Adam Sandler is a name that has long been synonymous with humor, albeit not always with the greatest reputation. After a bull-rushing start to his film career that began with signature classics like Billy Madison, Happy Gilmore and The Wedding Singer, it wasn’t long before Sandler’s name became tainted by films like Jack and Jill and Grown Ups. And suddenly, a man who was once the nation’s king of comedy was soon relegated to a longstanding partnership with the streaming service, NetFlix. But after a few promising attempts at breaking into the world of dramatic acting, 2019 may have changed everything for Sandler. His gut-wrenching turn in Benny and Josh Safdie’s stylish thriller, Uncut Gems, has caught the eyes of many Oscar voters and has left everyone wondering if Sandler’s finally turned the corner in his decades-long career.

Howard Ratner (Sandler) is a jeweler in New York City whose uncontrollable gambling habits have gotten him in deep with various loan sharks. And with a rocky home life, an erratic mistress (Julia Fox) and a six-figure debt all looming over his head, Howard sees his only way out of this mess in the form of a rare and precious opal stone that holds a special allure over a basketball star (Kevin Garnett) in the NBA playoffs. But when things fail to go according to plan, Howard starts digging a deeper and deeper hole that he can only escape by winning one last massive bet.

The Safdie brothers’ Uncut Gems is a two-hour pulse-pounding panic attack that’s cloaked in a stylish soundtrack and a gritty lead performance. Adam Sandler delivers a mesmerizing turn as a clear anti-hero, but a character that still demands your emotional investment despite his obvious flaws. This is no simple task as Howard’s troubles are all self-inflicted. He cheats on his wife, he has an undeniable addiction to gambling and he’s a liar trying to play everyone for a loop. And through all of these dirty deeds, we still take this anxiety-filled journey rooting for Howard’s victory the entire time. Adam Sandler serves as the driving force behind this moral quagmire for audiences. He’s a man in a predicament who only makes things worse with every ensuing decision. But Adam Sandler displays such raw emotion in the role, so much so that we overlook Howard’s series of lies and mistakes because we sense fearful human side of his character. Much has been made of “will he” or “won’t he” when it comes to Sandler’s chances of scoring an Oscar Nomination. Personally, he makes my Top 5 of the year and I hope the Academy feels the same. However, Uncut Gems is cut from an extremely dark cloth, one that doesn’t always resonate with Oscar voters, and especially in a year where Joker’s Joaquin Phoenix already stakes that claim. It wouldn’t surprise me to see the Academy lean in favor of a much safer pick like Taron Egerton (Rocketman) or Christian Bale (Ford v Ferrari), but Sandler’s career-best performance takes you into the hopelessness of his character and showers you with unease. Also, some of this unforgettable experience needs to be attributed to the film’s sibling directors, Benny and Josh Safdie who have shown a mastery of the stylish thriller genre with back-to-back efforts now (previously with Robert Pattinson in Good Time). The Safdie brothers once again prove they are as good as any at crafting a clever story with an explosive finale that forces the audience to forge a connection with its lead anti-hero. Mix in some unforgettable acting and a unique style, and that’s exactly what Uncut Gems gives you en route to being one of 2019’s most memorable films.

Grade: 4/5

Analog Jones takes on the controversial Joker (2019) movie and eventually blames Marilyn Manson and my Grandma for the overblown media hype. Also, drink every time I say Arnie instead of Arthur!  


Quick Facts
Directed by Todd Phillips
Written by Todd Phillips, Scott Silver
Produced by Todd Phillips, Bradly Cooper, Emma Tillinger Koskoff
Starring: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Production companies: Warner Bros. Pictures, Bron Creative, Village Roadshow Pictures
Distributed by Warner Bros. Pictures
Budget: $55-70 million

How to find Analog Jones
Discuss these movies and more on our Facebook page.

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Email us at analogjonestof@gmail.com with any comments or questions.

Listen to Analog Jones try to solve this mystery and not get turned into a couple of porn addicts. 

Listen to our podcast of 8MM starring Nicholas Cage

Quick Facts
8mm was released into theaters on February 26, 1999, on a budget of $40 mil and made $96.6 mil worldwide.

Nicolas Cage and Joaquin Phoenix in 8MM Eight Millimeter (1999)

Production Company: Global Entertainment Productions
Distributor: Columbia Pictures
Director: Joel Schumacher
Producers: Gavin Polone, Judy Hofflund, and Joel Schumacher
Writer: Andrew Kevin Walker

Starring:
Nicolas Cage as Tom Welles
Joaquin Phoenix as Max California
James Gandolfini as Eddie Poole
Peter Stormare as Dino Velvet
Anthony Heald as Daniel Longdale
Myra Carter as Mrs. Christian
Catherine Keener as Amy Welles
Norman Reedus as Warren Anderson
Amy Morton as Janet Mathews
Torsten Voges as Stick
Luis Saguar as Manny
Chris Bauer as George Anthony Higgins / Machine
Jenny Powell as Mary Ann Mathews

8MM Eight Millimeter (1999) VHS Movie Review

VHS Description
“Devastating! Thought-Provoking! Mind-Blowing!” -Lynn Blades AP-TV

Academy Award winner Nicolas Cage (Best Actor 1995, Leaving Las Vegas) stars with Joaquin Phoenix and Catherine Keener in an electrifying thriller from the writer of Seven. Directed by Joel Schumacher (The Client, Batman Forever, A Time to Kill), this dramatic story follows one man’s obsessive search for the truth about a six-year-old crime–and his ultimate discovery of the truth about himself.

Come back next week for another Film Noir VHS Movie Review.

Discuss these movies and more on our Facebook page.

You can also listen to us on iTunesPodbean, and Youtube!

Email us at analogjonestof@gmail.com with any comments or questions!

With over three decades as a filmmaker, Gus Van Sant’s firsthand knowledge of the industry’s highs and lows can’t be questioned. He began as an independent voice in the 80s and early 90s, quickly capturing the attention of critics and artistic devotees, only to blossom into a more mainstream figure following the overwhelmingly successful Good Will Hunting, a personal favorite of mine. And since then, Van Sant has continued to “wow” audiences with celebrated titles such as the Oscar contender Milk and his hypnotic Cannes winner Elephant, while also churning out commercial duds like the 1998 Psycho remake. This time around Van Sant teams with notable talents Joaquin Phoenix, Jonah Hill and Rooney Mara to bring the grueling true story of paraplegic and famed cartoonist, John Callahan, to life in his Sundance selection, Don’t Worry, He Won’t Get Far on Foot.

Chemically dependent on alcohol from a very young age, John Callahan (Phoenix) becomes even more resentful of the world when a night of insane binge drinking results in a tragic car accident that leaves him confined to a wheelchair for the rest of his life. John continues to drown his sorrows with copious amounts of alcohol until a profound epiphany sends him to AA where he begins sobering up under the tutelage of Donnie (Jonah Hill), a homosexual sponsor who imparts valuable wisdom on his many “piglets” striving for sobriety. And as John navigates through his emotional baggage with the program’s 12 essential steps, he also discovers a form of catharsis with his darkly comedic cartoon illustrations that eventually grow to become a national hit.

He Won’t Get Far on Foot becomes a showcase for its performers, as the film’s limited scope gives way to vast bouts of dialogue that push the onus onto this skilled crop of actors and actresses to shine bright. The always fantastic Joaquin Phoenix does just that, gifting audiences with another terrific turn which beautifully encapsulates the strange and complex mind behind a true comedic genius. Yet, Phoenix is anything but alone in his conquests. Co-stars Jonah Hill, Rooney Mara and Jack Black all provide dynamic supporting work that, in turn, help make this occasionally sluggish viewing experience quite tolerable. A slimmed-down and bearded Jonah Hill is a spiritual Zen-master of sorts, possessing a Jesus-like aura that lights the way for John’s tumultuous path to sobriety. But despite these many exceptional performances, He Won’t Get Far on Foot suffers from many lulls, due in large part to the script’s repetitive nature. Although the film is widely outstretched and only marginally funny, Gus Van Sant still delivers an earnest character study that’s undeniably highlighted by its uber-talented cast.

GRADE: 3.5/5

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Briefly: It’s weird, sure, but it’s also very intriguing.

Yep, it’s the very first trailer for Spike Jonze’s upcoming sci-fi romance, HerThe film tells the story of Theodore Twombly, a heartbroken writer who gets a second chance at love after getting a new, intelligent computer.

The film is very much a Spike Jonze project. The cinematography is gorgeous, performances look down to Earth and believable, and the plot is extremely odd, yet remarkably cute. I’d never heard of Her before today, but after seeing this first trailer, it’s most definitely a film on my watch list.

Her stars Joaquin Phoenix, Scarlett Johansson, Rooney Mara, and Olivia Wilde, and hits theatres (in a limited release) on November 20th.

Set in Los Angeles, slightly in the future, “her” follows Theodore Twombly, a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the unique perspective of Oscar-nominated filmmaker Spike Jonze comes an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.

I’m trying a brand new offering to the Geekscape podcast, dictated by my rambling streams of consciousness and obsessive need to over think the media that I take in. Today, let’s talk about P.T. Anderson’s ‘The Master’, specifically the metaphor that Scientology provides and how it can be used to talk about art, film and Anderson himself. If you’ve got something to say, throw it on the site!

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Here’s a new trailer for Paul Thomas Anderson’s latest movie The Master.

A 1950s-set drama centered on the relationship between a charismatic intellectual known as “the Master” whose faith-based organization begins to catch on in America, and a young drifter who becomes his right-hand man.

The film stars Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams. It opens in limited release on October 12th.

It’s trailer day apparently between this and Skyfall. You might be surprised to be seeing a trailer for a cinematic and profound film (and dare I say pretentious) movie such as The Master appearing on Geekscape. But here at Geekscape, we honor all types of geeks, from video games to film fanboys.  As a film fanboy, I think this movie looks stellar. You might remember Paul Thomas Anderson as the guy who did a little movie called There Will Be Blood in 2007. Oh… and Magnolia, Punch Drunk Love, Boogie Nights and Hard Eight.

Can we just give him some Oscar nominations now?