Action anime are a dime a dozen these days, especially with the international rise of popular series’ like Dragon Ball Z. Even then, outside of your DBZ’s and Sailor Moon‘s, there were so many popular anime to come out of the late 80’s and early 90’s that still remain firmly in niche status, despite their huge following in Japan. One of the biggest examples of this is Saint Seiya, dubbed Knights of the Zodiac in the West. With such insane levels of action, a huge cast of characters to explore and loads of power ups, it’s following here is smaller, but passionate all the same. With a new anime series debuting, it sounds like the perfect set up for a game, right? We sat down with a hands on build of the upcoming fighting game to see if Seiya’s big return is one to get excited for.

Saint Seiya Soilders Soul E3 Screen 1

Developed by anime fighting game veteran, Dimps, Soldiers’ Soul looks to cover a ton of ground, so even those unfamiliar with the source material should be able to get caught up quick. Following the Twelve Zodiac Temples arc through the battle with Hades, the game promises to deliver these, and other storylines across the series’ many chapters, its biggest moments will be retold through some fancy 3D cutscenes. Brought to life even further by the original Japanese voice overs, as well as English, Spanish, Brazilian and Portuguese subtitles, now the whole planet can enjoy the narrative! Or at least most of it…

While playing, it’s clear that the cutscenes aren’t the only part of the game getting gorgeous visuals. Watching the game in action looks close to what you would expect from 3D CGI scenes in an anime film. Taking a 3/4ths diagonal perspective that swings to a traditional side view as the fighters draw closer, this fully 3D fighter feels reminiscent to the perspective of the  DBZ Budokai Tenkaichi series combined with the special move mechanics of the recently released Jojo’s Bizarre Adventure brawler, and the core mechanics of the Naruto: Ultimate Ninja Storm series.

Saint Seiya Soilders Soul E3 Screen 3

Fast paced combos are performed using three of the face buttons, each with varying strength. A tap of the shoulder button will teleport you behind an enemy when you’re stuck in a combo, but this can only be triggered a certain amount of times before you’re stuck with playing defensively. If the course of the fight launches you into the air, new aerial combos and range variation attacks keep the battles flowing smoothly, mirroring the absurd levels of awesome the anime can reach. By building your Cosmo through either fighting or charging up, Seiya or one of the many other fighters will be able to unleash powerful special attacks, which are perfect for finishing off opponents who are on the ropes. Basically, everything you could want from a solid anime fighting game is found in Soldiers’ Soul.

With a varied cast, (complete with their Gold Saint and God Cloth forms,) fast paced fighting, beautiful graphics and a smooth, 60 FPS frame rate on PS4, and it’s looking like we’ll need to be ready to add a potentially great fighting game to our radars.

Any Saint Seiya fans out there? Tell us about your favorite moments in the comments, and look for Soldiers’ Soul when it launches on PS3, PS4 and Steam this Fall.

 

Back in August, when Sword Art Online: Hollow Fragment released for the PS Vita, it was generally agreed that the game was serviceable for fans of the popular anime and manga series, but its slow battle speed, grind heavy game play, and poor translation ultimately kept it from being as great as it could have been. With that in mind, Namco Bandai has gone back to the drawing board with Sword Art Online: Re Hollow Fragment, taking fan feedback to make an improved version of the game. Joining many other popular Vita exclusives and jumping ship to the PS4, our hands on time showed that in this case, the move to consoles is like night and day.

 

Sword Art Online HF PS4 E3 Screen 1

If you missed our review of the original game, Hollow Fragment picks up at the end of the first half of the anime, branching off into its own “what if” scenario as Kirito and his friends continue to climb the 100 floors of Aincrad. Still stuck within an MMORPG where players who die in the game die in real life, the group must fight to survive long enough to complete the game, which will set all of the survivors free.

With the ability to team up with characters from the show, (some of which haven’t appeared yet at this point in the story,) level up abilities and weapon skills and build relationships with those around you, each floor has its own set of challenges and bosses before you can proceed to the top. The second part of the game is the game exclusive Hollow Area, where the meat of the game lies. Here, players can explore its huge environments with a friend through co-op play, or pair up with another CPU teammate to tackle its challenges. Featuring over 100 hours of game play if you were to complete everything this massive game offers, that time is likely going to be cut down thanks to the sped up battles.

While playing, it was instantly noticeable how much faster the game moved. In what felt like it was close to twice the speed, each one of Kirito’s attacks took much less time to cast and execute. Considering the game plays similar to what you’d expect from KOTOR or the original Dragon Age, the real time turn based combat never felt plodding like it did before. Naturally, this change applied to your teammate as well, forcing you to stay on your toes with a larger sense of urgency, especially when taking the praise mechanic into account. Trying to send the appropriate message to your partner to boost their morale mid fight was as important as ever, while managing your aggro, skills and health to take down tough enemies.

Sword Art Online HF PS4 E3 Screen 2

Thankfully for us, the game play wasn’t the only feature to get a boost from the new hardware. After being reformatted for big screen HD gaming, the world of Sword Art looks much more vibrant with its brighter colors and smoother frame rate. While cycling through the battle banter, the new translation was immediately noticeable, replacing the awkward wording and sentence structure with something that resembles functional English! It’s obvious that the localization team and developers learned from our complaints of the original, which will hopefully leave us with a more enjoyable SAO experience.

From what we’ve seen so far, Sword Art Online: Re Hollow Fragment seems to improve on the Vita version in nearly every way. If you missed out on the original or want an excuse to run through the game again, this is looking like your best chance to experience the definitive version of the game. With a second game, Lost Song, also launching this year, it’s clear to see why this is a good time to be a Sword Art fan.

Look for both games for PS4, with Lost Song returning to the Vita this fall.

Vampire stories are pretty common nowadays. Many writers try to change it up or put a new spin on the genre. Seraph of the End takes place in a world where vampires have taken control. In a post-apocalyptic future, a mysterious illness kills everyone over the age of 12. Then the vampires appear and the remaining humans, mere children, flee underground. Young Yuichiro is determined to kill every vampire – they killed his sister and his best friend, and pushed humanity into the shadows. Will he be strong enough to fight back? Does humanity have any hope?

 seraph_of_the_end_by_suinomi-d82bgxs

I found this series rather interesting. It starts off with a young boy filled with just blind rage set to fight all vampires, but it expands when he meets a more organized force with the same mission. Yes, it is somewhat formulaic – unskilled youngster wants revenge, meets someone that teaches them how to fight and then the real battle begins. This version, however, still felt very intriguing. Seraph of the End has a similar vibe and art style to Blue Exorcist (which is an awesome series!).

If you like action, mystery, young people taking on the world and the supernatural, then check out Seraph of the End!

SeraphOfTheEnd-GN01

SERAPH OF THE END, Vol. 1 · Rated ‘T+’ for Older Teens ·

MSRP: $6.99 (U.S. / CAN) · Available Now!

Download the free VIZ Manga App for Android and iOS devices at www.VIZ.com/apps.

To learn more about VIZ Manga, please visit www.vizmanga.com.

 

So as you may or may not know, the main Naruto series wrapped up late last year. With the story coming to fruition, that leaves the video games wide open, with the ability to feature a full roster, expanded abilities, and some of the craziest jutsu’s you’ll likely ever see. Considering the Ultimate Ninja Storm series always manages to take things to an even higher level than its source material, and I knew that Storm 4, the upcoming title that looks to explore the finale of the Fourth Great Ninja War, would not disappoint. As expected, the E3 demo had more of everything when it came to its five playable characters. More moves, more awakenings, more flashbacks, more angst… It’s what we’ve all come to know and love about the Naruto franchise!

Naruto UNS 4 E3 Screen 1 - Copy

Having the option of fighting with up to two partners for support, Storm 4 doesn’t veer far from the game play of the previous games. Starting battles in a more dynamic way, with each team clashing at the center of the stage before the fight starts, each ninja will be able to mix up normal attacks, special attacks, substitution counters, and Ultimate Techniques to take out their opposition. Using techniques from the final chapters of the manga, characters like Obito debuts in his Six Paths form, while Edo Madara and Sasuke can each fight as or unleash their Susano ability, which results in some wildly over the top scenes. Even Sakura got a significant update, mirroring her crowning achievement in the final chapters. What adds an even more authentic touch, is like in previous games, defeating enemies with an ultimate jutsu results in a flashback, with the winning character delivering some inspirational, sometimes angsty internal dialogue. Just wait until they start crying blood!

Now that I mentioned it, fighting AS Susano is pretty great. As veterans might have figured, this is Madara and Sasuke’s Awakening ability, which is a powerful transformation that’s triggered when low on health and after the super meter is charged beyond capacity. Not allowing the Uchiha clan to have all the fun, Naruto can go full Nine Tails mode, firing off Bijuu Bombs like nobody’s business. Sakura’s chakra release reveals her full strength, with each landing blow resulting in an earth shaking pause. I have to say, watching Awakened Sakura in action was the highlight of my time, since the game finally captured how much of a badass she can be. Then again, it took almost 700 chapters for the manga to realize it, so the game gets a pass.

Naruto UNS 4 E3 Screen 2 - Copy

If you’ve played a Storm game before, you know what to expect, only now, with a bigger, better roster and move set. If you’ve never played them before, these games just might be the mindless, button mashing fun you’ve been looking for. Considering I’m still having so much fun with the game after I’ve played every one in the series since it debuted, it shows how much fun summoning a giant fox on top of ninjas can be.

Naruto: Ultimate Ninja Storm 4 wraps up the series this fall, for PS4 and Xbox One.

The return of Chibi Robo wasn’t the only Nintendo news involving pocket sized machines. As one of the few announcements separate from what was revealed in the weekend’s Japanese Nintendo Direct, it was revealed that LBX: Little Battlers eXperience was headed to the West this summer!

Based on the anime and manga of the same name, LBX features customizable battle robots using over 130 models and 4000 parts. After making your robo your own, you can pit it against your friends in six player local skirmishes, battling it out for machine supremecy.

If the concept sounds a lot like Nintendo’s own Custom Robo franchise, you’re not the only one who spots the resemblence. While Chibi is getting its chance in the spotlight again, LBX sounds like it could be a suitable stand-in for Ray and the rest of the customs. However, considering that it’s developed by Level-5, (of Professor Layton, Fantasy Life and Ni No Kuni fame,) and based around a popular, multi property franshise in Japan, it’s safe to say that LBX just might deliver.

What are your impressions so far? Would you rather have a Custom Robo title, or are you just as excited to give the new game a shot? Sound off below and tell us what you think!

LBX launches on August 21st.

This week I attended Atlantic City Boardwalk Con to do some interviews for The Saint Mort Show, and to help my friends at Ashen Phoenix with their booth. Whenever attending a first time show, you never really know just what you’re about to partake in, but I can honestly say that this was the most fun I’ve had attending a convention in a long time.

The show was easy to navigate, even with a great turnout. I was hugged by Jason Mewes after talking to him about sobriety, got to interview the writer/director of Animaniacs (podcast coming this weekend), watched DMC rap ‘It’s Tricky’ from not more than 15 feet from me, and I took a picture of Xavier Woods not realizing it was him until much much later (more on this below).

At the con I befriend Marvin Cruz of Hero Hotties Photography, I’d like to thank Marvin for providing me with hese pictures so that I wasn’t posting cell phone photos.

There was definitely a lot of great cosplay at the convention, and these were some of the standouts!

_zOA-hXSVZRcfcaVRUzUoTI2eAQibhpDuP_eZ9j52bo,CIgUWUBG6eHXWgpqIVloTPKGd19slMprY-8FzKNe3OU

1DHnVcBZcB1k1wfVIXXbhG0W-tDHrU-B2mIwTlUvex4,QFO0H1lpFdzd8T1jWYLSe6Q1FLb6dEbFgoU4pTDsmDU

3pMtlvL2hnE-hQ5AVPSZxd9oAePsXg-mgpW1N4Kma9Y,FQpPadC-USPM4PJt-GN-v9uHXMELspzr6Xp9YNMz_bc

3ZsBLBdnsnMzWXB2WuTNOfjhrWEXJIFpkRaKkS5BsGc,Dp47qZFMudQImk5a0yWP279a4-6r9hmwQ0_2Q6zxn7M

5SmPmh4gIzDZS9cxixYRpgdyVx5aYF91beckevAG6nc,uaomwOZma8iS0-R4xC1BrLo9i7J4qoQck7tJmTCy0f8

iJGoySxhMcsVTfwxXG6V-YORdkRzx-OFBHiIS_mUyFU,DelnlLgsQ5yVI0AF3tyVRSxSEhzE5tSXoD4KLp9l2dI

JYlaF_RHoMHVPsmBO3ZNJ10ppp8nKMymKM29TOln8SU

KMyccwawoXJMFZ-lZ_8-eQHt9qOAWJgeTIEFTjbMSHw,VbVEMXAHv8QigKRovFu98DcSQwZKU559eiTIRLSGzro

NgjA4zhNNVhgrzJejPsYT4urm1g4g5rHaSImCybPl6w,q7Kvdw028Uhpz4gL_3vv4J_3tOqOm3luOoZUNMziJSM-1

nowWyAZ5cqjZ9ALDDbYRDGQLQ0W-leP_IdSz88DP5fc,F1VrX1adXDjHvj0sjtMdoHT3AKEAJ1LucpJ7e0p_9Wk

sHW-_i3FHVIpfM3tkxBSui3g_xsZODlF2ud8nPusVN0

t7HP8AWllJ2lZqIaloHi-RXmnLvKmmJzYlnofKKMmMU,UzDVV_Bq3SHOwn24R4F61ah7EdTL54gWTZs7_9xZ56Y

vdzNV4WrdkpAp35U6gf8bNFojQFwW99IvJ9Um2J3-mI,UMk80gaKARQzjdZmUfEZEXjpblFFehuVCGQwZprne10

zL6IK-ZC_9TIgzzfuon97CS6uVExkveSNXu6OdxvqGA

Okay so Marvin didn’t take this last photo. It was pulled from Xavier Woods’ Instagram, but it comes with a story. In wrestling there has been a faction called New Day that people HATED. About 2-3 months ago I began telling people that I genuinely think they were about to turn a corner and become must watch TV. Everyone made fun of me. Now they’re still getting booed … but because they’re heels. They’re hilarious and people have seemed to embrace them more.

So at the booth a guy dressed as the black ranger came over to get a photograph, and I thought he looked familiar but I couldn’t place a name to the face. He wanted a picture with one of the models dressed as Kraven (who was his friends favorite Spider-Man villain). We took the photo and about an hour later another fan came by the booth and noticed my Dolph Ziggler shirt and said “Did you see Xavier Woods was cos-playing as the Black Ranger?”

I checked Instagram and lo and behold… I failed at a chance to tell Xavier Woods how much I love the New Day gimmick (for evidence look no further than this weeks episode of the Saint Mort Show podcast).

11231754_10152763117470780_3765376930864228879_n

The Anime Expo 2015 guest list is rapidly growing approaching the upcoming convention. Taking place over the July 4th weekend (July 2-5), this marks the 23rd year for the Southern California convention. As the current largest anime, manga and Japanese Culture convention in North America, AX never fails to bring in some of the biggest names in Japanese culture and voice acting for panels, signings and events.

In their most recent press release, Anime Expo has announced the latest set of guests attending the convention. From voice actors, to influential manga creators and animation artists, this year’s lineup is looking to offer something for every attendee.

Check out all the new additions below and keep on the lookout for more news as it’s released at Geekscape.net and Anime-Expo.org.

Julietta Suzuki-Creator of Kamisama Kiss

Julietta Suzuki’s debut manga Hoshi ni Naru Hi (The Day One Becomes a Star) appeared in the 2004 Hana to Yume Plus. Her other books include Akuma to Dolce (The Devil and Sweets), Karakuri Odette, and Kamisama Kiss (Kamisama Hajimemashita), which is published by VIZ Media.

In partnership with VIZ Media, we are so excited to have Suzuki-sensei attend Anime Expo this year! She will be participating in a panel, as well as autograph sessions throughout the weekend.

 

Satelight’s Thomas Romain and LeSean Thomas (Cannon Busters)

Joining the AX 2015 guest line-up, Thomas Romain of Satelight is best known for his mechanical design on Space Dandy, and LeSean Thomas, recently spearheaded the Cannon Busters: The Animated Series Pilot Kickstarter.Together, LeSean Thomas and Thomas Romain will present a panel with updates about Cannon Busters, including a first-look at the project and Q&A. They will also both be participating in autograph sessions throughout the weekend.

 

Welcoming voice actresses, Sandy Fox and Cristina Vee

Joining Anime Expo 2015, Sandy Fox (Chibi Usa in Sailor Moon, Kyoko in Akira, Lady Aska in Magic Knight Rayearth) and Cristina Vee (Homura in Madoka Magica and Morgiana in Magi: The Labyrinth of Magic) will both be participating in Q&A panels and autograph sessions.

Will you be hitting up Anime Expo this year? Who are you excited to hear? Anime Expo hits the Los Angeles Convention Center from July 2nd-5th, 2015

AnimeExpo

When you bring one of the most popular anime franchises in Attack On Titan, and the developer behind my favorite game of 2014 in Spike Chunsoft, together to create an action game where you slice up giants using dual swords and an awesome set of grappling hooks, it’s hard not to get excited. This was the case when Nintendo and Atlus announced that a localized version of Attack On Titan: Humanity In Chains was on its way to the Nintendo 3DS, putting us on the frontline in the war against the Titans, human-like giants that have feasted on humanity to the point of near extinction. And really, considering that the franchise has produced a live action movie, car commercials, and even its own line of fragrances, is anyone surprised? With such an exhilarating concept, swinging around cities and bringing these monsters to their knees sounds like it was tailor made for gaming. Unfortunately for Humanity In Chains, the title’s strengths are overshadowed by its shallow game play, limited campaign, and visual shortcomings.

AOT retraces the steps of five characters up until the end of the first season of the anime. Taking control of Eren Jager, players will get the chance to relive key battles from the main story, while unlocking a total of four other characters along the way. Told through still frames and a surprising amount of spoken dialogue for a game meant for a cartridge, it doesn’t mean much when the Japanese voices aren’t subtitled during missions. I still don’t know what they’re saying when I select them, but I’ll guess it’s something full of angst, stoic, or involving food.

IMG_3299.JPG

Primarily, each Scout Regiment Member is tasked with eliminating the titular Titans, with slight variations thrown in the mix, (such as protecting allies, keeping powerful enemies at bay, or collecting items throughout the environments.) Using their Omni-Directional Mobility Gears, (sets of steam powered grappling hooks strapped to their waists,) each character can speed through environments, latch onto enemies and maneuver into the perfect spot to attack their weak points. While there’s a bit of a learning curve, once you get movement down, killing Titans is highly rewarding. Part stealth, part action and part rhythm, attacking involves charging at the monsters at a distance. As your character gets closer, a ring closes towards the center of the screen, prompting you to attack once the ring is in the red, or critical zone. If timed properly, you’ll slice off the limb or neck you’re targeting, resulting in either a stun or a kill depending on where you were aiming. Miss, and you’ll do significantly less damage and dull your blade, eventually forcing you to switch out the weapon and leaving yourself vulnerable in the process. In addition, if you flick the left stick while attacking, this starts a spin attack, which will do more damage and cut through counterattacks, but with a much smaller critical zone. It’s a give and take.

Admittedly, this combat style is an accurate depiction of what the anime is all about when you consider that the goal is to cut the nape, rinse and repeat, but after the shock and awe of pulling off such amazing kills, it becomes easy to see where the game play goes wrong. The timing for critical hits will sporadically change speed, throwing off the needed timing to pull them off. To make matters worse, the spin attack is all but useless since the prompt rarely reaches the critical zone before the attack connects. Especially when normal attacks are more than enough to land a one hit kill, there’s rarely a point where you need to use it. What’s worse is that positioning is harder than it needs to be due to some horrendous camera controls, which constantly move against  the character and need to constantly be reset. Thankfully, New 3DS or Circle Pad Pro owners can use the second stick, which is an absolute must if you expect to keep your handheld from getting thrown against a wall.

aAttack2

Oh, and did I mention that this is pretty much all you do throughout the entire game, which is contained in small, blocks of land surrounded by invisible walls? It’s disheartening to see so much city in the distance with no way to explore it. There are a few missions here and there, like one in an open field, where you need a horse to get around on with no buildings to grapple onto, or taking command of Eren’s Titan form, breaking down the fights into a straight brawl. The problem is that there are literally only a handful of these missions, and most of them can be completed in minutes. In the Titan stages specifically, these are easily beaten by mashing the two attack buttons while occasionally blocking, lacking any real depth that we would hope for in a giant on giant brawl.

These flaws are only made worse by the fact that most of the missions are repeats of each other since most of the character’s stories intersect, with little to distinguish the characters aside from looks. In fact, aside from Eren’s Titan missions and Sasha’s item collection quests, the cast are essentially just copies with different skins. The ONLY difference I could find was that Mikasa and Levy can escape being grabbed on their own, while everyone else needs to be rescued by an AI ally, (which they are surprisingly good at.) To top it all off, even with repeated missions, I was able to finish the story in about three or four hours with almost all A+ ranks on the first try, which would have been even shorter if I didn’t get stuck on an item collecting quest since the gleam on the ground is almost impossible to see.

Humanity In Chains‘ only saving grace is its multiplayer World Mode, where you take the character parts you unlock in story mode, splice them together to make horrifying mixes of your favorite team members, and take on more difficult quests either alone, or with up to three other friends. Here, team members can customize their gear, level up their stats and fight enemies in new ways, including guns, which help give an upper hand against these stronger foes. At least, they’re supposed to, but Titans at a distance tend to spaz out, with their, (and ONLY their,) framerate dropping to the point where it looks like they’re part of a flip book. Between this, the bland environments and the huge amount of pop in, it’s safe to say it won’t win any visual or technical awards come year end.

Attack2

Still, there’s fun to be had in World Mode. In fact, I can’t help but feel that the story mode was an afterthought, considering I rarely had to switch blades, and never healed or refilled steam there, whereas it’s a necessity in World Mode as missions get harder. If you can get a group of friends to play either locally or online, the hardcore fan will likely have a good time, but there’s little reason to do so otherwise.

If we could describe AOT‘s problems in a more concise way, it would be that it’s marred with repetition and a lack of depth, further hindered by some big visual glitches and very little to do. Couple that with its abrupt non-ending and painfully short length, and all you’re left with is an entertaining multiplayer mode that will do little to entice anyone outside of the most devoted fan of the series. If you can find a group of otaku to play with, you might find some fun, but otherwise, I’d pass on Humanity In Chains. If this is the future humanity has to look forward to, extinction isn’t looking so bad.

tl;dr

+ Rewarding core mechanics

+ Multiplayer has numerous customization options, unique missions and exclusive weapons. Fun with a group!

– Repetitive, one note attacks that don’t work some of the time.

– Terrible camera controls that almost require a New 3DS or CPP to make playable.

– Repeated missions with little to no difference between characters, contained in small areas that are rife with invisible walls.

– Ugly graphics made worse by odd framerate dips and way too much pop in.

– A three-four hour campaign with no real resolution, an abrupt ending and only partially subtitled Japanese dialogue.

Final Score: 2/5

Last month, amidst the expected hoopla surrounding Nintendo’s latest announcements, they snuck in the fact that Atlus was localizing the Attack On Titan video game for the 3DS. Now carrying the subtitle, Humanity in Chains and a May release date, fans of the popular anime were excited to get their hands on a game that could only be played with heavy import costs and numerous workarounds.

Well, May is here, and so are more details on when we’ll be able to slay Titans in the West. Coming exclusively to the Nintendo 3DS eShop on May 12th for $39.99, Humanity in Chains gives us the chance to suit up in our 3D Manouver Gears and stand as humanity’s last hope. Taking the roles of Eren Jager, Mikasa Ackermann, and a variety of other characters from the manga and anime series, players can relive key moments from the series, team up with friends, or people around the world with its 4 player co-op, both online and locally! In a world where mankind is on the brink of extinction at the feet of the meanacing Titans, giants who feed on humans, it’s safe to say you’ll need all the help you can get.

In addition, everyone who buys the game will receive a free Attack On Titan 3DS theme. As of now, this will be the only way to obtain it, so if you were hoping to pick it up with those spare dollars in your digital wallet, you’re out of luck. Then again, let’s be real. If you were going to buy the theme, you’re probably buying the game. Plus, it’s a cool bonus for all those hardcore followers.

Unfamiliar with the series? Download the first two episodes on the 3DS for free until June 30th! If that’s not enough, we have a new trailer and screenshots for the game that should get any potential Survey Corps. member ready for some Titan hunting!

*Note: While there won’t be any major plot reveals in this mostly spoiler free review, small details will be covered throughout the review. Read at your own risk!

 

In the years that I’ve been a Dragon Ball Z fan, it’s been really easy to get caught up in things like power levels and storyline hype. As time has passed, my memories of the classic anime series has shifted from the impressive power of villains like Majin Buu to a growing appreciation for what Frieza represented as a character. The self proclaimed emperor of the universe brought DBZ to a much darker place by serving as both the one responsible for the plight of the entire Saiyan race with his immense strength and the perfect antithesis to the eternally pure hearted Goku. Arrogant, powerful, and cruel, the only likable thing about the guy was that he was so much fun to root against! So to say I was thrilled when the follow up to Battle Of Gods would revolve around the revival of the iconic villain would be an understatement, but not without a few worries. Namely, how would Frieza be able to stand a chance after the main cast had grown so much since their time on Namek? Fortunately, Dragon Ball Z: Resurrection F does a mostly satisfying job of giving the villain the showing he deserves, with plenty of surprises to keep Akira Toriyama fans as a whole happy. However, it’s not without a few concessions to the established lore.

Resurrection F wouldn’t be much without an actual resurrection, which comes to pass thanks to Sorbet, who continues the trend of food based names. As a member of the famed Frieza Force who has taken over as its leader since the destruction of Namek, Sorbet and the remnants of the army have had to bide their time before being able to accomplish their true aim, the return of their leader. After tracking down some familiar faces on Earth who have accumulated six of the seven Dragon Balls, Sorbet intimidates them into giving up their wishes after uncovering the final ball, leading to the return of one of Goku’s greatest foes. Except… he’s revived in the same form as he was when he died. So… in pieces. After a trip to the regeneration pod and a bit of plot magic, Frieza is fully restored, and eager to pay Goku back for the humiliation caused by his defeat.

Dragon Ball Z Resurrection F Image 1

Golden Frieza shines in his battle against Goku. Get it?

Right off the bat, Resurrection F amps the audience up for what’s sure to be what promises to be an adrenaline filled rematch that revisits what I feel is the most iconic battle in franchise history, and it delivers on all fronts. Being able to watch Frieza be so unapologetically evil is just so much fun, whether he’s terrorizing his enemies, or abusing his henchmen. Even more impressive however, is how this fairly early enemy is made to seem like such a threat early on. Veering a bit into spoiler territory, the most impressive reveal of the entire film to me was when the catalyst for his much talked about Golden Frieza transformation is the result of him training for a mere four months. While not a big deal on its own, it’s mentioned that he was so naturally powerful, that he had never trained before this point. Sure, it’s a bit of a convenient plot point, but the fact that four months of training puts him at a level where he can go toe to toe with Goku, who has an additional decade plus of experience since their previous fight, helps explain where his characteristic overconfidence comes from.

Naturally, an antagonist is only as good as the protagonists he goes against, leading to the assembly of one of the most varied supporting casts in any DBZ movie. While most movies revolve around the Saiyans and their immense power, it was great to watch forgotten favorites like Tien, Krillin, and even Master Roshi, (who hasn’t had a significant battle since World’s Strongest), take on hundreds of foot soldiers in an incredible fight sequence against an entire army. Knowing that a common complaint of the series has been about how most of the cast has been pushed aside for Goku and Vegeta, you wouldn’t be able to tell in this film, since each gets a decent amount of time to shine. In fact, even a non Dragon Ball character gets a chance to show what he can do, but I won’t give away the surprise here.

Dragon Ball Z Resurrection F Image 2

Master Roshi with some much needed screen time.

Speaking of, the attention paid to the cast goes for both inside and outside of fights, since a few refreshing scenes show what life is like in the world outside of the fighting bubble. Despite some of these scenes dragging to the point that it slows down the movie a bit, it was great to see how normal society functions for those who aren’t shooting energy out of their hands. I mean, Krillin has a job! Doesn’t get any more real that that.

But despite each character getting their moment in the spotlight, the focus eventually shifts back to Goku, who remains as simple minded and kind as always. Picking up after Battle Of Gods, him and Vegeta have spent the last few years training with Beerus, the God of Destruction, and his handler, Whis, in order to master the Super Saiyan God form. At this point, it’s expected. I mean, when are Goku and Vegeta NOT training? But get this… Is it possible that these two actually get some character development from Whis’ guidance? When the inevitable battle on Earth takes place, Goku’s usual demeanor won’t cut it, leading to some shocking developments that force him to change the way he approaches his enemies. Will it stick? Probably not. But it was an interesting development to experience as a longtime fan, especially when anime movies have the reputation of being mostly irrelevant to the overall story.

Dragon Ball Z Resurrection F Image 3Super Saiyan God Super Saiyan? Or is it Super Super Sayian God? Super Duper Saiyan?

Sure, this all sounds super serious, but I’m happy to say that in between all the doom and gloom surrounding revenge plots and threats of planetary destruction lies a strong sense of humor that was more often found in the original Dragon Ball series compared to Z. If Battle Of Gods had one flaw, it was that it was too silly, leaving some fans dissatisfied with the amount of action that came with the final fight. While I might have been afraid of a knee jerk reaction to eliminate all humor going in to Resurrection F, I was pleasantly surprised to see every character, from top to bottom, delivering laugh out loud moments even during the fights. And yes, even Frieza gets to have a few lighthearted moments. Just one thing though, Toriyama really needs to drop his pink, swirly poop obsession.

It might be impossible to put together all these plot pieces without creating a few continuity issues. All things considered, this film does an amazing job of re-establishing old characters into a post Majin Buu world. Yet, the film’s biggest flaw lies with ignoring previous established rules that ended up being ignored. Why can Goku turn into a Super Saiyan God without the help of other pure hearted Saiyans? Why is Gohan degrading in power even more than before? Why does he even need to go Super Saiyan when Mystic Gohan was supposed to be his stronger, permanent form? Why is Frieza’s version of Hell, (which is hysterical, by the way,) so different from the established Hell he was in at the end of the Majin Buu saga? And on that note, while I appreciate addressing Majin Buu at all, why does Frieza act like he didn’t know Buu was awakened when he was watching Goku fight him?

Considering that these small nitpicks are the worst the movie offered, it shows how solid of a film Resurrection F truly is. Acting as a crowd pleasing film that satisfies on all levels, and what we get is one of the most well rounded films in the DBZ catalog. Dare I say, though I might need the hype to die down a little to say for sure, as of now, I feel like is a strong contender for best movie in the entire franchise! Featuring a more varied cast, a great sense of humor, incredible fight scenes and a surprising ending, is a can’t miss experience for any DBZ fan. And honestly, who isn’t?

tl;dr:

+ Solid writing that manages to create believable scenarios, character growth and endless excitement.

Gorgeous animation that isn’t reliant on 3D animation.

+ Manages to find a near perfect balance of humor vs. action.

+ Satisfying scenes that find ways to surprise while making every character feel important.

– Inconsistencies with the established canon is bothersome.

– Middle portions of the movie drag a bit.

– Toriyama’s strange poop obsession.

Final score: 4.5/5

Once again Matt joins some of the people behind TanoshiiCon to discuss what excitement is ahead of us this year at the con. We also get into our geek history, our geek knowledge and think back to how awesome local music used to be. Make sure to check out TanoshiiCon on April 25th

Pick up your copy of the Carrie Double Feature from Scream Factory.

Follow Saint Mort on Facebook and Twitter and SoundCloud.

If you really like the show get Matt something nice off his AmazonWishList

Subscribe to Us on iTunes

During the latest Nintendo Direct, it was revealed that not only will the latest Attack On Titan game for 3DS receive a Western release with Atlus on localization duty, but that it’s coming a lot sooner than we would think.

Subtitled Humanity In Chains, this handheld title is based on the wildly popular anime about the last surviving humans as they fight to defeat the giants, or Titans, that have nearly driven humanity to extinction. In a series that revolves around swinging with grappling hooks, (or in this case, 3D maneuver gears,) while fighting these towering monsters  with twin swords, a video game adaptation seems like a natural fit. Developed by the fine folks at Spike Chunsoft, (developers of gems like the Streetpass game, Warrior’s Way, and my game of 2014, Danganronpa,) up to four players will be able to jump online and take on the Titans together, as well as riding solo when necessary. Whether or not every stage will revolve around your character vowing to kill all the Titans, only to get killed in 10 minutes, is yet to be seen. It depends on how close they want to stick to the source material.

Coming exclusively to the Nintendo eShop in May, we don’t have long to wait for this one. Watch the new trailer below, and let us know what you think!

I can’t quite speak to the origins of this trailer footage. Unlike trailers airing on Jimmy Kimmel Live! I can’t tell what show this aired on, but nonetheless this is our first real look at the official Attack on Titan movie coming soon.

https://www.youtube.com/watch?v=x4vO2GRnlFc

Attack on Titan is a legitimate hit, and is one of the biggest name-brand anime to have come out in a long while. It’s almost leading an anime revival, which didn’t really die but kind of plateaued in the late-2000s. One particular reason that I’m happy for the series’ success is in its lead writer, Yasuko Kobayashi, a woman in an overwhelmingly male-dominated field and is a genius of a genre writer. She wrote Kamen Rider Ryuki, which remains one of my favorite Kamen Rider shows to date.

The overlay graphics are kind of annoying, but I don’t think angry foreigners sitting at their computers can do much to change broadcast Japanese TV, so deal with it.

Let us know what you think about the movie below!

Now that Sailor Moon is neck deep in its revival, it’s time to wrap up season one with the final 26 episodes! As the remaining Sailor Guardians are discovered, their quest to find the Moon Princess they’ve been tasked to protect becomes even more urgent, as the Dark Kingdom zeroes in on the seven Rainbow Crystals. Whoever possesses these will obtain an immense power that not only threatens the heroes if they fall into the wrong hands, but may even draw a rift between the team and the mysterious Tuxedo Mask, who is after the crystals for his own ends. As the fight between our heroes and the Dark Kingdom draws to a close, this marks the first time that many of these episodes have been dubbed in their unedited form, serving as a true test as to whether or not the new cast can bring these crushing scenes to life. Now that the credits have rolled and the curtain has closed on the first full season, I’m happy to say that the team has nailed it!

More so than Part 1, which was mostly introductory and filler material, Part 2 takes no time in hurrying the story along, starting with Nephrite’s heartbreaking last stand. In between the introductions of Sailor Jupiter, the guardian of lightning and thunder, and Sailor Venus, the long teased original guardian, the team must fight off their latest threat in Zoisite. Perhaps the cruelest of the Dark Kingdom’s Four Kings, their chase after the reincarnated monsters that hold the Rainbow Crystals takes an unexpected turn when Tuxedo Mask begins claiming the crystals for himself! This struggle eventually leads to some shocking revelations, changing the dynamic between Sailor Moon and her team, with their uneasy allegiance with Tuxedo Mask, and a final battle against Queen Beryl, her right hand in Kunzite, and the ultimate evil in Queen Metalia. One threatens to leave the Sailor Guardians in shambles.

Of course, none of this would come off as great as it sounds if the voice acting didn’t follow through. Yet, whether it was Liam O’Brien’s emotional performance as Nephrite, Mars’ and Jupiter’s actors sounding almost exactly like the original 90’s voices with so much more material to work with, or the rest of the cast leaving their own stamp on such iconic characters, it didn’t take long for me to completely forget that I was listening to a new cast, and become completely absorbed in the world that they were bringing to life. Of course, the true test would come in the final few episodes, which have never aired in English before now without heavy edits. There’s no way that I’m spoiling it here, but if you’re a long time fan, know that these pivotal scenes were performed to near perfection, living up to the enormous task of establishing the emotional tone while completely selling me on Stephanie Sheh’s Usagi/Sailor Moon. Make no mistake about it; she’s the real deal!

YISfvq8

But with all the praise that I’m giving the new content, not all was perfect in the Moon Kingdom. Namely, the animation never felt like I was watching a remastered, high definition version. Considering that the animation is older, this can be mostly forgiven. However, if it wasn’t for the DVD being bundled with the Blu-Ray release, I wouldn’t see any reason to purchase it over the cheaper alternative if you just want the series.

Part of the aim with this new set is to bring a faithful version of the series to Western audiences, sticking to the Japanese version as close as possible. Yet, in the case of the episode titles, our friends in the East have a habit of giving away the plot in both the episode previews and in the titles themselves! I’ve watched these episodes multiple times, but if I was a new viewer, I’d hate to have the surprises ruined for me before I watch. On a side note, the eye catch, (or break between episode halves,) was awkward in Japanese, with its cringe worthy Sailor Moon cry. In English, it feels even more out of place. Personally, I could do without, but this will likely be an issue spanning the entire series since the original cuts keep them around.

As for the episodes themselves, there is still a fair amount of unnecessary content, some of which feels extremely out of character in certain cases. Namely, in Episode 43, the whole concept that the Sailor Guardians would double cross Sailor Moon was absurd, and even though the episode is fun if not taken too seriously, it’s hard to believe that both the Guardians AND the Dark Kingdom would fall for each other’s thinly veiled traps. Some moments are head scratching to say the least.

On that subject, Kunzite gets the short end of the stick in the worst way. Despite being the most powerful and most threatening of the Dark Kingdom, his entire arc consists of nearly all filler content, often feeling like an afterthought compared to not only his subordinates, but the allies he interacts with. Once he finally takes the stage in his only real battle, he’s so easily defeated, that it’s hard to understand why he was so hyped up to begin with. Still, the final moments and everything before were so strong, that it’s easy to forgive these underwhelming moments.

In addition to the main episodes, the set comes with some collectable cards with various artwork, and a series of special features that fully explore the revived Sailor Moon fandom. Including clips of the activities held on Sailor Moon Day at various conventions during the summer, fan interviews discussing their favorite memories of the series, and the full Anime Expo Sailor Moon panel, (much of which we covered as they were happening,) these bonuses served two purposes from what I can see. One, they helped people like me relive such a great time for longtime fans who were finally rewarded for their patience with this revival. Two, it allowed those who couldn’t make it to enjoy the festivities like those who were in attendance did! Outside of these sections, the standard clean opening and endings, trailers, and art galleries round out the extra content, all of which is worth a watch!

Cards

All in all, watching the first season has made me so excited for what the rest of the series will deliver. With so much never before released content in the West on the way, this will be a long term commitment, one that seems like it will be worth taking. Season One Part Two has set the bar high in terms of vocal quality, which has been boosted by the (mostly,) excellent story that it was framed around, and despite the dated visual quality, it delivers in almost every other way. Obviously, you might want to start with Part One, since this set starts at the end of a running storyline, but most of the most important developments are housed in Part Two, making it so much better for it. Plus, this set will fit nicely in that Part One Box Set with the gaping hole in the side! Whether you’re a new fan, or a longtime Moonie who still believes in the Guardians of Love and Justice, you can’t go wrong with this set!

Key Episodes: (WARNING! Some Titles Are Spoilerific!)

24: “Naru’s Tears: Nephrite Dies for Love”

25: “Jupiter, the Powerful Girl in Love

27: “Crushing on Ami: The Boy Who Can See The Future”

30: “Grandpa Loses Control: Rei in Danger”

31: “Love and Chased: Luna’s Worst Day Ever” (Complete filler aside from the Rainbow Crystal plot, but a fat, green cat that mimics Tuxedo Mask is too hilarious to miss!)

33: “Enter Venus, the Last Sailor Guardian

34: “The Shining Silver Crystal: The Moon Princess Appears”

35: “Returning Memories: Usagi and Mamoru’s Past

41: “I Won’t Run Away from Love Anymore: Ami vs. Mamoru”

42: “Sailor Venus’ Past: Minako’s Tragic Love” (A MUST WATCH for Venus fans, detailing her past as Sailor V, bridging the original Manga with the anime. Never before dubbed until now.)

44: “Usagi’s Awakening: A Message from the Distant Past”

45: Death of the Sailor Guardians: The Tragic Final Battle” (Uncut and dubbed for the first time, this episode will sell you on the new cast if you weren’t already.)

46: “Usagi’s Eternal Wish: A Brand New Life”

Final Score: 4/5

For those of who have had Ori and the Blind Forest flying under your radar, you are definitely doing yourself a disservice. Developed by Moon Studios, Ori and the Blind Forest tells the tale of an unlikely hero destined to combat fierce creatures in an attempt save the forest of Nibel. The game itself looks stunning and is easily one of the most artistic titles you’ll find on console. Don’t believe me?

After booting up the title, I was immediately drawn to the music. This attraction only grew as the game went on. It’s safe to say that Moon Studios has done an excellent job at coupling some of the game’s most heartfelt music with the images being portrayed on screen. For example, I can pretty much guarantee you will notice the game’s score at the main menu. It’s rhythm and melody matches the game’s world to such a degree where I cannot imagine one without the other.

And while we’re on the subject, let me offer some advice: Ori and the Blind Forest‘s prologue is not for the faint of heart. With careful use of composition and and color, Moon Studios manages to pull off what few games can do throughout their entire story, which is the ability to convey emotion. Trust me, play through the prologue of the game and you’ll want to see this character out till the end.

Prologue08-jpg

One of the favorite things about this game is the art style. While that may come off a little cliché, I must say that fluidity of the world is impressive. Everything from the blades of grass to falling leaves fills the world with life. All of this adds to one overarching story with multiple characters who serve the story in way that makes it easier for gamers to understand.

SunkenGlades22-jpg

The game’s story is told through narration and action, which often supplements the narration. Luckily for us, the narration is always brief and subtitled. Still, you must pay attention to each snippet of information to have a full understanding of the game’s narrative and characters. Falling behind can be easy if you’re not focused. In this way, Ori and the Blind Forest isn’t a game you boot up when you’re looking to kill time. It’s clear the developers and storytellers demand your full attention and are keen on rewarding you for doing so. While there are elements of exploration, each piece of the world feels necessary.

SunkenGlades01-jpg

I admit, I was unsure how much I would like Ori and the Blind Forest‘s gameplay. Having had my nose in the books for the last three years due to school, I was only able to get away to play FPS’ or sports games. Regardless, Ori and the Blind Forest is easy to pick up. I must say that a lot of the puzzles were completed through trial and error, though, the repetition in doing this did not bore me either like other games.

SunkenGlades16-jpg

For those of you who have never played a game like Ori and the Blind Forest, another game on the Xbox One I can relate it to is Max: The Curse of Brotherhood. This title was free a while back for Xbox Live Gold members and shares much of the same elements of exploration and problem solving. What separates Ori and the Blind Forest from Max is its replayability and the repetitive nature. Anyone who did not enjoy Max: The Curse of Brotherhood will find solace in the fact that Ori and the Blind Forest will keep you interested as it’s lively art style should keep you from getting bored.

oriScreenForlornC-jpg

Overall, I would say Ori and the Blind Forest is a solid purchase. The game is single player, but offers a good amount of playtime. Leveling up and choosing what abilities to master will keep the game fresh upon multiple playthroughs and should be subject to debates among friends. If you’re looking for a game with story and a unique art style, Ori and the Blind Forest is your game. Just be aware, the prologue is just as good as Up as far as tugging at your heart strings goes.

Aniplex of America recently wowed audiences by hosting the new and exciting anime feature film, Expelled from Paradise. The producer of the film, Mr. Koichi Noguchi, was able to attend the Los Angeles premiere and I was able to interview him (via a translator) to get the inside perspective on this new feature! My review of the film is below following the interview.

Expelled1 TOEI ANIMATION, Nitroplus / EFP Society

Q: First of all, congrats on the screening being sold out and being here. How do you think an American audience will respond to the film and are you nervous about the screening?
A: He’s really happy that there are actually people here to watch the film because that was something, of course, that he was worried about. You know, if American audiences would be interested in the film and even come to watch it. But he is very glad to see a lot of people coming today. Another thing is that another big theme about this movie is science fiction. So science fiction, of course, is something that came out of Western culture and not, it’s not something only in Japan, so he’s… he’s pretty positive about how American fans would receive this science fiction themed movie.

Q: Any special message that you want to tell fans?
A: He’s been getting this question all day. There are three main characters in the film and they’re all different actually. They’re actually representing the three different perspectives on humanity. So, the first character is a total… he’s human, he’s a normal human – totally with a physical body. Another character, she has a body, but her main part is actually digital, so her body is not really real. It’s a cyborg body, cyber-body. And the third person, third character in the film is a total A.I. So coming from those three different perspectives, the film is going to be describing where is humanity going from here, from now, and the existence of humanity and what it means.

Q: What was the most challenging thing working on this project?
A: The most challenging thing is to create CG animation – a CG animated theatrical feature. The two main challenges coming… branching off from that main challenge are that Japanese audiences or Japanese fans are not really familiar with CG animation and a lot of times they usually don’t receive it positively when it comes to CG animation. And the other thing is the budget because CG animation is usually very expensive to create. So those are the two main things.

Q: What do you like most about the film, either the process or the film itself?
A: This specific film?

Q: Yes.
A: He really enjoyed working as a team, working with a creative facet and creating something from scratch, working together with the team members and producing a film. This is his first time producing a film, so that was a very rewarding experience for him. And to create something with such a strong message was a great project.

Q: What is it like watching a project you worked on with a full theater audience?
A: It is very difficult. So, I mean, of course, in the beginning he was very afraid of what the reaction of fans would be and he has already done several screenings in Japan with the fans and, as you know, it has been received very well in Japan. Fans love it. So, he has seen that already, so now he is comfortable, feeling confident about how the film has been received by Japanese fans and so today he is hoping that he will feel the same way, and just enjoy the film with the fans and relax.

Q: How did you get involved with this particular film?
A: [Mr. Kochi laughs] He is not really sure. Well, he is talking about how his main goal was to spread his passion for 3D CG in Japan. He really wanted people to see it more and have more people understand and see 3D CG animation in Japan. So that’s where he started to work with Gen Urobuchi (Nitroplus) and director Mizushima and together they wanted to create something that would become a catalyst for 3D CG in Japan.

Q: Okay, a more fun one… What are some of his favorite anime titles?
A: Because of his background in digital effects and CG, he is actually a fan more of live action films. He loves Interstellar. So, do you know Perfect Blue, by director Kon?

Q: Yes.
A: That’s something that he really looked into when creating this project and he saw all the aspects of that film, how it was received and how it became, what the process was in creating that film. He really liked Satoshi’s film and then Perfect Blue is actually one of his first films that he worked on so that was something that really interested him as something to look into when was starting to work on this project also. Also, you know because it also included CG animation in that film and so it was very similar for what they were trying to go for and budget-wise he thought it was something they could look into.

Q: Okay, great. Arigato gozaimasu (Thank you)!

Expelled2

Here is a synopsis of the film:

With Earth now left in ruins following the “Nano Hazard,” most of humanity has abandoned the planet they once called home along with their physical bodies and rebuilt their digitalized minds into a society within the cyber universe of “DEVA.” A.D. 2400, DEVA’s central council detects an incident of unauthorized access into their mainframe. Someone on Earth was trying to hack into the system. The only information DEVA was able to retrieve was that the hacker referred to themselves as “Frontier Setter.” To investigate the mysterious hacker’s motives, the high officials of DEVA dispatch System Security Third Officer Angela Balzac to the Earth’s surface. Equipped with a prosthetic “material body,” Angela attempts to make contact with a local agent Dingo. Will Angela and Dingo be able to find Frontier Setter on this devastated planet? Their journey to explore the secrets of the world will begin now…!

expelled4

I thought Expelled from Paradise was awesome! There is action, lots of humor, and enough Mecha (robots manned by humans) for the fans that enjoy that genre but not too much to lose those that do not care much about it. Oh, and let’s not forget sexy characters with fun fan service shots. The main two characters, Dingo and Angela have hilarious banter that is extremely entertaining with moments of sweet compassion. The film also has fantastic deep commentary on what it means to be human. Is a body that important? Are you still human if your mind is just digital material on a server? What defines being human? It is visually beautiful! The 3D CG gave it a cool new style that was smooth and had a look all its own. You really felt like you were in these environments. Overall, if you like science fiction, anime, or thought provoking material, you need to check out Expelled from Paradise!

expelled3

When I get the chance to write on the site, it’s usually to profess my love for all things Studio Ghibli. And why not? It’s my site and I might as well use it to share with you the joy of a studio I first discovered over 20 years ago. I’ve often stated that Hayao Miyazaki is one of the top 5 living filmmakers in the world and that his films like Princess Mononoke, Laputa: Castle in the Sky and Nausicaa Of The Valley Of The Wind played a big part in my life.

Funny then, that I recently realized while watching the new Blu-ray release of his classic Porco Rosso that I’d been watching it completely wrong this entire time!

I consider myself as close to a purist as you can get. I watch my Studio Ghibli films with the original Japanese language track on with English subtitles. John Lasseter and Disney Home Video have done a great job for years of doing English language translations upon releasing these films in the U.S. but for an old fan like myself, who grew up with the original language tracks, I have to accept no substitutes. That is, unless it comes to Porco Rosso.

The English language track great. Michael Keaton and Cary Elwes do a great job of headlining the American cast of this strange yet sweet story of a peerless Italian pilot who’s been cursed to fly as a pig. This really is one of my favorite Ghibli films, as the humor and tale of missed opportunities strikes a fantastic balance between levity and depth that surrounds the entire movie. Scenes in which Porco Rosso (Keaton) is flying circles around and thwarting the ridiculously cartoonish sky pirates and his rival aviator Curtis (Elwes) are some of the funniest moments in any Studio Ghibli scene. But the storyline that really grounds the film, the one revolving around Porco Rosso’s curse and the impossible love story with the beautiful Gina reveals Porco Rosso to be a tragic fairy tale with the same level of character depth as any other Ghibli film. It’s one of my favorite endings to any of Miyazaki’s films, as it leaves you with more questions than answers and must be seen to understand what a sweet gift this movie really is. Kids will love it because it’s got a flying pig and adults will love it for all the reasons on layers and depth that I’ve just listed.

porcorosso-small
Porco Rosso

 

But neither the English or Japanese language tracks are still the way to watch this film.

No. You want to watch Porco Rosso with the French language track on. I’m serious. And I don’t even know French. But I know that Jean Reno’s rendition of Porco Rosso is the best version of the character and that the film, which takes place in the Adriatic in the years after WWI and whose majority of characters are Italian, just feels RIGHT experienced in a romance language. Obviously, an Italian language track would be the absolute best way to watch this film, but are you really going to turn your nose as Jean Reno playing an ace combat flying pig?

Disney has spared no expense in bringing the absolute best version of the film to Blu-ray. The image is sharp and the audio quality is top notch. Like their Blu-ray releases of Princess Mononoke, The Wind Rises and Kiki’s Delivery Service from last year, we know that the folks at Disney are as big a fans of these films as we are and put care into bringing them Stateside. Porco Rosso goes one step further in also including the original film’s trailers, storyboards and an interview with film producer Toshio Suzuki taken from an earlier release of the film. It’s not just an interview either but a mini-documentary on the production of the film. For fans who bemoan the industry wide shift from traditional cell animation to CGI, it’s worth watching. And trust me on the French language track. It IS the best way to watch this classic, and is available in top form here.

Also released this week on Disney Blu-ray are two other Studio Ghibli films. Tales From Earthsea, directed by Hayao’s son Goro, is a mixed narrative bag that is probably reserved for only Ghibli completionists. Based on the “Earthsea” fantasy book series by Ursula K. Le Guin, the urgency of the film’s story never gets off the ground. The protagonists split the storyline in semi-Episode 1 fashion between following archmage Sparrowhawk and young prince Arren in their quest to solve the deep seeded chaos that is overcoming their kingdom. The plotting is vague and you honestly don’t meet the villain (voiced in the English track by Willem Dafoe in of the Blu-ray’s highlights) until almost halfway through the film.

Tales-From-Earthsea
Tales From Earthsea

 

 

Although Earthsea does feature some incredible animated sequences, some of them do feel like they were handled by secondary studios without the care or the time necessary to pull them off. Fans consider this to be one of Studio Ghibli’s big missed opportunities and it’s pretty apparent here. The technical quality of the Blu-ray translation is top notch but the movie is pretty flawed. That being said, you should watch the English language track if only for one of my favorite Willem Dafoe lines in any movie. It happens towards the end and will have you howling. I won’t spoil it for you here but you’ll know it when you see it. Trust me.

On top of that, Disney Blu-ray also brought out an incredible translation of Isao Takahata’s strange but very enjoyable Pom Poko, about a community of raccoons battling against the encroachment of civilization. There aren’t a lot of bells and whistles to this Blu-ray but the film is one of the more curious ones in the Studio Ghibli library. It has it’s charms and is definitely worth picking up if you’re even a modest Anime fan. The level of weirdness (and humor) in this movie is just something that you’re not going to find in many other cinematic corners. This one is a must watch if only for the risks that it takes in being told. It is not the typical Studio Ghibli story of nature versus civilization and deserves to be experienced at least once.

All three films, Porco Rosso, Tales From Earthsea and Pom Poko are available this week on Disney Blu-ray from Disney Home Entertainment.

pom-poko
Pom Poko

 

For those dedicated Moonies who’ve patiently waited for the second half of the first season, the months of agonizing are almost over! Viz Media has announced that the remainder of the Dark Kingdom story arc will release on Febrary 10th, both as a Blu-ray/DVD Combo Pack, and as a standard DVD set!

Covering episodes 24-46, Sailor Moon, Mercury and Mars continue their fight against the Dark Kingdom. In pursuit of the seven Rainbow Crystals, their remaining allies in Sailor Jupiter and Sailor Venus, and the mysterious Tuxedo Mask, the conclusion of the groundbreaking first season will be told for the first time with an uncut English dub.

Rounding out the Blu-ray package is a holofoil slipcover with specialty printing, special features which include highlights from Sailor Moon Day convention events from last summer, a ‘Moonlight Memories Part 1’ featurette, the full Anime Expo Sailor Moon panel and cast reveal, interviews with the cosplay team, digital art galleries and clean opening and endings, putting that HDTV to good use in 1080P! The DVD set will include special packaging, the convention highlights and the clean opening and ending as well, but since the Blu-ray set has so much more in addition to the inclusion of the DVD’s, there’s little reason not to go the HD route.

With season 1 wrapping up, we’re that much closer to finally seeing the full series here in the West. Are you planning on picking up this set? Let us know, and keep an eye out for a full review of the redubbed season 1 in the coming weeks!

782009243717

Source: Viz

This week, VIZ Media celebrates its 3 year anniversary of the launch of the official digital English edition of WEEKLY SHONEN JUMP (“the world’s most popular weekly manga magazine”). Read on to learn more on how you can check out the magazine for free starting today 1/19!

WSJ2015_01_19_Cover

To mark the milestone, VIZ Media invites readers to sample WEEKLY SHONEN JUMP for FREE with a special promotion. For a limited time, beginning with the January 19 edition, four complete issues (Jan. 19; Jan. 26; Feb. 2 and Feb. 9) of WEEKLY SHONEN JUMP will be available to read for free at shonenjump.com.

 

In addition to the U.S. and Canada, WEEKLY SHONEN JUMP and the special limited time promotion are available to readers in the U.K., Ireland, South Africa, Australia, and New Zealand at ShonenJump.VIZ.com and through the WEEKLY SHONEN JUMP App for iOS and Android devices. Additionally in North America, the free WEEKLY SHONEN JUMP issues also will be available via the VIZ Manga App and WEEKLY SHONEN JUMP App for iOS and Android devices.

 

In each week’s issue, don’t miss Takeshi Obata’s brand new school courtroom manga drama, GAKKYU HOTEI: SCHOOL JUDGEMENT. In the series, as problems continue to plague the elementary school system, a new solution has been enacted in the form of the School Judgment System! Now the young students themselves will be responsible for solving the issues that befall them. Defense attorney Abaku Inugami may be only a sixth grader but he’s as fierce as they come in the courtroom as he uncovers the truth behind the incidents plaguing the school. Plus he never forgets to practice his cool “Objection” poses!

 

Haven’t heard of WEEKLY SHONEN JUMP yet? Read on to learn all about this awesome publication!

 

WEEKLY SHONEN JUMP is published digitally every week by VIZ Media and features the latest installments of some of the world’s most popular manga series released to English readers across North America on the same day as the magazine’s general print release in Japan, including BLEACH, BLUE EXORCIST, FOOD WARS!, NISEKOI, ONE PIECE, ONE-PUNCH MAN, SERAPH OF THE END: VAMPIRE REIGN, TORIKO, WORLD TRIGGER and YU-GI-OH! ZEXAL.

 

“WEEKLY SHONEN JUMP’s global scope and readership has grown substantially since our digital launch in 2012,” says Andy Nakatani, VIZ Media Editor-in-Chief of WEEKLY SHONEN JUMP. “We are preparing an exciting year of manga content, and new and veteran manga readers alike can take advantage of the special anniversary promotion to check out all of the great WEEKLY SHONEN JUMP content that is available to English readers on the same day as the issue hits in Japan!”

 

As part of the 3 Year Anniversary promotion, new 1 Year Memberships are available for only $19.99 (USD). WEEKLY SHONEN JUMP members receive 48 weekly digital issues as well as special premiums such as Yu-Gi-Oh! Collectable Trading Cards, rare one-shot manga releases, digital-only promotions, and access to additional subscriber-only content including creator interviews and insightful promo videos. (*Note: Yu-Gi-Oh! cards are only available to annual subscribers in the US and Canada.) Current subscribers can also access their accounts via VIZManga.com, the VIZ Manga App, and shonenjump.viz.com or with the WEEKLY SHONEN JUMP App on iOS and Android devices.

For more information on WEEKLY SHONEN JUMP and exclusive subscriber offers, please visit shonenjump.viz.com.

For more information on VIZ Media manga titles, please visit http://shonenjump.viz.com.

According to Variety, The Avengers and Her star Scarlett Johansson has signed on to DreamWorks’ live-action American adaptation of iconic Japanese anime Ghost in the Shell. Rupert Sanders (director of Snow White & The Huntsman) is on board to direct, with Avi Arad (producer of the Spider-Man trilogy) and Steven Paul as producers. Their screenplay comes from Bill Wheeler, who seems to be well within the spy-thriller genre in case you want an idea how this adaptation might play out.

From Variety:

Johansson is set to star in DreamWorks’ adaptation of the popular anime pic “Ghost in the Shell.” Deadline Hollywood had reported that the actress had the offer to star but at the time she was still undecided about taking the role. Sources now say she has agreed to star in the pic.

 

The story follows the exploits of a member of a covert ops unit of the Japanese National Public Safety Commission that specializes in fighting technology-related crime.

Was Lucy a success? An action heroine is something I’ll always get behind, but somehow I always miss those movies opening weekend. SaltColumbianaLucy, and yet I’ll shake my fist at the studios for not having Gamora or Wonder Woman front and center of their superhero movies. I’m a hypocrite. Burn me at the stake.

I’m not sure which part I should concentrate on here. I’m excited for Scarlett Johansson’s star to keep rising because I think she has the talent and charisma to become a true triple-A blockbuster icon, but I can’t get excited for an American Ghost in the Shell. I have no stake in honoring the source material because I’m not the biggest anime fan, so they’re free to deviate as they wish for all I care, but even I know Hollywood’s shitty track record on adapting Asian properties for American shores. There is a reason why Ghost in the Shell resonated with so many people on its own, but in turning it into something for everyone you lose a lot of nuance, more than just the gritty details of the who and the what. It’s the why of the story that gets muddled. I can’t really say I’m looking forward to that.

But hey, great for Johansson. I’ll be looking forward to seeing her kick more ass at least.

Fans of Blue Exorcist will be excited to learn that Kazue Kato has a short story collection out now called Time Killers, published under the Shonen Jump imprint. Now if you have not heard of Blue Exorcist, go watch/read it right now! Fans of Kato’s writing and art style will enjoy seeing glimpses of characters they know and love in her early works. The collection starts with her award winning debut, The Rabbit and Me, which was published when she was only 19. It ends with The Miyama-Uguisu Mansion Incident which very much like her best selling manga, Blue Exorcist.

tumblr_mb3h89u5f21rwtpjco1_1280

At the back of the book, there is an excellent section of author’s notes where Kato explains the history and inspiration for each story. She mentions the final story was not a prototype for Blue Exorcist, but it is based on a rough layout she did for Blue Exorcist. Either way, it is a real treat to see the early incarnations of characters that are found in Blue Exorcist. Even if you have not watched the show or read the manga, you can still appreciate the collection. This would be a great way to see how talented Kato is as an artist and storyteller. You will notice she has many consistent themes such as rabbits, friendship/brotherhood, and tough guys who always seem to get into trouble but ultimately mean well. This collection is fantastic for established fans of her work. I loved seeing her early short stories and later reading the inspiration behind them!

Two of the stories are in beautiful full color pages as well as a couple single pages. The book itself is printed on a fine quality glossy paper which feels more elegant than your standard manga. Though Kato’s style is apparent throughout, you can see how she improves, develops her style, and becomes more confident as an artist. It is also enjoyable to see Kato’s experiments with technique such as only drawing in pencil, using different coloring tools, and drawing tons of detail work. Over Kato’s career, she had fun drawing what she was interested in, no matter how random, and that enthusiasm is visible in this collection. If you are looking from some cool stories and awesome art, kill some time with Time Killers!

TimeKillers

Time Killers is rated ‘T+’ for Older Teens, and will carry an MSRP of $14.99 U.S.

A digital version of Time Killers is available for $10.99 (USD/CAN) from VIZManga.com and through the VIZ MANGA App for the Apple iPad®, iPhone® and iPod® touch, Android-powered smart phones, as well as through the store fronts for comiXology, Nook, Kobo, Kindle, iBooks and GooglePlay.

Catch the Blue Exorcist manga series available in-print and digitally from VIZ Media on VIZManga.com and other partner platforms as well as the Blue Exorcist anime series which streams on HULU and Neon Alley, in addition to a host of other digital platforms available throughout North America.

For more information on Time Killers, or other shonen manga titles from VIZ Media, please visit www.VIZ.com.

Fate/stay night is back and even better than before! Aniplex of America hosted an event at the Downtown Independent in Los Angeles where they screened the first episode (#00: Prologue) of the new series, Fate/stay night: Unlimited Blade Works. The screening was sold out and packed full of enthusiastic fans including a handful of cosplayers (dressed up as characters from the franchise). The audience loved it! At the end, they could not wait to see the next episode. Right now, you can watch episodes 0 – 2 on Hulu, Crunchyroll and the Aniplex Channel. Aniplex of America also gave all of the fans in attendance a limited edition lithograph called “UBW memorial record.” Another treat for fans was a pre-screening video introduction by the show’s creative team. It was a special inside look at their creative process, what they are excited about and other insider stories.

rin2

The Fate/stay night franchise started off as a visual novel (adult video game) and later became a manga, multiple anime series, and a couple of full length films. This new series, Unlimited Blade Works, focuses more on Rin Tohsaka and is based on the visual novels. The prologue is told from her perspective.

This story focuses primarily on the heroine Rin Tohsaka. After her father’s death, Rin enters the Holy Grail War as the sole heir to the prestigious Tohsaka Household, with her servant Archer. But, she soon finds out that Shirou Emiya, a boy from her high school has gotten himself involved in the battles and unexpectedly saves him when he is fatally injured. Before long, Rin sets out to strike down the conspiracies surrounding the Holy Grail War along with Shirou and his summoned servant Saber. And so, the story begins to explore the truth behind Shirou’s powers and the nature behind his unyielding will to become a ― hero.

It looks amazing! Everything is so clear and crisp, and the colors are beautifully saturated. You get to see everything during the fight scenes, and they are so cool! The relationship between Rin and Archer develops nicely and, during the video introduction, the creative team hinted at more to come. If you have seen any of the Fate/stay night series, this is a must watch. Also, you can still enjoy this series even if you are unfamiliar with the franchise. It is starting over but from a new and fresh perspective so it is informative without being repetitive. Go check out Fate/stay night: Unlimited Blade Works now and you can thank me later!

For more information visit: www.FateStayNightUSA.com

rin1

 

 

Though summer may be over, it is still hot in southern California! Well, you can cool down with Free!, though for some, it might just make it hotter. A few of my female friends had been squeeing (squee = “an expression of extreme cheerfulness that goes beyond words”) over this show and now with the release of season 2, I thought I would take the plunge.

free2

Free! is about a group of friends who enjoyed swimming together for fun and competing in swim meets when they were in elementary school. Flash forward to them in high school and some things have changed. Their aquatics center is going to be torn down, Rin went away to school in Australia, Nagisa is now in high school and re-introduces himself to Haruka and Makoto (they don’t recognize him at first), and Haruka is still obsessed with being in water all the time. Will they ever be together as a team again? Their high school has an abandoned/rundown pool, but will they be able to fix it?

free6

This is definitely a Shojo show because it focuses on relationships (primarily friendship – though there are yaoi [boy on boy] undertones). To be honest, domestic/real life anime does not have a particular draw for me (compared to supernatural, magical, fantasy, historical, or horror animes) but I did enjoy the first few episodes of Free!. Now, before I get into the meat of the show, let me first talk about why this show has the ladies (and some guys) drooling. It is a swim team = beautiful men frequently shirtless; it is basically fanservice. Then you acknowledge the water aspect and notice these boys glisten. Yep. Not just twinkle in their eye, but full on, let me get out of the water and stun you with my glistening physique. There is a funny female character, Kou, who joins the team as their manager, but her other motive is that she enjoys ogling the swimmers. Not only that, but she focuses on somewhat random body parts. One time she admires a guy’s triceps and one of the boys on the team questions her obsession by repeating the praised body part’s name out loud. The timing is perfect because as soon as she says, “I can’t get enough of those triceps,” I am thinking, “triceps? Really?!” and low and behold a character voices my exact sentiment.

  free3

The overall style is very Shojo with everything being so pretty and deeply saturated. The only thing that is a little weird is these shirtless athletes have no aerials or nipples; they are like Ken dolls. Though it is not common in anime to see nipples on men (or even most women), it is emphasized by how often these characters are shirtless.

free1

To be honest, the show did not totally hook me but I am curious to see where it will go. The relationships between friends is entertaining, with warm and fuzzy moments, jokes/teasing, and many of the characters striving to be free like Haruka (the best swimmer on the team).

It has the vibe of a sports centered show and the swimming is shown rather well. There are shots outside the pool as onlookers catch the action and there are POV shots that let you experience their underwater world. Watching the show makes you want to go swimming. Even if you have never been on a swim team, you can appreciate the camaraderie. Not every character on the swim team is a star swimmer, they vary in skill, which is refreshing because it allows those characters to develop.

 free5

If you want to ogle some pretty boys, want a refresher from the heat, enjoy sports shows, or are interested in relationship shows, then you should check out Free!.

free4

The hit anime series, Fate/stay night, is back and Aniplex will be hosting the US premiere! Fans will able to enjoy the very first episode before it airs on television. The event will be held at the Downtown Independent in Los Angeles, CA on September 28th. Doors open at 12:15pm PST and the event begins at 1:00pm. Attendees of the event will receive a Fate/stay night giveaway item while supplies last.

This series will be featuring the Unlimited Blade Works arc. This arc will focus on the heroine Rin Tohsaka, her summoned servant Archer, and the situations involving the other participants of the fifth Holy Grail War.

rin1

Hideki Goto, President of Aniplex of America, Inc. says that he expects both new and veteran fans of the Fate/stay night franchise to enjoy this exclusive event. He went on to say, “The Fate/stay night series is an anime title that has captured the hearts of many fans and it continues to be popular through the years. I’m looking forward to enjoying this unique story on the big screen along with the fans.”

To purchase tickets for the Fate/stay night US Premiere event, please visit: http://fatestaynight.bpt.me/

For more information on Fate/stay night, please visit the official website at: http://www.fatestaynightusa.com/

Aniplex of America, Inc. had also confirmed Fate/stay night will begin its streaming schedule through Hulu (www.hulu.com) and Crunchyroll (www.crunchyroll.com) from October. The specific date, time, and platforms will be announced at a later date.

Fate/stay night is an excellent series! If you are not familiar with the story, read below.

Fuyuki City—a city surrounded by the ocean and the mountains becomes the setting for an age-old ritual. To realize the mythical Holy Grail, which is said to grant any wish from its possessor, seven masters are given seven heroic spirits chosen by the Grail. These heroic spirits or servants are: Saber, Lancer, Archer, Rider, Caster, Assassin and Berserker. Each master will enter into a contract with their assigned servants and battle the other masters and servants to the death until only one pair remains…

rin2

 

pjs

VIZ Media invites Sailor Moon fans to join in a special virtual “slumber party” tonight starting at 8pm (PST)! There will be a special premiere of re-mastered classic Sailor Moon ep. 1-4 featuring a brand new English cast. Fans can stream the episodes on Neon Alley and Hulu. At the same time, the “slumber party” will be a unique live stream event on VIZ Media’s YouTube channel. Viewers can simultaneously watch the live, uncut Sailor Moon episodes and join the VIZ Media staff on its YouTube channel for a “lively evening of witty commentary, inside facts and tons of fun from the company’s headquarters in San Francisco.”

This is definitely an event Sailor Moon fans, old and new, will want to check out!

7bf4774686d74610d6bd49090d021ff81409769001_large

English dubbed episodes 1-4 – featuring the brand new English cast – will be available to stream beginning Friday, September 5th at 8:00pm (PDT), and episodes 5-23 will debut 12:00am (PDT) September 7th, 2014. English dubbed episodes will be available for a limited time only. Classic SAILOR MOON Episodes 1-34 (in Japanese with English subtitles) are available now, with 2 new episodes debuting each Monday. Please visit NeonAlley.com and Hulu.com/sailor-moon for more information.

More info on Sailor Moon Crystal:

Fans of the new SAILOR MOON CRYSTAL will not want to miss the Neon Alley simulcast premiere of 2 new subtitled installments from the rebooted fantasy/action series – Episodes 5 and 6 – that will become available beginning September 5th and 19th respectively. Based on the legendary manga series, SAILOR MOON CRYSTAL (rated ‘TV-PG’), retells the story of Sailor Moon as she searches for her fellow Sailor Guardians and the Legendary Silver Crystal to stop the dark forces of Queen Beryl.

For more information on Sailor Moon, Sailor Moon Crystal, or other award-winning anime titles from VIZ Media, please visit www.VIZ.com.

tumblr_l380i0wzqn1qagyv4

What’s the next step in the process of making a successful anime about a video game? Obviously, you would make a video game about it! Sword Art Online has built up a large following by engrossing anime fans in an MMORPG where death in the game means death in real life. But with bringing the series into a real video game, the challenge is to create the same feeling while keeping the game fun. In many ways, Sword Art Online: Hollow Fragment succeeds, simulating a massive multiplayer experience with single player in mind. In this sense, it succeeds, for better and for worse.

Thrust into the world of the anime, Hollow Fragment takes place at the conclusion of episode 15 of the anime, (so you should AT LEAST watch that for unless you’re immune to spoilers). After clearing the 75th floor of the 100 stage tower of Aincrad, the lead character, Kirito, triggers a glitch in the system that locks away the previous floors, forcing the survivors up to this point to keep climbing to the 100th floor, hoping that the deadly game will finally come to an end.

Acting as a “what-if” scenario that pushes the story past the original events of the series, fans of the anime will be pleased to be able to explore the floors beyond 75. Playing as Kirito, you’ll be able to customize his appearance, voice and name to your liking, (the latter option only being available in the beginning), but that won’t stop everyone in the world from calling you by his original name, making the creation tool somewhat of an empty gesture.

sao_eng_chrmake_01_1399988742

Accompanying you on your quests are nearly every female from the anime and manga, (and Klein). Being able to adventure with the likes of Asuna, Silica and Lisbeth is sure to get that fanboy/fangirl side giggling. Even characters who are supposed to appear later in the timeline such as Leafa and Sinon there way in here, because “what-if” is another way of saying, “screw continuity”.

After agreeing to partner up in the HUB world of Arc Sophia, the world is yours to do what you want with. Did you want to spend that three million plus COL that you start with on some new armor or weapons? Go for it! Maybe buy a present for your party member? Knock yourself out! Want to go on an awkward date by leading them to specific parts of the map? Umm… Sure! In this strange mini game, these “dates” consist of the tried and true technique of pretending to listen and agreeing when necessary. With the only social options available consisting of agreeing or disagreeing, is it any wonder how Kirito has so many admirers? Your cool indifference can even lead to you “sharing a bed” with your partner of choice. Did we mention he’s married?

Once your gear is set and you decide on whatever waifu you want to bring on your adventure, your two person party begins taking quests, exploring the floors and fighting through dungeons before reaching the boss. Like what you would expect from a real MMO, some of these missions include killing a certain amount of monsters, collecting items or defeating sub bosses. At times, your in game friends list will send out requests to help them level up or defeat tough enemies, boosting them and yourself in the process.

SAOHF

On that subject, team building is important in the world of SAO. The battle system revolves around the use of an agro system, where enemies only focus on one person at a time. Manipulating this system is the key to victory in Hollow Fragment, since different actions affect their attention in different ways. Primarily, you’ll be able to replace your slow paced auto attack, which builds no agro, (or “Risk”, in this case), with a burst attack. Burst triggers stronger versions of the standard auto combos at will, rewarding the player with boosted damage output and even an extended time frame to use the ability if attacks are timed right. However, the lower the Burst Meter drops, the less damage it does, eventually leading to the loss of your dodge ability. When considering that boost attacking quickly maxes out your Risk, switching with your AI partner to take the heat off is a must, making it especially important to keep their strength up for those hard fought boss battles.

Outside of standard attacks, Kirito can switch between sword abilities that do heavy damage, abilities that boost party members or weaken foes, or issue commands to his teammate. The unique atmosphere of the MMO experience comes fully into play here, where praising your partner, issuing team attacks and answering their requests lead to various buffs during battle. And much like the show, after discovering a boss room, special missions that focus on gathering information on defeating it or strengthening your in game guild’s power must be completed to give your party a fighting chance. You don’t want to carry the guilt of all those dead players on your heart, do you?

But what if you want a break from climbing the floors of Aincrad and just want to kill stuff? That’s where the Hollow Area comes in. Acting as a separate section of the SAO world, this unbelievably large world features a slew of extra missions, powerful monsters and exclusive loot to carry back into the main game. Featuring the option to play with up to four real life friends locally, an already huge game becomes so much bigger thanks to this expanded land. But if you have trouble finding friends with SAO, friends with Vitas, or just friends in general, you can always team up with Philia, a new character with mysterious ties to the new land.

maxresdefault

Reading this, it’s clear that there is an insane amount of mechanics to explore, relationships to build, and space to explore. Yet, while it does a great job of creating the feeling of a limitless MMO world, it doesn’t translate as well when the real game is focused on single player. Primarily, accomplishing even the smallest task takes an absurdly long amount of time. This might be great for a real online game that is supposed to last for years, (all while sapping your monthly fee from your wallet), but when playing in a simulation of a social game, it essentially just breaks down to you grinding for hours to gain the smallest amount of strength.

This isn’t helped by the fact that the game literally wants you to be Kirito. With that, comes a character who is already far advanced in level, money and sword skill, making level grinding even more of a pain when every enemy starts off 20 or so levels under him. But what if you want to use a rapier, a dagger or a two handed sword as your primary weapon? Well, then it’s back to square one, forcing players to take level grinding to a whole new level with weapon skill grinding. Be prepared to be taken to the brink of death against dangerous foes like a giant bee, a wild boar and the dreaded snail, because your new weapon will be weak. It will miss A LOT. And in some cases, it won’t have any skills unless you’re willing to grind out a few hours to build up skill points.

All of these problems could have been aliviated if we were allowed to create our own character, at least in the Hollow Area, which is completely seperate from the main narritive. If we were allowed to create our own guy, (or girl, which isn’t possible here), and start from scratch, maybe even fight WITH Kirito and friends instead of AS Kirito, then this could have really been our experience. Instead, we have a situation where I felt like I was picking up in the middle of someone else’s game, having to go out of my way to ignore the stronger, pre-established skills that the previous player upgraded. In a game that’s looking to simulate a customizable RPG, there’s no excuse for this.

Sword

Aside from these issues, other nagging problems include the pace of the battle system, the graphics, and the poor translation. Sword Art Online is a fast paced affair on TV, but while the game lets you stack abilities for quick attacks and dodging, it’s still slower than you’d expect considering the source material. Visually, most of the environments look bland, with characters that lack detail outside of the gorgeous 3D cutscenes. Aside from the Hollow Area, the title is actually a Vita port of a PSP release, and it definitely shows. And lastly, while the text gave me some incredible gems like “annoying makes people hated”, and “… lack supporting evidences”, it’s technically not a good thing that the text is filled with so many errors. On the plus side, I never knew that a slash, (as in “/”), could replace alphanumeric symbols.

Yet, despite its flaws, I still had a ton of fun playing Hollow Fragment. Being able to tackle huge boss fights, party up with my favorite characters from the show, and even explore new areas with my friends while my character gets progressively stronger is incredibly rewarding. It’s just too bad that it tries to be too many things to too many people, making it ultimately falter. Not quite MMO, but not quite single player. Not quite anime adaptation, but not quite a standalone experience. Not quite a turn based RPG, but not quite an action RPG. It’s good at what it sets out to do, but is great at none of them, with numerous flaws, keeping SAO from becoming the next must own Vita game. With that said, if you’re a fan of the series, loot grinding, or hundred plus hour RPGs, you can’t go wrong with Sword Art Online.

TL;DR

+ A huge world to explore with countless hours of content.

+ Rewarding boss fights

+ A sense of community with the game’s NPC’s, making you feel invested in their progress.

+ More customizable abilities, techniques and attacks than you’ll know what to do with.

+ A fun, fast-ish paced battle system that rewards team based actions, but…

– It’s still too slow for the action RPG mechanics it tries to impliment.

– Being unable to create your own character rather than a customizable Kirito undermines the customization factor.

– The game seemingly punishes you for wanting to fight with anything other than the signature dual swords.

– Dated graphics and a poor localization job hurt the overall presentation.

– An game based on an online game with no online. Good luck finding local friends with the game and a Vita.

Final Score: 3/5

I think it’s time we blow this scene

Get everybody and the stuff together

OK.

3
2
1

Let’s Jam!

Get ready to open those wallets! It has been announced that December 16, 2014 is the U.S. release date for the fully remastered complete series of Cowboy Bebop. Some of the changes done are softening the outlines, cropping and darker colors, take a look at the comparison below.

comparison1

A little reminiscent of the work that Disney has gone into with their re-releases of their classic films.

This is literally one of my favorite Animes, last time i watched it was when the Remix set was released back in 2008. A revisit of the series and film is due.

There are four options are available for purchase:

DVD standard edition
Blu-ray standard edition
Amazon Exclusive BD/DVD Premium Edition
FUNimation.com Exclusive  BD/DVD Premium Edition

The two Premium Editions will each feature different packaging and premium items, but their precise details will be announced later.

Source: FUNIMATION

The latest episode of  Sailor Moon Crystal serves as the real testing point between whether  or not fans of the original anime will take to this new adaptation. More so than any of the previous acts, the reveal of Sailor Mars differs greatly from the manga compared to how the 90’s series introduced the character, which means Crystal has inevitably followed suit. But with the differences in the way the story is told, this also leads to the Sailor Senshi’s greatest battle yet, as they come face to face with Jaedite, one if the Four Kings of the Dark Kingdom, which results in an exciting, if not flawed, half hour of television.

The episode opens with a warning from Queen Beryl, the Dark Kingdom’s apparent leader. Jaedite’s previous failures has her enraged, and puts the pressure on her subordinate to find both the legendary Silver Crystal and the mysterious princess, that she correctly speculates her enemies are also in pursuit of. So naturally, this leads to Jaedite saying “screw it”, with the elaborate plans and just decides to start kidnapping people en mass in hopes that someone in his giant people pile ends up being the person he’s looking for. Since dozens of people going missing all at once on a daily basis isn’t a typical occurrence in Japan, (though probably still not the weirdest), the mysterious vanishing bus that the victims were last seen on becomes the talk of the town. This leads to blame Rei, a mysterious shrine maiden with hidden powers, since one of the victims in particular was visiting her temple before boarding the bus. As you would expect, the incidents also draw the attention of Luna, Ami and Usagi, who begin their own investigation into the disappearances.

Now, while the plot shares some similarities with the way that the original, (the disappearing bus, Rei being suspected to be involved, her thinking Usagi was an evil spirit), the majority of the content derives greatly from that version, which may throw some nostalgic viewers off. Rei isn’t as bossy or antagonistic towards Usagi as before, and instead comes off as calm, compassionate and even tragic in her demeanor. Not to say that this more subdued take on the character doesn’t kick all kinds of ass, but we’ll come back to that in a bit.

But possibly overshadowing Rei’s debut was this week’s interaction between Mamoru and Usagi, which was all kinds of adorable. Finally introducing himself to her after three episodes of crazy random happenstances, their interactions are also far less antagonistic, leaning more towards a mutual attraction that neither can explain. But even more importantly, when Sailor Moon chases the demon bus into the Dark Kingdom, Tuxedo Mask not only sees her use her transformation pen, but catches Luna. Now that he’s heard the cat talk twice and saw her transform, he just has to know who she is. It will be interesting to see where their dynamic goes from here.

Once the episode shifts into the Dark Kingdom, that’s really when it becomes Mars’ time to shine. Due to Jaedite getting directly involved with the scheme of the episode, there was always a feeling that the episode was leading to a big showdown between him and the Senshi, and it delivered pretty well. The highlight of the entire fight was when Jaedite tried to freeze Rei with his ice beams after subduing Sailor Moon and Mercury, only for her to dispel his attack with her power, but this was BEFORE she became Sailor Mars. Talk about bad ass!

Once she does transform, her real power shines through. The battle doesn’t last much longer, leading to Jadeite being engulfed by her flames, where he meets his ultimate end… Or does he? In the manga, he’s burnt to ashes, leaving the enraged Nephrite, (who made his official debut in this episode alongside Zoicite), to pick up where his failed companion left off. But here, Jadeite obviously teleported out before he could be killed. What implications does this have for the story going forward? Will Nephrite still take over in the next act? And how will Queen Beryl react to this latest failure now that her subordinate isn’t a pile of ash? It’s deviations like this that will keep everyone on their toes, making me even more excited for Act IV.

And yet, while Sailor Mars shined through, Rei’s characterization came off as the weakest part of the episode, especially compared to previous acts. Like I mentioned in my review of Act II, the writers commendably found a way to drive the main story forward while squeezing in Ami’s background, motivations and tragedy as she was isolated from her peers. With Rei, the only things we learned about her are that she goes to a different school, she lives in a shrine and her powers are strong enough to render an attack from a powerful otherworldly general useless, but not strong enough to track missing children.

Oh, and did we mention that she’s beautiful? We should, since I think it was mentioned about seven times throughout the episode by three different characters. So much so, that Usagi deemed it necessary to stare at her on the bus, get off at her stop, and follow her home. Where I’m from, that would be a restraining order in the making. And while I appreciate the nod to Jadeite and Sailor Mars’ potential connection, I’m pretty sure contemplating your attraction to someone and touching their face while the person is unconscious is a big no no.

But the most ironic part is that Rei seems to be the victim of the majority of animation errors in this episode. For someone who’s so beautiful, she has the habit of making some really awkward faces.

With so many errors, they’re impossible to ignore. It’s unfortunate that they had to affect my favorite Senshi But hey, am I impartial, or what?

In the end, Act III creates plenty of anticipation for the following episode, namely with how the relationship between Sailor Moon and Tuxedo Mask will proceed now that he essentially knows who she is, and what will happen with Jadeite, since the typical story has him dying at the hands of Mars’ attack. With that said, while enjoyable, Act III ends up being the weakest episode yet. If the series can get over this misstep and get back to the excellent characterization of its cast from the first two episodes while cutting back on the animation errors, we’ll be sure to be treated to an unpredictable adventure, even for longtime manga purists.

Final Score- 3.5/5

With the premiere of the third episode arriving tomorrow, what better way to build up the hype for the next episode of Sailor Moon Crystal than by checking out the latest episode preview? Easy answer: there is none.

Hyping up the debut of Sailor Mars, the episode looks like it will tread familiar ground as the original series. When people riding a bus that carries tourists to visit the Hikawa Shrine, its passengers have disappeared without a trace. Suspecting that her enemies may be involved, Sailor Moon and Sailor Mercury are forced to investigate, all while Rei Hino, the property’s shrine maiden, seeks to restore the reputation of her home after word of the abductions spreads.

Or at least that’s what happened in the first adaptation. But wait, the preview teases Zoicite, who doesn’t appear until far later in the original anime. What’s going on!? Well, as with the rest of Crystal, there are sure to be big differences this version and the original anime, since this new version follows the manga directly. For those who have read it, you know how much of a big deal this episode is. Will you be watching?

The trailer, including clips of the Sailor Mars transformation sequence, can be seen with a quick click on the video below. Get excite!

Episode 3 will stream on Crunchyroll, NicoNico and Hulu starting at 3AM PST/6AM EST on August 2nd.

www.youtube.com/watch?v=X00Hi0fyUo8

My god, that felt like the longest wait I’ve ever had to endure. Yet, we’ve survived another two weeks, and the second episode of Sailor Moon Crystal is finally here! No longer on her own, Sailor Moon now has Sailor Mercury at her side! After watching the events of the episode play out again through the rebooted series, it was presented in a way that made the old story feel new again, while fleshing out Ami’s personality quite a bit, (or as much as 23 minutes would allow).

Episode 2 jumps right in to introducing Ms. Mizuno as a talented, genious level student who finds herself alienated by the rest of Juban Middle School for it. Her constant studying makes the rest of the school feel like she’s cold and stuck up, but as rumors spread, Usagi decides she will take the chance to befriend her, (if only for the hope that Ami’s smarts will rub off on her own awful grades). But their bonds run deeper than either of them realize, and once Ami’s genious level after school class begins having their energy drained by a new threat, it’s up to Sailor Moon to rescue her new friend… Or is it?

Moon fans of old will instantly notice how much stronger the character development moved in this episode compared to its mid 90’s counterpart. Between characterizing the newest Sailor Warrior, developing the friendship between Ami and Usagi, showing that there’s more than meets the eye to Usagi’s advisor, Luna, and making the enemies seem far more threatening than they used to, and it’s easy to tell that the production team wastes absolutely no time with what they’re given in Crystal.

Most importantly though, the episode made me feel, which is an impressive feat when watching TV at three in the morning. The innitially selfish intentions Usagi had for befriending Ami quickly fade away, especially during the arcade scene, making these polar opposites seem like they have a legitimate, fast forming friendship. Even during the fight at the end, though I know the story and how it plays out for the most part, I still felt a sense of urgency for Sailor Moon when it looked like she could have been killed, rather than staring at the clock waiting for Tuxedo Mask to save her. This surely has to do with the fact that she used more than just her tiara in the fight, leading to a failed supersonic cry. After being so used to a one and done super attack at the end, seeing a back and forth with a throwaway monster felt fantastic to watch.

Oh, and by the way, the best part? Tuxedo Mask DOESN’T save her, or at least he doesn’t directly stop the monster. He was only able to cut Sailor Moon out of her trap AFTER the newly discovered Sailor Mercury uses her Aqua Mist to distract the enemy. After a mostly faithful transformation sequence, Mercury hits the scene hard, complete with her own battle introduction. Just try watching this episode and claim that she’s useless in a fight. She saved the whole fight!

Yet, at the risk of sounding like a broken record, the 3D animation used during the transformation sequences is still jarring, especially when it switches back to 2D, immediately highlighting the huge contrast between styles. Something about it just doesn’t fit. And while I’m happy that Sailor Mercury’s transformation isn’t almost a full minute, the show would benefit from speeding up Sailor Moon’s overly drawn out one.

Yet, that’s the only real complaint in an episode that accomplished so much in so little time. More humor was introduced in this episode, (especially with Usagi and Mamoru/Tuxedo Mask outside the school), the facial expressions were more varried, and we saw a variety of powers on display. And of course, we’re teased with Jaedite, the current antagonist, getting moe and more frustrated with the intervention of the Sailor Warriors, closing with a teaser of Rei/Sailor Mars, making the next two weeks even harder to bare. With the way the series is playing out so far, at least we know the wait will be well worth it.

Final Score: 4.75/5