I’ve always revered the overlooked work of screenwriter and director Tom McCarthy. More respected for his earnest screenplays filled with wonderful character development and light-hearted comedy, McCarthy quickly hops into the directors chair once again following a critical bashing of his previous well-documented dud, The Cobbler. But despite McCarthy’s recent poor showing, he bounces back in notable form – as you would expect from any artist and visionary with his talents – delivering one of 2015’s hottest titles, Spotlight.

When Marty Baron (Liev Schreiber) is hired as the new editor of The Boston Globe in 2001, he assigns the paper’s finest team of investigators (known as Spotlight) to look into a surprisingly disregarded case of sexual abuse allegations against a local Catholic priest. And as Spotlight digs deeper into the facts, they begin to uncover a massive conspiracy by the church to cover-up decades of known misconduct. But with the powerful institution pulling strings throughout the entire city of Boston, unveiling this shocking true story proves to be mighty difficult task.

Spotlight 1

Tom McCarthy’s Spotlight unravels as one of the most compelling investigative dramas in decades. Tied to a national story that strikes a nerve in all of us, this entertaining fact-based tale commands the audience’s attention with elite acting from its entire cast. Michael Keaton follows up his Oscar Nominated turn in last year’s Birdman with another upper echelon performance that should return him to the big dance. Keaton not only finds stiff competition in the Supporting Actor race from Bridge of Spies’ Mark Rylance, co-star Mark Ruffalo could quite possibly give Spotlight the first pair of actors nominated in the same category since Bugsy‘s Harvey Keitel and Ben Kingsley accomplished the rare feat in 1991. And while critics and insiders have touted Keaton’s performance, there are moments throughout the film when the excellence of Mark Ruffalo dwarfs his co-star by comparison. In addition, Stanley Tucci continues to impress as one of the best character actors in the business. Spotlight‘s perfect blend of a hard-hitting story and an unmatched ensemble leave the film as a primed Best Picture contender.

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Despite all of the feature’s shining attributes, Spotlight is weighed down by a few glaring blemishes. The film does an adequate job of keeping the audience’s attention throughout its more than two-hour running time, yet there are a few noticeable lulls the viewer is forced to push through. Generally, these poorly paced moments occur as a result of McCarthy and co-writer Josh Singer’s quest for Hollywood dramatization. A collection of these scenes feel inauthentic and unnecessary to the progression of the film, which ultimately leave Spotlight as a flawed, albeit successful, title.

Considering the minuscule number of elite films in 2015, Spotlight positions itself nicely as one of the top tier entries. McCarthy relies on numerous fine performances to transition his gripping factual script to the big screen. If history is any indicator, for more than the last decade every Best Picture winner has debuted to audiences in some form prior to November. Therefore, there’s a strong chance Spotlight could be a major player during this year’s run to the Oscars, and it’s definitely one you won’t want to miss.

GRADE: 4/5

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Although his name isn’t stained in the fabric of our society like Steven Spielberg or James Cameron, director Robert Zemeckis is a legend of Hollywood in his own right. As an Academy Award winning filmmaker who graced us with one of the most notable cinematic achievements of all-time, Forrest Gump, Zemeckis knows what it takes to captivate an audience. He returns this weekend to movie theaters all across the country with a soaring spectacle unlike anything we’ve ever seen. Alongside his show-stealing lead actor, Joseph Gordon-Levitt, The Walk unfolds as yet another winning effort from the iconic filmmaker.

As a young child growing up in France, Philippe Petit’s (Gordon-Levitt) interest in magic and juggling culminates into something much more daring, a passion for tightrope walking. And in 1974 after Philippe hones his skill-set under the tutelage of a circus professional named Papa Rudy (Ben Kinglsey), he sets his sights on a higher and more death-defying target, an unharnessed walk between the world’s new tallest buildings in New York City. Petit ventures to the Big Apple and, with his team of accomplices, pulls off the greatest artistic crime the world has ever witnessed.

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One of my favorite revelations surrounding Robert Zemeckis’ historical retelling, The Walk, is the surprising tone of the film. Sporting a more playful vibe rather than intense melodrama, the movie peels back layers of famed wire-walker Philippe Petit. And by taking the audience back to his childhood where the central figure’s passion and appreciation for performing began, we’re given a clear understanding of the fearless (and arguably insane) psyche of Petit. Joseph Gordon-Levitt continues to deliver fine performances adding his portrayal of Petit to an already long list of quality work. While Gordon-Levitt is given almost the entirety of the screen time, he makes the most of his opportunity and shines in the role. Sprinkling in a pleasant collection of well-timed humor and an outstanding score from Alan Silvestri (who also composed the music for Forrest Gump), The Walk equates to far more than just a visual masterpiece.

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Despite all of the film’s impressive attributes, there are a few facets in which the movie is mishandled. Throughout Petit’s criminal plot to set up a wire between New York City’s Twin Towers prior to his dangerous tightrope walk (which he always refers to as “le coup”), we’re introduced to the members of his team who help make the event possible. However, such little devotion is given to these side characters that the dramatic moments surrounding them all as the big day approaches end up falling flat. Even the relationship between Petit and his girlfriend throughout the film, Annie (played by Charlotte Le Bon), is widely underdeveloped. Furthermore, the visual returns to Joseph Gordon-Levitt’s narration is oddly placed. It comes and goes throughout the film, but it never feels necessary or even warranted. Although The Walk fails to utilize its side characters appropriately and it relies on a poorly executed narration tactic, Zemeckis and company succeed in countless other areas that help dwarf these miscues by comparison.

I typically avoid any 3D showing of a film when possible. I tend to find the technique distracting and less enjoyable. However, The Walk does such a superb job of incorporating the I-MAX 3D into the film that I believe it actually enhances the experience. All of its breathtaking visuals are absolutely stunning and give the film a truly unique feel. Yet, while I wouldn’t declare The Walk as a “must-see” feature, it certainly doesn’t disappoint.

Grade: 3.5/5

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May 3rd is almost here and two action-packed brand new TV spot’s for Shane Black’s Iron Man 3 have been released. These spots feature plenty of new footage that is sure to get you beyond excited for the start of Marvel’s “Phase Two”.

 

 

Marvel Studios’ “Iron Man 3″ pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

 

Iron Man 3 suits up in theaters on May 3, 2013

The first official still has been released for the upcoming adaptation, directed by Gavin Hood (X-Men Origins: Wolverine), of the classic sci-fi novel. The image gives us a first look at Asa Butterfield as Ender Wiggin among a group of new recruits (aka “Launchies”) as he faces off with Colonel Graff (Harrsion Ford).

In the near future, a hostile alien race (called the Formics) have attacked Earth. If not for the legendary heroics of International Fleet Commander, Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Graff I(Harrison Ford) and the International Military are training only the best young children to find the future Mazer. Ender Wiggin (Asa Butterfield), a shy, but strategically brilliant boy is pulled out of his school to join the elite.

Arriving at Battle School, Ender quickly and easily masters increasingly difficult war games, distiguising himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School. Once there, he’s trained by Mazer Rackham, himself, to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

Ender’s Game hits theaters November 1st, 2013.

Source: EW

 

‘The Last Voyage Of The Dementer’ has been in production for quite some time now. The film about the ship that carried Dracula’s coffin from Transylvania to England has had director Neil Marshall (‘Doomsday’, ‘The Descent’) attached for quite some time now and rumors of Ben Kingsley (‘Iron Man 3’, ‘Shutter Island’) to play the ships captain and Noomi Rapace (‘Prometheus’) to possibly star as Anna Billington.

We haven’t heard any news on this project until now. Bloody Disgusting has reported that the lead role of Henry Clemens has been offered to Viggo Mortensen (‘Lord Of The Rings’, ‘A History Of Violence’)

The most recent draft of the film has been written by Lowell Cauffiel and is said to be “a tale that is reminiscent of the first movie in the Alien franchise, in which a crew is slaughtered one-by-one by a mysterious passenger.”

An awesome spoiler lies ahead! You have been warned! Today via HannibalDelarge’s Tumblr a set image from ‘Iron Man 3’ popped up that featuring the logo of a familiar group…

 

The the infamous terrorist organization A.I.M. (Advanced Idea Mechanics) apparently will have a role in ‘Iron Man 3’? Now that is unexpected.

Unfamiliar with A.I.M.? Well, A.I.M. is an organization of brilliant scientists and their hirelings dedicated to the acquisition of power and the overthrow of all government by technological means. A.I.M. was organized during World War II as the scientific research division of the subversive military organization Hydra. It supplied hardware and weapons to governmental and quasi-governmental agencies. Some time after this Nick Fury of S.H.I.E.L.D. exposed A.I.M. to be a subversive organization. A.I.M.’s activities have been covert since.

A.I.M. also created M.O.D.O.K. (Mental Organism Designed Only for Killing), an artificially mutated human being with an enormous head and a stunted body possessing superhuman intelligence and the ability to generate mental energy bolts and force fields.

Does this mean we could get a A.I.M./Hydra team-up in the future of the Marvel Cinematic Universe? May we get a M.O.D.O.K. easter egg of perhaps an appearance?

So, who is Ben Kingsley playing? How big of a role does Guy Pearce’s Aldrich Killian have? Well, according to Latino Review they can confirm that Ben Kingsley will be playing…

SPOILER ALERT

 

 

The Mandarin!

Wait…didn’t Marvel insist that he was NOT going to be in the movie? Then again Marvel said Loki wasn’t in ‘The Avengers’ in the start at that the aliens weren’t The Chitauri. So we can’t always trust that. Apparently a source that isn’t just some random security guard making up a bunch of nonsense (it happens) HAS confirmed that he is in the movie. But the thing is… Marvel wasn’t completely lying. The Mandarin will not be the primary villain but more of a silent partner to Guy Pearce’s Aldrich Killian. Aldrich is the man who invents “Extremis” and an “Extremis army”.

Some very interesting details right here.

‘Iron Man 3’ suits up May 3, 2013.

Sacha Baron Cohen thrives on every ounce of controversial attention that he receives. The multi-talented actor, among other things, ingenuously helped re-spawn the mockumentary genre with his 2006 hit Borat. As a spinoff to a character from his HBO television show Da Ali G Show, Cohen constructed one of the funniest satirical comedies in recent memory. After a far less applauded follow up with his 2009 dud Bruno, Cohen and his joint-at-the-hip director, Larry Charles, have teamed up for a third attempt. And this time, they hope to restore their glory with The Dictator.

The Dictator follows Admiral General Aladeen (played by Cohen), the dictator from a North African country called Wadiya, during his travels to the United States. While in the U.S., Aladeen plans to address worldwide rumors that he is developing nuclear weapons. However, during his slumber in a New York City hotel room, Aladeen becomes the target of a ploy and is kidnapped by a U.S. government official. In the midst of his interrogation, the dictator has his signature beard cut off. Therefore, when he escapes from his kidnapper, Aladeen is left alone and unrecognizable while trying to survive in NYC. With the aid of a store clerk named Zoey (played by Faris), Aladeen attempts to restore himself to power.

With The Dictator, director Larry Charles and creator Sacha Baron Cohen once again dive head first into the realm of absurdity. In usual form, the pair continue their pursuit of stirring up controversy and habitual line crossing. Hence, The Dictator provides plenty of “guilty” laughs and cheap thrills that seem all too familiar. Far from the greatness attained by their debut collaboration Borat, the duo’s most recent effort falls short of their obvious potential. Incorporating a highly outlandish and barren plot with large amounts of shock value, the film’s comedic tone feels all too unimpressive. The Dictator, at its core, is nothing more than rehashed ideas thrown together in a jumbled, nonsensical script. It becomes clearly evident that Cohen cares more about stunning the audience than genuine filmmaking.

Although The Dictator is a far less successful attempt than their 2006 masterpiece Borat, the movie does manage to offer a constant source of laughs. Its cleverness is surely inferior to its predecessor, but the jokes still run rampant and some are undeniably hysterical. To its benefit, the feature succeeds in forcing the audience to laugh at scenes that they know they shouldn’t find funny. Much like Borat, this infectious guilt almost becomes addictive and serves as the movie’s brightest aspect. Furthermore, the film uses a minimal 83 minute runtime to its advantage. Never feeling abundantly dull or drawn out, Cohen and Charles seemingly recognize their limitations and take the safe approach by keeping the story simple.

As a comedy, The Dictator is a serviceable addition to the genre. On the other hand, as a movie in general, The Dictator lacks any real substance or fortitude. If you’re interested in seeing another typical Sacha Baron Cohen film at work, then you’ll probably find it amusing. However, level your expectations because The Dictator is far from the groundbreaking effort that Cohen once offered.

Stars: 1 and a half stars out of 4

Grade: C-

 

Staff writer MCDave can also be found spewing nonsense at Movie Reviews By Dave

The Avengers is still a few weeks away, but we’re getting our first real news on Iron Man 3 casting already. According to the Hollywood Reporter, Oscar winning actor Ben Kingsley is in negotiations to play a villain role in the upcoming sequel. According to insiders, the part is possibly not that of the main villain though. Although Iron Man’s #1 comic book bad guy the Mandarin has been hinted at since the first movie, it is far from a sure thing he’ll be the one Kingsley plays, or even be in the movie at all.  The original Mandarin was a Fu-Manchu like racist caricature of communist China, and his ten magic rings are a bit too much like Green Lantern for Marvel’s taste.

If the Mandarin does show up in Iron Man 3, it is a pretty safe bet he won't be looking like this.

If the villain is the Mandarin, he’ll probably be totally re-invented for the big screen. Iron Man 1 and 2 director Jon Favreau hinted heavily towards revealing the Mandarin as the big bad in the third part of the trilogy, but he’s no longer directing, Shane Black is. Still, Favs remains an executive producer, so he might still have some pull to get the Mandarin in. of course, even if the Mandarin is in the movie, Kingsley could still be playing someone else entirely. Remember he’s only rumored to be a villain, not the villain.

The current rumors are that Iron Man 3 would take a cue from the Extemis storyline by Warren Ellis and artist Adi Granov that ran in Iron Man #1-6 back in 2005. In that story, Tony Stark is injected with a form of Captain America’s super soldier formula mixed with nano bots, making him less of a man in a suit and more or a literal iron man. This is probably one of the more acclaimed runs of Iron Man’s book in recent memory, and would probably make a great plot for a movie.