Ultimate Fakebook’s Bill McShane has been a friend for a long time… so why hasn’t he been on Geekscape already to talk about his awesome band? Well, maybe because that band hasn’t put out a new album in 16 years! But that all changed last month with the release of Ultimate Fakebook’s ‘The Preserving Machine’! Bill arrives on the show to talk about the influences that went into the album, how it’s the closing of a chapter in the Ultimate Fakebook story and why they would never have turned down shows with The Descendents! Along the way we talk a little emo history, I put my next haircut in the hands of the viewers and discuss how destructive we were as kids! Enjoy!

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Chris DeMakes is the lead singer and guitarist for Less Than Jake, one of my favorite bands… and now he’s a Geekscape guest! I went down to Hermosa Beach this week to talk to Chris before his solo show and we got into a fantastic discussion about Less Than Jake, making a life and career out of music, the ups and downs of the last 30 years, battling public perception and a ton more! Along the way, Chris talks about his upcoming book, Less Than Jake’s upcoming album and playing solo shows over the past few years! I also tell you about my brief exchange with Quentin Tarantino this week, catch you up on some exciting Geekscape news and declare that the Coronavirus will NOT kill me! Not today, Coronavirus! Enjoy!

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It’s been a long time since Chris Fafalios of Punchline has been on the podcast (unless you count his involvement in the Geekscape theme song which is on EVERY episode)! And a lot has changed in the 10 years since. Punchline continues to put out albums, they’re finally touring the West Coast again and Chris has discovered his love of Pokémon, thanks to Pokémon Go! After a show in San Diego, we sit in the tour van and talk about our love of Nintendo, why Breath of the Wild might be our favorite piece of media ever and I explain why so far ‘Spider-Man’ on the PS4 might be the best game of 2018. Along the way we talk about making music, Punchline’s new album ‘Lion’ and lead singer Steve Soboslai drops by for a few! It’s always great to catch up with old friends as you’ll definitely hear in this episode. If you’re not a Punchline fan now, I hope this one does it for you!

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2016 has been a real crap year, so of course it needs to end with an equally crappy horror movie about an totally-unmasked killer stalking women to kill as midnight rings in each timezone! That’s right, the boys are ringing in the new year with 1980s New Years Eeeeeeeeeeevil. This film is what you’d imagine a quaalude nap at Studio 54 felt like, though there would’ve probably been a ton more nudity there too, so really, that’s a lame example anyway. Nevermind, we have eeeeeeeevil to discuss, so if you’re really eeeeeeeeeevil, put on your best Christmas-ribbon dress, slap some rouge across that eeeeeeevil face, and LISTEN. TO. THE REPLAY on the first Horror Movie Night of 2017!

Feel free to join in discussion at on our Facebook Group or in the comments below.

Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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This week on Monday Music, we are checking out the video for Dead Heavens single Feel Low.

Dead Heavens are a New York rock band consisting of members with pedigree (Walter Schreifels, Paul Kostabi, Drew Thomas, Nathan Aguilar), and they all bring their unique sounds together.

Originally released back in February, Feel Low is the bands “latest” single. Released on 7″ vinyl, it’s sound reminds me of bands like Black Rebel Motorcycle Club’s retro punk aesthetic. I don’t think there is anyway to explain that without sounding as pretentious as I did.

What brought this song (and band) onto my radar was the music video itself. It was directed by Mega64 co-founder Derrick Acosta. Derrick has directed a few videos over the years from a handful of artists, Mrs. Magician, Keepers and Plateaus just to name a few. All of which evoke his unique approach to film making. You can definitely feel his “touch”.

Dead Heavens Feel Low premiers on Adult Swim this week.

Dead Heavens Official Site

Derrick Acosta & Dustyn Peterman Productions

Holy tomato, we’re heading back to the days of paper classified ads, genuine interest in music videos, and the seductive lure of satellite television! That’s right, we’re going intergalactic and eating everything with 1986’s TerrorVision. The French exchange student from Better Off Dead, the Wolfman from Monster Squad, and Beef from Phantom of the Paradise do their best to avoid becoming space monster poop, and the HMN guys do their best to find something, anything critical to say about this charming 80s time capsule. Now, mother’s going to make you take your pill so we can all enjoy Horror Movie Night!

Feel free to join in discussion at on our Facebook Group or in the comments below.

Do you have a movie suggestion for us or just want to tell us stories about your experiences with the movies we’ve watched? Send them to us at HMNPodcast@gmail.com

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This week on Monday music we go back, BACK to 1988 with Megadeth’s cover of the Sex Pistols hit Anarchy In The UK.

I think now, more than ever before, this song is fitting. Especially after last weeks vote from the UK.

The Megadeth version features changed lyrics to focus on the USA, but obviously maintains the original title. PLUS, you get to hear Dave Mustaines angelic voice belt out some classic lyrics.

So give it a listen while you watch the news! Keep the lyrics in your head when the US has their elections (Racist X Criminal 2016) and when the EU tries to keep the United Kingdom in it’s group.

This week Matt is joined by the band Danger Club. Together they discuss Taco Bell, Wilfred and how the band came to be. In the end they even play a song. Good times are had by all and hopefully you have a good time too!

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Veronica Batter was my old art-school teacher. After she was forced into resigning due to a disease which made her unable to work. Instead of giving up she started her own art center which opens this Thursday. 

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This week I sat down with Chelsea Christer the brains behind the The Matches documentary. We talk about what the band means to her, the way she got started in filmmaking and her Dr. Who.

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I’ve known Mike since 2004 when I first saw Rosetta perform in a bar basement. Since launching the podcast he’s been on the list of people I wanted to have on and while it took a little longer than expected it was a pleasure to sit down and chat with him. Check out their upcoming new album and tour this October.

The song playing during the intro is Master Vs. Master by Pterofractyl off their album The Missing Animal.

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Only on Weekends came over last month to record an episode that I’ve been sitting on waiting for their record release party next friday. I tell you this because we definitely talk about Wrestlemania XXX predictions (which was about 2 months ago). Only on Weekends is one of my favorite local bands so I was thrilled to have them on the show finally! Enjoy and check out their Facebook and Bandcamp.

The intro music contains the song Ocean City Windshield Punch from Facts

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I met Johnny Neutrino about a month ago when he played the first Chords for Cures show of 2014. We immediately hit it off with our mutual loves of comics, 90’s punk, horror movies and wrestling. I knew he had to be on the podcast. I hope you enjoy it and pick up their full length on Feb 23rd 2014!

This episode contains Doombots and Doing the Henchmen off Johnny Neutrino & The Secret Weapon’s upcoming full length. It’ll be available Sunday the 23rd ONLY on their bandcamp.

Keep an eye open on the TanoshiiCon website for Saint Mort Show Panels.

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It’s been seventeen years and two months since The Ramones played their final show in Los Angeles (“a real slap in the face to New York” as C.J. Ramone said) on August 6, 1996.  The line-up included Joey, Johnny, C.J. and Marky (along with appearances by Dee Dee Ramone, Eddie Vedder, Lemmy Kilmster, Chris Cornell and Rancid’s Tim Armstrong & Lars Frederiksen.

On October 6, 2013, drummer Marky Ramone’s Blitzkrieg stormed the stage at the Theater of Living Arts in Philadelphia, fronted by self-proclaimed King of Partying, Andrew W.K. (also a drummer who set the Guinness World Record recently for longest drum session – 24 straight hours).  There really hasn’t been a better frontman for this incarnation of the Ramones material since it was sung by the late Jeffrey Hyman. (And it’s worth noting, I always thought Andrew W.K.’s “Party Till You Puke” sounded extremely similar to Ramones‘ “Gimme Gimme Shock Treatment.”)  Dressed in all white (a contrast to everyone else on stage’s black shirt, black jeans, and black and white Converse Chuck Taylor All-Stars), he spent very little time engaging the crowd with needless banter (as a Ramones show should be handled), shouting out Marky once in a while, dedicating “Pet Sematary” to Steve King and musing, as they launched into “I Can’t Make It On Time” before the second encore, “You guys aren’t ready to go home yet are you?” to a thunderous explosion by a sweat-soaked, aging punk-rock, Philly crowd.

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When he’s not DJing, fixing up old cars or making his own pasta sauce, Mark Bell does session work, live drumming and plays some of the greatest rock songs in the world with his touring group Blitzkrieg.  And no one gives enough credit to Marky, the longest tenured drummer in the second-longest tenured punk band in history (only surpassed recently, I believe, by NOFX).  Many musical virtuosos may write off Ramones music, but few can actually play it properly.  Marky has stamina times a thousand to be able to play that thumping backbeat for an hour and a half with almost no break in between songs (minus the two extremely short intermissions before encores).

And many people don’t realize how hard Johnny Ramone’s relentless style of guitar playing is:  all down strokes.  This creates a wall of sound which is uninterrupted by unnecessary up strokes.  Playing Johnny’s parts in Marky’s Blitzkrieg tonight was Mark Neuman, guitarist for Sheer Terror and a product manager at Sony who looked a bit like Judas Priest’s Rob Halford.  I couldn’t find the name of the bassist, but he did a great job as Dee Dee (or C.J.) filling out the rhythm section and counting off the songs with that now infamous, “Onetwothreefour!”

The show was more about Marky and W.K. teaming up though.  Andrew knew right away that he would do this tour:

“When Marky Ramone asks you to be his singer, you don’t even think about it. It’s an automatic, YES. I was intimidated by the magnitude of the opportunity – freaked out and overwhelmed – but I was also completely determined and focused – it’s something I had to do. Even just the first rehearsal felt like an odyssey, but that’s how you can tell the experience is changing your life. I’ve never had a more rewarding, humbling, or challenging invitation than this, and I’m serving the gods via this incredible sound Marky and his band created. There’s never been better rock ‘n’ roll music made than this, and I will give everything I have to do it justice.”

And he certainly did.  While Joey Ramone was more adept to shyness at times, Andrew W.K. knows how to control a room, but did so in a very humorous and reserved way, knowing that he was not necessarily the main attraction.  It was the music that was the star this night, and the four-piece ripped through 30 Ramones originals, plus a few covers like Louis Armstrong, Tom Waits, Motörhead, Johnny Thunders & the Heartbreakers and Bobby Freeman (all covered by the Ramones at some point in their career).

It’s gonna be interesting to see the Ramones in the new “CBGB” movie which opens October 11, even if Jim Farber of New York Daily News calls it “a poorly written, clumsily acted mess.”

And while the Buzzfeed article, “23 Pieces of Evidence That Punk is Dead,” contains a ton a Ramones logo rip-offs by popular culture punching bags like One Direction, Justin Bieber and Fergie, it just goes to show that Ramones music is just as relevant as it ever was and more important today than many music snobs would’ve given it credit for in 1978 when Marky replaced original drummer Tommy.  Gabba Gabba Hey, pinheads!

Setlist:  (listen to the cloudcast here:)  http://www.mixcloud.com/aj-santini/marky-ramones-blitzkrieg-tla-october-6-2013/

 (played over loudspeaker):

It’s Time to Party (Andrew W.K.)

Perry Mason Theme

(Marky Ramone’s Blitzkrieg):

Rockaway Beach

Teenage Lobotomy

Psycho Therapy

Do You Wanna Dance (Bobby Freeman cover)

I Don’t Care

Sheena is a Punk Rocker

Havana Affair

Commando

I Wanna Be Your Boyfriend

Beat on the Brat

53rd & 3rd

I Don’t Want You

Now I Wanna Sniff Some Glue

Gimme Gimme Shock Treatment

Rock ‘n’ Roll High School

Oh Oh I Love Her So

She’s the One

Judy is a Punk

I Believe in Miracles

The KKK Took My Baby Away

Pet Sematary

Chinese Rock (written by Dee Dee, originally recorded by The Heartbreakers)

I Wanna Be Sedated

I Don’t Wanna Walk Around With You

Pinhead

(First Encore):

Do You Remember Rock ‘N’ Roll Radio?

I Just Want to Have Something to Do

I Don’t Want to Grow Up (Tom Waits cover)

Cretin Hop

R.A.M.O.N.E.S. (Motörhead cover)

(Second Encore):

I Can’t Make It On Time

I Don’t Wanna Go Down the Basement

My Brain is Hanging Upside Down (Bonzo Goes to Bitberg)

What a Wonderful World (Louis Armstrong cover)

Blitzkrieg Bop

(Exit music):

Party Hard (Andrew W.K.)

With all the booming new stores on this little thing called the internet, it can be difficult to sort through all the possibilities for purchase. So let Geekscape be your guide. In the traditions of old, we’ll help you figure out what to take to make it a little less dangerous.

So, ladies first! Etsy hosts a barrage of personal sellers, including repurposefulPUNK, a store that turned over-sized retro t-shirts into glam geek dresses and dolman style shirts. Shorts, Stormtroopers, and Tardises were also on display. Currently, the store is on hiatus, but if you head over to the link then you might be able to grab the very last of the original listings, or contact the owner for a possible custom order.

Shipping is speedy (though keep in mind the hiatus now!) and friendly, and there was even a little extra surprise when I ordered; everything you could ever want out of an online shopping experience. When she was in full business, Carmen was loose and easy with the discounts and sales codes: a true giver.

star wars dressMy suggestion? This vintage Star Wars dress, fashioned out of an old t-shirt and fitted with comfortable bands at the sleeves and hem. Owning one myself, I can verify that the production is top-quality and the dress sinfully comfortable to wear; the material hugs but is slightly stretchy, so I never felt like I was about to flash anyone, but it also doesn’t bag too much in the flattering areas.

When I wore it, I got photographed and highlighted in a “geek chic” article during Star Wars Celebration in Florida. I do find I have a slight problem keeping the sleeves to stay up on my shoulders all the time, but that could depend on how you wear it. Be advised, the neckline is pretty wide.

The best part about Carmen’s clothes, however, is the recycle value. With her “refurbed, reconstructed, recycled & redesigned clothing”, old articles that might have gone to waste get new chic life. It’s worth it to support that, as much as know you’re gonna look good geek-style.

So, go be one of the last ones on the block to own a repurposefulPUNK dress or shirt and stay safe out there, space explorers!

Episode 36 of the Saint Mort Show Matt sits down with long time friend and musician Andrew Emsley. Matt has been trying to get Andrew on the show since the very beginning but their schedules always conflicted it. It was also to finally get to discuss the various musician revamps Andrew has had over his career from vocalist of a praise and worship band, to a shitty creed style rock band, to an acoustic punk group, solo artist and dupstep dj. His ever evolving sound all stems from where he is in his life. If you’ve ever wanted to write and perform music Andrew has a great history of stories to tell.

 

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In 1995 a band came out of left field and became the favorite band of every elementary school kid that I knew. That band was the Presidents of the United States of America. Their massive hit song Lump became a song that everyone at Pennell Elementary would sing. When the follow-up single Peaches came out, their popularity only grew. They had somehow become a ‘kid’s band’, even performing on Nickelodeon’s Kids Choice Awards (which was weird since the opening track Kitty contains the lyric ‘fuck you kitty you’re going to spend the night outside’ chanted 3 times).

Their debut self-titled album sold over 3 million copies and received rave reviews. The band performed the theme song for The Drew Carey Show, had a decently received cover of Video Killed the Radio Star on the Wedding Singer soundtrack, were parodied by Weird Al and Bill Nye the Science Guy (and later Singer Chris Ballew performed the parody himself) but by 1996 their follow-up album II was a moderate success at best (Peaking at 31 on the Billboard charts) and by 1998 the band had broken up (the first time anyway).

What happened with this band and their former legion of fans? In honor of President’s Day I sat down and listened to their first two albums (Self-titled and II) as well as the rarities farewell album Pure Frosting to try to figure it out for myself.

 

PRESIDENTS OF THE UNITED STATES OF AMERICA (1995)

This is a solid album. I think most of the people who are reading this owned this album and already know it’s good so there’s not much of a reason to dwell too long on it. But there are a few key elements I wanted to cover about the band’s sound that made them so interesting to me 17 years ago (and still interest me today).

In the liner notes of the album, Chris Ballew is cited as the basitar player and guitarist Dave Dederer was listed as the guitbass player. I always just assumed this was a cute joke, but as I got older and started playing guitar I realized that the songs were very difficult to play so that they sounded just like the recordings (specifically songs like Dune Buggy and Back Porch) so I did some research.

These were not just cute names. Chris and Dave both played regular six string guitars, except Chris replaced everything with only two bass strings, meanwhile Dave’s guitar consisted of only 3 guitar strings. This innovation of the group helped create a unique sound that is simple to play (with the right instrument) but difficult to play on a regular six string guitar or four string bass.

Furthermore, re-listening to this album reminds me of how insanely talented of a drummer Jason Finn is. A few years ago I made a joke that Presidents of the United States sound like a less talented Primus and I still stand by this statement for no other reason that Jason Finn’s bizarre drum fills and percussion usage (specifically on the song Candy). He uses various bizarre drums much like Brain or Herb would in Golden Years of Primus.

Lyrically, the album falls into line with most alternative groups in the 90’s. Most of the album is either bizarre songs like Feather Plucking and Back Porch or songs about the expected failure of the band’s musical sounds (We’re Not Gonna Make It, Naked & Famous).

This is a solid album that should already be in your CD collection if you were between 10-15 in the mid-90s and never left the collection.

 

Presidents of the Unites States of America: II


So where did the sophomore album fail? It could be the opening track’s fault. It’s really not a good kick off track at all. It’s very clearly written to BE a kick-off with the title Ladies and Gentleman Part 1. Regardless, it’s only a minute and a half long and the next track Lunatic of Love brings us back up to what we expect from Presidents.

Volcano is exactly what we wanted out of the Presidents. It’s bizarre, but still catchy and fun. Sadly, the single didn’t fare as well as the second single off the album. Personally I think the group made a mistake releasing Mach 5 as their first single off the album instead of Volcano. While it’s a fun song, it’s not particular catchy and doesn’t even have a good melody line. I think that we’re already starting to see where this record went wrong.

All in all it’s a good album and a decent follow up to their self-titled, but it just doesn’t hold the same level of consistent quality as the debut. The biggest problem is that while the songs are all okay the album doesn’t really get great until track: 7 Bath of Fire (excluding Volcano which is probably the best song on the album).

It’s not the worst album of the 90’s or even the worst album of 1996 (Cannibal Corpse, Patti Smith, Quad City DJs and Def Leppard all released albums that year, take your pick). The biggest issue really is that despite the songs being fun they lacked the charm of their predecessor.

However, the album still received mostly good reviews but the sales just weren’t there (despite reaching gold status). After two years of touring, Chris Ballew quit the band to spend time with his family and the band disappeared with him. But they still released one last album together.

 

Presidents of the Unites States of America: Pure Frosting


Almost immediately upon hearing the first minute or two of the opening track Love Delicatessen I realize that had the Presidents had released these songs as their second album, they’d probably have had a longer and more successful career.

While the albums contains two covers (Cleveland Rocks, Video Killed the Radio Star) and two live tracks (Lump, Back Porch) and the rest are rarity tracks, these songs are all simply better than 85% of II. My favorite tracks are Mobile Home, Sunshine and Man (Opposable Thumb).

This album simply contains all of the fun and rock sounds that were missing in their second album. But it was the last album of the band’s career. Or so we thought.

After a two year hiatus/break up, the band briefly reunited for an album in 2000 called Freaked Out & Small where they began playing regular guitar and bass. They never toured after that and remained broken up until 2004 when the band has since made a full reformation (though with a new guitarist) releasing two new albums Love Everybody (2004) and These are the Good Times People (2008). Both albums were well reviewed and the band continues to tour, however none of their albums have made the massive impact that the original debut album did. Which is a shame. They truly were one of the most eccentric and innovative groups of the 90s and are worth giving a second chance.

When he’s not listening to bands that haven’t been relevant in over a decade Matt Kelly also hosts his podcast the Saint Mort Show, blogs at Pure Mattitude and tweets. He also can’t stop watching the Rocco’s Modern Life DVD he found at Walmart last week.