Adam Sandler is a name that has long been synonymous with humor, albeit not always with the greatest reputation. After a bull-rushing start to his film career that began with signature classics like Billy Madison, Happy Gilmore and The Wedding Singer, it wasn’t long before Sandler’s name became tainted by films like Jack and Jill and Grown Ups. And suddenly, a man who was once the nation’s king of comedy was soon relegated to a longstanding partnership with the streaming service, NetFlix. But after a few promising attempts at breaking into the world of dramatic acting, 2019 may have changed everything for Sandler. His gut-wrenching turn in Benny and Josh Safdie’s stylish thriller, Uncut Gems, has caught the eyes of many Oscar voters and has left everyone wondering if Sandler’s finally turned the corner in his decades-long career.

Howard Ratner (Sandler) is a jeweler in New York City whose uncontrollable gambling habits have gotten him in deep with various loan sharks. And with a rocky home life, an erratic mistress (Julia Fox) and a six-figure debt all looming over his head, Howard sees his only way out of this mess in the form of a rare and precious opal stone that holds a special allure over a basketball star (Kevin Garnett) in the NBA playoffs. But when things fail to go according to plan, Howard starts digging a deeper and deeper hole that he can only escape by winning one last massive bet.

The Safdie brothers’ Uncut Gems is a two-hour pulse-pounding panic attack that’s cloaked in a stylish soundtrack and a gritty lead performance. Adam Sandler delivers a mesmerizing turn as a clear anti-hero, but a character that still demands your emotional investment despite his obvious flaws. This is no simple task as Howard’s troubles are all self-inflicted. He cheats on his wife, he has an undeniable addiction to gambling and he’s a liar trying to play everyone for a loop. And through all of these dirty deeds, we still take this anxiety-filled journey rooting for Howard’s victory the entire time. Adam Sandler serves as the driving force behind this moral quagmire for audiences. He’s a man in a predicament who only makes things worse with every ensuing decision. But Adam Sandler displays such raw emotion in the role, so much so that we overlook Howard’s series of lies and mistakes because we sense fearful human side of his character. Much has been made of “will he” or “won’t he” when it comes to Sandler’s chances of scoring an Oscar Nomination. Personally, he makes my Top 5 of the year and I hope the Academy feels the same. However, Uncut Gems is cut from an extremely dark cloth, one that doesn’t always resonate with Oscar voters, and especially in a year where Joker’s Joaquin Phoenix already stakes that claim. It wouldn’t surprise me to see the Academy lean in favor of a much safer pick like Taron Egerton (Rocketman) or Christian Bale (Ford v Ferrari), but Sandler’s career-best performance takes you into the hopelessness of his character and showers you with unease. Also, some of this unforgettable experience needs to be attributed to the film’s sibling directors, Benny and Josh Safdie who have shown a mastery of the stylish thriller genre with back-to-back efforts now (previously with Robert Pattinson in Good Time). The Safdie brothers once again prove they are as good as any at crafting a clever story with an explosive finale that forces the audience to forge a connection with its lead anti-hero. Mix in some unforgettable acting and a unique style, and that’s exactly what Uncut Gems gives you en route to being one of 2019’s most memorable films.

Grade: 4/5

Ever wonder if the pretty girls in high school were actually evil? Well, grab your favorite Jell-O (lime), put on your favorite record (Low Shoulder) and shine up your favorite utility knife, cuz the boys are discussing Jennifer’s Body and have the answer! Scott finds himself eating lunch alone again, Adam wants to give Diablo Cody a swirly, and Matt’s just here for the soundtrack. Sing along to some omnipresent radio rock and hold a candlelight vigil – we’re back for another Horror Movie Night!

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Briefly: After what seems like forever (I remember playing in a Pixels themed arcade at last year’s SDCC) the first trailer for Adam Sandler’s Pixels has finally hit the web.

In the film, “When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games.”

I’ve never been a big fan of Sandler’s work (I think that Click may be the last Sandler film that I saw), but being that this one is video game related, it’s sure going to be hard to avoid. This trailer doesn’t do all that much for me (though it does have a cool premise), but I get an Evolution vibe from the film, which can (hopefully) only be a good thing.

What do you think? Are you more interested in the film because of its video game tie-in? Did you find yourself laughing at the trailer? Be sure to let us know! Pixels hits theatres on July 24th!

Hotel Transylvania is a place where monsters can get away from it all. Lavish rooms, relaxing spas, exquisite dining facilities. What more could a monster want in a vacation?

Adam Sandler plays the over-protective Vampire dad.

Protected by a evil forest and a cemetery filled with the un-dead, Hotel Transylvania is more than just a sanctuary for monsters. Designed by Dracula (Adam Sandler), not only as a refuge from humans for fellow monsters but also as a place to shelter and protect his vampire daughter, Mavis (Selena Gomez). Problem is, she’s growing up and about to celebrate her 118th birthday, which means she finally gets to venture out into the real world and perhaps even travel to Hawaii where her parents met.

Sounds cute for a cartoon but is it original? Here’s a 3 sentence break down of what you will endure if you take your child or younger relatives to see it: Over-protective father concocts elaborate schemes to protect daughter from the real world. Daughter craves freedom and then suddenly “zings” with young, human man; And Dad is pissed. Daughter is broken-hearted when Dad kicks new love to the curb but he then feels remorse and makes it right.

That’s the break down of Sony’s new animated film, Hotel Transylvania slated to hit theaters this Friday, Sept. 28th. It stars a ensemble cast of well known actors including Cee-Lo Green as “Murray the Mummy,” David Spade as a pair of spectacles aka; The Invisible Man, Steve Buscemi as the leader of the pack, -as in a Werewolf Pack. His wife is played by Fran Drescher  who true-to-form reincarnates her nagging nanny persona for the role.

Obviously it’s a cartoon and caters to kids but it could have been so much more if writers had been given more leeway to play up the characters and give them more than superficial personalities. The story is beyond formulaic, and not necessarily a bad thing, -when writing for younger kids.  Credited writing goes to co-writers Peter Baynham (Arthur Christmas) and Robert Smigel (Saturday Night Live), who fail to flesh out the characters to a degree that adult viewers will feel much affinity for by the end. I brought a 12 year old with me (I drag her to all the kids stuff) and she liked it and had some giggles and laughs while I was nodding off towards the end.

The film really feels like a re-worked Adam Sandler film but even so it still delivers enough laughs that it’s better than most. The beginning story was especially endearing and near the end of the second act there is an action scene with Dracula chasing Jonathan on magical, floating tables that was well done, but even so it’s not quality enough as adult only entertainment. My 12 year old niece liked it well enough. As usual the 3D is a rip off and a way to bring in more revenue. I recommend this film for families that want to get out of the house and have something cute and fun to do with the kids… otherwise as adult entertainment goes, stay away!

C

Film opens Sept. 28th.PG, 1 hr. 31 min.

Animation, Kids & Family, Comedy

Directed By: Genndy Tartakovsky

Additional Cast: Molly Shannon, Fran Drescher

In Theaters: Sep 28, 2012 Wide

Sony Pictures

That’s My Boy seems to be keeping with Adam Sandler’s recent career decision of making us feel sorry and hatred for the once untouchable comedic god. When I was in Elementary School and Junior High I can’t think of a single boy in my grade that didn’t worship Sandler and Farley. In the 90’s Sandler was a hero to a generation. That generation who grew up knowing Happy Gilmore and Billy Madison by heart. That generation who knows all the famous Jews thanks to all 3 Chanukah songs. It’s also that generation who gets completely confused when we see Sandler starring, writing or producing movies like Grown Ups, Bucky Larson, Jack & Jill and That’s My Boy.

The SNL alumni also managed to make a name for himself in the 90’s as a musician. His first album They’re All Going to Laugh You is a critically hated but commercially massive comedy album that is one of the funniest records the 90’s had to offer. It’s follow up What the Hell Happened to Me? did a record high and continues to be the best selling comedy album since Nielson Soundscan began tracking in 1991. Ironically “What the hell happened…” was the question on many fans’ lips the following year when Sandler released What’s Your Name?

After an album heavy on long vulgar skits (like The Goat, a skit that many a teenage boy quoted to each other when parents weren’t home) Sandler released a record of all songs. The record sold well enough (over 500,000 copies) but in general the album was greeted with mostly shoulder shrugs and scratched heads. For me though, even at 12, I loved this album immediately.

Sandler is a musician. He’s not the greatest singer in history nor is his guitar playing earth shattering, but he’s always been someone who loved music. Many of his classic SNL segments were based on music (including Red Hooded Sweatshirt found on this record). Listening to his songs you hear another side of this comedian Adam Sandler. While in film he’s typically a short-tempered man screaming about “something” and in his skits he’s usually spouting as many four-letter words and potty humor humanly possible in songs he can suddenly become someone you sympathize with.

This doesn’t mean that the four-letter words and potty humor doesn’t find their way into songs (look no further than Bad Boyfriend, Dancin’ and Patsin’ and The Goat Song for plenty of vulgarity) but mostly the songs come from the perspective of the outcast.

This is the key-element in my mind to people’s immediate rejection of this record. It’s definitely a rug being pulled out from you. You go out and pick up an Adam Sandler record you expect something that will make you laugh out loud. Some of the songs do that (Voodoo, Corduroy Blues) but you’re completely side swiped when a song like Pickin’ Daisies comes on.

Pickin’ Daisies tells the story of a young boy (I always imagined him about 10) who gets picked on mercilessly by kids at school. His dad is ashamed by him but he finds comfort with his mom. He doesn’t care that he has to do girly things with her. She provides him with comfort. The song ends with him thinking about years down the line when him and all his classmates are in an old folks together and he’ll have memories of his mother to comfort him. Sandler tries to make the song humorous with his “mother voice” and a few of the things the mother says, but at the end of the day the song is delightful mix of sweet and sad.

Even elements as something as ridiculous and vulgar as The Goat Song leaves you wanting to sympathize with the battered and abused goat. When he sings ‘Thank you old man for saving my life, thank you again and again/You could have let them barbaque me, instead you acted like a friend’ have a strange sweetness to them. However it’s in Lonesome Kicker (the lone single) where Sandler’s sympathetic comedy shines through strongest.

Sandler wears Bruce Springsteen’s sound better than the (so-called) Boss himself. The song tells the humorous but sad life of a field goal kicker Andre Kristacovitchlalinski, Jr. While there are plenty of short jokes and lyrics about his lack of respect there’s also lines like “I hope that the cameras don’t come in to close or they might see the tears in my eyes” that are sung with such sincerity that you can’t help but feel a little bad for this fictional foreigner

I think Sandler wanted to prove to the world that he was a musician as well as a comedian. You don’t write a song like Listenin to the Radio without having a love and desire to play music. But he made a fatal mistake in performing under his name. People see Adam Sandler they think “comedy”, it’s the exact same reason why Donald Glover raps under the alias Childish Gambino. People have an Adam Sandler expectation and when rapid-fans don’t understand why that expectation isn’t being met they’re unhappy. Regardless of how great the product may be (read some comments on the Punch-Drunk Love thread on IMDb for proof).

I can defend What’s Your Name? and I can explain why I think Sandler made the choices that he did… but I still can’t explain Jack & Jill to you. Sorry

Well it’s official, Deadline is reporting that Andy Samberg has announced he will not be returning to Saturday Night Live next season. This should come as shock to no one. People had been speculating for months that Samberg, along with cast-mates Kristen Wiig (who received a sweet send off in the season finale) and Jason Sudeikis, would most-likely depart after this past season.

Samberg confirmed his departure through his publicist, “Obviously it’s not a huge shock, but I did officially decide not to come back.”

Together with Jorma Taccone and Akiva Schaffer, the trio make up The Lonely Island “the greatest fake MC’s on Earth,” they created and are responsible for all of the SNL Digital Shorts featured on the show. I should also point out that they are responsible for the awesomeness that is the 2007 movie Hot Rod. It’s not clear if Samberg’s departure from the show will also mark the end of the Digital Shorts, but honestly they just wouldn’t be the same without him.

He will next be seen alongside Adam Sandler in That’s My Boy, which opens on June 15th.

A new trailer for the computer-animated movie Hotel Transylvania has hit the web and it looks quite entertaining. It features a voice cast including Adam Sandler as Dracula, Selena Gomez as his daughter Mavis, Kevin James as Frankenstin and Cee-Lo Green as Murray the Mummy. Here’s the synopsis per IMDB:

Dracula, who operates a high-end resort away from the human world, goes into overprotective mode when a boy discovers the resort and falls for the count’s teen-aged daughter.

We know that that sounds like a pretty annoying cast for a movie but the promise of seeing the visually amazing Genndy Tartakovsky (Samurai Jack) direct his first feature really peaks our interest. Hotel Transylvania scares its way into theaters on September 21st.