In case you haven’t checked the calendar in a couple days, IT’S FREAKIN OCTOBER Y’ALL. Time to bust out the flannel, carve a pumpkin, put on a scary movie, steal a couple mil and get eviscerated by scarecrows! You guessed it, we’re kicking off the month of Halloween with 1988’s uneven but ultimately entertaining SCARECROWS. Scott has been chomping at the bit to pick this one since the summer, and Matt almost picked it as well, so Adam had no choice but to slog through it for the sporadic but awesome gore. It’s a head-scratcher of a flick, but we make the most of it, so tune in on your CB while flying in a totally believable airplane because you know what, it’s Horror Movie Night!

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It’s Matt’s pick this week, and he has a long history of making the guys watch and discuss freak movies, so he went with one of his favorites, the 1990 Frank Henenlotter classic (?) Basket Case 2! We’re all attached at the hip with our rollercoaster of emotions for this film, and do our best to sew ourselves together long enough to break down the intricate social commentary of this piece of cinema, as well as shower compliments on its SFX team for all the delightfully weird busts they made here. If you’ve ever wondered how freaks have a picnic, well you’re in luck, because it’s shown for about 5 minutes in this week’s episode of Horror Movie Night.

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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We here at Horror Movie Night love werewolf movies, and talk about our love of werewolf movies often. So of course one of us had to pick the werecicada masterpiece that is 1982’s The Beast Within! We are immediately greeted with really gross, really explicit r-stuff, then a lot of talking and pointless exposition, some weird murders off-camera, more exposition, more bad acting (though the cast is giving 110% onscreen), crazy teen-to-bug transformation, more murders, more exposition, oh and then one last bit of r-stuff to top this insane sundae off just right. No one was really happy to watch this one, but at least we could commiserate on how it made us all feel (dirty and confused). So if you want to feel like we did and/or relive what your bodies went through during puberty, strap in for this week’s episode of Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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Signal boost to every dude in love with his sister from another mister, the 420 Boyz are talking about one of your favorite flicks this week, the grossest Shakespeare(ish) movie ever, 1996’s Tromeo and Juliet from the one and only Troma Entertainment. Matt thought he could strike gold twice with this pick, but it falls somewhere between Adam picking a movie about baby-stealing killer trees and Matt picking, well, most anything… If you’ve seen any Troma, you kind of know what to expect, but that doesn’t mean you have to silently accept it. Grab your raisin loaf and maybe some Dramamine for this incesty romp (featuring Lemmy!) on this episode of Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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“There’s no way they could do back-to-back Nazi zombie movie episodes….right?” WRONG. Get your surgical equipment and bullshit swastika armband back out, because the guys at HMN have another Nazi zombie flick to discuss this week, with a retroactive look back at 2013’s surprisingly not terrible Frankenstein’s Army. If you’re like us (well, Matt and Scott, at least), then you spent a good chunk of your prepubescent days splattering Hitler-loving monsters in the classic PC shooter Wolfenstein 3-D. This film is basically that, but with better graphics. You’re either going to enjoy it or be bored out of your skull, so no further explanation is necessary here. Someone get Ron Perlman on the phone and see if he wants to come bust some goose-stepping ghouls on this week’s (retroactive) episode of Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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It’s episode 99 so it should surprise no one that we went with Sleepaway Camp 2, the delightful sequel to episode 50’s Sleepaway Camp – now with 100% less baseball montages! SAC2 is arguably less transphobic, less homophobic, and definitely way more boob-filled than its predecessor, but one thing remains the same…Kids these days are only trying to get someone to touch them where they pee. For this sin, all must die. Join us as we decide which grossly inventive kill is the best and wonder how every camper appears to be 25 on this week’s episode of Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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Pop your health pills and melt those pounds away because this week we’re joined by our good friend Kannon to discuss 1993’s Body Melt. We would call this a bad movie but the word movie would imply that there is a plot line to be followed. Body Melt is just a collection of ideas spliced together with the hopes that it makes sense, unfortunately it doesn’t. Join us while we suffer through the stages of Body Melt this week.

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If the creeping dread of another Cold War hasn’t quite hit you yet, the HMN boys will get you there with 1983’s low budget, killer-alien-in-a-meteorite The Deadly Spawn! This homage (well, more pastiche, really) to the alien monster heyday of the 1950s spent all of its money on creature effects (which are awesome, despite what Adam may think) and then hired people off the street to get eaten by weird hungry tadpoles. Don’t go in your swampy, disgusting basement, cuz it’s Horror Movie Night, comrade!

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In true Horror Movie Night style, the guys are kicking off the holiday season with a film whose themes include (but are not limited to): prison, death penalty, alcoholism, bigotry, prison rape, trucker hats, and the ever-present electric ghost. That’s right, we’re talking Renny Harlin’s 1988 diamond in the rough PRISON! If you ever wondered what Aragorn was doing before that idiot Frodo came along, or what Deebo was up to on Thursday, this is the movie for you. Burn your bedding but keep the trucker hat, cuz it’s getting hot in solitary this week on Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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What better way to ignore the inescapable dread of real life than with a horror movie that makes almost no sense?? This week, Scott picked 1988’s Phantasm II (another sequel that’s arguably better than its predecessor), and promptly spent 30 minutes trying to explain to Matt and Adam why it’s awesome. Spoiler alert, they don’t agree. Idiots. So grab your quad-shot sawed off and dwarf actors’ union application, it’s Horror Movie Night!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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Welcome to Episode 50 of Horror Movie Night! We all survived our first year and haven’t gone on too many murderous rampages yet, and for our anniversary, we discussed the fantastic camp slasher SLEEPAWAY CAMP from 1983. Matt is overjoyed that he’s surrounded by so much young fresh chicken, Scott is hoping to score with counselor Meg on her night off, and Adam is just hanging out in the background pumping iron. Let your hair down and get some head by the lake – it’s Horror Movie Night’s 50th episode!

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Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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Better go into this one on an empty stomach, cuz this week’s discussion is Evil Dead 2013! One of us loses an eye, another loses an arm, and all of us lose our self-respect as we detox in the woods with Mia & company. If you ignore all warnings, including dead cats and scribbled alerts that reading the creepy book you found in the basement will turn all of your friends into fleshbags for murderous demons, you’ll fit right in on this week’s Horror Movie Night!

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Welcome to another edition of Saint Mort’s Nostalgia Nightmare. This week I’ll be reviewing Phantom of the Opera from 1989 now available on Blu-Ray from my friends at Scream Factory. Much like last week, I’d never seen this film prior to this viewing but I sure as hell remembered it’s box-cover. Let’s see how it is.

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I’ve always had a weird obsession with Phantom of the Opera. I blame it on Gremlins 2: A New Batch, as well as an old book of classic horror movie moments that my grandfather had in his basement. I loved the look of Lon Chaney’s original make-up and would frequently imagine the iconic music and the moment when the mask is lifted off revealing his true face.

That being said, it’s rare that I find a version of Phantom that I genuinely love. I like the classic Lon Chaney film and I can appreciate the musical, but I definitely don’t love it. For some reason nothing has reached that unattainable excitement for the original film (that I didn’t even see until after college). I do however love gory 80s/90s horror movies, so I went into 1989’s Phantom of the Opera with high hopes.

I can recall the box cover from my younger days of wandering video stores, but for one reason or another I never rented it (I’m willing to assume it’s because I still hadn’t seen the original). I can’t say that this movie’s transfer has never looked better (since I have no previous viewing experience) but what I can say is that this doesn’t look like a movie that’s 25 years old. The transfer gives it the picture quality of a movie released in the last 2-3 years.

That being said, I walked away from this movie not knowing how to feel about it. Robert England puts in a great performance and while I’m not a fan of the Phantom’s make-up Kevin Yagher’s other effects are pretty impressive. There are definitely things here, however, that don’t work for me.

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I started off kind of confused; the movie does a sudden flip from modern day to the victorian era that occurs so suddenly that if you sneeze or blink you’ll miss it. The movie is slowly paced but when it gets good it’s “severed head in a soup pot” good.

There’s a lot to like hidden within the movie but the actual journey to those moments can be tedious and boring at times. The movie also ends in an awkward abruptness, it’s obvious that they were setting up a sequel (which despite my lukewarm opinion of this movie I would have loved to have seen) that never came to fruition due to its poor box office performance.

However, since this is a Scream Factory release it doesn’t matter the quality of the film because the Behind the Mask Retrospective making of documentary on the DVD is packed with interesting stories about the history of the Phantom. If you’re a fan of this adaptation you’d be doing yourself a disservice not picking up this up for that making of and commentary track alone.

If you haven’t seen this adaptation but you’re a fan of 80’s gore and/or the Phantom of the Opera story than this might be worth checking out, but I think you’re actually better off checking out Phantom of the Paradise (also from Scream Factory). In fact, the screenplay writer even mentions watching Phantom of the Paradise for inspiration while writing. Both have extremely similar plot-lines (both being inspired by both Phantom of the Opera AND the story of Faust) but Phantom of the Paradise has the tongue-in-cheek fun (and memorable musical numbers) that this adaptation is lacking.

Saint Mort is the host of The Saint Mort Show and Reddit Horror Club podcasts. He also posts reviews in his Every Damn DVD blog every single week. He’s also the Phantom of his Apartment and attacks anyone who speaks ill of his DVD collection. If you’re generous enough give him some more DVDs to defend from his Amazon Wishlist.

I saw Dead Snow at a Halloween party a few years ago and thought it was pretty awesome! So needless to say, I was excited to hear there was going to be a sequel. Dead Snow 2: Red vs. Dead is out today in select theaters and on iTunes.

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Martin (Vegar Hoel) hasn’t had the best vacation. He accidentally killed his girlfriend with an axe. He cut his own arm off with a chainsaw. And his friends STILL got devoured by a battalion of Nazi Zombies. This morning, he woke up in a hospital bed with a new arm – but it’s a super-powered Zombie arm that wants to kill him, and anything else it can reach. Martin’s PISSED. And with the help of his new Zombie Squad pals (Martin Starr, Jocelyn DeBoer, Ingrid Haas), he’s gonna deliver some payback to Colonel Herzog and his precious Nazi gold – by raising an undead army of his own.

The sequel was filmed in English and Norwegian, while the first one is only in Norwegian (and the Nazi zombies speak in German in both).  Yes, the zombies speak to each other. These films are a bloody a good time! The first film has an Evil Dead vibe with the young people going to a cabin and encountering evil. Dead Snow 2 is even better! There is more blood/gore, crazier zombie fight scenes, the zombie makeup has improved and the overall production level has been stepped up a notch. Often, sequels are not as good as their predecessors but Dead Snow 2 is more like a continuation of the first film because it picks up right where it left off (even though the sequel came out 5 years later).

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Dead Snow 2 is over-the-top with mayhem and disgusting humor. Be prepared to laugh, cringe and enjoy the crazy ride. It has an Evil Dead 2 and Army of Darkness influence (cursed hand and army of the undead). Do not take this film seriously at all. It is refreshing to have zombies that are not mindless creatures craving brains but rather they are the cursed type trying to finish a task. Just in time for the wonderful month of October/Halloween, go see Dead Snow 2: Red vs. Dead  if you want a kickass zombie movie!

  

Blood and Guts is back for another fantastically bloody season! This marks the 3rd season for the YouTube series that focuses on practical effects. Read on to get an in depth look at the show via an interview with the show’s director-producer, Jack Bennett!

http://youtu.be/lZo7ATlAwcs

Teaser for Blood and Guts season 3

 What is the show ‘Blood and Guts’ all about?

It’s a celebration of makeup effects artists, creature creators, and all the practical effects artists who were the cornerstones of our favorite movies. The film industry is sidelining a lot of amazing talents who are at the top of their game and create extraordinary effects that we’re often missing out of because it’s easier for studios to spend effects dollars in post rather than putting them in a production budget. The show is a chance for us to showcase the kinds of effects we’ve been missing, and also revel in some gore whenever it’s appropriate.

What should people expect for season 3?

An original character designed specifically for Scott by Academy Award winning makeup artist Joel Harlow, an in-depth look at the creation of an original maze for Universal’s Halloween Horror Nights, an appearance by a genuine horror icon, a melted Scott head, a look back at the groundbreaking work that came out of Stan Winston Studios… all that and more!

What has been the best thing about working on this show?

Just getting to focus on what I love about genre movies, and getting a chance to look at the reality of what went into making these sights that you kind of took for granted when you first saw them. In a weird way that’s the point: they’re effects, you’re not supposed to say “Wow, great effect,” you’re supposed to just accept the reality of what you’re seeing. The best for me is just meeting these people who I’ve admired and in some cases I’ve been in awe of for much of my life, and getting to ask them all my stupid fanboy questions. Seeing Scott get excited about the same stuff is up there too.

What had been your favorite practical effect done on the show thus far?

At the risk of sounding like we peaked early, it’s hard to beat Jerry Constantine’s chainsaw gag in the third episode of Season 1. But I love every episode. Jennifer Aspinall turned Scott into a fat old hippie so we could walk him into a guitar store unrecognized, how great is that? I got to be face-to-face with the very wolf that attacked Griffin Dunne in An American Werewolf in London. The animatronic characters at Spectral Motion and studioADI, can’t beat those. Shooting an action scene at Ron Trost’s with Scott was a blast, with Scott running in the snow and bullet hits going off all around him. Gary Tunnicliffe did a great zombie bite for us, shooting that with an actress named Vanessa Cate ripping out part of Scott’s neck was a highlight. The design of Joel Harlow’s Deep One hybrid, who Scott affectionately called The Fishman, was stunning. It’s an unsettling face. When it was finished Scott, was posing for photos and it was hard to make eye contact when he’d turn to me. Then Tony Gardner did something in his episode, the October 17th one, that lifted my spirits in a way few things have in my adult life. In the raw footage you hear me say “I’m so fulfilled,” when I heard my own voice while I was editing I could hear how much I meant it. All because of a gory effect, the kind of thing that would make a non-fan roll their eyes. Or cover them.

Has anything you’ve seen on the show grossed you out?

I’m so desensitized I don’t react to the actual mechanics of it beyond awe at the craft. So much so that I screened the Rob Hall episode, in which Scott gets his face sliced clean off his skull, to a classroom full of college kids as part of a lecture, and it did not even occur to me to warn them how graphic it was. When I saw their faces and heard them gasp, I was confused for a second. Then I remembered oh, right, not everyone is fucking warped like I am. It takes a really great film, something like Sympathy for Mr. Vengeance or Oldboy, to get me to react to the violence, and even then it’s the story and the characters and my attachment to them that give me that dreadful feeling in my stomach. I’m not a true crime guy, real-life violence in life continues to appall me, but I still love it in movies. The grossest, grisliest, most terrifying images are all fantastic to me just so long as they’re fake.

Make sure to tune in every Thursday in October for another awesome episode of Blood and Guts on the Nerdist channel!

In case you missed them, here are episodes 1 and 2! Make sure to check later today for episode 3!

Here is a press release from the Nerdist marking the season’s debut:

Following two successful seasons, Blood and Guts with Scott Ian has returned to the Nerdist Channel with Season 3. A new episode will debut every Thursday in October, leading up to the season finale on Halloween. The Season 3 premiere – which features Johnny Depp’s regular makeup designer, Academy Award winner Joel Harlow – can be viewed on the Nerdist Channel: [http://youtu.be/ki08bC2ZpuM]

Blood and Guts is hosted by Scott Ian, guitarist and founding member of legendary metal band Anthax. Ian, a longtime horror aficionado, gives viewers a behind-the-scenes looks at how some of the all-time greatest practical effects artists create the gore and monsters that genre fans love. The series differs from typical behind-the-scenes shows due to Ian’s infectious excitement and curiosity, coupled with the clever ways the effects are integrated into each episode. Ian is often the one in the makeup chair, experiencing squibs, gore appliances and complex character makeups with rare enthusiasm.

“I’ve been into horror longer than music, longer than comics. It was my first true nerd-love,” says Ian. “And that love affair still burns hot all these years later. Horror has been a huge influence on my music career, my writing, and now I get to actually be a part of it by hosting Blood and Guts. It’s my dream gig.”Previous guests on the show included the likes of 7 time Academy Award winner Rick Baker, Greg Nicotero of The Walking Dead and frequent Guillermo Del Toro collaborators Spectral Motion. Season 3 of Blood and Guts ups the ante with an original creature created by Joel Harlow exclusively for the series, unprecedented behind-the-scenes access to the creation of Universal’s Halloween Horror Nights and an episode with Tony Gardner that includes a surprise visit from a legendary horror character, reprised by the original actor.Blood and Guts with Scott Ian is produced by Chris Hardwick’s Nerdist Channel as part of their partnership with Youtube, with episodes premiering online alongside All-Star Celebrity Bowling and other Nerdist content. The show was originally launched with Fangoria’s involvement, but Nerdist has taken on full production duties for Season 3. The dedicated crew remains the same, with Jack Bennett directing and producing each episode. “The show works in two ways,” explains Bennett. “You can watch it in awe of the extraordinary talent of these artists, or you can tune in to see Scott get his face ripped off. I love both.”  

The full episode guide for the third season of Blood and Guts with Scott Ian can be found below. Watch the teaser here.

October 3 – Episode 1: Joel Harlow (Star Trek, Pirates of the Caribbean)Harlow shares his practical approach to doing makeup on blockbusters and transforms Scott into a creature inspired by H.P. Lovecraft.

October 10 – Episode 2: John Murdy and Larry Bones (Halloween Horror Nights)Scott is given unprecedented backstage access to Universal’s Halloween Horror Nights, including a cameo appearance by Danny Trejo.

October 17 – Episode 3: Tony Gardner (Army of Darkness, Zombieland)Scott visits Alterian Inc. for a lesson in fat suits and a surprise visit from an iconic horror character.

October 24 – Episode 4: Vincent Guastini (Requiem for a Dream, Dogma)Scott goes to VGP Effects for a look at their eclectic resume and an homage to splatter fx from the ’80s.

October 31 – Episode 5: Stan Winston & His Legacy w/ Matt Winston, Howard Berger, Lance Anderson and moreScott catches up with Stan Winston’s collaborators and his son, Matt, for a look at Winston’s continued influence on the world of effects.Bennett will be appearing at the 10th annual Rock and Shock to screen episodes and discuss the show. The horror convention takes place in Worcester, MA on October 18-20, 2013. Attendees will have the opportunity to meet Robert Englund, Robert Patrick, Michael Rooker, Gunnar Hansen, Eric Roberts and more.

 Watch past episodes of Blood and Guts with Scott Ian on the Nerdist Channeland keep up to date with the new season on Facebook and Twitter.

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When I was a kid, my cousin David and I would spend one week every Summer at my grandparent’s house. Dave was… to put it kindly, occasionally a piece of shit. He has since apologized for the way he used to treat me, and we have since become close friends. I do occasionally feel like he was the source of my poor choices of friends in my past. He was my cousin, so I loved him dearly, and I considered him my best friend… however, he was always picking on me and beating me up. This could explain why it took until college to actually start befriending people who liked being around me. Anyways, I’m sidetracking.

These weeks at my grandparent’s house were where I discovered many things that I loved. I remember one particular Summer, Sci-fi aired Alligator and Alligator II: The Mutation and we taped it off the TV and watched it every day for the rest of the week. It was during one of these visits that we caught a commercial on TV that would change both of our lives (he said a little too dramatically). It was a commercial for Cinemax’s premiere of FREAKED. We had never heard of it, but the 30 second spot was jam-packed with pure insanity. We knew that no matter what we did that day, we had to be back at the house in time to watch this movie.

Freaked was (for many years) the last thing Alex “Bill S Preston Esq.” Winter ever worked on. It is without a doubt the weirdest thing a major film studio has EVER financed and a piece of anti-comedy glory.

Freaked is the story of  RIcky Coogin (Alex Winter), a rich, snobby, former child star. Mega-Corporation E.E.S. (Everything Except Shoes) hires him to travel to South America to promote the chemical Zygrot 24. He brings his best friend Ernie (Michael Stoyanov) to join him. When their plane lands they are greeted with protestors including the beautiful Julie (Megan Ward) who they trick into joining them on their trip.

She asks them if they can visit the local freak show. Sadly the next show isn’t until the following night, but the host of the freak show Elijah C. Skuggs (Randy Quaid) invites them to see some of the more private creatures in his shed. Once they enter, they are turned into freaks (using Zygrot 24) and put into the Freakshow.

This is really all the plot you need to know. Story is secondary in this film. Freaked is about anarchic Marx Brothers comedy blended with the anti-comedy style of Winter (writer/director/star), Tim Burns (writer) and Tom Stern’s (writer/director) old MTV sketch show Idiot Box.

Freaked at 400

The film was originally conceived as a demented horror film called Hideous Mutant Freekz starring the Butthole Surfers (whose music still appears in Freaked). Eventually the idea was the scrapped for something more in tone with The Idiot Box. Joe Roth (head of 20th Century Fox at the time) loved the idea and immediately gave the duo a 12 million dollar deal  under the condition the profanity is toned down to allow it to get a PG-13 rating. Everything was set for one of the best and most bizarre comedies of the 90’s… and then Joe Roth got fired.

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Immediately after being fired and replaced with Peter Chernin, the film’s budget was completely pulled causing them to lose soundtrack rights (which sucks since the music is one of the best parts of the movie), the title changed form Hideous Mutant Freekz to Freaked and released on 2 screens (Despite a great response at the Toronto Film Festival).

The film was a financial flop that if not for cable channels like Cinemax playing it, it would have faded into obscurity. The film’s cult status was so strong that in 2005 a double-disc DVD was released and more recently a Blu-Ray version.

Sadly, despite the cult status, the film basically destroyed its writers/directors for many years. Tom Stern and Tim Burns wrote the first draft for American Werewolf in Paris (which Stern was to direct), however after the Freaked flop they were removed from the project. Despite receiving the principal writer credits to the film, both claim that nothing related to their original script remains. Their film was a comedy/horror in the same tone as the original American Werewolf in London and while I have professed my love of this sequel I wish I could have seen their original vision.

Furthermore, his other script Bad Pinocchio (later titled Pinocchio’s Revenge) was revamped from a horror/comedy into a psychological thriller (an unwatchable thriller at that) after Stern was kicked off the project. It wasn’t until he developed a friendship with Jimmy Kimmel that he found success directing The Man Show, Jimmy Kimmel Live, and Crank Yankers.

Meanwhile Winter remained relatively obscure for years following Freaked. While he did direct the well-received Fever in 1999 it wasn’t until the documentary Downloaded and the announcement of a possible Bill & Ted 3 that he returned to the public eye.

Regardless of how much the film may have hurt the careers of the people behind it, Freaked remains one of my top 10 favorite movies. I have forced many a friend to watch the insanity and it remains a film that represents to me that you can make anything you want, even if it’s the most bat-shit crazy 80 minutes ever put to cellophane.

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This Halloween, take some time to watch a comedy that only b-horror fans would actually appreciate. 20 years later the special effects still remain impressive, the humor is still fresh and no film has come close to topic the insanity that is this film.

 

Eli Roth is an asshole. No, not because he blew smoke in Gilmore’s face a few Comic Cons ago. If you’ve met Gilmore, you’d also want to blow smoke in his face. No, Eli Roth is an asshole because for a split second he gave me hope in horror and then became the leader of what was wrong with it.

In 6th grade I became a big horror movie buff. By my freshmen year of high school I had lost all respect for horror. The new films coming out refused to be scary or fun. They were boring films that took themselves entirely too seriously movies like Jeepers Creepers and Valentine. Then I saw Cabin Fever. It was everything I’d been missing in the post Scream days: just good clean stupid fun. I thought “truly, this director Eli Roth will bring horror back into its gory, humorous and scary roots.” Ultimately this didn’t happen. Instead, he made the Hostel sequels and became Quentin Tarantino’s favorite pet project. Thankfully, people like Adam Greene and James Gunn have since stood up and proved that there are still directors out there making good fun horror movies.

Cabin Fever 2

When I saw the direct-to-DVD release of Cabin Fever 2: Spring Fever in my local Best Buy I was immediately apprehensive about it. Then I saw a good sign. Eli Roth had nothing to do with it, no producer credit, writer credit or director credit. Instead it was written and directed by Ti West, a man who’s career has been on the rise since directing The House of the Devil and The Innkeepers. Ti West has disowned this movie, which I think is a little harsh. The movie is far better than he seems to want to give it credit for.

The movie picks up where the original Cabin Fever left off. Our ‘hero’ Paul is disfigured and dying. He crawls out of the creek where we last saw him and wanders out into the middle of street where he’s hit by a school bus. These first 3 minutes of film already set up that you are in for a gore-filled laugh-fest.

Through a fun animated sequence, we see how the creek Paul was lying in was connected to a bottled-water company and the water bottles with Paul’s virus are being distributed to the local high school.

The Senior Prom is coming up and John wants to go with his long time crush Cassie or not at all. Meanwhile his best friend Alex has a random hook-up with Liz who promises that she might show up to the prom if she can get off work.

The prom begins and everything you’d want in a horror movie is present: sex, blood and hilarious one-liners. The movie could have easily failed but it doesn’t for multiple reasons. For starters the cast is great. The actress who plays Cassie is quite adorable. She reminds me of a Riki Lindhome/Felicia Day type. Meanwhile, the actors playing our leads Alex and John are charming and believable.

Cabin Fever 2 Main characters
Our Main Characters Realize that Prom Sucks

My favorite aspect of the movie is its depictions of sex. Unlike most horror movies, the sex is never played for sexiness for a single second. Between Liz giving Alex a very awkward blowjob and then spitting his semen into the sink or two characters having sex in a pool before dying of the infection, it’s never even slightly sexy.

The movie currently has no Rotten Tomatoes critical score but the user score is a pathetic 16%. That’s just unfair. I mean, Hostel: Part 2 has a 45% user rating and it doesn’t nearly have the likeable characters, good one-liners and general sense of fun that Cabin Fever 2 has.

Despite what critics and Ti West say Cabin Fever 2: Spring Break is a good way to waste 86 minutes.

Tell us some of your favorite guilty pleasures in the Guilty Pleasures Thread!

When he’s not watching movies that almost everyone involved in the making of has all but abandoned you can find Matt Kelly tweeting, hosting his podcast The Saint Mort Show and posting in his blog Pure Mattitude