This weekend, ‘It’s a Disaster’ opens, from the comedy troupe The Vacationeers and starring Julia Styles, David Cross and America Ferrara. Director Todd Berger and star Jeff Grace guest to talk about putting together the film about the worst couples brunch of all time! But could it be any worse than me retelling my memories of watching ‘Faces of Death’ at an early age? Todd and I also talk about the resurgence of Alpha Flight, Matt Kelly calls in to offer some Chords for a Cure and Jeff explains how being dropped off at the comic book store as a kid actually scarred the hell out of him! Plus! Con Shoulder Stank and why it stops here!

 

Following the release of the film’s first trailer last month, Warner Bros. has just debuted a new TV spot for Todd Phillips anticipated new comedy, The Hangover Part III. Set to be the final film in the Hangover trilogy, Part III takes us back to where everything started, Las Vegas.

Plenty of folks from the first two films, Part III features Zach Galifianakis, Bradley Cooper, Ed Helms, Justin Bartha, Ken Jeong, and plenty of others. Being a Hangover film, you probably know full well what to expect from this one!

Watch the spot below (followed by a newly released poster) and let us know what you think! The Hangover Part III hits theatres on May 24th!

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‘This time, there’s no wedding. No bachelor party. What could go wrong, right? But when the Wolfpack hits the road, all bets are off.’

Less than 24 hours after the reveal of the film’s first teaser poster, Warner Brothers has finally released the first trailer for Todd Phillips’ upcoming comedy, The Hangover Part III.

 

This threequel looks to star everyone you’d expect it to, including Zach  Galifianakis, Bradley Cooper, Ed Helms, Justin Bartha, Ken Jeong, and plenty of others. The film looks like standard Hangover fare, so you already know full well if you’re interested in this one.

 

Check out the trailer below, and let us know what you think! The Hangover Part Three hits theatres in just two months, on May 24th!

 

‘This time, there’s no wedding. No bachelor party. What could go wrong, right? But when the Wolfpack hits the road, all bets are off.’

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Community is coming. Finally. With just a few more days until the show is slated to return, it’s (hopefully) too late for NBC to push it again.

 

The anticipated fourth season of the sitcom will premiere this Thursday, February 7th. The season opener looks to be a parody of The Hunger Games, and it actually looks pretty wonderful.

 

Community-Hunger-Games-Parody

 

Of course, just about every Greendale fan is wary about this year’s offering. After a long year of the show being delayed, its creator and showrunner Dan Harmon being fired (with many of the writer’s quitting afterwards in protest), and star Chevy Chase quitting midway through production, it could be a dark, dark year at Greendale Community College.

 

In any case, I love the cast and I love the characters, so I’m hoping for the best. Watch a new trailer for the season below, and let us know what you think!

 

Honestly, I’d forgotten all about Knights of Badassdom until now.

 

The first trailer for the movie premiered in 2011… and now it’s 2013 and we still haven’t seen the feature. As far as I know, nobody really knows why the movie hasn’t been released, but seeing as a new trailer has just been revealed, could it be too far off?

 

Check out the hilarious trailer below, but I wouldn’t hold your breath for this one. Knights of Badassdom currently has no set release date (thought its official website says that it’s coming 2012… yes, 2012). The movie has a pretty awesome cast too, which includes Peter Dinklage, Summer Glau, Ryan Kwanten, Steve Zahn, and Community’s Danny Pudi.

 

 

“After being dumped by his sexy girlfriend Beth, Joe (Kwanten) reluctantly decides to join Eric (Zahn) and his LARPing (Live Action Role Players) friends in the woods rather than stay behind and feel sorry for his newly single status. There he meets hot, ass-kicking, intimidating LARPer Gwen (Glau), and finds himself plunged into a surreal adventure wilder than he ever imagined when a make-believe wizard casts an all-too-real spell from an ancient book. That spell releases an actual demon with a taste for human blood — and souls — that starts systematically decimating the players in this suddenly deadly “game.” Will our guys become the heroes they have been pretending to be before time runs out?”

This eerie and chilling comedy is shot in B&W and completely illegally at the Walt Disney World resort in Orlando, FL.  While this may really affect distribution options, director Randy Moore and his movie are already the talk of Sundance, so who knows…maybe that was a very wise move.  The film chronicles the final day in a family’s vacation in the Sunshine State at its biggest resort.

 

The monumental day starts with Dad, played beautifully by Roy Abramsohn, getting a call from his boss that he is being laid off for no particular reason.  Not wanting to spoil the fun, Dad doesn’t tell his wife and two young kids, but is clearly immediately affected.  The family takes the monorail from their hotel to the Magic Kingdom and engages in a day of surreal rides and amusements.  By mid morning, Dad notices two barely legal French girls and becomes increasingly engrossed with them to the point where he starts following them. While the girls weave in and out of the narrative, a host of hallucinations, marriage issues, mistaken identities, scrapes and bruises, and general mayhem start shortly thereafter.

 

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Having grown up in Florida, Moore was shaped by the “artificial fantasy” of such family entertainment amusement parks and still has issues with wanting to live in a world that doesn’t really exist.  Through clever framing, good story telling, and a slight bit of VFX, Moore makes the actual Disney rides that the family takes feel really creepy and borderline horrific.  This is particularly effective as many of us were on these rides many times and kids and didn’t have such an experience. But a horror film this is not, because by making Abramsohn’s character likeable and a inserting a bunch of funny one-liners, Moore keeps his social commentary firmly cemented as a dark comedy.

 

The team shot for 45 days on location and sunlight or practical fixtures is the lighting source for the majority of the film.  Moore was very keen on avoiding making a “home movie” and even with the lighting and location restrictions, he and his DP, Lucas Lee Graham, made a cinematic film.  The B&W greatly augments the picture as it offers both a layer of surreal and covers several of the technical issues that run and gun shooting creates.  Personally, the B&W also offers homage to the zany horror films of the 1950s that feel referenced in some of wacky situations that the family encounters.

 

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Ultimately, the film is more of a mainstream story than some of the ‘insane’ buzz it’s getting at the festival. However, after watching this film, you will look at any family amusement park differently on your next visit.

 

Cast and Credits

Director: Randy Moore

Screenwriter: Randy Moore

Producers: Soojin Chung, Gioia Marchese

Cinematographer: Lucas Lee Graham

Editor: Soojin Chung

Production Designers: Sean Kaysen, Lawrence Kim

Composer: Abel Korzeniowski

Sound Design: Paul André Fonarev, David Lankton

Principal Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor

 

Check out Anna’s other reviews from Sundance 2013 here!

 

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VIRTUALLY HEROES is a fun comedy about the sarcastic and self-aware hero of a first person shooter, Sgt Brooks.  It is actually the first Roger Corman produced film to be programmed at Sundance in the festival’s history.  The director, G. J. Echternkamp, and screenwriter, Matt Yamashita, were given the task by Corman of coming up with a story that could make use of 11 Vietnam War action films in his vault that were all produced in the 1970’s & 80’s. Their first attempt was a story about a Rambo inspired character who goes on a brutal mission in the jungle while taking time to pursue his passion for bird watching.  No joke, they revealed this tidbit at the Q&A after the screening. Fortunately for us, Corman passed on that treatment and the guys wrote a video game inspired script that became this film.

 

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The movie starts with Sgt Brooks realizing his life in a rut. Yes, video game heros have feelings too.  He and is partner, Nova, are playing the same levels over and over again as they tirelessly try to advance in the game.  The attractive female at the end of every level constantly eludes Brooks because right as she is freed from the level boss, another villain appears to take her to the next stage. Amidst severe depression and in search of his true self, Brooks abandons the missions and seeks counsel from an elusive monk thought to be a flaw in the programming code.

 

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Teabagging in RL…

 

The filmmakers craft an engaging story mixing the footage they shot with all the fighting, explosions, and action sequences taken from those 11 films in the Corman archive. While it is evident that they shot in the canyons outside of LA, clever editing and filmmaker cheats blend the scenes together nicely.  Sprinkled in are countless video game references to such classics as Call of Duty, Streetfighter, World of Warcraft, and even Contra. The cast’s performances are solid and Robert Baker owns the role of Sgt Brooks. Unfortunately for you die hard Corman fans, there is no gratuitous nudity.  For the scene in which it would have been most appropriate, the director hired his girlfriend and her BBFs as extras and it would just have been to too awkward for him…bummer for us. The good news is that  there is a sweet cameo by Mark Hamill.

 

Expect this laffer to come to DVD and VOD soon and if it does well, I bet Mr. Corman can find another bunch of films in his archives to convert to a modern day video game.

 

Cast and Credits

Director: G. J. Echternkamp

Screenwriter: Matt Yamashita

Executive Producer: Roger Corman

Coproducer: Dwjuan Fox

Cinematographer: James Mann

Producer, Editor: G. J. Echternkamp

Principal Cast: Robert Baker, Brent Chase, Katie Savoy, Mark Hamill, Ben Messmer

 

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After being teased, and teased, and teased, and delayed, and delayed, we finally are about to witness the newest season of the geekiest car show on television! Top Gear Series 19 debuts January 27th! Check out the trailer below!

 

 

Just seeing those clips has got my all sorts of excited! No official word yet on the USA release schedule, but BBCA has been doing pretty good with Doctor Who releases, and I am sure that if you are an intrepid Top Gear fan you know how to watch the latest episodes!

A synopsis of the first episode was compiled on Wikipedia:

 

Jeremy attempts to build a car that’s even smaller than the Peel P50.  James road tests the new 205mph Bentley Continental GT Speed by taking it out on a British Rally stage.  Richard is out on the test track in the new Pagani Huayra.

My favorite British show is back baby!

Bearing further delays, Community fans (like me!) are just 28 days away from FINALLY seeing a new episode.

 

NBC today released a sneak peek of the season four premiere History 101; the clip features a hilarious parody of The Hunger Games, which looks to work perfectly in the given context.

 

How freaking excited are you for this show to come back? As hard of a year as it’s been for Community and its fans, I can’t wait for it to be back on air. After all that’s happened: Dan Harmon’s firing (and many of the show’s writers quitting in protest), numerous delays, and Chevy Chase quitting, hopefully at its core, Community won’t have changed too much.

 

Check out the clip and episode synopsis below! Sound out below on your excitement (or wariness) of the upcoming season!

 

 

Again, the long awaited fourth season of Community premieres on October 19 February 7th. If you haven’t seen the show, I’d wholeheartedly recommend it. You can watch the existing three seasons on Hulu (US only), or seasons one and two on Netflix in Canada!

 

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Our friends at Working Fish premiered the season finale of The Common Cult at the Lounge Theatre in Hollywood on Friday. Cult is a comedy about a group of friends in their thirties. Also they’re in a ritualistic blood cult that’s trying to raise a Great Old One to our plane of existence.

It’s a great show, and we at Geekscape are big fans. And you can watch a playlist of all six episodes right here!

Back in August, news hit that the classic Beverly Hills Cop was set to reboot as a television series. All we knew about the project at the time was that the phenomenal Shawn Ryan (The Shield) would serve as showrunner, and that Eddie Murphy was set to reprise his role as Axel Foley in the pilot. The show is said to revolve around the career of Axel’s son, while Axel himself is now chief of police.

It looks as though Axel’s son has now been found. Stand-up comedian Brandon T. Jackson (apparently at the suggestion of Murphy himself) has been cast as Aaron Foley. Brandon’s filmography includes films such as Tropic Thunder and Big Mommas: Like Father, Like Son, so it’ll certainly be interesting to see how this one plays out.

I for one am excited to check this one out. How about you?

Source: Deadline

Okay kiddies, back in the days before internet and DVD burns Hollywood was threatened by the VCR. Their fear was that people could record any movie off television they wanted and thus would have a reason to enter a movie theater again. It was a completely unrealistic and absurd fear.

So when I was a kid I taped Young Frankenstein off Television (commercials and all). It was one of my favorite movies for a few reasons. Firstly because it was one of my grandfather’s favorite movies, another reason is because it’s a hilarious and well made movie. So why am I telling you this?

The first time I ever heard of Elvira was from that tape. Every single commercial break was a 15 minute ad for the television premiere of this movie. I’ll always remember hearing the line “looks like Gumby on Steroids” repeatedly and not have any clue what it meant. But I was curious what this movie was about. I don’t know why my parents decided it was okay but when I was about 8 I saw Elvira Mistress of the Dark for the first time. I really loved it (despite the fact that the movie is a giant sex joke that went right over my head) however this was the first time I’ve seen it in a quite a few years.

Elvira was best known for two things. Her Television show and her Charles Addams style morbid comedy. Admittedly most of her gimmick was stolen from Vampira (who unsuccessfully attempted to sue her in the 80s) but for a brief period of time she was  a genuine star. Making a theatric feature for her was not an unrealistic place to take her character and despite it’s many flaws the movie still remains a good cheesy 80’s good time.

Elvira is sick of hosting her horror show and dreams of starring in her own Vegas stage show. However she’s just quit and needs $50,000 to get the show off the ground. In a stroke of great time she gets a letter informing her of the passing of her great aunt. At the will reading Elvira expects to gain lots of cash and get her show off the ground but instead she inherits a house.

Elvira is disappointed but hopeful she can sell the old mansion for the money she needs. While the whole ultra conservative town manages to keep her from getting a job or selling the house, Elvira’s uncle keeps asking her for an old family recipe book instead the house. Elvira promises to find it and sell it to him. She finds the recipe book and discovers that it’s actually a spell book and she’s part of a long line of witches.

Elvira uses her new found magic to fight her evil uncle, win over the town and gain the money neccessary for her Vegas show. The show is complete insanity filled with half naked muscle men dressed like demons, a rap song and tassel dance. Here’s the video (NSFW I suppose)

The film was released to lukewarm reviews and even earned Cassandra Peterson (that’s Elvira if you didn’t know) a Razzie award for worst actress. However I feel like the the things that made this movie dated (possibly as early as 1989) are part of the charm. The film literally OOZES the 80’s (rapping, a flashdance parody and even a Scooby Doo reference). I also am a sucker for the few practical effects that appear in the film specifically the casserole monster.

One thing I never really noticed is that everyone who meets Elvira immediately wants to rape her. It’s like watching Teeth. I’m not sure what their attraction except for possible her big beautiful eyes.

The film eventually got a sequel that no one has ever watched and last year Cassandra retired the character forever at the first Comikaze so it’s safe to say that the heyday of Elvira is gone. It seems that the days of any ‘late night horror shows’ are over with. I miss my Joe Bob Briggs, Mystery Science Theater 3000 and Elvira and I can’t wait for it to come back one day.

Well that’s all I got. Enjoy your Halloween.

Oh I almost forgot to mention Elvira has huge tits.

Well, we may not be getting the Community premiere that we were all eagerly awaiting (nor even a date when we might be able to see it), but today the cast released a small gift for us fans that may slightly soften the blow.

If you weren’t yet aware, sorry to be the bearer of bad news, but the fourth season of fan-favourite Community will not be airing tonight. NBC made the announcement that they do in fact hate us, just 10 days before the scheduled premiere date.

The cast released a hilarious and cool video today, showing that they’re thinking of us fans. I don’t want to spoil anything, so just give it a watch below, and let us know what you think!

Season 4 of Community premieres… someday.

Fantastic news for all adventurers out there. Cartoon Network today announced the season 5 return of everyone’s favourite Human/Dog duo, and it’s coming a lot sooner than you might think!

MTV Geek reports that we’ll be getting even more awesome guests this season, including Community’s Donald Glover and the return of Prince Gumball himself, Neil Patrick Harris.

If you’ve never seen Adventure Time, it has to be one of the most absurdly hilarious shows around. It’s also enjoyable for both children and adults alike (maybe even more so for the older folk).

The premiere will be a two-parter, and will air on November 12th.

 

Disney today released the first clip from the upcoming Wreck-It Ralph. 

The movie is just a few weeks away now, and I couldn’t be more excited. Every trailer so far has been hilarious, and this clip is no different. It’s insane to see so many video-game characters from so many different companies coming together for this film!

Check out the clip below! Wreck-It Ralph hits theatres on November 2nd.

 Need a refresher on the plot? Here’s the official synopsis:

Wreck-It Ralph (John C. Reilly) longs to be as beloved as his game’s perfect Good Guy, Fix-It Felix (Jack McBrayer). Problem is, nobody loves a Bad Guy. But they do love heroes… so when a modern, first-person shooter game arrives featuring tough-as-nails Sergeant Calhoun (Jane Lynch), Ralph sees it as his ticket to heroism and happiness.

He sneaks into the game with a simple plan—win a medal—but soon wrecks everything, and accidently unleashes a deadly enemy that threatens every game in the arcade. Ralph’s only hope? Vanellope von Schweetz (Sarah Silverman), a young troublemaking “glitch” from a candy-coated cart racing game, might just be the one to teach Ralph what it means to be a Good Guy. But will he realize he is good enough to become a hero before it’s “Game Over” for the entire arcade?

Just 11 days before we were set to return to Greendale, NBC has decided to delay the start of the school year.

It has been a tough year for Community and its fans. First, an unexpected hiatus left fans unsure if the show would ever return, then the showrunner and creator, Dan Harmon was fired from the sitcom, a shorter fourth season was ordered (which of course is better than no season at all), and now this.

NBC has not announced a new date for Community‘s return, simply stating that they needed more time to market it.

NBC’s rather unfunny Whitney has received the same delay.

If you haven’t seen Community. I highly recommend it. In my opinion, it’s the funniest show on television.

Way to Britta another one NBC.

Source: THR

We’re now just a couple months away from Judd Apatow’s Knocked Up spinoff This Is 40, and Universal Pictures today released the one-sheet for the title.

17-year old me thought that Knocked Up was hilarious when it came out in 2007 (though I haven’t seen it since), so I’m quite looking forward to this one.

The film features much of the cast of Knocked Up, as well as other Apatow regulars, and follows Pete and Debbie as they deal with their growing family and hitting the ripe age of 40 years old.

This is 40 hits theatres on December 1st. Check out the poster (and trailer) below, and let us know what you think!

Don’t know what The Guild is? Netflix it, YouTube it, iTunes it, go to WatchTheGuild. Just do whatever you need to do to see the available five seasons.

The Guild is insanely hilarious, and if you’re reading Geekscape, you likely fit right into the shows intended audience. The show revolves around a ragtag group of MMO gamers, and the trials and tribulations of their lives.

Seen them? Great, now watch this trailer for the upcoming Season 6, which premieres on October 2 (just six more days).

 What do you think? Looking forward to the new season?

This past January American Reunion was released. The film immediately forced me to come to terms with the fact that my 10 year reunion is only a year or so away (it also forced me to admit that I enjoyed some of the direct to DVD American Pie Movies). What I guess my biggest fear is that I won’t be interesting enough. Whenever I tell anyone this they also respond with “Just tell them you invented Post-it Notes”.

I feel bad even including this as a Guilt Pleasure. Most people who have seen it have liked it, it made enough money for a shitty Made-For-TV Prequel and it’s got a 69% freshness on Rotten Tomatoes. To be fair, I only really picked it because I do love this movie more than natural and I thought I could tie it in with the new movie Bachelorette (because you know it’s about people who were ridiculed in High school… okay I admit it, it’s a bit of a stretch).

When Romy and Michele hear about their 10 year reunion they’re extremely excited to see their old classmates. Since graduating the two have moved to Los Angeles where they’re both single and living a life full of parties and fun. Michele is unemployed while Romy is a cashier. In an act of desperation to put an end to their ‘nerdy’ high school background they decide to create a fake life for themselves as successful business women.

Their lie is that they invented Post-Its. Their ruse lasts only a brief period of time at the reunion. They remain being mocked by the same people that harassed them previously. However the people who truly appreciated them for the unique people that they are show them the love and respect they never had in High School. Former popular girl turned Vogue Magazine associate fashion editor praises the clothing Romy and Michele made themselves and with a loan from another successful classmate create their own clothing line.

Romy and Michele could have been a painful failure of a comedy. The characters could have been obnoxious and annoying but Mira Sorvino and Lisa Kudrow made them adorable and likable. Furthermore Janeane Garofalo gives her funniest film performance ever has the miserable goth girl Heather Mooney (correction: Second best I almost forget Wet Hot American Summer existed).

The story of their redemption from High School losers to success is a touching one. The flashbacks to their high school days are genuinely heartbreaking. Even if we weren’t the one’s picked on like them, we saw the people who were like them.

The final message of the movie in my eyes is that you have to be true to yourself. While it’s nice that Romy and Michele end up having a successful clothing store. I’d have been just as happy if the film just ended with the two of them realizing that success isn’t how much money you made or the jobs you have but how happy you are with your own life.

I guess I got a little too preachy on this Guilty Pleasure didn’t I? Let me throw in some curses to bring it back to it’s normally low-brow caliber. Fuck Penis Shit Balls.

It’s nearly time to head back to Greendale!

TV Line has learned that Tricia Helfer (Battlestar Galactica, The Firm) will have a guest role on Community’s fourth season.

Helfer plays Lauren, and will meet Abed at an Inspector Spacetime convention.

Could Lauren be a new love interest? What about Hilda? Will Agent Robin ever return?

Community returns on October 19.

Tricia Helfer

Rosamund Pike (who we most recently saw in Wrath Of The Titans) will star alongside Simon Pegg and Nick Frost in Edgar Wright’s final entry in the Three Flavours Cornetto trilogy, The World’s End.

World’s End chronicles a single night in the lives of a group of friends who attempt to go on an epic pub crawl.  Nick Frost has stated that ‘it’s deeper than just a pub crawl’. It’s an Edgar Wright film so we can definitely expect this night of drinking to lead to something fantastic. Shooting on the film starts next month.

Source: Daily Mail

Episode 34 of the Saint Mort Show Matt sits down with Richard Butler who works at Laffcast helping to produce live call in podcast for various Philadelphia comics

Visit the Laffcast website here

There are two films that are typically looked at as the perfection of the “Parody Film”. 1974’s Young Frankenstein and 1980’s Airplane. Mel Brooks had always been a satirist in his comedy. The Producers and Blazing Saddles are praised as some of the finest comedies ever made and while they both have elements of parody in them Young Frankenstein is where he made a direct parody to some pre-existing source material (Universal’s Frankenstein films).

The direct parody became what Brooks was known for (with High Anxiety, Spaceballs and various other films). Meanwhile Airplane! presented absurdist over the top and crazy comedy. In ways never before seen. Absurdist comedies continued to be part of the Zuckers and Abraham filmography but rarely did they come close the quality of Airplane!

This brings us to the dark days of Parodies. They started with Scary Movie. From we started getting films like Date Movie, Meet the Spartans and various other pieces of garbage. Trapped in the middle was Scary Movie 3.

I’m not going to say Scary Movie 3 is a perfect film. It’s not, it’s not a great comedy, it’s not even a great parody, I can admit that. What Scary Movie 3 is though is a huge improvement on the previous films. The Wayans brothers are gone and replaced with David Zucker. Unlike the films that would later come out the film does the simple task of focusing on a plot… sorta.

The parody combines plot elements of The Ring and Signs to tell a really alien/ghost story. Sure there’s also elements of Sixth Sense, 8 Mile and The Matrix scattered throughout but they genuinely try to stick with those two main movies. I appreciate that since this was the time that movies like Disaster Movie were coming out basing the script on movie trailers instead of watching the films they were parodying.

The film definitely has things at are terrible. The opening credits sequence with Jenny McCarthy and Pamela Anderson, awful and dated parodies of commercials that I forget existed until I re-watched this movie and plenty of moments that feel like they would be better suited in Scary Movie 1 or 2. This film is more light-hearted and feels like a Zucker film (absurd, sex jokes, Leslie Nelson), those are the elements that keep the film entertaining.

Here’s what works in the film: Simon Rex and Charlie Sheen are casted well. Sheen has proven his comedy chops in Hot Shots and if you’re a fan of those films you’ll find just as much to enjoy in his performance here. Simon Rex meanwhile, has done the Horror Parody genre previously with ‘Shriek if You Know What I did Last Friday the 13th‘. The biggest laughs however come from comedy veteran Leslie Nelson and (at the time) new comers Anthony Anderson and Kevin Hart.

Zucker’s eye for a good sex joke or quality sight gag are still there. The parody of the actual Ring video is packed with humorous sight gags. The film also contained rewrites by Jon Hurwitz and Hayden Schlossberg (the men behind Harold And Kumar). This film could be better obviously… but it could have been much much worse.

Writers Jason Friedberg and Aaron Seltzer (Epic Movie) wanted to parody Star Wars, Harry Potter and Lord Of The Rings (yet still call it Scary movie 3). What I’m trying to say I guess is Fuck Friedberg/Seltzer.

Scary Movie 3 won’t ever be better than the classic parody and spoof films of the 70’s and 80’s but it’s still a massive improvement on the other parody films that we’ve been exposed too since the Wayans brothers gave us Scary Movie in 2000.

The Guild director Sean Becker and actress Teal Sherer dropped by the Geekscape booth to talk about their new web series My Gimpy Life, premiering July 31st on Youtube. Teal talks about her personal basis for the series and about working as a handicapped actress in Hollywood.

Subscribe to the show on iTunes!

Regulars at the monthly Geekscape Presents show in Burbank are no strangers to Drennon Davis and Monique Moreau’s Imaginary Radio Program, one of the most original and unique acts currently in LA. Actually, one of my favorite Geekscape Presents moments was watching Jonathan London’s reactions when Drennon headlined. It was like someone had just told him that someone had Scarlet Witched the prequels out of reality.

Recently, IRP was invited to perform at the famous Edinburgh Fringe Festival. Drennon has launched a Kickstarter to make attending a reality, so we thought it would be a good time to talk to him about the show, the festival, and couch farts.

Drennon: I just ate lunch so I might be a little tired and farty.

Geekscape: We can wait.

Drennon: This new leather couch makes for the best farts in history. I don’t why Lazy-Boy didn’t advertise that feature.

Geekscape: My couch just absorbs them.

Drennon: Probably a better feature in the long run. How many farts can it hold?

Geekscape: We have yet to see its limit.

Drennon: Pushin’ the limits, I like it. Does having a leather couch make me sound rich? ‘Fuck that guy and his leather couch!’

Geekscape: We’ll make sure to mention that the rest of your apartment is empty.

Drennon: And that my cat has FIV. From dirty needles.

Geekscape: Poor Jack. Ok, let’s do this. HEY DRENNON!

Drennon: Hieeeee!

Geekscape: So I have seen your show a million times and been in it once or twice and I still have a hard time describing it.

Drennon:  Ok, so it’s a pretty crazy show and sometimes I have a hard time describing it too but here goes nothing – it’s a fast-paced musical sketch show where I use an imaginary radio dial to scan a huge variety of stations and musical genres, creating characters, songs, impressions and commercials on the spot using a loop pedal, musical instruments and special drop-in guests.  That was the long run-on sentence explanation.  The short version is I make fun of everything on the radio.  Anything from NPR to LMFAO.

Geekscape: You’ve been doing musical based stand up for at least as long as I’ve known you, around when do you think your act started evolving into IR?

Drennon: Well I started doing portions of it in my stand-up sets in SF but it wasn’t until I moved to LA a few years ago that I started doing full sets of it – 15 to 20 minute versions.  About a year ago I decided that I wanted to make it a full 90 min show and get more people involved.  It’s a lot of fun.

Geekscape: Over the last few months it seems like Monique went from ‘featured guest’ at your monthly Nerdist Theatre show to making IR a duo.

Drennon: Yeah, sorta.  I still do it on my own from time to time but Monique is definitely more of a full time cast member and musical accompanist now.  She adds a lot that I’m not able to do on my own musically. She great on a synthesizer and has a wonderful classically trained opera voice.

Geekscape: What does a trip to Edinburgh mean for the show?

Drennon: When I was first invited to Edinburgh, I didn’t really understand how huge it was because I’m a dumb American.  But after doing research, I realized that it’s the biggest festival in the world and unlike most festivals now that are completely meaningless; this one actually opens a lot of doors. I’m already getting offers to play in Scandinavia and from what I understand a few networks are pretty interested in the show just by being accepted. I mean, it could mean nothing but it’s pretty rad that things are already starting to happen from it. Basically it opens up a ton of international and national opportunities. It’s a festival where weird acts and musical groups get the spotlight which I’m really looking forward to since I’ve never experienced anything like that.

Geekscape: Yeah, the scene here isn’t very musical comedian friendly.

Drennon: Never has been.  Hell, I’ve never been very friendly towards it and I do it!  I will say though, that everyone has been getting much friendlier with us now, which I really appreciate.

Geekscape: You’ll be working with the sketch group the Pajama Men, which you seem pretty pumped about. Let’s talk about those guys, since they’re not a household name in the States.

Drennon: The Pajama Men are one of the biggest comedy acts to come out of The Edinburgh Fringe Festival in the last few years.  They are two dudes who wear pajamas and do some of the most amazing sketch comedy I’ve ever seen. Because of their success in Scotland, they are now working on their own show for BBC with the director of the Mighty Boosh. They like my show and are basically taking me under their wing and helping me produce it.

Geekscape: Maybe so people understand the need a little better, why is a Kickstarter necessary to get to Edinburgh?

Drennon: Well the scope of the festival is crazy.  I’ve never seen anything like it.  There are literally thousands of shows competing for audiences and though our show has an amazing venue and fantastic producers, Monique and I are still forced to come up with some unexpected last-minute funds for it.  Unfortunately we’re still broke-ass artists.

Geekscape: So you guys have to raise money to get there and survive for the duration of the festival. Are there actual show costs involved?

Drennon: Basically. The Pajama Men are putting up all the ads and publicity costs but we still have to pay for posters and the things we’ll have to rent there for the show. This thing is way bigger than anything I’ve ever done before. The budget is crazy. It gets stressful because it seems like things keep coming up.

Geekscape: It seems like a big risk vs. reward ‘leap of faith’ kind of thing.

Drennon: Oh absolutely.  There’s no other festival like it.  No other festival offers so many opportunities but on the other hand, there are no other festivals where the performers have to put so much into it. There’s no way we’d be doing this if we didn’t have help. It’s strange because I do have a lot of different people backing the show but even then, it’s incredibly expensive. Everything in Europe is expensive. Except maybe Greece.

You can find the Imaginary Radio Program Kickstarter here. They’re down to the wire and have some great prizes for backers of the project. Invest a few bucks and help get IRP to the next level!

 

That’s My Boy seems to be keeping with Adam Sandler’s recent career decision of making us feel sorry and hatred for the once untouchable comedic god. When I was in Elementary School and Junior High I can’t think of a single boy in my grade that didn’t worship Sandler and Farley. In the 90’s Sandler was a hero to a generation. That generation who grew up knowing Happy Gilmore and Billy Madison by heart. That generation who knows all the famous Jews thanks to all 3 Chanukah songs. It’s also that generation who gets completely confused when we see Sandler starring, writing or producing movies like Grown Ups, Bucky Larson, Jack & Jill and That’s My Boy.

The SNL alumni also managed to make a name for himself in the 90’s as a musician. His first album They’re All Going to Laugh You is a critically hated but commercially massive comedy album that is one of the funniest records the 90’s had to offer. It’s follow up What the Hell Happened to Me? did a record high and continues to be the best selling comedy album since Nielson Soundscan began tracking in 1991. Ironically “What the hell happened…” was the question on many fans’ lips the following year when Sandler released What’s Your Name?

After an album heavy on long vulgar skits (like The Goat, a skit that many a teenage boy quoted to each other when parents weren’t home) Sandler released a record of all songs. The record sold well enough (over 500,000 copies) but in general the album was greeted with mostly shoulder shrugs and scratched heads. For me though, even at 12, I loved this album immediately.

Sandler is a musician. He’s not the greatest singer in history nor is his guitar playing earth shattering, but he’s always been someone who loved music. Many of his classic SNL segments were based on music (including Red Hooded Sweatshirt found on this record). Listening to his songs you hear another side of this comedian Adam Sandler. While in film he’s typically a short-tempered man screaming about “something” and in his skits he’s usually spouting as many four-letter words and potty humor humanly possible in songs he can suddenly become someone you sympathize with.

This doesn’t mean that the four-letter words and potty humor doesn’t find their way into songs (look no further than Bad Boyfriend, Dancin’ and Patsin’ and The Goat Song for plenty of vulgarity) but mostly the songs come from the perspective of the outcast.

This is the key-element in my mind to people’s immediate rejection of this record. It’s definitely a rug being pulled out from you. You go out and pick up an Adam Sandler record you expect something that will make you laugh out loud. Some of the songs do that (Voodoo, Corduroy Blues) but you’re completely side swiped when a song like Pickin’ Daisies comes on.

Pickin’ Daisies tells the story of a young boy (I always imagined him about 10) who gets picked on mercilessly by kids at school. His dad is ashamed by him but he finds comfort with his mom. He doesn’t care that he has to do girly things with her. She provides him with comfort. The song ends with him thinking about years down the line when him and all his classmates are in an old folks together and he’ll have memories of his mother to comfort him. Sandler tries to make the song humorous with his “mother voice” and a few of the things the mother says, but at the end of the day the song is delightful mix of sweet and sad.

Even elements as something as ridiculous and vulgar as The Goat Song leaves you wanting to sympathize with the battered and abused goat. When he sings ‘Thank you old man for saving my life, thank you again and again/You could have let them barbaque me, instead you acted like a friend’ have a strange sweetness to them. However it’s in Lonesome Kicker (the lone single) where Sandler’s sympathetic comedy shines through strongest.

Sandler wears Bruce Springsteen’s sound better than the (so-called) Boss himself. The song tells the humorous but sad life of a field goal kicker Andre Kristacovitchlalinski, Jr. While there are plenty of short jokes and lyrics about his lack of respect there’s also lines like “I hope that the cameras don’t come in to close or they might see the tears in my eyes” that are sung with such sincerity that you can’t help but feel a little bad for this fictional foreigner

I think Sandler wanted to prove to the world that he was a musician as well as a comedian. You don’t write a song like Listenin to the Radio without having a love and desire to play music. But he made a fatal mistake in performing under his name. People see Adam Sandler they think “comedy”, it’s the exact same reason why Donald Glover raps under the alias Childish Gambino. People have an Adam Sandler expectation and when rapid-fans don’t understand why that expectation isn’t being met they’re unhappy. Regardless of how great the product may be (read some comments on the Punch-Drunk Love thread on IMDb for proof).

I can defend What’s Your Name? and I can explain why I think Sandler made the choices that he did… but I still can’t explain Jack & Jill to you. Sorry

We’re trying something new in giving you back some news and reviews ON TOP of your regular Geekscape podcast with special guests! I talk Avengers box office, Battleship, Men In Black 3, Moonrise Kingdom, Ni No Kuni’s new trailer, trying to Streetpass in Mexico, Harley Quinn’s Revenge, Snow White and the Huntsman, Spoilers ruining movies, Astonishing X-Men 51 and a bit more! Man that’s a mouth full!

Find it on iTunes

There is no actor left quite like Don Knotts. Where most actors are willing to occasionally play the lovable wimp in a film or two, Don Knotts dedicated his entire career to it. The Incredible Mr. Limpet was my first introduction to this creative and unique comedic mind. Much like Captain America, the film tells the story of a weakling who wants to help his country in the war. The difference is Steve Rogers became a strong super solider and Mr. Limpet became a talking fish.

During the war Henry Limpet wants to join the navy and fight for his country but his eyesight and weak body disqualifies him. The only thing Henry loves more than his country is fish. Henry has hundreds of pet fish which drives his wife Bessie crazy and his friend George thinks is just plain weird.

One day when he’s feeling at his worse he stares into the lake and wishing he was a fish. Suddenly he falls in the water and is transformed… for no explainable reason. There wasn’t toxic waste, or blue fairy… just Limpet’s heart’s desire.

The US navy quickly decides that a talking and patriotic fish is exactly what they need to stop the nazis.

Limpet falls in love with a female fish (creatively named Lady-Fish) and we can only assume Fish sex occurs in the future. This is a weird aspect of semi-beastality, but that’s not unseen for this movie. The film makes quite a few logic leaps and is constantly just barely scraping the belly of being entertaining or interesting.

I think if you were reading this it’s easy for you to assume that I hate this movie, but I don’t. I’m sure nostalgia is part of it there’s something charming about the sincerity to the ridiculousness of the movie. Sure there’s plenty of goofy double takes throughout but there’s also straight faced discussions of the importance of this fish’s contribution to the war. Regardless of the film’s faults it remains a nostalgic favorite of mine and apparently for many others as well.

Since the 90’s they considered remaking it. The first attempt had Jim Carrey in mind (which is as good of a casting choice as you could hope for you). That film never happened but it recently was discussed as Zach Galifianakis vehicle (which seems more like a joke than a sincere casting decision) although with Kevin Lima (A Goofy Movie) directing it might have been decent. Both Lima and Galifianakis dropped out and now it’s currently being discussed with Richard Linklater as the director which makes absolutely no sense.

Despite it’s very average 50% rating on rotten tomatoes the film helped to launch Don Knotts’ career from a TV star to a movie star. It also lead to him acting in far superior films including my personal favorite Knotts film The Ghost & Mr. Chicken.

The Incredible Mr. Limpet is currently on Instant Watch, go rediscover it!

 

When Matt Kelly isn’t defending animated fish comedies of the 60’s he’s blogging, tweeting and producing his podcast the Saint Mort Show (check out this week’s episode with Joe Whiteford and Chad Neidt)

How was everyone’s Easter? Did the bunny give you quality eggs and chocolates and marshmallow peeps? In honor of that big fluffy guy I decided that the newest Guilty Pleasure should be on a film that’s hard to find in stores but available on DVD for $0.25 new. 2007’s Bunny Whipped starring Joey Lauren Adams and Esteban Powell (whoever he is).

I heard of this movie when the mom and pops video store I worked at received a copy in the mail. I’m pretty sure I was the only person to ever rent it and most likely the only person that would have enjoyed it anyway.

Released straight to DVD a year before Marvel released Kick-Ass and three years before James Gunn made the brilliant Super (but 13 years after Blankman) comes Bunny Whipped, your typical everyday man becomes superhero movie. While Kick-Ass and Super try to show the realistic aspects of becoming a superhero, Bunny Whipped just uses it as an excuse to show off some weird side-characters.

This is not a good movie. I’ll admit it, but here at Guilty Pleasures we take the good with the bad (not unlike the facts of life). Bob Whipple is a sportswriter (never shown writing a column or going to an office building) who decides to become a super hero after white rapper Cracker Jack is murdered under mysterious circumstances. He becomes The Whip. Not only is his superhero name not creative but he goes on TV repeatedly as ‘Bob Whipple AKA the Whip – Superhero/Sportswriter’. It kind of defeats the purpose of an alias.

Bob is played by Esteban Powell who is so painfully bad in this role there are points I wondered if he wrote and directed the movie as well (it’s clearly an indie film so that wouldn’t be the least bit shocking). He did not however, those titles both belong to Rafael Riera who has yet to make a follow up film.

While the filmmaking and acting is shabby and rough at best, the movie is actually entertaining and better than it had any right to be. The best humor being all the rap related battles whether it’s Cracker Jack (who is murdered in concert while singing his song I’ve Been Shot so the audience doesn’t realize he’s killed til later), the Rick James look-a-like Kenny Kent (who’s song Lonely at the Top (the wah wah wah wah song) is getting terrible reviews) or Cracker Jack’s best friend Dirty old Skank’s tribute song to Cracker’s memory ‘Tap Dat Ass’ the jokes are better than the actor’s rap skills (which admittedly isn’t hard).

Elements of the movie are trying too hard to be quirky (like the beauty model ‘Miss Most Awesomely Awesome’) it mostly hits more than it flops.

Finally much like Chasing Amy the film manages to make you fall in love with Joey Lauren Adams even though her face looks 30 years older than the rest of her and she sounds like an 80’s cartoon character. However when Joey Lauren Adams is the biggest name you have in your movie, you know you’re working on a tight budget.