We can finally talk “The Amazing Spider-Man”! Huge changes are coming to the Marvel Universe! Jean Grey returns! The Joker is coming back to Gotham! “East Bound and Down” gets a 4th Season! The Walking Dead Episode 2 gives me goosebumps! And Weta sends me “Triump” from New Zealand! Also! I talk the Geekscape Comic-Con booth schedule!

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Nick Gregorio joins me for a brand new Geekscapepod! I review Abraham Lincoln Vampire Hunter and Ted! I’m excited to play The Walking Dead Episode 2 and Nick and I talk about the best Spider-Man video games! “Guardians of the Galaxy” is coming to theaters in 2014! “Big Hero 6” is coming from Marvel and Disney Animation! Edgar Wright has begun some “Ant Man” work! Before Watchmen continues to be good while the Punisher sets his sights on the Avengers! What’s Nick’s problem with Jim Lee? And HUGE news for Geekscape and Comic Con! Plus, my brother Daniel remembered.

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This October the creative team of Fred Van Lente and artist Alessandro Vitti will be bringing you a special holiday themed one-shot. ‘Marvel Zombies: Halloween’ returns us to a world filled with zombies where one kid just wants to go trick or treating.

Talkng about what we will see Van Lente says “The franchise is known for being really over the top and focusing on the insane idea of zombie-infected super heroes. And in the past, we’ve done stories with martians, robots, knights and many of Marvel’s monster characters. So for our Halloween one-shot, we’re doing more of a “classic” zombie apocalypse story about a woman and her son. The kid has grown up in a zombie apocalypse universe and when Halloween rolls around, he wants to go trick or treating. He’s heard about it and read about it, but his mom doesn’t think it’s a very good idea because they’re surrounded by zombies.”

So he asks her, “What’s the purpose of us staying alive during the zombie apocalypse if we never get to have any fun? What’s the point of just surviving?” He then sneaks out on Halloween night and goes Trick or Treating in a Spider-Man costume and events spiral from there. It’s a horrific but sweet little tale.”

On whether we will know the characters or it will remain a mystery.

“Exactly. If I revealed those things, I would give away the game, but I can reveal that this is going to really focus on Marvel’s kid and teen heroes; Avengers Academy, Runaways and even Power Pack. You’ll see more gruesome versions of these teams than we’re used to seeing. It’s sort of what “Lost Boys” did for vampires.

Plus, there’s even a surprise appearance at the end of the story by a Marvel character I’ve always loved, but for various reasons have never been able to include in a story. Their appearance in this is particularly apropos. It’s another horror-themed Marvel character that I’ve never been able to write.”

Source: CBR

Alice (Milla Jovovich) is back with some quite familiar faces. Love it or hate it…check out the trailer for the next chapter in the series. Because let’s me honest…these aren’t some kind of award winning films but they’re definitely fun to watch.

The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, Alice (Milla Jovovich), awakens in the heart of Umbrella’s most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by newfound allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.

‘Resident Evil: Retribution’ is in theaters September 14, 2012.

Spoiler alert!

Spoiler alert!

Spoiler alert!

Okay… I warned you three times so if you click this and say “What the fuhhh…spoilers!” Well…its your own fault. Merle Dixon is back for season three of ‘The Walking Dead’ and with something new “in hand”. The racist brother of fan-fave Daryl has appeared as a figment of his imagination before but it looks like this time around he is back in the flesh…minus missing some. Last we saw Merle he was left handcuffed on a roof by Rick Grimes with a group of walkers on their way. Well WalkingDeadNews has posted this new image of Merle from season 3 showing off a new “look” and possibly confirming rumors that he will be a part of The Governor’s group.

 

Kind of hoping we get a cool scene involving him using that on some zombies here. Just sayin’.

Director Alex Nicolaou recently wrapped up one of Full Moon Feature’s latest projects, Zombies Versus Strippers.  During an all too brief break, Nicolaou– yes, you do recognize the name, as he’s the son of Subspecies director Ted Nicolaou– took the time to speak with Geekscape about the trials and rewards of working with an excess of zombies and bare flesh.  As if there could be an excess of either of those.

A: Was this your choice?  When this project came up, were you like “Yes!! Zombies and strippers!“?

No, actually, it’s a funny story.  I got hired to rewrite a pre-existing script and apparently an executive at Red Box had come up with the idea and they had the script  and I got hired to rewrite it.  I brought my friend, Frank, to write it with me.  We do a radio show on KXLU and we write all sorts of sound sketches and special episodes so we’ve done a lot of writing together.  We hammered it out in probably seven days for no pay, just a page one rewrite.  We kept in some of the lines, the basic trajectory of the plot and what happens, stripped out some unnecessary exposition and increased the character quirks and changed the characters around.  We decided that frat boys weren’t as interesting as punks, so we changed frat boys to punks and basically we were working out of love for movies like Return of the Living Dead and just all these really inspirational movies from the 80s.  So we’re trying to work that retro vibe into it, but as soon as we rewrote it, I pitched myself as the director to Charles (Band) and got the job.  Immediately after that, pre-production began.  Which was its own special chaotic situation.  We basically had to cast the movie as quickly as possible.  I think casting ended about two days before shooting began.  We had a table read that went really well, we have a pretty amazing cast—they’re really working their asses off, they’re all really great actors, they all fill their characters out really nicely, come up with brilliant suggestions and ideas to throw in there.  The only problem is, thus far, we’ve started with two of the heaviest scenes in the movie in terms of just dialogue and the amount of characters, so it’s been a really testing first couple of days, but we’re getting through it and the stuff we’ve shot so far looks great.  I’m really excited about it, I can’t wait to see how the rest of the shoot goes.

A: And this is your first movie?

This is my first movie, correct.  I made a bunch of films in college and had been writing a lot of stuff, but I put it down to pursue other things.  I worked for about a year in a sort of punk rock cinemateque called Cine Family on Fairfax, where it was a continuation of my film education.  We were showing a different movie every night, from the insanely obscure Son of Dracula, which is a Bollywood horror film that just has some of the most psychedelic bizarre sequences to John Cassaveti’s(??) movies.  So this theater just shows everything.  They’re amazing and I learned a lot from them.  And then I stopped working there in December and started writing again, got the call from Charles and wrote the script.

A: So everything’s great, this is something you wanted to do– direct films?

It’s something I’ve really wanted to do, and this is definitely one of the hardest things I’ve ever done, just trying to block scenes and stage action on the fly… because often times, by the end of the day we’ll have three hours remaining and still a number of scenes we have to shoot and suddenly the set-ups and shot lists that I had intended to use are no longer possible.  So immediately I have to think of something completely different.  I guess what we really realized is that the script we wrote and the script as it appears on the page cannot be the same one… it would be impossible to get the script that we wrote fully on camera.  Time makes everything different.  Time is the most important thing, making the schedule.  So, we’re trying to throw in as many artistic and aesthetic flourishes as we possibly can but the most important thing is that we get this movie shot in nine days and there’s a ton of action and a ton of characters and we want that to be the case, because we feel like everyone has a really nice character arc, the story’s cool and the dialogue is funny and there’s cool references in there.  But, man, is it hard to jam it into such a condensed time period.

I would not be able to do it if I didn’t have such an incredible camera crew and DP.  Everyone is fighting so hard to help make the movie that I’d like to make on this time frame.  So if I didn’t have some of those people backing me up, there’s no way I’d be able to.  I am directing this one, we’ll see where it goes from there.

You can check out the on-set coverage of Zombies Versus Strippers over here.

Being on a Full Moon Features set would be a dream come true for some people, a Make a Wish Foundation project come to fruition, without that pesky immediately-descending-death thing.  Full Moon is, after all, the company that brought us such movies as Puppet Master, Subspecies, and The Gingerdead Man among so many countless others—and they really feel countless.  This is a film company with a horror movie pedigree that can’t be easily compared.

So you can imagine the sound of my delighted girlish squeal when I was invited by Full Moon to set to watch the magic in action.  And by magic, I mean zombie horde.

Recently, Full Moon began working with Red Box to bring more of their movies into the public eye, making it now quite easy to drop by your local Red Box stand and pick up titles like The Dead Want Women, Killer Eye: Halloween Haunt, and Killjoy’s Revenge.  With this, Full Moon has begun to produce movies with a wider audience in mind.

Thus film Zombies Versus Strippers is about to descend upon us in all its brain-consuming glory and, yes, my right frontal lobe already has started to feel devoured… by excitement!

Spider (Circus-Szalewski) is a business man who is down on his luck.  His strip club, The Tough Titty, isn’t doing well and has put him into dire financial straits.  An offer of buyout from Ralph Fiorentino: The Parking Lot King has started looking more and more like the only way out and Spider is finally starting to seriously consider it.

Now, this could be a movie on its own.  Throw in Tom Hanks as Spider and Julianne Moore and Nicole Kidman as strippers (one of them has a deathly ill kid—probably that little girl with leukemia from Sisterhood of the Traveling Pants) and this could be a heart-warming tale of wrecked lives healing through someone’s rundown dream of perfect tits bobbing along to a great beat.

Or it could be a great musical.

But this movie doesn’t have any fatally flawed kids.  What it does have is a set of strippers and a zombie outbreak.  Let’s focus on the important part first.

Bambi (Victoria Levine) is an adorable little blonde and one half of the movie’s brief love story, and she is flanked by the sassily stereotypical Vanilla (Brittany Vaughn) who could double in spunk for Foxy Brown and Sugar Hills (Eve Mauro), an older but still quite libido-friendly woman with a smart mouth and a penchant for booze.

Then there’s the zombies… and there’s a lot of them.  They like brains and shuffling.  One of them looks like Michael Jackson.  And they’re never explained.  This movie focuses on what would happen if the employees of a strip club with no internet access in the middle of the ghetto was caught in the middle of a zombiefest and had no idea what was going on.

Because, really, when you’re in the not so pleasant parts of town, most of the people smell like rotten meat, shuffle, and are prone to launching themselves at you with teeth a-chomping.  I’d like to say that I haven’t experienced this first hand, but I’d be lying.

The patrons of The Tough Titty probably wouldn’t have survived on their own for long but, fortunately, a group of bikers led by the reformed Red Wings (Brad Potts) and an unrelated wild young punk (Adam Brooks) find themselves taking refuge among the denizens of the Titty as they hatch a plan for escape.

Who will win in this battle of breasts, booze, and decaying flesh?  Find out by picking up Zombies Versus Strippers at your local Red Box this summer, or by purchasing your own copy from Full Moon Direct.

Also, come on over and check out this interview with Zombies Versus Stripper‘s director, Alex Nicolaou!

I'm surrounded by zombies! YAY!

Capcom has just released their official new trailer for ‘Resident Evil 6’ from E3. This trailer is better than some movie trailers i’ve seen. All I can say after seeing this is… wow. We see plenty of new gameplay, exciting plot elements and new horrors to endure. Neo-Umbrella? Weskers son? Ada Wong? New B.O.W.’s? I’m sold.

Glad I pre-ordered the collectors edition.

‘Resident Evil 6’ returns to the horror October 2, 2012.

Well, looks like the marketing campaign for the latest chapter in the ‘Resident Evil’ series is about to begin.

A number of posters for the upcoming flick have popped up on Kino Gallery.

‘Resident Evil: Retribution’ will return to the horror on September 14, 2012.

Well, it appears as if the zombie apocalypse may finally be upon us. Over the weekend in Miami, a man was shot and killed by police after he wouldn’t stop eating the face of a homeless man on the MacArthur Causeway. Yeah, you read that last part right. He was eating a bums face! Zombies have arrived and they’re coming to get you, Barbara!

According to police sources for the Miami Herald, a “road ranger” saw a naked guy eating the face of a homeless man. The ranger tried to get the guy to stop his meal and back off to no avail, during which time an unidentified female flagged down a police officer. Once the officer arrived on scene he ordered the man to back away. When the naked zombie-dude failed to comply with the officers orders, first growling at the officer and then continuing to eat the homeless man, the officer was left no choice but to open fire.

In true zombie fashion, the man continued his attack after the first shot, forcing the officer to keep firing. Witnesses on the scene claim to have heard at least six shots fired. Obviously the officer didn’t know how to properly kill a zombie. A head shot, Mahoney! That’s how you kill a zombie. A. Head. Shot.

The homeless man without a face (think Mel Gibson in “The Man Without A Face”), 65-year old Ronald Poppo, remains in critical condition. No word as to whether or not he’s turned into one of the undead has been given. As for for the now dead-dead naked zombie-dude, he’s has been identified as Rudy Eugene. Authorities are claiming that bath salts, a new form of LSD, were responsible for his “zombie-like actions”. Yeah, right…that’s just them trying to cover up the existence of zombies.

The Mayan calender ends this year and some nuts have speculated that the world will end. Well, what if the world ends due to the zombie apocalypse? Who knows, but stocking up on ammo and getting yourself  an ax, or a chainsaw might be a good idea. Get your boomsticks ready, kiddies. It’s huntin’ time!

Oh and one last thing, if the zombie apocalypse does happen, leave all kids named Carl behind, they will only cause trouble and get any guys named Dale killed. That is all.

 

Hail to the king, baby!

Today The Walking Dead Escape website went live giving us geeks an idea of what the AMC hit has in store for SDCC this year.

The show will be renting out the Padre Stadium in downtown San Diego and will be turning areas of the park into a zombie obstacle course. Attendees will be able to choose from three different roles. A survivor running from zombies. A zombie chasing survivors or Spectator. Me being in the peak psychical condition I am, I wouldn’t want to give the other people a unfair game so I will be watching from the side.

So for $70 bucks more on top of the already expensive ass Comic Con adventure you can get all sweaty OUTSIDE of the convention center.

Check out the official site for more details.

If you’ve been following Geekscape for a while now, what you’re about to read might astound you… I’m about to heap some serious praise on The Walking Dead. Now please keep in mind that I do like The Walking Dead. I’ve read the entire comic series, have watched every episode and this past weekend played through the first chapter of Telltale Games’ The Walking Dead episodic adventure title. We’re even good friends with one of the show’s supervising producers, a recent Geekscape guest.

But like the actual dead having returned to life, the various Walking Dead iterations have each felt surprising at first, then compelling, then slowly a bit laborious and as they continue along, less and less fresh. I like The Walking Dead. I wouldn’t put myself through it if I didn’t… but it’s been a while since I consistently loved The Walking Dead comic or TV series.

Well, and I hope that I’m not predicting impending decay, I LOVE The Walking Dead video game, at least the first chapter, recently released by Telltale Games for PSN, XBL and PC. In fact, and please leave your crazy accusations in the comments, it might be my favorite version. And I’ll explain why (because those are some pretty big statements right there!).

First off, it follows the more compelling storyline of Kirkman’s original comic book series. It actually takes place just as the Atlanta of the comic book series is going to hell, being evacuated and Rick lies unconscious in a hospital bed. It doesn’t as much parallel the events of the comic book as much as give it a bit of a prequel or alternative point of view. In the first chapter, A New Day, you do run into some characters and locales from the comic book series, but this is before Rick and his group encountered them… and you actually take part in setting the stage for those characters. This is a huge plus for anyone who’s a Walking Dead fan, because you feel as though what you’re doing matters to characters that you care about. It gives you a responsibility to protect what will come later.

Which leads me to the greatest plus of this series and why it’s a much different experience than the comic book or TV series or even other zombie games like Left 4 Dead or Resident Evil. The Walking Dead game, more than the comic or the series, really strives to and succeeds at putting you squarely in the shoes of the survivors, in this case through the eyes of the controllable character Lee Everett, who is always at the center of every decision the group must make within the story.

The artwork and writing are fantastic, easily the best we’ve seen from Telltale and the game play is intensely compelling. This is very much an adventure game, but it doesn’t come without some action sequences (and you can definitely die while playing). In fact, a lot of the decision making processes, even conversations with other characters, give you the same adrenaline rush as the game’s quicktime events. The Walking Dead autosaves, so if you flub a conversation, leading others to mistrust or lose faith in you, those decisions are immediate and permanent. I found myself just as stressed out by doing what I perceived was the right choices in the conversations as I did while stuck between saving survivors, knowing that whoever I didn’t save wasn’t only dead in this episode but the rest of the series. The choices that you make in this game haunt you and I was soon playing the game with trepidation, weary that I’d make a wrong move and get someone permanently killed or lose an ally I would need later. Hell, I was also scared that I’d miss some detail in scouring the environments that would end up keep us alive down the road!

This is where the writing and the characterization really differs from my recent experiences with the comic and TV series. I find myself really caring about the characters involved, probably out of this engaged responsibility for them. Even characters that you don’t get along with strengthen the group, just by being able to help move a car or hold a weapon. The game’s characters and situations all live within a gray area, Lee having escaped from the back of a police car in the opening sequence of the game, and it keeps you there, so decision making is sometimes difficult. Not only are you immediately responsible for yourself, but when Lee discovers the young abandoned girl Clementine early on, your responsibility to make the right choices grows.

In Left 4 Dead or Resident Evil, things are very black and white. Here, nothing is very clear. Even when you think that two choices in a dialogue tree would lead to the same result, the way that you choose to word things might give you a result from another character that you didn’t anticipate. This not only makes them more realistic but gives them relatability. Everyone seems to be in a state of shock at their surroundings and it makes the story that much more compelling. You don’t see Carl lazily wandering the farm or someone making dinner. They are all driven by the need to survive.

The gameplay and situations all elaborate further on this concept of responsibility to the group. You control Lee’s movement with the right trigger while exploring the environment’s objects (or what he can see) with the right. Like other adventure games, you sometimes you have to search for items or enter areas to solve puzzles, but very early on you start doing this with other members of the group, putting them, or mainly Clementine, in harm’s way. The game forces you to work carefully in these areas, even if dying means resetting to your last save, because you don’t want them to die, or they’ll be gone from the game’s story forever.

And when a zombie (or in many cases zombies plural) DOES come at you, the game’s quicktime events are more than just button combinations or quick button tapping. You’ll usually find yourself temporarily dazed when the zombie knocks you down or surprises you and you have to move the right reticle towards your attacker just to instigate the quick time event. This really does a great job of forcing the player to “get their wits about them” so they can take back control of these intense situations. I didn’t die much while playing The Walking Dead, but in the moments in which I did, it scared the hell out of me because my shock at having these events thrown at me and not being immediately or obviously prompted to do button mashing gave me that immediate sense of “crap! What do I do!?!”


If I have to talk about the downsides of the game, and there aren’t many, it would be towards the end of the chapter, not necessarily because of the story or character work, but because the “scour environments for objects, use objects” redundancy that plagues all adventure games isn’t completely cured here. If you don’t like adventure games, you might find yourself wanting something more in these areas. But considering that adventure games are my favorite genre, I took these conventional sections of the game as an acceptable byproduct of the chosen form. Telltale do enough fresh things in The Walking Dead, and do them exceedingly well, that this never feels like a tired adventure gaming experience. In doing so, they’ve also injected new life into the Walking Dead brand, which up until now, you could only read or watch as it played out in front of you on a string. I hope that with the release of each of the next four chapters, Telltale continues to effectively expand not only the Walking Dead gameplay and story but the adventure game genre itself.

Author S.G. Browne has been on Geekscape before. He’s also signed at the Geekscape booth at San Diego Comic Con a few times. We first met when his zombie novel “Breathers” brought him onto the Geekscape radar. Last time he was on Geekscape he was promoting his follow up “Fated”. Now, Scott has a crime novel called “Lucky Bastard” that should peak every single one of your interests. Scott reads the first chapter from the book, talks about his favorite crime novelists and gives advice to any aspiring writers out there! Also, we actually talk basketball a bit! Scott’s a pretty awesome writer and a funny guy (on top of being a fantastic conversationalist and a gentleman). But you’re about to find that out… GEEKSCAPE!

Find it on iTunes

Geekscape listeners might remember the March 1st podcast, where Jonathan interviewed stars Steve J. Palmer and K. Harrison Sweeney about their “RED DEAD REDEMPTION” experiences, as well as details about “FROM THE TRAILER TO THE GRAVE’s” pre-production. As a refresher for those who may have missed, or have yet to listen to the episode, the most frequently asked question to BIG HORN SAMURAI SINEMA has been, “Why Wyoming??”. Many films that are set in Wyoming’s great wide open (“Brokeback Mountain,” “An Unfinished Life,” “Did You Hear about the Morgans?”) end up being shot in Wyoming stand-ins, like New Mexico, or even Vancouver. As a Wyoming native who grew up in Worland, K. Harrison Sweeney and his production company want to change that. Wyoming offers unique geographical locations, like Devil’s Tower (which was used in “Close Encounters of the Third Kind”), or Hell’s Half Acre (used in “Starship Troopers”), which would fit with this particular genre of film. Mr. Sweeney’s mission: greatly boost the film industry in the Cowboy State… and here’s how YOU can take part:

Starting back on Thursday, April 5th, 2012, voting began for The Wyoming Short Film Contest! Register at the contest site and vote for UNDEAD LOVERS!

From Actor/Writer/Producer K. Harrison Sweeney comes “FROM THE TRAILER TO THE GRAVE”, a film that will birth the new genre of RedZomRomCom (Redneck Zombie Romantic Comedy). Currently in pre-production, filming of this Magnum opus of camp-n-blood begins in Wyoming in August of 2012, and will star five lead alumni of 2010’s Game of the Year, “RED DEAD REDEMPTION”, as well as FANGORIA magazine’s frequently featured “Scream Queen” Lindsay Goranson, Mark Fite of “Mr. Show with Bob & David” notoriety, Jim Turner from HBO’s “Arli$$” and Ken Campbell from FOX’s 90’s sitcom cult hit, “Herman’s Head”. Also on board is comic/graphic novel artist Guy LeMay (Image Comics’ “Dead@17”, Viper Comics’ “The Rabid”), who will be providing storyboard/end credit art, as well as Los Angeles-based band The Peculiar Pretzelmen, who will be using their early 20th Century blues/rag-rock sound to score the film.

BIG HORN SAMURAI SINEMA has entered “Undead Lovers”, a short film (which also serves as a music video to Jalan Crossland’s song of the same name) that is based off the brothel dream sequence from “FROM THE TRAILER TO THE GRAVE”. With a grand prize of $25,000 to possibly add atop their budget, BIG HORN SAMURAI SINEMA could have that much more to assist in their efforts to bring future productions to such a unique, magnificent state and overall filming landscape. Simply follow the above link to the voting page, and follow the instructions. It will require you to open a voting account, which is quick, easy, confidential and literally takes 2 minutes, tops. Cast your vote for “Undead Lovers”; you’ll have until Thursday, April 26th!

You can follow all the latest casting news, production pics, interviews and general “Zombie-ness” by visiting www.fromthetrailertothegrave.com!

The Russian government has announced that they are developing a weapon, that targets a persons neurological system, and turns them into a zombie.

Putin described the guns like a microwave oven, but directional. The low frequency waves target the brain cells which alter mood, thoughts and perception. You could even transmit suggestions into the target.

Say you have a town, in the middle of Russia that isn’t really all that important. You sneak a few Black Ops in there, they setup in under three minutes and zap the whole town. You tell them to attack other non affected people. Good ol’ fashioned ZOMBIES at that point!

The Russians have been creepily interested in zombies since the 40’s, with their experiments to reanimate the dead.

 

If you don’t want them to end up like the zombies on the Walking Dead, you can use a speech jammer, which jumbles the brain and confuses it’s ability to talk.

 

All these brain affecting technologies are very very cool. If the “Zombie Gun” does come to fruition, then you can expect some great Sci Fi/Horror stories to pop up because of this.

These stories do make the official “Ruger Zombie Slayer” pistol much more necessary.

This was a sick, filthy April Fools joke… George is still with us and still un-dead!

Film has lost a legend.

George Romero, writer, producer, director, and inventor of the modern zombie, was found dead of apparent natural causes yesterday at his Pennsylvania home.

The hugely influential auteur, known for six “Dead” films including 1968’s groundbreaking Night of the Living Dead, was 72 years old.

Greg Nicotero, executive producer and makeup effects supervisor of The Walking Dead and close friend of Romero:

“I’ve known (George) for almost 30 years. He’s been a family friend, a dear friend… A lot of people forget that all these guys not only were influenced by him but were inspired by him when they were younger… Tomorrow I’m going to Pittsburgh to celebrate George.”

As far as Geekscape is concerned, the zombie genre has lost its father.

 

 

 

 

Oh, no, wait- He’s getting up again. Someone go get the shotgun!

This episode I sit down with Scott Gimple, producer and writer on AMC’s The Walking Dead. Scott and I met while playing Left 4 Dead a few years ago. Scott and I talk about his career writing shows like Fast Forward with David Goyer and the recent Ghost Rider Spirit of Vengeance. And of course we talk about The Walking Dead. How does he deal with fan criticism as both a writer and a fan? Also, Scott gives advice to Geekscapists looking to start a TV writing career!

Find it on iTunes

An episode a long time in the making! My friends K. Harrison Sweeney and Steve Palmer, voice actors from one of the greatest games of all time, Red Dead Redemption, come on Geekscape to talk about working on the game, their acting work and putting together their upcoming film “From the Trailer to the Grave”, which will feature much of the RDR cast! It’s a pretty awesome episode to listen to and you’re sure to learn a ton about one of your most beloved games! Also, Steve talks about writing comics for Atomic Basement and Harrison talks about protesting zombie rights on the front steps of the Wyoming state legislature! Plus! I read some Geekscapist emails and ALMOST gets my audio right… but not quite!

Find it on iTunes

The role of The Walking Dead’s most notorious villain – known as The Governor- has been rumored to be going from everyone from Tom Savini to John Hawkes from Winter’s Bone to even Danny Trejo. But it looks like once again, a Brit nabbed the part meant for an American. Actor David Morrissey, known best for State Of Play and Dr. Who, got the part over all those other names, and is set to become a series regular in the third season which debuts this October on AMC.

In Robert Kirkman’s original comic book series, The Governor is the leader of a small settlement of survivors, and becomes the main antagonist for Rick Grimes and his group, who have mostly been hanging out on a farm all this season. The addition of the Governor should certainly shake things up for the better.

My guest this episode is author Matt Mogk, the head of the Zombie Research Society. Even if you’re not into zombies, this is a pretty fascinating episode. Matt talks about the origins of the modern day zombie, what the best zombie movies are and how to really survive a zombie apocalypse. And then Matt proceeds to scare the hell out of everyone by talking about what would actually happen in a zombie apocalypse and how close we might actually be to it happening! Plus! A free song from our friends in Punchline!

Find it on iTunes

Robert Kirkman is one of my favorite comic book writers. He injects the perfect amount of humor, suspense, and emotion into his stories. Maybe that’s why they sell so well. You might have heard of some of his books: The Walking Dead, Invincible, Marvel Zombies…the list goes on. His books are largely accessible if you are trying to get adults into comic books. He brings the best elements of the medium to the table, so when I heard I was getting an interview, I was pretty stoked.

I caught up with Mr. Kirkman on an afternoon where we both had way too much time. We ended up shooting the shit about comics, horror movies, and possible casting for the Invincible movie. Sit back, relax, and enjoy a tour through the life and thoughts of one of our favorite comic book writers.

 

Gilmore: How’s it going?

Kirkman: Things are going fine.

What have you been up to today?

I’ve been working on comics, stories, and units. I’ve also been watching movie trailers.

Have you seen any good trailers?

No [laughs]. You see, that would just be me revealing that I wasn’t just joking, and I have been watching my fair share of trailers.

What do you think about the Hancock trailer?

I think it looks awesome.

You really think it looks awesome?

Ah, yeah. I really do think it looks awesome. Why? Do you not?

I think it might look a little-

You’re mistaken! [laughs]

I think I might have been turned off by the “Get out the way” song. You know, the song that’s on there. Move! get out the way! Get out the way!…

No. I completely tune that out.

Really?

Yeah, I’m proud of myself for doing so.

Well, that distracted me. Kind of like- What did you think of the Iron man trailer?

Is there a new Iron man trailer? Or is it the one that has already been seen?

It’s the one everybody’s already seen.

Yeah, I’ve seen that one. I just disliked the inclusion of the Iron Man song by Black Sabbath.

Thank you! Those were my thoughts exactly.

It just annoys the piss out of me.

Me too

I think it would have been better if they got rid of the part where they use the vocals of the theme song saying Iron Man for their title sequence.

Or even just the song. It’s just so cheese ball, isn’t it?

The song would be a guitar solo if we took the lyrics out. I think I can live with that. Most people won’t catch it, but GOOD LORD it gets annoying.

It’s really annoying. It just takes over and downs the quality of the trailer.

It really does. But other than that, I’m really excited for the movie. I’m sure it’s going to be great.

Yeah, I’m exactly where you are on that…so you’re a big comic book fan, eh?
[interruption]

Sorry, I had a few guys working on my house.

Oh, nice. What are you getting done?

I’m just getting some new doors on…they’re done now, so that shouldn’t happen again.

Did you kick in the door, or something?

Hmmm…yeah, I have a pretty bad temper. (Laughs)

Sounds good…Wolf-manning it up?

Yeah, it’s pretty rough.

So, I heard something on the internet, but I couldn’t confirm it. Did you really name your son Peter Parker Kirkman?

Yes I did.

That’s awesome. So, what made you decide to do that?

Well, I’m a gigantic comic book nerd. Also, naming things is not very easy.
And Parker is his middle name, so I don’t think people are going to make the connection.

Yeah, So Peter Kirkman works.

Yeah, it’s fine.

So, Spider-Man? Was that your guy? Was that your character growing up?

Yeah, definitely. I mean much more so than Batman, or Superman, or whatever. I mean, Spider-man was the coolest one of the bunch, right?

Totally

Yeah, and he also has the best costume in comics.

Hmmm, best costume in comics?…

Yeah, He has the flashiest and most unique costume. Superman and Batman are just wearing underwear.

…And capes. You’re not a fan of capes are you?

I don’t really mind capes. I don’t really have a preference either way. I just think it depends on the design. I don’t think Batman would necessarily work without a cape. It’s just odd that the Marvel Universe is largely sans-cape, you know?

Definitely. I was just saying that because Invincible doesn’t have a cape.

No, no he doesn’t. You would have to talk with Corey [Walker] about that. I didn’t design that guy.

Oh really?

No, no. no. no. no. That’s why I co-created it.

Aaah, nice. I want to back track a little: as a creator, what are some of your favorite comics growing up? A lot of people throw out Miller’s Daredevil, Watchmen, and Dark Knight Returns, but do you have any inspirations that we might not have heard of?

Well actually I didn’t read Dark Knight or Watchmen until pretty late in my life. I think [I read it] when I was in high school. I didn’t know anything about that shit. I really liked the run on Spider-Man with MacFarlane and Larson. I think those were the first comics I read. I actually picked them up when Larson had recently taken over and back tracked to the atomic frontal issues. I am a fairly young dude, so I didn’t read comics very much in the…well…I didn’t read comics at all in the 80’s. So I started when I was about 13-14, in 1990, so my taste runs a little different than most people’s, I guess.

When Image started up I just kind of dove over there, pretty exclusively. I was a big fan of Young Blood, Shadow Hawk, and Savage Dragon; which is one of my favorite comic to this day. That was a pretty big influence on my work.

Savage Dragon is pretty much the best superhero you know, because it was all done by one guy, and there’s all kinds of unique and interesting stuff that happens and there’s real change. It’s kind of like – I don’t want to say a superhero comic for adults – but it’s definitely not your run on the mill “lets rotate the villains in and out” kind of superhero book; which 99% of comic books are. As far as interpersonal relationships and stuff like that, you can’t do any better than Minimum Wage, by Bob Fingerum. I was a really big fan of that book when I was in high school.

So, what are you currently reading? Give me your top three current titles.

Top three current titles…

Yeah, sorry for putting you on the spot there.

I really like the Umbrella Academy. I think that that book is remarkably well put together. And for a guy who has never written a comic before, that Rockstar guy, Gerald Lee [the guy from My Chemical Romance]. That book was really entertaining, it’s really good. I really like Jack Staff.

All-Star Superman is really good.

Oh, All-Star Superman is great.

Yeah. I feel like I’m learning when I’m reading that book; it’s kind of cool. It’s like “Ah, so that’s how that’s done.” “Oh, that is a very unique way of portraying that”.

So that’s kind of fun. I don’t know if I’m actually learning. It might not be improving my game at all, but I like to think that you learn a few tricks when you read that book.

Have you ever thought of writing a book like that? Where all the issues and stories are self-contained?

I try to do that every now-and-then in Invincible. I think I’m going to try to do that more and more as things go on. I mean, for the most part, every issue of Invincible is somewhat self-contained. There are very few where there’s a clear arc or where they’re fighting the same bad guy for six issues.

I mean, I do think that comics can stand to have a few more series out there that are pretty self-contained every month. So, I would like to do a series that is exclusively that but, I doubt it would be as good as All-Star Superman.

I think it could be. I mean, currently Invincible, not to rub my nose or anything-

I’m not going to denounce it. That book rocks.

Dude, Invincible rocks. It’s my favorite superhero comic right now.

That was going to be my number three choice but I thought it would sound too…

You should’ve squeezed it in there.

I really like New Avengers too. I don’t really think that it reads like an Avengers book, but more like a “here’s what’s going on today in the Marvel Universe today” book, which I think is a lot of fun. And I like the arc quite a bit.

It’s totally great. So, I want to ask you about-

And Ex Machina is really good. Every time you start to ask me a question, I think of this other book, which I probably should mention [laughs]

Ok. Keep doing that and I’ll ask the questions. You can squeeze in books, then we’ll talk about them and then I’ll ask more questions [both laugh]

I wanted to ask about the run-in you had with Todd MacFarlane in San Diego a little while ago. I remember you gave him some shit for no longer writing comic books. I mean, did you mean that with malice, or was it kind of an open thumb?

I really didn’t mean to come off like I was giving him shit, per say. I was trying to be funny and entertaining. I didn’t stand up to yell at the guy. I wanted it to be like a plea from a fan for him to do more in the comics field. A lot of people tell me “Oh, you really stuck it to him”, and I don’t really think I did. There is a video on YouTube; you can watch it if you want.

They also say that I was asking him to draw a comic, which I clearly wasn’t. I know that Todd may have moved on with his life and that he might never draw another comic – and that’s fine. I mean, at the end of the day, if his family is fed and has shelter over their heads, I think that’s what you really need to worry about. He doesn’t owe us anything. And some people turn it into that. What I was basically asking was: why doesn’t he participate in the creation of comics at all? He’s very hands on with his toys and also does designs for them. He seems to care about the toys, the toys have the Atomic imprint, and to a certain extent, I don’t see him doing anymore comics. I mean, he’s still kind of hands on with Spawn, but I was like “It’s been this long, and you’re still doing Spawn? Why don’t you make some new comics?” I mean, he doesn’t have to write, he doesn’t have to draw. Just throw some Todd MacFarlane ideas out there, I’m sure you have some, and do another comic. And I guess that resulted in him asking me to help him do that.

I remember that. Did you ever convince him to do anything with you? What happened with all that?

Well, that’s all happening right now buddy.

Really?

Yeah. He contacted me shortly after the convention (well, one of his people contacted me). I had a few conversations with him and we bounced some ideas back and forth and came up with one that we liked and we developed it a few months before San Diego and we’ve been working on it ever since.

There might be a book signing in 2008. He’s doing all the character designs. We’ve even been co-creating all the characters together and he’s going to draw all the covers while I write the book. We’ve also got another artist to draw the book, but we haven’t announced who that is yet. It’s supposed to be due this summer.

That is awesome. What it’s about? What it’s called?

It’s called Haunt. It’s kind of a ghost-themed superhero book. It’s about two estranged brothers; one dies over the course of the first issue and together the two brothers form a superhero. It’s a live brother and a ghost brother, and they team up to fight crime. It has a bit of a horror slant to it, but it’s very much a superhero book.

You write a lot of horror themed books.

Well, the Walking Dead was popular, so I figured that I should stick with that one thing [laughs].

Do you want to be known as a horror writer?

No, I really don’t. I don’t want to be known as anything. I actually got spotted in Best Buy yesterday and the guy [who spotted me] said, “Hey, it’s the zombie guy!”

[both laugh]

…And I began to cry. I mean it’s really just coincidence. I do Walking Dead, which is a horror book, and then I do The Astounding Wolfman, which is a werewolf superhero book.

And you also did Marvel Zombies.

…Ok you’re right, it’s all horror and zombies.

[Laughs] I mean, were you a big horror fan growing up? You have to have been a big horror movie fan.

I am now. I don’t really know if I was while I was growing up. I wasn’t really allowed to watch them until I was like about…too old to enjoy them [laughs]. If you don’t watch the Friday the 13th movies before you’re 13, you’ll realize that they kind of suck; while if you see them at a young age you’ll think, “Oh my god! This is so coolest thing ever!”

My son will be watching them at age 8.

So, I didn’t get into watching those until I was 15. I was allowed to watch Hellraiser every Halloween. When I was younger, I would go out and rent Hellraiser one and two, so that was the only time I felt that I was able to watch an “R” rated movie.

Why Hellraiser?

I don’t know. I like the guy with the pins in his head. It looked cool in the box. It was back when kids mostly rented videos at the video store based on the cover; it wasn’t like we were watching trailers. The only way I would find out about a movie would be that little gray picture in the news paper. I remember dying to see Robocop when I was little just because of that picture of the big robot guy getting out of a police car. That movie was not very underage appropriate at all…

Robocop was awesome.

Robocop was awesome, and I did see it at a pretty early age, so it terrified me.

Really? Wow.

No, well, it terrified me like “Whoa! This is totally great!”…

I remember whenever they took off his helmet, for some reason, it freaked me out. I think it’s because his hairline went up so high.

Also because his head looked like a giant penis.

Yeah! That was fucked up. That was weird looking. I didn’t like that. I also remember walking through the video store, and the one movie that scared the shit out of me was Childs Play.

I watched that. I watched a few of those movies (don’t mean to sound so sheltered). But yeah I did. I thought it was cool…It really wasn’t. I was watching it again recently and it’s not the best movie.

Yeah, not at all. Did any of these movies scare you? Does any horror movie actually scare you right now?

The Six Sense Scared the shit out of me when it first came out. It was ridiculous. I am a bit terrified of ghosts – I don’t know why. Movies with monsters in them usually don’t scare me because – well, they’re fairly unrealistic. But the ghost stories that you hear during Halloween like: “The guy who built this house and later died in it in 1774 will be walking next to your bed tonight”. I don’t want that to happen.

So, I’m basically a sissy with this kind of stuff. My wife loves watching those Halloween themed ghost shows where it’s like, “Oh my god! This house is haunted by this ghost!”, and they have to play this creepy music. The crazy reenactments, which are usually hilarious, are almost too unsettling for me.

Really? Wow. So like Mythbusters…Ghostbusters?

Yeah, like that stuff. But you know, my mom claims that she lived in a haunted house when she was younger and she has stories about ghosts chasing people around the house and stuff. Not to say I believe in ghosts. I’ve never seen that shit.

So you might believe in ghosts…

I believe in ghosts as much as I believe in Santa Claus. I’ve never seen him, who knows?

…So, you write Walking Dead and all of these other horror books; do you ever try make them scary?

I had people tell me that the books are scary, but I don’t really see how. I know people write horror novels all the time, and I think those are scary. But I think it relies on the person’s picture in their head of what they’re seeing, which is always scarier than what they put in the movies and stuff. And also, the sense of mood and eeriness, which I guess goes more with a novel.

So, with the comic it’s all there on the page and it’s all in drawing and there’s no motion and no sound to go along with it. So, comics in general are kind of a weak medium to do horror in. I think I said that on an interview before and Steve [Niles – creator of 30 Days of Night] got all pissed off.

I agree, don’t worry [because that makes it all better?…]

I’m not saying that his book isn’t scary. He’s a nice guy. His books are very good, very entertaining, they’re very…you know.

I don’t think people read a horror comic and can’t go to bed that night. The Walking Dead is supposed to tell an entertaining story. It’s not to really supposed to scare.

I think the book is not about zombies popping out and killing people, but more about how the people would naturally react in that situation. Maybe the reason people say it’s scary is because all the characters in it are just so realistic and everything that happens could theoretically happen in that situation. So maybe it puts them so realistically in that world that it scares them.

Yeah I guess a certain investment with the characters kind of makes you fear for their lives, I can see that. Thanks!

You’re welcome. So you write a lot of zombie stuff. Big zombie fan?

I’ve written two zombie books, jerk.

[laughs] Just kidding…The guy at Best Buy did say you’re the zombie guy, though.

I’m not the zombie guy. I’m not the zombie guy…[talking to himself] I’m not the zombie guy [mantra]…

[laughs]

My two most popular projects have been zombie books [long sigh]. I really do love zombies, though. I’m a big, big fan of the Romero films from way back. I could watch them right now. I’ve seen them a billion times and they hold up. They’re vastly entertaining.

As a subgenre of horror I think zombie movies are pretty kick ass. So, when I was putting together another creator-owned book for Image I just kind of hit on the idea of doing the zombie movie that never ends.

Do you have a favorite Romero movie?

I prefer Day of the Dead

Day of the Dead? Huh, that’s interesting.

The last one, yeah. I think it has the best zombies. It’s got a really good setting, and it’s got a lot of good scenes. I don’t know, I mean they’re all fantastic.

Definitely

You know Night of the Living Dead is the classic. It’s probably got the most poignant ending. It’s a really well put together movie, I think it’s better than Dawn of the Dead. Dawn of the Dead is awesome, but the zombies look like they’re made of toothpaste. It’s fun to think about “What would I do if I had free run of the mall?” So that’s a really good movie, but I think Day of the Dead is the best one.

How’d you feel about Land of the Dead?

I liked it.

Really?

I liked it a whole hell of lot. I really dug it. I didn’t like the spinal cord zombie.

The spinal cord zombie?

It’s like “I’m walking around and my head is dangling on my back…”

[laughs]

…and then he like whips his head all around?

Yeah

…and attacks the main guy! It’s near the end when they’re getting in the car. That looked a little fake to me

 

Yeah, that would never happen!

I think it’s a good movie. I think it holds up next to the other ones. I don’t know.

Meh

I guess a lot of people didn’t like it, I know you didn’t like it.

Oh I didn’t like the smart zombie. I didn’t like the smart leader zombie. I always think those types of characters – the smart leader monsters that exist even though every single other one is really dumb. I think they’re a cop out.

My only problem with him was that he looked more like a monster and less like a zombie.

Yeah

But I can forgive that. He had established with Bub in Day of the Dead that the zombies were evolving. So this is just continuation of that so I didn’t really have a problem with it. that’s the thing that makes the Romero films as a series unique is that you know he came up with the thing of evolving zombies and you know.

Good point

Civilization reforming and stuff like that, I mean that’s kind of cool.

Yeah

If you look at it as a series it’s kind of like a neat progression. You know, if that zombie was Bub it would have been a little cooler – but, you know, whatever.

Will your zombies ever evolve?

No.

Cool

I have cribbed enough from Romero

[laughs]

But who knows, I may change my mind in twenty issues you never know. There are no plans for it right now. They are what they are and you know the books aren’t really about the zombies, so I don’t see doing a plot point that kind of centers around them like that. I don’t really see any benefit in it.

Alright that makes sense. I know you’ve been asked this a million times. But you know I guess as of now maybe…

You going to ask me about the ending or something?

Nah, I just maybe you’ve changed your mind about…

 

The origin?

Yeah.

[Kirkman laughs]

Come on!

It’s so much easier just to not have an origin.

[laughs]

Well, I mean, to a certain extent The Walking Dead is a very realistic book. Like you said: in the situation the things that happen to those people are all very realistic. Even the governor coming back and being alive. That could totally happen.

Riiight

So you’ve got that realism to the book and I think that’s what makes people respond to it like they do. Aside from the fact that zombies are running around, pretty much everything that happens in the book could really happen to these people. It gives them a relatable aspect. Explaining where the zombies came from leaves you with less options. You have to then push the book more into the vain of sci-fi. I think it’s going to hinder the realism of the book. That’s why I don’t think I’ll ever explain an origin. But who knows, maybe when the sales start plummeting…

[both laugh]

Walking Dead Origins issue one, you know?

Yeah.

I have no integrity,

[laughs] So why the hell not, right?

Yeah, but as it is right now, you know, on my high horse, I don’t see the need.

[laughs] Nice. So I wanted to switch gears over to Invincible. I love Invincible. We talk about it non-stop on our podcast. I even get crap for how much I talk about it.

Well I don’t think you’re mentioning it often enough.

[laughs] We recommend it to a lot of first-time comics readers. It has a lot of throwbacks to classics, too – for example: that like monstery Rorschach character.

Yeah, yeah that guy.

Was that your idea?

Yes of course.

Just wondering. You never know, Ottley or someone could have just thrown it in.

Oh no no no, no. Ottley has no ideas.

[laughs] Oh hey! Speaking of the art. I‘ve had an ongoing debate with my friend Ben. Is Invincible supposed to be Asian?

No…I think the answer is that when we started working on Invincible, Cory did not want to have to draw strands of hair. So everyone’s hair is just filled in black [SUCK IT, BEN!]

Heh that’s funny I didn’t notice that, I mean that makes sense. Um but it’s just he looks.

No it really doesn’t, but that’s how that happens

[laughs] So, he’s not intentionally Asian good to know. Cause it looks like….

No, no I actually hate Asian people as a rule.

Oooh ok. All right, good to know. So I mean I’ll make sure to print that and that’ll be the title.

[both laugh]

That’ll be the little byline under your name.

Yeah you’ll cut that out, right?

Uh yeah, oh yeah, we’ll cut that out,

Ugghh!

You’re about to get a bunch of shit from the Asian community.

Ok fine, I…. I’m kidding. He’s Asian.[laughs]

 

[note: this section was completely facetious and neither of us is racist. Except for Kirkman; who hates Asians.]

 

So I’ve heard you might be doing an Invincible film, is that true?

Might be. I’m not. Paramount has optioned the film.

So it’s still very pipeline, eh? Did they approach you to write it?

Yes, I have written two drafts of the screenplay. It all started in 2000…doesn’t feel like it’ll ever get made. The status of it is that it is currently just kind of sitting there. I

So, doo you have a maybe like a dream director or actor that would either direct or act in the movie?

Director or actor…for Mark I think Nicolas Cage and for the direction I think Uwe Boll. What do you think? Would that be good for me?

[laughs] think that sounds like the best film I’ve ever, I would ever see.

I think that you know, I don’t know. Whatever, Chris O’neal for uh Omni-Man. Anyone want that? I don’t know, Will Smith for Debbie. I like Will Smith.

Uh yeah that’s good just… just have Invincible be Will Smith I think.

That would be pretty awesome. And then have Will Smith also play his father. Make it like an Eddie Murphy movie.

There we go

Will Smith could also be Debbie. That’d be great.

Why don’t you… you know, why don’t you just cut out the middle man and just make it Eddie Murphy? Everyone is Eddie Murphy.

[laughs] Wow! You know you’re not getting any credit for this.

[laughs] Shit!

It’s going to be the best movie ever made and I am never going to admit that it was your idea.

Fuck. I always get fucked like that…um so…

You want a real answer or can we move on?

Real answer.

[laughs] George Clooney for Omni-Man…and I don’t know there’s some kid out there that would be a good Invincible.

So an unknown?

I like that Michael Cera guy, but I don’t know if he could pull it off. He does kind of have a bit of an Invincible demeanor about him.

Yeah I could see that.

There was a day I would have said Frankie Muniz, but that guy’s probably like 75 years old now. So…

He kind of looks like a fetus, like a walking fetus. He’s really weird looking.

[From there, we go into a thing where Kirkman starts asking ME questions. He learns a lot about my life and we make fun of Eddie Murphy some more…if anyone cares at all, you can just ask me for the full transcript. Send me an email: gilmore@geekscape.net]

Alright who would win in a fight: a Viltrumite or a Kryptonian?

Oh a Viltrumite by far.

Why?

Well first of all a Kryptonian’s really only going to have powers in a certain area of space right?

Right.

So it’d have to take place on earth. And you know, I don’t know how their powers fade, but a Viltrumite could pretty much just pick ‘em up and take them wherever and kill them. Also, if it’s a certain Kryptonian, they’re going to have the disadvantage. A Viltrumite is generally going to be able to do anything and everything to win where as Superman’s a bit of a pussy…I created Viltrumites so I have a preference.

So you could even add something that’s…

Sure, yeah and like during that fight they could be like “and we have Kryptonite hands””Holy fuck!”…Superman’s got the heat vision, though. Viltrumites don’t have that. I don’t know that the Viltrumites have ever done that blowing air thing that Superman does. So I mean [Superman has] certain abilities that they don’t have. So, I don’t know. Who knows? We’ll wait till Invincible meets Superman or whatever comes out and see… see how that works out.

I’ll be waitin’. So do you have anything else coming soon?

I’ve got another series at Image called Brit that continues from some Brit one-shots I did in… 2003? Those were recently collected into a trade paperback. Then I’ve got a new guy named Bruce Brown writing a series based on that character. So I think the fourth issue will be out very soon. So, that’s going on too.

That sounds great and we’ll look forward to your work. We’ll get it and read all of it like everyone already is.

Everyone is already reading it? Why am I doing this interview if everyone is already reading it? What a waste of my time.

I mean that nobody is reading it and you need this interview for publicity for someone to finally start reading.

[laughs] Exactly. Good job.

It was great meeting you.

Good, good chatting. It was a lot of fun. I hope it wasn’t too terrible.

It was awesome.

 

Initial transcription by Richard Lucas and Ashton Lauren. Thanks so much for your help, guys.

 

For an inquiries about interviews please contact Brian Gilmore: gilmore@geekscape.net