Following Marvel’s epic conclusion with Avengers: Endgame earlier this year, the stakes have never been higher as the cinematic universe pivots and plots a new course for the first time since its 2008 inception. And who better than the friendly neighborhood Spider-Man to pave the way for this new era in the MCU? Director Jon Watts returns with Spider-Man: Far from Home, a cozy and familiar sequel that ushers in a new Marvel figurehead and crisply handles its central antagonist in 2019’s finest summer blockbuster.

After the tragic concluding events of Endgame, there’s nothing Peter Parker (Tom Holland) wants more than to relax and enjoy his chaperoned summer school trip to Europe. But just as he leaves for his trip away from being Spider-Man, Peter’s vacation abroad quickly becomes interrupted by Nick Fury (Samuel L. Jackson). Strange attacks at the hands of elemental creatures put his relaxing summer on hold as Peter fights to protect a world that will never be the same again.

There’s no denying the pressure that was on Jon Watts and everyone behind Far from Home to smoothly transition the MCU following Endgame. Yet, the film rises to the challenge by boasting a wide collection of valuable storylines, otherworldly visual effects, and a brilliantly captured villainous foe to Spider-Man that will have fanboys awfully pleased. Far from Home carries a primary “passing of the torch” theme that proves an obvious, but also necessary, pathway for this bridging entry in the MCU. Consequently, Peter Parker’s character experiences quite a bit of turmoil in his quest for introspection. This enables Tom Holland to really shine as a performer, something we’ve all known that he could do quite well since his exceptional dramatic debut in 2012’s The Impossible. There’s also a hearty romance plot here, one that sometimes feels like it’s getting in the way, but one that stands as a major source of the film’s humor as well. From top to bottom Far from Home’s branded formula of intense action and relentless comedy fits the bill and offers a comforting first step into the dawn of a whole new era for the MCU.

GRADE: 4/5

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While many critics and outlets constantly insist that audiences are starving for the Spider-Man film that they deserve, it feels too much like revisionist history. Sam Raimi’s Spider-Man starring Tobey McGuire in 2002 (89% rating on Rotten Tomatoes, 73 Meta-Critic score) and Marc Webb’s The Amazing Spider-Man with Andrew Garfield in 2012 (72%, 66) both opened to strong critical approval. Yet, this rapid return to the Peter Parker character is a whole new ballgame with a completely different feel and trajectory. Marvel’s Cinematic Universe (MCU) enters the heart of its third “Phase” with a mountain of steam, but can Spider-Man: Homecoming deliver?

Set a few months after the events of Captain America:Civil War, a 15 year-old Peter Parker (Tom Holland) is operating under the watchful eye of Tony Stark (Robert Downey Jr.) and his loyal assistant Happy Hogan (Jon Favreau). But as Peter tries harder and harder to impress Stark with his superhero alter ego Spider-Man, he uncovers an underground arms creator and dealer (Michael Keaton) whose powerful weaponry bridges alien technology with human machinery. Instructed by Stark to stop his pursuit of the arms dealer, Peter disobeys the orders and finds himself face to face with a nefarious foe.


Homecoming fits seamlessly into the MCU with a familiar foundation of humor and action. Built on the shoulders of an ingratiating and clumsy teenage geek, played wonderfully by rising star Tom Holland, Marvel’s latest release places the universe’s macro storyline back on course. Insane visual effects form a web-like cohesion with witty one-line zingers to help keep the action-train churning. These over-extended sequences occur frequently and dwindle in effectiveness with each recurring appearance in the film, yet they’re easily overshadowed by some clever maneuvering with the screenplay and Tom Holland’s alluring performance. And as I usually criticize the MCU for its lack of attention to its film’s central villains, Michael Keaton’s Vulture is birthed from a truly intriguing concept. Although Homecoming fails to adequately venture down that creative path, instead delving too deep into Peter’s buffoonish teenage quandaries, there’s enough meat on the bones to entertain in exactly the way a summer blockbuster should.

Grade: 3.5/5

For more reviews, trailers and movie lists visit MCDave’s host site

UPDATE: Right after writing this original article, news came out that Seth Rogen and Bille Eichner will be voicing Timon and Pumba for the film. It seems as though they are still getting mostly new people for these roles. Fingers crossed for Irons still. 

Jon Favreau’s live action adaption of The Lion King finally has a release date!

While not necessarily highly anticipated, people seem interested in seeing how the Iron Man series director can handle one of Disney’s biggest animated juggernauts after succeeding pretty well in the live action fairy tail space with last years The Jungle Book.  The film is set to STAMPEDE (sorry too soon?) into theaters on July 19th 2019. Not much is known about the film still, but we do know that Donald Glover will be voicing Adult Simba, as well as the legendary James Earl Jones reprising his role as the king of the pride lands himself, Mufasa. No word on if Jeremy Irons will return as Scar, but we can dream at how great that’d be until Disney cruelly rips it away from us. Are you excited for this remake? Tell us in the comments and check out Favreau’s tease below!

Fresh off the heels of  the highly successful Jungle Book adaptation this year, Disney is giving Iron Man and Jungle Book 2016 director Jon Favreau, the keys to the Disney kingdom. Today the company announced that Favreau will be heading up the live action Lion King movie. No solid release date is planned, but it’s assumed that the film will take advantage of The Jungle Book 2016’s mouth watering visuals, so that’s something to be excited for.

Are you excited for this live action adaption, or do you think that animated Disney films just don’t work out well in live action. Tell us in the comments below!

Longtime Geekscape friend Chris Mancini from The Comedy Film Nerds arrives on the show to talk about his new comic book ‘Long Ago And Far Away’, currently in the middle of a Kickstarter campaign! Fernando Pinto, who created the Geekscape logo, is the book’s artist so you should probably go check it out! While Chris is here we give our thoughts on Disney’s new ‘The Jungle Book’ and Richard Linklater’s ‘Everybody Wants Some’! Plus, the follow up to ‘Jurassic World’ gets a director and some news has surfaced on Sony and Marvel’s new Spider-Man film ‘Spider-Man: Homecoming’! Enjoy!

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Briefly: Following the first trailer for Jon Favreau’s The Jungle Book from back in January, Disney has just released a series of incredible promotional images for the film, which show off the stunning characters alongside their respective voice actors.

Directed by Jon Favreau (“Iron Man”), based on Rudyard Kipling’s timeless stories and inspired by Disney’s classic animated film, “The Jungle Book” is an all-new live-action epic adventure about Mowgli (newcomer Neel Sethi), a man-cub who’s been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voice of Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat.

Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the free-spirited bear Baloo (voice of Bill Murray). Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa (voice of Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (voice of Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire.

The all-star cast also includes Lupita Nyong’o as the voice of the fiercely protective mother wolf Raksha, and Giancarlo Esposito as the voice of wolf pack’s alpha male Akela. “The Jungle Book” seamlessly blends live-action with photorealistic CGI animals and environments, using up-to-the-minute technology and storytelling techniques to immerse audiences in an enchanting and lush world.

Take a look at the images below, and be sure to let us know what you think! The Jungle Book hits theatres on April 15th!

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Briefly: More gorgeous footage from a beautiful-looking feature.

I’ve never actually seen Disney’s original The Jungle Book, but with an incredible cast like this one, and some absolutely fantastic footage to back it up, you better believe that I’m excited for this one.

The Jungle Book also looks absolutely built for 3D, and I’m at my happiest when a film has an effective, well thought out 3D version.

The April 15th feature stars Scarlett Johansson, Idris Elba, Bill Murray, Ben Kingsley, Giancarlo Esposito, Christopher Walken, Lupita Wyong’o, and more, and is directed by Iron Man and Chef‘s Jon Favreau.

Take a look at the new, extended trailer below, and let us know if you’re looking forward to the film!

https://youtu.be/yt7jEI83_FI

Directed by Jon Favreau (“Iron Man”), based on Rudyard Kipling’s timeless stories and inspired by Disney’s classic animated film, “The Jungle Book” is an all-new live-action epic adventure about Mowgli (newcomer Neel Sethi), a man-cub who’s been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voice of Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat.

 

Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the free-spirited bear Baloo (voice of Bill Murray). Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa (voice of Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (voice of Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire.

 

The all-star cast also includes Lupita Nyong’o as the voice of the fiercely protective mother wolf Raksha, and Giancarlo Esposito as the voice of wolf pack’s alpha male Akela. “The Jungle Book” seamlessly blends live-action with photorealistic CGI animals and environments, using up-to-the-minute technology and storytelling techniques to immerse audiences in an enchanting and lush world.

Holy cow—I couldn’t wait, so I’ve started writing this as I’m reviewing this first batch of The Shannara Chronicles episodes to say—you need to be watching this show. January 5th at 10pm (9pm Central) on MTV, you need to be watching The Shannara Chronicles. If you consider yourself at all a fan of fantasy, this is absolutely the show you’ve been waiting for. It has incredible production value that stands up in this post Star Wars: The Force Awakens, The Hunger Games and Game of Thrones world, extremely cinematic and marvelously impressive for television. Writing, directing and acting are all as equally impressive as the art direction and costume design. In fact, my biggest complaint at this point is that there’s a character whose name sounds like “Al-Anon”—I keep wondering how his meetings are going.

The first time I got to see footage of what they were creating for the show, I literally had to take it—not with a grain of salt—with a boulder of salt. It couldn’t actually look that good, I thought. If it looks that good, the story’s probably terrible, I thought. If the story’s good too, the casting is probably awful, I thought. There had to be a shoe that was going to drop some where. . . So far I’ve yet to see any dropping shoes anywhere.

It’s thousands and thousands of years in the future, like way after Skynet. There are post-apocalyptic dystopian visions like The Hunger Games—this is after that, way after that. The reset button on the world, having long since been pressed, this then is the re-emergence of civilization (with magic!) on Earth. Over the millennia, humans have evolved along different paths becoming elves, gnomes, trolls and so on—oddly, animals like horses and dogs are still just horses and dogs, and relatives like aunts and uncles are occasionally murdered by demons.

Like any fantasy, we pick up right when a great evil is about to be unleashed on the land. Of course, any hope for the future rides on the destinies of certain “chosen ones” that begin their Hero’s Journey by turning it down. Pretty boilerplate—these are the staple elements common to fantasy (and most other stories), so there really are no new concepts in play. Although, the idea that it’s taking place far into the future feels new and is fun to chew on. What really works very well through these first episodes is the fresh telling through interesting and well-constructed characters. Characters that began as interesting creations on the page and continued into some solid performances in cool costumes. And, lest we forget it’s MTV (even as the network is in the midst of redefining itself, again-again), everyone is adorable and/or gorgeous and/or rugged and worthy of being stared at a lot. It’s those characters that are making the show engaging and fun and absolutely worth carving out couch-time for—and the special effects, really good special effects for television. Then there’s the sexy romance angles, the action-packed adventure elements, gorgeously stunning settings and locations. . .

That is to say that I could give you details about the druid warrior with glowing scars, the bleeding tree that locks demons in its leaves or the fun that comes with recognizing some of the ruins of our world in the distant backgrounds and establishing shots—but experiencing all of that and so much more, first-hand, is the real magic and pleasure of watching the show. The plot points are nothing to write home about; it’s the journey getting to those points. I don’t think this is the show that’s going to hook you because you’ll be wondering who gets killed next week and what other shocking secrets will be revealed—I think this is the show that will hook you because in the back of your mind, you’ll kinda sorta believe in magic again for an hour each week. That and the cast is very stare-at-able, as I mentioned before—meaning you can look at them for a long time and your eyes won’t hate you for it.

Judging by these first several episodes, this may literally be the television fantasy adventure I’ve been waiting for since. . . ever. If Hercules and Xena were never really up to snuff for you—if Legend of the Seeker was almost everything you were looking for—The Shannara Chronicles may just be what you’ve been hoping for too.

Here’s some more video to tide you over until it starts:

Briefly: This is some insane first footage.

I’ve never actually seen Disney’s original The Jungle Book, but with an incredible cast like this one, and some absolutely fantastic footage to back it up, you better believe that I’m excited for this one.

The Jungle Book also looks absolutely built for 3D, and I’m at my happiest when a film has an effective, well thought out 3D version.

The April 15th feature stars Scarlett Johansson, Idris Elba, Bill Murray, Ben Kingsley, Giancarlo Esposito, Christopher Walken, Lupita Wyong’o, and more, and is directed by Iron Man and Chef‘s Jon Favreau.

Take a look at the trailer below, and let us know what you think of the footage!

Directed by Jon Favreau (“Iron Man”), based on Rudyard Kipling’s timeless stories and inspired by Disney’s classic animated film, “The Jungle Book” is an all-new live-action epic adventure about Mowgli (newcomer Neel Sethi), a man-cub who’s been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voice of Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat.

 

Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the free-spirited bear Baloo (voice of Bill Murray). Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa (voice of Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (voice of Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire.

 

The all-star cast also includes Lupita Nyong’o as the voice of the fiercely protective mother wolf Raksha, and Giancarlo Esposito as the voice of wolf pack’s alpha male Akela. “The Jungle Book” seamlessly blends live-action with photorealistic CGI animals and environments, using up-to-the-minute technology and storytelling techniques to immerse audiences in an enchanting and lush world.

It’s safe to say that Jon Favreau’s humble, yet significant, career has officially come full circle. After a small onscreen debut in the sports classic, Rudy, Favreau cemented his place in Hollywood as writer and co-star of the 1996 indie hit, Swingers. Almost two decades have passed since Favreau first made his mark on the industry, and since then he’s helped birth the superhero franchise, Iron Man, as director of the first two installments and a supporting actor in all three. But how did this gifted filmmaker decide to follow up his bloated career as a blockbuster director? Favreau returns to his roots with Chef, a modest festival darling that’s captured the hearts and stomachs of audiences world-wide.

Carl Casper (Favreau) is a culinary artist immensely dedicated to his craft. However, when the most powerful food critic on the internet comes to taste his cuisine, Casper panders to his employer’s demands and prepares the same boring menu he’s grown to resent. After a negative review of the restaurant drops and leads to a social networking feud that spirals out of control, Casper decides to pursue his creative passion by purchasing a food truck. With the help of his best friend, Martin (John Leguizamo), and young son, Percy (Emjay Anthony), Casper is finally able to discover happiness and piece his entire life back together.

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As an Audience Award Winner at this year’s Tribecca Film Festival, Chef is a delectable and savory delight from writer, director and star, Jon Favreau. Much like its fresh ingredients sliced, diced and marinated on screen, Chef is a winning combination of various well-executed components. Everything from a heartwarming screenplay, to a brilliant cast and back again to its visionary filmmaker, Chef has all the makings of a sure-fire hit. For starters, Favreau trained extensively in the kitchen with renowned L.A. chef, Roy Choi, and the practice pays off as he both looks and acts the part. But not only is the ambiance authentic in the film, we’re also given fine-tuned and carefully constructed characters that add an enormous amount of soul to the feature. Carl Casper lives and breathes a passion for his craft, which is conveyed brilliantly with a meticulous attention to detail by the actor and filmmaker. The audience can’t help but share in his love and adoration for the culinary arts and it’s a transcending feat. This exemplary element, coupled with a flavorful charm and wit that’s unwavering throughout the entire film, transforms Chef into an undeniable treat.

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Although the feature is chock-full of redeeming qualities, Chef suffers in two specific areas. One irritating aspect of the film is the continuous references to major social media outlets like Twitter and Facebook. It’s fair to say that, at times,Chef feels like a near two-hour advertisement for these digital pipelines. In addition to an astounding amount of product placement, Favreau’s indie sensation is given an almost unjust “Hollywood Ending” that feels slightly unnecessary to the central purpose of the film. Yet, to be fair to the movie, this overly sentimental resolution is rapidly tied up with a pretty little bow in no more than three to five minutes. While its miscues are small in stature and forgivable, Chef does a remarkable job of pleasing the audience.

As the summer months get under way and big-budget blockbusters overtake our local theatres, Jon Favreau’s Chef stands out as a fine example of top-notch filmmaking. The feature is a premier character study with a wholesome and good-natured moral at its core. Entertaining and easy to enjoy, it’s worth seeking out one of 2014’s finest offerings.

GRADE: 4.5/5

For additional reviews, movie lists and more check out MCDAVE’s HOST SITE

So, if you haven’t seen the new suit that Tony Stark will be donning in Iron Man 3 by now…you may be a bit behind. However we have some new concept art featuring the suit in action for you to check out. The suit looks fantastic on screen from the footage that I have seen.

Described as a “technological crisis thriller,” set in the world of international war, arms & terror, Marvel Studios’ “Iron Man 3” stars Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Andy Lau, Ashley Hamilton, James Badge Dale, with Sir Ben Kingsley and Jon Favreau. Shane Black (“Kiss Kiss Bang Bang”) takes over directorial duties from Jon Favreau, who helmed the first two “Iron Man” films. Principal photography will occur primarily in North Carolina and China. And “Iron Man 3” is set for release in May 3, 2013.

Source: Stark Industries

Shooting has started on “Iron Man 3” and we are getting more and more interesting additions to the cast.

First up. According to Latino Review:

“Yesterday, Guy Pearce (who will be playing Aldrich Killian) graced Wilmington for a costume fitting along with a familiar face that is as-yet-unreported. Who was that blond man wandering around the ‘Iron Man 3′ stages?”

That man was William Sadler. Most of us will best remember William Sadler from ‘Die Hard 2’.

Next up. Variety is reporting that Ashley Hamilton is in talks to play the villain Firepower. So that adds yet another villain to the cast. However if we actually see him suit up… is another story. But the addition of this character has led to speculation that they will incorporate elements of Armor Wars into the plot.

And finally. The Hollywood Reporter has confirmed that Jon Favreau will be returning as Happy Hogan. Which is good news for anyone that was worried about there being any bad blood between Marvel and Favreau after the mixed response to ‘Iron Man 2’.

So, that’s three more additions to what is shaping up to be an awesome cast including Robert Downey Jr, Gwentyth Paltrow, Don Cheadle, Guy Pearce, Ben Kingsley, Andy Lau, James Badge Dale and Rebecca Hall.

‘Iron Man 3’ suits up May 3, 2013.

The Avengers is still a few weeks away, but we’re getting our first real news on Iron Man 3 casting already. According to the Hollywood Reporter, Oscar winning actor Ben Kingsley is in negotiations to play a villain role in the upcoming sequel. According to insiders, the part is possibly not that of the main villain though. Although Iron Man’s #1 comic book bad guy the Mandarin has been hinted at since the first movie, it is far from a sure thing he’ll be the one Kingsley plays, or even be in the movie at all.  The original Mandarin was a Fu-Manchu like racist caricature of communist China, and his ten magic rings are a bit too much like Green Lantern for Marvel’s taste.

If the Mandarin does show up in Iron Man 3, it is a pretty safe bet he won't be looking like this.

If the villain is the Mandarin, he’ll probably be totally re-invented for the big screen. Iron Man 1 and 2 director Jon Favreau hinted heavily towards revealing the Mandarin as the big bad in the third part of the trilogy, but he’s no longer directing, Shane Black is. Still, Favs remains an executive producer, so he might still have some pull to get the Mandarin in. of course, even if the Mandarin is in the movie, Kingsley could still be playing someone else entirely. Remember he’s only rumored to be a villain, not the villain.

The current rumors are that Iron Man 3 would take a cue from the Extemis storyline by Warren Ellis and artist Adi Granov that ran in Iron Man #1-6 back in 2005. In that story, Tony Stark is injected with a form of Captain America’s super soldier formula mixed with nano bots, making him less of a man in a suit and more or a literal iron man. This is probably one of the more acclaimed runs of Iron Man’s book in recent memory, and would probably make a great plot for a movie.