Christopher Landon unveiled a brilliant way of fusing together the Groundhog Day effect with a thrilling murder mystery in 2017’s Happy Death Day. The film was irrefutably entertaining and wildly original making it a hit with both critics and audiences alike. But how could Landon possibly follow up his film without having it feel like a cheap imitation of a once novel idea? The answer can be found in Happy Death Day 2U, a bold and daring sequel that takes its audience down an unexpected path and brandishes itself as a fascinating blend of murder, sci-fi and comedy throughout a compelling hundred-minute ride.

After reliving the same torturous day over and over again until she finds her secret killer, Tree Gelbman (Jessica Rothe) passes the curse onto her boyfriend’s roommate, Ryan (Phi Vu), who quickly finds himself in a deathly time loop of his own. Desperate to figure out why this is happening and, more importantly, how to close the loop, Tree is thrust into a mind-bending world of parallel universes and alternate realities all while facing another new killer.

Happy Death Day 2U keeps a fresh sense of uniqueness by changing the script and turning this sequel into a Back to the Future meets the horror-genre mash-up. And while its sci-fi elements are certainly clever and function as a gateway into countless new ideas for the franchise, it would be disingenuous to avoiding highlighting the elephant in the room. Those seeking a truly bloody and scare-filled horror sequel will walk away utterly disappointed. It feels as though Landon’s follow-up feature includes a new “whodunit” murder mystery out of obligation, failing to pay this subplot the attention it deserves and, instead, transforms the film into an otherwise interesting sci-fi comedy. As a result, Jessica Rothe’s character is given a substantially larger platform, and this widened lens dives deep into her psyche which helps raise the emotional stakes. The young actress embraces the opportunity with a smooth delivery that helps sustain this shockingly effective sequel. Happy Death Day 2U may not be the film you’re expecting to see, but it’s another remarkably worthwhile effort from Christopher Landon that expands on its original story with an innovative twist that rivals its predecessor’s creativity. So just sit back, relax, and enjoy.

GRADE: 3.5/5

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The horror genre meets Groundhog Day in Christopher Landon’s engaging new effort, Happy Death Day. We’ve seen this repetitious formula filter into the sci-fi/action genre with 2014’s The Edge of Tomorrow, and it feels like such a natural fit for scary movies, making Happy Death Day‘s premise on odd combination of both familiar and original storytelling. But despite the film’s creative foundation, the manner in which everything pieces together is less that satisfying.

When sorority queen Tree Gelbman (Jessica Rothe) wakes up on her birthday in the dorm room of an underclassman named Carter (Israel Broussard), she instantly regrets all of her previous night’s decisions. Yet, little does Tree know that Carter may be the only person on campus she can actually trust. As Tree continues on with the rest of her day, it ends in a grisly murder at the hands of a determined killer sporting a mask of the university’s mascot. And when she awakes to the same morning routine in Carter’s dorm room, she quickly finds herself forced to relive the day over and over again until she can correctly identify her killer.

Happy Death Day is short on scares and gore, evident by its limiting PG-13 rating. For an idea as clever and death-filled as this one, the film is sorely mishandled with its tame and subdued demeanor. Instead, Christopher Landon and writer and Scott Lobdell deliver a more teen-centric and fun endeavor than a truly horrific one. And as Tree falls victim to her mysterious killer over and over again, she gains a newfound perspective on life that helps transform a once cruel and superficial sorority sister into a more grounded and introspective young woman. This nice and pretty little bow that’s tied to Happy Death Day‘s main character is certainly gratifying, yet a head-scratching journey to unlocking Tree’s killer is riddled with red herrings and plot holes. While some of the story’s misdirection works well in the moment, the most notable twist is in many ways unforgivably bad. Happy Death Day proves to be another immature horror effort that squanders an otherwise creative premise. Thankfully, a brisk pace and likable main characters allow Christopher Landon’s latest to be, at worst, a tolerable experience.

GRADE: 3/5

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“I’m a little technologically inept,” she tells me, referencing her lack of social media presence.

“And you were in a sci-fi movie?” I ask her, bewildered.

“I know, right? I’m the worst geek ever.” A ball of enthusiasm and energy, Colorado-native Jessica Rothe stars in the now-buzzing indie sci-fi movie Parallels, available now for streaming on Netflix and for iTunes and other VOD platforms March 31. She also does not have a Twitter account.

I need to mention a little off-topic how much I love Geekscape and our community. My review for the film gave the site massive traffic and our comments activity had never been higher. You guys even started your own petition to get the pilot-turned-movie back on track to series. I happily signed it, and I hope we can continue to explore the bizarre world Parallels created.

While director Christopher Leone has told us directly that Parallels might continue and is working hard behind the scenes to ensure that it does, if Parallels remain just as a film then what a film we have. Among the characters we follow for its runtime, there stands Beatrix. Her world has passed her by, and just as she seems to get her feet planted, away she’s tossed into different Earths before she even had the chance to say otherwise.

Awhile back I sat down with Jessica Rothe about the film, her hopes for the potential series, and how she could be a sci-fi writer in the making.

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Let’s kick this off right and get to know you, Jessica Rothe, better. What do you geek over?

Jessica: I love, love love reading. My boyfriend recently introduced me to graphic novels, which I had never really read before. I’ve been reading the Saga series and things like that.

Very cool.

Jessica: I can totally begin to geek out over that. But I’ll read anything from To Kill a Mockingbird to 1984 and I’ll definitely geek out over some Bob’s Burgers as well.

So let’s talk about Parallels. What can you tell me about Beatrix in your own words? Adulthood has kind of started without her. Is there anything you found in her that you could relate?

Jessica: I think that I relate to Beatrix in the way that she’s extremely hard-working and compassionate person who, just along the way, things haven’t quite gone to plan but she’s learned to adapt and roll with the punches. And she’s finally worked so hard and achieved in getting into college, and not just college but into Harvard (Author’s note: It was actually Princeton, but I don’t think it’s that crucial, do you?) and then her life takes an unexpected twist and she has to kind of figure out how that fits into everything.

I can definitely relate to working really hard towards something and then having the world kind of say, “Oh, just kidding! You’re gonna go in a different direction.” And kind of having to figure out how to use that to your advantage. And yeah, kind of that reconnecting with a long lost sibling and learning how to be a family again, I think it’s a really interesting journey.

In your interpretation, how do you think Beatrice feels about her relationships to her companions? What do you think her dynamic with her estranged brother is really like? How do you think she sees Harold?

Jessica: With Ronan, I think it’s kind of like when you go away to college and you come back and you’re this brand new person but everybody at home is treating you exactly the same. And that’s really frustrating, because you want them to see you and respect you as this new person. [So] Ronan comes back and still really views Beatrix as his little sister, but Beatrix has been the one to grow and stayed home to hold down the fort. So there’s an element of frustration and anger and feeling abandoned. But I think she’s also very curious who this new person is, this brother that she hasn’t seen in such a long time.

And with Harold, [laughs] I think in this world Beatrix has such great affection for him and love for him, but I think that he’s that guy she’s never even considered. I think that every time that her brother so clearly sees that he’s [Harold] interested, I think it’s the kind of situation where it’s, like “Oh, no no no, he’s just my friend!” She tends to nearly justify his interest in her as just being friends, whether it’s because she isn’t ready to look at their relationship as more than that or just that she’s clueless in a way that girls can be. [laughs]

So Parallels might go to series, possibly. Is that true?

Jessica: Yeah, which would be so exciting! For me, what’s so exciting about [Parallels] becoming a series is that I think the audience gets a taste of what’s in store for them, like three-fourths into the pilot when we begin to see versions of themselves pop up and you kind of get that … sick little joy [from them] in wondering how many different versions of themselves they’re gonna run into and the conundrums that the characters are gonna fall into.

I know that the viewing that I saw when that started happening, the audience really became engaged … because it’s so exciting to realize the potential for what it could mean. How big this world could be.

I think with infinite Earths, it’s gotta be pretty huge.

Jessica: Yeah! [laughs]

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About Polly, Constance Wu’s character. Do you think Beatrix trusts her in any way?

Jessica: I think Beatrix is pretty wary of her. I think Beatrix is a trusting person and wants to trust her, but I think that there’s just something in her gut that she’s not quite sure how she feels about her. [laughs] And she knows something is a little off because I think Beatrix is also really intuitive. I think the difference between her and Ronan is Ronan has an impulse and acts upon it, but Beatrix is more likely to kind of sit back and watch, and kind of determine how she’s going to proceed.

So I think with Polly, she’s probably the most likely to pick up on the oddities that keep on happening and kind of tracking it. And I mean, I don’t know because who knows where the show will go, but I wouldn’t be surprised if Beatrix was the one who figures it out unless Harold, like, walks in on them accidentally.

That’d be a hell of a moment.

Jessica: Yeah! [laughs]

Should Parallels go to series, what kind of adventures would you want Beatrix to go through? The character arcs in the film were kind of unfinished because of the cliffhanger ending, but where do you think Beatrix will end up in the theoretical first season?

Jessica: Oh my goodness. That’s an amazing question! I really hope for Beatrix that she finds peace with whatever they learn about their parents and that there’s some sort of closure for her about their family. I really think that so much of what’s motivated her for her whole life has been trying to repair the damage that was caused when the family broke apart, and finding that wholeness would really feel good to her.

I also hope that she, in one of the Earths, she gets to go to Harvard. She kind of gets to fulfill her dreams in that way and gets to feel like she has a place in the universe where she belongs. That’s what school represents to her, it’s feeling like she has a purpose and feels like she’s going somewhere. She has a use. If this journey gives her that, then I think that’s a really exciting element for her.

I’m also really excited to see how all of the characters continue to adapt. The fact that they’re consistently changing, I think that’s one of the most exciting things about the show. It’s that you put four characters who you begin to know very well in various situations and that you watch them have to figure it out. And whether they fail or triumph, and kind of all of the wonderful and horrible and funny and heartbreaking things that happen along the way with that.

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Fun question: What kind of alternate realities would you like to see? What kind of Earth would you like to see? Like, “I wish XYZ happened instead.”

Jessica: Oh my gosh. I mean, I think an Earth — and to keep it just one answer, would be an Earth where slavery and people using each other wasn’t ever thought of.

Oh, wow.

Jessica: An Earth where people were just equal on all terms. Although with human nature I don’t even think that’s possible and I don’t know how it’d work out. But I think a fun one, I think it would be interesting to see one where humans decided to live underwater.

Wow, so like an Atlantis?

Jessica: All of the communities, underwater. That would just be completely different.

You should be a science-fiction writer.

Jessica: [laughs] Maybe you can help me. If they pick up the show you can give me a writing credit.

While we hope Parallels succeeds so we can see more of you and the rest, can you tell us any future projects you have in the works? I saw your IMDb, you have like five movies coming out.

Jessica: I do! A film I did two years ago with my really, really wonderful friend Hannah Murray, it’s screening in LA [soon]. We were just at the TIFF New Wave festival where the film premiered, and so I get to see Hannah again. As for the rest of them, I have no idea when they’re gonna come out. The Preppy Connection, which was an amazing, amazing film I did with Thomas Mann, Lucy Fry and Logan Huffman is going to come out [soon], I think they’re looking to finish the edit this month.

The crazy thing is, I come from a theatre background and I’m so used to knowing what my timeline is. You perform for four months and then you’re done, but with film I do what I do on set and then it’s out of my hands. So I have no idea when I’m going to see it! [laughs] But I’ve been very blessed to work on many different projects with wonderful people.

Parallels is now streaming on Netflix and will be available for other VOD platforms March 31.

While watching Parallels, there was a moment where my boredom of its modern sci-fi cliches turned into fascination, and my fascination turned into genuine suspense. In the first act, I hated everyone I was watching on screen. Not because of their moral fiber, but because they felt wooden. By the end of act two, I was rooting for all of them.

From director Christopher Leone, Parallels is an inventive, funny sci-fi romp that will piss you off because it ends on an incredible high note with a promise for more. In its climactic last few minutes, Parallels overcomes all limitations indicative of genre shows like it that snarky viewers regularly poke at and exhibits an incredible, epic scope that could make it a future sci-fi classic. But like my dad saying he’d bring me to a Yankee game, it will be a promise that will go unfulfilled.

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Ronan (Mark Hapka) and Beatrix Carver (Jessica Rothe) are estranged siblings reunited by a phone call from their elusive, secretive father Alex Carver (Yorgo Constantine). Joined by goofy friend Harold (Eric Jungman, you’ll know him as that guy from Not Another Teen Movie), they explore an abandoned, graffiti-laced building that serves as a conduit to parallel Earths. At 36-hour intervals, the building “jumps” to another Earth, the planet changing societies and histories right outside the window. Later joined by a mysterious woman from another Earth, the wise-cracking and oddly seductive Polly (Constance Wu, in a show-stealing performance) Ronan and Beatrix seek to find their father before the crazed Tinker (Michael Monks), a survivor from another Earth that underwent a nuclear holocaust caused by Alex, exacts his revenge

This website has “geek” in its very name so I’m safely assuming you understand the idea of parallel universes. It’s like DC’s Crisis on Infinite Earths, except no one here wears spandex. But that’s the crux of Parallels: exploring wildly different Earths where maybe it was bombed to shit, or Google is called Shmoogle, or are exactly the same as ours “except for one less mosquito.”

There’s an unknown, infinite number of Earths and if you think exploring them would make for a great TV show, you’d be right! Parallels was created as a television pilot, but Fox Digital Studios morphed it into a stand-alone movie. Knowing this and seeing how the “film” ends is maddening, because the very premise lends itself to something larger than just a 90-minute genre movie. Every character’s arc, however interesting or boring you may find them, is left unfulfilled and unfinished. The cliffhanger tease left me breathless and wanting more, and I nearly punched my TV in a futile rage. Knowing Parallels was a TV pilot leaves me unsure if it helps or hurts enjoying it.

But you should view it! It’s worth watching for the performances alone, which take a 180 turn as it enters the second act. The first act was nauseating, where cliches are hit like Guitar Hero notes. You know what conventional roles they fulfill and they’re boring until Polly enters the party. Kudos to Ms. Wu, her presence alters the chemistry and she practically show-steals the whole movie. Her sharp comedic timing that you see on Fresh Off the Boat is on full display in Parallels, and she has the most laugh-out-loud worthy one-liners. If there’s literally any reason to watch Parallels, it’s so you can see a little more Wu if you’re caught up on Fresh Off the Boat.

That’s not to discount movie leads Mark Hapka, Jessica Rothe, or even Eric Jungmann either. In the first act this gang is boring — or in Jungmann’s case, annoying — but as performers they remain grounded and believable throughout and they soon win your affection. Ronan is a typical, white-guy brooding loner seen in thousands of other movies, but Hapka gives him weight and even peppers him with some great moments of comedy. Ditto for Jessica Rothe, who plays Beatrix well with enough subtle laughs that will make you chuckle.

Eric Jungmann as goofy friend Harold starts out exactly to fill that role: the goofy friend. And roll your eyes you will. But towards the end of the film, Harold becomes a real champ after a wonderful character moment that wins your heart.

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I can’t talk about the ending enough. I just can’t. Gripping, visceral and ending on a real intense crescendo, however bored you may be of Parallels you will flare with anger by the end credits because you are not getting more. I ask again, does knowing it would have been a TV series help or hurt Parallels?

Parallels is worth watching for many reasons, not the least of which is the promise of what could have been. I’ve written on this site before that roads less traveled are always fascinating to me, and Parallels almost being a TV show makes me wonder what episode two and three and four would have been like. It’s almost eerie how easy you can imagine it too, as the film’s cinematography and direction looks straight out of a FOX serial drama. Leone’s direction nor the film’s photography are exemplary or inventive, and as a film the efforts almost come off as lazy. But as television, it works. Imagine that FOX channel watermark in the corner and you get the picture.

As a stand-alone film, Parallels disappoints. It has a rough start as a low-budget, cliche sci-fi with not enough action to satisfy, and the cliffhanger ending feels cheap and uninspired. But framed in your head as a true TV pilot and I would bet my life savings you would be scheduling Parallels on your DVR if you could. You will love the characters and the questions left unanswered make you want more.

Parallels as a movie gets 2 out 5 stars. Parallels as a theoretical series gets 100 out of 5 stars. Petition to make this a Netflix-exclusive series? Sign me up.

Parallels is available for streaming now on Netflix. It will be available on all major VOD platforms March 31.