Analog Jones celebrates the achievement of 100 episodes on episode 101. Listen to Matt and Stephen talk about their man-crush, Indiana Jones, in their Raiders of the Lost Ark (1981) VHS Movie Review!


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Quick Facts about Raiders of the Lost Ark (1981) film
Directed by Steven Spielberg
Produced by Frank Marshall
Screenplay by Lawrence Kasdan
Story by George Lucas and Philip Kaufman
Production company: Lucasfilm
Distributed by Paramount Pictures
Release date: June 12, 1981 (United States)
Running time: 115 minutes
Budget: $18 million
Box office: $389.9 million

Raiders of the Lost Ark (1981) VHS Movie Review

Starring in Raiders of the Lost Ark (1981) film
Harrison Ford as Indiana Jones
Karen Allen as Marion Ravenwood
Paul Freeman as Dr. René Belloq
Ronald Lacey as Major Arnold Toht
John Rhys-Davies as Sallah
Denholm Elliott as Dr. Marcus Brody

Raiders of the Lost Ark VHS Box Description (1986 Release)
This is it! Harrison Ford and filmmakers Steven Spielberg and George Lucas team in the first Indiana Jones movie—and set the whirlwind tone for Indy’s adventures to come. Here, you’ll find archaeologist Jones up to his neck in danger and —snakes alive!—up to his kneecaps in squirming reptiles. Indy hates snakes!! He hates Nazis, too, and he’ll stop at nothing to keep those goose-stepping goons from obtaining the mystical Ark of the Covenant. Hang on—and enjoy!

Raiders of the Lost Ark (1981) VHS Movie Review | Raiders of the Lost Ark 1986 VHS release
Raiders of the Lost Ark 1986 VHS release

Quotes
“The most incredible series of action and stunt set pieces I’ve ever seen in a movie.”
Roger Ebert’s Movie Home Companion

VHS (1986 Release) Trailers
None

June 1981 Box Office Competition 
Clash of the Titans
For Your Eyes Only (James Bond)
Stripes
Cannonball Run
Dragon Slayer
History of the World: Part 1
Victory
Road Games
The Great Muppet Caper

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The road through development and production of Ron Howard’s Star Wars spin-off Solo was a rocky one to say the least. In fact, it wasn’t always the Academy Award winning director’s film. After rumors of chaos on set began to spread like wildfire, as well as rumblings of their displeasure with the lead performance from Alden Ehrenreich, original helmers Chris Miller and Phil Lord were eventually replaced by Howard after six months of filming. We’ll never know exactly how much influence each party had on the final product, and that includes The Empire Strikes Back and Return of the Jedi scribe Lawrence Kasdan, who returned to influence and pen the screenplay alongside his son Jonathan, but it’s crystal clear that Solo is a plagued and unnecessary addition to the Star Wars film universe.

A young Han Solo (Ehrenreich) becomes involved in his usual shenanigans after trying to rip-off a dangerous underground crime syndicate in order to escape the dreck of his home planet alongside his lover Qi’ra (Emilia Clarke). Unfortunate circumstances allow only Han to escape freely, as the daring pilot vows to earn enough money to buy his own ship and return back to the planet to reclaim his lover. While away, Han joins a band of thieves that put his life in danger as he’s forced to take part in a risky mission alongside franchise regulars Chewbacca and Lando Calrissian (Donald Glover) that comes with deadly consequences.

At its core, a plot-driven and emotionless void swallows Ron Howard’s valiant attempt at saving this doomed project. Solo unravels like a safe and superficial checklist towards developing the character’s origins and bridging his connections to George Lucas’ initial trilogy. Throughout the film it becomes difficult pinpointing whether this lack of depth is caused by thinly written characters or weak onscreen portrayals, and that criticism even includes a personal favorite of mine, Woody Harrelson, who gives one of the most forgettable turns of his career. Yet, no matter where the blame ultimately lies, the sad truth is that the Star Wars saga will continue to follow in the money-printing footsteps of Marvel’s cinematic universe no matter how watered-down the overall product becomes. I’d also be remiss not to mention the loathsome qualities regarding this feature’s most significant droid, L3. Her sassy and progressive demeanor is both off-putting and annoying. The franchise’s newer droid character have been molded to create comic relief, however their increasingly over-the-top nature is beginning to get out of hand, a clear sign that “the powers that be” are grasping at straws.

Now, perhaps Solo was simply destined to fail, with warning signs and red flags popping up throughout the entire filmmaking process. Or there may be an even more troubling interpretation of this hollow and worthless inclusion, and the Star Wars franchise may be headed down a worrisome path that could ultimately sour the amazing foundation built by George Lucas over 40 years ago.

GRADE: 2.5/5

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‘Star Wars: The Last Jedi’ is here… and it’s being met with a lot of mixed opinions! That means it’s time to join Ian Kerner on a brand new Geekscape special to throw in our own! Warning! There will be LOTS of Spoilers but hopefully we help clarify a lot of the moving parts! What worked in the film? What didn’t? Who are Rei’s parents? What’s up with Luke being a jerk? Was Canto Bight a complete waste of time? Was the Snoke storyline satisfying? Can Poe do anything right? And what can we expect in episode IX? There’s so much here to talk about so strap in and get ready for the jump to hyperspace!

And as I stated in the episode, here are some of the big discussion worthy articles Ian and company shared:

‘The Last Jedi’: An Explanation for Some Fans’ Disappointment and Ire

Gerry Conway’s fantastic piece on the Generational commentary in ‘The Last Jedi’ 

Chris Holm on Gender and Jedi

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I don’t have to tell you what today is. By now everyone is fully aware that tonight marks the first public showings of J.J. Abrams’ beyond anticipated release, The Force Awakens. And while everything seems to be perfect for Disney’s recently acquired sci-fi universe, critical adoration has been robust and public hype is astronomical, one question still hovers around the film. Is The Force Awakens a legitimate Best Picture contender for the Oscars? In order to fully wrap our heads around this fair, albeit unpredictable, question, we must consider many criteria both past and present.

Let me be frank, no science fiction film has ever won a Best Picture statue from the Academy Awards. That means J.J. Abrams and company are pitted against some serious odds. Now, that doesn’t mean the latest adaptation of George Lucas’ groundbreaking creation can’t weasel its way into the final dance. In fact, if The Force Awakens is as triumphant and comparable to the original trilogy as many critics have suggested, then perhaps it has a real chance at a Best Picture nomination and, dare I say, more.

hope

After the 1977 release of Star Wars: Episode IV – A New Hope, the epic feature went on to capture a robust 10 nominations from the Academy, 6 of which it won. Although Lucas’ film cleaned up in the technical categories, as well as John Williams’ symbolic score, A New Hope also earned recognition for Best Picture, Director, Screenplay and Supporting Actor. Those are some major accolades and, even more noteworthy, a level of respect unmatched by any other sci-fi film to date (although James Cameron’s Avatar came awfully close with 9 nominations and 3 wins).

It’s also important to recognize that A New Hope wasn’t the only Oscar darling from the franchise’s original trio of installments. Although each of their subsequent nominations either pertained to technical aspects of the film or John Williams’ score, The Empire Strikes Back was victorious with one of its three nominations and Return of the Jedi went home empty handed in all of its four inclusions. Therefore, a look at history would suggest that if The Force Awakens is as good as the general critical consensus claims, then J.J. Abrams’ work could very well stand as a viable Oscar contender.

c3

After catching up on the history of Star Wars, now it’s essential to place the franchise’s latest effort in the context of this year’s Oscar race. Following Disney’s lavish red carpet premiere on Monday that spared no expense, it was reported by Deadline’s Pete Hammond that, not only will Disney make a viable Oscar push for its long-awaited release, but The Force Awakens is also screening for Academy members at their prestigious Goldwyn Theatre not once, but twice! Typically, the voting body attempts to illustrate complete transparency and fairness by simply giving all other films one chance to screen for members. This will be the standard protocol for other weekend Oscar hopefuls scheduled to screen, such as The Revenant and Anomalisa, however this extra opportunity could prove to be very advantageous for The Force Awakens‘ Oscar prospects.

It’s no secret that the Academy Awards grasps for ratings at their annual event, and a reunion with the Star Wars saga would clearly draw a massive number of fanboys to their program. Furthermore, 2015 has been a decent cinematic year but no film has separated itself from the pack as a formidable Best Picture frontrunner. With The Force Awakens opening this weekend, we’ll all see if it’s as good as advertised. And if it is, then perhaps the stars have aligned for history to be made at February’s Academy Awards.

 

Catch other work from MCDAVE at his host site

Briefly: The rumour mill has been rampant, but today we finally got some sold news from the Star Wars Episode VII front.

During an earnings call today, Disney’s Bob Iger revealed that the film would star a trio of young leads, and be set 30 years after the events of Return of the Jedi.

No further details were revealed, including just what the hell the film will be about.

The revelation was confirmed via the official Star Wars twitter account:

 

What are you hoping to see in the film? Do you agree with Jonathan’s list of pieces in the expanded universe that are worth saving? Sound out below!

Recently, the big news (that should have come to no one’s surprise) was that Marvel would officially start publishing Star Wars comics in 2015, just in time to coincide with Episode VII’s release and the end of Dark Horse Comics’ license that began in 1991. Shortly after the news was made official, fans began speculating about the statuses of their favorite Star Wars Expanded Universe stories from both the comics, video games and books and whether or not they’d just be thrown out. Zack Haddad and I even speculated a bit ourselves on last week’s podcast. Well, yes. The majority of them will be thrown out, especially because they’ve got to make room in the canon for new Star Wars movies… and because if anyone’s going to be printing money on an existing Expanded Universe you can sure bet it’s going to be Disney. They do own it after all.

And don’t be surprised if Disney’s expanded universe ends up becoming just as big, if not bigger, than the one we’ve had for the past three plus decades that’s about to be scrapped and replaced.

That being said, it is a sad time for many Star Wars fans as these stories meant a lot to them. And for the majority of my life (i.e. pre-Prequels) I counted myself as one of them. I read every book and comic and played every video game that had a Star Wars logo on it (you know, like Star Wars: Yoda Stories back in 1997). So I’m a bit sad as well because a lot of those stories were great, and in a time before the post-Prequels explosion, they were our only chance to visit that galaxy far, far away.

So without further ado, I present to you the Star Wars Expanded Universe stories that I believe should be preserved. May the Force Be With Them.

Tales of the Jedi
In a perfect galaxy, this Dark Horse Comics series would be safe from being scrapped to make room for future films and Disney’s Expanded Universe. These stories (all 8 story arcs) took place during the Old Republic era and catalogued the Great Sith War and older Jedi Order. That was an entire 5,000 years before the Battle of Yavin (or BBY to the Star Wars faithful) so they shouldn’t tread on anything Disney plans to do in Episode’s VII, VIII and IX. If anything, they laid the ground work, along with the video game Knight of the Old Republic, for a strong history to both the Jedi and the Sith. Written by Tom Veitch and Kevin J. Anderson (two of my favorite Star Wars comic writers), I hope these stories survive the purge somehow… but it doesn’t look good.

swtjedi1

The Thrawn Trilogy
This one is an obvious choice. In 1991, when the first book Heir to the Empire was published, the Star Wars brand was barely on any fan’s radars. Combined with Dark Horse Comics’ first title Dark Empire, these three books were instrumental in not only bringing Star Wars back to life but also establishing a strong sequel of sorts to the original trilogy of films. Following the campaign of Imperial Grand Admiral Thrawn, who got a pretty good promotion I guess after the explosion of the second Death Star, this series remains the bench mark for any of the Expanded Universe novels that came afterwards. I remember reading them in middle school and feeling like I was back in the theater watching the next series of Star Wars stories. Throwing these three books out of canon will hurt more than pretty much anything else on this list.

Thrawn-Trilogy-Star-Wars

Dark Empire
This one’s another biggie, especially for me, and is about on par with The Thrawn Trilogy. If it wasn’t for a younger me spying Dave Dorman’s gorgeous cover to issue #1 from across the street while on vacation with my father, I’d probably never have gotten back into comic books, much less be writing comics today. Written by Tom Veitch with incredible, striking art by Cam Kennedy, Dark Empire told the story of a resurgent Empire that has retaken Coruscant and is in the midst of it’s own uprising. Luke travels to a Dark Side world called Byss and discovers that Emperor Palpatine is being reborn through younger clones (oh, and Luke almost goes to the Dark Side). Not only does Dark Empire have the pace and tone of a great Star Wars story but it also introduced some great locations to canon, like Nar Shaddaa, the smuggler’s moon, the setting for the already jettisoned Star Wars 1313 game. While major scenes in the Prequels took place on familiar places like Tatooine, Dark Empire did what any good Expanded Universe properties are supposed to in making the Star Wars galaxy seem as limitless and awe-inspiring as the original films.

Star-Wars-Dark-Empire

The Star Wars Newspaper Strips (1979-1984)
These are enormously overlooked gems… but they shouldn’t be. In fact, these might be the purest forms of Expanded Universe stories out there, released concurrently with the original film trilogy. From 1979 to 1984, The Star Wars Comic Strip was published in newspapers. Really, though, what you’re looking for is the run that Archie Goodwin wrote with art by Al Williamson that literally took place between A New Hope and The Empire Strikes Back. Dark Horse collected and rereleased them years ago in a title simply called Classic Star Wars and did a great job of them. Seek these issues out if you can because unlike Splinter of the Mind’s Eye (the 1978 novel that at the time was the “sequel” to A New Hope), the Goodwin/Williamson stories felt like classic 70s and 80s Star Wars. Luke, Leia, Han, Chewie and the crew planet hopped from planet to planet looking for a new home for the Rebellion after the Battle of Yavin, the entire time trying to avoid Imperials and a vengeful Vader (who was not yet revealed to be Luke’s father of course). And Han continues to try and resolve his debt with Jabba the Hutt while escaping his bounty hunters as seen in the fantastic storyline The Bounty Hunter of Ord Mantell. These stories were fantastic and much better than the Star Wars comics that Marvel was printing at the time. Sadly, they may have already been thrown out of canon as this is the same point in the Star Wars timeline that Dark Horse’s current Brian Wood series takes place during. That being said, these stories are as pure original Star Wars as it gets on this list and they deserve their pace in the canon.

OrdMantell

The Han Solo Adventures Trilogy
If the rumors are true and Disney really wants to make films based on a younger Han Solo’s adventures, then they should look no further for a basis to them than this series of books released between A New Hope and The Empire Strikes Back. These three novels, Han Solo At Star’s End (1979), Han Solo’s Revenge (1979) and Han Solo and the Lost Legacy (1980), were not only chock full of swashbuckling space adventure but also shed light on questions left unanswered by the Star Wars films, like “what exactly were the circumstances of Han and Chewie meeting?” and “how did Han Solo get that scar on his chin (you know, the Harrison Ford scar!)?” Well, this trilogy of books answered all of them in classic 70s science fiction fashion! Like the Goodwin/Williamson comic strips, these stories were flush and consistent canon long before the Prequels started contradicting things (like how come Han doesn’t believe in the Force when his best bud die Chewie fought with Yoda in the Battle of Kashyyyk?). Lando did have his own mid-80s book series, The Lando Calrissian Adventures (made up of 3 books), but they needed some retconning to make them fit the Expanded Universe and are really only memorable because they cover the period of time Lando flew the Millennium Falcon before losing it to Han and because they introduced the Star Wars card game of Sabacc seen in other parts of the Expanded Universe.

star-wars-han-solo-adventures

Dark Forces and Dark Forces: Jedi Knight
Aww, the good old days of PC gaming, when most games wanted to be Doom clones… but some of them were actually really, really good! Remember the giant jet-packed Stormtrooper mech suits you had to fight in Dark Forces? And the live action cut scenes from Jedi Knight (not to mention the incredible Boba Fett battle on the lava refinery planet)? Those were the days! Unlike in the X-Wing and Tie Fighter games which were incredible but basically stuck to the backdrop of the Star Wars rebellion we were already familiar with, the Dark Forces games took off on their own and placed you in new unfamiliar planets battling against brand new villains and characters (like the evil Sith Lord Jerec from Jedi Knight). For the first time, this felt like the Star Wars universe being expanded on, from the first mission in Dark Forces to steal the Death Star plans for Leia (just before A New Hope) to the final battle in the Valley of the Jedi in Jedi Knight. And your character of Kyle Katarn was the catalyst, giving you first person freedom to explore the Star Wars universe, moreso than you had ever had to that point. Heck, you could even turn to the Dark Side in Jedi Knight, which took place a year after the Battle of Endor. As great as these stories were, I have to give a shout out to Rebel Assault II: The Hidden Empire, the semi rail based shooter that employed the first live action footage filmed in the Star Wars universe since Return of the Jedi. I loved that game to death (mainly for the excitement of the cut scenes)… but like the first Rebel Assault, its not really something that needs protecting from continuity scrubbing (in fact, the trench run in the first Rebel Assault already contradicts Luke’s run in A New Hope so get rid of it!).

Dark-Forces

Kyle-Katarn-Jedi-Knight
This guy will probably not be in Episode VII

The X-Wing Novels
If you read one series of non-Timothy Zahn Star Wars novels in the 90s Expanded Universe, it should be these four books, X-Wing: Rogue Squadron, X-Wing: Wedge’s Gamble, X-Wing: The Krytos Trap and X-Wing: The Bacta War, written by Michael A. Stackpole. Yes, they might be pretty safe from the continuity scrubbing due to how well they mirror the events of the original trilogy but who knows what’s up for reinterpretation! Regardless, these books followed Wedge Antilles and Rogue Squadron from adventure to adventure across the galaxy as they fought for the Rebel Alliance (and then the New Republic). I preferred the Michael A. Stackpole books but you can’t go wrong with the Aaron Allston written X-Wing: Wraith Squadron, X-Wing: Iron Fist and X-Wing Solo Command either. Dark Horse Comics even did a few comic book adaptations of these books that weren’t bad as well (but the novels are preferred). Also worth mentioning, and probably continuity scrubbing proof, would be the Tales books Tales From The Mos Eisley Cantina, Tales From Jabba’s Palace and Tales of the Bounty Hunters… you know, because you just had to know what Max Rebo was up to before ending up on Jabba’s ill-fated sail barge that fine desert day. There are two more books, Tales From The Empire and Tales From the New Republic, that offer a bit more Expanded Universe stories in them and veer away from the films but their placement in the Star Wars timeline grant them a giant target on their heads. Welcome to retcon city, guys.

XWRogueSquadron-Novel-Star-Wars

Shadows Of The Empire
This one’s big, as it was one of the first major multimedia releases within the Star Wars brand that did not involve a film’s release. Concurrently with the novel of the same name was the release of a Shadows of the Empire video game on Nintendo 64 (and later PC), comic book and even a soundtrack (which was pretty bad ass… as we didn’t think we’d be getting any new John Williams music anytime soon)! The storyline bridges the gap between The Empire Strikes Back and Return of the Jedi (so it might be safe from destruction!) and surrounded the planned rescue of Han on Tatooine and a new challenge to Vader’s place in the Empire at the hands of the crime lord Prince Xixor (who kind of looks like a Scarran from Farscape). In the game, you played as Dash Rendar, who is a bit of a scoundrel himself and tasked with tracking Han Solo’s capture as it passes hands Boba Fett to Jabba with some other bounty hunters thrown in for good measure. I don’t remember the game being that bad, and you do end up having to save Leia again, and the comics and the book were good if not pretty entertaining (although I told you before, the X-Wing and Zahn novels are really all you need). The comics might be the most solid version of the story (since the game has not aged well), mainly because of Kilian Plunkett’s dynamic artwork and because writer John Wagner (writer of A History of Violence and co-creator of Judge Dredd!) can write a great mega city chase sequence with tons and tons of your favorite Empire Strikes Back bounty hunters thrown into the story to boot!

The booming soundtrack to my highschool summers...
The booming soundtrack to my highschool summers…

It's best that we don't show you the graphics.
It’s best that we don’t show you the graphics.

The Shadows of the Empire comics were the best.
The Shadows of the Empire comics were the best versions of the story.

So there you have it, my list of the Star Wars stories that I don’t think should be scrubbed in lieu of a new Expanded Universe. Yes, you will notice two things: I removed the storyline in which Chewbacca dies saving Han and Leia’s kids (and I’m pretty sure Disney will too) and that I didn’t pay much attention to Star Wars and the Expanded Universe post-Prequels. The truth is… it just hurt too much! Clearly, from what you just read, I consumed and was passionate about all things Star Wars right up to May 1999 (which made dating in high school and college kind of hard) but then let my passion slide.

And that’s where you come in. If there are any other Expanded Universe story lines that you love and think should be protected from the Disney erasers, tell me about them in the comments below (you know, like the two Ewok movies…)! I am looking forward to the new Star Wars movies quite a bit and with fresh new eyes, knowing that all things must come to pass. But of course, as a fan running a fan site, I needed to take this time to earmark my favorites for you and invite you to share yours as well. May the Force be with you.

Briefly: Earlier this year, Dark Horse Comics announced a brand-new limited series based on George Lucas’s original Star Wars screenplay, The Star Wars.

With the first issue in the series just a few weeks away, Dark Horse today debuted a trailer for The Star Wars, featuring some absolutely fantastic artwork.

The Star Wars looks like a phenomenal adaptation of the classic story, and I’m certainly interested in learning what changes occurred between the original treatment and the final film. The first issue of The Star Wars hits stores on September 4th. Take a look at the trailer below, read a free preview here, and be sure to let us know if you’ll be picking it up!

Briefly: Is it still news if everyone expected it?

Star Wars Celebration Europe is on in full force, and today a tasty tidbit appeared on StarWars.com: composer John Williams has confirmed his involvement in Star Wars: Episode VII.

Lucasfilm president Kathleen Kennedy announced the news before debuting a new interview with Williams, who sounds beyond excited to be returning to the Star Wars universe. This is an announcement that fans are going to love, as I can’t even begin to imagine what Star Wars would sound like if composed by anyone else.

Take a look at the short interview below, and let us know what you think of the (not really) news!

This past weekend, Latino-Review’s resident super movie scooper El Mayimbe confirmed for many what has been speculated ever since last Fall, that Harrison Ford will return to the role of Han Solo in Star Wars Episode VII. This one piece of information confirms a lot of things about what to expect from the next trilogy, mostly that these sequels will take place relatively close in time to where we left things off in Return of the Jedi. With the casting of Ford, this means that this film will likely take place only decades later, not a hundred or even a thousand years from where we left off storywise, as has been speculated by some. This makes the guessing game a whole lot easier about which elements of the classic Star Wars films we will see going forward. The focus of these new films is almost certainly going to be on the children of Han, Leia and Luke, with the classic trilogy characters taking a backseat to the new kids. The classic trilogy trio will likely be seen in much smaller roles, kind of in a “passing the torch” kind of way. While nothing is for certain, based on what we do know, here are my educated guesses as to who and what we will see in Episode VII, as well as what we most certainly won’t see.

 

Luke Skywalker/Mark Hamill

 

If there is any one single character from the classic films that is almost a virtual shoo-in for a return, it’ll be Mark Hamill as Luke Skywalker. There is very little we know about whatever George Lucas outline they are said to be using for Episodes VII-IX, but everything we do know has come out in bits and pieces over the years from interviews with Hamill, who always said that Lucas promised him a role similar to what Alec Guinness as Obi-Wan had in the original film, as the older Jedi mentor figure. And now that we know that Han Solo is a character in this movie, there is almost no chance that Luke won’t be back as well. In a nice bit of cosmic happenstance, Hamill will be the exact same age in 2015 that Sir Alec Guinness was when he played Obi-Wan in 1977.

 

mark-hamill

Chances For Coming Back – 10/10

 

Princess Leia/Carrie Fisher

 

When I first heard the announcement of Episodes VII-IX, my honest to goodness thought was that of all the human characters in the original trilogy, we would probably only see Luke return. But since that time, not only has Harrison Ford been all but confirmed, but it has been quickly revealed that Lucas informed both actors Mark Hamill and Carrie Fisher of the new episodes as early as last August. Why tell Fisher if he didn’t want her involvement as well? And now that her man Han Solo is confirmed to return? It is pretty close to a safe bet she’ll be back too. I don’t expect Leia to have a huge role here, we will probably see her as the President of the New Republic or something similar, not to mention as a mother figure to whomever the main character (or characters) probably will be.

 

Instead of using make up and digital trickery to try to de-age her, I think the opposite action needs to be taken; age her UP, make her a cross between Margaret Thatcher and Professor McGonagall in the Harry Potter series. The only reason I give Leia  a slightly lesser chance of returning is that I could see Carrie Fisher, someone known to be somewhat neurotic about her physical appearance (if you’ve ever watched her one-woman shows, you know what I mean) choosing to leave her Leia Legacy behind as gold-bikinied hottie that millions of fanboys got their first erections to, and leave it at that.

 

The image of Carrie Fisher on the right is one of her more flattering recent pics. Instead of trying to make her look younger through lipo, botox and who knows what else, my suggestion is age her  up.
The image of Carrie Fisher on the right is one of her more flattering recent pics. Instead of trying to make her look younger through lipo, botox and who knows what else, my suggestion is age her up.

Chances For Returning- 9/10

 

Chewbacca/Peter Mayhew

 

Another iconic character who was sorely missed in episodes I-II. We all know actor Peter Mayhew has already stated he is down to return and play Chewie, but frankly, even if he doesn’t, another 7 foot huge actor could fill the part and almost no one would know better (sorry Peter.) Besides, where Han goes, Chewie goes. Everyone knows that.

 

chewbacca

Chances for Returning: 10/10

 

R2-D2 and C-3PO/Kenny Baker & Anthony Daniels

 

And here are the last of what I’d say are the “shoo-ins” to come back. Lucas has long stated that the droids are the connective thread through all the trilogies, and we know that where Master Luke goes, so do his faithful droids. I guess the only question is, will either of the original actors inside the metal shells come back? Kenny Baker was barely needed in the prequels, as technology improved greatly by the time shooting the newer movies began. That is even more true today. And Anthony Daniels is currently in his late 60’s. Will he still want to get into a hot metal suit on a set for hours at this point? Even if he doesn’t, and they find another actor to fill the suit, it is pretty much a guarantee that Daniels will at least provide the voice of Threepio for as long as he’s still alive and kicking.

 

DroidDuo

Chances for Returning: 10/10

 

Lando Calrissian/Billy Dee Williams

 

Ok, here is where things get a wee bit murkier. Lando could come back, but at this point I think he would just be brought back pretty much just to be there. This movie isn’t going to focus on the old guys, and having four old actors all essentially in mentor roles is kind of pushing it. He’s not really part of the Skywalker family per se, I’m just not sure what role he’d really have to play at this point in the story. But if all the original important characters come back, and they leave the only ethnic character from the classic series out, Disney could get a lot of crap for that decision. Of course, if they include an all new African-American character, well, then that solves that particular  problem, and they don’t suddenly have to find a role for Grandpa Lando.

 

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Chances for Coming Back: 6/10

 

The Emperor/Ian McDiarmid 

 

The biggest question on everyone’s mind, at least concerning the story of this new trilogy, is just who the hell is the villain going to be? If Episodes VII-IX are meant to round out the saga as started in the Episodes I-VI, then it would figure they would continue to use the same villain: Emperor Palpatine/Darth Sidious. In creating the original saga, George Lucas has had no problem borrowing liberally from sources as varied as King Arthur legends, old westerns, World War II history and lots more. He once stated that Obi-Wan in Episode IV was based in part on Gandalf in the Lord of the Rings, and seeing as how both “died” in the first chapters of their respective trilogies, only to come back more powerful than before later on, you can see the connection. So if Gandalf is Obi-Wan, could the Emperor be maybe… Sauron?

 

palpatine

 

Go with me here; what if after decades of a hard-won peace, in a distant part of the realm (or the galaxy in this case) the disembodied spirit of Palpatine grows more powerful, and begins to have his minions build an army. This allows for for a return of familiar Star Wars iconography, like Imperial Star Destroyers and Storm Troopers, but with a modern twist–recognizable but slightly redesigned and improved. This storyline is similar to Dark Horse Comics’ Dark Empire series, but in that particular set of stories the Emperor came back as a clone, and I don’t see them going that way here. Instead, I see him as a disembodied presence, and probably just his voice (voiced of course still by the great Ian McDiarmid) who might not even take physical form, much like Sauron in Lord of the Rings. The goal of this trilogy might be for the grandchild (or grandchildren) of Anakin Skywalker to prevent the return of the Sith, which would then undo Anakin’s fulfillment of his destiny. Still, Abrams might want a whole new villain for his version of Star Wars, which is why I don’t think the return of the Sith is anywhere near a done deal yet.

 

Chances for Returning: 5/10

 

Obi-Wan Kenobi/Ewan McGregor

 

Say what you will about the prequel trilogy, even the most ardent prequel hater will grudgingly admit that Ewan McGregor nailed the role of Obi-Wan Kenobi. Add a little old age make-up, some translucent blow glow, and he can appear in a cameo communing with Luke from beyond the grave. Ewan McGregor has recently said he’d be down for any return to the Star Wars saga, and having grown up with the classic films, he would probably love to be in a movie with the original cast.

 

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Chances for Returning: 7/10

 

Yoda/Frank Oz

 

Everything I just said about Obi-Wan applies to Yoda as well. If I were Disney, I’d keep the Yoda/Obi-Wan cameos under wraps as much as possible, leave it as a surprise for audiences. Of course, in this age of online scoops, good luck keeping that from being spoiled if it does end up happening.

 

Yoda

Chances for Returning: 7/10

 

Anakin Skywalker/Hayden Christensen

 

All right, This might piss off fanboys the world over, but if ghostly Ben and Yoda come back, that implies Anakin would too probably. If Palpatine is indeed the villain again, then Anakin’s chances double for a return appearance, as who has better insight into Palpy but his former apprentice? A lot of fans loathe Hayden Christensen, but under the direction of JJ Abrams, I could see him giving a decent performance, much like he did in Shattered Glass. Besides, it would probably just be a cameo anyway, so I wouldn’t sweat it too much.

 

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Chances for Returning: 6/10

 

Boba Fett/Temuera Morrison (Or Whoever)

 

Although loved by fanboys the world over, I can’t see how they would explain Boba being around some thirty years after movie going audiences last saw him as being “slowly digested over a thousand years” in the Sarlaac Pit at the start of Return of the Jedi. Yes, I am aware that various comics and novels have explained how Boba survived that little indiginity, but most casual moviegoers have not read any of those, and I can’t see JJ Abrams spending valuable screen time explaining how Boba managed to still be alive and kicking decades later. Boba might get his own solo spin-off movie set during the classic trilogy (I think this more than likely) but don’t expect him in Episode VII. Still, he is very popular,  so anything is possible. I won’t go as far as ruling it out completely.

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Chances For Returning: 2/10

 

Jar-Jar Binks/Ahmed Best

 

Relax, geeks. This will never happen. Everyone knows Jar-Jar is the most hated character in all of sci-fi, symbolic of everything wrong with the prequel trilogy. You might see cute little in jokes, like a gravestone with his head on it, or something similar, but yeah…Disney won’t allow for Jar-Jar in this new trilogy, so everyone go ahead and breathe a sigh of relief.

 

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Chances For Returning: 0/10

 

Locations/Planets

 

The Star Wars galaxy is a vast one, made up of thousands and thousands of planets, and I think this is something JJ Abrams will want to explore more. I don’t believe we will be visiting many already seen worlds from the original saga, and they will be mostly creating whole new ones instead. I can’t forsee a reason to return to planets like Hoth, Dagobah, Bespin, or almost any of the others for any reason other than viewers already know them. There are two big exceptions to this rule though, and they are the following:

 

Tatooine

 

While Tatooine is the planet said to be the farthest from the bright center of the universe, and essentially the armpit of the galaxy, it is the emotional home planet of the Star Wars saga, appearing in five of the six films. I’m not sure how it will factor in, but at some point in Episode VII-IX, count on visiting Tatooine, maybe as the home of hermit Jedi Master Luke Skywalker.

 

tatooine

 

Coruscant

 

The capital world of the Republic, then the Empire, and then presumably the New Republic as well. It was originally meant to appear in Return of the Jedi, although using a different name. If Tatooine is the Star Wars galaxy’s version of a no-name small town, then Coruscant is New York City. While the prequel movies spent way too much time in this one location, the capital world is too important to to be ignored, and is bound to make at least an appearance at some point in these new movies.

 

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Chances of Seeing Both Planets: 8/10

 

Starships

 

The Millennium Falcon

 

One very important ingredient missing in the prequel trilogy was the lack of a central starship to serve as de-facto home for the protagonists, which is what the Millennium Falcon was to the core group of characters in the classic trilogy. The Millennium Falcon is the most beloved spaceship in sci-fi history, right next to the starship Enterprise; there is almost no way it isn’t making a comeback this time. I don’t expect Han to be piloting the ship anymore though, I expect him to have given the old girl to one of his kids…although I could see Chewie remaining as co-pilot to his “niece” or “nephew.” One thing is for sure though, expect to see the return of the Falcon, and expect it to still not work half the time.

 

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X-Wings, Y-Wings, Etc.

 

If you look at the starships in the original trilogy, the Imperial armada all have a sparse, uniform look with little in the way of deviation; Star Destroyers for example are all angular and stark white and colorless. The Rebels on the other hand are made up of various cultures all coming together, and therefore have a more haphazard and varied look (all the Rebel fleet scenes in Empire and Jedi look like ships that all came from different worlds.) Now that the Rebels have very likely become the New Republic (or something similar) they have to look more uniform, but should still look more organic and not too much like the former Empire’s ships. There should be X-Wings, Y-Wings and the like, because everyone loves those designs, but everything should look a little more uniform and polished, as this isn’t a rag tag band anymore, they are the establishment.

 

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Chances of Seeing These Ships (Or Variations of Them) 9/10

 

 

Last, but certainly not least, John Williams

 

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At first, I would have thought that John Williams would have chosen to retire from Star Wars along with George Lucas, but according to recent reports, he is seemingly down for a return. Star Wars and Williams go together like peanut butter and jelly, so if he wants to come back, Disney will move heaven and Earth to make that happen. In any case, the next few months and years will prove whether or not my guesses have any degree of accuracy, or whether or not JJ Abrams instead surprises us all with a movie trilogy about the adventures of Admiral Ackbar and his crew of Ewok fighter pilots.

It’s crazy to think it has only been a little over three months since Disney bought Lucasfilm and announced a whole new Star Wars trilogy coming in just two and a half years. Since that particular nerd nuclear bomb was dropped, the news has continued to come at a rapid fire rate; first came the news that Toys Story 3‘s Michael Arndt would be writing the screenplay (with help from none other than Empire Strikes Back and Raiders of the Lost Ark writer Lawrence Kasdan) to the big bombshell dropped a few weeks back that JJ Abrams was taking the helm of Episode VII. All of these things were generally greeted as good-to-great news by both hardcore and casual fan alike.

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In many ways, this is the best time ever to be a Star Wars fan; the galaxy far, far away has been released from the viselike grip of George Lucas, and now a generation of filmmakers who grew up with the classic films are free to play in his sandbox and add to the mythology. Older fans like me are going to get to see the sequel trilogy we had long ago given up on ever seeing come to life, and under the hand of a gifted director and screen writer to boot. But now we are getting news that not only are we getting Episodes VII-IX, we are also getting a whole slew of spin-off films as well. In just one week, we’ve heard reports of a Yoda-centric film, a Seven Samurai -inspired movie from Zack Snyder (which may be one and the same with the Yoda flick), and now a young Han Solo movie and a Boba Fett solo movie, too. All of these are said to be alternating between Episodes VII-IX. That would mean like six or more Star Wars universe films in a decade. At least. And personally, I think that is WAY too much. Disney spent four billion to get their hands on this franchise, and if they keep to this crazy factory mentality they seem to have set up, they will quite literally kill all interest in Star Wars by running it into the proverbial  ground. Here is what I think Disney needs to do (and to not do) if they plan on keeping Star Wars alive and a perennial franchise in the same way 007 and others have proven to be. Start taking notes, Bob Iger.

 

Learn From Star Trek’s Mistakes

 

Back in the early 90’s, Star Wars was all but dead. There were no movies coming out, and we didn’t know if new movies would ever come out. There were no toys on the shelves, and comics and books based on that galaxy far, far away were just beginning to trickle out again. The general feeling was that Star Wars had died with the 80’s. The reigning sci-fi franchise was Star Trek, thank to the massive success of Star Trek: The Next Generation. Next Gen was a huge hit, so naturally Paramount wanted a spin-off series. Before TNG ended its run, Star Trek: Deep Space Nine debuted, making two Trek series running at once. It was also successful, so when the TNG cast was spun off into feature films, Paramount decided they still wanted two different Trek shows on the air, and less than two years after DS9 debuted, Star Trek: Voyager came onto the airwaves. In the meantime, the TNG crew still had movies coming out every two years, not to mention repeats of the show airing almost everywhere in second run syndication nightly, and re-runs of the original series too. By the time Voyager ended its run in 2001, even this die-hard Trekker was officially sick of the franchise. Paramount had taken their cash cow and, in a little over a decade, wrung out every bit of life left in her. The following series Enterprise eventually died with a whimper, and it took JJ Abrams to perform miracle surgery and save the franchise.

 

By the late 90's and early 2000's, there was so much Star Trek product that the overload all but killed the franchise entirely.
By the late 90’s and early 2000’s, there was so much Star Trek product that the overload all but killed the franchise entirely.

Disney needs to look at what happened with Trek during the late 90’s and early 2000’s as a cautionary tale. Star Wars is the most beloved film franchise of all time, hands down. The sixteen year gap didn’t make fans less eager to line up for days to see The Phantom Menace, and the disappointment of the prequels for many has not quelled fan anticipation for the sequel trilogy from the looks of it. Disney does not need to pump out a Star Wars movie every year and have a show on television on top of that to make good on their four billion dollar purchase. If they play their cards right, Star Wars can remain a valuable property to them for the next several decades…or it could all be over before we know it.

 

No Overlapping Star Wars Films. 

 

The idea of stand-alone “side stories” focusing on well-known characters in the Star Wars universe is actually a smart idea, and Disney simply needs to play the long game with this one. The proper Star Wars episodes should maintain their once every three years release schedule, which worked just fine for both of the previous trilogies (possibly every two years is not so bad either, it worked for Harry Potter.) But Disney should wait till after the new trilogy is finished before releasing any stand alone movies, though. Any time a Star Wars movie is released, it needs to be an event, plain and simple. Focus on your new trilogy first and foremost. Make sure that is as good as it can possibly be, and win back the casual moviegoer who abandoned the franchise post Jar-Jar. Now after that trilogy is done, then do stand-alone pics focusing on Boba Fett, the Knights of the Old Republic, or even Salacious Crumb if you want. I imagine Disney will also want an Episodes X-XII at some point; maybe make those a good decade or so after this new trilogy is done, and in between you can keep the Star Wars flame burning by sprinkling one or two of these stand-alone films. I am cool with most of the ideas floating around for spin-off films that have been leaked so far, but I do take great exception to one of them…

 

No “Adventures of Baby Han Solo” Movie, Please

 

While I think the idea of a “Tales of the Star Wars Galaxy” spin-off series is great, some things need to be nipped right in the bud. I really, really don’t think we need to find out the secret origin of Han Solo, or see him as a teen or twenty-something learning the ropes of intergalactic drug dealing and smuggling for a giant slug-like gangster. Obviously, Han is a mega-popular character, and a film set between Episodes III and IV would allow Disney to make a film in the classic timeline–they could have the Falcon and Chewie and Imperial Star Destroyers, and maybe even Lord Vader himself show up. The marketing opportunity must be impossible to resist. But they should resist it. Han Solo is one of the most iconic characters in movie history. Even George Lucas realized that a young Han was a bad idea, and scratched a cameo appearance from Episode III. The Clone Wars animated series has an edict that Han is never to show up, as it would ruin his grand entrance into the saga in the Mos Eisley Cantina in A New Hope. I wholeheartedly agree with that rule. I’m all for a Boba Fett/Bounty Hunters film set during the classic trilogy if done right, but please for the love of the Force, leave Han Solo alone.

A Boba Fett bounty hunting epic? Bring it on. A Young Han Solo Chronicles? Hell to the no.
A Boba Fett bounty hunting epic? Bring it on. A Young Han Solo Chronicles? Hell to the no.

 

No Live-Action Series

 

There had been talk for years prior to the Disney buyout of a live action Star Wars series, one set in the galactic underworld and possibly featuring Boba Fett and other bounty hunters. When there were to be no more films coming out, I was ok with this idea. But with Disney in charge now, rumors began to swirl of that television idea being revived for ABC. To this I say a big fat NO. If there are indeed going to be these “Tales of the Star Wars Galaxy” films as well as a proper trilogy on a continuing basis, then the last thing we want is a live-action series on top of all that. It is just one thing too many, and kills the specialness of the Star Wars universe. Star Wars should still maintain a television presence the way they have for the past five years–in animation. The Clone Wars animated series has become one of the best cartoon shows ever, and in my humble opinion is the best Star Wars anything since Empire. While I imagine that the show will go off the air within the next couple of years, executive producer Dave Filoni and his animation team should immediately be put in charge on a new animated series. The story and timeline of The Old Republic game seems perfect for a new ongoing animated series. And unlike The Clone Wars, where almost all of the main characters destinies are pretty much etched in stone, an Old Republic series would’t be limited by the existing movies as to what happens with the characters, as it would be presumably set hundreds or even thousands of years before. But whatever happens with future toons, having live action films and a television series is just plain overkill.

The Old Republic would be an ideal follow up animated series to Clone Wars.
The Old Republic would be an ideal follow up animated series to Clone Wars.

 

Just Slow Your Roll, Mickey

 

There aren’t that many media franchises that can really stand the test of time; James Bond just celebrated fifty years in the mass popular culture, and in just three years Star Trek will do the same.  When Star Wars reaches that milestone, will it be played out beyond all repair, or just be getting started? Star Wars is now your golden goose Disney…just don’t kill it before it has started to produce any actual golden eggs for you.

 

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Willow fans, this is some wonderful news.

In celebration of Willow‘s upcoming 25th anniversary, Lucasfilm and 20th Century Fox have (finally) announced a Blu-Ray edition!

The Blu-Ray will launch March 12, 2013. This means that, 9063 days after the film premiered, we’re finally set to see it at home in high definition. This new release will feature a completely new digital transfer and restoration overseen by the wonderful team at LucasFilm, as well as some never before seen special features including:

-NEW  Willow: Deleted Scenes with Ron Howard
-NEW  Willow: An Unlikely Hero  Personal Video Diary of Warwick Davis
-The Making of an Adventure with an all new introduction from Ron Howard
-From Morf to Morphing with an all new introduction from Dennis -Muren
-Matte Paintings
-Easter Egg

We’re stoked for this at Geekscape. This is one of Jonathan’s top 5 fantasy movies of all time (and the first he ever saw in a theater). And now I can actually get the reference when he calls me “Peck”!

Again, you’ll be able to pick up the 25th anniversary edition of Willow on Marth 12th, 2013. Watch the trailer for the upcoming release below, and share your excitement!

When young Willow Ufgood (Warwick Davis; Harry Potter franchise) finds an abandoned baby girl, he learns she is destined to end the reign of the wicked Queen Bavmorda (Jean Marsh; “Upstairs, Downstairs”). In order to protect the child, Willow must team up with a rogue swordsman (Val Kilmer; Kiss Kiss, Bang Bang) and overcome the forces of darkness in the ultimate battle of good versus evil!

Not long ago a rumor popped up that Colin Trevorrow (Safety Not Guaranteed) was on the list of contenders to direct Star Wars: Episode VII. The writer/director has actually had meetings at Lucasfilm and it now appears that Trevorrow has actually known about the project and been attached for quite some time. Watch the following video and skip ahead to the 21:15 mark.

I can’t speak with any specificity as to what the next thing will be. There are amazing opportunities that have arisen as a result of this. One of them, I will say, will probably create a good deal of ire against me on the Internet when people find out what it is. So, I just want to say in advance that I promise you, for all those who love the mythology that I will be tackling, trust that I love it as much as you do. And I will respect it, and hopefully make it not suck.

This video actually dates back to June. Now, this doesn’t necessarily mean that Trevorrow is directing. He definitely has writing experience and that Kathleen Kennedy & George Lucas have mentioned that there are multiple writers involved with the project. Trust us, this should be officially announced sometime very soon.

UPDATE: Well, the director has taken it to Twitter earlier today to announce that he is definitely NOT involved in this project but another one. Well, that’s a little disappointing and now brings up the question of what exactly he is working on.

Source: Film Stage

 

Well, you can take Steven Spielberg’s name off the list of potential directors for Star Wars: Episode VII. It’s kind of funny because a while back Spielberg wanted to shoot a Star Wars film. Back in 2002 the director stated:

“I’ve asked [Lucas]. He won’t let me do one. I wanted to do one 15 years ago, and he didn’t want me to do it. I understand why – Star Wars is George’s baby. It’s his cottage industry and it’s his fingerprints. He knows I’ve got Jurassic Park and Raiders. But George has Star Wars and I don’t think he feels inclined to share any of it with me.”

Well, it seems that Steven has changed his mind on the matter. When asked about the possibility of directing the film Spielberg stated:

“No! No! It’s not my genre. It’s my best friend George’s genre.”

Well, even though he’s one of the three directors to be getting Michael Arndt’s treatment, it definitely looks like we can count Spielberg out of the running for this one.

Source: Access Hollywood

Back in 2009 Jim Dorey of the blog, Marketsaw, claimed that Lucasfilm were already working on Star Wars: Episodes VII, VIII & IX. Well, now that this has turned out to be true the blog has posted even more information from their “source”. While, this could turn out be completely false, it definitely does sound interesting.

According to the source, the new trilogy will be reworked versions of what George Lucas was planning all the way back to when he made the original films. Apparently, this new set of films will follow the same tone of the original trilogy. We will see Luke Skywalker as a key character and apparently Mark Hamill is already signed on as well as many of “the original trilogy cast” with Han Solo, Chewbacca, Princess Leia, C3PO and R2D2 set to appear. One key point that the source revealed was the Empire was definitely not destroyed at the end of Return Of The Jedi.

Another interesting bit of information that was revealed was that Disney has a very interesting short list of directors that includes:

– Steven Speilberg (I shouldn’t have to tell you what he has done)

While he is not the new generation that Lucas talked about taking over, Spielberg has said in the past that he’d like a shot at directing a Star Wars film.

– Neil Blomkamp (District 9, Elysium)

– Alfonso Cuarón (Children of Men, Gravity)

– Matthew Vaughn (Kick Ass, First Class)

– Darren Arnofsky (The Fountain, Noah)

– Joss Whedon (Serenity, The Avengers)

But with this one he made sure to point out not to hold your breath as far as directing Episode VII…but that he may actually play another part in it.

So, while this source did indeed reveal three years ago that we would be getting another trilogy…I would definitely file these in the rumor department for the moment. However, I have been proven wrong before. So we’re going to have to wait and see. Remember, 2015 isn’t that far, far away.

Does George Lucas need the $4 billion that he is getting from this Disney deal? Definitely not. Well, it seems that George Lucas is planning to donate the majority of the $4 billion sum that Disney are paying him for LucasFilm to good causes. A spokesperson told The Hollywood Reporter that:

“George Lucas has expressed his intention, in the event the deal closes, to donate the majority of the proceeds to his philanthropic endeavors.”

They didn’t have any details as far as where the money will end up, but the writer and director is well known for his substantial donations to causes such as the Film Foundation, Stand Up To Cancer and the Make-A-Wish Foundation. Lucas made the following statement this Wednesday:

“For 41 years, the majority of my time and money has been put into the company. As I start a new chapter in my life, it is gratifying that I have the opportunity to devote more time and resources to philanthropy.”

Well played Mr. Lucas.

So, unless you’ve been living under a rock for the past 24 hours, you probably heard the news that shook the geek world to its very core yesterday. If not, here’s the recap: Disney has bought Lucasfilm for $4 billion dollars, and in even bigger news, has announced  Star Wars Episode VII for release in 2015, the start of a whole new trilogy. More to the point, the start of what will be several new trilogies. A few days ago, Star Wars was something that (outside of cartoons and comics) was over and done with, a series of films sitting comfortably on my shelf, and in my heart. (Well, most of them were in my heart) But whatever they were, they were definitely finished. Now, Star Wars will conceivably go one for the rest of my natural life. Gotta say…I didn’t see that comin’, at least not so soon. I was fully expecting ol’ George to be dead before this ever happened, to be honest. Certainly every time the rumor of more Star Wars movies surfaced in the last couple years, Lucas has emphatically denied that there would ever be any new Star Wars movies ever again. If Lucas hadn’t been a filmmaker, he could have been a politician.

George Lucas’ life has oddly paralleled that of his character Anakin Skywalker; both started out as brilliant rebels against a corrupt system, gaining fame and notoriety in the process. Then both became the heads of their own Empires, becoming the very thing they hated the most. Lucas has even publicly acknowledged this irony in interviews he has given in the past few years. But much like Anakin Skywalker, it seems Lucas has learned the point of his own story. He knows what is best for Star Wars now is just to let it go.

If there was any point to the story of the prequels trilogy (and underneath the midi-chlorians and the gungans and the wooden acting, I think there was) it was that possessiveness and the refusal to let go are the path to the dark side; it seems George Lucas has, towards the end of his life, learned that lesson, and finally let Star Wars go. Hopefully, he has let it go to younger filmmakers who arguably love his saga even more than he does. But speaking of younger filmmakers, just who will the Mouse get to do this?

Who Will Disney Get To Write And Direct?

That’s the real question isn’t it? Geekscape’s very own Shawn Madden had some quality suggestions. Whoever they get, they will have to be a name director, someone fans can trust…this isn’t Tron Legacy, where they can get some guy who made his name making commercials and just hope for the best. After all, this isn’t just any movie franchise, this is THE movie franchise. To put it bluntly, Disney can’t afford to fuck this one up. Same goes for the screenwriter. I know they are said to be working off Lucas’ original outline for Episodes VII to IX, but they need to make sure we get a real high quality screenwriter on this one so we don’t get any Lucasy bad dialogue. Oh, and speaking of Lucas’ original outline for the sequel trilogy they are said to be using as a jumping off point, this just proves that Lucas is as big a flip flopper as Mitt Romney; years ago he mentioned a proposed outline for Episodes VII to IX, then in interviews after the release of Revenge of the Sith he said there were never any story ideas for a sequel trilogy. Now, he’s back to having story treatments for all three movies again. Seriously George, run for some kind of public office, you’d be a natural.

Space Them Out

Although the announcement says that starting in 2015 there will be a new Star Wars installment “every two to three years” I really hope Disney pays attention to how the original (as well as prequel) movies were released, and keep to the every three years schedule. Now that you’ve got the golden goose Disney, don’t abuse it by releasing too many, too fast. If you put too much product out, you risk over-saturation of the brand, and you get what happen to the Star Trek franchise in the late 90’s. There was a sixteen year gap between Jedi and Phantom Menace, and we saw that long waits between sagas did nothing to quench the thirst for new Star Wars. Keep to the every three years schedule, and for the love of Chewie, keep a distance of at least five to six years or so between trilogies. Play this one smart, not greedy.

What Will The Story Even Be About?

At the end of Return of the Jedi, the Sith are vanquished and the Galactic Empire defeated. The entire six episode saga is about the rise, fall and redemption of Anakin Skywalker, as he fulfills his ultimate destiny and destroys the Sith by killing the Emperor (and himself) in the process. But who could rival Darth Vader and the Emperor as the central villains? Even in episodes I, II and III, Palpatine was the real baddie behind it all. If the Sith somehow return, doesn’t that negate the whole point of the previous films? I mean, the wars have to continue in some form (I mean, Wars is kind of in the title) But who the good guys will be fighting against is the real mystery. Unlike with episodes I-III, there are no real hints from Lucas about what the future installments could be about for fans to chew on for the next few years. All he has ever mentioned over the years are some very vague comments about “Luke passing down the lightsaber” and that is about it.

Which Classic Characters Will Return?

I can say with some certainty that Mark Hamill will probably return as Luke Skywalker, now as a wise old Jedi in the Obi-Wan Kenobi mold. Also certain to return are the droids R2-D2 and C-3PO, and probably Chewbacca as well. As for who won’t be back, I think it is fair to say that Han Solo is out of the picture now. Do we really wanna see old fart Harrison Ford back in that black vest again at 75 years of age? I know I sure as hell don’t. I mean, Kingdom of the Crystal Skull was bad enough. I have a hard time thinking of a role for an old Han in any Star Wars stories set even just a few decades past Jedi. And I’d bet Carrie Fisher is just as off the table for a return as Princess Leia, although she could have a role as Supreme Chancellor of the New Republic or something. But frankly, I’d rather remember Han and Leia as they were. I really think that Luke is the only human character from the classic films who should make a return.

Fan made art depicting what an Obi-Wan like “Old Luke” could look like.

Will Episodes VII-IX Negate The Expanded Universe? Or Be Inspired By It?

Over the past twenty odd years, the events after Return of the Jedi have been chronicled to death in dozens and dozens of novels, comic books and video games. Although written by many different authors over the past two decades, Lucasfilm has (for the most part) kept this “Expanded Universe” continuity tight between all the various media, resulting in a post Episode VI timeline that covers the marriage of Han and Leia, the birth of their children and their subsequent training as Jedi Knights, and even in some cases their deaths. If I’m not mistaken, the last Star Wars novel with the original characters went up to something like forty years past the events of Return of the Jedi.

But a new movie series set after Jedi could take all these stories fans have invested in over the years and chuck them out the window. But there are a lot of fans of this stuff out there, and to start this new trilogy by saying that all those stories millions of fans have invested in “just didn’t happen” might not be the best way for Disney to start this new relationship with the hard core Star Wars audience. Not only that, but by doing so, it sends the message that the books and comics don’t really matter. If the fans think they don’t count, they’ll be less inclined to buy new books and comics in the future. And I can promise that selling less product is not what Disney wants.

This is just a small fraction of what is known as the “Expanded Universe” of Star Wars novels and comics. Will Episodes VII through IX just ignore all of these?

So what to do? My suggestion is the “have your cake and eat it too” scenario. Have the new trilogy take place not just decades, but maybe even centuries after Return of the Jedi. Luke Skywalker could still be there, as a wise old Jedi Master. We know Yoda was so powerful with the Force he lived hundreds of years, why couldn’t the same be said for Luke? This way, we can skip over all that Expanded Universe stuff that deals with the immediate decades after Return of the Jedi, but not really negate any of it either. They could probably even find some ways to incorporate certain EU stuff into the movies as Easter eggs.

Speaking Of The Expanded Universe, What About The Comics?

Yesterday will probably go down as “Black Tuesday” at the offices of Dark Horse Comics. Dark Horse has been the home of Star Wars comics for over twenty years now, but probably not for a whole lot longer. In fact, Star Wars comics have been what has kept the company afloat in tough times. But as soon as their current contract with Lucasfilm ends, you can be sure Star Wars will go to Disney-owned rival Marvel Comics. There is a certain poetic symmetry to that, as Marvel was Star Wars‘ original comic book home back during the 1970’s. Similarly, you can expect Clone Wars (or whatever future Star Wars animated shows) to leave Time-Warner owned Cartoon Network and go to Disney XD. For both comics and toons, it is only a matter of time for everything to converge at the House of Mouse.

Star Wars will soon likely return to it’s original home in comics at Marvel.

What About Future Box Sets? Can They Even Happen Now?

Even though physical media is on the wane, there is still one set of Blu-rays that people will always want on their shelves, and that’s the Star Wars Saga. With Episodes XII-IX and all future installments coming from Disney now, a complete saga set might prove difficult. Twentieth Century Fox still has the release rights to all six existing Star Wars films until the year 2020. Now, that’s not such a big deal, as by 2021 this new trilogy will be done and then Disney could release a big complete saga box set free and clear.

But there is one tiny little obstacle. Because Fox owns the rights to A New Hope in perpetuity, meaning for there to be any complete series set, a deal will have to be struck with Disney to allow for its inclusion. But this could be all be a good thing, and here is why: In all likelihood, Fox will take a very fat check from Disney and release A New Hope to them, as long as they can release the original theatrical version as a stand alone release, making fanboys all over the world happy. This way, everybody gets what they want. Well, except for fans who want to hear Lapti Nek in Jabba’s Palace again, and not see Hayden Christiansen at the end of Return of the Jedi. You guys might still be screwed.

And here I thought last year’s box set would be the last time I had to buy a “Complete Saga” collection. I really should have known better.

Oh Yeah…And What About Indy??

The best news about the acquisition of Lucasfilm might be for Indiana Jones. I’ve thought for years now that Indiana Jones should be like James Bond, with younger actors taking on the whip and fedora for a series of films, and then turning them over to another new actor after a period of time. Indy should always be in his twenties or thirties, fighting off Nazis  during the 1930’s and 40’s, and looking for fortune and glory. Even though the announcement today said that Disney isn’t looking at Indiana Jones as a property right now, don’t expect that attitude to last. Expect a newly rebooted Dr. Jones within the next five years or so. I should add that I think this should be for all NEW adventures for Indiana Jones….anyone who event attempts to remake Raiders of the Lost Ark should be flogged out in public.

So for now, these are this geek’s biggest questions and concerns about the future of Star Wars and a certain intrepid archaeologist. Of course, fandom is just starting to speculate on what this all could mean. All I know is that I’d love to go back in time and tell the 9 year old version of me that in one summer coming up soon, I’d have an Avengers movie, a Justice League movie and a sequel to Return of the Jedi coming out within weeks of each other. Man, I sure hope those Mayans were wrong about 2012, or I’m gonna be pissed off.

 

So, remember those times when you said George Lucas needs to stop messing with Star Wars films? Well, now he won’t be able. The Walt Disney Company has agreed to acquire Lucasfilm Ltd. from George Lucas, who owns 100% of the company. In addition to this news it’s been revealed that Disney has targeted 2015 for a release date for Star Wars Episode VII. So, tired of George Lucas raping your beloved childhood? Don’t worry about it because he won’t have the chance anymore with the properties now in much better hands.

Disney has long had a close relationship with closely held Lucasfilm and founder George Lucas, including featured attractions at Disney theme parks such as Star Tours at Disney’s Hollywood Studios in Florida.

The full press release:

BURBANK, Calif. & SAN FRANCISCO–(BUSINESS WIRE)– Continuing its strategy of delivering exceptional creative content to audiences around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Lucasfilm Ltd. in a stock and cash transaction. Lucasfilm is 100% owned by Lucasfilm Chairman and Founder, George Lucas.

Under the terms of the agreement and based on the closing price of Disney stock on October 26, 2012, the transaction value is $4.05 billion, with Disney paying approximately half of the consideration in cash and issuing approximately 40 million shares at closing. The final consideration will be subject to customary post-closing balance sheet adjustments.
“Lucasfilm reflects the extraordinary passion, vision, and storytelling of its founder, George Lucas,” said Robert A. Iger, Chairman and Chief Executive Officer of The Walt Disney Company. “This transaction combines a world-class portfolio of content including Star Wars, one of the greatest family entertainment franchises of all time, with Disney’s unique and unparalleled creativity across multiple platforms, businesses, and markets to generate sustained growth and drive significant long-term value.”

“For the past 35 years, one of my greatest pleasures has been to see Star Wars passed from one generation to the next,” said George Lucas, Chairman and Chief Executive Officer of Lucasfilm. “It’s now time for me to pass Star Wars on to a new generation of filmmakers. I’ve always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime. I’m confident that with Lucasfilm under the leadership of Kathleen Kennedy, and having a new home within the Disney organization, Star Wars will certainly live on and flourish for many generations to come. Disney’s reach and experience give Lucasfilm the opportunity to blaze new trails in film, television, interactive media, theme parks, live entertainment, and consumer products.”

Under the deal, Disney will acquire ownership of Lucasfilm, a leader in entertainment, innovation and technology, including its massively popular and “evergreen” Star Wars franchise and its operating businesses in live action film production, consumer products, animation, visual effects, and audio post production. Disney will also acquire the substantial portfolio of cutting-edge entertainment technologies that have kept audiences enthralled for many years. Lucasfilm, headquartered in San Francisco, operates under the names Lucasfilm Ltd., LucasArts, Industrial Light & Magic, and Skywalker Sound, and the present intent is for Lucasfilm employees to remain in their current locations.

Kathleen Kennedy, current Co-Chairman of Lucasfilm, will become President of Lucasfilm, reporting to Walt Disney Studios Chairman Alan Horn. Additionally she will serve as the brand manager for Star Wars, working directly with Disney’s global lines of business to build, further integrate, and maximize the value of this global franchise. Ms. Kennedy will serve as executive producer on new Star Warsfeature films, with George Lucas serving as creative consultant. Star Wars Episode 7 is targeted for release in 2015, with more feature films expected to continue the Star Wars saga and grow the franchise well into the future.
The acquisition combines two highly compatible family entertainment brands, and strengthens the long-standing beneficial relationship between them that already includes successful integration of Star Wars content into Disney theme parks in Anaheim, Orlando, Paris and Tokyo.

Driven by a tremendously talented creative team, Lucasfilm’s legendary Star Wars franchise has flourished for more than 35 years, and offers a virtually limitless universe of characters and stories to drive continued feature film releases and franchise growth over the long term. Star Wars resonates with consumers around the world and creates extensive opportunities for Disney to deliver the content across its diverse portfolio of businesses including movies, television, consumer products, games and theme parks. Star Wars feature films have earned a total of $4.4 billion in global box to date, and continued global demand has made Star Wars one of the world’s top product brands, and Lucasfilm a leading product licensor in the United States in 2011. The franchise provides a sustainable source of high quality, branded content with global appeal and is well suited for new business models including digital platforms, putting the acquisition in strong alignment with Disney’s strategic priorities for continued long-term growth.

The Lucasfilm acquisition follows Disney’s very successful acquisitions of Pixar and Marvel, which demonstrated the company’s unique ability to fully develop and expand the financial potential of high quality creative content with compelling characters and storytelling through the application ofinnovative technology and multiplatform distribution on a truly global basis to create maximum value. Adding Lucasfilm to Disney’s portfolio of world class brands significantly enhances the company’s ability to serve consumers with a broad variety of the world’s highest-quality content and to create additional long-term value for our shareholders.

The Boards of Directors of Disney and Lucasfilm have approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, and other customary closing conditions. The agreement has been approved by the sole shareholder of Lucasfilm.

Just like the Marvel acquisition, this one caught everyone by surprise. According to Disney’s Robert Iger, there are plans to release a new Star Wars film every 2 – 3 years with Episodes 7 through 9 to be directed by three different directors.

This will be part of Disney’s target slate of 8-10 live action films it releases each year which also includes the Marvel Studios films. With a new Star Wars and The Avengers sequel both hitting theaters, it’s safe to say that Disney will dominate the 2015 box office.

So, were you too young to catch Raiders Of The Lost Ark in theaters the first time around? Well don’t worry because you will have your chance!  Paramount is re-releasing Steven Spielberg’s Raiders Of The Lost Ark, featuring Harrison Fords first outing as Indiana Jones, into IMAX theaters. You read that one right. Not only do you get the see the movie in theaters but you get to see it in IMAX! An official announcement hasn’t been issued by Paramount yet, but that the movie is popping up on various ticketing and theater websites as an attraction opening on Sept 7th. An announcement is expected this week, but until then we won’t know how big of a release this is going to get.  Better get ready to buy these when they go on sale and ask yourself why it had to be snakes with all of your friends.

Source: THR

If you’ve been listening to Geekscape, or even checking our Facebook or Twitter, you knew something was up. And now it’s official. Geekscape is teaming up with Red Letter Media and “The People VS George Lucas” team of Exhibit A Pictures to create THE definitive zombie culture documentary “The Doc of the Dead”. Geekscape and Red Letter Media’s roles in the film are as contributors and Mike of Red Letter Media and I are co-directors providing director Alexandre Philippe, who’s no stranger to Geekscapists, with plenty of segments throughout the film.

I could explain more but why not check out the press release for yourself:

FOR IMMEDIATE RELEASE ‘THE PEOPLE VS GEORGE LUCAS’ TEAM ANNOUNCES DEFINITIVE ZOMBIE DOCUMENTARY

‘WALKING DEAD’ ARTIST CHARLIE ADLARD TO SIGN POSTER ART AT SAN DIEGO COMIC-CON

DENVER, CO (July 5, 2012) – The creators of the groundbreaking participatory documentary THE PEOPLE vs. GEORGE LUCAS are already hard at work on DOC OF THE DEAD—the definitive and most comprehensive tribute to zombie culture and fandom ever made. Shot and edited in a cinematically edgy, high-octane style, DOC OF THE DEAD will host a rich pop culture dialogue with zombie experts and celebrities, seek participation from YouTubers and indie filmmakers, and even investigate the possibility and ramifications of an actual zombie outbreak with sociologists, virologists, chemists, and members of the Zombie Research Society.

The Exhibit A Pictures triumvirate—Writer/Director Alexandre O. Philippe, Producer Kerry Deignan Roy, and Producer/DP Robert Muratore—teams up again with Editor Chad Herschberger and the multi award-winning post-production facility Milkhaus (Oscar winner SAVING FACE; Sundance winner CHASING ICE) to stamp their unique brand of entertainment and pop culture commentary on one of the most viral and enduring fan phenomena in recent history. This will also mark their first full-fledged collaboration with Geekscape’s own Jonathan London and Red Letter Media’s massively popular Mr. Plinkett—both of whom will contribute recurring, fictionalized segments to the film. In other words: expect plenty of fan service and gory surprises!

Artist Charlie Adlard (THE WALKING DEAD), who created a stunning original poster for the film, will autograph a number of San Diego Comic-Con exclusive limited edition prints at the Geekscape Booth #3919 on Friday, July 13, 2012 at 4:30pm.

Filming is already under way, and the Exhibit A team is currently focusing on key interviews with countless personalities, critics, scholars, writers, filmmakers, comedians, and notorious zombie culture enthusiasts. Notables (to date) include Simon Pegg (SHAUN OF THE DEAD), and Matt Mogk (ZOMBIE RESEARCH SOCIETY). Zombie icon George A. Romero has agreed to participate, and will be interviewed in Toronto in early August.

Principal photography for DOC OF THE DEAD will begin in the Fall of 2012, with key interviews/B-roll/fictionalized segments filmed by the Exhibit A crew, and additional segments concurrently produced by Geekscape and Red Letter Media. Post-production is anticipated to begin in the Spring of 2013, with a completed film ready for delivery by Fall 2013. Crowdsourcing will be ongoing during the production and post-production periods. DOC OF THE DEAD will premiere in 2014.

For future updates, please follow DOC OF THE DEAD at:

http://www.docofthedead.com
http://www.facebook.com/thedocofthedead

I’m pretty excited about the chance for Geekscape to be involved in support of their first feature film and am really happy to be working with Mike at Red Letter Media and our longtime friends at Exhibit A. This was part of the goal in establishing the brand back in 2006 and continues to be. I hope those of you at SDCC next week drop by the booth and check things out, and pick up a copy of Charlie’s signed poster. Proceeds from the sale of the limited numbered poster will go to charity.

And now here’s a photo of my beloved wife, done up for her first onscreen role, and Simon on the Doc of the Dead set (ie. our living room where I record Geekscape):

Any questions? Keep checking this space for updates as we move towards film screens in 2014!

According to this article at JoBlo, George Lucas is retiring from commercial filmmaking. We heard some of these sentiments around the time Red Tails was released, and then it was recently announced that longtime friend Kathleen Kennedy was taking over operation of Lucasfilm. Now this seems to confirm it.

As the article quotes, “I’m moving away from the company, I’m moving away from all my businesses, I’m finishing all my obligations and I’m going to retire to my garage with my saw and hammer and build hobby movies. I’ve always wanted to make movies that were more experimental in nature, and not have to worry about them showing in movie theatres.”

You mean the prequels WEREN’T experimental films!?! So, let’s ask it: Is this the end of the Star Wars and Indiana Jones cinematic universes? And are you interested in seeing some of George’s “hobby movies”?

The sci-fi genre (including science fiction, fantasy, and horror) has a long history of unofficial equal rights advocacy. As far back as the 18th and 19th century, sci-fi stories like Gulliver’s Travels and The Time Machine subtly touched on topics of racial intolerance and class disparity. The 1950s brought us The Twilight Zone, an anthology of morality plays, many of which dealt with racial injustice. In the 1960s, Star Trek repeatedly championed the civil rights movement, airing television’s first multiracial kiss and producing episodes like “Let That Be Your Last Battlefield”, a deft allegory of the consequences of racism. In the late 60s and 70s, George A. Romero put strong black characters in leading roles in his socially conscious zombie films.

A member of the noble race of aliens from "Let That Be Your Last Battlefield", seen here next to one of the dirty, inferior race.

So how is it that after two centuries of progressive, forward-thinking literature, racism has begun to pervade sci-fi? Since the turn of the millennium, there have been a few prominent examples of bald racism in the sci-fi world. These may be isolated incidents, but they do have one glaring common aspect: they were all defended by fans. Rather than a public consensus shaming the offenders into apology, which has become the protocol in these situations (see: Michael Richards), in each of these cases fans mounted a counter-argument denying any existence of racism. These have not been good arguments, but they have, like creation “science”, been enough to muddy the waters for those who don’t want to see the truth.

POD RACE WARS

In 1999, the lifetime of anticipation millions of Star Wars fans had built up waiting for Episode I finally ended. And it ended the way every lifetime does: with death. The pristene sense of wonder and joy that was born out of seeing Star Wars for the first time died that day. And out of its ashes grew a bitter cynicism from which society will not recover until the only ones left are the kids who saw the prequels first, carefree and ignorant without a frame of reference for what should have been.

I believe the children are our future. At least, I used to...

On a laundry list of complaints about The Phantom Menace, the use of racism as a storytelling device certainly takes priority. At least three different alien races in the film, in voice, dress, and manner, are indistinguishable from specific racial stereotypes. The Neimoidians, leaders of the Trade Federation, with their large-sleeved robes, bowing, and thick Asian “r” and “l” switching accents are clear corollaries for the Japanese. Watto, a hairy, big-nosed, money-obsessed junk dealer is an overt Semitic caricature. And then there’s Jar Jar Binks and the Gungans, with their definitive Porgy and Bess accents are obviously stand-ins for native Caribbeans. All of these characters are depictions of racial stereotypes, and all of them are bad. The Trade Federation are in league with the Sith, Watto is an unscrupulous slave owner, and Jar Jar is a rude, lazy fool.

"Meesa ashamed of reinforcing negative racial preconceptions."

Some fans refuse to believe these characters are the product of racism. These fans contend that the alien races are original compilations of traits, and racially sensitive people pick out specific traits they associate with races and extrapolate racism that isn’t there. But it isn’t just one trait; it’s the whole package. There’s a reason the Anti-Defamation League hasn’t ever voiced serious concerns about the anti-Semitic undertones of gold-hoarding dragons. Because that is extrapolating association from a single trait. That’s not what they do. No one came to Star Wars looking for racism. They saw it because it smacked them in the face.

There were several offensive characters in Phantom Menace, but this one wins by a nose.

Another common defense is simply to ask why Lucas would put in racist stereotypes. In other words, these fans are demanding the prosecution show motive. Well, the motive is simple and sad: lazy writing. A thoughtful, creative writer will spend time developing characters, but a lazy writer can import easily recognized stereotypes in place of unique characters. Essentially it’s like stealing a stock character from another work of fiction, only this time the fiction is the magical world that racists live in.

Compare the races of Episode I with those of the Lord of the Rings series. J.R.R. Tolkien practically invented what we think of as elves and dwarves not by recontextualizing pre-existing stereotypes but by creating a world and considering how that world’s history and landscape would affect how societies developed. Each race has a specific set of culturally inherent traits, but even if they share any history with or bear any resemblance to real peoples, they don’t stick out as identical with persistent stereotypes. And Tolkien was part of the tradition of promoting racial unity as Gimli the dwarf found friendship with elf Legolas. Of course their common ground was the hunting and killing of a third race, but hey, Orcs are jerks. Even Dr. King said we could judge people by the content of their character.

The ACLU isn't goin' anywhere near this one.

You don’t even have to leave the Star Wars universe to find an example of well-done race introduction. A New Hope‘s Mos Eisley Cantina is full of many different alien races, all distinct and imaginative variations on basic animal features. Their manner and clothing tell us immediately that these creatures are sentient despite reminding no one in any way of any human race or even the human race.

Scum? Sure. Villainy? You bet. Stereotypes? No.

The “shorthand” of racial stereotypes is unnecessary to convey an individual’s personality or even the cultural identity of a recently introduced alien race; good storytellers are able to give us this information through good writing. Lucas clearly used to be a good storyteller, but he got old, tired, and lazy.

REVENGE OF THE APPALLIN’

About a decade after Episode I, sci-fi race relations suffered a very similar setback with episode 2 of the Transformers franchise. We’ll just call Jazz’s breakdancing in the first Transformers a misguided homage. But he was replaced in the second film by the duo of Mudflap and Skids, robots that used rap slang and sounded “street”- one of them even had a gold tooth (I’m not sure which one- the movie Transformers all look alike to me). Once again, we’re talking about lazy writers using offensive stereotypes in place of original characters, but this goes even further. These obvious black analogues are rude, gross, craven, and even, despite presumably having advanced alien CPUs for brains, illiterate. And even this was not universally acknowledged as racism.

Robo-jangles of Cybertron

The defense here was similar to that of The Phantom Menace. Fans who jumped to the film’s defense said, “They’re not black men, they’re robots! They’re not even black robots! How can it be racist?” But racism is more than meets the eye. It doesn’t have to be a black man to be a depiction of a black man. Amos ‘N’ Andy were two white guys in minstrel makeup. The caricature already exists in our culture and can be depicted via cartoon bird, CG robot, cave etching- it’s still making fun of black people.

Note: THIS is blackface. That Billy Crystal Oscars thing was simply using makeup to enhance an unfunny, outdated impersonation. Completely different thing.

FAN BLACKLASH

So are fans racist? Well, yes and no. Obviously there’s nothing inherently racist in sci-fi to promote extra intolerance, but that doesn’t mean that there aren’t some fans who bring their racism with them. You might think sci-fi’s myriad fables against discrimination would discourage ethnocentrists’ interest, but even in their religions people hear what they want to hear. Sci-fi’s biggest deterrent to racism is its innate intelligence; the often complex rules and sophisticated storylines of new universes tend to naturally repel those of lower intelligence, whom studies have shown are more likely to hold racist beliefs. So sci-fi fandom probably has a slightly lower proportion of racists than the rest of society, but they are there.

Unfortunately, in the Venn diagram of society, the circles of racial intolerance and genre enthusiasm do have some overlap. Two recent examples made me ashamed of my people. The first is the rejection of a black Spider-man. When Sony announced in 2010 that it would reboot the Spidey franchise with a new Peter Parker, a sharp-eyed fan suggested writer/actor Donald Glover for the role. Glover is a smart, funny young actor with a slim, muscular build; he would have been a strong choice for the iconic character. As an excited fan himself, Glover retweeted the idea, causing a flurry of Internet excitement. But not all of the buzz was positive. Hundreds of fans denounced the idea, saying they would never see a movie with a black Spider-man.

Fear of a Black Daily Planet. What? It's Bugle? Crap. That was such a good joke. OK, how about "Parker Brother"?

Some argue that this was not a racially motivated disgust. They argue that die hard fans’ ire is notoriously easy to provoke by adaptations straying from the source material, and that’s a fair point. Fans were also annoyed that John Constantine was played by a brunette American instead of a blond Brit. However, those that tweeted death threats and epithets at Glover were not pre-occupied with comic accuracy, but were clearly a different kind of purist altogether.

The more recent example is also in casting, but this one isn’t merely hypothetical. The Hunger Games movie adaptation broke box office records, but a vocal minority soured the occasion. These readers apparently missed the indication to beloved character Rue’s dark skin in the book and were shocked and disgusted by the decision to cast a young black actress. Naturally, these fans vehemently denied that their outcry was in any way racist. All they said was that they couldn’t see a little black girl as innocent or be upset when a little black girl’s life was in peril, because she’s black. Nothing racist about that.

Where's Kanga, am I right? But no, in all seriousness, this totally made me cry like a baby.

For the most part, I don’t think all that many sci-fi fans out there are racist. The Hunger Games and Spider-man franchises have much larger audiences than most genre works, and a bigger crowd always means a bigger, louder fringe. I don’t even think those who denied the racist elements of Star Wars Episode I and Transformers 2 are themselves racist. I just think they’re in denial. they’re choosing to believe that the things they love so much could not possibly be so flawed. They’re like abused housewives attacking the cops who are trying to protect them. The reality is just too hard to face.

But we have to face it if we are going to move forward. Sweeping this under the rug is not acceptable. The only way we will ever remove racism from sci-fi in specific and society in general is to stop denying that it exists. The first step in recovery is admitting that you have a problem. And right now we do.

Saw this article on Yahoo and thought it was too good not to share. It would appear that some idiot, who legally changed his name to Obiwan Kenobi, was arrested and charged with a felony hit-and-run in Roseville, California. The charge came following an investigation by the Roseville PD that determined that Mr. Kenobi was the douche bag responsible for a  five-car accident that happened on March 19. The article sadly doesn’t say how it was that the police found their Obiwon, so I can only hope that it went something like this…

A long time ago ( like two months ago), in a place not too far, far away….the intergalactic police department of Roseville, CA found midichlorians  at the crime scene of a five hoovercraft pileup. Not having the proper equipment in their CSI crime lab, PD had no choice but to turn turn to George Lucas to help determine whom the midichlorians belonged to. Faster than he fucked up the prequels, George was able to determine that the midichlorians belonged to Obiwan Kenobi. But of course we all know that the real Obi-Wan died years ago aboard the Death Star and thus he was not the Obi-Wan Kenobi they were looking for. So, PD did the next obvious thing and looked in the phone book and wouldn’t you know it, they found their culprit. 

The 37-year old Obiwan was arrested on April 21 and was also wanted on an outstanding warrant for a misdemeanor petty theft. He was released from custody without bail on April 26, but was placed “on electronic monitoring” from the Placer County Jail, according to TSG. He is due to appear in court on April 30.

Kenobi as it turns out, was born Benjamin Cale Feit, and changed his name as part of a  radio station contest in 1999 that offered $1000 to the first listener to legally change their name to Obiwan Kenobi. Now being the geek that I am, I was curious just how much it actually costs to legally change your name and come to find out it’s not cheap. After what appears to be a some-what lengthy process it would cost at the very least $500 to change your name.  So Benji Feit spent at least $500 to become Obiwan Kenobi and earned himself $1000, which makes him an official idiot. I’m sorry but if I’m going to go through the hassle of changing my name, A: I’d better be getting more than $1000 for it and B: you can be damn sure that I would be sure to use the correct spelling of Obi-Wan!

This is the Obiwan Kenobi we're looking for

I woke up this morning to an e-mail from my friend Chris Strompolos, who I’ve known for a few years and who reviewed Kingdom of the Crystal Skull with me WAY back in an early Geekscape episode!

Chris’ story is pretty amazing. When he was in highschool in the 80s, he and his best friends made what is today called The Greatest Fan Film of all time: a shot for shot remake of the original Raiders of the Lost Ark! This was back before it was on VHS… so Chris and his friends had to go to the theater more than a few times (not that they minded) and script and storyboard their film in person or from memory!

What followed is even more incredible, as the dedicated group set out over the next few years to REMAKE Raiders… almost killing themselves and burning their house down in the process. Just watch this Youtube and ask yourselves how anybody could possibly survive! It’s pretty amazing.

I love Chris’ stories. I asked these guys to come on the show and they responded with “well, we’re putting out a book on the experience so maybe we should come on when the book is about to be released.” A BOOK!?! With pictures and stories and anecdotes about a group of friends remaking one of the greatest films of all time? Fucking awesome. I can’t wait!

And to prove it, you can now PRE-ORDER the book on Amazon! And in doing so, you’ll actually save a ton on the cover price but also help the book do much better upon release.

Here’s the e-mail telling us about the book and why we should pre-order in Chris’ words:

It’s called RAIDERS! and it’s the story of the making of our movie as well as the behind-the-scenes, never-told-before story of our lives, warts and all.

It comes out November 13.  The author is Alan Eisenstock and the publisher is Thomas Dunne (an imprint of St. Martin’s Press).

We love it!  The book is hilarious, emotional, exciting, and inspiring. It’s nonfiction but reads like a novel.  After 30 years of friendship, I actually found out stuff about my best friend that I never knew… and vice-versa!  You know of many incredible true “ups” to our story. Be warned, there’s also parts where… it gets dark.  We didn’t hold back with Alan.

Daniel Clowes (Ghost World) read the manuscript and wrote, “A super-charged (parents: read with caution!) mini-epic that replaces Hollywood dazzle with something far more compelling: the agony and ecstasy of raw adolescent delirium.”

And Harry Knowles (Ain’t It Cool News) Tweeted:  “Raiders! by Alan Eisenstock is so going to own me.  I feel it already.”

Okay, the favor.

What will ultimately make or break this book’s future.

Would you, as a personal favor… pre-order it now?

Yes, I know, the book doesn’t come out for 7 months.

But in the uncertain literary world, apparently the key to success — is having people buy the book before it comes out.

The more pre-orders = better chance the book has to be a Bestseller.

Conversely, if we don’t get a lot of pre-orders, few copies will be printed, and the book will die.

That’s where you come in, again, the favor.

If you buy it now, your pre-order will be counted that first crucial week.  The more pre-orders… the more our publisher will get behind us, the more the world will notice us, the more the NY Times Bestseller list has a chance of noticing us.

To help us… and to pre-order our book… simply click on the link below — then “Pre-Order: Add to Cart”

http://www.amazon.com/Raiders-Story-Greatest-Film-Ever/dp/1250001471/ref=sr_1_1?s=books&ie=UTF8&qid=1333844434&sr=1-1

In return for doing us this really big favor, in addition to our everlasting gratitude, we make you 2 promises:

(1) you will get the book at a significant discount, around $15 per hardcover copy (normally $26), and

(2) you will enjoy a really incredible read in November.

And when RAIDERS! hits the New York Times Bestseller list in November, it will be because of you.

A heartfelt thank you for any and all support you can give.

Best wishes,

Chris Strompolos

So there you have it. An awesome story. An awesome book. An awesome price. So… why wouldn’t you pre-order it?

If you’ve ever prayed to the geek gods for a Star Wars prequel that didn’t make you want to commit light-seppuku, get ready to say Grace.

When That 70s Show star Topher Grace decided he wanted to learn how to edit (presumably after watching Spider-Man 3), he decided to dive right into his dream project. He was going to do for real what fans everywhere have been doing with selective memory for the past 10 years: re-cut the Star Wars prequels.

Grace has cut The Phantom Menace, Attack of the Clones, and Revenge of the Sith into ONE MASSIVE film telling the story of the life and “death” of Anakin Skywalker. And how much of the three films’ collective 7 hours of material made it into the supercut?

85 MINUTES! That’s right. According to neophyte editor Grace, only about 20% of Lucas’s vision was worth saving.

Vaguely racist aliens? Gone!

So what got left on the cutting room floor? According to folks who have seen the finished product, everything you’d expect. No podracing, Jake Lloyd, or “death sticks”. But, in an attempt to create a lean but cohesive narrative, Grace has also sacrificed a lot of the prequels’ great action sequences in order to focus on Anakin’s descent.

Jango Fett inherits the Windu- gone?

So when do fans get to see Episode 3.5: The Editor Strikes Back? Unfortunately, probably never. Less than a hundred people were handpicked by Grace to attend the screening, so no chance of a pirated copy, and Grace says he does not intend to release the cut online.

Unless we can get him to change his mind… Come, young Foreman. Give in to your anger over midichlorians. Think about Jar-Jar and let the hate flow through you. No? Oh well. So be it… editor.

It was announced on March 3rd, 2012 via facebook that legendary artist Ralph McQuarrie, best known for designing the look of the original Star Wars trilogy, has passed on at the age of 82.  There are no words to describe how instrumental McQuarrie was to the overall popularity of Star Wars. George Lucas may have come up with the names and places and ideas, but it was McQuarrie who gave them their unique visual signature. If Lucas was Stan Lee, then McQuarrie was Jack Kirby, bringing what were just silly words on paper to vibrant life with style.

Born in Indiana, McQuarrie moved to California in the 1960s. Originally he worked as a technical illustrator for Boeing, as well designing movie posters and animating the news coverage of the Apollo space program for CBS. Impressed with his work in all these fields, a young George Lucas approached him about creating illustrations based on his upcoming science fiction script. McQuarrie designed many of the characters, including Darth Vader, Chewbacca, and drew many concepts for the film’s sets. McQuarrie’s concept paintings, including such scenes as the droid duo R2 and 3PO arriving on Tatooine, helped convince 20th Century Fox to fund Star Wars. Ultimately, The looks for almost everything in the classic trilogy was conceived of by McQuarrie.

Besides the original Star Wars trilogy, McQuarrie also contributed to such legendary movies as Close Encounters of the Third Kind, Raiders of the Lost Ark, E.T., Star Trek IV: The Voyage Home, and Jurassic Park. But it is for defining the Galaxy far, far away that McQuarrie will be remembered for most.

Ralph McQuarrie 1929-2012

The last holdout of the big genre franchises to come to high definition has finally been announced, as Paramount and Lucasfilm made it official today: The Complete Indiana Jones Collection will arrive on Blu Ray in Fall 2012. Yes, they said “complete”, meaning that you’ll have to buy a copy of Kingdom of the Crystal Skull as well. But who cares? Use it as a coaster or something. All that matters is Raiders of the Lost Ark in high def. Everything else is gravy.

According to the press release “The Complete Indiana Jones Blu-ray Collection will be excavated in the fall of 2012 and will include all four of Indy’s thrilling adventures, using the highest possible high definition picture and audio presentation – along with a “best of” collection of documentaries, interviews, featurettes and a few new surprises.” I imagine when they say “best of” they mean they’ll be porting over all the documentaries from the old DVD sets, and maybe like the Star Wars collection last Fall, they’ll include the original vintage “Making Of” docs as well. Sadly, extensive new special features are mostly a thing of the past in this day and age, but this being Indy, I imagine they’ll thrown in something new. I wish they’d include Jamie Benning’s wonderful filmumentary on the making of Raiders that was released this past year, but that’s a long shot.

Along with Indy, this year will also see the release of Spielberg’s Jaws, E.T., and the rest of the James Bond series on Blu Ray. If you still haven’t upgraded to high def, I’d say now would be the time.

So, everybody seems to be hating on Indy these days. What the fuck’s up with that? Indiana Jones And The Kingdom Of The Crystal Skull is NOT a perfect movie by any means. It certainly has its problems. Jonathan laid them all out for all to see a couple of days ago…and I can certainly agree with just about everything he said.

Just about…

But first, let me tell you what I thought. This may be total blasphemy, but I thought it was better than Temple Of Doom. Maybe not by a longshot, but by enough for me to enjoy it more than that black mark on the Indy totem pole.

What’s wrong with TOD, you might ask? Well, I’ll tell you.

First off, it was FAR too dark for a series that was, first and foremost, a throwback to the classic action heroes of yore. Sure, the pulp novels that Indy was sort of based on could get dark, but we never expected there to be child slaves or heart-ripping Thugees in an Indiana Jones movie. (Yeah, yeah. There was only one before it and it included melting faces…but even THAT wasn’t as gory or dark as ripping hearts out of chests, showing it to the still living victim and then burning said victim alive in the pits of a volcano…or hell…or whatever the hell it was.) Steven Spielberg had never directed a movie that was as dark as Temple Of Doom. Even Poltergeist (which he wrote and produced) wasn’t as dark, really. More frightening, sure. That movie kept me up for weeks…and that was just a couple of years ago when I saw it again.

Of course, we all know that the PG-13 rating was created because of Temple Of Doom. THAT’S how dark it was. It probably could have been rated R and people wouldn’t have been surprised. The only reason it was PG was because Spielberg complained to the MPAA. (A trick that has continued to work for him. Why else do you think Saving Private Ryan was rated R instead of NC-17?)

My second problem was the depiction of the Thugees. These guys were a pretty horrible sect of Indian/Hindu culture. They robbed and killed unsuspecting travelers all in the name of the goddess Kali. They were wiped out in the early parts of the 20th Century, but who knows?

The Thugees in Temple Of Doom seemed to have come from a more sadistic version of the Beatles’ movie Help! They were cartoonish and historically completely inaccurate. The real Thugees killed people with yellow sashes. No heart-ripping involved. But that wouldn’t have made a very compelling movie, so Spielberg had them do horrible things to the people as they killed them. There is one guy who tries to kill Indy with a sash, but that was such a small thing that it was barely noticed.

This is why the movie was banned in India for years.

And my third problem was the fact that Indy was suddenly a superhero. In Raiders (and Last Crusade after it), Indy was human. He never really did anything that a human couldn’t survive. A very strong human, sure. Perhaps a human with the strength of Pat Roach. But a human, nonetheless.

In TOD, he and his friends jump out of an airplane that is still a thousand or so feet up with only a rubber rescue raft to break their fall. Yeah. That’s right. Even Short Round survives. (Yeah, he’s cool, but he’s SUCH a stereotype.) Hell, even Willie The Annoying Bitch survives. How? Not a clue. She was sleeping with the director. That’s the only explanation I can come up with.

Then they manage to survive a roller coaster ride on a rickety old mine train system going about 60 mph with no breaks. Plenty of breaks in the tracks, though, that they jump over and survive. And Indy stops them with his feet.

Whatever. TOD is the worst of the four. But I digress. On to Crystal Skull.

I did have a problem with the end of the opening sequence. Not the introduction to Indy. That worked for me. In fact, I thought it showed him to be just as much of a bad-ass as the first movie did. We see him only in silhouette for quite a while and, yeah, he’s getting the crap beat out of him, but he’s incredibly hard as it’s being done. He’s taking it and looks ready to give it back.

No, it’s the nuclear blast and his apparent survival that got me. Now, he’s not just any ol’ superhero. He’s fucking Superman. He climbs into a refrigerator (lead lined, apparently) that is pretty close to ground fucking zero and then proceeds to be blasted about five miles away. The fridge is thrown HARD. He hits the ground hard enough to do some damage, not just to the ground, but to the fridge. The door flies open and he stumbles out, basically unscathed. No broken bones. Maybe a few scratches on his face…but were those from the beating he took?

Whatever. I’ll buy the three waterfalls towards the end better than I’ll buy that.

Jonathan had a problem with the introduction to Mutt. He said that no hero should be introduced sitting down. Well, he was sitting down on a fucking motorcycle. I think that pretty much nullifies any “pussy” comments. Remember, his hero, Marlon Brando, was introduced sitting on a motorcycle. No comparisons to Mr. Brando here. Just saying that he was obviously pretty heavily influenced by The Wild One, so why not introduce on a motorcycle?

As for the argument that Mutt didn’t change throughout the movie and never seemed to become a hero because he was a “cool guy” throughout…that’s wrong. He was a poser at the beginning. Yeah, introduced on a motorcycle and all, but he was a poser. He wasn’t cool and he knew it, but he tried his best to put on a good face. By the end, after showing some pretty good sword skills, he was nearly ready for the hat…nearly. Indy stole it away from him at the last second. If everyone has their way, maybe by the end of the next one he WILL be ready for the hat. I guess we’ll have to wait and see.

By the way, Mutt=Indy. Remember, “We named the dog Indiana!” Yeah, it’s dumb, but there’s a reason for it. And for the 50s, that was probably a pretty cool name. They had dumber nicknames back then. Jughead? Come on!

The Crystal Skull was definitely used too much as a cure-all. I will certainly agree to that. And the villains weren’t as bad-ass as they should have been…but I never really got the impression that Irina Spalko had any powers, only that she studied them. She did not have the guts to actually look into the eyes of the skull. That’s what Oxley was for. He was the guinea pig. Since he didn’t fare so well, she had not done it yet. That whole Vulcan mind grip that she almost did to Indy was all for show and he never looked like he believed it. Of course, neither did she, really. I think it was more for effect than for any kind of scare tactic.

By the way, Jonathan, your idea to have Indy forced to nearly kill Oxley by Spalko’s psychic powers is too much of a Temple Of Doom thing. Sure, it could be chalked up as an homage, but why homage something from TOD that no one really liked. Did we LIKE seeing Indy slap a little boy around? Hell, no.

The animals didn’t bother me that much. In fact, after they were off screen, I forgot about them. There are animals in the jungle. And I could see Mutt getting the idea to swing from monkeys. Whatever. Not a big deal. Plus, it was kind of cool to see them all gang up on the one Ruskie in the jeep. Fuck him. And the groundhogs? Meh. Take ’em or leave ’em. I kind of liked having the Paramount logo turn into a molehill in this one. Certainly better than going into a bad musical number. No, Willie. Anything does NOT go.

So, yeah. I had fun with The Crystal Skull. Jonathan’s version would have been better. I agree. He’s a very good writer. But I also think that he still feels burned from Episode I (editor: “I do”).

And just so you know where I’m coming from, this was written by someone who thought that Episode I had its moments, but was ultimately kind of boring, Episode II was fun, but not great and Episode III was nearly up to Jedi standards. With a few writing/directing tweaks, it could have been the best of the bunch.

I also realize that Spielberg doesn’t make these kinds of movies anymore. The last “fun” movies that he made was a stretch of Minority Report, Catch Me If You Can and The Terminal. Only Minority Report was an action film, but it was pretty serious. The other two were light dramas. And War Of The Worlds was pretty deadly serious. He had to try to reteach himself how to direct a light action flick. And he did a fairly decent job. Hopefully, if they do end up making a fifth like they’ve always wanted to do since the 80s, he can do a better job. I’ll be in line for it.

You can find more Professor Wagstaff reviews and opinions at Professor Wagstaff’s official website: www.profwagstaff.com. Just be ready to disagree with everything he says… like Jonathan’s been doing since highschool! But really, check it out. He’s the self professed Geek of All Media!