Full disclosure: As stated in previous posts, former Power Rangers actress Karan Ashley (“Aisha,” the second Yellow Ranger) is a friend of mine.

But objectively, just as a fan of Power Rangers, the Super Sentai series and this whole bizarre niche of sci-fi and fantasy, this is incredible. This past weekend at the Lexington Comic & Toy Convention in Kentucky, both sides of the pacific clashed in a wonderful celebration of these color-coded space ninjas they built their careers upon in Karan Ashley’s Uncensored Talk, a web-based talk show that has featured the likes of Star Trek‘s Nichelle Nichols and other former Power Rangers.

Due to its length (just under 28 minutes) I haven’t had the chance to watch the whole thing yet, so check back later when I update this post with my reaction.

But I can say that when I was 10 years old and just discovering the online Power Rangers fandom (and why in the hell did my mom let me on the internet at 10-years-old?), Super Sentai felt like this weird, underground thing only the real fans knew about. Never mind that it wasn’t, it just felt like it. This was when even mainstream geek culture perceived Power Rangers to be a total Voltron knock-off, so knowing about Super Sentai gave the begrudging fans ammo and cred for years.

Now over a decade later as fandoms have penetrated the mainstream and knowledge of Super Sentai has become more widely known, no one has remained unreachable. That feeling of attainability, to shake the hand of someone you never thought you could, started when Yuta Mochizuki  (“Geki” the Tyranno Ranger in 1992’s Kyoryu Sentai Zyuranger) appeared at last summer’s Power MorphiCon.

Fast forward a few months later to the hype of the Lexington con and almost out of the blue, Reiko Chiba (“Mei” the Ptera Ranger), Takumi Hashimoto (“Boi” the Tiger Ranger), and Aohisa Takayasu (“Goushi” the Mammoth Ranger) announced they’d be showing up for the convention, and who else but the amazing ball of enthusiasm and energy Karan Ashley sat them down for a half-hour for a truly historic meeting of geek legends.

For every Power Rangers and tokusatsu fan, this recent weekend in Lexington was a historic treat. I saw it all happen on my Facebook, Snapchat, and Instagram feeds while I was stuck in New Jersey. I was hella jealous, sure, but I’ll feel better when I pimp out my weekend in San Diego this summer ad nauseam.

For now, enjoy Karan Ashley getting Austin St. John to hang out with the Zyurangers and come back to this post later when I update with my reaction.

Despite rumors brewing about Sleepy Hollow‘s recent critical and ratings woes, Fox has renewed their supernatural series for a third season with Clifton Campbell replacing Mark Goffman as showrunner.

From The Hollywood Reporter:

After losing showrunner Mark Goffman, the network has renewed the series and tapped The Glades alum Clifton Campbell to take over the reins of the genre series for its third season.

 

The renewal comes as Sleepy Hollow underwent a bit of a creative reinvention in the back-half of its already completed second season. New network toppers Dana Walden and Gary Newman wanted the series to take on a more episodic nature versus its complex serialized storytelling.

Campbell’s most recent television work has been serving as executive producer for The Glades, and before that White Collar and Street Time, the latter of which I’m not making up. Street Time was the actual title for a real TV show.

Sleepy Hollow seemed invincible in its first season and was a bona fide hit with audiences and critics alike. It dominated the ratings in its freshman year, but by the second season reception turned a little lukewarm and the ratings took a dip. While I personally believe the show resurrected itself (so to speak) with its well-done, totally novel season finale, the cold ratings numbers said otherwise and doom loomed over the once-critical darling. It almost reminded me of Constantine‘s woes, but even Constantine didn’t get the high ride of a stellar season one.

Seriously, at some point this year Sleepy Hollow was almost done for.

https://twitter.com/theorlandojones/status/567449472641155072

With this renewal my concerns for the show are relieved for now, as I have another year of one of my favorite shows to enjoy. But I do hope they keep up the momentum they ignited from the climactic last few minutes of season two. It’d be a shame for a show like Sleepy Hollow to bite the dust before it could reach its full potential.

UPDATE: It has been clarified by our readers that the current arc in the Batgirl series is not centered around a feud with The Joker. As I stated, my familiarity with the series is only foggy at best. The variant comes from a brand-wide celebration of The Joker character’s 75th anniversary and will be featured on variant covers of other DC Comics series. The article remains intact below.

In response to the backlash against a suggestive, controversial variant cover to the upcoming Batgirl #41, publisher DC Comics has canceled the cover at the request of its artist, Rafael Albuquerque.

From Comic Book Resources:

The highly criticized variant cover for “Batgirl” #41 will not be published by DC Comics, CBR News has learned. This move was made at the request of the cover’s artist, Rafael Albuquerque.

 

“My intention was never to hurt or upset anyone through my art,” Albuquerque, the acclaimed artist of “American Vampire,” said in a statement. “For that reason, I have recommended to DC that the variant cover be pulled.”

 

The image was released Friday, as one of 25 Joker-themed variant covers scheduled for release in June. Albuquerque’s “Batgirl” variant took inspiration from Alan Moore and Brian Bolland’s famous 1988 story “Batman: The Killing Joke,” in which Barbara Gordon/Batgirl was shot and paralyzed by the Joker. It has been commonly interpreted, though not definitively established within the story, that the character was also sexually assaulted.

Before we touch on the response that has developed in the last twelve hours, I want to talk about the cover itself: Holy shit.

BG-Cv41-Joker-variant-solicitation-88c4e

In some ways I want to praise it, in other ways I want to outright condemn it. It speaks to how much art can bring about a visceral response, and this is a brilliant example. Exploitative? Unsettling? Good? Bad? I don’t know.

Full disclosure: I haven’t read Batgirl even though I’m repeatedly told it’s one of the best series out in the market right now, but I am roughly aware that Batgirl is colliding with the Joker in her current arc. I am also aware that the current series is bright and cheery, like The Flash series on The CW so I am sure that juxtaposition has contributed to the stark, sharp response to this cover. That said, looking at it and not knowing a hell of a lot of the current Batgirl, it doesn’t tell me much of what I need to know. It’s selling me on the art but not selling me on the book.

There is no question that Albuerque’s skill is top notch, the work’s technical demonstration is fine. But thematically and storytelling-wise, it makes me want to do the human equivalent of hide in a turtle shell. I have played hundreds of violent video games, watched all kinds of horror, slasher and torture porn films and even horrific videos of real-world violence that make their way online for some awful reason or another, and this work still sent a chill down my stomach. It must be the contrasting colors and lighting.

But even if I don’t like it, work such as this should have the right to exist.

Or does it?

Late last night my Twitter feed started buzzing from comics pros, artists, writers and fans alike over the potentially censorship-sensitive controversy. Almost reminiscent of last summer’s GamerGate, there was a sharp divide between readers who feel the cover shouldn’t be pulled and the professionals who produce content and have largely seemed empathetic to the decision. Caught in between are the people — consumers and pros alike — whose nerves were pinched by the suggestive cover.

https://twitter.com/INecari/status/577647939193057280

Like GamerGate claiming ethics in journalism, angry readers are claiming DC Comics are stomping on speech and enforcing censorship. While it’s an easy, almost logical formula to understand, I have to vehemently disagree.

For starters, it was the artist himself who asked the cover be pulled, not DC. Rafael Albuquerque clarified as much on his Twitter:

https://twitter.com/rafaalbuquerque/status/577650683958206466

When an artist “censors” himself, it’s not censorship. That’s an artist being an artist and choosing how they want to be represented. They make the work, they have the right whether or not it lives on. While the work Rafael did is questionable, he must ultimately have the authority to let it live or die.

As a (deluded) filmmaker myself, I have made many projects that I wish would not see the light of day. While I have never created anything within the realm of assault or exploiting trauma, it’s still work I don’t like. Whether it was bad and indicative of growing pains or just work I’m not proud of, I should have the option to choose what I want to exist in the world, shouldn’t I?

Renowned comics author Mark Waid chimed in. Although exhausted and stressed, his stance was clear: it’s not censorship.

And he’s not alone, enter author/activist J. Skyler.

Dozens more are speaking their mind, on both sides.

https://twitter.com/the2scoops/status/577828894780354561

https://twitter.com/richyrichoh/status/577650124597379073

Amid the Twitter debates, I came across a vastly different, fascinating perspective from Dr. Andrea Letamandi, a doctor in clinical psychology who built her career exploring the mythology of Batman.

Keep in mind that Dr. Letamendi isn’t exactly condemning DC or doing anything to make sure DC puts the variant cover back on their schedule. She’s merely expressing disappointment. But it’s a fascinating point-of-view, and it reminds me to not overlook the very reason this uproar exists: the real people who have experienced real, similar trauma.

The debate is still roaring and fresh, and happened in the late hours of the night so forgive me for the lack of collected tweets but you can participate yourself if you’re so inclined.

I’ve come to terms with it and I’m ashamed at how long it nearly took me. (But I also slept, so fuck off.) It’s definitely an unsettling cover and I personally wouldn’t have bought it. That said, I shouldn’t be/am not angry that both an artist and business chose to conduct themselves in a way they deemed fit. I applaud both DC and Mr. Abuquerque for exercising their right and for their empathy to the criticisms laid out to them.

It’s not censorship. End of story.

One last thing: the similarities to GamerGate are only surface-level at the moment, but they’re startling. This retweet I saw from Albuquerque’s feed was very telling:

https://twitter.com/cameronMstewart/status/577656291839119362

Some things I just don’t have words for.

I’ve been something of an admirer of filmmaker and internet personality Max Landis, though he’d probably hate the very use of the label “internet personality.” The Chronicle screenwriter put the internet on notice a few years ago with his hilarious explanation of the infamous Superman comic, “The Death of Superman” from 1992. Combining low-budget filmmaking with sharp humor and the surprising involvement of noted celebrities, it was something of an internet hit and has found replay life in late-night drinking sessions with some of my bros.

A noted pro wrestling fan, Max Landis has been hard at work giving a particular moment in WWE the same treatment he did for Superman. It’s become a big enough project that, on Twitter, he’s often claimed it as his next motion picture. He even held a screening for it in Los Angeles not too long ago.

And now, it’s online.

It’s a lengthy video — just under 25 minutes — so I’ll have to give my full comments in an edit of this very post later today or tomorrow. But honestly, I don’t even think my two cents are necessary. Giving my thoughts kind of defeat the purpose of what this video is for, I’d just be adding to the noise.

For both pro wrestling fans and people who are into the more obscure, bizarre corners of pop culture examined with a critical eye, this is Christmas come early.

On a personal note, I grew up watching WWE around this particular era Lanids examines, so to say I’m interested is an understatement.

Enjoy your spring break watching this hungover on your bed next to someone you regret. I’ll still be at work.

Continuing the tradition of guest characters in modern fighting games, Mortal Kombat has just announced today — on the second Friday the 13th of the year — that Jason Voorhees will be stepping up against the warriors of Outworld, the Netherrealm, and beyond as DLC in Mortal Kombat X.

Promotion for this game must really be ramping up, as today is the second reveal trailer in a row after yesterday’s unveiling of Johnny Cage and Sonya.

It’s almost a shame this is actually happening, because now we’ll wish Freddy Kruger — a guest in the previous Mortal Kombat 2011 reboot title — stuck around to hang out. Still, I can’t wait to see more of Jason going ham on magic ninjas.

Mortal Kombat X comes out this April. Happy Friday the 13th, everyone!

Of all the families that could have formed in the Mortal Kombat mythos after decades of the franchise, I love that it’s Johnny Cage and Sonya to lead one.

The whole point of Johnny Cage is that he’s the fresh air in the asylum of mystical ninjas, knights, monks and beasts that inhabit this bizarre universe. And now he’s the one creating a dynasty! This new trailer shows off everyone’s favorite Hollywood action star Johnny Cage and ex-wife (?!) Sonya along with their daughter, Cassie Cage.

Does anyone else find it bizarre that the trailer won’t say “ass” but will gleefully show dismemberment, rivers of blood and bones cracking like sticks under boots? Is there a point to that?

In any case, I’m stoked for Mortal Kombat X and this isn’t helping much. Now I’m distracted during work. I’ll get fired and won’t even be able to buy an Xbox One. Thanks, NetherRealm. You dicks.

Mortal Kombat X comes out April 15, 2015.

I don’t write about video games nearly enough as I should, which is amazing when you consider it was G4tv that inspired me to pursue this field. So allow me to be the one to introduce to you the amazing-looking Tembo the Badass Elephant, from the twisted minds at SEGA and Game Freak.

Just. Just look at it. LOOK AT THE ELEPHANT BEING A WRECKING MACHINE. Yes, there are humorous, tongue-in-cheek 2D sidescrollers everywhere, but I don’t think there are many that have a genuine sense of joy, heart and fun. Even if its title has “Badass Elephant” in it.

From the SEGA press release:

Announcing TEMBO THE BADASS ELEPHANT for Xbox One, PlayStation 4, and Windows PC as a digital download on each platform.

 

Part Commando. All Elephant. TEMBO THE BADASS ELEPHANT is a larger than life, 2D side-scrolling action adventure from the creative geniuses behind the Pokémon games, coming in Summer 2015.

 

Shell City is plunged into a state of emergency after coming under attack from the devastating forces of PHANTOM, led by a mysterious masked commander. Terrifying war machines emblazoned with skulls tear through the city leaving a trail of destruction in their wake! As the National Army struggles to contain PHANTOM, General Krenman sees the mammoth task at hand and calls upon the only thing that stands between Shell City’s obliteration and its salvation; the peanut chompin’, villain stompin’, PHANTOM romping BADASS Elephantidae…TEMBO THE BADASS ELEPHANT!

 

HRRAAANNHH!!!!!!!! (Is the last thing those PHANTOM goons will hear…)

 

“We’re delighted to be working with Game Freak to bring this heavyweight adventure to an audience we feel it will have relephants to,” said John Clark, the Senior Vice President of Commercial Publishing for SEGA Europe. “It’s a trunkful of fun and we think gamers are going to love it. Hopefully more than my rubbish elephant puns. ”

Interesting that the villains are called “Phantom,” if I close my eyes I can almost hear the overture of Phantom of the Opera in the trailer.

Despite aspiring to be a games journalist I really have lost a lot of time for video games. Shane, Joshua, and Derek know way more than I do about the current games landscape, but I still keep my pinky on the pulse so I know enough to understand the prevalence of smaller-budgeted, digital download titles. I also know enough about SEGA’s woes in the last few years, but with a game like Tembo I’m sure they’ll be back on the tip of everyone’s tongues sometime. Maybe. I hope.

Check out the entire gallery on SEGA’s Flickr.

 

You know me, I’ll do anything to mention Lionsgate’s upcoming Power Rangers feature film set for July 22, 2016. Know what else is premiering that date? Guy Ritchie’s Knights of the Round Table, which Warner Bros. has plans to turn into a franchise spanning SIX movies. What happened to the good, old-fashioned trilogy?

Here’s a bite-sized preview straight from Ritchie’s Twitter account.

https://twitter.com/realguyritchie/status/575398577796612096

Well, it certainly looks like what you’d think a King Arthur movie to look like. Yay? (Side note: I misspelled “King Arthur” two seconds ago into “Kung Arthur” and now I want a kung-fu fighting King Arthur more than anything.)

Between Joseph Kahn’s Power/Rangers and now my bae-equivalent of bombastic filmmaking Guy Ritchie going toe-to-toe against my beloved Power Rangers, this has been quite the year of cognitive dissonance for me.

Here’s some information thine courtesy of thy press release. I totally botched olde English, haters shall hate:

Acclaimed filmmaker Guy Ritchie brings his dynamic style to an original King Arthur epic, a sweeping fantasy action adventure starring Charlie Hunnam (FX’s “Sons of Anarchy”), for Warner Bros. Pictures and Village Roadshow Pictures. Principal photography has begun at Warner Bros. Studios Leavesden, UK.

 

The bold new story introduces a streetwise young Arthur who runs the back alleys of Londonium with his gang, unaware of the life he was born for until he grasps hold of the sword Excalibur—and with it, his future. Instantly challenged by the power of Excalibur, Arthur is forced to make some hard choices. Throwing in with the Resistance and a mysterious young woman named Guinevere, he must learn to master the sword, face down his demons and unite the people to defeat the tyrant Vortigern, who stole his crown and murdered his parents, and become King.

 

The film will shoot primarily at Warner Bros. Studios Leavesden, and on location in Wales and Scotland.

 

Slated for release on July 22, 2016, it will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

 

During the Disney ownership of the Power Rangers franchise, production was briefly overseen by Village Roadshow Pictures. Amazing how some things come full circle.

Ooh, also! There was a whole episode of Power Rangers Time Force where the Red Ranger got kick-ass armor upgrades after fighting an evil black knight. They also have a hard time believing the Green Ranger when he tells them the evil knight made him lose their pizza. The Power Rangers. Not believing a knight exists. It’s as bonkers as it sounds.

https://www.youtube.com/watch?v=ZQkyeb8vfSE

This story’s buzz is already winding down, I heard it in the morning radio news so you know it’s basically a dinosaur now. But as I keep reading comments on other blogs (a mistake, I know), I feel like it’s worth clarifying how big of a deal this still is.

For those who don’t know, in the upcoming Star Wars novel Lords of the Sith, an LGBTQ supporting character will be introduced who is driven by the death of her wife.

From NPR:

Star Wars is getting its first official LGBT character. Her name is Moff Delian Mors, and she’s a character in Paul S. Kemp’s upcoming Star Wars: Lords of the Sith novel. Penguin Random House describes Mors as

 

“Moff Delian Mors is a supporting character in Star Wars: Lords of the Sith. She was a promising officer of the Empire, who was assigned to an undesirable post at the far end of the galaxy. At nearly the same point in her life, her wife was killed in a transport accident, and the weight of these burdens led to Delian becoming lax in her duties, and left her personal life in disarray. The events of Star Wars: Lords of the Sith occur a few years after her loss.

 

The novel is scheduled for release on April 28th.

Editor Shelly Shapiro had this to say in the Full of Sith (great title) podcast:

“It’s not something I really think about, it just makes sense. There should be diversity in Star Wars. You have all these different species and it would be silly to not also recognize that there’s a lot of diversity in humans. If there’s any message at all, it’s simply that Star Wars is as diverse (or more so because they have alien species) as humanity is in real life and we don’t want to pretend it’s not. It just felt perfectly natural.”

Lords_of_the_Sith

What’s worth clarifying here is that, yes and no, this is and isn’t the first gay character in Star Wars. But it really kind of is.

The collateral damage/blessing from the Disney purchase was the giant sweep of Star Wars extended universe material — countless comic books, novels, video games, etc. — which was given the umbrella “Legends” label. The stuff that is now “official” canon are the core movies, the animated series, and I think a few of the video games. That’s it. The giant rack of Star Wars books you see in the sci-fi section of Barnes & Noble don’t count anymore, not that they really ever did.

No matter what progressive comments the extended universe tackled, they didn’t impact. It’s unfortunate, but you have to at least see that. Even Knights of the Old Republic, which was an insanely popular video game, had a lesbian Jedi in Juhani, but people aren’t naming their kids after her like they did Luke. (Besides, Old Republic is “Legends” now.)

The giant sweep resulted in nerd rage from cargo shorts-wearing fanboys awhile back, and I will admit it is a tiny bit condescending to the devoted fans who have lived almost forty years with this stuff. But really, is even half of the Star Wars EU worth exploring? No doubt I’m sure there are amazing stories and adventures, but not all of that could be literary or artistic gold. By its sheer numbers there have to be duds. It’s fine if you liked it, but when you look around and realize you’re the only one, that’s gotta say something about its quality. Our own Jonathan London spoke about art and its resonance in The People vs. George Lucas: Art isn’t just the work of an artist, it’s the culture that embraces it. My culture didn’t embrace The Green Hornet movie even though I think it’s an awesome piece of work. Power Rangers was the first American TV show to star teenaged superheroes of color, but people don’t exactly dwell on that fact do they?

So don’t take it too hard when I say the Star Wars extended universe wasn’t really that important. No, I’m not spitting on the artists who made that stuff, but the EU was just a big-ass pit everyone threw their stuff into and collected a check from.

This new character, Moff Delian Mors does matter. She really, seriously is now, the first official canon gay character introduced in the ultra-corporate, four-quadrant-pleasing franchise behemoth that we know and love as Star Wars. While we may or may not see this character in any of the upcoming movies (I hope we do), face it: her creation is worthy of news.

Besides, our stories are growing and becoming more diverse. Is that a bad thing to buzz about?

Also, it’s a fucking book and she isn’t even the main character. You don’t need to read it if you’re so worked up about it.

There is exactly one month left until Marvel’s Daredevil premieres on Netflix. As most of the world has finished House of Cards (except me) and working their way through The Unbreakable Kimmy Schmidt (except me, again, guys my work commute sucks), Daredevil is creeping right around the corner. Like the real Daredevil. And now the full-length trailer is now online.

Unlike the previous teasers, this gives us the best look at the series overall to date. I was already stoked and prepared to binge on its premiere weekend, but now I wish the premiere could happen like right freaking now.

Of note is the location: Hell’s Kitchen. I work about a couple blocks away from Hell’s Kitchen, it’s about a twenty minute walk. Hell’s Kitchen today isn’t really a crime-ridden hell hole that it was until just maybe ten years ago. It’s interesting that in this Marvel Cinematic Universe, Hell’s Kitchen remains the dark place it used to be known for. Perhaps the Battle of New York in The Avengers drove the wealthy upper middle class away? I hope there’s at least some explanation.

A small reminder: Marvel’s Daredevil premieres the same weekend of Game of Thrones and will be at least week two into Mad Men‘s last leg. Prepare to watch TV all weekend.

Also, for funsies, compare this new series trailer with the one from the 2003 theatrical film. There’s no doubt that a decade plus change can highlight a change in cultural sensibilities, but it remains startling just how different the recent past is.

https://www.youtube.com/watch?v=LmP3YFk_YHA

Marvel’s Daredevil premieres April 10th. I know you’re ready.

Right now as Apple is showing off the Apple Watch, the new Macbook, and pimping out HBO Now on Apple TV, a new, super intense trailer for the upcoming fifth season of Game of Thrones premiered.

Enough talk. Just watch while you can before it’s taken down (for the inevitable official upload).

Update: Watch now in much higher quality!

http://youtu.be/odyueSMwxcM

People say they’re sick of superhero movies. Let them die of the fever, because Valiant Comics is stepping up against Marvel and DC.

Vulture is reporting that indie comics publisher Valiant Entertainment have “secured an eight-figure investment” from China-based DMG Entertainment to launch feature film and television projects based on Valiant properties. They seek to capitalize on the somewhat underestimated Chinese market and release their projects simultaneously in the United States, China and abroad.

From Vulture:

“Audiences in China and the rest of the world are hungry for heroic stories that they can more easily relate to … and with the international box office accounting for the biggest piece of the total gross, the time is right for a truly international superhero franchise,” said DMG President Wu Bing in a press release. “DMG will bring its unique global perspective to the task of transforming the Valiant Universe into the first international comic-movie universe.”

There is a much larger discussion at play here, and that’s the foreign market beginning to influence Hollywood. It started when Iron Man 3 featured exclusive scenes for the Chinese release and Pacific Rim becoming a legitimate franchise when overseas tickets catapulted it from an otherwise lukewarm response domestically.

Just this morning I wrote about superheroes of color, and Valiant — who are from the get-go seeking an international audience — has a chance to build its characters for the 21st century audience. They’re a relatively young company, celebrating just their 25th anniversary this May. They may not have the legacy and cultural influence as Marvel or DC, but I imagine their youth and the lack of wider awareness by the public means they have more freedom to make their characters as interesting and diverse as possible.

I hope for all success in the industry, and this news makes me excited. I’m not a huge reader of their titles, but I will always root for new properties more than I do rebooting Batman all over again.

TVLine has just reported on what characters could be featured in the upcoming Arrow/The Flash spin-off. The reveal comes from casting information and the producers used the phenomenal power of common sense to use vague titles like they were building their avatars in a fantasy MMO.

What is widely known so far is that this second Arrow spin-off will feature a wider roster of heroes including characters from both Arrow and The Flash as one unit. Of course Brandon Routh as Ray Palmer/The Atom is bound to be a prominent character, but so will Caity Lotz as Sara Lance/The Canary if rumors are to be believed. Everything about this spin-off brings up big questions we hope are answered soon.

But this new information reveals three more as-of-yet unidentified titans of justice. (Sorry, I haven’t had my coffee yet, can’t think of anything else.)

From TVLine:

Rounding out the ensemble, TVLine has learned, are the following “mystery” characters — though we’ve put forth out best theories on the familiar heroes/foes being cast. (With reporting by Michael Maloney)

 

“THE TRAVELER” | Described as a “Han Solo-esque rogue who gets by with his charm, this hero hails from the future, and has journeyed back in time on a secret mission. His razor-sharp wit hides the pain of a man who has lived through serious conflict. He also harbors many secrets, always leaving both his teammates and the audience unsure of his true allegiances.

 

“FEMALE WARRIOR” | This twentysomething Latina is pretty but unassuming, book smart and socially awkward by day. But by night, when she hears the cry of battle, her fury is ignited and she becomes a fierce warrior — so much so, that sometimes she can become a threat to others.

 

“MYSTERY HERO” | An African-American male in his twenties will fill the role of a regular, street smart guy who unexpectedly gains powers, and then, as part of the team, regularly quips about the insanity of the situations.

 

I’m going to go right for what we’re already thinking: Kudos to the producers for utilizing superheroes of color. Black and Latina superheroes on mainstream TV would be huge and thinking about it brings a smile to my face. Although movies like Marvel’s Black Panther are in the works, it will still be awhile before they’re here (Agents of S.H.I.E.L.D. is debatable). DC has the chance to feature diversity sooner on TV front and center and they’re smart to capitalize on it.

Although I love Routh’s portrayal of Ray Palmer, it kind of bums me out that Ryan Choi wasn’t used as the Atom. It would have been an amazing step forward for both Arrow and mainstream television — the only American superhero show to feature diversity regularly has been Power Rangers and their contributions have been widely ignored — but I feel like they misstepped in making another white dude a hero.

One of the weirdest, almost unintentionally backhanded compliments I give The Walking Dead is for its amazingly diverse cast. I say backhanded because it took the world to straight-up end for people to band together. I also praise Scandal for the same reason (among others), but that’s not a very popular show amongst geeks.

Elsewhere, of course there is rampant speculation over who these heroes could be. Other blogs are throwing around names like Hawkgirl, Fury, Black Lightning, Rip Hunter, Tarantula, Booster Gold and Static around, but I think I’ll leave that speculation up to you.

Yet another popular rumor going around is the title, which I hope is revealed soon so I can stop typing “new Arrow/The Flash” spin-off. Brave & the Bold was thrown around by other outlets when the news first hit, but nothing has been confirmed.

What do you think? Let us know who you think these characters could be, and also who you’d rather want if these guys don’t quite cut it for you. (Please don’t say Batman.)

Until five minutes ago I completely forgot CBS is creating a Supergirl TV series. I hear news about it every so often and I’m like, “Oh, okay. That’s a thing.” Now it is more than ever a thing, with an actual, honest-to-goodness look at star Melissa Benoist as the Girl of Steel. (Putting my nerd cred on the line here, has that ever been used for Supergirl?)

It’s a better look than your average Halloween costume, but it’s so Man of Steel-y too that it’s kind of funny. She kind of looks like a sorority girl that is actually super nerdy and spent good money on premium cosplay. I’m not knocking sorority girls by the way, I was one of those nerds who was somehow in a fraternity.

Still, this is real! Holy crap. We’re actually getting Supergirl. I think I’m actually excited now.

Let us know if you’re suddenly looking forward to this series too. A higher resolution image is below, if you wanted a new iPhone wallpaper.

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I’m about a week behind on Gotham, and I’m not in any hurry to watch either. I don’t think Gotham is awful, just kind of shrug-worthy. I don’t know what happened to Fish, and I’m just waiting for Penguin to straight-up cannibal eat her so he can say “Penguins eat fish” or something. But this morning on Live! with Regis and Kelly, actress Jada Pinkett Smith said unambiguously she will not be in Gotham next season.

From ComicBook.com:

“Well, it’s not quite over yet but we’ll see if Fish survives the season,” the actress told reporters. “It’s a little tense from here on out, that’s for sure. It’s a little rough on Fish from here on out.”

 

Still, she had previously stopped short of saying that her character wouldn’t return — and even today she kept the language somewhat open.

 

“I don’t think so,” she admitted when asked by the hosts whether she is coming back. “I signed for a year and the year’s up. But! There are some great things coming ahead on Gotham, believe you me.”

Of all the weird things Gotham does, the creation of Fish is probably the weirdest but sometimes the coolest. I’m not too big a fan of Smith’s Eartha Kitt impression, but her character has done some cool things I dug (but can’t recall specifically at the moment). Just believe me when I say any screen time she has isn’t always the worst.

While Smith is unlikely to return for season two, should Fish survive by the season finale there’s no reason she can’t return for seasons three or four or seventeen when Bruce finally ages into Batman.

According to The Huffington Post reporting on various studies, the side effects to sleep deprivation are an increased risk to stroke, obesity, increased risk of diabetes, memory loss, increased cancer risk and just plain old dying.

Which makes the Ultimate Marvel Marathon in select AMC Theatres kind of fucking bonkers.

From AMC’s website:

Eleven Superhero-sized Movies in One Day Starts Wednesday, April 29 at 6pm

Do you have the power to watch all 11 AVENGERS movies in the Marvel Cinematic Universe back-to-back? Take the challenge and you’ll take home an exclusive Marvel’s AVENGERS: AGE OF ULTRON collector’s pin and a limited edition print!

 

Plus, AMC Stubs members will get $10 Bonus Bucks loaded onto their card tickets are purchased in advance. Use it for event day snacks during our mega-marathon of these incredible movies:

 

6:00pm IRON MAN
8:25pm THE INCREDIBLE HULK
10:35pm IRON MAN 2
1:00am THOR
3:10am CAPTAIN AMERICA: THE FIRST AVENGER
5:30am THE AVENGERS
8:48am IRON MAN 3
11:15am THOR: THE DARK WORLD
1:45pm CAPTAIN AMERICA: THE WINTER SOLDIER
4:20pm GUARDIANS OF THE GALAXY
7:00pm AVENGERS: AGE OF ULTRON
You’ll be one of the first to see the premiere of the latest movie in stunning RealD® 3D.

 

Make it all the way through the marathon, and you’ll receive a limited edition Marvel Medal for your achievement.

Holy shit. I’ll buy the limited edition print on eBay, thanks.

You could sleep through Iron Man 2Thor and Thor: The Dark World, but anyone who actually tries to attempt this at all is insane. I don’t care how crazy good shape you’re in. Please don’t do this.

Luckily there are only four AMC Theaters participating. If you’re foolish enough to try them, venture out to Kansas City (AMC Studio 28), New York (Lincoln Square 13), Anaheim (Downtown Disney 12), and Orlando (Downtown Disney 24), but seriously don’t.

I really hope I don’t turn on the news to hear “FILM GOERS DIE TRYING TO SMITE GEEKSCAPE BLOGGER AFTER MOVIE MARATHON.” I don’t want blood on my hands.

We’ve made it to season six.

Our beloved Community begins its sixth season very soon — on Yahoo! Screen, March 17th — and a full trailer has just went online. I’m embarrassed to say I can’t for the life of me embed Yahoo! video, so you’ll have to click for it here.

Despite losing several of the key cast over the last few years, Community appears to not have missed a beat and remains the same show we know and love (except for whatever the Gas Leak Year was). The spoof of Age of Ultron is just inspired.

Community season six is resembling your favorite buddy from college still be his old funny self. Just with a few wrinkles and a few hard hits from reality.

I’m also not sure what influenced the change in lighting, but the study table looks drastically different. Forget the empty seats, the sun looks like its setting. Symbolic of the show’s imminent end, or just the change in ownership? That’s for you to decide.

New cast members Danny Glover and Paget Brewster are on full display, and it appears Paget is set-up as a rival of sorts for Britta. It might be my eyes but the constant cutting between the two have blurred them for me and they honestly kind of look alike.

Community airs March 17th on …Yahoo! Screen. I need to get used to these Chang-es.

Long before he captured your girlfriend’s/boyfriend’s heart in The Notebook and gave L.A.’s criminals joyrides in the critically-acclaimed neo-noir Drive, Ryan Gosling kicked ass on Saturday mornings as a young Hercules in, well, Young Hercules.

This morning, the wonderful purveyors of nostalgia known as Shout! Factory announced they will be releasing Young Hercules, the for-kids spin-off of the cult Hercules and Xena franchises that aired from 1998 to 1999 in a complete DVD set.

From the Shout! Factory official Tumblr:

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Aired on the FOX Kids Network from September 1998 until May 1999 with a whopping fifty episodes of a sword-wielding Gosling, this cheesy delight of a fantasy series baffles me because Gosling’s rabid fanbase rarely talks about it. Ever.

But besides starring the number one choice of your significant other’s cheat list, the series was produced by The Evil Dead and Spider-Man director Sam Raimi (appropriate, since he was also behind Xena and Hercules) with special effects work done by the future Oscar-winner Weta Workshop. Alongside Gosling, the show also starred Dean O’Gorman (The Hobbit series) and Chris Conrad, who I think edits his own Wikipedia page.

Despite the outstanding lineage of the series, it often was second in the ratings to, believe it or not, Power Rangers.

Kudos to Shout! Factory for obtaining this series for release. I didn’t watch it too much as a kid, but I enjoyed it enough to might actually make a purchase. For my sister, at least. See this FOX Kids Magazine cover below? She tore it from my issue and hung it up on her locker when I was 8.

FoxKidsMagYHCover

Young Hercules: The Complete Series will be released June 23, 2015 on DVD for $24.99 from Shout! Factory. You can preorder it here.

As a reviewer, I am unsure how I feel about tagging the artists involved in a linked tweet. In theory I want them to know their work is recognized, whether I liked it or not. In practice I feel like an eager kid in high school gym class jumping up and down to get picked, and they roll their eyes as they “Fine, you.”

Today, tagging tweets paid off. When I tweeted my review of the new film Parallels — where I lamented the pilot-turned-movie should have stayed as a TV series — director Christopher Leone reached out to me with an “exclusive.”

https://twitter.com/ChristophrLeone/status/572779605314043906

Can’t really say it’s an “exclusive” since it’s a public tweet, BUT it was to me so suck it, this is an exclusive.

Beyond this tweet from the director himself, there are no other details I am aware of. I do not know what Fox executives thought of the movie, nor do I know if Parallels performed well enough on Netflix to get buzz. It still has various VOD platforms to hit way later this month. Furthermore, Constance Wu’s Polly was a crucial character, but if Parallels gets picked up what does it mean for the critically-acclaimed Fresh Off the Boat? Too many questions with barely enough information to make educated guesses.

Still, this is pretty exciting. As I stated in my review, Parallels‘s premise lends itself to a continuing series that has the potential to be a successor to Sliders. It’s just too big to stay as one movie, and I hope it gets the chance to grow.

Stay tuned with Geekscape as we learn more. You can read my review of the movie here.

Avengers: Age of Ultron just can’t arrive fast enough.

This past week, Robert Downey Jr. teased a “big announcement” coming March 5. Depending on your hype levels for the movie, it’s either super disappointing or super… something else to look forward to: a new trailer.

A new Avengers: Age of Ultron trailer will air this Thursday, March 5, during the premiere of American Crime at 10 PM EST.

I know, I know. A “big announcement” is just another new trailer. Kind of a bummer. But in addition to this yay?-level news, a new character poster has been released that will probably be your new iPhone wallpaper if you’re that kind of person: Jeremy Renner, looking mighty sad as Hawkeye, posted on his WhoSay account. Real question: who actually uses WhoSay? Besides Jeremy Renner.

Avengers: Age of Ultron is in theaters May 1, but I don’t think you need me to tell you that.

While watching Parallels, there was a moment where my boredom of its modern sci-fi cliches turned into fascination, and my fascination turned into genuine suspense. In the first act, I hated everyone I was watching on screen. Not because of their moral fiber, but because they felt wooden. By the end of act two, I was rooting for all of them.

From director Christopher Leone, Parallels is an inventive, funny sci-fi romp that will piss you off because it ends on an incredible high note with a promise for more. In its climactic last few minutes, Parallels overcomes all limitations indicative of genre shows like it that snarky viewers regularly poke at and exhibits an incredible, epic scope that could make it a future sci-fi classic. But like my dad saying he’d bring me to a Yankee game, it will be a promise that will go unfulfilled.

Parallels_KeyArt

Ronan (Mark Hapka) and Beatrix Carver (Jessica Rothe) are estranged siblings reunited by a phone call from their elusive, secretive father Alex Carver (Yorgo Constantine). Joined by goofy friend Harold (Eric Jungman, you’ll know him as that guy from Not Another Teen Movie), they explore an abandoned, graffiti-laced building that serves as a conduit to parallel Earths. At 36-hour intervals, the building “jumps” to another Earth, the planet changing societies and histories right outside the window. Later joined by a mysterious woman from another Earth, the wise-cracking and oddly seductive Polly (Constance Wu, in a show-stealing performance) Ronan and Beatrix seek to find their father before the crazed Tinker (Michael Monks), a survivor from another Earth that underwent a nuclear holocaust caused by Alex, exacts his revenge

This website has “geek” in its very name so I’m safely assuming you understand the idea of parallel universes. It’s like DC’s Crisis on Infinite Earths, except no one here wears spandex. But that’s the crux of Parallels: exploring wildly different Earths where maybe it was bombed to shit, or Google is called Shmoogle, or are exactly the same as ours “except for one less mosquito.”

There’s an unknown, infinite number of Earths and if you think exploring them would make for a great TV show, you’d be right! Parallels was created as a television pilot, but Fox Digital Studios morphed it into a stand-alone movie. Knowing this and seeing how the “film” ends is maddening, because the very premise lends itself to something larger than just a 90-minute genre movie. Every character’s arc, however interesting or boring you may find them, is left unfulfilled and unfinished. The cliffhanger tease left me breathless and wanting more, and I nearly punched my TV in a futile rage. Knowing Parallels was a TV pilot leaves me unsure if it helps or hurts enjoying it.

But you should view it! It’s worth watching for the performances alone, which take a 180 turn as it enters the second act. The first act was nauseating, where cliches are hit like Guitar Hero notes. You know what conventional roles they fulfill and they’re boring until Polly enters the party. Kudos to Ms. Wu, her presence alters the chemistry and she practically show-steals the whole movie. Her sharp comedic timing that you see on Fresh Off the Boat is on full display in Parallels, and she has the most laugh-out-loud worthy one-liners. If there’s literally any reason to watch Parallels, it’s so you can see a little more Wu if you’re caught up on Fresh Off the Boat.

That’s not to discount movie leads Mark Hapka, Jessica Rothe, or even Eric Jungmann either. In the first act this gang is boring — or in Jungmann’s case, annoying — but as performers they remain grounded and believable throughout and they soon win your affection. Ronan is a typical, white-guy brooding loner seen in thousands of other movies, but Hapka gives him weight and even peppers him with some great moments of comedy. Ditto for Jessica Rothe, who plays Beatrix well with enough subtle laughs that will make you chuckle.

Eric Jungmann as goofy friend Harold starts out exactly to fill that role: the goofy friend. And roll your eyes you will. But towards the end of the film, Harold becomes a real champ after a wonderful character moment that wins your heart.

Parallels_1

I can’t talk about the ending enough. I just can’t. Gripping, visceral and ending on a real intense crescendo, however bored you may be of Parallels you will flare with anger by the end credits because you are not getting more. I ask again, does knowing it would have been a TV series help or hurt Parallels?

Parallels is worth watching for many reasons, not the least of which is the promise of what could have been. I’ve written on this site before that roads less traveled are always fascinating to me, and Parallels almost being a TV show makes me wonder what episode two and three and four would have been like. It’s almost eerie how easy you can imagine it too, as the film’s cinematography and direction looks straight out of a FOX serial drama. Leone’s direction nor the film’s photography are exemplary or inventive, and as a film the efforts almost come off as lazy. But as television, it works. Imagine that FOX channel watermark in the corner and you get the picture.

As a stand-alone film, Parallels disappoints. It has a rough start as a low-budget, cliche sci-fi with not enough action to satisfy, and the cliffhanger ending feels cheap and uninspired. But framed in your head as a true TV pilot and I would bet my life savings you would be scheduling Parallels on your DVR if you could. You will love the characters and the questions left unanswered make you want more.

Parallels as a movie gets 2 out 5 stars. Parallels as a theoretical series gets 100 out of 5 stars. Petition to make this a Netflix-exclusive series? Sign me up.

Parallels is available for streaming now on Netflix. It will be available on all major VOD platforms March 31.

“The things they fire you for when you are young are the same things that they give you lifetime achievement awards for when you are old.” That’s one of the best lessons to take away from at the end of the next hour of The Director’s Chair on the El Rey Network, featuring Robert Rodriguez interviewing the godfather of modern cinema, Francis Ford Coppola.

JoshuaBudich-ElReyDirectorsChair-Coppola

A popular hypothetical question I hear asked occasionally is who, living or dead, would you invite for dinner? It’s a fun question I have legitimately thought hard about, which is ridiculous because one of my go-to answers is Bruce Lee which renders the effort of thinking this hard makes me question my priorities.

But the rest are almost always artists or filmmakers. A few leaders, sure — if I could sit with Bruce Lee and Martin Luther King Jr. I wouldn’t even chew my food — but, almost always, my choices are the visionaries behind the most intricate art that humans have created.

The Director’s Chair is not the most unique thing to ever happen. There are such a thing called podcasts, after all, and Inside the Actor’s Studio. But that doesn’t discount the series or its merits in the slightest. It’s not just filmmakers talking, it’s Robert Rodriguez — the guy who inspires all film students to pick up a camera, like yours truly — talking to giants of the cinema in an intimate setting with a conventional four-camera set-up.

The attraction in every episode is clearly watching Rodriguez speak to filmmakers as a pseudo-journalist, resulting in very different episodes individually, but all aesthetically unified. (What a distortion of the auteur theory.)

This Monday’s episode of The Director’s Chair on the El Rey Network sees Robert (“Roberto?” Coppola asks at one point) speaking to Francis Ford Coppola, and it’s a can’t-miss. There are no scandals or juicy inside information to learn from here, because fuck all of that noise. This is purely Coppola speaking as an artist who had his struggles both before and after his name became household. It’s sentimental and sweet, and shortly afterward it just made me want to watch Apocalypse Now, of which they go into rather heavily.

The arc of the episode is not unfamiliar with similar docu-talk programs. There are the early years, when Coppola was a theatre director in college, and before you know it (because they have commercial breaks to consider) they’re talking about Coppola and Lucas on the set of Warner Bros.

The Godfather is the first film they really speak of, and they go rather in-depth. Once again, it’s nothing new if you’ve binged on the special features of your umpteenth Godfather home release, but with Rodriguez steering the conversation it’s still refreshing to watch and listen.

Of most depth they go into is Apocalypse Now. I don’t know if I can really “spoil” anything here, but you need to listen to Coppola being “scared stiff” during production. To say it was a risky production is a terribly obvious statement, but hearing Coppola himself talk about the stress he felt during production reduces this giant into a human. Our current celebrity culture puts people on a pedestal, whether they deserve it or not. Coppola is a commanding name, among the few that even those who aren’t film buffs immediately recognize as a near immortal auteur. To see Coppola be just human is a remarkable moment.

I read The Outsiders like every middle schooler in 21st-century America, and I honestly enjoyed that film of his. I know it isn’t a stand-out work in his ouvre, but I have a personal connection to it. Coppola also confesses it as “saccharine,” which might disappoint a lot of people.

Bram Stoker’s Dracula, the one Coppola movie I express the most fascination with due to its stark contrast against the rest of his filmography, is discussed but not nearly enough as I hoped. He and Rodriguez, an SFX guy himself, dwell mostly on the very interesting and thematically-rich special effects work and complications and is worth listening to. But I wanted to hear more about the film overall.

As a dumb millennial of the YouTube age, I’m trying to make of what Coppola thinks of indie filmmaking today. Towards the end of the program, he’s asked what he thinks about the evolving technology in cinema. That has become a standard question to ask all filmmakers today, and you often hear the same answers over and over. There are those who lament the labor of old school techniques, others are optimistic about shooting and editing and distributing an entire film with the device in your pocket. I won’t repurpose what he said because this is a special you need to see, but Coppola speaks of his excitement for “live cinema.” Live shots, montage, but “being performed for you.”

“Someone’s gonna do it,” he says. I’ll fool myself into thinking I’ll be that guy.

The sprinkles on this filmmaker’s dessert are the personal touch Rodriguez has towards Coppola. Rodriguez clearly would not feature a filmmaker he doesn’t care or know about, but he has known Coppola for years. There’s home footage of the two of them speaking with their kids running around or falling asleep on their shoulders. It really underscores the conversation as intimate, but it never feels like you’re intruding.

The last remarks of Coppola subverts what we know artists to be. Rodriguez reinforces that filmmakers need to be thick-skinned,  but Coppola almost opposes that. “The good ones are insecure,” he says. “You naturally beat yourself up, but that’s part of the personality.” As someone who has been VERY insecure about his work, it’s something I’ve taken to heart that is slowly shedding my shyness towards my own art.

Thanks Coppola. Because of you, the world will get to see my next music video I’m directing for my friend’s band. It’s gonna have skeletons and demons and Satanic sacrifice. I’m not kidding by the way. I can’t wait!

Robert Rodriguez speaking to Francis Ford Coppola was going to be a must-see even if it were just an hour of them talking about doing laundry. These are two remarkable artists of our generation with critically divisive work whose contributions to the cinema are boundless. You can’t miss this hour of television.

The Director’s Chair with Francis Ford Coppola airs Monday, March 2 at 8 PM EST/8:30 PST on the El Rey Network. It is immediately followed by Francis Ford Coppola’s Academy Award-nominated film, The Conversation, which lost to The Godfather Part II, which was also directed by Coppola. How many people in our industry can say that happened?

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Joseph Kahn is one of my favorite filmmakers of all time. The mastermind behind 2011’s Detention and pop culture staples like Backstreet Boys music videos, I always believed him to be a kind of Edgar Wright if Edgar Wright gave even less fucks. And you know how much I love Power Rangers.

So imagine my surprise to see that Joseph Kahn created a short film, POWER/RANGERS, and it stars James Van Der Beek (“Holy shit, you’re the Dawson!”) and Katee Sackhoff. Yeah, STARBUCK motherfuckers.

Note: That’s the safe-for-work version. A NSFW cut is available on Joseph Kahn’s Vimeo.

For the past year, the filmmaker has been tweeting about working on a tampon commercial. He made Twitter jokes about how epic it would be. Turns out, it wasn’t a Tampax ad.

I have been a fan of the Power Rangers for over two decades. I have been watching since I was one. I didn’t even know speech or how my dick worked, but I understood people becoming karate dinosaurs to pilot giant robots. I can name every actor, describe Alpha 5’s Edenoi origins and how Masked Rider fits into this universe, and I could pick apart Kahn’s use of the Machine Empire.

So understand that when I say fuck the Power Rangers. This is about the current state Hollywood nostalgia and reboot fever, and it’s the most punk rock thing I’ve ever seen.

It’s incredibly violent. It’s gratuitous. It’s ridiculous.

That’s exactly the point.

From Joseph Kahn’s interview on HitFix:

One, as opposed to like taking something like Barney and doing your dark version of Barney, there’s at least a mythology there. The original mythology is really expansive and kind of silly in how many different…” Kahn collapsed into laughter. “I mean, these guys turn into dinosaurs. How do you take that seriously? But there’s enough of like a groundwork of the original source material that they based off this repurposed Japanese show that has like norms of anime and kung fu and all that stuff that appeals to me because I’m an anime and kung fu guy anyways. I just took pieces that I liked and then streamlined it and made a bare bones version and really expressed the versions that seemed like they naturally fit within the down-the-middle dark and gritty reboot.

 

And by the way, the dark and gritty reboot thing is such a cliché that the intention was not only to make it dark and gritty but make it even darker and grittier than you could possibly imagine, hence the brains, the blood and the violence and the sex.”

 

It’s not just Lionsgate but all of Hollywood, they all keep toying around with this ‘dark and gritty’ concept, and they’re all PG-13. I mean…. look at the gunshots. You have a guy going in there shooting a bunch of people and it’s just like puffs of smoke. There’s no repercussions to these gunshots, which to me is even more dangerous than when you actually show some blood. You’re teaching kids that you can shoot a gun and there’s no repercussions to it. 

I highlighted the most startling, noteworthy quote sentences in bold. It sums up so much about what we as public perceive violence in art.

Joseph Kahn doesn’t give a fuck about Power Rangers and that’s the best thing about this 14-minute short. This isn’t some fan jerking off to twenty years of mythology. This is a guy who saw it, took it, and ran as fast as he can with it. Kahn sees Power Rangers as the perfect tool to make a statement about Hollywood’s reboot fever, the sickness that has allowed a fifth Transformers movie and a loud Ninja Turtles film without actually leaving a significant footprint. He’s taking something so perceived to be ridiculous and cheesy and is stopping short of dropping buckets of blood right on it like Carrie, all because you know that’s the version we all secretly want to see.

From Joseph Kahn:

There’s nothing playful except for maybe the Hip-Hop-Kido thing. Maybe a few little like motivational character [things], interactions and stuff. Overall, it’s a very serious thing. The joke isn’t that you’re laughing at each particular scene; the joke is that we did this ‘fuck you’ thing in the first place. You’re going to look at it and you go wow I can’t believe they fucking did that.”

Fans of Kahn are familiar with his sensibilities, as both a filmmaker and commentator on the current state of pop culture. His 2011 indie hit, Detention, sums up his view in a kinetic ninety-minute movie. In fact, it was Detention that once made me believe Kahn would be the perfect visionary behind a 21st-century imagining of the Power Rangers, but his feelings on it have confirmed otherwise (in a quote further down).

Side note: Have you seen Detention? It’s Scott Pilgrim vs. the World on a sugar rampage. Go watch it right now.

https://www.youtube.com/watch?v=G4PFz9gIKKM

This is why Kahn remains one of my favorite filmmakers. Behind his excellent visual eye and artistic direction, he’s a pop culture-obsessed freak but remains disenfranchised by the system. He’s a music video director. Never mind he’s directed Eminem and Shakira. If filmmaking was war and Hollywood directors are dictators, music video directors are the Somali pirates.

Seriously, go see some of his work. His music video for Taylor Swift’s “Blank Space” is one of the most badass things I’ve ever seen, and there is not one ounce of sarcasm in that statement.

That’s why he’s the perfect son of a bitch to thumb his nose at Hollywood right now. He’s been there, he’s been shat on, and this is him telling the world not only is he the best at what he does but also you can go fuck yourself if you don’t like it.

He sent this short film out into the world with just one tweet. That’s how much he’s laughing.

My only regret is that Kahn actually chose Power Rangers. He could have done My Little Pony, but MLP doesn’t have the absurdity of kung-fu dinosaurs. It’s cognitive dissonance for me. I’m one of the most passionate fans of the property you’ll meet; last night, I sacrificed sleep on a work night to watch the premiere episode of Ninninger. And this morning, I’m feverishly typing this up as quickly as I can.

One of the most hurtful things I heard this morning wasn’t from Kahn, it was from longtime Power Rangers director Isaac Florentine.

From Drew’s interview at HitFix:

I spent some time with Isaac Florentine at ActionFest one year, and we talked about “Power Rangers.” He was there at the start of things, and listening to him talk about it, art was not on anyone’s mind. I get that there are people who genuinely loved the show when they were kids, and that they would love to see something new. Their fondness for this thing is not the point of Kahn’s film. Instead, it’s more a matter of talking about how these things get squeezed and bent and molded into something new.

Isaac Florentine is also a balls-crazy filmmaker who directed the amazing Ninja: Shadow of a Tear last year. I’ve always wanted to ask him if Power Rangers taught him anything that made his movies like Shadow of a Tear so awesome, because Power Rangers can be awesome if you’re in the right headspace and he himself has done some of the best, most memorable episodes (the “King For a Day” two-parter, in Power Rangers Zeo). But reading that broke me.

Don’t get your hopes up if you think Joseph Kahn is trying out for the upcoming Power Rangers reboot film. He’s not.

“The irony here is that I wouldn’t even want to make “Power Rangers: The Movie’ for real. Like if I had to make a ‘Power Rangers’ movie, this is it. It’s 14 minutes long and it’s violent and this is what I have in me. If they offered me the 200 million version, the PG-13 version, I literally wouldn’t do it. It’s just not interesting to me.”

It’s currently 9:30 AM. I’ve been reading Alan Moore’s Swamp Thing on the train to work, so between that and all my feelings about my favorite filmmaker using my favorite thing in the world as a sock puppet to mock Hollywood has left me exhausted.

Check out more of Joseph Kahn’s work here.

UPDATE: Completely overlooked this. Producer Adi Shankar (The GreyDredd) details why he chose Power Rangers. #orlando4pink

While the majority of the world is currently watching the 87th Academy Awards, a significant portion is also watching the WWE Fastlane pay-per-view. Announced at this inaugural event: Sting vs. Triple H at WWE WrestleMania in March.

Although kind of expected going in to Fastlane, a segment devoted to Triple H confronting Sting made it official.

It’s exciting. Nicknamed “The Icon” for his work in Ted Turner’s WCW during their heyday (and now known as “The Vigilante,” because of The Crow, I guess?), Sting long avoided going to the WWE and still managed to maintain his status as one of the biggest names in professional wrestling despite never dancing in the House of McMahon. That all changed as he slowly made his way into the WWE, after appearing at San Diego Comic-Con last summer and becoming an official character in the WWE 2K14 video game.

I will admit that the segment itself at Fastlane was kind of bland. Granted, I was distracted with the Academy Awards on my television (WWE Network was a tab on my laptop), but I still felt compelled to watch the Oscars and not, you know, the god damn Icon staring down Triple H. I’ll be all eyes and ears at WrestleMania though.

Excited for Sting’s first WWE match? Or do you want Triple H to Pedigree him out of the company? Share us your thoughts!

“Quick, Ryan!” I blurted out. “What anime did you grow up watching?”

I was interviewing actor, martial artist and noted young philanthropist Ryan Potter, star of Disney’s Big Hero 6, when his reps told me my previous question was the last. So of course I snuck one more in.

“Oh man, oh man,” he tells me in a strong southern California accent. “Let’s be real, I grew up watching Studio Ghibli films, Katsushiro Otomo, [and] Satoshi Kon.” Damn, this kid was hardcore. It’s great to know that a big-budget Disney movie inspired by decades of anime and tokusatsu starred a total fanboy himself.

“It’s hard to say individual projects, but I feel like One Piece and Akira are my two biggest influences.”

An adaptation of an obscure Marvel comic series, Big Hero 6 was a Thanksgiving blockbuster that grossed over $520 million worldwide and is a nominee for Best Animated Film at this year’s Academy Awards. It will also be available on Disney DVD and Blu-ray on February 24.

Raised in Tokyo before moving to the United States at the age of 7, Ryan began his acting career at 15 in the Nickelodeon television series Supah Ninjas. He later had a recurring role in Fred: The Show and starred in the indie drama Senior Project before landing the lead in the latest hit from Walt Disney Animated Studios. In Big Hero 6, Ryan plays boy genius “Hiro,” the leader of the bombastic titular super team who must stop a mysterious masked villain from wrecking havoc all over their Blade Runner-esque hybrid city of San Fransokyo.

In a case of art reflecting life, the actor himself is something of a hero: In 2011, Ryan founded founded Toy Box of Hope, an annual holiday collection drive for homeless children in Los Angeles.

I recently spoke to Ryan — who at 19-years-old knows White Tiger kung-fu and can beat up my 23-year-old jell-o ass — about his downtime, playing an Asian-American superhero, and his desire to always help people.

KinoFilms.ua

Let’s start with you before anything else. You’re an actor, martial artist, director, a philanthropist, and you still have plans to study art and film in college. You’re hella busy. What’s a guy like you do to just chill?

Ryan: [laughs] My question for you, before I answer that, is are you located in San Francisco?

I’m not, but I have been there though!

Ryan: Were you raised in northern California? Because you just said “hella.” [laughs] Really it’s just kind of taken up with hobbies. I play soccer once a week with friends. My martial arts training, my photography, I try to shoot a couple times a week. I just try to stay busy.

So Big Hero 6 was, put simply, huge.

Ryan: It was!

Congratulations on its success! So how does that feel for you, to star in an Oscar-nominated picture? What went through your head when it was first announced?

Ryan: Thank you! I’m still trying to process that they allowed me to be in the film! So everything that has come after, kind of driving through those gates at Disney for the first time, trying to meet the Disney standards, everything after that has just been kind of a bonus, I think … the success of the film, it being received so well internationally, and now all these different nominations and awards. At the Visual Effects Society Awards we were nominated five times and won five times. At the Annies, we walked away with a couple of awards, and now the Oscar nominations.

I don’t know, it’s hard to put into words. I feel like every actor on Big Hero 6 kind of uses this same word over and over, this whole experience has been surreal. It’s every kid’s dream to be part of a Disney film and, you know, no matter how old you are, that kid in you that just is just gleaming going in to work for Disney.

Big Hero 6 is about family and friends and coping with the loss of loved ones. With the charities you’re involved, I think that’s something you know pretty well. 

Ryan: Absolutely.

So how much of yourself did you channel into Hiro? How deep did you have to go as an actor?

Ryan: With Hiro, I just got to play myself. I got to play myself in extraordinary circumstances, like flying and fighting alongside some superheroes. But really at the end of the day, it was kind of my personality and thought process when I was 13 or 14, you know? I’ve had an older brother from Big Brothers Big Sisters for, man, well over ten years now. I mean, he’s one of the biggest mentors in my life.

That relationship between James [my mentor] and I, and Hiro and Tadashi, is very similar. He just makes sure I’m okay. He checks in on me. And, yeah, I feel like channeling myself into Hiro wasn’t necessarily kind of… I wouldn’t put it in those words, but it was more just channeling past experiences and past emotions and kind of lending them to Hiro.

With how big superheroes are now in pop culture, how did you feel about playing an Asian-American superhero in a big Hollywood movie?

Ryan: It’s the greatest thing ever. [laughs] Because, I mean, there really aren’t a lot of them. Dick Grayson can be played by an Asian-American, that would be pretty cool, and Nightwing could be played by an Asian-American too. But past that, like, even the things that come to mind. Iron Fist? Wait no, that’s a Caucasian dude. There’s really not a lot of room for Asian-American superheroes. So I’m just over the moon I get to play literally me, a 14-year-old me, in this film. It’s kind of a dream come true.

I’m Filipino and 23, and even I was like “Dude! That’s me!” when I was watching.

Ryan: Yeah! Exactly! I think that’s why the film did so well, because how relatable it is. Every character you see on screen. Any audience member around the world can find a character on screen and be able to relate to them one way or another. Whether it’s the way the look or whether the way they act.

About your philanthropy. You’ve played heroes on screen and you’ve become sort of a hero for kids, and I know you’ve also been an advocate for NOH8. What attracts you to being so active in your community?

Ryan: I’ve never quite understood why. I really don’t have a reason behind it other than the fact that I know I need to help in one way or another. When I moved from Japan to the United States, it was a huge culture shock.

Because how prevalent the homeless issue is in the United States kind of blew my mind. Because in Japan, the homeless population, they hide themselves much better than they do here. And driving down places like Hope Street and downtown LA, and even now it’s just branching out and there is just more and more homeless people every day. It just really breaks my heart.

I didn’t understand [back then] why these people were living on the streets and didn’t have a home. So, I think kind of from that, and then having experiences with being bullied in middle school and high school, and that’s why I reached out to the NOH8 Campaign.

But I don’t know. I’ve always [wanted to help]. Even now, a job I that I would love to take on is being a firefighter. Ever since I was a little kid, in kindergarten, [they asked] “What’s your dream job?” I drew this picture. “Oh, I wanna be a firefighter.” And the little caption below, they asked why do you want to be a firefighter? I said, “I want to break down doors and save people!” [laughs] I don’t know, it’s an old passion of mine. Just to be able to help people and save people one way or another.

That’s awesome. Hollywood could benefit from way more people like you. 

Ryan: [laughs]

Disney’s Big Hero 6 will be out on Disney DVD and Blu-ray on February 24. It is available now iTunes and On Demand.

UPDATE: Clearly the video was not meant to be shared publicly and has been moved to unlisted, and YouTube urges to “[b]e considerate and think twice before sharing.” OK THOUGHT ABOUT IT STILL SHARING.

We try to avoid click-baity or “viral” content at Geekscape (even though that’s probably the key to success now, RIP internet journalism). That said, I cannot ignore some of the more absurd, amazing things that do happen in this wacky, beautiful Earth. Like the WWE posting a YouTube video that is entirely zoomed in on CM Punk’s rear, for instance.

To catch you up to speed: On the Art of Wrestling podcast last November, former WWE wrestler and current UFC padawan CM Punk talked about having a staph infection completely ignored by WWE physician Dr. Amann. Because doctors have something called a “reputation” to maintain, Dr. Amann has filed a defamtion lawsuit and is seeking damages somewhere in the ballpark of a million. (Source.)

Never mind the absurdity of a MILLION DOLLAR lawsuit over things said on an internet podcast — I can understand that CM Punk’s appearance was a popular episode, but a million?! — the WWE have chosen to stand with Amann and released this wonderful gem of a video. For the CM Punk fans who love him in a way that I absolutely do not, this is your Fifty Shades.

From UPROXX:

In light of CM Punk’s allegations regarding WWE’s medical staff and the subsequent defamation lawsuit filed by Dr. Amann against CM Punk, WWE continues to have the utmost confidence in the ability and expertise of our world-class team of physicians, including Dr. Amann.

 

CM Punk claimed this past November that during the Royal Rumble pay-per-view event on January 26, 2014 he performed with a baseball-sized, purple lump on his back located near the waistband of his tights.

 

WWE’s investigation has shown the following:

 

– CM Punk did not discuss this alleged condition with WWE’s team of physicians and trainers, nor did he discuss it with anyone in our Talent Relations department.
– Subsequently, WWE has no medical records documenting this alleged condition.
– The first time WWE was made aware of this alleged condition was when we received a letter from CM Punk’s attorney on August 22, 2014 after WWE terminated his contract.
– There is clear video evidence from the 2014 Royal Rumble, which allows all to decide whether there is any appearance of a baseball-sized growth on CM Punk’s back.

https://www.youtube.com/watch?v=alLmQFx801M#t=10

My absolute favorite part about this whole thing isn’t that it’s CM Punk’s jiu-jitsu-toned ass, it’s that the video is plainly titled “Royal Rumble Match: WWE Royal Rumble 2014.” An unsuspecting fan just trying to watch clips of last year’s match and sees the official WWE YouTube account posted this only to be greeted to AJ Lee’s husband’s bum is about the funniest thing I could imagine.

Like, a powerful executive of a publicly-traded company ORDERED this video to be made. With clear instructions. “Butt! Show his butt! Zoom in on his butt!” I want to talk to the editor of this and buy them a coffee or something. He or she deserves it.

For starters, I want to acknowledge that yes, we already know that all Marvel television properties are a part of the blockbuster Marvel Cinematic Universe. You don’t need to tell us twice.

But a teaser image posted on the official Twitter account for Marvel’s Daredevil (set to premiere on Netflix this April) hints at a more direct connection than we would have expected.

Carl Creel is the Absorbing Man, who appeared in early season two of Marvel’s Agents of S.H.I.E.L.D., portrayed by Brian Patrick Wade. This is entirely speculation, but is Wade reprising his role? Or is his S.H.I.E.L.D. character the child of this Carl Creel, also played by Wade? Is it time travel? Just a coinky-dink? The crux of this is just who the hell is fighting poppa Daredevil.

My guess is the one that makes the most sense: it’s Carl Creel Sr. in that poster, because it’s an old poster. If it were new, it would be brandished with “Like us on Facebook” or some garbage. It has to be circa twenty years or a little less than the time period Daredevil actually takes place.

Which on that note, can we speculate why there’s hard crime in Hell’s Kitchen in 2015? The second wave of gentrification has changed Hell’s Kitchen, and it isn’t the dangerous neighborhood it was when the Daredevil comic books were first being published. I’m curious to see Daredevil almost entirely because of this: How different is the Marvel Universe’s New York to ours?

Daredevil premieres April 10 on Netflix, which is just two days before Game of Thrones. You are not going anywhere that weekend.

“The things they fire you for when you are young
are the same things that they give you lifetime
achievement awards for when you are old.”
– Francis Ford Coppola in “El Rey Network Presents:
The Director’s Chair

For true cinema lovers, there’s nothing quite like two artists just sitting down to talk about art. But whether’s a podcast recorded on someone’s Macbook or a professionally-produced television series, you come for who’s talking.

On March 2 at 8 PM ET/8:30 PT, filmmaker and mastermind of the El Rey Network, Robert Rodriguez, will sit down with the godfather of modern cinema Francis Ford Coppola on a new installment of The Director’s Chair, the series of hour-long specials where Rodriguez interviews some of the most prolific names in cinema. Right after will be the network premiere of Coppola’s The Conversation starring Gene Hackman at 9 PM ET/9:30 PT.

To commemorate the once-in-a-lifetime meeting, a stunning, breathtaking poster was commissioned from rock star indie artist Joshua Budich. It’s an absolutely beautiful piece of work.

JoshuaBudich-ElReyDirectorsChair-Coppola

The bold use of red. The detail. The significance. Absolutely breathtaking. If you’re not familiar with Joshua Budich’s, work, get acquainted. The guy creates some of the most astonishing tributes to pop culture, television, and cinema. His skill is razor sharp and his vision unlike so many others. I sense an influence from Dru Struzan (although what film artist isn’t?). I want to buy all his prints and frame them everywhere in my house.

But let’s not forget the very reason this poster was created. I am stoked to watch Robert Rodriguez — whose infamous Rebel Without a Crew I’m only just now reading — go one-on-one with Mr. Coppola. As Jim Ross said when Shawn Michaels walked down the ramp to wrestle Shelton Benjamin one night on RAW, “the clash of styles” is “gonna be awesome.”

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I owe a lot to Coppola on some personal levels. While my mother raised and treated her son like any good mother would, there are two significant things that bonded us despite the generational divide: The Beatles, and The Godfather. We bonded not just emotionally or sentimentally, but intellectually. For the first time we appreciated something together. She didn’t have to tolerate it, not like she did with Power Rangers or cartoons. Elsewhere, she has been searching for a chronological cut of The Godfather trilogy where the film begins with Corleone’s life in Italy and ends with The Godfather III. She swears up and down it aired on NBC a few decades ago, and it’s been my mission to find that particular cut ever since.

Of all of Coppola’s filmography though, there’s one movie of note I find peculiar: Bram Stroker’s Dracula. By its very essence it’s unlike his other works, even when you consider Jack. I am not smart or eloquent enough to put into words why that film just plain works for me, and there are so many things to hate; Keanu Reeves, as much as I love the dude, was way out of his depth. He was nearly destroyed when he shared scenes with Gary Oldman, like he was Jigglypuff at 200% and Oldman was a Falcon Punch. Yet, there’s something about its atmosphere, or perhaps even its time and place as a gothic film that captures me. I watch a movie like Dracula and other ’90s gothic films like The Crow and they make me feel like I was born a decade too late. I try to watch them every Halloween.

The Director’s Chair with Francis Ford Coppola will air on the El Rey Network on March 2 at 8:00 PM ET/8:30 PT followed by the network premiere of Coppola’s Oscar-nominated classic, The Conversation, at 9:00 PM ET/9:30 PT. Check your local listings for the El Rey Network.

I can’t embed Yahoo! links for the life of me, but the red band trailer for the extremely funny crime thriller Kill Me Three Times is now online.

Written by James McFarland and directed by Kriv Stenders, Pegg plays an assassin assigned to kill a woman, but soon finds out he’s not the only one. Taking place on an extremely bright, color-contrasted beach town, I can’t wait to see ruthless murder and shit against such picturesque corners. I mean, that’s the appeal of the dark comedy genre, right?

The film stars Simon Pegg, Alice Braga,  Sullivan Stapleton, Teresa Palmer, Callan Mulvey, Luke Hemsworth, and Bryan Brown. Any of those names ring a bell?

Personally, I’ve just recently started reading Simon Pegg’s Nerd Do Well. The guy is a hero of mine, and when I first joined Geekscape I was pleasantly shocked to discover he’s done stuff with us before, such as our documentary Doc of the Dead (available on Netflix!). Oh, hey, that’s something I can embed.

https://www.youtube.com/watch?v=gZHLS2PwMKs

Kill Me Three Times will be released on iTunes and On Demand March 26 and in theaters April 10.

How exciting is this? The new Ultraman manga series in Japan has just been acquired by VIZ Media and will be released domestically this August!

From the press release:

VIZ Media is proud to announce the acquisition of the ULTRAMAN manga series, a new story inspired by the original classic TV show that ran in the late 1960’s! The action-filled adventures of one of Japan’s greatest superheroes will debut this August, updated for a whole new generation of fans and continuing the ULTRAMAN legacy!

 

The new ULTRAMAN will be published under the VIZ Signature imprint; the series currently appears in Japan’s Hero’s magazine. In the new series created by Eiichi Shimizu and Tomohiro Shimoguchi, the Earth is at peace, having been saved decades ago from terrifying monsters known as Kaiju when a being known as the Giant of Light joined Shin Hayada to combat the menace. But a new threat is growing in the shadows, a danger that can only be faced by a new kind of hero – a new kind of Ultraman! Shinjiro is an ordinary teen, but when he learns his father, Shin, has passed on the “Ultraman Factor” to him, nothing will ever be the same again!

 

The press release is attached for all the details – please let me know if you have any questions about this quintessential superhero from Japan! Thanks much!

I might have to turn in my nerd cred because I haven’t even touched a single manga since high school, but I will totally break that streak for Ultraman. Also: Wasn’t the original Ultraman’s name Shin Hayato, not Hayada? Or am I just being a dick?

This manga is bound to remain a niche product, but I’m still happy to see it come to American shores and elsewhere. I’m legitimately fascinated how Ultraman has remained a Japanese icon and hasn’t had a big-screen adaptation starring, like, Ryan Reynolds or someone.

In any case, Ultraman will be coming to my nearest comic book shelf and I couldn’t be happier. Let’s listen to that earworm of a theme song, shall we?