Analog Jones visits a random hotel and mildly enjoys their visit in our Four Rooms (1995) VHS Movie Review.

Four Rooms (1995) VHS Movie Review

Quick Facts
Directors: Allison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino
Produced by Lawrence Bender
Writers: Allison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino
Starring: Tim Roth, Antonio Banderas, Jennifer Beals, Paul Calderon, Sammi Davis, Valeria Golino, Madonna, David Proval, Ione Skye, Lili Taylor, Marisa Tomei, Tamly Tomita

Production Company: A Band Apart
Distributed by: Miramax Films
Released date: December 25, 1995
Budget: $4 million
Box office: $4,257,354 million

Four Rooms (1995) VHS Movie Review | VHS Box
Four Rooms (1995) VHS Box

VHS Box Description
Don’t miss the fun in this hilariously sexy comedy that has Antonio Banderas (Interview With The Vampire), Madonna (A League of Their Own), and a sizzling all-star cast checking in for laughs! It’s Ted the Bellhop’s (Tim Roth – Pulp Fiction) first night on the job…and the hotel’s very unusual guests are about to place him in some outrageous predicaments!

It seems that this evening’s room service is serving up one unbelievable happening…after another! Also featuring Marisa Tomei (My Cousin Vinny), Four Rooms is a wild night of highly original comedy entertainment you’ll enjoy…without reservations!

Four Rooms (1995) VHS Movie Review
Four Rooms (1995) The Man From Hollywood

Trailers
Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema
Trainspotting
From Dusk Till Dawn
French Twist

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Following Marvel’s epic conclusion with Avengers: Endgame earlier this year, the stakes have never been higher as the cinematic universe pivots and plots a new course for the first time since its 2008 inception. And who better than the friendly neighborhood Spider-Man to pave the way for this new era in the MCU? Director Jon Watts returns with Spider-Man: Far from Home, a cozy and familiar sequel that ushers in a new Marvel figurehead and crisply handles its central antagonist in 2019’s finest summer blockbuster.

After the tragic concluding events of Endgame, there’s nothing Peter Parker (Tom Holland) wants more than to relax and enjoy his chaperoned summer school trip to Europe. But just as he leaves for his trip away from being Spider-Man, Peter’s vacation abroad quickly becomes interrupted by Nick Fury (Samuel L. Jackson). Strange attacks at the hands of elemental creatures put his relaxing summer on hold as Peter fights to protect a world that will never be the same again.

There’s no denying the pressure that was on Jon Watts and everyone behind Far from Home to smoothly transition the MCU following Endgame. Yet, the film rises to the challenge by boasting a wide collection of valuable storylines, otherworldly visual effects, and a brilliantly captured villainous foe to Spider-Man that will have fanboys awfully pleased. Far from Home carries a primary “passing of the torch” theme that proves an obvious, but also necessary, pathway for this bridging entry in the MCU. Consequently, Peter Parker’s character experiences quite a bit of turmoil in his quest for introspection. This enables Tom Holland to really shine as a performer, something we’ve all known that he could do quite well since his exceptional dramatic debut in 2012’s The Impossible. There’s also a hearty romance plot here, one that sometimes feels like it’s getting in the way, but one that stands as a major source of the film’s humor as well. From top to bottom Far from Home’s branded formula of intense action and relentless comedy fits the bill and offers a comforting first step into the dawn of a whole new era for the MCU.

GRADE: 4/5

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While many critics and outlets constantly insist that audiences are starving for the Spider-Man film that they deserve, it feels too much like revisionist history. Sam Raimi’s Spider-Man starring Tobey McGuire in 2002 (89% rating on Rotten Tomatoes, 73 Meta-Critic score) and Marc Webb’s The Amazing Spider-Man with Andrew Garfield in 2012 (72%, 66) both opened to strong critical approval. Yet, this rapid return to the Peter Parker character is a whole new ballgame with a completely different feel and trajectory. Marvel’s Cinematic Universe (MCU) enters the heart of its third “Phase” with a mountain of steam, but can Spider-Man: Homecoming deliver?

Set a few months after the events of Captain America:Civil War, a 15 year-old Peter Parker (Tom Holland) is operating under the watchful eye of Tony Stark (Robert Downey Jr.) and his loyal assistant Happy Hogan (Jon Favreau). But as Peter tries harder and harder to impress Stark with his superhero alter ego Spider-Man, he uncovers an underground arms creator and dealer (Michael Keaton) whose powerful weaponry bridges alien technology with human machinery. Instructed by Stark to stop his pursuit of the arms dealer, Peter disobeys the orders and finds himself face to face with a nefarious foe.


Homecoming fits seamlessly into the MCU with a familiar foundation of humor and action. Built on the shoulders of an ingratiating and clumsy teenage geek, played wonderfully by rising star Tom Holland, Marvel’s latest release places the universe’s macro storyline back on course. Insane visual effects form a web-like cohesion with witty one-line zingers to help keep the action-train churning. These over-extended sequences occur frequently and dwindle in effectiveness with each recurring appearance in the film, yet they’re easily overshadowed by some clever maneuvering with the screenplay and Tom Holland’s alluring performance. And as I usually criticize the MCU for its lack of attention to its film’s central villains, Michael Keaton’s Vulture is birthed from a truly intriguing concept. Although Homecoming fails to adequately venture down that creative path, instead delving too deep into Peter’s buffoonish teenage quandaries, there’s enough meat on the bones to entertain in exactly the way a summer blockbuster should.

Grade: 3.5/5

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Not to long ago we told you about the next in line to play Spider-Man, AND its newest director. Well now we have ourselves our Aunt May, and you’ll probably be as surprised as me when you find out who it is.

Marisa Tomei IS Aunt May (that shit rhymes!).

This casting, at least to me, seems like an odd choice for the actress. Normally reserved to more “serious” roles (The Wrestler, My Cousin Vinny and The Lincoln Lawyer), it came as a surprise to most of the community when it was announced.

A lot of people are worried that she is too young for the role, but with the right amount of makeup I think it might be a good role for her.

Spider-Man is set to hit theaters July 28th, 2017.