Before Watchmen: Comedian is the third mini-series in the Before Watchmen line to be released and was a title that I wasn’t too interested in reading. Sure, it had the killer combo of Brian Azzarello writing with J.G. Jones on art, but the Comedian is just a character that I could give two shits about. Well I’m glad to report that my skepticism so far seems to have been for nothing. Issue one is the first one of these series that actually feels like a true companion piece to Watchmen.

This isn’t the same Comedian that we first met at the start of Watchmen, sure he’s still an arrogant son of a bitch and , but he actually seems like a man who believes in something. I don’t want to say what that ‘something’ is because it is an integral part of this first issue. Azzarello has crafted an entertaining story and while issue one is a good read it is just the tip of the iceberg and I’m sure it will only get better from here. I’m doing my best here to not give away any spoilers so I’ll keep the story recap short and oh so sweet. Issue one finds Eddie Blake in the 1960’s as he serves his country as a cape and it focuses on his close friendship with an old service buddy of his. By issues end we start to see the change in the Comedian that will eventually lead him to the man we all know and hate.

Brian Azzarello isn’t the only person who deserves praise for his on this issue. J.G. Jones delivers some truly great art here, but is that really a shocker? I’ve been a fan of his since I first read Wanted, but his delivering a book on schedule has been an issue in the past (Final Crisis *hint hint*) and that was my main concern when it was announced that he would be drawing this mini-series. The quality of his work was never in question and so far it still isn’t. Alex Sinclair does a great job coloring Jones’ art. He helps further establish the tone and feeling of the book, bathing characters in shadows when it’s called for, but never overdoing it. Sinclair compliments Jones nicely and both men help Azzarello deliver a book that’s far better than it possibly has any right to be. Who would have thought a mini-series about the Comedian could actually be worth a damn? Not this guy, that’s for damn sure.

Yes, I was very skeptical of this title when I picked it up, but after a solid first issue I am now looking forward to the next one. They have done a fine job of peaking my interest in this pseudo-origin tale of the Comedian. If the rest of the series is as good as this issue then I think we are all in for a treat. Check this book out, I don’t think you will be disappointed.

Score: 4/5

Artist J.G. Jones even manages to make two characters talking look cool

Awhile back Barry Sonnenfeld revealed that he was in talks with DC to work on one of their properties.

“You know, I’m talking to Warner Bros. about doing a franchise based on a comic that hasn’t been around since the 60s. But it’s too early to talk about it. But possibly, yes.”

Well, Vulture has found out what it is and the secret is out of the bag.

It’s ‘The Metal Men’! Aka what the fuck DC?!

The Metal Men centers on an artificial-intelligence expert named William Magnus who creates six cyborgs, each made from a distinct chemical element with talents reflecting their places in the periodic table: Gold, their leader, was almost infinitely stretchable; Iron, the strongman; Lead, the simpleton protector; Mercury, the capricious risk-taker who could melt into the tiniest crevices; Platinum, a female cyborg who could flatten herself but who couldn’t believe she wasn’t a real woman.

Do we really need or want a ‘Metal Men’ movie? I can honestly say i’d rather go see an Aquaman movie before this. And I hate Aquaman.

If you’re a Batman fan of a certain age, say mid twenties to younger, chances are you pretty much hate the original Batman television series from the 1960’s starring Adam West and Burt Ward, or at least resent the show’s long lasting impact over the character of Batman. But I’m here to tell you why you shouldn’t hate it, and why in fact you should love it, if for no other reason than this: the original Batman show not only helpled save Batman in the comic book world, but it turned him into a global superstar. Aside from that alone being reason enough, there are lots of other long term contributions to the Bat-verse that came from the television series.

Of course, I’m not saying comic book fans haven’t had a lot of reason to resent the 60’s Batman television series over the years. Premiering just a few years after Stan Lee and Marvel Comics began to take comic books to the next level in terms of mature storytelling, the Batman show essentially reinforced the notion that comics were inherently silly and for five year old boys alone. The show was so hugely popular and influential, that its influence still echoes on today; almost any mainstream article in the media about comic books or comic book movies has a reference to the POW! BAM! ZAP! Sound effects of the show, some 45 years after it premiered. As a comic book fan, that annoys the hell outta me, and I look forward to the day when that lazy kind of writing finally stops. We live in a world where Watchmen is considered one of the greatest novels of the past three decades, and where Heath Ledger won an Oscar for his portrayal of the Joker, and still the show’s influence (and notions of comic books being nothing more than “kid’s stuff”) lingers on. I can see how that bugs.

But the truth is, original Batman series was always meant to be a straight up spoof of the comics, and nothing more or less than that. And it turned out to be a brilliant send up at that. In contrast, Mary Shelley’s Frankenstein is considered one of the pinnacle achievements in horror fiction, but no one hates on Mel Brooks’ Young Frankenstein for brilliantly spoofing it.The old Batman show never gets off that easy, because in the case of Batman, the spoof became more well known than the source material. While that can be annoying for fans of the character, all it really means is that the producers, writers and actors just did a really good job. And while the character of Batman was hurt in a lot of ways by the television show,  in the long run he benefited in just as many ways as well.

The Television Series Made Batman An Icon

Batman was an instant success when debuting in comics in 1939, this is true. But for decades, he played definite second fiddle to Superman in terms of global awareness outside of comics. While Superman debuted only a year prior to Batman in 1938, within a year Clark Kent was a global icon, and within two years he had a radio show, a series of highly expensive cartoon shorts, and a float in the Macy’s Thanksgiving Day Parade. Superman mania was something akin to Harry Potter or Twilight mania today, only bigger. Batman, on the other hand, was merely a very succesful comic book series. If you were a nine year old in 1944, chances are your mother knew who Superman was; less likely she knew who Batman was.

The debut of the Batman television show changed all that forever. Debuting in January 1966, Batman was a pop culture sensation that rivaled Beatlemania at the time. Batman aired twice a week on ABC, and the success was so enormous that a movie was shot and rushed into theaters for the summer of ’66. And then, there was the merch; the success of the show caused an avalanche of Batman related products of all sorts, shapes and sizes, rivaled only by Star Wars a decade later. By the time the show had finally burned itself out in 1968, there wasn’t a person in America who didn’t know what and who Batman and Robin were. It might have taken him twenty five years, but because of the television series Batman was finally on equal footing with Superman in recognizabilty. And he has the silly, campy show to thank for it.

The popularity of the show caused an explosion of Batman merchandise, one that lasted long past the show’s network run was over.

Editor’s note: Both of the above pictures are taken from comedian Ralph Garman’s 60s Batman memorabilia collection. Yeah. Both of them.

There are those who say the Batman television series saved the actual comic books themselves from cancellation. Batman co-creator Bob Kane even was quoted as saying that before the show debuted, DC Comics was considering cancelling Batman outright. Now this I find highly unlikely; from 1960-1965, Batman was  consistently in the top ten comic books sold in the country. While he was selling half of what Superman sold, and no where near what he sold in the 40’s, it seems highly doubtful that DC ever seriously considered trashing their second most well known character. But without a doubt, the the surge of sales caused by the success of the television show made sure that not only would Batman never be cancelled, but that Batman would always keep a prominent presence at DC Comics.

The Show Returned The Original Classic Villains To Prominence

The 1954 publication of anti comics screed Seduction of the Innocent nearly brought down the comic book industry in one giant swoop of 50’s White People Paranoia, and although DC Comics survived (many other smaller publishers did not) they did not survive unscathed. No character was more affected by this book at DC than Batman. Within a year, gone were the great, creepy villains of Batman’s 1940’s heyday; Catwoman was deemed “too sexual” for a children’s book, Two Face too scary for kids, and villains like The Penguin, Riddler and Scarecrow vanished, replaced by kooky looking aliens and mad scientists. The Joker remained as Batman’s #1 nemesis, but instead of the murderous, insane gangster clown, he was transformed into a harmless, lame prankster.

Although the televison series mocked the ultra cheesy, day glow color palette tone of the then current comics of the time, the producers wisely chose to go back to the comic book’s glory days of the 40’s for their villain roster. Around the time of the show’s debut, The Riddler was brought back for the first time since 1948 and became Batman’s (arguably) second biggest nemesis  due to his brilliant portrayal by actor Frank Gorshin. Catwoman was brought back from her twelve year exile for being too sexy (the ultimate example of “slut shaming” in comics) and other old villains like Mr. Freeze were resurrected and given new life. The televison show cemented the notion of these bad guys (particulary the “big four” of Joker, Riddler, Catwoman and Penguin) as the “A List” of Bat rogues, a concept that would carry over into the comics and stay that way from then on. Even characters that never made it onto the series were created in an attempt to get on television; Poison Ivy was created in the comics to be a sexy villainess in the Catwoman mold for the show, but the show was canned before she could ever appear.

Just for returning Catwoman from her 12 years long exile alone, fans should love the original television series.

Ever since the show made the villains as iconic as Batman, the comics themselves have never looked back. By the early 70’s, Batman returned to his grim late 1930’s roots, but the classic villains remained and have stayed around ever since. Because of the 60’s show, it is now impossible to imagine a DC Universe without them.

The TV Show Gave Us Barbara Gordon, Batgirl

Batgirl was another addition to the Batman mythology created for the television series…well, sort of. Batman artist Carmine Infantino had debated creating a new Batgirl for the comics, but wasn’t sure if his bosses would go for it, as no one at DC Editorial was too fond of the lame Batwoman character, a relic of the 1950’s. While visiting the DC Comics offices in 1966, the television series producers saw a sketch of Carmine Infantino’s take on Batgirl on his desk.  Looking for a new female character to add to the show, the producers of the show encouraged DC to go through with making this new Batgirl, pretty much just so they could use her on the television series. Although technically debuting a several months prior to her small screen arrival,  if not for the Batman show, the Barbara Gordon version of Batgirl might have just stayed a sketch on Infantino’s desk. Although Yvonne Craig’s Batgirl only appeared in the final season of Batman, because of her popularity she has remained a staple of DC Comics ever since.

The Fetishization of the Batmobile

Batman has had a Batmobile since the early 1940’s, the show certainly didn’t invent it. But George Barris’ customized 1957 Ford Futura was so iconic and central to the show, that from then on the Batmobile in the comics has become equally fetishized and made important. From the early 40’s to the early 60’s, the design of the Batmobile barely changed at all, and really wasn’t much more than “Batman’s car.” It got him from cave to crime scene, but that’s about it. But after the debut of the tv series, and the focus on the car the show had, the Batmobile in the comics has become a character unto itself, constantly changing and evolving to keep up with the times. The Batmobile has become as much a part of Batman as his utility belt or his Batarangs. And the rocket engine was definitely a creation of the old show, now carried over into most media takes on the Batmobile, from the Tim Burton movie to the Bruce Timm animated series.

The Show’s Legacy

Sine the 1989 debut of Tim Burton’s Batman movie, the campy image of Batman has lessened significantly in the popular culture. The Joel Schumacher movies of the mid 90’s tried to emulate the 60’s television series and failed miserably. You can’t be campy and be taken seriously as a narrative at the same time; the producers of the 60’s show understood this fact pretty well.

Not long ago, Batman character owners Warner Brothers finally settled a decades long dispute with Twentieth Century Fox (creators of the show) and now have the license to merchandise the hell out of the old Batman show and its characters. So coming soon, expect a second tide of 60’s Bat merchandise, with Adam West t shirts, Julie Newmar/Catwoman posters, Yvonne Craig/Batgirl Halloween costumes and who knows what else (hopefully the series itself finally comes out on DVD) With Christopher Nolan’s Dark Knight trilogy finally cementing Batman as a dark and serious character to even Joe Six Pack in Boise Idaho, maybe it is time for fandom to finally embrace the old Batman show for what it was, and realize how truly significant a part of the Batman legacy it really is.

Coming Soon: The second in a series of three Batman articles from yours truly, leading up to the July debut of The Dark Knight Rises. 

For years now I’ve been seeing announcements for super hero porn parodies ranging from Avengers XXX to Superman XXX to you name it. Of course, they’re all straight porn, so while I don’t judge, as a gay guy, I also kind of don’t care. It seemed like there would never be gay porn super heroes for the likes of me.

Well, according to Bleedingcool.com, this is about to change. Rob Black, director of the recently announced Birds Of Prey XXX, appears to be making baby steps towards just that. Said to be inspired by recent mainstream headlines about Alan Scott being the first gay Green Lantern, Black will feature a gay G.L. in the upcoming Justice League XXX 3D production, played by gay porn star Adam Killian. I have strong suspicion he will be in the Hal Jordan persona and not the Alan Scott one…just call it a hunch. The best part is he is planning a scene with Green Lantern and Nightwing together. Kind of an odd choice (shouldn’t it be Green Lantern’s BFF Flash?) but I’ve always had a thing for Nightwing so I’m OK with this. I usually have zero use for studio porn, but if they start making more gay super hero ones I’ll have to change my tune.

NOT future gay Green Lantern Adam Killian, but I kinda wish it was.

Apparently is this is received well, more will come. It seems strange to me that a gay scene is being shoe horned into a straight porn, but I’ll bet real money that half the guys who buy this and who tell people they’re gonna skip past that scene are gonna watch it very first thing. You know who you are.

So, not too long ago Scott Alminiana did a list of books you should be reading. With it being such a slow news day I thought i’d take it upon myself to do my own list of five titles I think you should be reading.

UNCANNY X-FORCE

This book is a no-brainer. With a team consisting of Deadpool, Psylocke, Wolverine, Fantomex and Archangel (currently replaced by AoA Nightcrawler) and the creative team of Rick Remender and Jerome Opena this is one of the best X-books out there right now.

‘The Dark Angel Saga’ was critically acclaimed and even won IGN’s Best Story Arc Of 2011.

Currently we see the team going head to head with The Omega Clan and the new Brotherhood Of Evil Mutants in ‘The Final Execution’. While everyone was praising this weeks Batman…i’m sorry but this weeks Uncanny X-Force excelled. The art and writing were flawless and back on track for this book after the somewhat weak last story arc. This book has improved over time unlike a number of titles.

I think one of the most interesting aspects of this book is the conflicting personalities amongst the team. The particular highlights of characters in this book are Fantomex (especially his relationship with Psylocke) and Deadpool who can seem to make light of any situation and make you crack a smile in the darkest of books even. I’m not ranking these five but this title is definitely at the top of my list.

SUPER CROOKS

It’s Millar. It’s Yu. It’s like ‘Oceans Eleven’ with a bunch of supervillains if Steven Soderbergh made that movie a bloody violent mess. At first I was quite skeptical of this book but chose to pick it up just to check out Lenil Yus artwork. But man…am I glad I started reading this. This book is fun while violent and *&^%$’ed up at the same time.

Now…i’ll say this right off the bat. If you do NOT like Mark Millar…this book may not be for you. But if you like, love or just kinda-sorta like his work here and there. Check this title out. For $2.99 it’s well worth it.

RED HOOD AND THE OUTLAWS

DC somehow managed to take a character that no one liked and turned him into one of the coolest characters in their universe. If you haven’t been reading comics for awhile…Red Hood equals Jason Todd. Remember Jason Todd? The Robin that fans voted to die at the hands of The Joker with a crowbar? Yeah. Its him. Throw in the sexually promiscuous Starfire, ex-addict Roy Harper aka Arsenal and toss in some mystic elements with the beautiful artwork of Kenneth Rocafort and writing by Scott Lobdell and you have one great DC title.

There really is nothing I dislike about this title. I’m not the biggest DC fan but I make sure and read this book the day it’s released. Even though i’m not sure if Kenneth Rocafort and Scott Lobdell will be staying on after they take over Superman but i’m really hoping so because i’ve loved this book so far and gotten quite a few people hooked.

ULTIMATE COMICS: X-MEN

“What? An Ultimate title?! Why would I read that?” says die-hard Marvel fan. And i’m going to tell you why. It is good. No, it’s not just good. It is fantastic. “But there is no Wolverine or Cyclops in this book!” Good point. Too bad the writers of this book make you not even care that the house hold X-names are not present. I actually came into this title late out of curiosity around issue six. Lets just say the comic shop saw me return the next day to pick up issues one through five.

I think what I like most about this book is its a 180 of the current status of mutants in the Marvel U. In the Ultimate U they’re on the run. They’re labeled as terrorists. They’re put into containment camps. And in recent issues they’ve been pushed and now they’re pushing back. All of the Ultimate books are about engage in something big with ‘Divided We Fall’ which is starting soon and a big part of that can be seen in Ultimate Comics: X-Men. The team of writer and Nick Spencer and artist Paco Medina  really delivered with this title. With the most recent issue Brian Wood has taken over writing duties and not dropped the ball one bit. This book is a “top of the stack” title for sure.

X-Factor

Yup…it’s another X-book! Holy $#!+ Peter David is writing a GREAT book here. You have Neil Edwards pencilling. And you have a book with Havok, Polaris, Siryn, Longshot, Shatterstar, Madrox, M, Strong Guy, Rictor and Rahne. Those should be selling points alone.

I’m not going to get too deep into why you should be reading this book but if you haven’t reaqd this title in awhile…come back. If you’ve never read this title…check it out. This is another one i’ve told people to check out and it has ended up on their pull lists.

Feel free to comment in the box below!

Despite my love of female super heroes, the main super heroine character of Alan Moore’s classic Watchmen, the Silk Spectre, was always the least interesting character to me in that whole series. She is mostly defined by her relationships to lead male characters Dr. Manhattan and Nite Owl, as well as to her own mother, the original Silk Spectre. Aside from how she views herself in relation to these other people, we don’t know much more about Laurie Jupiter other than that in the context of the original story. Sadly, she also often comes across as a bit of a whiney harpy at times, and although she was realistic, she wasn’t usually endearing. So I will say this for Darwyn Cooke’s first issue of Before Watchmen: Silk  Spectre; he actually made me actually like Laurie Jupiter for the first time, and he and artist Amanda Conner gave us an overall fun and breezy first issue.

But there also lies the problem with this comic so far; this is part of Watchmen…should it even be breezy and light and fun? More or less enjoyable as it was, Silk Spectre took me all of maybe six minutes to read. With Watchmen, it took six minutes just to digest just a few pages.

The story here is set in 1966, and teenage Laurie Jupiter is being trained by her mother, the original heroine called the Silk Spectre from the forties, to take her place as  her successor. While this is something of a classic comic book trope (and highly reminiscent of Black Canary from the actual DC Universe, on whom Silk Spectre was more or less based on) it never really made sense in the word of Watchmen. To me, the central conceit of Watchmen was always “what if super heroes existed in the real world?” In the real world, people putting on costumes and fighting hoodlums in the streets would either be insane (Rorschach) total sociopaths (the Comedian, and I guess Ozymandias) or be struggling with some serious sexual issues (Nite Owl) Of all these various costumed vigilantes in the original story, the original Silk Spectre seemed among the most sane, more or less, although an attention seeker of the highest order.

So the idea that any sane mother would dress her non super powered teenage daughter up in fishnets and heels, then send her out in the streets to fight crime and probably get killed brutally was maybe the most “comic booky” and unbelievable thing in the original story. In the more whimsical worlds of Marvel and DC you give things like this a pass, but Watchmen was meant to reflect our brutal ugly world, one wear a pair of glasses could never hide anyone’s secret identity. But the whole concept of the mother making her daughter follow in her footsteps was so tangential to the main story of the original series, you just didn’t notice it or give it much thought at how crazy it was. But the first issue of Silk Spectre is ALL about this notion, so it ends up feeling more like a traditional super hero story found in any comic, and not one set in the grittier more realistic world of Watchmen.

In this first issue, Laurie spends her days and nights busting her ass to be a teenage hero and please her mother, to the point where she has no life of her own to speak of. While training one day after school, she meets a handsome, popular boy named Greg, who isn’t threatened by Laurie’s kick ass-ness at all, and in fact seems to be kinda turned on by it. This pisses off the local “Mean Girl” at school, a snotty, prissy bitch named Betty Kensington, who looks like Betty Draper from Mad Men and acts just like Cordelia Chase from Buffy. This new boy also annoys Laurie’s mom, who doesn’t want her daughter distracted by boys, and just wants her to train to be a super hero. And I guess this is my biggest problem with this story…we don’t really know why Sally Jupiter wants her daughter to be crime fighter so badly, as she retired from the costumed hero life early and saw it as a stepping stone to greater fame as an “actress/model.” The motivations for putting her daughter’s life at risk are never really explored. All we get out of her is that the she says the world is filled with killers and rapists, a rather clumsy way of referencing Sally Jupiter’s brutal rape attempt in the original Watchmen book.

After throwing a teenage “I don’t want your life!” tantrum, Laurie runs away from home with her new guy who professes his love for her. He’s dodging the draft (remember, this is the Vietnam era) and Laurie is looking to piss off her mom. So as the issue ends, they are off to San Francisco, in a hippy bus of all things. Of course, readers of the original series know that by at least the end of the sixties, Laurie is committed to the Silk Spectre persona and hooking up with Dr.Manhattan, so I guess the point of this series is just what happens between her and new boyfriend Greg in San Francisco that leads to Laurie making such a huge about face on living the costumed hero life. And while this first issue was by no means bad, I still don’t know if this is a story that was begging to be told.

I will say that the art by Amanda Conner is top notch here, but her overly bubbly and cartoony style feels out of place in the Watchmen universe. There are several cut aways to goofy, cutesy thought bubbles that Laurie has at various stages to describe her feelings, and the whole thing feels kind of off in the greater context of Watchmen. (although some are very funny) Also, the story is very PG-13 rated so far….heck, maybe just PG rated even. Aside from one lewd gesture made by Mean Girl Betty in one panel, this could be any DCU book about the exploits of a teen super hero and her overbearing mom. Hell, it could almost be a super hero book set in the Archie universe. Again, that doesn’t make it a bad comic, it just makes it feel like not a part of Watchmen. And while one might say this book shouldn’t be just like Alan Moore’s and Dave Gibbons’ original classic, it has to still feel like it is a part of that world….and so far, this doesn’t.

This whole Before Watchmen business is giving me bad memories of Indiana Jones and the Kingdom of the Crystal Skull. By the time Lucas and Spielberg got around to making the fourth Indy movie, twenty years had passed since The Last Crusade, and whole Indiana Jones trilogy had become this revered part of American cinema. Unless they had a really, really good to reason to go back to the well, they should have left well enough alone.  Crystal Skull turned out to not be a good enough reason to taint our memories of Indy, and so far it turns out that Before Watchmen isn’t much different. (and even then you could argue it was the original creators who chose to return to their creation in Indy’s case, not an argument one can make about Before Watchmen)  The original Watchmen has become THE seminal work of comic book super hero fiction. Any follow up with Watchmen in the title needed to be great, not just “good enough”, and so far Silk Spectre just seems good enough.

Bleeding Cool is reporting that Jim Lee is going to be leaving Justice League. And his leaving may just be for a good reason.

And it could be to bring back WildCATS. Yes…you read that right.

“I have been told by some sources that the book Jim Lee is leaving Justice League for, and possibly the only book he’d leave that title for, is a revival of his first, original title for Wildstorm, WildCATS.

A number of the cast have had their own books in the New 522- Voodoo and Grifter – while others such as Zealot have appeared in other titles.”

And upon thinking about it…this WOULD make total sense. They’re cancelling Voodoo and with rumors that some other titles maybe be cancelled later in another wave that means that Grifter could be among them as to incorporate the characters into this book. They definitely have established some WildCATS history with the daemonites (Lord Helspont) appearing and taking on Superman as well as the recent announcement that we’d be getting a Team 7 title. Now while this is all currently rumor its something i’d like to see being that I loved WildCATS in the 90’s and as long as they don’t treat it like the rape that is Stormwatch…it could turn out to be a really cool part of the DCU.

Last week DC announced plans to move forward with a Justice League movie. With that came an announcement that they were also moving forward with ‘The Flash’, ‘Wonder Woman’, ‘Aquaman’ and ‘Suicide Squad’.

And with the recent Justice League fancast we did…I chose to do a fan-cast of my own for the DC movie that is moving forward that I am most excited for…

Suicide Squad is an anti-hero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences. The group operates out of Belle Reve Penitentiary, currently under the command of Amanda Waller.

Now one thing about this is that i’m going to cast this movie ground in a bit of realism. I’m not going to use characters with superpowers exactly. I’m more so pursuing an ‘Expendables of the comic world’ casting here. I’ll also be focusing on more of a ‘New 52’ team versus a classic team. I know… I apologize to the Rick Flag fans.

Amanda Waller (Angela Bassett)

So first things first…we already have Waller established. No need to re-cast. This will establish some form of connection/continuity amongst the DC movies with Waller playing a Fury-like role.

Deadshot aka Floyd Lawton (Sam Worthington)

Sorry I can’t see him as Bruce Wayne myself. But I’ve been saying this one for awhile now… Worthington would play a perfect version of the moody ‘New 52’ Deadshot. Just imagine him playing the role like he played Marcus in ‘Terminator: Salvation’. Plus having his name to the film would definitely draw crowds.

Captain Boomerang aka George “Digger” Harkness (Guy Pearce)

So let’s add another fan-favorite actor to the mix here. And to top it off he’s Australian. Score.

Black Spider aka Eric Needham (Michael Jai White)

‘Suicide Squad’ definitely has to be an action movie. So we need actors who can pull off action. And to top it off he looks the part. Another perfect fit.

Harley Quinn aka Harleen Frances Quinzel (Kristen Bell)

Harley is definitely needed in a ‘Suicide Squad’ flick and we definitely need someone that can pull of that twisted evil/cute/hot/mentally unstable role and if you remember her as Elle on ‘Heroes’ I can definitely see this working.

Savant aka Brian Durlin (Liam Hemsworth)

So, Marvel had success with his brother Chris. Why can’t DC use Liam? His name alone will draw. And especially after ‘The Hunger Games’ and the upcoming ‘Expendables 2’ we know he can pull off action roles.

So, as I stated at the start of this article…i’m going after realism here. I think the concept of ‘Suicide Squad’ will work much better with realistic characters and thats why I chose the above. And I left Rick Flag out just because I think he’s kind of boring.

So, who would the Squad go toe to toe with? My pick would be personally villains who had escaped Belle Reve and Waller wants them shut down before they can open their mouths about the existence of Task Force X.

Count Vertigo (Paul Bettany)

Bettany has proven that he can do action films. But can he pull off the villain role? Id like to see.

 

Dr. Light (Robert Knepper)

Dr. Light is a rapist and creep. Have you ever seen Knepper on ‘Prison Break’? That combined with his role on ‘Heroes’? Perfection.

Bronze Tiger (Wesley Snipes. Yes…really.)

Yes. Wesley Snipes. Does he have the look? Check. Does he know martial arts? Check. Would he draw in crowds? Check. Do they both apparently like orange turtlenecks? Check.

Scandal Savage (Morena Baccarin)

Yes I know she’s a member of ‘Secret Six’ but I felt like mixing in another female in here for a super sexy showdown with Harley. You want to see that right? She has the look. Can she pull the role off? Not sure. But she has the look!

The above are solely my opinions. Feel free to agree or disagree in the box below.

Here’s a sneak peek at Before Watchmen: Silk Spectre #1, which hits stores tomorrow. It’s written by Darwyn Cooke with art by Amanda Conner. Hopefully it’s less boring than Before Watchmen: Minutemen. Are you looking forward to it? Let us know what you think.

Over the past week a flood of the covers of DC’s “zero issues” have hit the web. Some good. Some bad. Well here we have an example of both.

The good.

The Huffington Post is reporting that ‘Superman’ will be getting a new creative team in the form of writer Scott Lobdell (‘Teen Titans’) and artist Kenneth Rocafort (‘Red Hood And The Outlaws’). While I don’t read ‘Superman’ myself.. this is definite good news for this book. However bad news for my love of ‘Red Hood And The Outlaws’. Once again DC…you’ve done me wrong.

The bad.

Well, now I don’t even know what to say here. Why would a character that can create anything from his imagination (including a gun) be carrying a gun? This ‘Green Lantern’ number zero cover features a new GL rocking some form of s&m/ ‘Kick Ass’/wrestler fusion type outfit and holding…well, a gun.

He also has a very noticable tattoo on his forearm. Bleeding Cool has translated the tattoo. It reads: “Courage, Bravery, Valor, Guts, Prowess and Spunk”.

Uh…what? Okay DC. You have me lost on this one even.

 

So, if you haven’t heard by now ‘Justice League: International’ will be ending with issue #12 in August. Its now been announced that three other titles (‘Captain Atom’, ‘Voodoo’ and ‘Resurrection Man’) will be joining the cancelled list with their zero issues in September.

After the strength of The Avengers, a Justice League movie is definitely happening. Or is it?

Geekscape’s own Uncanny Shawn Madden argues that a Justice League movie won’t work now, but let me offer a few points in the film’s favor:

1-No Need For Origin Stories

In 2008, my non-geek friends couldn’t have picked Iron Man out of a lineup. The insignia of Batman, Superman, and Wonder Woman, on the other hand, are known all over the world. Even my immigrant grandparents know DC’s Trinity (though to be fair, all immigrants know Superman, the ultimate refugee).

Marvel needed 4 set-up movies, DC doesn’t. Everyone knows Batman and Superman’s origin stories (or orphan stories). For better or worse, the American public still has the idea of a Green Lantern ring fresh in their minds.

2-Years of Groundwork

Warner Brothers has already been running the best Justice League ad campaign for over 20 years: cartoons.

In 1992, Bruce Timm gave us Batman: The Animated Series and a nonstop series of quality TV shows and features since, including this year’s epic Justice League: DOOM. Even before that, we had Super Friends. In fact, DC superheroes have been on celluloid for over 70 years.

Kids today know who the Justice League is- and so do the kids of yesterday.

3-Smart Audiences

People are familiar with the concept of different actors playing the same part. No one freaked out when they replaced Aunt Viv on Fresh Prince or even Darrin on Bewitched. There have been 6 official James Bonds!

The audience is OK with new actors, as long as they’re the right actors. So who are the right actors for a Justice League movie? Here are some options:

The Big Three

ARMIE HAMMER as SUPERMAN

He has the build, the eyes, the commanding presence. And that fantastic booming voice! Hammer has already played a dual role as the Winklevoss twins in The Social Network, preparing him for playing Clark Kent. But who wants to see Supes act mild-mannered in a League flick anyway?

 

SAM WORTHINGTON as BATMAN

We already know Worthington can handle action- he’s been a terminator and a demi-god. But the actor can also handle intense emotion. Check out the measured fury he brought to his performance as a frustrated cop in last year’s indie Texas Killing Fields.

 

AISHA TYLER as WONDER WOMAN

Few actresses have the beauty, the body, and the talent to be remotely credible as the world’s premiere superheroine. Peruse Tyler’s body of work and you’ll see such varied performances as a sarcastic spy on Archer and a mutilated Somalian model in Nip/Tuck. Peruse her body and you’ll see an athletic 6-foot beauty who would have no trouble playing the Amazon warrior.

For some other Wonder Women, check out this classic Geekscape article.

 

The League

MICHAEL ROSENBAUM as THE FLASH

Not only does Rosenbaum look the part- he’s already played The Flash on 56 episodes of the Justice League cartoon series, where he stressed Wally West’s humor and perseverance.

 

ROGER R. CROSS as JOHN STEWART

Cross has already shown he can be a team player as able field team leader Curtis on 24. He has just the right gravity and self-control to play the ex-Marine wielder of the Green Lantern’s light.

 

KATE MARA as HAWKGIRL

Mara is a hardworking actress with a great range who would look amazing in the costume. And what other actress can you name with mace experience under their belt, as Mara got in last year’s Ironclad?

 

KEEGAN MICHAEL KEY as MARTIAN MANHUNTER

When most people think of Martian Manhunter, they hear the bass timbre of Carl Lumbly’s voice. But Key, who shows his chameleonic abilities on his own sketch show Key and Peele, with his tall, wiry frame, would be a good fit for both J’onzz’s human and original martian forms and was born to perform the motion capture necessary to portray the shapeshifting alien.

 

The Alternates:

NORA ZEHETNER as ZATANNA

Zehetner is a dead ringer for the pixie prestidigitarian, and you can see her dangerous side as a femme fatale in the 2005 high school neo-noir thriller Brick.

 

MICHAEL CUDLITZ as GUY GARDNER

It’s a short leap from gruff cop to gruff space cop for a veteran actor like Cudlitz, who is used to dealing with those that worship evil’s might day-in and day-out on TNT’s Southland.

 

MANDY MOORE as BLACK CANARY

We know Moore has the pipes and the proper hair color (Canary is really a brunette too). She also has the nerd cred, recently portraying Lois Lane in the “Death and Return of Superman” Internet short.

 

The Villains:

HUGH LAURIE as BRAINIAC

It’s only been a few weeks, and I already miss Laurie’s brilliant but misanthropic performance as House, M.D. Imagine how deliciously evil he could be as the malevolent android.

ROBERT JOHN BURKE as METALLO

Burke has already been part machine in Robocop 3, but for a truly interesting villain, check out his nihilistic turn as an immortal monster in No Such Thing.

JASON MOMOA as VANDAL SAVAGE

Speaking of immortal, Savage’s strength and intellect make him a formidable foe for the entire League. Momoa was a barbarian twice last year, but he brought extra depth to his role as Khal Drogo on Game of Thrones.

RON PERLMAN as SOLOMON GRUNDY

Who else could play the empowered zombie? Perlman could bring pathos and power to a mostly silent role, just as he did in 1981’s Quest for Fire. As a bonus, who doesn’t want to see Hellboy punch Superman?

JOSH PENCE as BIZARRO

OK, Superman’s warped mirror image might be a hard sell to general audiences, but if they do go with Bizarro, here’s the perfect casting. Pence has already played Armie Hammer’s evil twin as the body double for Tyler Winklevoss in The Social Network.


More than six years after the end of Cartoon Network’s popular Teen Titans animated series, fans of the original Teen Titans cartoon will be happy to see the team back on television next year and with some familiar voices tagging along. DC Nation, Cartoon Network’s home for action-packed animated series and original shorts based on characters from DC Comics, will be joined by Teen Titans Go!, a brand-new half-hour animated series inspired by the Teen Titans shorts and what must have been incredible fan reception. Teen Titans Go! features the return of Robin, Starfire, Raven, Beast Boy and Cyborg in all-new, comedic adventures. This new take on the super hero series focuses on the funny business that happens between saving the world and living together as teenagers without adult supervision. Featuring the voice cast from the original series, from Greg Cipes as Beast Boy, Scott Menville as Robin, and Khary Payton as Cyborg, to Tara Strong as Raven and Hynden Walch as Starfire, Teen Titans Go! brings back everything audiences loved about the original show.  Teen Titans Go!  will premiere on Cartoon Network in 2013 as part of the DC Nation programming block, while adding lots of laughter to the idea of being a super hero.

 

Well, i’m sure you’ve heard by now that in September all DC titles will feature a zero issue.  These zero issues according to Jim Lee and Dan DiDio “Will help explain the origins and effects of its rebooted characters a year after it erased decades of history and continuity to start everything from scratch.”

But joining the already established titles (even though some are being cancelled) are four new titles. And thanks to Newsarama we have a first look at them!

Written by DiDio with art by Brent Anderson, ‘The Phantom Stranger’ will spin out of the character’s recent appearances in ‘Justice League’ and DC’s Free Comic Book Day story. It promises to tell more about the mysterious origin of the character who seems to have biblical ties and his connection to the purple-hooded woman Pandora.

This new series, which DiDio described as “a new anthology book in the same vein as ‘All-Star Western’,” will launch with the return of Amethyst to the New 52. Written by Christy Marx with art by Aaron Lopresti, the comic will show how Amethyst finds out she’s the lost princess of Gemworld, and she’s being hunted by her murderous aunt. The comic will launch with a back-up story about Beowulf and Grendel, written by Tony Bedard with art by Jesus Saiz.

Set in the early days of the DC Universe, ‘Team Seven’ will show how the emergence of Superman touched off the formation of counter measures against superheroes. The comic, which is being written by relative newcomer Justin Jordan with art by Jesus Merino, will have a team composed of Amanda Waller, Dinah Lance, Steve Trevor, John Lynch, Alex Fairchild, Cole Cash and Slade Wilson.

This new comic, which is being co-plotted by ‘Batman’ writer Scott Snyder, introduces a new “anti-hero on the run” to the DCU. Calvin Rose, the only Talon to escape from the control of the Court of Owls, will be traveling all around the DCU as he is hunted by his former masters. While the story spins out of the ‘Court of Owls’ storyline that is running through the first year of Snyder’s ‘Batman’, the title character is a brand new one.

As the comic launches in September, Snyder will be working on plots with James Tynion IV, his co-writer on the ‘Batman’ back-ups. ‘Talon’ will feature art by Guillem March.

Well, after the success and praise of ‘Court Of Owls’ right now it’s no suprise that they’re going to keep that story going as long as fans are interested. The most interesting title to me here is ‘Team 7’ which was originally a Wildstorm book that had importance in Gen13. It looks like they’re going to make it a major backstory point explaining things as far as the ‘black ops’ side of the DC universe based on that line-up.

By now i’m sure everyone has heard that DC realized that Marvel did something genius with ‘The Avengers’ and have tried to get into the ring by pushing forward with a Justice League movie. Great idea right? I mean fans have been wanting this for years. But… can it work? I mean ‘The Avengers’ worked so why can’t this? Well, i’m here to burst your bubble (I apologize in advance) with the five main reasons at this point it will not work.

5. No back story for the main characters.

So lets say The Flash, Wonder Woman, Aquaman, Superman, Green Lantern and Batman are the team they pick for this. Because lets be honest The Atom, Green Arrow, Martian Manhunter are going to get left out. Tell me why they’re only pushing forward on a Justice League and Wonder Woman movie before fleshing out the others? I mean… some people complained that Hawkeye had no development in ‘The Avengers’ (I disagree by the way) but just throwing someone like The Flash in there? Aquaman? Okay… I won’t go see Aquaman. You have me there DC! Hawkman? Maybe. That’s fail part one DC.

4. Picking an established writer who knows how to handle something of this scale.

Look… Will Beall could be great. He could be the next big thing for all I know. But what has he done? What makes DC so sure of his guy that we should have faith in him? We were all supposed to trust Brett Ratner with ‘X3’ and we all saw how that turned out. Strike two.

3. Actors. Actors. Actors.

One of the big draw points of seeing ‘The Avengers’ (I keep referring to this because we all know this is what made DC push this project forward) was that we not only trusted the director but we trusted the actors. Minus Mark Ruffalo (who excelled as Bruce Banner) we knew these actors could pull this off and we couldn’t wait to see them together. Minus maybe one or two actors we will know nothing about this casts ability to pull off these roles. And i’ll elaborate more on this when I get to number one.

2. DC’s horrible track record and lack of attempting to establish any form of continuity.

And you would think that Warner Bros. would be making the best of these types of films yet have been disappointing to date. Christopher Nolan and Zack Snyder have been DC’s saviors with the ‘Dark Knight Trilogy’, ‘Watchmen’ and hopefully ‘Man Of Steel’. But other than that? ‘Steel’? ‘Catwoman’? ‘Green Lantern’ aka the biggest let down in a comic movie in years? I’m not saying ‘Green Lantern’ was horrible. Not at all. I’m saying the script was horrible. Ryan Reynolds and Mark Strongs performances made the movie watchable. The OA scenes were fantastic. Having Amanda Waller make an appearance? Great idea. Establish Checkmate. Please. Because Geoff Johns already said he wanted a ‘Suicide Squad’ movie. This should be the jumping off for the DC universe because you can establish Checkmate like Marvel did with Nick Fury/S.H.I.E.L.D and go from there. Will DC do this? Unlikely.

And now it’s time for the number one reason:

1. You can’t have Batman in it! Nope. You can’t!

I’m pretty sure Bale said he wouldn’t do it. And we still have NO idea how ‘The Dark Knight Rises’ ends. But even then… you throw in another actor as Batman with a background that has nothing to do with Nolans trilogy. This results in fans sitting around in a very “WTF?!” feeling. There is no way you can put Batman in here that wont either result in pissed off fans or very confused fans. And what about Superman? Will ‘Man Of Steel’ fit into a ‘Justice League’? Knowing Snyder and Nolan probably not. So lets actually take BOTH characters out. Oh wow…we’re getting the b-squad or even maybe a ‘Justice League: International”. Great. Is the average movie goer who has a kid that wear Batman tightie whities going to go see this? Eh. Maybe six days after it comes out when he has to watch the kids.

So now that i’ve come to the end I must establish that in no way am I hating on DC here. My main problem with DC has been their lack of to just establish some form of solid continuity (I mean… i’m still scared theres going to be a Flashpoint Crisis On New 52 coming) and even in their movies it is what is majorly lacking. I personally believe they should step back, take a breath and follow Marvels footsteps. Establish your characters and build a non-comic reading fanbase.

You want to push out some movies? Go after some of your dark stuff. I’d love a Swamp Thing reboot. ‘Constantine’ was great to me (Haters gon’ hate)… and there has been talk of a sequel last year. Y: The Last man? You know you want to do it.

All in all I just wish DC would just not rush things. It took us four years to get to ‘The Avengers’ and no one was mad about what it took to get us to one of the greatest comic movies of all time. Just sayin’ DC.

This week sees  DC’s controversial return to the world of Watchmen with Before Watchmen: Minutemen. This six-issue series is written and drawn by Darwyn Cooke, the man behind the fantastic mini-series DC: The New Frontier as well as the man responsible for bringing The Spirit into the mainstream DC universe. I love both of those aforementioned books and thus was looking forward to see Cooke’s take on the Minutemen. To say that I was let down is an understatement. So, what went wrong? Lemme break it down for you…

Let me just start by saying that Darwyn Cooke’s artwork is not the problem in this issue, in fact it is actually the issue’s saving grace. His artwork is uniquely his own and whenever you see a Darwyn Cooke page you know it’s one of his. His style fits the book perfectly. With the issue mainly set in 1939, the art fits the time setting nicely and still gives it a timely feeling. No, the art is not the problem at all. Well, then what is already?

The story is the big problem with the premiere issue. Why is it such a problem? Well, it’s because it’s boring. Issue one follows original Nite Owl, Hollis Mason, as he recalls the history of the first masks and what brought them together to form the Minutemen. The premise sounds interesting but the execution is not at all. Each member is given a few pages that shows their start in the world of the masks but the problem is that we aren’t really introduced to the characters, they are shown to us. We never truly get a chance to know who these characters are before we move on to the next character and soon forget ever meeting the previous character. I felt no connection to any of them and by issue’s end could care less about not only why they want to be heroes but also why they’d want to form a team. This is only a six-issue series so a slow burn story is not the way to go. Especially with this being the flag-ship book of the Before Watchmen prequels.

No, I didn’t hate this book, but I did expect a lot more. This was the Before Watchmen book that I was looking forward to the most and now I feel slightly cheated and very let down. Will I read issue two? Yeah, but I’m not looking forward to it. Should you read issue one? I say, save your money and go pick up DC: The New Frontier trade instead.

Sit back and watch the minutes slowly tick away

By now you’ve probably heard the CW is getting a show called ‘Arrow’. And sure…strike one is that they don’t  just call it ‘Green Arrow’. Because that’s what it is. Strike two… being that it’s on the CW. Let’s be honest… minus that Justice Society arc and the hot girls… ‘Smallville’ was weak. But before it could strike out they released this trailer for the show that surprisingly looks like it could shape up to be good.

Oh and do pay attention for the easter egg towards the end.

Not too bad looking right? Wait…whats that? You missed the easter egg? Oh you missed Deathstrokes mask?

Oh now you’re a little excited.

So, the announcement we all knew was coming once Avengers made a billion plus dollars has finally arrived; Warner Brothers has announced that a screenwriter has been hired for a Justice League live action movie, and his name is…. (drumroll)  Will Beall.

Will who? Exactly.

Remember that moment two years ago when Joss Whedon was announced as the writer/director of Avengers, and fandom breathed a collective sigh of relief? Yeah, this is kind of the opposite. Well, maybe not the opposite (that news would be “they’ve hired Brett Ratner”) but certainly not the kind of announcement that would get anyone excited. Will Beall is, according to Variety who broke the story, a “hot” writer, who is attached to Lethal Weapon 5, the remake of Logan’s Run, and the upcoming movie Gangster Squad. Oh, and he’s written a bunch of episodes of Castle. Not a single one of these things is enough to get me, or probably anyone out there, very excited. I find it hard to believe Warners couldn’t find a single creative voice with some geek cred to get for a JLA movie. I can’t help but feel they are cheaping out on what is the most anticipated super hero movie ever after Avengers….the super hero team that inspired ALL super hero teams. Did you learn nothing from Green Lantern Warners?

Also buried in this news story is that Wonder Woman also is picking up steam (no doubt due to the success of Hunger Games and Snow White and the Huntsman) Warners has hired screenwriter Michael Goldenberg, who wrote and directed the 90’s Christian Slater chick flick Bed of Roses for this one. Color me uninspired…. again.

Note to Warner Brothers: You actually OWN a script for a Wonder Woman movie that Joss Whedon wrote; you’ll never get him to direct it now, but you can get someone else to  direct his script and still advertise the movie as “from the man who brought you Avengers.” This isn’t rocket science people. Of course, both movies could turn out great, but with Warner Brothers track record with their DC Comics properties, I’ll be surprised if they ever turn out, period.

Worried that with E3 going on you won’t get any comic news? Worry not! Courtesy of USA TODAY we have the cover and first five pages of Darwyn Cooke’s ‘Before Watchmen: Minutemen’ for you. This six-issue series will focuse on ‘The Minutemen’ who were were the premier group of superheroes throughout the 1940s. They were founded in 1939, largely through the actions of Nelson Gardner (Captain Metropolis), Sally Jupiter (the first Silk Spectre) and Sally Jupiter’s agent Laurence Schexnayder. Schexnayder also provided the group’s publicity. After several public controversies, the group finally disbanded in 1949.

This week sees the release of “Batman Annual #1” from Scott Snyder and James Tynion IV, with art from Jason Fabok. Inside this annual we are (re)introduced to Mr. Freeze and “The New 52” take on the character has some very cool changes. Seeing as here at Geekscape we aren’t big fans of spoilers I shall do my best to dance around the big ones found in this issue. Here we go…

As the issue begins we are introduced to Victor Fries as a young boy in Nebraska as he is on his way to a snowman building contest with his mother. In typical comic book origin fashion an accident occurs. The story then jumps to the present day as we find Victor, now locked up in Arkham Asylum during the “Night of The Owls.” Mr. Freeze then orchestrates a pretty chiller and killer escape from Arkham, once free he sets his sights on Wayne Tower and seeking some good old fashioned vengeance. Along the way there is a flash-back sequence that shows us the origin of this new Mr. Freeze that involves Bruce Wayne and how he was directly involved in the accident that turned Fries into Freeze. He blames Bruce Wayne for keeping him from his beloved Nora and plans to make him pay. Back in the present, Mr. Freeze faces off against both Nightwing and Robin in the bowels of Wayne Tower, defeating both in short order. Batman shows up on the scene and the two fight, during which time a stunning new twist is revealed. At the end we are once again taken back to a young Victor, this last scene will leave you with chills, pun intended.

This issue is co-written by regular “Batman” writer Scott Snyder and he is joined by James Tynion IV, a former student of Snyder’s at Sarah Lawrence College. They have crafted a great story that takes full advantage of DC’s “New 52.” They have put an awesome spin Mr. Freeze’s origin as well as managing to tie the story into the “Night of The Owls” event currently spanning all of the Bat books.

Jason Fabok is the artist on-board for this icy tale. Prior to reading this I was unfamiliar with his work, but after seeing his gorgeous art I look forward to seeing more from him. His redesign of Mr. Freeze doesn’t depart too drastically from Freeze’s previous incarnations but is updated for the “New 52” world. His panel layouts are easy to follow and his fight sequences, especially Freeze’s escape from Arkham, are down-right cool (sorry, had to get another cold pun in there).

Peter Steigerwald colors in Fabok’s art and he colors the book with lots of blue, red and black. He baths the flashbacks almost all in blues that help set them apart from the rest of the book. His colors complement Fabok’s art beautifully and helps distinguish this Annual from the ongoing “Batman” book and drive home the point of this issue. This is not Batman’s story, it’s Mr. Freeze’s.

“Batman Annual #1” is not only a great read but is also great way for DC to kick-off the first of their “New 52” Annuals. If the rest of DC’s Annuals are as well handled as this one fans are in for a treat.

Score: 9.5/10

"Everybody freeze!"

 

Are you ready to finally end the debate on who would win in a fight between Batman and Superman? Well now you have your chance. Today NetherRealm Studios (best known for the Mortal Kombat series) released a trailer for their next release. A new fighting game featuring DC’s iconic characters such as Batman, Harley Quinn, Solomon Grundy, Superman, The Flash, Wonder Woman and many more.

Press Release:

BURBANK, Calif., May 31, 2012 (BUSINESS WIRE) — What if our greatest heroes became our greatest threat? Warner Bros. Interactive Entertainment and DC Entertainment today announced Injustice: Gods Among Us, an all-new game in development by award-winning NetherRealm Studios, creators of the definitive fighting game franchise Mortal Kombat. The game is scheduled for release in 2013 for the Xbox 360(R)videogame and entertainment system from Microsoft, PlayStation(R)3 computer entertainment system and the Wii U(TM) system from Nintendo.

Injustice: Gods Among Us debuts as a bold new fighting game franchise that introduces a deep, original story featuring a large cast of favorite DC Comics icons such as Batman, Harley Quinn, Solomon Grundy, Superman, The Flash, Wonder Woman and many others. Set in a world where the lines between good and evil are blurred, players will experience heroes and villains engaging in epic battles on a massive scale.

“With Injustice: Gods Among Us, we are creating an all-new franchise with incredible battles set in the DC Comics Universe,” said Martin Tremblay, President, Warner Bros. Interactive Entertainment. “NetherRealm Studios is the extremely talented team behind the latest Mortal Kombat hit and it is developing a game unlike any other in the fighting genre.”

“We can’t wait to reveal Injustice: Gods Among Us because it will give our fans and gamers an epic experience as they battle like gods as their favorite DC Comics villains and heroes,” said Ed Boon, Creative Director, NetherRealm Studios. “Our team is excited to make a fighting game that is filled with fast-paced action, incredible story-telling and iconic DC Comics characters.”

For more information, visit www.injustice.com .

SOURCE: Gamespot

Well, earlier this week we speculated just who it was going to be when they said “One of the major iconic DC characters will reveal that he is gay in a storyline in June”.

According to the folks over at Bleeding Cool one of their sources revealed to them at Phoenix Comic Con just who the character is.

Well ladies and gentlemen… I’ll fill you in.

Dramatic pause.

Additional unnecessary line.

Wait for it…

 

 

It’s Alan Scott. The original Green Lantern. (Who… oddly enough was number one on Eric Diaz’s list)

For those unfamiliar with Alan Scott…

Alan Scott is the ORIGINAL Green Lantern introduced in July of 1940 in All-American Comics #16.

Scott was a charter member of the Justice Society Of America, beginning in All Star Comics #3 (Winter 1940). He served as the team’s second chairman, in #7, but departed following that issue and returned a few years later. He has been a key member of the group ever since, appearing in all three titles bearing the teams’ name.

After the reboot of the DC universe Alan Scott was first reintroduced in Earth-Two #1. So, I definitely can say alot of people are about to start rushing to pick that book up and retailers may just be bumping up their orders for #2.

 

Here at Geekscape we read a lot of comics! And I mean a lot. If it’s on stands, odds are someone around here has read it. And as anyone who reads comics knows, there are tons of books on stands. Not only are there a ton of books on the stands, there are a ton of crappy books on the stands, but there are also some great books out there. You just have to know what to look for. In an effort to help you wade through the crap and help yourself find a winner, we thought we’d list a few titles that we are currently loving. So, without further ado, in no particular order, we present to you five books you need to check out:

Saga –  Written by Brian K. Vaughan, Art by Fiona Staples

Cover to Issue #1 of Saga

This book is only three issues in and it’s already one of the books I most look forward to every month. Saga tells the story of parents Marko and Alana, as they try to protect their new-born daughter, Hazel, all in the middle of an intergalactic war.  Marko (with ram-like horns on his head) and Alana (with wings on her back) are Romeo and Juilet archtypes, whose planets are at war with one another. They are on the run, branded as deserters and hunted by both sides. Vaughan’s writing is as sharp and original as ever. Fiona Staples’ artwork is just phenomenal, her visuals are truly a sight to be seen. This book has everything from the previously mentioned ram horns and wings, to a bare-breasted spider-woman bounty hunter (yeah, this totally isn’t a book for the kiddies), to Price Robot IV, a character with a TV for a head. If that all sounds wild and wacky that’s because it is…in the best way possible.

The Manhattan Projects –  Written by Jonathan Hickman, Art by Nick Pitarra

A page from Issue #1 of The Manhattan Projects (Image Comics)

This is Jonathan Hickman’s first on-going book for Image Comics and it’s a doozie. The book is set in alternate history that re-imagines such geniuses as  J. Robert Oppenheimer, here a literal mad-man, Wernher von Braun, an evil ex-Nazi scientist with a robot-arm, and Albert Einstein, among many others. The story asks the question,  what if The Manhattan Project, which gave the world the atomic bomb, created other deadlier and fantastic things? Yes, the premise is out there, but it’s oh so enjoyable. Nick Pitarra’s art is stunning and not like a lot of other artwork on comic stands. His art is distinctive and his character designs are just, well…cool. This book is three issues in, so this is the perfect time to catch up.

Daredevil –  Written by Mark Waid, Art by Paolo Rivera

Cover to issue #10 of Daredevil (Marvel Comics)

This latest volume of “The Man Without Fear” has been great right from the start. Gone is the über -moody Matt Murdock of years past with his dark/depressing story-lines. In it’s place, we find Matt Murdock in a much happier place than he has been in quite sometime. Waid is writing the hell out of this book. With thirteen issues to date, we have already seen Daredevil face off against the likes of Klaw, The Mole Man, and the New York crime syndicate (made up of all the major crime groups in the Marvel U). Joining Waid is Paolo Rivera on art. His covers for this book have been some of the best looking covers I’ve seen in  the history of ever! I absolutely love his art on this book. I especially enjoy the way that he draws Daredevil’s “radar-sense,” it’s hard to explain, it’s better to see it for yourself. Pick up an issue and give it a try, I doubt you’ll be let down.

The Flash – Written by Brian Buccellato & Francis Manapul, Art by Francis Manapul

Cover to issue #7 of The Flash (DC Comics)

This is one of the best books to come out DC’s “The New 52.” This book is great for new and old fans of The Flash alike. Co-writters Brian Buccellato and Francis Manapul have found new life in an old character and thanks to the relaunch of the DC universe, gone are years of convoluted and confusing continuity. In it’s place, we find Barry Allen, working for Central City PD in the crime lab, while also further exploring his powers and ability to tap into the speed force. Francis Manapul pulls double duty on this series as co-writer and artist and his art is fantastic. Even if the book had a weak story, his art would help to make it better and less noticeable. However, that is not the case, as both story and art have been outstanding right out of the starting gate. Issue nine was just released this week, so it’s as good a time as any to catch up. The Flash is a winner in my book and I’m glad to have Barry Allen back.

Scarlet Spider – Written by Chris Yost, Art by Ryan Stegman

Cover to issue one of Scarlet Spider (Marvel Comics)

Taking place after the events of the “Spider-Island” story-line in The Amazing Spider-Man, this story follows Kaine (Clone of Peter Parker, don’t ask) as he tries to make a new life for himself in Houston, Texas. Being as this is a super-hero comic and all, the citizens of Houston need saving from the evils of the world and thus we find Kaine, reluctantly becoming the new Scarlet Spider. The books motto is “All of the power, none of the resposibility” and that sums up the attitude of series very well. Kaine is no Peter Parker, he has no problem with extreme violence if need be. The story that Chris Yost has been telling follows Kaine as he has becomes a hero, despite wanting nothing to do with heroes in general, hence his being in Houston. The tone is very dark for a Spider-Man book and Ryan Stegman’s art helps establish that. His character designs look great and he draws the hell out of the fight scenes. Sadly, his time on the book will be ending with next months issue six. Artist Khoi Pham will be joining as new regular artist with July’s issue seven. I’m not how Pham’s artwork will mesh with the series, but if Yost continues to tell the quality tale he’s been weaving, then I think it’s safe to say that this book will be around for a while.

 

Well, there you have it…five great titles currently on sale. Hopefully, this will help you the next time you finding yourself in your local comic shop looking for something new to read. Pick up one of the books, heck, pick up all of them. Enjoy the adventures.

 

 

DC Comics wanted to thank all the of the fans of the Superman fan page on Facebook and in honor of the page reaching 2 million “likes” they have released two pages from the upcoming “Superman: Earth One Vol. 2.”

Here’s DC’s solicitation for Vol. 2:

The highly anticipated sequel to the #1 New York Times best-selling graphic novel SUPERMAN: EARTH ONE by acclaimed writer J. Michael Straczynski and superstar artist Shane Davis is here! Young Clark Kent continues his journey toward becoming the World’s Greatest Super Hero but finds dealing with humanity to be a bigger challenge than he ever imagined! From a ruthless dictator to a new love interest who’s NOT Lois Lane, things are never easy for this emerging Man of Steel. And the worst is yet to come, in the form of a man-monster with an insatiable appetite, the Parasite! The only thing that might appease his hunger is The Last Son of Krypton! But that will also mean he will have Superman’s powers without his conscience, and Kal-El learns to live without powers beyond those of mere mortals.

So what do you think of the pages, like them, loathe them? Are you looking forward to Vol.2? Let’s hear your opinions.

“Superman: Earth One Vol. 2” is written by J. Michael Straczynski with art by Shane Davis. It  soars into comic and book stores on October 31.

 

Welcome back to the wonderful, wacky bat-world of Grant Morrison. This week sees the release of “Batman Incorporated #1” and it’s a very welcome sight to be had. As with any Grant Morrison book, you may need a second reading to take it all in. This issue just has it all and it all works so well.

I’ll keep it light on any spoilers…

When the issue begins, we find Bruce Wayne and Alfred standing in the family cemetery, with Bruce informing Alfred that it’s all over with. Alfred asks Bruce a question, but before we get a chance to hear his response they are greeted by some surprise guests. From there the story flashes back one month and we find Batman and Robin in pursuit of a goat-headed killer. That’s right, a goat-headed killer, this is indeed a Grant Morrison book. Their pursuit leads to a pretty awesome fight in the middle of a meat-packing plant that’s filled with lots of blood.

The rest of the issue moves at a quick pace, we are treated to some ninja man-bats (oh how I’ve missed you), some great father-son banter between the dynamic duo, and a new villain by the name of Goatboy. Apparently there’s room for more than just one goat-headed killer in this town, Gotham does mean “Home of Goats” after all. There’s a few panels that show us what the rest of Batman, Inc. are up to, as well as the series main baddies Leviathan. The final page is a true cliff-hanger and will leave you eagerly awaiting the next issue.

Chris Burnham tackles the artwork in this issue and knocks it out of the park. The fight in the meat-packing plant that I mentioned earlier is a a particular standout, it all flows nicely and looks amazingly-bloody with blood splattered everywhere. Burnham also uses some really cool panel lay-outs in the issue. There’s a scene of Batman and Robin swinging through Gotham and Burnham uses the buildings in the foreground and background as additional panels and even colors them to look as if they have been painted on the side of the buildings. You’ll just have to see it for yourself, as my explanation of it can not do it full justice.

Everything in this issue just works so well together. If Grant Morrison keeps this up, Scott Snyder’s “Batman” may have some competition as the best bat-book on the shelves. Only time will tell of course. Do yourselves a favor and check this book out.

Score: 9/10

Na, na, na, na, na, na, na, na, na, Bat-Cow?!

 

 

 

 

 

Let’s face it. Between the WB’s Birds of Prey and Halle Berry as Catwoman, DC doesn’t have the best track record for bringing its heroines to the screen.

If you’re tired of waiting for a great female superhero on film, you’re not alone. Fans Sax Carr and Marisha Ray decided they couldn’t wait anymore; they filmed their own renegade web series entitled Batgirl: Spoiled.

Ray stars as Batgirl Stephanie Brown, whose life of privilege is turned upside down over the course of a dozen 7-10 minute episodes. The series will be directed by Damian Beurer and will also star Tara Strand (Unlucky Girl), Taliesin Jaffee (Hellsing), Bridget McManus (Wanted), Tara Platt (Naruto), and Chris Smith (Mortal Kombat vs DC).

The first trailer for the web-series was released Monday on Youtube and teases appearances by Catwoman, The Riddler, Harley Quinn, The Question (Renee Montoya), Poison Ivy, Batwoman, Commissioner Gordon, and Zatanna.

Is this Batgirl the hero Gotham deserves?

You be the judge.

Peter Weller, best known for his role as “Robocop” will be the voice of Batman in the DC Comics animated adapation of the Frank Miller classic “The Dark Knight Returns.”

The Dark Knight Returns” will be released in two parts with Part 1 releasing this fall and Part 2 coming in early 2013.

Weller will be joined by Ariel Winter as Robin, Wade Williams as Two-Face/Harvey Dent, and Michael McKean as Dr. Wolper.

Jay Oliva will be directing, he has previously directed “Green Lantern: Emerald Knights” and episodes of Cartoon Network’s “Young Justice”. Bruce Timm will be the executive producer on the project.

For those of you unfamiliar with “The Dark Knight Returns” (shame on you), it tells the story of Batman’s re-emergence after 10 years, having quit crimefighting in the wake of Jason Todd’s death. Batman comes out of retirement to save the now dystopian Gotham from decay and lawlessness. With the help of a new, female Robin, Batman ends the threat of the mutant gangs that have overrun the city and confronts two of his greatest enemies. He must also face Superman in a battle that only one will survive.

"Dead or alive, you're coming with me."

 

SOURCE: Comicbookresource 

At this past weekend’s Kapow Comic Convention in the UK, DC Editor-In-Chief Dan Didio dropped a pretty big bombshell; a fan asked the question asked at the DC Nation panel about Dan DiDio’s interview with prominent gay magazine The Advocate, specifically over the decision not to change any character’s sexual orientation when restarting the DCU. In the interview, Didio said that they would introduce new LGBT characters instead of switching someone’s orientation, but the fan asked why DC would switch race, size, age, every kind of other feature, but not sexual orientation. Not the company policy  anymore, according to Didio; in fact they are about to reintroduce a previously existing DC character who was previously straight and now will be “one of our most prominent gay characters.”

In fact, since the story broke, DC’s Senior VP Publicity Courtney Simmons has clarified even further: “One of the major iconic DC characters will reveal that he is gay in a storyline in June” Well, now we know he is considered “iconic” and that it is a He and not a She. So who will it be? DC has no shortage of candidates, but as a longtime DC fanboy (and a gay one at that) here are my top ten guesses for who is coming out of the phone booth closet come June:

#10. Vibe

The first Latino member of the Justice League, and also the first member of the Justice League to die in the line of duty. Earthquake powered Paco Ramone was pretty much a racial caricature, breakdancing and speaking in a badly written spanish accent (things like saying “chu” instead of “you” and so forth. It was pretty shameless.)  He was promptly killed off way back in 1986, a mere two years after he was introduced. But now he’s being brought back in the new 52, minus the racism and breakdancing (one would assume) While he seems like a likely candidate, DC has said that that the character would be “iconic”, and just being a Leaguer didn’t help Paco make icon status. So he’s at the very bottom of the list for that reason.

The Detroit version of the JLA was like a weird snapshot of 1984 pop culture; you got the All American bionic athlete (how very '84 Olympic Fever), a Madonna/Cyndi Lauper clone, Tina Turner with powers, and a latino breaker dancer named Vibe. How could this NOT be dated within a couple of years??

#9. Wally West/The Flash

I admit, this one is a long shot, which is why it is way down the list at number nine. And if it turned out to be true I can only imagine how pissed off some longtime fans would be. Wally has been missing in action for over a year now, one of the most iconic DC characters to be MIA since the whole “New 52” reboot. But even my gay ass would be annoyed at bringing back the ultimate hetero family man of the DCU and making him gay for the sake of sales. But since we know that Dan Didio and the guys in charge at DC are hardly above stunts like this to make headlines, anything is possible.

#8. Jimmy Olsen

Making Superman’s best pal a gay guy would make TONS of mainstream headlines, and we know how much DC loves that. But I have a hard time seeing DC giving the ok to this, as every version of this character since 1940 has been heterosexual, especially in other media like movies and television were the majority of the world knows him from the most. Still, something could be made out of the fact that he’s always getting himself into trouble so that a muscular god like male alien in mutli colored spandex can come save him.

#7. Alfred Pennyworth

For decades there have been jokes about how the all male Wayne household is super gay, including Bruce Wayne’s trusty butler Afred. And let’s face it, most upper crust British types come across as gay to most Americans. And DC would probably want to avoid making the de-facto patriarch of the Wayne Household a gay man. But if they did go ahead and make Alfred gay, I doubt many people would drop their jaws in shock about it.

#6. Shazam!/Billy Batson

DC has been making a lot of noise about re-introducing the new Captain Marvel Shazam to their newly rebooted universe in the pages of Justice League. This time, young Billy Batson is a darker, tougher version of his old self (we know he’s tougher…he wears a hoodie now!) DC has been trying to make this character click with modern audiences and failing for decades, as many see him as merely a Superman clone and not much else. But by possibly making Billy Batson a bullied gay teenager who “with one magic word” becomes the ultimate in male power fantasy, well…people might quickly stop making the Superman comparison and Shazam will have finally found his modern “hook.”

#5. Green Lantern/Kyle Rayner

Just having the title of Green Lantern makes Kyle Rayner “iconic” I suppose, so he makes the list. The current DCU main Earth currently has four Green Lanterns, and making one of them gay would help to make him a bit more distinct from the others. Besides, he’s an artist living in Greenwich Village with a bad dating history with women. Screams “closet case” to me.

#4. The Atom/ Ryan Choi

Ryan Choi replaced Ray Palmer as shrinking hero The Atom in the previous continuity, before being killed off like a red shirt on Star Trek. Considering how few Asian super heroes there are in comics, readers made a lot of noise about how poorly DC treated one of their few Asian heroes. So no surprise, Ryan Choi is back alive and kicking as the new Atom once more in the new DCU. But seeing as this character is relatively new, DC knows there is a lot less of a chance of fans making a stink if his sexuality is suddenly switched. But then again…if no one cares, then why bother?

#3. Red Robin/ Tim Drake

There have been jokes for decades about Robin being gay, but most of those jokes have been about original Robin Dick Grayson. Well, clearly those people making those jokes aren’t comic book readers, because if they were they’d know that Dick Grayson is a bit of a pussy hound, with hot superhero chicks like Starfire and Batgirl all on his booty call list.

However, the third Wayne ward to wear the mantle of Robin, Tim Drake (currently going by Red Robin) has had a different history with women. Oh, he’s dated, but most of his relationships with girls seem to go nowhere, and where Dick Grayson was getting’ it on with various women when he was a teen hero, Tim Drake seemed more focused on other things. In the pre-Flashpoint DCU, his biggest obsessive relationship was seemingly with Conner Kent/Superboy, which many fans found to be very telling. Having one of Batman’s teen sidekicks would certainly make a lot of noise in the media, but it also might be a shade to close to the old Seduction of the Innocent “Batman and Robin are gay lovers” hysteria from the 50’s that nearly killed the Batman titles.

#2. Hawkman

I admit, I’m not reading the new Hawkman series (is anyone?) so I don’t know if it has been revealed what his sexuality is yet or not. But really, just look at that leather daddy outfit…the harness, the hairy chest, the muscles…I dunno, maybe the answer was in plain sight all along. Add to that this his former love Hawkwoman is now on another Earth, and well…you do the math.

#1. Green Lantern/ Alan Scott

The new Earth-2 is very different one than the original so far, with the future members of the Justice Society of America being modern day heroes with no ties to World War II. In the recently released issue #1 of Earth-2, it was revealed that the Flash Jay Garrick was in a long term relationship in college with someone named Joan, so that seemingly crosses him off the potential gay list.

But what about Alan Scott, the original Green Lantern? Would DC have the balls to make one of their original icons a gay man? It should be noted that in the old pre-Flashpoint continuity, Alan Scott’s son Obsidian was gay, and he seemingly no longer exists, so maybe by making his former dad gay they are hoping to balance that out. In any event, Marvel got a lot of headlines and sales by making Spider-Man (or a Spider-Man) “Blatino.” While GL isn’t on the level of Spidey, it still says a lot if the first hero to hold the title of Green Lantern at DC was suddenly a gay man.

One strike against Alan Scott being a gay man...red, green, yellow AND purple? Every gay man I know would know better than that.

 

If you’re one of the many disappointed by Warner Brother’s live action Green Lantern film last year, take comfort; Warner Brothers always finds a way to kick some ass in the animation department, and make up for any live action misfires. Bruce Timm, producer of the legendary Batman: The Animated Series, Batman Beyond, Superman and Justice League cartoons gives us everything you wanted out of the Green Lantern movie–aliens, outer space battles, other Lantern Corps–and delivers it in spades in the new Green Lantern: The Animated Series. And now the first half of season one is arriving on DVD this August. Here is the full press release from Warner Brothers Home Video:

WARNER HOME VIDEO POWERS UP GREEN LANTERN: THE ANIMATED SERIES —RISE OF THE RED LANTERNS (SEASON 1 PART 1) 

WITH DVD RELEASE ON AUGUST 28, 2012

Hal Jordan Faces His Ultimate Threat in New Two-Disc DVD Set

Green Lantern: The Animated Series – Rise of the Red Lanterns

(Season 1 Part 1) Includes First 13 Episodes of the Popular Cartoon Network CG-Animated Action Series

BURBANK, CA, (May 15, 2012) – Hal Jordan and the Green Lantern Corps embark on their latest intergalactic missions as Warner Home Video (WHV) releases Green Lantern: The Animated Series — Rise of the Red Lanterns (Season 1 Part 1) on DVD. Based on the adventures of the popular DC Comics super hero, Green Lantern: The Animated Series, currently part of Cartoon Network’s DC Nation programming block (Saturdays at 10 a.m. ET/PT), is produced by Warner Bros. Animation and animation legend Bruce Timm (Batman: The Animated Series; DC Universe Animated Original Movies). The two-disc DVD set featuring the first 13 episodes of the CG-animated action series will be available on August 28, 2012 for $19.97 SRP.

Green Lantern: The Animated Series — Rise of the Red Lanterns (Season 1 Part 1) follows Hal Jordan and the Green Lantern Corps on a treacherous journey through deep space. As Earth’s Green Lantern, Hal must face down an invasion from the villainous Red Lantern Corps, who will stop at nothing to destroy and silence the Green Lantern Corps forever. Joined by his former drill sergeant Kilowog, and several all-new heroes, Hal brings the cosmic battle against the forces of evil to the far reaches of the galaxy. Equipped with a new squad and new spacecraft, The Inceptor, Hal and the team set out to protect the universe — and the Green Lantern Corps itself!

“Green Lantern: The Animated Series has really taken us into a realm we hadn’t explored before:  our first completely CG-animated series,” enthuses Sam Register, Executive Vice President, Creative Affairs, at Warner Bros. Animation. “Like Teen Titans and Batman: The Animated Series, it’s an incredible, groundbreaking action series, combining the legendary instincts of Emmy®-winning executive producer Bruce Timm and the incredible artistry of WBA’s CG animators. It’s a beautifully rendered, epic space adventure with a scale that’s simply breathtaking.”

“With the release of the live-action movie last summer and the wildly popular Cartoon Network series, Green Lantern mania is at an all-time high,” said Mary Ellen Thomas, Vice President of Family and Animation Marketing and Partner Brands. “Warner Bros. Animation is known for creating outstanding animated series, and we are thrilled to be able to bring these new super hero adventures to DVD.”

Executive produced by Sam Register (Batman: The Brave and the Bold, Ben 10), and Bruce Timm, Green Lantern: The Animated Series is produced by Giancarlo Volpe (Star Wars: The Clone Wars) and Jim Krieg (Ben 10: Alien Swarm). Based upon the popular DC Comics character, the series features the voice talents of Josh Keaton as Hal Jordan, Jason Spisak as Razer, Kevin Michael Richardson as Kilowog and Grey DeLisle as Aya. Produced by Warner Bros. Animation, Green Lantern: The Animated Series airs Saturdays at 10 a.m. (ET/PT) as part of Cartoon Network’s DC Nation programming block.

Green Lantern: The Animated SeriesRise of the Red Lanterns (Season 1 Part 1) includes the following episodes:

 1. Beware My Power…Green Lantern’s Light (Part One)

 2. Beware My Power…Green Lantern’s Light (Part Two)

 3. Razer’s Edge

 4. Into the Abyss

 5. Heir Apparent

 6. Lost Planet

 7. Reckoning

 8. Fear Itself

 9. …In Love and War

 10. Regime Change

 11. Flight Club

 12. Invasion

 13. Homecoming

The DVD also includes a four-page preview of the Green Lantern: The Animated Series comic book.

 

So  The Avengers movie has finally come out, and knocked the socks off pretty much everyone out there, comics fanboy or not. In many ways it has proved to be the ultimate comic book movie, finally realizing in live action what fans have been only reading about and dreaming about for decades. It has raised the bar on what comic book super hero movies are capable of doing.

But without DC Comics’ Justice League, in a way there wouldn’t even BE an Avengers. As legend has it, the first few issues of Justice League of America were selling so well back in 1960, that DC publisher Jack Liebowitz was bragging about to them to rival comics publisher Martin Goodman of Timely Comics one day on the golf course. This caused him to ask his editor in chief Stan Lee to create his own super team to rival the League, and thus the Fantastic Four was born, the first official Marvel Comic. This of course led to the Marvel Universe and ultimately, the Avengers. But none of it would have happened if there had been no Justice League in the first place. In fact, if you see the JLA as merely an extension/re-branding of the original Justice Society of America concept, then they are even more significant as the world’s first super team.

And yet while the past decade of cinema could almost be called “The Marvel Decade,” DC Comics’ parent company Warner Brothers have done next to nothing with their collection of DC heroes to compete with Marvel’s, with the notable exception of Batman. They keep making attempts and then canceling them at the last minute; the last ten years is filled with announcements for movies like David Goyer’s Flash, Joss Whedon’s version of Wonder Woman (all the more heartbreaking after having seen his Avengers) and George Miller’s Justice Leauge. When they finally got around to bringing us a classic DC hero to life, the studio micro managed it till it became a shell of what it should have been. And yes, I’m referring to last year’s Green Lantern.

The thing is,Warner Brothers kind of have to make a Justice League flick at this point. With the incredible critical and financial success of the Avengers, they’d look like utter idiots not to. It isn’t even about the movie itself at this point really; if Warners wants to continue to sell Wonder Woman T-shirts at Urban Outfitters and Flash underwear at Target, then those characters need to be culturally relevant, and that’s not going to happen via comic books, as much as I wish they would. Without big screen exposure, these characters will be seen as only Cartoon Network fodder at best, or relics of a bygone era at worst. And I think Warners knows that they have way too much $$ invested in the future of these characters as licensed properties to let that happen.

In other words, to use vulgar slang, it is time for Warner Brothers to shit or get off the pot.

So from a lifelong DC fanatic, here is a guideline if you will, an open letter for the suits at Warner Brothers who have no idea what they’re doing with the wonderful DC Comics heroic legacy that they own. Here’s your guide to not just a competent, but an awesome Justice League movie, and all in just twelve easy steps.

Step #1:  Don’t Try And Use The Marvel Studios Strategy

We all know, despite whatever the official line from Warner Brothers might have been in the press, that if Green Lantern had been last summer’s Iron Man then they would have been instantly announced a sequel, as well as a Flash movie, etc. leading up to a Justice League team up flick.  With Green Lantern making only $219 worldwide on a supposed $200 million dollar budget, barely eeking out a profit and getting mediocre to downright shitty reviews, I’d say those plans were dashed pretty fast. With the box office disappointment of Green Lantern,  the best  way to do a Justice League film at this point is to simply bite the bullet and just do it. Have a JL movie be the actual launching point to eventual solo films for certain characters, instead of trying to replicate the Marvel Studios method of doing all the solo movies and then building up to one big team up movie. In an ideal world, this would be the proper way to do it, but simply put, Marvel roundly beat them to it.

Also, it is safe to say that audiences are sick of super hero origin stories at this point in the game.  If Green Lantern had hit big, then they could have maybe tried to replicate the Marvel Studios method to some degree of success, but now it will look like a cheaper knock off.  However, if Warners decides to come out of the gate swinging, with a super hero movie that dwarves the scope of every other super hero movie that came before it with a Justice League movie…it could revitalize the entire genre. Or be the genre’s awesome swan song.

Obviously, the one instance where any kind of lead up to JL movie makes sense is the upcoming Man of Steel Superman reboot. The movie is already shot and is hitting theaters next year, and they might as well make Henry Cavill’s version of Superman the one the JL movie uses. It can only help both franchises to be tied in together. But forget about making Flash and Aquaman as lead ins to a JL movie, ‘cause that ship has sailed.

#2.  Hire Brad Bird To Direct, and JJ Abrams To Produce

Getting someone as qualified as Joss Whedon to helm a JLA movie is going to be really, really difficult. Whedon came in with both the comic book fanboy pedigree and just regular ass pedigree pedigree. Where are you going to find that again?

Well, how about Brad Bird? Bird’s The Incredibles was easily one of the best super hero films of, well….ever. After that film came out, many people were hoping Bird might direct a live action Fantastic Four film, but that super team is a bit too similar to the Incredibles in style and tone-the Justice League would be an ideal step up. Aside from his work on The Incredibles, Bird  made the transition smoothly into live action with last year’s amazing Mission Impossible: Ghost Protocol, easily one of (if not the best) action films last year. So you know he’ll deliver on the much needed big action setpieces. So for my money, Brad Bird is your man.

And to produce this movie, I’d get Bird’s collaborator on MI4, JJ Abrams. Yes, I know he’s a busy man, but he’s always been able to juggle mutlitple projects at once. Besides, the best recent example of the “let’s round up a bunch of misfits together and form a team” movies has got to be JJ Abrams Star Trek reboot. In many ways Star Trek 2009 should be the template for a Justice League film, at least in structure. Abrams also has a knack for ensemble casts as evidenced by shows he produced like Lost and Alias. He and Brad Bird made magic together last year with MI4, let em do it again.

My JL Movie Dream Team: Brad Bird & JJ Abrams

The only thing Brad Bird doesn’t have is Whedon’s intimate knowledge of comic book history, never really having read comics growing up. But that’s where the next step comes in:

#3. Get A Really Talented Fanboy Screenwriter

First off, get a screenwriter or screenwriters who are comic book fanboys, at least somewhat. People who love and have a knowledge of these characters beyond just their value as copyrights to be exploited.  They don’t need to be massive comic book geeks with a closet full of longboxes, but they should have a working knowledge and love for the DCU. (and no, not Roberto Orci and Alex Kurtzman, they can’t write everything geek related) But someone who is well versed in what makes these characters tick and can also crank out a great script, with real drama between the characters and action and humor to match. It is gonna be difficult to find someone to pull off what Joss Whedon just did with Avengers, but it can’t be impossible. (Say, how about Damon Lindelof? Just puttin’ it out there) And whoever Warners finds, make sure they give Joss Whedon a call and take him out to lunch and pick his brain.

#4. Cast The Movie Impeccably

One of the reasons that The Avengers works so well is that everyone was cast to perfection, from Robert Downey Jr. as Iron Man down to Jeremy Renner as Hawkeye. Another recent example of a perfectly cast ensemble of iconic characters was JJ Abrams’ previously mentioned Star Trek reboot.  Even when the actors didn’t really look like the character they were portraying (Anton Yelchin as Pavel Chekov for example) they totally captured the spirit of that character.  So please Warners, don’t Halle Berry/Storm or Jessica Alba/Invisible Woman us here. Don’t cast the male leads with guys from the CW, and don’t cast the women based on whoever is hot in the pages of Maxim right now. Everyone needs to be perfect. They don’t need to be big stars, they just need to fit their roles to a T.

#5. Make Darkseid The Villain

For the ultimate DC Universe movie, get the ultimate DC Universe villain: Darkseid. While Loki was a god, Darkseid is THE God…the God of Evil itself. It doesn’t get bigger or badder than that.  Much like Marvel’s The Ultimates was kind of the petri dish for an eventual Avengers movie, it is pretty clear that much of DC’s New 52 reboot in the comics is a similar testing ground for an eventual JLA movie.  Why else make Darkseid the League’s first villain and the reason the team formed? Believe me, at some point when Geoff Johns was writing it, he was thinking about an eventual JL movie.

Although there was a lot to be desired in Geoff Johns and Jim Lee’s opening story arc in the new Justice League reboot, the basic premise of the team forming to defeat an invasion from Darkseid and his Parademon minions is a good one. Darkseid  in that story was handled pretty poorly, as he barely spoke and was more like Superman villain Doomsday, so the filmmakers should look to classic Jack Kirby New Gods stories for proper inspiration, or his excellent portrayal in the Bruce Timm’s Superman and Justice League Unlimited animated series.  A live action version of Darkseid should be this generation’s Darth Vader and the Emperor combined. This would also be a great opportunity to bring the classic look of Jack Kirby’s legendary art and design aesthetic  to life, something Marvel failed to do completely with their Fantastic Four movies and only gave a nod to in Thor.

#6. Forget Martian Manhunter, Use Cyborg Instead

-I almost hate to say this, but J’onn J’onzz the Martian Manhunter is maybe just one element too many for a live action JLA movie.  I know, I know…he’s an original founding member of the team, and many say he’s the heart and soul of the League.  And yes, he kind of is. But having said that, there were several years where J’onn wasn’t a member of the team (he left in 1969 and didn’t return till fifteen years later in 1984) and they managed to do OK without him.  But the problem with using J’onn is that so much of who and what he is is already represented on the League by Superman. Superman is the lone survivor of a dead planet who is super strong, flies, has heat vision etc.  Plus, J’onn has the powers of Professor X and Mystique from the X-Men as well…he would kind of dwarf Superman in a movie that should serve to show how Kal-El is the ultimate super hero among super heroes.  I’m all for J’onn showing up in a sequel, but I think he should be benched for movie #1.

As for using Cyborg as a replacement for J’onn? I totally understand DC’s logic in having him replace the Martian on the team in the recently rebooted Justice League comic series. And why add Cyborg to the team? Maybe because when Warner Brothers finally does get around to making a JL flick, there is no way they can get away with making them the “all white people squad,” as that sends a pretty horrible message. And Cyborg/Victor Stone is easily one of the best African American heroes that DC has. If they introduce the concept of Cyborg as a leaguer in the comics first before the movies, and get all fanboys used to the idea, the cries of political correctness will be less due to the fact that it happened in the comics first. Believe me, a potential future JL movie was in the back of Geoff Johns’ head when he made this decision.

#7. Let JL Be Your Batman Reboot

-Warner Brothers has made some noise about rebooting the Batman franchise after Christopher Nolan wraps up his trilogy this summer with The Dark Knight Rises. While it is inevitable that there will be a new Batman film at some point in the future, the Nolan films have so far been so well received on every level that pulling a Spider-Man and rebooting the Bat-verse so soon seems dumb. Especially after creating something so iconic, it would seem like asking for trouble and inevitable comparisons. But including Batman in the League would insure his presence on the big screen in a very different kind of film series, while letting his own franchise get a much needed rest for awhile. Everyone wins.

#8. Use A JL Movie to Redeem Green Lantern

Despite my trash talking Green Lantern at the top of this article, I don’t think it was nearly as awful as many think…just painfully mediocre. But I liked Ryan Reynolds as Hal Jordan, and think the Green Lantern mythology was pretty darn faithful to the comics (too bad there wasn’t more of it) I’m all for using this version of Green Lantern in a JL movie, even if Reynolds doesn’t come back and is replaced by another actor (we can call it “pulling a Ruffalo on us”) If he proves to be the scene stealer in a JL movie that Hulk was in Avengers, we might see a Green Lantern continuation of some sort spinning out of a JL movie yet.

#9.  Focus Primarily On The Trinity

-While all seven members of the JLA should have ample screen time, you have to focus on the DC “Holy Trinity” of Superman, Batman and Wonder Woman. Because let’s face it, that’s who everyone wants to see interact the most. The dynamic of the three of them, and how they’re each alike and yet very different from one another, has been the basis for some excellent comic book stories over the years.

And as inspiration, I say look to the Galaxy far, far away. While riffing on the template of the original Star Wars seems a bit like the easy way to go, (just ask JJ Abrams, whose Star Trek is essentially a remake of A New Hope) the Luke/Leia/Han dynamic is very much the dynamic of DC’s Trinity; the idealistic farmboy, the feisty princess who can more than take care of herself thank you, and the dickish but charming rogue with a sidekick. And just like Luke and Leia have a sibling relationship, Superman and Wonder Woman are more like brother and sister as well. All her real chemistry is with bad boy Bruce. Really, this is all just writing itself now guys….

#10. ….But Don’t Forget the Other Guys.

-Yes, I just said focus on the “Big Three.” But you can’t just have Green Lantern, Flash and the others just standing there glaring. They need to be able to contribute and have a reason for being there. Look, I never said this would be easy ok??

#11. Focus Not Just On the Similarities to Avengers, But Also The Differences

-Obviously, the League is really, really similar to the Avengers in a lot of ways. But where the Avengers are more like a sports team, the JL are more like a pantheon of Gods. (yes, even Batman in a way. Hades anyone?) The Avengers are at the disposal of the government, or S.H.I.E.L.D, or whatever, but the League is above humanity in a way, either up in space on a satellite or on the friggin’ moon. Yes, there have been incarnations of the team that were based on Earth and worked for the U.N, but you know they are gonna go with the most classic version of the JL here if it gets made, and that’s not the Justice League International.  So sorry, JLI fans. You can bet Hollywood is gonna go with the most classic incarnation of the team, more or less.

“The Justice League is like the pantheon of Greek gods. Hermes made more sense to me as the Flash. Wonder Woman means so much more to me than Hera or Aphrodite. I could make a much quicker connection with the archetype of Zeus in the form of Superman. Aquaman is Poseidon, of course. Batman is Hades, the god of the underworld" -Grant Morrison

The potential fear and adoration the world would have at such a combination of powerful beings together is similar to the love/terror the ancient Greeks had towards their own Gods.  It would be an angle that would be interesting to play up, and one that’s different from The Avengers.  Of course, Avengers did a ton of things right they should just outright copy, but they need to remember how the JL is different from the A- team too.

The Avengers and the League have a lot of similarities, but they need to remember how they're different too.

#12. Go Big…And Don’t Hold Back For Part 2

-One of the best things about the Green Lantern movie was Mark Strong as Sinestro. But instead of giving us any Hal Vs. Sinestro in the movie, they held back for sequel. A sequel that might never come now, squandering such perfect casting. Even if you want a sequel, you can’t be shortchanging the movie that you’re actually doing for  “just in case.” Christopher Nolan could have saved Two Face for a sequel, but at the time of filming  he didn’t even know there would even be one, so he decided to go for broke and use Joker AND Two Face, and we’re all better for it. George Lucas once had this problem with the original Star Wars, as the Death Star wasn’t going to be the big finale till the end of the entire trilogy. Then he realized that there might not ever be another Star Wars movie, and put the Death Star finale at the end of A New Hope, because he knew he needed a big ending.  A lot of folks reading this might think using Darkseid right off the bat is too soon, but I saw worry about part two later…make the best JL movie you can and don’t save anything for later. Worry about later if and when you get there.

So there it is….everything you need to know to get the Justice League the big screen glory they deserve. It is either that, or the only live action League will be this one:

Let’s not let that happen.