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We here at Horror Movie Night love werewolf movies, and talk about our love of werewolf movies often. So of course one of us had to pick the werecicada masterpiece that is 1982’s The Beast Within! We are immediately greeted with really gross, really explicit r-stuff, then a lot of talking and pointless exposition, some weird murders off-camera, more exposition, more bad acting (though the cast is giving 110% onscreen), crazy teen-to-bug transformation, more murders, more exposition, oh and then one last bit of r-stuff to top this insane sundae off just right. No one was really happy to watch this one, but at least we could commiserate on how it made us all feel (dirty and confused). So if you want to feel like we did and/or relive what your bodies went through during puberty, strap in for this week’s episode of Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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Get this… *sniiiiiff* ok, a werewolf, right? With skin as strong as steel! A literal metal beast! Everyone in agreement? Great, let me call my dealer, we’re going up need more snow than Aspen to film this… Is probably how storyboarding went for this week’s movie, 1995’s Project: Metalbeast. Of all the coke-fueled cinematic romps we’ve endured, this may be both the most absurd AND the most straightforward. Not necessarily a compliment in this context, but we make the most of it, as we always do, so prepare yourself for silver bullets, cryosleep and totally believable scentific advancement of skin graft technology on this episode of Horror Movie Night!

Feel free to join in discussion at on our Facebook Group or in the comments below.

Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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At WonderCon this past weekend, attendees were treated to a sickenly sweet clip (embedded at the bottom of this page) from the upcoming original Netflix show, Hemlock Grove. That clip was just one tasty tidbit from the panel for the series. In attendance was executive producer Eli Roth, Mark Verheidon, Lee Shipman, Deran Sarafian, and Brian McGreevy (who also wrote the novel that the series is based on). The lead actors were also on the panel and included Famke Janssen, Dougray Scott, Bill Skarsgård, Landon Liboiron, Penelope Mitchell, Freya Tingley, Aaron Douglas, and Kandyse McClure.

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If the quality and success of House of Cards is any indication of what Netflix original programs can bring, then it looks like Hemlock Grove will be a must see for horror/thriller fans. The show’s plot is simple, yet intriguing: a young girl is murdered and everyone in this small town is a suspect. However, how do you find a killer when everyone has a monster within?

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When a show or film is based on existing material, the question is always revolves around just how loyal this new adaptation will be to the original? If it is exactly the same, one might wonder why bother remaking it in the first place? Then, if the reincarnation takes the content in a new direction, it’s as if the universe of the story has expanded (or fans hate it because it is not JUST like the original). For those who read the book, Shipman said, “[there will be] surprises for fans of the novel”. McGreevy mentioned that they tried to “cinematize the novel” and that this show follows after Game of Thrones (another show based on a series of books). Roth then spoke about the manuscript from the novel and stated that, “[it]…got to the root of monster mythology.”

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All thirteen episodes will be released on April 19th. Watching television shows on Netflix has changed how fans consume their favorite content. No longer do you have to wait for commercials, the next episode, or even next season (sometimes). Verheidon commented on this style of “binge watch[ing]” and mentioned that it’s exactly how they approached the making of the show. It can be viewed as one long movie, because you can “watch more than one at once” (Verheidon) or you can simply go for one at a time. Douglas noted that as an actor, it was “similar to shooting a regular show” but it was less constricting in regards to the use of language, content, and length of the final product. However, that does not mean everything is fair game. Roth said they were still held to the restrictions of what kind of films are currently on Netflix, so nothing too extreme made the final cut.

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But not to worry horror fans, the special effects still look bloody awesome! Roth told the audience that his “instincts are to go practical first”. Personally, I prefer practical effects, and they can even be enhanced with computer generated imagery, but when things are only CGI, they tend to just look fake. The effect does not seem to exist in the world with the characters, and that breaks the illusion. In regards to the werewolf transformation, Roth said he wanted it “…violent, visceral…I want the kids who watched Twilight to be horrified”. Most monsters and monster transformations lately seem to glamorize the process and the lifestyle. Monsters are no longer disturbing and something to be feared; rather they are something that can sparkle and be your boyfriend (or girlfriend).  Speaking of the werewolf transformation, they said it was “shot bit by bit by bit” because they wanted it to “look seamless” and they also wanted to “pay homage in a way [to prior werewolf transformations like American Werewolf in London] and be something different” (Sarafian). It is “like a medical condition” (Roth), it “hurts so good” (Sarafian), and a fun descriptive word by Roth, it is a “weregasm”.

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Famke explained that what drew her to the project was that it is a “character piece”, and that it has mystery like Twin Peaks. A story that is driven by its characters needs a spectacular cast and Shipman felt they had just that, and expressed that he believed this perfect casting “…will never happen again”. Yes, there will be monsters but this show’s theme according to McGeevy, is about “outsiders finding community”. That is something that could connect with fans across genres.

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Hemlock Grove will be available to all Netflix subscribers on April 19th, and hopefully new viewers will join the ranks of horror enthusiasts and enjoy this incredible looking show. Let us hope more shows of this caliber will continue to be made by people who love the content, and that want to bring viewers the best possible experience that they can.

Check out the first official images from the Wolves, the directorial debut from David Hayter (X-Men, Watchmen). The upcoming werewolf flick stars Jason Momoa (Game Of Thrones, Bullet To The Head), Lucas Till (X-Men: First Class), Stephen McHattie (Watchmen) & newcomer Merrit Patterson.

 

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“Cayden Richards, 18, has it all: Captain of the high school football team; straight-A student; gorgeous girlfriend. But when he wakes one dark night to find his parents brutally murdered, he is horrified to realize that he is turning into an animal: a wild, savage wolf. Panicked, Cayden runs, determined to find out what is happening to him. His quest leads him to the strange, isolated town of Lupine Ridge, where two clans of wolves are on the brink of war. The opposing clans are lead by Connor, the powerful, pure-blood alpha of a savage pack and John Tollerman, an old farmer, committed to protecting the human citizens of Lupine Ridge. But when Cayden falls for Angelina, the beautiful, young mate promised to Connor, a battle to the death is inevitable. And as the past begins to reveal itself, Cayden’s place in the world becomes clearer — As does his power to put an end to the savage violence building up around, and within him…”

 

No release date has been set.

 

Source: Bloody Disgusting

Earlier this month we reported that Lucas Till (X-Men: First Class) would be starring in the upcoming Wolves, the directorial debut of David Hayter, the writer behind X-Men, X2 and the Watchmen adaptation as well as the voice of Solid Snake in Metal Gear Solid. He is now being joined by Jason Momoa, who you may know best as Khal Drago from Game Of Thrones or the most recent incarnation of Conan The Barbarian, as well as the unknown Merritt Patterson.

The story is said to focus an eighteen-year-old werewolf (Lucas Till) accused of murdering his own parents, who goes on the run and winds up in a small town named Lupine Ridge that has a history of supernatural happenings. Momoa will play the “badass werewolf patriarch of the town.” Patterson’s role is currently unknown. It’s been quite some time since there has been a decent werewolf movie, the last of them probably being An American Werewolf In London and Dog Soldiers. Hopefully that’s about to change and this movie will be a silver bullet to the heart of the teenie-bopper werewolf movies.

Source: THR

When I was a kid I loved my Uncle Craig. He’s the type of uncle every Horror Fan/Geek deserves. I haven’t seen him in almost a decade but my memories of hanging out with him will forever be etched into my brain.

Craig loved horror stuff. His house was filled with masks, action figures and statues of all the greats: Jason, Freddy, Leatherface, Cenobites and many other classic characters. Every Halloween he’d transform his property into a giant haunted house with mechanical mannequins (including a man in an electric chair who shook violently when the light above his head turned on and a Linda Blair whose head spun 360 degrees). It was in this setting that I was most likely introduced to The Monster Squad.

Regardless of where and when I first saw it, I saw it many many times afterwards. Fred Dekker’s film was truly my first introduction to horror movies, sparking a desire to see the classic Universal films that these villains were based on. But I’m getting ahead of myself. I realize that there’s a good chance that a decent percent of people have never heard or seen The Monster Squad. There’s a short answer and a long answer. Short Answer: It’s The Goonies with Monsters. Long Answer? Well… okay, but prepare for a few spoilers.

Sean Crenshaw (Andre Gower) is a 12 year old kid who loves horror movies. He loves them so much that he has a club/treehouse (and a kick ass one at that) with his friends Patrick, Horace (aka Fat Kid), Eugene and the newest (and oldest) member Rudy. The group talk monster movies and torture Sean’s sister Phoebe. Not a very out of the ordinary childhood… until the day that Sean’s mom buys him a diary that supposedly belonged to Abraham Van Helsing.

Suddenly, Sean starts hearing strange reports of Mummies going missing and men screaming that they’re actually a werewolf in the police station. Sean realizes that his town is being plagued by some of history’s most infamous monsters and it’s up to his friends and their new found buddy Frankenstein to team up and fight Dracula and his evil minions.

Writer/Director Fred Dekker said that his goal with this movie was to make his own version of Little Rascals meeting the Universal Monsters. However, he couldn’t legally make that movie, so he made up a new team of modern day Little Rascals and with the help of Stan Winston was able to update the Universal creatures to avoid any copyright issues.

The film helped introduce what I consider to be the best looking versions of all the Universal monsters (specifically Gill-Man and Mummy). Each character has their own definitive look and style. Mummy with his terrifyingly thin appearance, Gil-Man looking like his head is a Piranha, an incredibly beefed up Wolf-Man (who stands on two feet again after a few years of four legged werewolves) and a Frankenstein monster who looks more like a corpse than ever before. For years I’ve dreamed of remakes of the original Universal films using these designs (specifically Creature From the Black Lagoon).

I guess it’s important that I mention some of the most infamous scenes from the film. Some of the jokes would never appear in a kid’s film these days. The 80’s were a magical time where PG and PG-13 films could depict kids talking like kids. The Monster Squad (much like The Goonies) basically depict kids in the same way that Rob Reiner and Stephen King presented youth in Stand by Me. It’s because of this frankness that lines like “Woflman’s got nards” (in reference to the Wolfman’s groin) not only exists but has become an iconic line, oftentimes being used by people who have no other knowledge of the film beyond that single line.

However, the most memorable moment for me involved Eugene informing his parents that there’s a mummy in his closet. the scene involves his dad entering the room and making a big scene, screaming at all of the invisible monsters and warning them to get out of the room before finally going to the closet door.

Without looking inside, he opens the door and begins mocking Eugene. He yells lines like “oooh look at that big scary monster”, while Eugene in tears looks at the actual mummy reaching out for him from inside the closet. The father scolds him for letting his imagination get the best of him and as he walks away Eugene sees the mummy exit through the window before covering his eyes. As a kid fascinated with what might lurk in the shadows, I loved this scene.

Beyond its ability to accurately depict adolescence, The Monster Squad also offers one of the most sympathetic looks at Frankenstein (which is impressive because he’s already a pretty tragic character). When it comes time for Frankenstein to leave with the rest of the forces of evil, you are touched. A reverse of the scene in which the original Boris Karloff Frankenstein monster drowns the townsman’s daughter while trying to make a friend, when Phoebe screams “don’t go Frankenstein, don’t go!” you can’t help but get the smallest tear in your eye that Frankenstein finally made that friend only to have to leave her behind.

The film even introduced me to adult historical themes for the first time. It contains a character who’s name (even in the credits) is Scary German Guy (Leonardo Cimino). Scary German Guy is a holocaust survivor who resides in town and is suspiciously watched by our heroes. But eventually they need his help in translating Van Helsing’s journal in order to save the day. Without his help end movie would not end on a happy note, not just because it breaks down cultural borders but generational ones. What greater monsters than the ones that the older generations faced in real life?

Today we celebrate 25 years that the Monster Squad has enlightened and touched geeks around the world. From attending conventions and talking to people at the Geekscape booth I know that my experience with Monster Squad is not a singular and rare reaction. People adore this movie and we’ve featured the cast and director on the site several times.

After years of being out of print, the film finally came to DVD a few years ago. Packed with commentary tracks, retrospective documentaries, deleted scenes, storyboards and a ton of other goodies, it’s a great buy whether you’re a long time fan or have never heard of it.

And if you have a child or are a child at heart yourself, it might be time for you to introduce someone (or yourself) to this magical film made 25 years ago.

Looks like we may be getting some non-teenie bopper werewolf movies again! Deadline is reporting that X-Men: First Class‘s Lucas Till is in negotiations to star in the feature directorial debut of David Hayter (X-Men, X2, Watchmen), Wolves. The actor is currently filming the thrill Paranoia and recently wrapped up the indie thriller Crush.

Hayter wrote the script for Wolves, which centers on a young man (Till), who transforms into a werewolf and finds himself falsely accused of murdering his parents. He goes on the run, eventually arriving at a small town named Lupine Ridge that has a history of supernatural happenings. There he finds the secrets to his past.

It looks like Till is going to have a busy year or two here. That’s three movies plus the upcoming X-Men: Days Of Future Past he has lined up. We will keep you updated on Wolves as more news breaks.