Briefly: Back in January, celebrated developer Harmonix revealed that it would have to push its Kickstarter-funded reboot of popular rhythm game Amplitude to this Summer.

Unfortunately, it looks as though the game is taking the route of every Kickstarter project that I’ve ever backed and has been delayed once more.

Now, this isn’t just a case of shipping estimates being impossibly ambitious in order to procure more backers, but instead Harmonix has decided to vastly expand the title, and just can’t possibly finish the new content in time.

In an update to the project’s Kickstarter page, Harmonix’ Alex and Ryan detail just what’s going on:

Greetings, beloved backers!

 

This is Alex Rigopulos, writing to you through a cartoon speech bubble. Ryan and I are eager to fill you all in on a number big developments in Amplitude Land.

 

As the game came together this year, it became apparent to all of us that it was shaping up to be something really special. The gameplay is as fun and addictive as ever, the HD visuals are gorgeous and hypnotic, and the soundtrack is killer.

 
The game is fulfilling all of our hopes and ambitions for it, and at a certain point, we made a major call: We’ve decided to double down, increase the project budget, and make the new Amplitude bigger and better than the scope of game we originally pitched to you all last year.

 

I will now hand the mic over to Cartoon Ryan, who will tell you some more details.

 

Hey there…

 

Although we had originally promised about 16 songs total, we have decided to cram as much awesome music into Amplitude as possible. We now upped the total count to 30 songs! If you are a backer at the appropriate tiers, you will also get a 31st song too, voted on by the Song Senate—our group of backers that chipped in at the Song Senate tier. (Side note: In a display of true Amplitude community good will, the Song Senate decided to keep the “most wanted” song in the main game soundtrack, instead of keeping it all to themselves. THANKS, SONG SENATE!)

 

You guys may also recall that early in the dev cycle, we decided to add a concept album wrapper to the otherwise vanilla solo mode. This is all new for Amplitude and we think it adds a bit more depth and interest to the game and the songs themselves. The core campaign now includes 16 all-original songs, written in-house by our amazing musicians. You have heard some of these tracks in past posts and at the conventions… songs like “Decode Me” and “Wetware”.

 

In addition to the basic play modes that were promised originally, and the single path/single environment in which they would be presented, we decided to expand both of those dimensions by adding 2 more playable environments, unique path topology per song, and more play modes. We are now shipping a solo campaign, solo free play, 2-4 player “free-for-all”, and an all-new team play mode (1v3, 2v2).

 

Over the course of the project, we created the original nanoblaster and the backerblaster, and also made 3 additional nanoblasters for players to choose from in solo and multi play. (v0.9 Chubs is my personal fave, displacing v1.1 Raven)

 

We have added leaderboards, allowing players to compete asynchronously against each other online for score, both per-song and across the whole game.

 

Oh! One last thing: There is a new, still-to-be-announced way to play the game that will change the way you think about Amplitude’s 6-lane track. More on that at a later date! Now back to Alex.

 

Thanks, Cartoon Ryan. So that’s all of the good news. Now for the bad news that comes along with it: It’s impossible for us to finish all of these extra songs, environments, features and modes on the same schedule. Our previous target for shipping the game was this summer. Now that we’ve committed to this expanded scope, though, we won’t be able to complete and ship the game until the end of this year on PS4 (with the PS3 version coming shortly thereafter).

 

Kickstarter backers who paid for the “early access” reward will be able to play the PS4 version in December, prior to the holiday break. For everyone else, the PS4 version will become available in January. (We’ll follow up with the exact dates in December and January for PS4 as soon as we have them. PS3 will follow shortly behind.)

 

We know that this schedule slip will be a disappointment to many of you. (Frankly, it’s disappointing to us as well, as we’re all dying to play the finished game…) However, our judgment was that our highest priority is to deliver the best game we possibly can to our fans—the definitive version of Amplitude. We want to over-deliver for our biggest supporters, and that’s simply going to require some extra time.

 

Some of you might wonder—will this delay mean that synchronous online multiplayer will be added? I’m sorry to say, it will not, as that is impossible within our budget means for this game, even with the expanded budget. However, our hope is that this release of Amplitude will be successful enough to justify a sequel or feature expansion pack that could include this. In the meantime, the newly added leaderboard system will enable plenty of heated asynchronous online competition!

 

Finally, I should add that the physical rewards are beginning production, and we’ll have more news on those in the coming weeks.

 

From the whole Amplitude team, thank you for your continued support and patience. We think that when you see the finished product at the end of this year, you’ll agree that the wait as been worth it!

TL;DR? Basically, it’s coming in December for early access members, and January for everyone else. Game modes have been expanded, and the track list has increased from a decent 16 to a whopping 30 tracks.

Sound like a good reason for a delay? Yeah, I thought so.

Are you looking forward to playing the Amplitude reboot? Sound out below!

Briefly: Is it sad that Harmonix’s Amplitude reboot is one of my most anticipated releases of the year?

Nope. It’s not. Because Amplitude freaking ROCKS (no pun intended).

The game was recently pushed back to Summer, but that’s totally okay, because the fact that it exists at all is amazing.

Harmonix has just released the first gameplay trailer for the game, and it’s so damned smooth. I can’t wait to disappear for a week when this one drops and do nothing but play (not even sleep)

Take a look at the trailer below, and head to the official Playstation blog for info on the newly-announced Team Multiplayer mode.

Excited?

Briefly: All the way back in May of 2014, Guitar Hero creator Harmonix took to Kickstarter in an attempt to reboot their classic, critically acclaimed, and beloved rhythm game Amplitude. The campaign was a huge success (because the game is freaking awesome), raising over $840,000 of its $775,000 goal.

So the game is coming, and is well on its way through development. It just won’t be coming out as soon as we’d hoped. Here’s what Harmonix had to say:

As you all know, 2015 is the year we bring Amplitude back to Sony consoles. While our expected delivery date according to our Kickstarter page is “March,” our release plans have changed. We’re currently targeting a summer release.

 

WAIT, WHAT? WHY?

 

This is our first time working on PlayStation 4, and it’s been a big learning experience for the team. We’ve put a lot of work into our proprietary engine to support some of the new, awesome content we’re bringing to the reboot. These factors combined have bumped production out a few additional months.

 

In a traditional scenario, we’re sometimes tasked with shipping a game to meet publisher demands or in some cases, meet a deadline to make sure the game is available to be purchased during the busy holiday season. In these cases, developers have to re-evalute production needs and make difficult calls to meet deadlines, including removing or shrinking features and – in the worst cases – sacrificing quality in other areas.

 

With Amplitude and our promise of open development, you’ve given us the opportunity to create the game we want to make and, more importantly, make the game that you want. In order to meet that goal, we don’t want to cut any corners, and we want to stay true to our vision and deliver the best Amplitude experience possible.

 

We had an amazing showing at PlayStation Experience in December, letting fans play the game for the first time, and we got amazing feedback. We know we have a ways to go, and we’re committed to getting there and making this truly feel like a worthy successor to the game you remember from 2003.

 

SO WHAT’S NEXT?

 

We’re still making solid progress and look forward to sharing what we’re working on during production, as promised over the coming months. We also have some exciting plans for PAX East in March; backers who backed at the VIP party level – that is totally still on so please check your inboxes.

 

You can also expect a far more polished multiplayer mode that will be available for hands-on at PAX (those of you who joined us at PlayStation Experience know that even though multiplayer was playable, it needed some serious work). We hope you can join us in March and challenge us to a multiplayer match!

 

Thanks so much for your continued love and support. We’ve hit the ground running upon returning to the studio after the holiday and look forward to getting Amplitude in your hands as soon as we can.

 

-Team Amplitude

So, not a huge delay seeing as the game was originally slated for March, but in any case we’ll be waiting a few more months to play the reboot of what’s possibly the most fun music game, ever.

Are you looking forward to Amplitude? Sound out below!

In unexpected and exciting news, Harmonix has announced a new Kickstarter campaign to revive one of their classic titles from the PS2 era, Amplitude.

For those unfamiliar with this gem, Frequency and Amplitude were the baby steps that would eventually grow into the gaming juggernauts known as Guitar Hero and Rock Band, (or at least they were, until over saturation sent the music genre back to niche status as quickly as it rose to prominence). Anyway, rather than playing a single instrument, players would have to switch between different tracks mid song to get a whole song to play. For example, getting a sixteen beat combo on the guitar track would trigger it to play on its own for a set time. The idea was to move to the next instrument and keep the combo going. It was an innovative, rewarding system that proved to be ahead of its time.

Since Amplitude‘s release, we haven’t seen the slightest hint of its return since the PSP release of Rock Band Unplugged, (which eventually got ported to Xbox Live Arcade and PSN). With this announcement, it looks like Harmonix is heading back to basics before it resumes work on Rock Band and Dance Central, and I couldn’t be happier.