Tim, Sax, Robot Cowboy and new host and contributor Matt Key are joined by the legendary Jon Bogdanove (Death of Superman, Power Pack), his son Kal-El (Yes, really) as well as Chris Faiella and wife Judy Kurtz Bogdanove to discuss their new project, STRONGMAN, an independently published, creator owned project that YOU can be a part of. Taking place in the early 20th Century, STRONGMAN is the story of a “family of choice” of circus people who not only perform amazing feats under the Big Top, but also have amazing adventures outside the circus. Meet the cast of characters, find out why Tim, Sax and Matt can’t wait to read this book, and find out how YOU can be a part of it! This is a fun, lively interview. You’ll be glad you tuned in.

Check out the episode at the bottom of this update, but on the way down check out this POSTER!

Strongman Banner_Color_Matched

Tim and Sax take a look at what’s coming up at this years Stan Lee’s Comikaze Expo with special guest Regina Carpinelli. We’ve got the 411 on all the guests, special events, and surprises in store for the second year of this wildly successful convention. Listen close folks as we may have some information you can’t get anywhere else. Stay tuned for information on where you can catch Tim and Sax at the Con as well as more on upcoming Fandom Planet events.

 

Also this:

It’s our special 50th Episode:  “Warehouse 13’s” Allison Scagliotti (“Claudia Donovan”) returns to Fandom Planet.  This time she teases us with some juicy details on what to expect in Season 4, some of the backstage gossip on set, and what it’s like to work with the rest of the cast (Eddie McClintock, Joanne Kelly, Saul Rubinek, Genelle Williams, and Simon Reynolds).

Allison also accompanies herself on Tim’s guitar and sings a classic Mississippi Blues song. You read that right. ALLISON SCAGLIOTTI SINGS!

If you love Warehouse 13, if you are a fan of Allison’s, this is the show for you!

In addition, YOU can win an  copy of the new “Warehouse 13” Season 3 DVD Box Set signed by Allison herself from NBC/Universal Home Video.  Listen to the show for how to win.
We also have other prizes to give away.  You could win an official “Warehouse 13” Farnsworth App for your iPhone or iPad compliments of QMX Interactive or autographed pages from a recent “Warehouse 13” comic book from Dynamite Entertainment.  Allison has signed pages that have Claudia featured prominently and you could win those pages, signed by Claudia herself!

Listen to this show for YOUR CHANCE TO WIN!

Tweet us today:  @FandomPlanet

#AllisonScag4Cassie

Tell your friends.  Tell your Facebook buddies.

PS: Here’s an image of Allison’s custom ring we refer to in the show, check it out!

Next week Fandom Planet is heading to the LBCC 1 day Expo. So in celebration of one of our favorite events:

Tim and Sax present some of their favorite interviews from the last Long Beach Comic Con. The boys were webcast live to an audience of almost 30,000 worldwide as they met with creators, cosplayers, writers, producers and fans. They made new friends and hung out with old friends. Here are some of the interviews from that show, including:

Iron Man pro Bob Layton promoting a new movie project
The creators behind “Ninja Mom”
George Chase, the brilliant mind behind the indy comix hit “Comic Book Junkies”
and
AVN award winner and X-Rated goddess Nikki Hunter

And much, much more.

Last week, on March 29th, HB 2549 passed the Arizona State legislature, that’s both houses of the state congress, and the bill is now sitting on Governor Jan Brewer’s desk awaiting her decision.

For those of you who remember your Schoolhouse Rock, a bill is only bill until it is signed by the governing body (The President, or in this case, the state’s governor).  We can only hope Governor Brewer elects to veto this bill on the grounds that it is a brazen pile of poopy.  In fact, under HB 2549, we could be prosecuted for saying that.

If you listen carefully, you can hear Thomas Jefferson spinning in his grave as The Great State of Arizona prepares to accept, into law, a bill that would make it a crime to communicate via an electronic medium (like the Geekscape Forums, text message, email, radio, e-book or website) any speech that is intended to (these are actual, quoted words from the bill) “offend,” “harass,” “terrify,” or “annoy.”  In addition, the bill would also outlaw certain sexual speech.  Yes, a law in th 21st Century United States that would outlaw certain speech.  Outlaw…speech.

This means that under this law, if you are in Arizona and you see something that offends you via an electronic medium, the person responsible for that message can be punished for offending you.  This means that if someone calls you a naughty name on a website forum:  BAM!  Criminal Record.  Rush Limbaugh calls someone a “slut” on the radio in Arizona:  BAM!  Prosecution for Limbaugh under Arizona State Law.  Somebody reads a piece of graphic horror fiction by Steve Niles:  BAM!  Niles is hauled into court in Arizona.

This law would seriously restrict dialog and discourse, no matter how rooted in good-natured ribbing it might be, between sports fans of rival teams, between fans of Star Trek versus Star Wars, between Marvel and DC.  Anywhere that there is a rivalry where the conversation, in an electronic medium, gets bawdy or “trash talking,” this bill proposes to make that a criminal zone in Arizona.

This is a violent offense to the US Constitution’s First Amendment.  For those of you as old as us, who don’t remember High School Civics, here’s the Amendment:

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

The high points: “No law.. abridging the freedom of speech, or of the press…”  It’s the principle on which The US was founded.

Further, in this bill, the terms “offend,” “harass,” “terrify,” and “annoy” are not clearly defined, so anything annoying would be illegal in Arizona.

Free Speech is protected by the Constitution, even if it is offensive or ill conceived.  Everything from The Westboro Baptist Church’s hate-crap to “Juggs Magazine” to the diatribe of fanboys upset over the crappiness of the Green Lantern movie is protected speech.  To make it illegal is, in itself, a crime.

How it made past both houses of congress in the state is astounding.

We at Fandom Planet, along with the good people of Media Matters and The Comic Book Legal Defense Fund,  ask you to protect the First Amendment rights of all the people of Arizona and reject or amend H.B. 2549.

The phone number to the Governor’s office is 800-253-0883.  Email can be sent at this website:  http://www.azgovernor.gov/Contact.asp

If you are in Arizona, exercise your right to petition the government and speak out against bad law while you still can.

***********************************

Fandom Planet is the first syndicated all-Geek podcast/radio show. Taking the well established “Drivetime” radio format and turning it on its head, hosts Powers/Carr (that’s Los Angeles Stand-up Comedians Tim Powers and SAX Carr) talk to one or more “creatives” from the worlds of television, movies, comics, video games, and beyond. We created the #AllisonScag4Cassie movement, to encourage the producers of the Hack/Slash movie to cast “Warehouse 13” actress Sallison Scagliotti in the title role. The Fandom Planet is a galactic central point for all geeks to come together and realize that everyone is an enthusiast for something– and that binds us together. We know geeks have power, but only when their voices are heard. Fandom Planet, therefore, will do our best to bring your message to the rest of our listeners.  Listen to Fandom Planet here on Geekscape or on iTunes.  Contact the boys at fandomplanet@yahoo.com

 

 

Part 2 of our incredible coverage of the 2012 WONDERCON in Anahiem, CA.  Sax returns next episode while his amazing interviews are edited with the care and respect they deserve.  In this episode, Tim interviews the following great guests:

Cindy Morgan:  “Yuri” from the original TRON and “Lacey Underalls” from CADDYSHACK  http://www.cindy-morgan.com/

Bruce Scivally:  Author of the new book “Billion Dollar Batman,” a behind the scenes history of the the various media incarnations of Batman, from radio to internet!  http://brucescivally.com/

Keith Knight:  Syndicated cartoonist from “The K Chronicles” and “The Knight Life.”  http://www.kchronicles.com/

Carrie Smith and Stephanie Lantry:  Writer and artist, respectively, for the new, self-published graphic novel “To The Power Against” — a Sci-Fi look at chaos.  http://conjoinedcomics.com/

Audrey Soffa:  Independent Cartoonist responsible for “The Bunny System” and a single panel slice of lunacy called “Sauce!”  http://splash.thebunnysystem.com/

Join us next time for more goodies from Sax Carr and that other guy!

Over the past several days, much has been written about the plight of creator Gary Friedrich, the man behind the creation of Marvel’s Ghost Rider.  There isn’t much more to say about Gary, his attempt to be compensated by Marvel for creating a property that has spawned two profitable feature films, and the resulting $17,000 counter-suit Marvel and the courts dropped on him.

Gary at a Con showing off his creation.

The law is the law and there’s not much sense in rehashing copyright law or work-for-hire.  We have seen the screwjobs given to Joe Simon, Jack Kirby, Siegel & Shuster, Jerry Robinson, Bill Finger, Archie Goodwin, Alan Moore.  It’s an unfortunate circumstance in the comics business and it seems the new trend is to sue for ownership of characters created decades ago as work-for-hire.  (Even Stan Lee Media is currently suing Marvel for the rights to Spider-Man, The X-Men, The Fantastic Four and others.)

We at Fandom Planet are not lawyers.  You might be, but statistically speaking, you’re probably not.  It is more likely you’re a fan and if you are a fan, this is the part of the article that should be most interesting to you.

The fact of the matter is this:  Gary Friedrich is not well.  He’s in poor health and he doesn’t see a nickel of any of the revenue generated by merchandise or media featuring Ghost Rider.  He’s had to stop selling merchandise featuring Ghost Rider at conventions (which was a source of income for him and his wife) and it’s our opinion that the $17,000 suit is not a result of damages to Marvel but a punitive effort by a corporate giant to stop the little guy from making a buck.  Even if it’s a buck the corporate giant squeezed out of the little guy in the first place.

Sad Ghost Rider is sad about lawsuit.

Do we know this to be true? No. How could we? However. damages not withstanding, a suit of this kind against a sick man is in BAD taste. In our humble opinion: Marvel should have, after quietly waving its hand to dismiss his lawsuit, given the man a sizable donation to his health. We’re sure the folks at Marvel might consider that a tacit admission of guilt, but what it WOULD have been was a kind gesture to a very unwell creator that just made them millions of dollars. Or… that remains to be seen.

Friend of the show Steve Niles has orchestrated a relief fund for Gary.  We support Steve in his efforts (as does creator rights crusader and comics god Neal Adams).  The fandom community has been very generous and it looks like it’s gonna be OK for Gary as far as getting this settlement behind him.

Gary Friedrich we salute you!

Last week, the Ghost Rider feature film opened in the US.  We haven’t seen it.  We’re not going to see it.  We LOVE the Ghost Rider character but we’re not going to see this film in protest of how Marvel’s treated Gary.  INSTEAD, we are going to donate the cost of two tickets to Ghost Rider (in our part of Hollywood, according to Fandango.com, that’s $26.00 for two adult tickets to a screening of Ghost Rider 2) to the relief efforts.  We encourage you to do the same.

NOTE: Business is business. We get that. We are not claiming to know what happens behind closed doors at Marvel or anywhere else. Still we love Ghost Rider, and we love the man who created him. Fandom Planet feels like money spent to support properties we love should always somehow trickle down to those who made them in the first place. Its a simple, non-judgmental, mantra. We won’t be seeing Ghost Rider 2, but if you want to see the film, toss a few bucks to Gary, its what artists deserve.

For further reading, we submit this article from FORBES:  http://www.forbes.com/sites/danielnyegriffiths/2012/02/10/ghost-rider-watchmen-lawsuit/

And this piece from Neal Adams:  http://www.bleedingcool.com/2012/02/13/neal-adams-addresses-comics-industry/

To contribute to Gary’s Relief Fund right now through Steve Niles’ amazing efforts, click here:  http://www.steveniles.com/gary.html

Consider it penance for seeing the FIRST Ghost Rider movie.

Fandom Planet et al

by Sax Carr and Tim Powers AKA Fandom Planet

There’s a LOT of talk of late about why anyone should, or should not, go see the recent 3D re-releases of the Star Wars films. The argument goes something like this:

I’m not going!  George Lucas RAPED my childhood!

…but… its Star Wars!

Cute.

While we agree that the artistic merit of the prequels is questionable at best, that is NOT why we won’t be going to see the films in theaters over the next few months or years. We’re not going because the medium of the 3D movie is horrible, and 3D re-released films cheapen the movie industry. It sets a dangerous precedent of attaching a gimmick to a crappy film and re-packaging it to gullible consumers.  We’re not going, and you shouldn’t either. We’ll explain:

There have been more then enough complaints online about the recent Hollywood trend of almost exclusively remaking films. “Where is the creativity!??!” cries the Internet. Well, the reason this keeps happening is because people continue to SEE these remade films. In fact, a remake is an sure-fire favorite to make MORE money than a new property because name recognition means so much in this wildly over-saturated era. (The concept is that the more familiar the public is with a film’s premise or hero, the more likely people will see it and the less selling the studios will have to do to convince you to go.)  Hollywood is not invested in making new, artistically viable, movies as much as its into making MONEY. Remakes make money, and thus there are MORE of them. Simple.

Crappy, but simple.  This is why there have been THREE “Alvin & The Chipmunks” movies.

There is a pretty effective explanation in this amazing review of the ‘09 Star Trek by Red Letter Media:

So, a couple years back when the 3D craze was really taking off (again), which we blame mostly on the lack of magic shows in small towns, which means Americans were dying to see stupid film parlor tricks. “Watch me pull a rabbit out of my ass and then toss it slowly at the  camera.”

 Ta… fucking… DAH!

Somehow the 3D film moved from being a gimmick reserved almost exclusively for the 3rd movie in a series (Jaws 3?) into a MUST have for any movie that comes out. (Green Hornet) Really? 3D is a must have? What’s next Smell-O-Rama? Cinemascope? Personally, We credit this all to the Back To The Future supporting villain “3D Glasses Guy”.  Billy Zane, the actor who played the 3D Glasses Guy (editor’s note: the below photo obviously shows Billy Zane standing next to 3D Glasses Guy, not playin him… no one has heard of Puke Yellow Sweater Guy in front of him since though) was also “The Phantom” in that 90’s Blockbuster Dud.

In the back you’ll see the greatest villain in cinema…

We think 3D films do NOTHING for audiences. They add nothing to the film experience.  They don’t impress us. Plus, a fair amount of the population either can’t see modern 3D (because of eye issues, Tim Powers included), find them nauseating, or can’t afford the extra five or ten bucks attached to the ticket price. Very few films are truly benefited by 3D, including Avatar and a few others that we can think of. Sadly Avatar also sucks.

It requires pointing out that the gimmick of 3D films was a fad in the 1950’s and used to sell such stinkburgers as Gorilla at Large, Robot Monster, Fantastic Invasion of Planet Earth and this winner:

(In full disclosure, Tim loves “Robot Monster” but does not consider it great cinema.)

Sigh.  Back to the point.

In  the middle of making EVERY film 3D, the folks at Disney hit on the idea of re-releasing some of their popular films again in 3D. Predictably this led to a huge amazing WIN. (read:  “money”) Gen X folks, eager to connect with their children (for once) brought them out to see these films again, and suddenly it was a huge success. Now every studio is trying desperately to find their old films to push back out on us with a quick 3D retooling. THIS CAN NOT HAPPEN!

In the days before home video, Disney would re-release one of their “classic” animated films to theaters every few years so new generations could see Robin Hood or Sleeping Beauty but that practice is no longer necessary.  Although we would rather see the amazing animation in Dumbo than the cookie-cutter Tangled.

Our objection has  less to do with George Lucas and how much money he needs to bleed out of his eager and devoted fans. This is is not about the movies sucking, nor not living up to the original trilogy. That is an argument settled years ago.  This is about not allowing the most profitable thing in cinemas to be yesterday’s cinematic leftovers. Why, you ask?

BECAUSE THEY WILL DO IT!

If Hollywood can just rehash  old movies, especially before cast and such signed contracts that gave them a piece of the action, and put them back in theaters,  why would they take a risk on new movies? Why risk anything when say Ghostbusters, Caddyshack, Labyrinth, Howard The Duck, or Porky’s II can be put back on the screen in 3D or smell-a-vision or whatever. Hollywood is about managing risk. When we march like zombies into any theater with a picture of a light-saber on the door…  we’re giving them ammunition for the gun that kills new creative endeavors.

By the way… this is the same principle as when you click “like” on a video in the “Shit BLANK says to BLANK” format. You are making more of those videos happen. Why create new Internet sketches when that existing format is still marketable.

Shit nerds say to other nerds who are PART OF THE FUCKING PROBLEM!

We digress. And, sadly, We’re also part of the problem, too, sometimes.

We understand these movies had a deep and powerful impact on most of our childhoods, or at least we wanted them to. Many people live their lives to cosplay, explore, and enjoy Star Wars cannon. That doesn’t give you licence to simply walk into these traps for nostalgia sake. We get it:  you love Star Wars!  But if you just eat up whatever crap they feed you, then you make sure then next thing they create is also going to suck. Worse, and this again is the point of this article, if you just consume perpetual reworks of the other films, when will other movies like it be made again?

Get it? Star Wars for the next generation! HA! HA! HA!

New films, even if they are re-makes (and we’ll discuss that in a second), do a lot for our society. They contribute to our general artistic growth, and they give young actors, writers and directors a chance to break out as well as giving established talent some well needed work. The same goes for people on the other side of the camera.  New movies do better for more people than re-released films shoveled down our throat because we can’t let go. George Lucas does not need any more money. We promise.

(Note: We know the 3D engineers that re-master these films need work too, but trust me, there are other, NEW movies, going into 3D.)

Re-Makes work differently in our opinion, but mostly because we enjoy the story telling options available when we revisit the well worn territory of something we all know and love. By and large we support the trend to adapt or re-make intellectual properties because it’s no different, to us,  than having two different people tell you a famous fairy tale. The new author leads to new insight It’s a good thing. (Did you know “The Maltese Falcon” with Humphrey Bogart was the THIRD remake of that story?)  Of course there is a very broad line between the ‘09 Star Trek reboot and the upcoming movie Battleship. Still, we support remakes on principle.

 I’m from a GOOD remake! Also… I look like a date you had once!

A 3D re-release is not the same. Its being served the same film we had before. That does nothing to retell the story. 3D effects are not going to change our perception of the Star Wars universe. We will not be fed our childhood at an premium cost. Fuck that.

We are all way smarter than this. (We hope.  We know YOU are, right?)

Plus, and this is a minor point, we thought putting old films back in theaters was the job of the little 3rd run indy theaters we all know and love. This is another attack on the brick and mortar mom and pop shops in favor of giant multiplexes. We love those little theaters. They exist to show you the films that no multiplex would ever bother to show. They make a little money by putting the Princess Bride back up for a weekend. Lets not handicap that. Just say NO.

So in short, we are not going to see this film because cheapens film in general. We won’t see it because every dollar the film makes puts us in danger of a almost creatively devoid film market. Seeing this film contributes to cheating future generations or their own iconic films and instead keep repeating our own fandom forever. Of course we are supporters of Fandom, but everyone deserves their own. We aren’t going to see this movie. Neither should you.

This and all 3D re-releases are off our dance card.

And, as we discussed earlier, the movie sucks Wookie Balls.   

On March 3, the HUB Channel (check your local cable/sat TV provider) launches the much anticpated “The Aquabats! Super Show!”

The show’s creator and de-facto star, Christian Jacobs (aka MC Bat Commander, leader of the Aquabats!) joins the show to talk about life with The Aquabats, the creation of the Super Show and the success of his other children’s TV show, “Yo Gabba Gabba.”

“The Aquabats! Super Show”! centers around The Aquabats, a band of superhero musicians on a never-ending quest to fight evil, preserve justice and become the world’s greatest rock and roll band. The format of the show consists of both live-action and animated segments chronicling the adventures of The Aquabats, intercut with various sketches, cartoons, parody commercials, music videos and live footage of the band in concert.

Tim’s daughter, Katie, also has a cameo in “The Aquabats! Super Show!”