Rocker and famous partier Andrew W.K. is back with “You’re Not Alone”, his first studio album in 12 years. I was totally blown away by it and knew that I had to talk to Andrew about this incredible piece of art. Luckily enough, Andrew and I connected over Twitter and here we are! Over the course of our conversation, we talk motivation, depression, partying (of course), what it means to be successful, facing fears and being true to yourself! Yeah! There’s a lot to digest here so I hope you enjoy our talk! And go pick up “You’re Not Alone”, available right now!

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I’m just going to say it off the top: Jake Busey is really, really awesome. We welcome Jake onto Geekscape to talk about his new action comedy horror rock film ‘Dead Ant’ and talk a lot about classics like ‘The Frighteners’ and ‘Starship Troopers’ along the way. We also discuss growing up in a music family with his father Gary and his friends and Jake’s only early career as a musician and how growing up changed all that. Jake gives us some hints about his role in the new Predator film and gives a touching remembrance to both Bill Paxton and Tom Petty. Really, I found Jake to be a very smart, kinda and well spoken guy and loved having him on the show! Enjoy!

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This week on Monday Music we’ve got the first single from the 12th studio album from the legendary 311. Check out the video for Too Much To Think below!

This is all really surprising to me.

Personally, I’ve relegated 311 to a “dead band”. A punchline to a joke about milquetoast music. Never really exploring the band’s content, I almost dismissed the press release all together; I was just going to write up the new Weeknd music video instead. I stopped and thought “ehhh, lets just give it a chance”.

I was blown away. What the hell happened to 311?! This wasn’t what I remembered them as. I even went back and listened to some of their older work.

Too Much To Think is a tremendous single. It has a very “modern” feel: The production is tight, the lyrics feel like they could come from any Top 40 tropical house track, the instrumentals are vibrant and relaxing. I am getting this nostalgic feeling for a band that holds no nostalgia for me.

The band’s newest album, MOSAIC, is out this summer. I will definitely be getting my hands on it.

You can also check out their Summer 2017 North American tour info on their official website. They’re hitting up a lot of cities and festivals!

This week on Monday Music, we are checking out the video for Dead Heavens single Feel Low.

Dead Heavens are a New York rock band consisting of members with pedigree (Walter Schreifels, Paul Kostabi, Drew Thomas, Nathan Aguilar), and they all bring their unique sounds together.

Originally released back in February, Feel Low is the bands “latest” single. Released on 7″ vinyl, it’s sound reminds me of bands like Black Rebel Motorcycle Club’s retro punk aesthetic. I don’t think there is anyway to explain that without sounding as pretentious as I did.

What brought this song (and band) onto my radar was the music video itself. It was directed by Mega64 co-founder Derrick Acosta. Derrick has directed a few videos over the years from a handful of artists, Mrs. Magician, Keepers and Plateaus just to name a few. All of which evoke his unique approach to film making. You can definitely feel his “touch”.

Dead Heavens Feel Low premiers on Adult Swim this week.

Dead Heavens Official Site

Derrick Acosta & Dustyn Peterman Productions

It’s no revelation to regurgitate Friedrich Nietzche’s quote “Without music, life would be a mistake” at this point.  We know this.  The music geeks and audiophiles and song snobs all agree that there is music in everything, but the art form itself, from whatever genre cocoon it emerges, is transcendent.  This is the first installment in what, we hope, will be a recurring journey into musical discovery, both old and new, familiar and foreign, popular and underground (insert other applicable antonyms here to show mastery of written language).  Let’s begin with the new stuff.  While some of these artists may ring a bell, or currently be gaining radio airplay, others may not be so recognizable.  All the songs, I feel however, are enjoyable and possibly represent a future emergence by their creators.  Then again, we may never hear from them again.  Regardless, here are 90 minutes of suggestions to fill up dual sides of a blank cassette (or you can just listen to the pre-made Mixcloud mix linked at the bottom).  Links to their iTunes or Amazon stores are provided.  Please download responsibly.

Welcome to the first Geekscape Mixtape.  As Bob Dylan said at Newport:  “Play it fucking loud!”

Side A

1.  The Hot Sprockets   “Soul Brother”

This rock’n’soul blues quintet from Dublin, Ireland possess all the qualities that should begin a good mix.  They rock, they roll, they soul (?) and they get right to the point.  Their bare bones approach and effective minimal harmonies shake hips and nod heads.  “Soul Brother” will appear on their yet untitled forthcoming sophomore effort and if you’re not pounding the steering wheel or beating your thighs raw to the beat by the fifteen second mark, you’re either dead inside or deaf all over.

2.  Emily Bell   “Back to the Way I Was”

From her debut album “In Technicolor,” this musical theater veteran combines everything from the 1960s that defined a decade while redefining Texas pop soul for a new millennium.  This track may sound a bit melodically like KT Tunstall’s “Black Horse & the Cherry Tree,” but it sounds like everything that was missing from that track was given a defibrillator jolt of down-home electric Delta blues and then, just for fun, hooked the nipples to a car battery and cranked it to 11.  See why she was voted No. 1 artist to watch at SXSW 2013 here:

3.  Elastic Bond   “Pierdo el Control”

You don’t need to speak the language to find the groove infectious as this Miami four-piece proves on their album “Real.”  Combining folkloric rhythms, Latino tradition and classic soul (with a hint of electronic beats) to make a truly original sound vocalized through Honduran singer/songwriter Sofy Encanto.

4.   Flox   “Right Here”

“Doubts is the reason that I feel, darkness makes everything so unreal.”  This Parisian-based Englishman performs what some consider “nu-reggae-electronica,” (which is why I despise labels, because we get stupid combinations like that…)  The point is, just listen, drop the labels and enjoy the vibe.

5.  The Front Bottoms   “Funny You Should Ask”

Bergen County, New Jersey natives recently released their album “Talon of the Hawk” and it couldn’t be a better sophomore effort.  The song has a way of making you rethink some relationship mistakes you’ve made in the past, and allows you to blame your discretions on youth and inexperience and move forward, but in a fun, bouncy, garage rock way.


6. Shannon and the Clams   “Ozma”

The guitar work sounds like a Santo & Johnny song getting kicked in the balls by Ray Davies while Kathleen Hanna revisits her youthful riot grrl attitude under the pretense of a doo-wop cover.  Howling and beautiful, the chorus “I think I love you.  I know I love you.  I always loved you” reminds you that maybe you should’ve just trusted your gut a few years ago and that good things come to those who wait.

7. John Oates   “Don’t Cross Me Wrong (feat. Vince Gill)”

Half of the Philly blue-eyed soul duo Hall & Oates is taking us on a musical journey for the next year with “Good Road to Follow” by working with special guest artists and producers and releasing new music.  For the first single, he worked with Hot Chelle Rae, and now he’s teamed up with Vince Gill for this bluesy-horn-filled back porch rocker.

8. Dawes   “From a Window Seat”

After playing alongside Jackson Browne at Occupy Wall Street, jamming with Chris Robinson and Conor Oberst and co-headlining with Blitzen Trapper, Dawes is back with their third album “Stories Don’t End.”  This headphone-cancelling flight song is perfect for cruising at any altitude in any vehicle.

9. Caro Emerald   “Back It Up”

This track may be from 2009, but it’s worth bringing back for your listening pleasure.  Caroline Esmeralda van der Leeuw (thankfully, she has a stage name) is a Dutch jazz singer who adds some wonderful modern elements to her music for spice.

10. City Rain   “The Optimist”

Philadelphia natives Ben Runyan and Scott Cumpstone have returned as City Rain with a new single and, like its title suggests, it’s brimming with positivity.  They’ve even started an internet campaign to have people hold up the song’s mantra “There’s an optimist in me” signs on various social networks.  And with all the negativity out there, it just might be a small ingredient in the soup to keep our societal spirits up.

11. Atomic Tom   “Music Makes The Heart Grow Stronger”

Another group with great internet presence, you might remember them as the band that had their “instruments stolen” and performed their song “Take Me Out” on pubic transit, or from their awesome The Human League cover of “Don’t You Want Me” from the “Take Me Home Tonight” soundtrack.  Maybe you’re completely unfamiliar, and that’s okay too, because Atomic Tom is back with a love letter to the positive power of music to not only heal but also inspire.  And they’ve done both beautifully on this song.

12. Mumford & Sons   “Hopeless Wanderer”

There’s such an unwarranted backlash against these Brits, and I still don’t understand why.  Sure, they didn’t grow up in the dustbowl, but that doesn’t dilute their music.  Luckily they have a sense of humor about it and made a video that allows us to laugh with them for one of their best songs on “Babel.”  Jason Sudeikis, Jason Bateman, Ed Helms and Will Forte team up to make what is quite possibly the video of the year (yes, even over “Blurred Lines”).

SIDE B

1. Dr. Dog   “The Truth”

Philly indie rockers are releasing their eighth album “B-Room,” in the fall, and, if this first single is any indication, it promises to be more soulful than past records.  With a new recording studio and only their third release on the Epitaph Records sub-division Anti-, this new side to the three dotted psych-poppers (fun fact:  their three dot logo is a guitar diagram for a D chord) may prove to be their most introspective and accessible yet.

2. Nanna.B   “Sum O’ Sometimes”

Scandinavian soul artist Nanna.B is a playful and gentle songbird who pulls influences from all over the world to create her unique R&B that builds a wonderful bridge between Dusty Springfield and D’Angelo.

3.  The Lumineers   “Submarines”

I heard three different Lumineers songs the other day in three different stops in one shopping mall.  I don’t know if it’s the Colbert Bump they got recently, the re-release of a deluxe edition of their debut, or if the music is just that good for their crossover potential, but they are definitely everywhere right now.  This is the song I couldn’t stop repeating when I first got the album last year and for some reason it reminds me of the Robert Zemeckis and Steven Spielberg comedy “1941”.

4. Avicii   “Wake Me Up (feat. Aloe Blacc)”

Responsible for the biggest EDM hit of the past 2 years, “Levels,” Avicii is back with a folky-soulful anthem that confused (and pretty much infuriated) a festival earlier in the year, acting almost as a mirror effect of Bob Dylan going electric at Newport Folk.  Aloe Blacc is a completely under-appreciated vocalist, and the lyrics are about as universal as a road trip film.

5. Meek Mill   “Levels”

Robert Williams is a Philadelphia hip-hop artist better known as Meek Mill.  He was briefly with Atlanta rapper T.I.’s label before becoming part of Rick Ross’ Miami outfit Maybach Music.  This one is off the upcoming Maybach compilation “Self Made Vol. 3”.

6. A$AP Ferg   “Shabba (feat. A$AP Rocky)”

All I can do is think of the old “In Living Color” sketch where Marlon Wayans parodied Shabba Ranks and sang “Mr. Ugly Man… SHABBA” when I hear this.  But if Andy Warhol’s Factory were set in modern day Harlem, you’d have the A$AP Mob.  Almost a New York D12 for this decade.  A$AP stands for “Always Strive and Prosper” and with the talent so far revealed in this crew (along with contemporaries Kendrick Lamar and Drake), hip-hop may be making the comeback it needs to validate the crew’s motto.

7. Jarren Benton   “Cadillacs & Chevys”

Hilarious and talented are not usually things that go together in rap music, but Jarren Benton gives about as many fucks as there are ATMs in Antarctica.  Possibly less.  The album called “My Grandma’s Basement” is riddled with tracks and skits to back up this argument and even the spoken intro on the track claims “by the way, I finally sucked my own dick… Leggo!”  With references to “Home Alone”, Jason Vorhees and Comic-Con, this surprisingly belongs on a “Geekscape” mix more than any other track.


8. Macklemore & Ryan Lewis   “White Walls (feat. ScHoolboy Q & Hollis)”

Macklemore & Ryan Lewis got a huge jump into the mainstream with “Thrift Shop” and had an extremely timely release of “Same Love” to correspond with the Supreme Court’s ruling against the constitutionality of Prop 8.  They’re everywhere right now and this is a great example of why they not only deserve to be appreciated, but stands out enough to prove their future staying power.

9. Saturday Looks Good to Me   “Sunglasses”

Forming in 1999, this indie group has been a Pitchfork darling for a while.  Their new release “One Kiss Ends It All” doesn’t disappoint.  This track particularly works great for a nice summer day whether you’re chilling on a porch or just lying in bed staring out the window.  Either way, you’re gonna be tapping your toes… the vibe is vibrant and uplifting.

10. Wildmen   “20,000 $” 

With song titles like “Haters Gonna Hate”, “Bitch”, “I Spit on Your Graves” and “D.R.U.N.K.”, this Italian rock duo pulls no punches.  They exude a raw garage punk sound that would not be out of place opening for a Black Keys concert 5 years ago.  Follow them on Twitter @ShitMusic (how perfect is that?).

11. Pearl Jam   “Mind Your Manners”

It seems like the biggest band to emerge from the Seattle scene have been crate digging through their early influences of Dead Boys and Ramones.  Their upcoming album “Lightning Bolt” is counting down to release on October 15 and for fans of their previous rockers like “Spin the Black Circle” and “Hail Hail” this should be a record to embrace.  I’m hoping they bring bands like Social Distortion and Bad Religion back on tour with them.

12. Last Good Tooth   “Gambling”

If Nick Cave fronted Murder by Death, you’d be close to Last Good Tooth.  Getting girls to dance to songs about 9/11 and paying homage to frontman Penn Sultan’s Appalachian roots might seem like a lot to tackle, but it’s effortlessly effective.  “Take only what you need, and quit taxing me.”

You can also check out all of this week’s picks in one uninterrupted mix
A.J. Santini has been an audiophile since pre-natal care. Having 15+ years DJ experience, a brief stint in terrestrial radio and an extensively diverse collection of books, vinyl, cassettes, VHSs CDs, DVDs and MP3s (plus one Led Zeppelin 8-track) qualifies him to rant nonsensically and wax poetically about popular culture. He also hosts QUIZZO trivia nights to feel superior to the masses of the population. Check out some of his DJ mixes.

This Friday people will be getting their 80’s Cock Rock on through the newest musical-turned-movie Rock of Ages. The 80’s was a great time for rock, but few remember it was also a great time for bad-musicals. No I’m not about to talk about unexplained cult-classic Xanadu. I’m talking about a musical so bad, so confusing that at it’s premiere the screen was damaged by audience members throwing their complimentary soundtracks at the screen. I’m talking about 1980’s confusing futuristic disco religion allegory The Apple.

The Apple takes place in the distant future of 1994. Compared to most science fiction predictions of the future… 2001: A Space Odyssey was a closer prediction… by a lot. For starters 1994 (based on this film) the world is still dominated by disco.

The film starts off in a futuristic convention center where an American Idol like singing contest is occurring, the winner will get a record contract to BIM (so I guess they got that right). Voting is based on heart-beats (sure).

Disco group Pandi and Dandi are the fan favorites but it’s a close call when canadian hippie duo Alphie and Bibi. Their song is about Love. They look like they’re going to win until they are sabotaged and booed off the stage. Alphie and Bibi refuse to take this sitting down and mark up to BIM owner Mr. Boogalow’s after party.

He’s impressed by their spunk and signs them. Quickly they are introduced into a world of drugs and sex. Alphie storms off but Bibi sticks around and drinks up the stardom. Eventually she realizes the evils of BIM (and the fact that Mr. Boogalow is clearly the devil) and returns to Alphie in a hippie community.

Now what happens next is what makes this movie fantastic. If you haven’t seen this film, but plan on it then don’t read the next paragraph because it’s so magical it will cause your brain to explode. In fact stop reading and watch the movie because I’m posting a picture too.

Mr. Boogalow and BIM arrive to arrest the hippie community when God arrives in a flying white Rolls Royce lands form the sky. He takes the hippies to ‘somewhere new, away from Mr Boogalow’s influence’ and flies away.

I can’t wrap my head around the writing and pitching of this movie and this sequence specifically but I don’t care. It’s the most magical moment in film history.

I’m a huge fan of The Apple. It’s cheesy and admittedly bad but I adore it. The music is surprising decent, the acting is… passable and the costume design is beyond flamboyant. The star of the show is how terrible the choreography is. Specifically since it was done by So You Think You Can Dance head judge Nigel Lythgoe.

This movie is one of those special films where they fail at almost everything. You must see it to believe it.

When he’s not watching Rock and Roll Musicals Matt Kelly is hosting The Saint Mort Show, Co-hosting the Reddit Horror Club Podcast, Writing in his blog Pure Mattitude, Tweeting and running Dollar Monday Promotions

My friends The Suburban Legends join me for this musical episode of Geekscape! Years ago, we shot a video for their song “Please Come Back Home” and today, Vince, Brian and Derek come on Geekscape to talk about their new album Day Job and play a couple of songs for you! They talk about this new album, their return to straight up ska and what each of them do as their day job! Brian talks about his Killing Joke tattoo, geeks out over Farscape and Stargate with Jonathan and expresses his desire to read more comics! The band also talks about being a Disney park band and their upcoming summer tour with Reel Big Fish and Goldfinger!

Find it on iTunes

April 1st, 2012 marked the end of an era. Sundance Records And Tapes in San Marcos, TX closed its doors for good on that day after 34 years of business.

First, let me back up just a bit and tell you a little bit about myself. I’m a movie geek. I went to film school and learned all I could about directors, actors and writers while I was there. But I didn’t start there. I started learning all of that stuff while working at a video store. Yeah, it was a corporate store, but my co-workers and I did our best to make it not feel that way. I would say that 75% of what I know about movies, I learned from watching movies and talking to other movie geeks about what I had just watched.

Before that, though, I was a music guy. I basically did the same thing with my music, just without working at a music store. I listened to records, read the liner notes, found out about the artists’ influences, listened to those records, figured out what I really liked…all without the help of the internet. (That really came along a few years later.)

I never had a true “local record store” growing up. The closest thing that I probably could have had was Austin’s Waterloo Records, but they’ve always been a little expensive and, honestly, a little impersonal for a local store. I, unfortunately, went to Best Buy to get a lot of my music back in the day. I only wish that I had grown up with a place like Sundance. It took me until about two years ago to truly realize how awesome this place truly was.

The moment you walked into Sundance, you knew that you were walking into a Record Store (capital R, capital S). Not only did they have posters and cardboard stand-ups from bygone eras all over the store, but they had a “Wall Of Death” where they put obits of entertainment figures (including a pretty big one showing Bonnie Raitt, Jackson Brown and Stevie Wonder singing at Stevie Ray Vaughan’s funeral). The carpet was soft, but definitely trodden down by decades of music lovers. First and foremost, though, was the smell. Sundance smelled like a Record Store. That kind of patchouli incense smell that, at one time, probably tried to cover up another strong smell familiar to record store employees.

And here in lies the true difference between a record store and a Record Store: the employees. We have plenty of record stores in Austin, 20 miles north of San Marcos. Austin is one of the towns where they do really well. (I can think of five record stores just off the top of my head… even two real homegrown video stores.) Unfortunately, I’ve never been able to find any that I liked as much as Sundance. While I never really got to know any of the employees there, I had good conversations with just about every one of them, whether a college kid, a 20-something music lover or the 50-something manager who, after a brief stint of working there in the 80s, uprooted his new wife from Houston in the late 90s so that he could manage the store. As soon as I walked in the door, I would always be greeted with a big, “Hey man! How’s it goin’?” One time, while I was digging through their treasure trove of 60s records, the manager tapped me on the shoulder and waggled his finger for me to follow him. He then pointed me towards a bunch of records that had just come in. “I haven’t had a chance to put these out, but go through them real quick, see what you can find.” I ended up finding a copy of David Byrne and Brian Eno’s My Life With The Bush Of Ghosts, a vinyl treasure if ever there was one. When I brought that to the counter, he and I had a pretty good discussion on what all has come from that album.

And that, my friends, is what will truly be missed. As I said, there are a lot of record stores in Austin, but I’ve never had that kind of conversation with any of the employees at any of them. They definitely know their shit and, occasionally, they’ll comment on my purchase, but they’re not all that interested in what you know or getting into a real conversation. The folks at Sundance would always say something like, “The Decemberists! Man, they’re awesome. Ever hear of Fairpoint Convention?”, or when I bought The Lovin’ Spoonful’s first album, “Oh, man! Did we have Hums over there? This one’s great, but Hums is where it’s really at! Have you heard John Sebastian’s first solo album?!”

As much as we like to say that the internet has brought the world closer together (and I believe that it has in some ways), we’ll never get this kind of true interaction here. Not really. Sure, there are plenty of music websites that sort of do it, but not with personality or, well, ANYthing but clicks and links. All we will truly ever get from a website is a call and response sort of “If…then…” statement. A true Record Store or Video Store will never be replaced by a website.

It’s really sad to me that these stores are slowly fading into memory as people stop buying physical media. Sure, we’ll get the music however we can, whether it’s digital downloads or, in the future, some sort of holographic brain uplink. Who knows? But gone will be the days of actually talking to someone about music and having a true interaction with someone who has the same, but slightly different, taste as you. Instead of taking a record or tape or CD to a person who may have an emotional response to whatever artist you’re buying, you just click, click, click your way to new music. No true personal interaction needed.

That being said, the really interesting thing about Sundance closing is this: one of the employees told me that the vinyl sales were actually doing pretty good. It was the CDs that were draining their resources, taking up so much space that they couldn’t afford the rent where they were. That’s when I realized that I buy very few CDs these days. I mostly buy vinyl. (And, no, I don’t really download music, either. Most new artists I listen to on Spotify or some other online source. Yes, I’m part of the problem, unfortunately.)

Here’s my plea to you: don’t let these valuable resources die. Support your local Record Store anyway you can, especially in small towns. Maybe you only download music, but find some way to support these guys. Buy vinyl. Just go in and look around. Ask one of the employees for help finding more people like your favorite artists. BE INTERESTED IN MUSIC AGAIN! Don’t’ just listen to the top 40 bullshit and not pay attention to artists. That’s not what they want and, really, it’s not what you want.

Small, independent record/video/comic book stores are disappearing at a pretty alarming rate these days. It’s up to us to do something about this. Netflix and Spotify are all well and good, but we NEED to support the little guy, too. Without them, it’s all just ones and zeroes.

I leave you with some of the last words that the manager of Sundance said to me as I left his store with a stack of records: “Fuck yeah! You got some GREAT shit!”

You can’t get that from a website.

In 1995 a band came out of left field and became the favorite band of every elementary school kid that I knew. That band was the Presidents of the United States of America. Their massive hit song Lump became a song that everyone at Pennell Elementary would sing. When the follow-up single Peaches came out, their popularity only grew. They had somehow become a ‘kid’s band’, even performing on Nickelodeon’s Kids Choice Awards (which was weird since the opening track Kitty contains the lyric ‘fuck you kitty you’re going to spend the night outside’ chanted 3 times).

Their debut self-titled album sold over 3 million copies and received rave reviews. The band performed the theme song for The Drew Carey Show, had a decently received cover of Video Killed the Radio Star on the Wedding Singer soundtrack, were parodied by Weird Al and Bill Nye the Science Guy (and later Singer Chris Ballew performed the parody himself) but by 1996 their follow-up album II was a moderate success at best (Peaking at 31 on the Billboard charts) and by 1998 the band had broken up (the first time anyway).

What happened with this band and their former legion of fans? In honor of President’s Day I sat down and listened to their first two albums (Self-titled and II) as well as the rarities farewell album Pure Frosting to try to figure it out for myself.

 

PRESIDENTS OF THE UNITED STATES OF AMERICA (1995)

This is a solid album. I think most of the people who are reading this owned this album and already know it’s good so there’s not much of a reason to dwell too long on it. But there are a few key elements I wanted to cover about the band’s sound that made them so interesting to me 17 years ago (and still interest me today).

In the liner notes of the album, Chris Ballew is cited as the basitar player and guitarist Dave Dederer was listed as the guitbass player. I always just assumed this was a cute joke, but as I got older and started playing guitar I realized that the songs were very difficult to play so that they sounded just like the recordings (specifically songs like Dune Buggy and Back Porch) so I did some research.

These were not just cute names. Chris and Dave both played regular six string guitars, except Chris replaced everything with only two bass strings, meanwhile Dave’s guitar consisted of only 3 guitar strings. This innovation of the group helped create a unique sound that is simple to play (with the right instrument) but difficult to play on a regular six string guitar or four string bass.

Furthermore, re-listening to this album reminds me of how insanely talented of a drummer Jason Finn is. A few years ago I made a joke that Presidents of the United States sound like a less talented Primus and I still stand by this statement for no other reason that Jason Finn’s bizarre drum fills and percussion usage (specifically on the song Candy). He uses various bizarre drums much like Brain or Herb would in Golden Years of Primus.

Lyrically, the album falls into line with most alternative groups in the 90’s. Most of the album is either bizarre songs like Feather Plucking and Back Porch or songs about the expected failure of the band’s musical sounds (We’re Not Gonna Make It, Naked & Famous).

This is a solid album that should already be in your CD collection if you were between 10-15 in the mid-90s and never left the collection.

 

Presidents of the Unites States of America: II


So where did the sophomore album fail? It could be the opening track’s fault. It’s really not a good kick off track at all. It’s very clearly written to BE a kick-off with the title Ladies and Gentleman Part 1. Regardless, it’s only a minute and a half long and the next track Lunatic of Love brings us back up to what we expect from Presidents.

Volcano is exactly what we wanted out of the Presidents. It’s bizarre, but still catchy and fun. Sadly, the single didn’t fare as well as the second single off the album. Personally I think the group made a mistake releasing Mach 5 as their first single off the album instead of Volcano. While it’s a fun song, it’s not particular catchy and doesn’t even have a good melody line. I think that we’re already starting to see where this record went wrong.

All in all it’s a good album and a decent follow up to their self-titled, but it just doesn’t hold the same level of consistent quality as the debut. The biggest problem is that while the songs are all okay the album doesn’t really get great until track: 7 Bath of Fire (excluding Volcano which is probably the best song on the album).

It’s not the worst album of the 90’s or even the worst album of 1996 (Cannibal Corpse, Patti Smith, Quad City DJs and Def Leppard all released albums that year, take your pick). The biggest issue really is that despite the songs being fun they lacked the charm of their predecessor.

However, the album still received mostly good reviews but the sales just weren’t there (despite reaching gold status). After two years of touring, Chris Ballew quit the band to spend time with his family and the band disappeared with him. But they still released one last album together.

 

Presidents of the Unites States of America: Pure Frosting


Almost immediately upon hearing the first minute or two of the opening track Love Delicatessen I realize that had the Presidents had released these songs as their second album, they’d probably have had a longer and more successful career.

While the albums contains two covers (Cleveland Rocks, Video Killed the Radio Star) and two live tracks (Lump, Back Porch) and the rest are rarity tracks, these songs are all simply better than 85% of II. My favorite tracks are Mobile Home, Sunshine and Man (Opposable Thumb).

This album simply contains all of the fun and rock sounds that were missing in their second album. But it was the last album of the band’s career. Or so we thought.

After a two year hiatus/break up, the band briefly reunited for an album in 2000 called Freaked Out & Small where they began playing regular guitar and bass. They never toured after that and remained broken up until 2004 when the band has since made a full reformation (though with a new guitarist) releasing two new albums Love Everybody (2004) and These are the Good Times People (2008). Both albums were well reviewed and the band continues to tour, however none of their albums have made the massive impact that the original debut album did. Which is a shame. They truly were one of the most eccentric and innovative groups of the 90s and are worth giving a second chance.

When he’s not listening to bands that haven’t been relevant in over a decade Matt Kelly also hosts his podcast the Saint Mort Show, blogs at Pure Mattitude and tweets. He also can’t stop watching the Rocco’s Modern Life DVD he found at Walmart last week.