Originally a Tony Award winning play from the late August Wilson, Fences receives the big screen treatment courtesy of director and star, Denzel Washington. The film debuted in early November to the highest of praises from countless members of the Screen Actors Guild, which instantly solidified Fences as a legitimate Oscar contender. Despite its inability to entertain quite as effectively as other awards season hopefuls, you should still expect to hear the film’s name called on Oscar night.

Set in 1950s Pittsburgh, Troy (Washington) is a former baseball star who finds himself unsatisfied as a 53 year-old garbage man. But as Troy’s resentment trickles down to his star-athlete son, Cory (Jovan Adepo), they two battle over Cory’s desire to play college football. Meanwhile, the family’s adoring matriarch, Rose (Viola Davis), works tirelessly to keep the peace within their household.

fences1

It’s impossible to ignore the playhouse aura that suffocates Denzel Washington’s adapted work. Fences looks and feels like a stage-play in every aspect, so much so that it hampers the film’s ability to stand out as more than just a superbly acted accomplishment. Both of its leading stars will most likely end up as finalists in tightly contended Oscar races. Washington’s performance dances wistfully along a wide spectrum of emotions. There are powerful moments where Washington reminds the audience of his singular talents that have earned him a decades-long career in the industry. Then, on the other hand, the lead star delivers overtly embellished scenes where he sadly begs to be noticed as his character transitions from a hopeless romantic, to a stern father and a villainous foe. Washington’s onscreen counterpart, Viola Davis, provides a more balanced and nuanced performance filled with heart, soulfulness and subtle intricacies. Her work in Fences is an absolute marvel and the stars are aligning for Davis to finally win an Oscar, after being unforgivably robbed by Meryl Streep (for The Iron Lady???) a few years back. Supporting star, Mykelti Williamson – best known as Benjamin Buford Blue, aka Bubba, in Robert Zemeckis’ Forrest Gump – has also earned some early rumblings as an Oscar hopeful, further solidifying Fences as a clear showcase for its many actors and actresses.

fences2

Despite the film’s unquestionably promising performances, Fences struggles to resonate in many other areas. A popular saying among filmmakers is “show, don’t tell”. Unfortunately, verbose dialogue and a long-winded screenplay form a recipe for boredom. Even through the stories twists and turns Fences fails to adequately entertain. Many have lauded Denzel Washington’s direction, yet he never overcomes limited settings and the hindrances of a stage-play backdrop. Fences tells an expansive story spanning many characters but, even after piling up nearly a 140-minute running time, these various subplots feel under-developed. It’s because of all these shortcomings that Fences doesn’t quite stack up as the Best Picture contender that insiders are claiming.

Denzel Washington offers a brilliantly acted adaptation that’s geared towards an award season audience. Yet, if you’re searching for more than just an actor’s showcase drowned in dialogue and lacking amusement, then you’ll have to look further than Fences.

GRADE: 2.5/5

Check out other reviews, movie lists and write-up at MCDave’s host site

Although his name isn’t stained in the fabric of our society like Steven Spielberg or James Cameron, director Robert Zemeckis is a legend of Hollywood in his own right. As an Academy Award winning filmmaker who graced us with one of the most notable cinematic achievements of all-time, Forrest Gump, Zemeckis knows what it takes to captivate an audience. He returns this weekend to movie theaters all across the country with a soaring spectacle unlike anything we’ve ever seen. Alongside his show-stealing lead actor, Joseph Gordon-Levitt, The Walk unfolds as yet another winning effort from the iconic filmmaker.

As a young child growing up in France, Philippe Petit’s (Gordon-Levitt) interest in magic and juggling culminates into something much more daring, a passion for tightrope walking. And in 1974 after Philippe hones his skill-set under the tutelage of a circus professional named Papa Rudy (Ben Kinglsey), he sets his sights on a higher and more death-defying target, an unharnessed walk between the world’s new tallest buildings in New York City. Petit ventures to the Big Apple and, with his team of accomplices, pulls off the greatest artistic crime the world has ever witnessed.

walk

One of my favorite revelations surrounding Robert Zemeckis’ historical retelling, The Walk, is the surprising tone of the film. Sporting a more playful vibe rather than intense melodrama, the movie peels back layers of famed wire-walker Philippe Petit. And by taking the audience back to his childhood where the central figure’s passion and appreciation for performing began, we’re given a clear understanding of the fearless (and arguably insane) psyche of Petit. Joseph Gordon-Levitt continues to deliver fine performances adding his portrayal of Petit to an already long list of quality work. While Gordon-Levitt is given almost the entirety of the screen time, he makes the most of his opportunity and shines in the role. Sprinkling in a pleasant collection of well-timed humor and an outstanding score from Alan Silvestri (who also composed the music for Forrest Gump), The Walk equates to far more than just a visual masterpiece.

walk2

Despite all of the film’s impressive attributes, there are a few facets in which the movie is mishandled. Throughout Petit’s criminal plot to set up a wire between New York City’s Twin Towers prior to his dangerous tightrope walk (which he always refers to as “le coup”), we’re introduced to the members of his team who help make the event possible. However, such little devotion is given to these side characters that the dramatic moments surrounding them all as the big day approaches end up falling flat. Even the relationship between Petit and his girlfriend throughout the film, Annie (played by Charlotte Le Bon), is widely underdeveloped. Furthermore, the visual returns to Joseph Gordon-Levitt’s narration is oddly placed. It comes and goes throughout the film, but it never feels necessary or even warranted. Although The Walk fails to utilize its side characters appropriately and it relies on a poorly executed narration tactic, Zemeckis and company succeed in countless other areas that help dwarf these miscues by comparison.

I typically avoid any 3D showing of a film when possible. I tend to find the technique distracting and less enjoyable. However, The Walk does such a superb job of incorporating the I-MAX 3D into the film that I believe it actually enhances the experience. All of its breathtaking visuals are absolutely stunning and give the film a truly unique feel. Yet, while I wouldn’t declare The Walk as a “must-see” feature, it certainly doesn’t disappoint.

Grade: 3.5/5

Check out more from MCDAVE at his host site

Legendary director Robert Zemeckis lets his credentials speak for themselves. With a loaded filmography boasting undoubted hits such as Forrest Gump, Back to the Future and Castaway, Zemeckis’ long awaited return to live action is – as Ron Burgundy would say – “kind of a big deal”. His triumphant return comes in the form of Flight, a dark drama about a troubled airline pilot suffering from a severe substance abuse problem. If that wasn’t enough to get you excited, teaming up with Zemeckis in the leading role is Academy Award winner Denzel Washington. Now, with all of the proper ingredients securely in place, Zemeckis and company manage to elevate Flight to successful heights.

Denzel Washington stars as divorced airline pilot Whip Whitaker, a full blown alcoholic with an occasional taste for all different kinds of harder drug concoctions. But when a routine flight from Florida to Georgia experiences a disastrous plane malfunction, an under-the-influence Whitaker pulls off some nose-diving heroics that help to soften the crash. Having miraculously saved 96 of 102 lives on board the plane, Whitaker ironically finds himself at the center of a crash investigation. In the midst of a massive downward spiral, Whitaker embattles the possibility of criminal manslaughter charges and, even worse, his destructive substance abuse addiction.

Director Robert Zemeckis’ Flight is a well-rounded and emotionally effective character study of one man’s personal battle with addiction At the center of the film is Denzel Washington, a gifted actor who needs no introduction. Screenwriter John Gatins serves up a script that allows Washington to take his character’s portrayal to some very dark and disturbing places. Almost effortlessly, Washington molds Whitaker’s psychologically flawed character into such an alluring and spellbinding anti-hero. Although Whitaker rarely gives the audience any legitimate reason to sympathize with his condition, you’ll want so badly for him to put down the bottle when the moments of truth happen to arrive. Even when Whitaker clearly deserves no remorse, Washington demonstrates an uncanny ability to elicit sympathy from the viewer. It’s acting at its finest, and I would be downright shocked if Washington wasn’t recognized with an Oscar nomination for yet another brilliant on screen display. In addition to the greatness of the film’s leading star, actor John Goodman commands every second of screen time given to him. Everything from his perfectly cued grand entrance to his outrageously hilarious final scene, Goodman offers the feature’s most likable character. And for as memorable as Goodman’s drug-dealing character is, Zemeckis and Gatins never overuse him or rely too heavily on his efforts. As a result, Flight is a crowd-pleasing drama that satisfies at the hands of smart directing and superb acting.

Even though Flight works well as a character-driven drama, Zemeckis’ return to live action is far from unscathed. For starters, Flight hits a noticeable lull during its second act which consequently disrupts the flow of the film. The movie begins in impressive fashion with its eye-opening hotel scene followed by a tension filled airplane free fall. However, the film’s post-crash middle portion spends a prolonged amount of time focusing on a rather unnecessary character (the drug addict Nicole) and the depths of Whitaker’s problems with alcohol. But just as the film begins to recycle itself to the point of exhaustion, Zemeckis returns to the investigation and closes out the film in an emotionally satisfying style. Another significant detraction from Flight is the inconsistencies of screenwriter John Gatins. While carefully-timed comedy has always been a major staple of Zemeckis’ more dramatic work, Gatins fails to successfully land a couple of intended “funny scenes”. The hospital scene with Whitaker’s co-pilot Ken Evans (played by Brian Geraghty) is the perfect example of poorly timed humor. At what should have been a memorable Oscar-type of dramatic scene, Gatins swings and misses at mocking religious fanatics. Although Flight clearly suffers from infrequent interruptions in both mood and plot progression, a worthwhile conclusion makes it easy to overlook and ignore these tiny imperfections.

Once again, Robert Zemeckis gets the most out of his leading star and the payoff is another solid addition to his resume. Denzel Washington deserves all the praise he’ll receive on route to a sure-fire Best Actor Nomination by the Academy. Despite his portrayal as a mightily flawed anti-hero, Flight‘s greatest conquest is how it forces the audience to be forgiving and slightly irrational toward Washington’s rather unlikable character. Both highly entertaining and emotionally charged, Flight is far from perfect but still worth the price of admission. Take a shot on Flight and you won’t regret it.

Grade: 4/5

You can check out more from MCDave at Movie Reviews By Dave

It’s been nearly 25 years since the iconic Who Framed Roger Rabbit hit the big screen. It was an insanely impressive, wonderfully heartfelt comedy that blurred the lines between animation and reality.

Due to the insane popularity of the first film, sequel talk began almost instantly, but nothing concrete ever really came of it. What is known however (thanks Wikipedia!) is that the film actually looks to be a prequel. Who knows what the final screenplay will look like, but at one time the script revolved around Roger meeting his future wife, and his rise to fame and stardom.

Director Robert Zemeckis is of course doing the rounds for the upcoming drama Flight (which I hear is quite fantastic). In a quick interview with ShowBiz411, he iterated that while he’s sad about the unfortunate retiring of Bob Hoskins (sadly due to being diagnosed with Parkinsons), he’s ready to go with the prequel. “I have a script at Disney, and we’re just waiting for all the executive changes to settle down there,” Zemeckis stated in the interview.

Hopefully things settle down soon! Who doesn’t want another taste of that world?

Robert Zemeckis is finally returning to world of the living for the first time in 12 years. Welcome back, Bob! I’ve missed you.

Zemeckis’ new movie is Flight and it stars Denzel Washington as an airline pilot who saves a flight from crashing, only to have his heroics come under investigation. The film also stars Don Cheadle, Bruce Greenwood, James Badge Dale and John Goodman. Flight opens on November 2nd. Check out the trailer and let us know what you think.