Analog Jones continues with week three of TarantinOctober with our Pulp Fiction (1994) VHS Movie Review!

Quick Facts
Directed by Quentin Tarantino
Written by Quentin Tarantino
Produced by Lawrence Bender
Story by Quentin Tarantino and Roger Avery
Starring: John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim Roth, Amanda Plummer, Maria de Medeiros, Ving Rhames, Eric Stoltz, Rosanna Arquette, Christopher Walken, Bruce Willis

Production Companies: A Band Apart, Jersey Films
Distributed by Miramax Films
Released date: October 14, 1994
Budget: $8-8.5 million
Box Office: $213.9 million

Pulp Fiction (1994) VHS Movie Review
Pulp Fiction (1994) VHS Box

VHS Description
“The Year’s #1 Movie!”
—People Magazine —Time Magazine —The New York Times —Entertainment Weekly

Critics and audiences worldwide hailed PULP FICTION as the star-studded motion picture of the year! Writer/director Quentin Tarantino (Academy Award Winner — Best Original Screenplay) delivers an unforgettable cast of characters — including a pair of low-rent hit men (John Travolta and Samuel L. Jackson), their boss’s sexy wife (Uma Thurman) and a desperate prizefighter (Bruce Willis) — in a wild mix of explosive action and wickedly funny humor!

Pulp Fiction (1994) Bad Motha F*cker
Pulp Fiction (1994) Bad Mutha F*cker

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In an era full of reboots and remakes, chain reactions often open the door for classic characters and beloved films to make a return to the big screen. Inevitably, 2014’s $500 million worldwide box-office smash, Godzilla, ultimately paved the way for The Kings of Summer director, Jordan Vogt-Roberts, to reintroduce the world to King Kong. And with an infusion of energy and some fresh new ideas, we’re given a version of Kong that we’ve never seen before.

A pair of scientists (John Goodman and Straight Outta Compton‘s Corey Hawkins) piggy-back on an expedition to an uncharted island in the Pacific where they sense some strange occurrences are taking place. Escorted to this dangerous and unknown territory by an Army helicopter fleet headed by a war-hungry Lieutenant Colonel Preston Packard (Samuel L. Jackson), an unexpected encounter with Kong sends the surviving few deep into the woods of this mysterious island. Forced to withstand attacks from multitudes of different monsters inhabiting the strange land, they all hope they can make it home and live to tell the tale of Kong.

Kong: Skull Island stands as a comedy-rich monster film with only one goal, to entertain the audience. From that perspective, Jordan Vogt-Roberts absolutely delivers the goods. The visuals are amazing and the footage of Kong leaves nothing to be desired. Nightcrawler writer and director, Dan Gilroy, pens a clever story surrounding an island full of new monsters that continues to surprise even as the running-time mounts. However, corn-ball dialogue purposely intended to deliver trailer-made one-liners masks a larger problem with the film. Gilroy lazily uses character interactions to explain the plot to the audience and progress the story. Consequently, Skull Island unravels as nothing more than a thoughtless popcorn flick guaranteed to generate gaudy box-office totals and propel a whole new franchise of films.

GRADE: 3/5

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Rare filmmakers have the tendency to eclipse the content of their work, both in style and public recognition. Quentin Tarantino arrived at that status long before he re-modernized the western-film genre with his 2012 all-around critical and commercial success, Django Unchained. Tarantino laces up his cowboy boots once again with his latest entry, The Hateful Eight, a film that almost never happened after Tarantino vowed to abandon the project when its script was leaked all across the internet. But despite his rigid and reactionary declaration, cooler heads prevailed and Tarantino returns to deliver another fine addition to his well-rounded filmography.

Bounty hunter John “The Hangman” Ruth (Kurt Russell) is transporting his prisoner, Daisy Domergue (Jennifer Jason Leigh), to the town of Red Rock, Wyoming where she stands to be hung for crimes committed. But when a blistering winter storm forces him and a band of untrustworthy fellows to take shelter in a stopover along the way, tensions begin to mount. And with a steep $10,000 reward on Daisy’s head, The Hangman will operate under any means necessary to ensure that he survives the storm and that justice prevails.

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The Hateful Eight surfaces as another rare and bold story from an Oscar-winning mind unlike any other. This time around Quentin Tarantino uses a western backdrop as a bit of an homage to the classic stage play. The film incorporates an exceptionally-timed intermission to divide Tarantino’s newest irregular story into two fully different subsections. The first of which is used as an introductory to our eight mysterious characters. But throughout the second half of the film, the characters reveal their true colors culminating in a bloody and gruesome showdown that’s to be expect from Tarantino. As always, it’s the film’s absorbing dialogue and the director’s keen eye for camera work that turns a nearly three hour story into a wildly engaging thrill ride. The Hateful Eight never tries to mask a valuable life lesson or tell some profound, insightful message. It’s an experience created simply to entertain, and it achieves that with unburdened ease.

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Despite the feature’s stylish successes and Oscar-caliber screenplay, The Hateful Eight reveals a few weaknesses. For starters, the cleverly implemented intermission is a foregone necessity. Without this brief separation from the story, The Hateful Eight would have been a far less enjoyable one-sitting watch. Furthermore, Tarantino has long ditched the normal tendencies of screenwriting. As a result, this time around he decides the characters are of much less importance than the wildly epic tale he aims to construct. Consequently, any strong emotional attachment to the movie is out of the question. Instead, the audience is expected to sit back, relax and enjoy the twisted and perverse concoctions of a storytelling genius.

Quentin Tarantino’s latest effort falls shy of his highly regarded, Django Unchained. However, The Hateful Eight is still a strong piece of filmmaking in its own right. Tarantino continues to deliver superb direction in support of a brilliantly crafted set of characters brought to life by a gift team of performers. Even if Jennifer Jason Leigh stands as the most likely cast member to receive an Oscar nomination, it’s Samuel L. Jackson who steals the show with an onslaught of hilarious one-liners. You should expect to literally laugh out loud, a lot. And if you can stomach another gory finale from Tarantino, then The Hateful Eight is something you should savor.

GRADE: 4/5

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Quentin Tarantino’s eighth theatrical release is almost upon us, and the folks over at the Weinstein Company have just released the official trailer. It oozes with style, energy and an aesthetic that has me excited as hell. Check out The Hateful Eight below!

https://youtu.be/6_UI1GzaWv0

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Russell) and his fugitive Daisy Domergue (Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Roth), the hangman of Red Rock, cow-puncher Joe Gage (Madsen), and Confederate General Sanford Smithers (Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…

The Hateful Eight hit’s select theaters Christmas day, and you can catch it EVERYWHERE January 8th 2016!

The trailer for The Hateful Eight premiered today, and it looks awesome. The visuals of the snow covered mountain backdrop is just stunning. Coupled with witty Tarantino dialogue, we should expect some good times. At first glance I visually saw a cross between Reservoir Dogs and the training montage from Django Unchained.

https://www.youtube.com/watch?v=gnRbXn4-Yis

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Russell) and his fugitive Daisy Domergue (Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Roth), the hangman of Red Rock, cow-puncher Joe Gage (Madsen), and Confederate General Sanford Smithers (Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…

Are you excited for Tarantino’s next feature? Let us know down below.

‘The Hateful Eight’ premiers in select theaters on Christmas Day. Nationwide on Jan. 8, 2016.

While all of the industry’s attention is focused on the fast-approaching Academy Awards showcase airing next Sunday night, February 22nd, a sleek and wildly engaging action extravaganza appears to be slipping under the radar. Based on Dave Gibbons and Mark Millar’s 2012 spy-centered comic book series, Kick-Ass and X-Men: First Class director, Matthew Vaughn, unleashes Kingsman: The Secret Service nationwide beginning this Friday. And if you’re seeking a crowd-pleasing popcorn flick over this Valentine’s Day weekend, then look no further than Kingsman.

When a secret spy organization known as the Kingsmen seek out a replacement agent, the veteran member Harry (Colin Firth) stumbles across Eggsy (Taron Egerton), the son of a former agent who saved Harry’s life. Although Eggsy has grown up in a rough neighborhood and attracted the attention of local police, under the tutelage of Harry he begins to realize his own potential. But while Eggsy tries his best to out-duel the other highly qualified candidates for the position, a sadistic technological mastermind named Valentine (Samuel L. Jackson) puts a plan in motion that threatens the entire world.

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For as off-the-wall and crazy as it is, Matthew Vaughn’s Kingsman is an enjoyable ride. The film flaunts its well-earned R-rating with brilliantly choreographed and stylishly-violent action sequences that never lose their flavor. Channeling its inner James Bond, Vaughn’s espionage-adventure features Academy Award winner Colin Firth as a classic gentleman who you wouldn’t want to provoke in a bar setting, or anywhere for that manner. Simply stated, Firth makes for an excellent choice, but it’s newcomer Taron Egerton who emerges as the film’s brightest spot. The youngster is both charming and exquisite in the role of a street kid-turned-spy extraordinaire. Egerton delivers an eye-catching performance that not only solidifies Kingsman as a worthwhile feature, but also shines the light on this blossoming star.

king2

As someone who admittedly knows nothing about the film’s original source material, there was obviously an influx of characters and events that Kingsman refused to ignore. Consequently, the feature’s 129 minute running time feels like a marathon at multiple points throughout its duration. However, well-timed jokes and phenomenal fight scenes make the lulls completely worth it. One unforgivable aspect, though, resides in a huge plot hole surrounding Valentine’s crafty female assistant. Without giving away any spoilers, she somehow manages to avoid catastrophe like everyone else in her similar situation during a pivotal moment in the third act. But despite this obvious blunder, Samuel L. Jackson’s speech-impaired villain is hysterical enough to wash away any sour taste this inconsistency brings.

I ventured to my advanced screening of Matthew Vaughn’s Kingsman: The Secret Service with mild expectations and left the theater pleasantly surprised. The humor was legitimate, the acting was spot-on, the story was effective and the action was very tasteful. All of these ingredients blend together extremely well in Vaughn’s successful contemporary spy adventure, Kingsman.

GRADE: 3.5/5

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Briefly: We all received a fantastic treat late last week when the first trailer for Marvel’s Avengers: Age of Ultron leaked online, DAYS before it’s scheduled launch on last night’s Agents of S.H.I.E.L.D.

Marvel blamed it on Hydra, which was a hilarious and lighthearted way of looking at the leak. Not wanting to leave any of us S.H.I.E.L.D. fans hanging, the studio attached a special look at the film on last night’s episode. If you we’re lucky enough to be in Hall H at SDCC this past Summer, than it’s nothing new for you, but it’s exciting to see the scene online and official.

It’s also fantastic to see the look on Thor’s face when Cap almost lifts the hammer, and now we can see it over and over and over again. The rest of the video is pretty much the trailer we’ve already seen, but I’m not going to say no to watching that one again. Take a look at the video below, and let us know if you’re excited!

Avengers: Age of Ultron hits theatres on May 1st, 2015.

LITERALLY NONE OF THESE WORDS MATTER. THESE ARE JUST WORDS. WHAT YOU WANT IS BELOW. But play along, please?

Earlier tonight the the much-anticipated Avengers: Age of Ultron trailer was leaked online. It was supposed to air during next week’s Mavel’s Agents of S.H.I.E.L.D. But because this is 2014, of course it didn’t! After a pretty amusing, self-deprecating tweet, Marvel has decided “eff it, let’s just do it.” The trailer is now on their official YouTube page, in crystal clear high-definition.

The trailer has all the neat stuff I kept hearing about from San Diego Comic-Con this summer. The Hulkbuster, an Avengers party, Ultron himself. It’s all really neat.

My favorite part, though, is what James Spader’s Ultron (and it’s so unmistakably him) says in the trailer: “You want to protect the world. But you don’t want it to change.” There is an ongoing, neverending debate that I love getting into about the true nature of superheroes. As protectors of the status-quo, what is their role when the world needs changing? Not that I expect Age of Ultron to be political in any shape or form, but the movie (I hope) will continue to change the superhero genre and begin to ask questions we, the dedicated superhero nerds who hold up this art to a higher level than most, might be uncomfortable to answer.

The Avengers: Age of Ultron will be released in 2015 and it will make so much money.

One of the awesome benefits of attending a convention is getting a sneak peak/extended look at upcoming projects. One such project that was announced at WonderCon was The Secret Service starring Colin Firth and Samuel L. Jackson (as the bad guy!). A nearly finished (rough cut) fight scene was screened along with a short trailer. The scene consisted of Firth talking to a young man in a bar when they are rudely interrupted by a group of troublemakers. Firth gets up but instead of leaving he takes on the entire gang by himself! It was AWESOME! Academy Awarding winning Firth is not known for action films so this scene was a big surprise.

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The Secret Service is based on Mark Miller’s (writer of Kick-Ass) comic book of the same name. The film will be directed by Matthew Vaughn who directed Kick-Ass and X-Men: First Class. I would say the film is in some good hands. Firth is a veteran agent who brings in a young man, in whom he sees great potential.

secretcomic

The style of fighting does have that over-the-top Kick-Ass vibe. Parts were in slow motion which gave you a cool perspective and contributed to the comic book style. Did I mention Firth also fought the gang using an umbrella? Yep. This reminded me of the film Gothic & Lolita Psycho (2010) where the female protagonist uses an umbrella as a weapon as well (though I doubt many people saw this film). The film also reminded me of The Avengers; no, not that one. I am referring to the 1960s TV show and 1998 film.

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secretoldandnew

All that being said, I was blown away by the footage. I had heard nothing about the film before WonderCon and now I am excited to see it! Unfortunately, a trailer has not been released yet, but be on the look out. The film is scheduled to be released in late October this year.

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Anime does not often translate well to live action movies/TV shows but that does not stop filmmakers from trying. The most recent adaptation will be Kite (the anime pronounces it “key tay”); an extremely violent story of an orphaned girl who becomes an assassin. At the panel, it was revealed that the movie will be a more mainstream version though they plan to keep the graphic violence. One of the film’s producers, Brian Cox, said, “There are lots of things in that anime that we couldn’t do”. He was referring to the sex and certain action scenes. However, Cox went on to say that they wanted to “stay true to the feel of the anime…the tone.” The cast and crew on the panel all seemed to be familiar with the anime and enjoyed the source material. At least they did their homework.

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From left to right: India Eisley, Callan McAuliffe, Ralph Ziman, Moises Cosio, and Brian Cox

Now how do you make animated characters seem real and fleshed out? Director, Ralph Ziman, recalled that he, “liked the script…liked the way the actors breathed life into these characters.” Ziman felt the actors made these characters feel like real people. The star of the film, India Eisley, did extensive training for three months to prep for the action sequences. She might have had an advantage being that her dad is a black belt in Tae Kwon Do. She mentioned he helped out a little too. She said she enjoyed training in general and she “enjoyed the weapons training more than anything”. During a Q&A, one of the audience members wondered if the petite Eisley was able to handle the stunts. The director joked that she “knocked a couple stuntmen’s teeth out”. He then went on to tell a startling tale of how Eisley jumped off a moving bus when she was not supposed to but, fortunately, it turned out all right.

Eisley mentioned how her brother was worried about her doing the film but was relieved to learn not all of the content in the anime would be included. Eisley’s trainer gave her a copy of the anime and Eisley made sure to watch it because she “wanted to be familiar with it” but she also wanted to make full use of the script. Due to the violence, this will probably be an R rated film, but Cox felt it would not be a hard R rating. The film should be finished by early December and they are looking into US distribution by Christmas.

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The film was shot during a grueling six day a week schedule in Johannesburg, South Africa. Even though the city is a bit run down, it was perfect for this film and they were able to incorporate a lot of streets and rundown areas. They mainly chose the location for monetary reasons, but once they got there, they were blown away. Cox recalled that it looks like, “Mad Max in reality.” Ziman added how the city was a melting pot of cultures and styles. Eisley pointed out that it “looks like it could be anywhere.” The film is set in a world not too dissimilar from our world today; a dystopian near future. The trailer definitely had that feel to it. The look is high contrast yet de-saturated colors. Eisley’s character wears colored wigs which radiate on the screen. One other item belonging to the character that fans might wonder about are the earrings. Yes, the earrings will be featured and they have included a back story for them.

The trailer/clips had gorgeous cinematography! The overall color scheme was dark tones, de-saturated but with some key vibrant colors (mainly her wigs). The action looked really good! The fx was bloody awesome; one particular scene involved a hand being shot. Her look is NOT like the anime at all. I felt it had more of an Alias vibe with the colored wigs. They wanted to avoid the school girl look because the actress already looks young. Ziman felt the wigs gave her more varied looks and ways to hide (she is an assassin after all). It was not a nod to French graphic novels.

Back to the violence because that is a big part of this story, Ziman mentioned the “comic book violence was definitely inspired by the anime.” Cox added that the “violence was enhanced by visual fx”. The trailer/clips showed some awesome violence and fx! I have watched and enjoyed the anime, and was impressed by the live action trailer/scenes. Why did this particular anime get chosen for a real life reboot? Cox explained it well by saying the anime “seemed like the most outrageous property and that was what was attractive about it”. Cox also said that he is generally a fan of the author’s work (Yasuomi Umetsu).

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The Professional is a successful film and Hanna did pretty well at the box office (including world wide box office numbers). Colombiana does not quite count (though there are many similarities) because she is an adult for a majority of the film. Maybe audiences enjoy the little female assassin story line. American audiences do like violence in their action movies and Kite appears ready to deliver. Will fans of the anime be disappointed yet again by another adaptation? It is hard to say. As I said, I watched the anime (I own it actually), enjoyed it, and I was rather impressed by the live action trailer so I will definitely be checking it out when it comes to theaters.

Currently there is no official web page for the film but the panel mentioned that it should be up by the end of the year. There is a Japanese site currently available (if you can read Japanese).

The film, by the way, also stars Samuel L. Jackson!

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Jay Baruchel (She’s Out Of My League, Goon) is nearing a deal to join the cast of Robocop. He is one of the last major players to join the upcoming remake of the 1987 sci-fi flick. The film begins shooting this September with Joel Kinnaman, Hugh Laurie, Samuel L. Jackson, Gary Oldman, Abbie Cornish and Jackie Earle Haley already in the cast.

Baruchel will play the head of marketing for Omnicorp, the company that is building the police cyborg. While best known for his roles in comedic movies it is definitely not his first non-comedic role. So far this film is off to a really good start.

Source: THR

Reports are coming in that Jackie Earle Hayley (Watchmen) has signed up for the Robocop remake. His character goes by the name of “Maddox” and he will have the vital role of supplying Robocop with military training. That adds yet another name to an already impressive cast. This movie is shaping up quite nicely and is definitely on my anticipated list.

Source: Deadline

You don’t understand how excited I am for this movie. And the cast? It just keeps getting better and better with each announcement. With only a few months until the film begins filming TheHollywoodReporter is reporting that Hugh Laurie (‘House’) will be joining the cast as the villain of the film. Laurie will play the evil and ultra-rich CEO of Omnicorp, the company that makes Robocop.

So…let me get this right. We have Joel Kinnaman (‘The Killing’), Gary Oldman (‘The Dark Knight’), Samuel L. Jackson (Too many movies to name), Abbie Cornish (‘Sucker Punch’), Hugh Laurie with rumors of Edward Norton and Sean Penn…and you’re still not excited?

With an impressive cast this is one reboot that i’m on the edge of my seat waiting to see.

Dead or alive…’Robocop’ is set to hit theaters August 9, 2013.

Rumor warning! This is not confirmed.

SuperHeroAuthority is reporting that we may just see the 35 minute longer ‘Directors Cut’ being released into theaters this summer in an attempt to knock ‘Titanic’ and ‘Avatar’ off the top of the hill.

“The Avengers is sitting comfortably at No. 3 overall on both the domestic and International ticket sale charts but it seems both Marvel and Disney desire the No. 1 overall spot and a current rumor says they could be contemplating releasing The Avengers: Director’s Cut in theaters at the end of this summer.

Please remember this is from a ComicBook.com post and another Hollywood source who has heard this rumor and told SuperHero Authority this is a possibility but nothing has been confirmed to actually happen. Marvel and Disney have not said anything regarding this new rumor as well.

So, while this is a major rumor…I would definitely not rule it out as a possibility. Especially because of the fact that most of us have seen this movie at least 2-3 times already. Would we most likely assemble again with that additional 35 minutes of footage? Definitely.

And what comic fan wouldn’t love to see ‘The Avengers’ hit number one?

So, last week I told you that Gary Oldman was joining the cast of Jose Padhilas remake of ‘Robocop’. And in the past we’ve reported that Joel Kinnaman was playing Alex Murphy and that there were rumors of Edward Norton and Sean Penn also being involved.

If those cast members weren’t enough to get you excited… let’s add another name to that cast list. According to The Hollywood Reporter Samuel L. Jackson will be joining the cast as Pat Novak, a charismatic media mogul and a powerful force in the Robocop world.

Dead or alive ‘RoboCop’ is set to hit theaters August 3rd, 2013.