubiquitous Top Gear (I won’t say which season, its re-run so much it’s nearly impossible to tell).

Sherlock Holmes will return for its third season as well, but will air in America on PBS.

cbs

CBS is next in our little alphabetical list…and they have nothing. Not the geek-friendliest network, CBS. Mid-season has a new show coming out called Intelligence (Mon, 10 to 11 p.m., air date 2/24/14), which basically looks like a not-as-funny Chuck. Which makes sense for the network that also has The Mentalist, which is basically a not-as-funny Psych.

 

new-cw-logo_613x345
Just to be clear, this is The CW’s logo, unedited, pulled straight from the internet.

Ah, the CW.  Where else could we find such unabashedly sexy fare?  As well as very, very, very geek friendly. And quantity, one might say, over quality. We have to at least give them credit for trying: of all the networks, the CW continuously has the most fantasy/sci-fi/speculative/comic-book based shows every season. And they don’t even require proficient storytelling or decent ratings when it comes to renewing them. This throw-it-at-the-wall-and-see-what-sticks approach has brought us Arrow and Beauty and the Beast; but it also brought us Supernatural and Nikita.

However, it has to be said that most CW shows can be boiled down to “pretty (mostly white) people with  (Insert bad guy/thing here) problems hook up with each other while maintaining bouncy, shiny hair and flawless skin.”

This year the CW gives us five—that’s right, five—sci-fi/fantasy shows. Three premiere this fall, the other two have mid-season dates.  True to mold, they all have a large cast of young, nubile and extremely good looking people who seem to spend a lot of time with their shirts either off or unbuttoned. Not to complain: sometimes it’s nice to sit back and watch the pretty.

The Originals

http://youtu.be/WTKj52BUEeU

CW, Sneak Peek: Thurs, 9 to 10 p.m., 10/3; Regular Timeslot: Tues, 8 to 9 p.m., 10/8

A spin off of the popular Vampire Diaries, The Originals follows the lives of various supernatural characters (vampires, witches, werewolves, half vamp/half wolves…) in hot, steamy New Orleans. For some reason that sounds really familiar…but we just can’t place where we’ve seen something like that before.

The series focuses on the Klaus (Joseph Morgan), Elijah (Daniel Gillies) and Rebekah (Claire Rhiannon Holt) Mikaelson, vampire siblings–and the world’s original vampires–as they return to New Orleans—a town Klaus founded, centuries before—and enter a power struggle with the local supernaturals to reclaim to city.

The Originals has a sneak peek immediately after the season premiere of The Vampire Diaries before it moves to its normal timeslot on Tuesdays, leading into Supernatural. 

Reign

CW, Thursdays, 9 to 10 p.m., 10/17

CW’s attempt at The Tudors; Reign follows the young Mary, Queen of Scots, as she is courted by rival princes: the French (Catholic) and English (not-so-Catholic). The history of Queen Mary is fascinating. She had a legitimate claim to the English throne and was backed by English Catholics; she was married three times and was viewed as a powerful player in the socio-religious politics of the time; she survived multiple assassination attempts and was put under house arrest by Elizabeth I of England for eighteen years before eventually being executed for treason.

Unsurprisingly, the CW’s version is about high school age girls being flirted with by high school age boys who all just happen to be princes and princesses. Lots of pretty costumes and slow motion while a song that sounds a whole lot like Bones from MS MR plays underneath (clearly a lot of people saw the Game of Thrones season three preview and said, wow, we should make ours look just like that).

Oh, and Nostradamus as an articulate, court-going prophet. Who knew?

That’s not to say it couldn’t be the surprise hit of the season. Stranger things have happened.

The Bible, airing on the History Channel, was the surprise hit of the 2012-2013 season.
The Bible, airing on the History Channel, was the surprise hit of the 2012-2013 season.

The Tomorrow People

http://youtu.be/3wi0PnEIdjc

CW., Weds., 9 to 10 p.m., 10/9

A remake of the popular 1970’s BBC show of the same name, The Tomorrow People follows a group of young, pretty people who are the next stage in human evolution. The Tomorrow People have psi powers that ran the usual gamut of telepathy, teleportation, telekinesis, etc., and the use them to fight the good fight against evil, bigoted humans.

It’s unclear how closely it will follow the BBC show, where the group was not only involved in saving humanity from threats on a weekly basis but also part of a galactic organization that monitored and assisted telepaths—the trailer features a lot of Mark Pellegrino (Lucifer from Supernatural)–random trivia, he’s the uncle of Stephen Amell, aka Arrow–as Jedikiah Price chasing down our super-evolved heroes because, as Price says,: “I’m systematically rounding up your kind and wiping you out, because I am evil.”

While the shows seems to be gleefully stealing from all manner of sci-fi before it (the teleporting looks a lot like Jumper, at one point there is a force lift, followed by a frost-shock, followed by a force choke, and the hidden subway station HQ has been seen, well, everywhere) and there are clear parallels to Alphas as well as X-Men (Marvel even used the term Tomorrow People, starting in 1963, as a taxonomic designation for the X-Men and other Mutants in the Marvel Universe).

The Tomorrow People was created by Phil Klemmer (Chuck, Veronica Mars) and stars Robbie Amell (cousin to Stephen Amell of previously mentioned Arrow fame) as Stephen Jameson, Luke Mitchell as John Young and Peyton List as Cara Coburn. 

Star Crossed premieres midseason 2014 on The CW.
Star Crossed premieres midseason 2014 on The CW.

 Midseason

Not content with just three new casts of incredibly good-looking people with powers, The CW has The 100 and Star Crossed set to premiere midseason.

The 100 is based on the book of the same name by Kass Morgan, and it centers on 100 petty thieves and criminals (all young and pretty, with excellent muscle tone for people born and raised on a space station) who are sent from their space station homes to post-apocalyptic Earth to see if mankind can survive on the harsh surface.

Star Crossed looks rather like District 9, if the aliens were all super-hot models who were trying to integrate into all-human US High Schools. The trailer seems to have a lot of imagery that’s set to invoke the civil rights battle of the 1960s, which doesn’t quite ring true as the only seemingly physical difference between humans and aliens are an abundance of six-packs and some tattoos. There’s also a Romeo and Juliet plot between a human girl and an alien boy. Because why else would you travel light years across galaxies if not for true love?

Supernatural returns for season 9 on The CW in October.
Supernatural returns for season 9 on The CW in October.

Returning Shows

The CW has renewed The Vampire Diaries (Thurs, 8 to 9 p.m., 10/3), Beauty and The Beast (Mon, 9 to 10 p.m., 10/7), Supernatural (Tues, 9 to 10 p.m., 10/8), The Arrow (Weds, 8 to 0 p.m., 10/9) and Nikita (Fall 2014, no air date as of yet).

 Fox-Logo

 FOX, which seems to be aware that it will never, ever, ever make up for cancelling Firefly, is trying to retain some geek cache with two new shows this Fall.

Sleepy Hollow

FOX, Monday, 9 to 10 p.m., 9/16

The second most anticipated show of the Fall, directly behind Agents of S.H.I.E.L.D., Sleepy Hollow is created by Alex Kurtzman and Roberto Orci (Fringe, Transformers, Star Trek) and is based on the short story, The Legend of Sleepy Hollow, by Washington Irving.

Sleepy Hollow follows Ichabod Crane (Tom Mison from Salmon Fishing in the Yemen, One Day, Parade’s End) as he is mysteriously transported to modern day Sleepy Hollow, and attempts to hunt down and stop the Headless Horseman (in the original story the Horseman is an 18th century German mercenary brought in by the English to fight during the revolutionary war) who was brought to the future as well.

Ichabod must join forces with local Sheriff Abbie Mills (Nicole Beharie, Shame, 42) and adjust to cultural, societal and technological difference of the 21st century (including radically changing his racial and gender stereotypes) in order to stop the Horseman’s nightly killing spree.

With a strong cast and an all-star writing team, expectations are high the Sleepy Hollow will be the show to watch this Fall.

Sleepy Hollow rounds out its cast with Orlando Jones (Godzilla, Evolution, MadTV) as Captain Frank Irving and John Cho (Harold and Kumar Go To White Castle, Go On) as Andy Dunn.

2013-2014_UpFronts_r3_Crop

Almost Human

http://youtu.be/ykwxg534yAw

Fox, Mon, 8 to 9 p.m., 11/4

JJ Abrams—who doesn’t seem to be content unless he has four or five projects going—is producing this sci-fi procedural starring Karl Urban (Star Trek, RED, Chronicles of Riddick, Riddick, Doom) and Michael Ealy (Sleeper Cell, Flash Forward, Underworld: Awakening) as unwilling partners in the LAPD thirty-five years in the future.

It’s typical buddy cop formula: an off couple forced to work together and eventually growing to trust and even like each other.

The twist? Karl Urban’s tough-as-nails cop, John Kennex, doesn’t trust Michael Ealy’s Dorian for one good reason: Dorian is a robot. And not just a normal, super-efficient robot, but a slightly malfunctioning one.

While the trailer gives a Deus Ex meets I, Robot vibe, and doesn’t really introduce any new themes or arguments that sci-fi fans won’t already be thoroughly versed in, both Urban and Ealy are worth watching and the trailer certainly captivated interest.

Almost Human was created by J.H. Wyman (Keen Eddie, Fringe) and J.J. Abrams is one of the executive producers, so hopes are high.

With Neil deGrasse Tyson hosting, Cosmos is set for Jan 2014 debut.
With Neil deGrasse Tyson hosting, Cosmos is set for Jan 2014 debut.

Midseason

Midseason has two more shows set to debut; Cosmos: A Space-Time Odyssey and Wayward Pines, though the air dates are still not announced.

Cosmos will star Neil deGrasse Tyson and was produced by Seth McFarlane and Carl Sagan’s widow (the original show was hosted by Sagan and aired on PBS). When it does air, it will air simultaneously on Fox and the NatGeo channel, expecting to launch in 48 countries in over 140 languages. Also, the bridge of Tyson’s ship looks almost exactly like the Illusive Man’s from Mass Effect. Just saying.

Wayward Pines brings Blake Crouch’s mystery/thriller novel of the same name to the small screen. M. Night Shyamalan has developed it as a multi-part series for Fox. It has been compared to Twin Peaks by just about everybody, and Fox hasn’t released very much information other than a 2014 release.

24--and Jack Bauer--are back on Fox in May 2014.
24–and Jack Bauer–are back on Fox in May 2014.

Returning Shows

Fox does not have much in the way of the Geek returning; The Following is set for a midseason premiere on Mondays, 9 to 10 p.m.; and under the heading of old-shows-don’t-die-they-go-to-mini-series, 24 is slated to return as a limited run in the Spring.

 

Print

NBC is not offering much this year for us geeks, with only one offering in the Fall. We’re hoping this is an improvement; previous years, which have had a glut of nerd-tastic shows, perhaps in some desperate attempt by NBC to gain some geek-cred (The Cape, The Event, Flash Forward, V, Bionic Women, Journeyman). This make anything with a slightly Lost-like feel strategy hasn’t fared well for the Peacock, so maybe just one new show means NBC knows it has a hit. And it case it doesn’t, it has two midseason shows ready to wash the taste from your mouth.

Dracula

http://youtu.be/Z1jVcmDH43Y

NBC, Friday, 10 to 11 p.m., 10/25

A limited series with only a ten episode run, Dracula is a retelling of the classic tale by Bram Stoker. Created by Cole Hadden, with Daniel Knauf (Carnivale) as showrunner, Dracula stars Jonathon Rhys Meyers (The Tudors, Mission Impossible III) as Dracula, who returns to Victorian London to seek revenge for a betrayal years before. This is another show whose trailer draws heavy inspiration from Game of Thrones.

The plot stays somewhat in line with the book; Dracula falls for the lovely Mina, there’s a Van Helsing on hand to fight him…there’s a lot of pretty people in period clothing walking around dark London streets. If they weren’t all in their thirties it’d be a CW show.

Dracula stars Katie McGrath (Merlin), Nonso Anozie (Ender’s Game, Game of Thrones) and Thomas Kretschmann (King Kong, The Pianist, Blade II, 24). 

Believe, produced by J.J. Abrams and directed by Alfonso Cuaran, is slated for a midseason debut.
Believe, produced by J.J. Abrams and directed by Alfonso Cuaran, is slated for a midseason debut.

Midseason

Two shows are slated for a midseason release: Believe, another J.J. Abrams produced show, directed by Alfonso Cuaran (Harry Potter) about a little girl with special powers and the ex-con who has been tasked to protect her (Sundays, 9 to 10 p.m.); and Crossbones, created by Neil Cross (Luther) and starring John Malkovich as the pirate Blackbird. Slated to air in 2014 on Sundays, from 10 to 11 p.m., there is little other information out there as of yet.

NBC also recently announced a mini-series adaptation of Stephen King’s Tommyknockers in 2014, but no dates or casting information has been forthcoming.

Grimm
Grimm, the best show people aren’t watching, premieres on NBC Friday, 10/25, at 9 p.m.

Returning

Returning to the Peacock this Fall are Revolution (Weds, 8 to 9 p.m., 9/25) and Grimm, Fridays, 9 to 10 p.m., which if you are not watching, start—there’s still time to catch up before the new season airs on 10/25. Community is slated for a midseason release.

Black Sails is set to debut on Starz in 2014.
Black Sails is set to debut on Starz in 2014.

 

Networks Waiting for Midseason to Debut All Their Geekery

Not every network has new content slated for the Fall, but midseason will serve up some highly anticipate premieres:

SyFy announced Helix with a premiere date of Jan, 2014. Ronald D. Moore (BattleStar Galactica) created the series about a group of CDC scientists sent to the Artic only to discover the fate of mankind may rest in their hands. Starring Billy Campbell (Eureka, The Killing, The 4400) and Hiroyuki Sanada (Speed Racer, Lost, The Wolverine).

TNT is bringing two shows that may not deal with a fandom in their content but certainly do with their talent: Mob City (formerly Lost Angels) stars Simon Pegg and is written and directed by Frank Darabont. The series follows the LAPD/Mob wars in Los Angeles in the 1940’s.; and Legends with Sean Bean as the best-of-the-best undercover agent who is struggling to find where his cover ends and he begins. Both shows are slated for 2014 premiere.

Simon Pegg in Frank Darabont's new cable drama, Mob City, on TNT.
Simon Pegg in Frank Darabont’s new cable drama, Mob City, on TNT.

The Last Ship isn’t set to premiere on TBS until Summer 2014, but this Michael Bay produced end-of-the-world-via-virus show looks to be next summer’s big cable hit. The show stars Adam Baldwin (Firefly, Serenity, Chuck) and Eric Dane (Grey’s Anatomy).

Penny Dreadful is set to premiere on Showtime in 2014. Called a pschyo-sexual horror series, produced by John Logan (writer: Rango, Gladiator, Skyfall) and Sam Mendes (director: Skyfall, American Beauty) it stars Josh Hartnett, Eva Green and Billie Piper. The series will be set in turn-of-the century London and will deal with the origins of literary horror monsters such as Dorian Gray, Dracula and Frankenstein’s Monster.

Starz has Black Sails set to debut in January 2014. It is a prequel to Robert Louis Stevenson’s novel, Treasure Island, set twenty years before the events in the book. Fan reaction at the San Diego Comic Con was so strong Starz has already ordered a second season. It’s got pirates, islands, beaches and rum, so all things point to a hit.

The Outlander is also set to premiere in 2014 on Starz. Based upon the bestselling novels by Diana Gabaldon, the series follows the adventures of time-traveler Claire and her Scottish husband, Jamie Fraser, as they live through historical events from the Scottish revolt under Bonnie Prince Charlie to the revolutionary war. Lots of adventure, lots of romance (and sex, to be clear) and a great deal of historically accurate details made the books a must-read; if Starz follows HBO’s example and lets the novels guide the show than expectations should remain high.

This image--and a short clip--have been teasing the internet about J.J. Abrams new show for weeks now.
This image–and a short clip–have been teasing the internet about J.J. Abrams’ new show for weeks now.

Rounding off our report are two shows which are nothing more than whisper and rumor at the moment:

The Stranger, J.J. Abrams’ bit of marketing masterpiece: just a grainy black and white video with no information at all.

The Sector is a Ridley Scott produced, sci-fi procedural a la Blade Runner. Originally picked up by Cinemax, it was dropped in 2011 but the Science Channel recently announced it is picking up the series.

American Horror Story: Coven premieres on Oct 23rd.

Returning Shows to Keep An Eye Out For

The Walking Dead returns to AMC on Sunday, Oct. 13th at 10 p.m. Season four has yet another new showrunner in Scott Gimple, who will guide the show through a season set to introduce a host of new characters joining our ragged crew in the prison as they attempt to shore up and defend against walkers and humans alike.

The American Horror Story: Coven will be returning to F/X on Weds., October 9th, at 9 pm. Continuing the tradition set in season 2, season 3 will have returning actors but a completely different st of characters and plot. Returning this season are  Jessica Lange, Sarah Paulson, Francis Conroy and Dermot Mulroney; Kathy Bates, Patti Lupone and Angela Bassatt round out an all star cast. Coven focuses on the secret society of witches and an outside evil which is attacking them. The season will flash between modern day and 1830’s.

http://youtu.be/TkPwDPt4JOA

HBO will be bringing back Game of Thrones in the Spring of 2014. Be prepared, the show’s finished seasons are now more numerous then the remaining books…R.R. Marting better write fast.

SyFy is bringing back three shows this season: Being Human, slated for a Jan. 2014 premiere; Warehouse 13 will come back (if only for  six episodes) for its fifth and final season in 2014; and Haven premieres its fourth season on September 13 at 10 p.m. (with a guest star stint from everybody’s favorite Sheriff, Colin Ferguson).

Haven returns for season 4 on Sept 23rd. Catch up on all the episodes on Chiller.

 Starz has renewed Da Vinci’s Demons for a 2014 premiere. If you didn’t see season one, now’s the time to go back and watch (the complete season can be pre-ordered on iTunes). Created by David S. Goyer, co-writer of the The Dark Knight Trilogy, Da Vinci’s Demons is a solid show steeped in mythology and renaissance Italian/Catholic politics.

TNT is bringing Falling Skies Back for a fourth season in late Spring/Summer 2014, so check back for more information on what will happen to Mason and his regiment later.

That’s it! We hope you enjoyed our guide, and be sure to let us know if there are any titles that we missed!

When I was finishing college my friend introduced me to G4’s Code Monkeys. About as quickly as I discovered the show it was gone and off the air. So I was beyond thrilled when I received an email seeing if I’d like to interview Code Monkey’s creator Adam De La Peña about his new webseries Outlands.

Adam’s a funny dude and a great guest so I hope you enjoy this episode as much as I enjoyed interviewing him.

Check out Outlands!

Also take some time to check out CheezyFlicks.com pick up a copy of Dracula’s Orgy of the Damned. Check out the trailer below!

The intro music contains the song Orange Ribbons from Forever Got Shorter off the Chords For Cures Volume 1 comp.

Follow Saint Mort on Facebook and Twitter

Subscribe to Us on iTunes

 

Last week during the insanity of the San Diego Comic-Con, I stopped by the Konami Gaming Suite and met with Castlevania: Lords of Shadow producer David Cox for a one-on-one interview.

GeeksScape: Before tackling the Lords of Shadow series, what other titles have you worked on?

David Cox: “I’ve done two other games; I’ve done International Track and Field on the Nintendo DS and GTI Club for Playstation Network as producer. I’ve worked at Konami for about 16-17 years now. I was product manager on Castlevania: Symphony of the Night, so that’s going back a few years.”

GeekScape: You and Castlevania go way back.

David Cox: “Absolutely. Yeah.”

GeekScape: What did it feel like for you, a gamer who grew up with Castlevania in the 80’s for the Nintendo Entertainment System, being approached by Konami and asked, “We’d like you to take over the Castlevania franchise”?

David Cox: “It was a bit daunting, but the thing is I sorta felt like I’ve come full circle because back in the 80’s, when Castlevania first came out, I bought that game, and that was the game that really made me want to work in the industry, and also, more than that, made me want to work for Konami. It was Konami that I really chased in terms of trying to get a job with them. When I joined Konami in 1997, the very first project I was given was Castlevania: Symphony of the Night. I was just a product manager on that particular title, and that almost felt like there was a connection there, and then now, sixteen/seventeen years later, I was given the chance to actually be the producer and be in charge of the series. That really felt like it meant–I don’t know.

David's first project as a Konami employee. Not too shabby.
David’s first project as a Konami employee. Not too shabby.

I’m a great believer in destiny. It was like destiny was calling. I know it sounds cheesy, but that’s how I saw it. You know, I was like, ‘This is my chance and this makes sense’ because it was Castlevania that got me here in the first place. On the one hand, you’re scared because you realize there’s a huge responsibility on your shoulders, but on the other hand, it was right because it felt like it was supposed to happen.”

GeekScape: Touching on that, were there any fears tackling the Lords of Shadow series that you didn’t experience during production of Symphony of the Night?

David Cox: “The thing about Symphony of the Night was there was a lot of fear surrounding it because it was a very different departure from what was done before. I very much remember at the time that it was the Nintendo 64 game that was going to be the next big Castlevania game because it was done by the original team Kobe. So that was going to be the big game and Symphony of the Night was more of a side-story because it was from another team. It was a quite different type of game, and there were a lot of people within Konami who felt people weren’t going to get into it.

You have to understand when Symphony of the Night came out, it wasn’t that successful. It wasn’t huge. It got good reviews, no doubt about it, but the reputation built up over several years, and it became a hit more afterwards than on day one. I think that taught me that doing something new within the mythology, doing something new with Castlevania, is risky but it’s also something that’s kept Castlevania alive over the years.

The first Lords of Shadow game went on to sell the most than any other Castlevania game ever released. It’s the biggest selling Castlevania game in history. Even I can’t believe it.”

GeekScape: Like many gamers, I’m a big proponent of storytelling. If the story is well written and it has unexpected twists, such as the Trevor and Simon Belmont story in Mirror of Fate,  then I find myself genuinely concerned about the characters. In the opening cinematic of the demo, Dracula is sitting on his throne awaiting the knights who are bursting through his chamber door. The scene immediately grabs you because it’s a boss fight, but your the boss. Once you dispose of the knights with your awesome abilities, giving players that feeling of power, the scene is flipped once Dracula steps foot outside, witnessing a giant Titan destroying his castle.

When approaching Lords of Shadow 2, were there any ideas your team weren’t able to build upon in the original Lords of Shadow game due to time that you are developing in Lords of Shadow 2?

David Cox: “Yeah. We had the story arc pretty much laid out during the development of the first game, so we had the beginning and the end, but we knew we couldn’t fit the whole thing into Lords of Shadow, so that’s why we did the epilogue. The epilogue is really just saying to people, ‘Look, if we get to do another one, if you like this enough, this is where we would take it.’ That paid off in the end. It was a bit of a risk because some people were saying, “Well, I don’t think people are going to like that. It’s a bit kind of out there–it’s a bit shocking.” We went with it, and I’m glad we did because it really made people go, ‘Woah! What the f***?! Wow!’ In a way, then it became rougher for us because, “Oh shit. Now we have finish this and do something in the modern day, and how are we going to do that?” It presented lots of different challenges, but I think with this particular game what we tried to do is like you said–‘flip everything on its head’. You’re the bad guy. You’re the guy you’d normally meet at the end of the game and fight.

For me, Dracula was always this sort of one-dimensional character. He was just ‘there’ at the end of the game, and it wasn’t really explained why I am fighting him. ‘Why is it the Belmonts, and why do they have to fight Dracula?’ That’s what we tried to do with our story arc–is to explain the relationship between Dracula and the Belmonts. It’s their shame. It’s the blood feud because he’s their ancestor, essentially. Alucard is his son, the same son from previous canon, but it’s his son that he killed! He killed his own son and tried to bring him back, and is making him into a creature like him, and it’s kind of a tragedy that he killed his own son. How would you feel about that? Finding out that you murdered your own son? It’s quite desperate. So I think to present Dracula as not just as a one-dimensional character–that was the core thing about the series that we wanted to do.

dracprofile

With [Lords of Shadow 2], we want to end and tell the whole story. We’ve got a story to tell, and we want to tell it, and then we want to move on. We need to give players a satisfying conclusion, and I think we need to surprise people as well; that’s something we really enjoy doing.”

GeekScape: The Nintendo 3DS game Mirror of Fate focuses more on Simon and Trevor Belmont whereas the Lords of Shadow series focuses primarily on Dracula himself. Did you and your team have a lot of fun creating the history between Dracula and the entire Belmont clan?

David Cox: “Yeah! I mean, we loved working on Mirror of Fate. It was such a different project from such a big console game like [Lords of Shadow 2].  We really enjoyed it. It’s a story that makes us interested in the game. It’s one of the things that really drives the team–it’s the story. Mercury Steam likes to tell stories; that’s what they’re good at. From the story, the game play comes. From the story, the other elements come. So I think that’s really one of the core things about [Lords of Shadow 2] is when people play this game, and they get the story and the shocks and the twists and the turns and the unexpected stuff that we want to show them, I think, hopefully, they’ll look back on it think, ‘Wow. They really did something unique in the [Castlevania] universe.'”

GeekScape: Was there anything you wanted to address in Lords of Shadow 2 that you saw in the first game and said, “I want this to be priority number one when we work on the sequel.”

David Cox: “There was a lot of things! We got a lot of feedback from fans regarding things that they really loved;  they really loved the combat, but they wanted more exploration. They wanted more peril in platforming. They wanted more freedom of movement in terms of being able to find secrets and hidden items and things like that, so that’s something we really wanted to improve in [Lords of Shadow 2]. Obviously, the fixed camera is not friendly to exploration. You can’t move. I mean, you’ve got a great vista, but you can’t really look around and really explore.

We sat down in the design meeting and asked how we are going to do the next game rather than do a cheap knock-off, basically. We thought ‘let’s start again and rip up the rule book, and then really do what we wanted to do in the first place’ in terms of free camera, more open world environments, more items to find, more exploration, more peril in platforming, and make the Titans more interesting.

Seige Titan

The thing about the Titans in the first game, I mean, they’re visually spectacular but they were quite staged; you had to follow a route, break the runes, and move on. We thought we could really improve that, and with [Lords of Shadow 2], you can see that you’re fighting on the Titan. You’re climbing on the Titan, but you’re being attacked at the same time. There’s peril, combat, exploration, multiple pathways up the Titans–some of the other Titans are quite bigger. We wanted to give players more variety.”

GeekScape: On that note, I wanted to mention how much I loved the sequences when you’re actually climbing up the Titan, because it gives you that sense of scale and depth. You can see the gears and pistons working and how they’re connected so the Titan isn’t just a character model. It makes it far more tangible.

David Cox: “That’s right. It looks and feels like a real moving machine.”

GeekScape: You have this bad-ass character in Dracula, the final boss in almost every Castlevania game. He is an extremely powerful entity. Other than sunlight, garlic, and wooden stakes, there’s very little that can hurt him. How difficult was it for you and your team to create characters and obstacles which would be a legitimate threat to Dracula?

David Cox: “He is a bad-ass character, but I guess he’s like Superman or any superhero–you have to give him adversaries that are going to challenge his abilities. Adversaries who are on, or about, the same level as [Dracula]. In [Lords of Shadow 2], we have a lot of really interesting boss fights and characters that he’s going to meet. Satan is coming back to earth, and Satan is the only one who’s been defeated by Gabriel, and obviously Satan wants to settle that score. So, you know, it’s going to be challenging, and the other thing you need to remember is that this demo takes place in the past, but after this demo you wake up in the future, and you have no powers and no abilities. You’re back to square one. You’ve got to get your powers and abilities back over time. You’re not as powerful as you are here, until the end of the game, of course.”

GeekScape: And the end of the previous title, we see that Dracula is still alive and wakes up in a modern city. Was there any discussion of having a game set in a non-medieval setting?

David Cox: “I don’t know. Our intention with the present day was to do something that fit the universe. Coming from Europe, most of the modern European cities are built on old ruins or old castles. You can walk in Madrid, for example, and you can be surrounded by modern skyscrapers, and then walk down a road and you’re in the middle of a courtyard with minarets, stained-glass windows, gargoyles, and statues. [The city Dracula wakes up in] is a modern city, but it’s an imagined modern city; it feels like it belongs in the Castlevania universe. We didn’t just want to put Dracula in Times Square, for example. That wouldn’t have worked.”

GeekScape: That would feel a bit like Dracula 2000.

David Cox:Yeah. Dracula 2000 A.D.; that really crappy film. We wanted to give Dracula an environment that felt like it fit the Castlevania universe. That was key. It’s an imagined city, but it’s a city that could exist in Europe, so that’s essentially where we wanted to take it.

When we finish this game, I mean, this is our last game. We are going to pass the torch on to another team. What they do with Castlevania–really, that’s really up to them. We’ve got our story to tell, and there’s nothing worse than telling a story then keep coming back when there’s nothing to say. We’ve got something to say, and we’re going to say it, and then we’re done with [Castlevania].”

GeekScape: When Lords of Shadow 2 is finally done, providing the final chapter in the Castlevania story you and your team worked on for the past several years, what in particular do you feel you will look back on and be especially proud of?

David Cox: “I think for me, one of the things I’m most proud of, at the end of Mirror of Fate–did you finish it?”

GeekScape: Absolutely–

David Cox: “–is showing Dracula as a tragedy, especially with his dead son, Alucard. When Robert Carlyle did that scene where he realizes he has killed his son, Robert was proper crying when he did that scene. I mean, that was really powerful. I’ll never forget it. When I play that game, I was there when Robert did that line when he was crying in the recording studio. That, even now, chokes me up.

I think that’s something people should remember about Dracula. Yeah, he’s a bad-ass. He is a character that can do amazing things. He’s ‘evil’, but he’s a character that has more to him than just black and white. I think people will see that in Lord of Shadows 2.”

GeekScape: Without giving anything away, is there a moment in the game you can’t wait for gamers to reach for it has your favorite ‘oh my god!’ moment?

David Cox: “People can expect a lot of that. There’s one fight in particular that people didn’t get any satisfaction in [Lords of Shadow], which was Dracula versus Zobeck. That’s coming.” (grins)

GeekScape: Any final words for the fans anxiously awaiting Lords of Shadows 2?

David Cox: “Yeah! Absolutely. I think when the game comes out, I hope they’ll be surprised and pleased with the direction we’ve taken the story. One thing about the epilogue, it left a lot of people going, ‘What the f***?!’, and I think there’s going to be a lot of that in Lords of Shadow 2. A lot of surprises, and keep an open mind because we’re not going to go in the direction I think a lot of people are expecting.”

After the interview, David Cox revealed that due to his demanding schedule, he hasn’t played many video games at all, but would love to get his hands on The Last of Us, going on to say, “Those guys at Naughty Dog can do no wrong.” Smiling, he added that he is scared to play Animal Crossing: New Leaf, for his daughter has been playing it and is afraid he’d be addicted to it as well.

We also talked about our shared hate for the flying Medusa heads in the original game, and the Lords of Shadow producer confirmed that the snake-haired monster will be returning to make your life a living hell in Lords of Shadow 2.

Source: GeekScape Interview on Friday, July 19 2013

 

 

 

 

 

You got your Dr. Who in my Monster Squad! Fans of both Dr. Who and the classic monster franchises are going to have a very special variant to take a chunk out out their wallets. This special variant of IDW’s Doctor Who #1 will be on sale at Third Eye Comics stores in September with copies also being available at the Annapolis Comic-Con in October.

Source: Bleeding Cool

When I was a kid I loved my Uncle Craig. He’s the type of uncle every Horror Fan/Geek deserves. I haven’t seen him in almost a decade but my memories of hanging out with him will forever be etched into my brain.

Craig loved horror stuff. His house was filled with masks, action figures and statues of all the greats: Jason, Freddy, Leatherface, Cenobites and many other classic characters. Every Halloween he’d transform his property into a giant haunted house with mechanical mannequins (including a man in an electric chair who shook violently when the light above his head turned on and a Linda Blair whose head spun 360 degrees). It was in this setting that I was most likely introduced to The Monster Squad.

Regardless of where and when I first saw it, I saw it many many times afterwards. Fred Dekker’s film was truly my first introduction to horror movies, sparking a desire to see the classic Universal films that these villains were based on. But I’m getting ahead of myself. I realize that there’s a good chance that a decent percent of people have never heard or seen The Monster Squad. There’s a short answer and a long answer. Short Answer: It’s The Goonies with Monsters. Long Answer? Well… okay, but prepare for a few spoilers.

Sean Crenshaw (Andre Gower) is a 12 year old kid who loves horror movies. He loves them so much that he has a club/treehouse (and a kick ass one at that) with his friends Patrick, Horace (aka Fat Kid), Eugene and the newest (and oldest) member Rudy. The group talk monster movies and torture Sean’s sister Phoebe. Not a very out of the ordinary childhood… until the day that Sean’s mom buys him a diary that supposedly belonged to Abraham Van Helsing.

Suddenly, Sean starts hearing strange reports of Mummies going missing and men screaming that they’re actually a werewolf in the police station. Sean realizes that his town is being plagued by some of history’s most infamous monsters and it’s up to his friends and their new found buddy Frankenstein to team up and fight Dracula and his evil minions.

Writer/Director Fred Dekker said that his goal with this movie was to make his own version of Little Rascals meeting the Universal Monsters. However, he couldn’t legally make that movie, so he made up a new team of modern day Little Rascals and with the help of Stan Winston was able to update the Universal creatures to avoid any copyright issues.

The film helped introduce what I consider to be the best looking versions of all the Universal monsters (specifically Gill-Man and Mummy). Each character has their own definitive look and style. Mummy with his terrifyingly thin appearance, Gil-Man looking like his head is a Piranha, an incredibly beefed up Wolf-Man (who stands on two feet again after a few years of four legged werewolves) and a Frankenstein monster who looks more like a corpse than ever before. For years I’ve dreamed of remakes of the original Universal films using these designs (specifically Creature From the Black Lagoon).

I guess it’s important that I mention some of the most infamous scenes from the film. Some of the jokes would never appear in a kid’s film these days. The 80’s were a magical time where PG and PG-13 films could depict kids talking like kids. The Monster Squad (much like The Goonies) basically depict kids in the same way that Rob Reiner and Stephen King presented youth in Stand by Me. It’s because of this frankness that lines like “Woflman’s got nards” (in reference to the Wolfman’s groin) not only exists but has become an iconic line, oftentimes being used by people who have no other knowledge of the film beyond that single line.

However, the most memorable moment for me involved Eugene informing his parents that there’s a mummy in his closet. the scene involves his dad entering the room and making a big scene, screaming at all of the invisible monsters and warning them to get out of the room before finally going to the closet door.

Without looking inside, he opens the door and begins mocking Eugene. He yells lines like “oooh look at that big scary monster”, while Eugene in tears looks at the actual mummy reaching out for him from inside the closet. The father scolds him for letting his imagination get the best of him and as he walks away Eugene sees the mummy exit through the window before covering his eyes. As a kid fascinated with what might lurk in the shadows, I loved this scene.

Beyond its ability to accurately depict adolescence, The Monster Squad also offers one of the most sympathetic looks at Frankenstein (which is impressive because he’s already a pretty tragic character). When it comes time for Frankenstein to leave with the rest of the forces of evil, you are touched. A reverse of the scene in which the original Boris Karloff Frankenstein monster drowns the townsman’s daughter while trying to make a friend, when Phoebe screams “don’t go Frankenstein, don’t go!” you can’t help but get the smallest tear in your eye that Frankenstein finally made that friend only to have to leave her behind.

The film even introduced me to adult historical themes for the first time. It contains a character who’s name (even in the credits) is Scary German Guy (Leonardo Cimino). Scary German Guy is a holocaust survivor who resides in town and is suspiciously watched by our heroes. But eventually they need his help in translating Van Helsing’s journal in order to save the day. Without his help end movie would not end on a happy note, not just because it breaks down cultural borders but generational ones. What greater monsters than the ones that the older generations faced in real life?

Today we celebrate 25 years that the Monster Squad has enlightened and touched geeks around the world. From attending conventions and talking to people at the Geekscape booth I know that my experience with Monster Squad is not a singular and rare reaction. People adore this movie and we’ve featured the cast and director on the site several times.

After years of being out of print, the film finally came to DVD a few years ago. Packed with commentary tracks, retrospective documentaries, deleted scenes, storyboards and a ton of other goodies, it’s a great buy whether you’re a long time fan or have never heard of it.

And if you have a child or are a child at heart yourself, it might be time for you to introduce someone (or yourself) to this magical film made 25 years ago.

‘The Last Voyage Of The Dementer’ has been in production for quite some time now. The film about the ship that carried Dracula’s coffin from Transylvania to England has had director Neil Marshall (‘Doomsday’, ‘The Descent’) attached for quite some time now and rumors of Ben Kingsley (‘Iron Man 3’, ‘Shutter Island’) to play the ships captain and Noomi Rapace (‘Prometheus’) to possibly star as Anna Billington.

We haven’t heard any news on this project until now. Bloody Disgusting has reported that the lead role of Henry Clemens has been offered to Viggo Mortensen (‘Lord Of The Rings’, ‘A History Of Violence’)

The most recent draft of the film has been written by Lowell Cauffiel and is said to be “a tale that is reminiscent of the first movie in the Alien franchise, in which a crew is slaughtered one-by-one by a mysterious passenger.”

Ian Brill, formerly of BOOM! Comics, stops by to discuss his new self-published labor of love, “Dracula World Order.”  The independent comic features Ian’s story of Dracula creating a Vampire-Tocracy (our words, not his; he’s a better writer) and the struggle of the common people to survive in an oppressive time.  The book also features the additional talents of Tonci Zonjic, Rahsan Ekedal, Declan Shalvey and Gabriel Hardman, so you KNOW it’s good.  Ask for it by name at your local brick & mortar comic shop or order your copy today at http://www.tfaw.com/Profile/Dracula-World-Order-1___409125

Also, our friend Craig Yoe visits with Tim & Sax via SKYPE to talk about his new book “Frazetta Funnies” featuring the work of master artist Frank Frazetta, but not as you may expect.  In stead of barbarians and Molly Hatchet album covers, the book contains funny animal stories which, while light and fun, show Frazetta’s amazing skill at creating a page layout unparallelled.  Also, the boys discuss Yoe’s monthly POPEYE book from IDW (for which he is co-editor), a collection of underground S&M comics created by Superman’s Joe Shuster, zombies, Krazy Kat and what it’s like to have the coolest job in the comics industry.

Visit the official Dracula World Order page here:   http://draculaworldorder.tumblr.com/post/24607453321/dracula-world-order-is-coming-hi-im-ian-brill
Visit Craig Yoe’s YoeBooks site here:  http://yoebooks.com/