Together they must save the world. Get ready to jam with Analog Jones as they review Space Jam from 1996. 

Listen on Podbean: https://analogjonestof.podbean.com/e/space-jam-1996-movie-review/

Quick Facts
Directed by: Joe Pytka
Written by: Leo Benvenuti, Steve Rudnick, and Timothy Harris
Based on: Looney Tunes by Warner Bros.
Distributed by: Warner Bros.
Released: November 15, 1996
Budget: $80 million
Box Office: $230.4 million

Starring
Michael Jordan as himself
Billy West as the voice of Bugs Bunny and Elmer Fudd
Wayne Knight as Stan Podolak
Theresa Randle as Juanita Jordan
Danny Devito as the voice of Mr. Swackhammer
Bill Murray as himself
Larry Bird as himself

How to find Analog Jones
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Email us at analogjonestof@gmail.com with any comments or questions!

Our beloved friend, documentary filmmaker Tommy Avallone is back on the show to talk about his latest film ‘The Bill Murray Stories: Life Lessons Learned From A Mythical Man’! This one documents the numerous Bill Murray sightings across the country, from Bill showing up at a frat party to do dishes to taking part in a couple’s engagement photo shoot, and tries ot make sense of it all! We’ve seen the movie and we love it… so how did it come together? What is it about Bill Murray that we find so captivating? How hard was it to put this movie together? What were some of the most ridiculous ‘urban legends’ surrounding Bill Murray and Bill Murray sightings? What’s Tommy working on next? There’s tons to digest here, especially for indie filmmakers, so enjoy!

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Over the last few years there’s been an overabundance of Bill Murray Stories taking over the internet. They range from flagging down motorcyclists for car assistance to wedding crashing and all things in-between. Tommy Avallone (friend of Geekscape and director of I Am Santa Claus) has announced his next project titled The Bill Murray Stories: Life Lessons Learned From A Mythical Man.

I was lucky enough to see some footage when Tommy was on an upcoming episode of my podcast Playing with Squirrels: A Boy Meets World Fancast (debuting Monday, subscribe on iTunes). What I saw looked great but the movie is far from complete. Tommy and Double Windsor Films need your help!

Currently they are holding open submissions for your Bill Murray Story. Has Bill Murray stole your french fries? Well they want to hear about it. The open submissions are being accepted up until October 7th, so if you’ve been hanging on to a great Bill Murray Story and think it’s time the world heard it contact Tommy and the rest of the Double Windsor team at mystory@doublewindsorfilms.com

For more information on the project check out the official website at http://www.thebillmurraystories.com

After over 2 decades, the long awaited (or dreaded) new Ghostbusters film is finally in theaters. And based on the opening weekend numbers, there’s a pretty good chance that you’ve seen it. And if you’ve seen it you probably have a definite opinion on it. Opinions we’ve witnessed so far have ranged from extremely good to impossibly bad.

My opinion is somewhere right in the middle. I didn’t have fun watching this movie and in general the movie fell flat. But what hurt the most was how much potential the new Ghostbusters had. I’m aware that I am someone who has never made an actual movie. And I’m about to Monday Morning Quarterback it. But I believe a lot of issues I had with the film could easily have been fixed with small changes.

First, let me break down what some of the issues for me were. This will get into Spoiler Land and it’s probably best not to read beyond this point if you haven’t seen the movie.

Okay. You have been warned.

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Now not all of these issues are easy fixes. At one point, our heroes witness the main villain running off to destroy New York City during the mid-afternoon and but are not see again until some time at night when they finally jump into the Ecto-1 and tear onto the streets to catch him. Um. Hours and entire scenes have passed. How do you create a sense of urgency if the characters themselves don’t show any sense of urgency? When the police suspect that our heroes have just killed a man by throwing him from a window the scene ends with a series of Patrick Swayze references? There’s absolutely no resolution to this potential hurdle and it’s swept under the rug like so many potentially rich story beats in exchange for some witty dialogue. The movie ignores plot in lieu of potential laughs several times and the story and characters are worse off for it. I can list every offense but for the sake of this article I’m going to focus on the three major issues that most of the smaller issues stem from.

Issue #1: This movie does not exist in the same universe as the original two films yet is still very self conscious about it existing. This doesn’t bother everybody, but it definitely bothered me. By making this its own stand alone film, this go around has to retell the Ghostbusters origin story from scratch and spend a lot of energy doing it. It repeats beat by beat scenes from the original movie with very subtle “unique” twists. This isn’t a structural issue (because it worked great in the first film) but then the movie additionally is packed with cameos of the entire original cast as “jokes”. Only one or two of these cameos actually works but most of the time the extent of the joke is “look, it’s one of the people from the original movie… laugh now please.”

Issue #2: The relationships established between the 4 Ghostbusters are extremely rushed and don’t really change that much from there. Erin Gilbert (Kristen Wig) and Abby Yates (Melissa McCarthy) are former best friends. They stopped being best friends for… reasons? Erin re-enters Abby’s life to ask her to stop the publication of a book that they wrote years ago and discovers that she’s basically been replaced by Jillian Holtzmann (Kate McKinnon), an eccentric but brilliant inventor who only services the story to mumble weird asides and introduce interchangeably forgettable gadgets that will only be used once. After less than 10 minutes Abby and Erin are friends/business partners because they saw a ghost and their estranged relationship is almost never mentioned again. That is until the end of the film when Erin has to make the choice to potentially sacrifice herself for her friend…. except at that point it’s not much of a choice as they’ve been friends for 99.9% of the film. This isn’t a big character moment or choice as much as it’s a quick wrap up to a problem the Ghostbusters let happen in the first place when they sat for hours instead of chasing the bad guy down the street (not to mention letting him grow to the size of a skyscraper before actually zapping him). The final piece of the group comes in Patty Tolan (Leslie Jones) who exclaims after joining the group and looking for a ghost down a hallway that she “thought she was joining a book group”. And this is after she witnessed a ghost at her subway job… twice.

Issue #3: For a movie that’s trying so hard to be different they literally have just created four female characters that are attempts at being direct duplicates of the original cast. This ends up being more of a disservice than anything and causes some weird character issues. If these are new characters, treat them as such.

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For reference, here’s who represents who:

Abby is Ray
Erin is Peter
Holtzmann is Egon
Patty is Winston

The original film was a tale for one sarcastic guy and his 3 co-workers, all playing the straight man to an outlandish situation. Sure Ray, Egon and Winston have some hilarious lines… but every line is delivered with complete sincerity. They don’t have time for jokes, they’re here to catch ghosts and are firmly grounded in doing so. The audience has a place of perspective from which to watch the fantastic story play out.

This new movie has no straight man. The closest we have is Erin but even she is too goofy for her own good and is made less respectable in situations in which she mistakes windows for sliding doors. Holtzmann is too silly to be the “Egon”, which would be fine if they made her more of a 3-dimensional character than just a weird Egon. McKinnon’s performance is getting a lot of praise and it’s super deserved because it was a huge risk but it could have been so much more relatable if it had any depth or history to it. She’s the same unpredictable question mark at the end of the story as she is when Erin first meets her.

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The most offensive issue comes in Patty as Winston. In the original film Winston was a man who didn’t believe in ghosts. He just needed a job. Some of the best moments in the original film was Winston being the normal guy coming to terms with lots of new information. In the remake, Patty discovers a ghost and calls the Ghostbusters for help. That’s perfectly fine. Then She asks to join the group. This is also fine. Then on their first mission with the team she’s mumbling to herself about “I thought this was gonna be a book club and now I’m fighting ghosts”. What?!? There is no other reason for this line to exist for this character beyond “She’s the Winston”. Even when the character is actually the most different from its male counterpart, they still write dialogue for her that’s more fitting for Winston. This is even more absurd based on the fact that just before this mission she got them a vehicle for the equipment and uniforms… TO CATCH GHOSTS! Why in the hell is this character unaware of what she signed up for after having dealt with one TWICE in the subway?

That in a nut-shell are my 3 major issues. And they’re big ones. The new Ghostbusters is a film that wants to make its own name for itself but can’t get out from under the shadow of the original.

So why not just accept that the original films existed in this universe and start from there? Why must every reboot be a remake?

Here’s my take on the first 20 minutes of the film that would quickly fix some of these issues. And remember, I’ve never made a movie, I’m just writing how marrying these two stories together could work and how it would fix a lot of issues.

Imagine if the new Ghostbusters film opened with the original commercial from the first Ghostbusters movie. The year is 1990 and we pull back to reveal a trio of girls having a sleepover. These girls are 10 year old Erin, Abby and their eccentric friend Jillian Spenlger. Yes, I’m turning Holtzmann into a relative of Egon because if you’re going to make her character a female equivalent him anyways let’s just make her a relative and have a reason why they share the same tendencies. The three of them are sharing ghost stories and maybe even make a reference to how cool it is that Jillian’s uncle is a Ghostbuster.

Suddenly weird things begin to happen in the house and they experience a real life ghost. The three are bonded by this scary moment and the credits roll.

We then jump to modern day New York.

The three remaining Ghostbusters are looking around their offices reminiscing about Egon (who has passed away) and discussing how the business has become a money pit. There hasn’t been a ghost in New York for over 20 years and their equipment is extremely dangerous after years of being inactive. On top of that, with no ghosts to bust they can barely afford the rent on the building.

It’s at this time that Jillian enters the firehouse. She has inherited Egon’s quarter of the business and actually wants to join the team.

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Peter, Ray and Winston decide that Jillian could be the ultimate solution to the financial albatross that is The Ghostbusters and they do her one better. They’ll give her their shares as well and make her the sole owner. This is admittedly a crude trick but we can make sure that all three get something bad in return. There’s a joke in the current film where Patti, Abby and Holtzmann are attacked by a giant Stay Puft Marshmellow Man balloon that keeps them pinned down. Instead of that happening to the female Ghostbusters we could make it that Peter, Ray and Winston decide to ultimately help the girls out only to get trapped under the balloon and be rendered old and useless. The four female Ghostbusters simply pop the balloon and save them, clearly stating that they are the newer, better models (take that, internet trolls).

Jillian excitedly calls her friends Abby and Erin to join her so they can continue their ghost hunting excitement. But they have since all but forgotten their experience 25 years ago. Much like in Ghostbusters 2, the two try to convince Jillian that her uncle was a scam artist who tricked New York into believing in ghosts for profit. But the mystery of a ghost reappearance reinvigorates them when Jillian is asked to investigate the historical site from the beginning of the film.

From this point on we can start to introduce our villain, who should have ties to the history of the Ghostbusters, and pick up right where we meet Patty in the current film. Most of the movie can play out the same way from this point except the villain actually has weight beyond being a random angry kid from Reddit.

By making these changes you immediately tie the film to the original films that the current version is already self conscious of, except now the cameos serve a purpose beyond being gags. It also removes the 20 minutes of retelling how the Ghostbusters were formed and avoids some of the weird missing elements of Erin and Abby’s friendship.

Since the equipment is still old and beat up, it still allows us to keep some of the more entertaining segments of the girls “testing out Jillian’s equipment” but also allows us to bypass some of the more obnoxious elements of the film where everyone but the younger section of the audience (and since this is the first PG-13 Ghostbusters film don’t tell me that’s who it’s specifically aimed at) has heard this dialogue and seen this before.

At the end of the day, what’s done is done. The movie is out there and it’s a hit. There will definitely be a sequel and honestly that’s a good thing. The main cast has fantastic chemistry and I’d be more than thrilled to see what a sequel would be like now that the tedious work of reestablishing the Ghostbusters has been done. I just hope that they now take things in a new fresh direction rather than continuing to pay fan service to films that their audience already has on their shelves at home.

To celebrate the official 30th anniversary of the film Ghostbusters, I will be putting together my new Lego Ghostbusters set, watching the movie, and sharing my top ten quotes from the film, in no particular order (mostly because I couldn’t choose which was my favorite!)

10. To start off, I’ve always loved the commercial, so it has to be in the top 10:

9. Easily Winston’s best line, and clearly one of the greatest in the film, finishes up this little scene when the boys are fighting Gozer:

Gozer: [after Ray orders her to re-locate] Are you a God?
[Ray looks at Peter, who nods]
Ray: No.
Gozer: Then… DIE!
[Lightning flies from her fingers, driving the Ghostbusters to the edge of the roof and almost off; people below scream]
Winston: Ray, when someone asks you if you’re a god, you say “YES”!

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8. Another favorite is the scene in the mayor’s office with the infamous Walter Peck:

Ray: Everything was fine with our system until the power grid was shut off by dickless here.
Peck: They caused an explosion!
Mayor: Is this true?
Venkman: Yes it’s true. This man has no dick.
Peck: Jeez!
[Charges at Venkman]
Mayor: Break it up! Hey, break this up! Break it up!
Peck: All right, all right, all right!
Venkman: Well, that’s what I heard!

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7. And while I love all of the scenes between the possessed Dana Barrett and Venkman, I have to go with one of these two:

Dana: [as The Gatekeeper] I want you inside me.
Venkman: It sounds like you’ve got at least two or three people in there already.

Dana: There is no Dana only Zuul.
Venkman: What a lovely singing voice you must have.

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6. One of the more subtle quotes that always gets me:

Ray: Listen… do you smell something?

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5. This line is just one of those iconic moments of the movie, so it had to be here:

Janine: Hello, Ghostbusters… Yes, of course they’re serious… You do?… You have?… No kidding! Just gimme the address… Oh sure, they will be totally discreet. Thank you!
[hangs up]
Janine: WE GOT ONE!

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4. Then there’s Stay Puft:

Gozer: The Choice is made!
Venkman: Whoa! Ho! Ho! Whoa-oa!
Gozer: The Traveller has come!
Venkman: Nobody choosed anything!
[turns to Egon]
Venkman: Did you choose anything?
Egon: No.
Venkman: [to Winston] Did YOU?
Winston: My mind is totally blank.
Venkman: *I* didn’t choose anything…
[long pause, Peter, Egon and Winston all look at Ray]
Ray: I couldn’t help it. It just popped in there.
Venkman: What? *What* “just popped in there?”
Ray: I… I… I tried to think…
Egon: LOOK!
Ray: No! It CAN’T be!
Venkman: What is it?
Ray: It CAN’T be!
Venkman: What did you DO, Ray?
Winston: Oh, shit!
[they all see a giant cubic white head topped with a sailor hat, Peter looks at Ray]
Ray: [somberly] It’s the Stay Puft Marshmallow Man.

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3. Of course, no list would be complete without the Twinkie:

Venkman: How’s the grid holding up?
Egon: Not good.
Winston: Tell him about the Twinkie.
Venkman: What about the Twinkie?

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2. The fantastic attack on Gozer:

Venkman: All right, this chick is TOAST. Okay; sticks?
Ray, Egon & Winston: HOLDIN’!
Venkman: Heat ’em up!
Ray, Egon & Winston: SMOKIN’!
Venkman: MAKE ‘EM HARD!
Ray, Egon & Winston: READY!
Venkman: Let’s show this prehistoric bitch how we do things downtown.

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1. And of course, I’ve saved the best, most iconic line of the film, for last:

Venkman: He slimed me.

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Of course, I’m sure some of you disagree, or feel I forgot some important ones. So feel free to comment with your favorite Ghostbusters quotes!

And for a little more fun, here’s a video:

After enduring an elongated journey to the Oscars this year, thanks to the awards show’s refusal to compete against the Winter Olympics for viewership, it felt as though the 2014 cinematic year would never get going. Early offerings such as The Monuments Men and Jack Ryan: Shadow Recruit generated initial excitement that managed to wear off quickly. But finally, nearly two and a half months into the year, Wes Anderson strikes again and delivers a film worthy of praise. The long-time director’s latest work, The Grand Budapest Hotel, also proves to be one of his finest to date.

Anderson’s movie follows an author’s fond recollection of the adventures surrounding legendary hotel concierge Gustave H. (played by Ralph Fiennes). The prominent figure at the famous Grand Budapest Hotel develops a strong bond with his trusty protege and lobby boy, Zero Moustafa (Tony Revolori), as the pair find themselves entangled in a web of murder and incarceration thanks to a priceless painting known only as “Boy with Apple”. Gustave and Zero must work together swiftly in order to free their names and survive the pursuit of a ruthless henchmen named Jopling (Willem Defoe).

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Although I’ve never been a huge outspoken fan of Wes Anderson’s earlier works such as Rushmore or Life Aquatic, the director has certainly elevated his game in recent years. With 2012’s indie success, Moonrise Kingdom, making a firm impression on his career, Anderson’s newest feature nearly matches the effort. Leading man Ralph Fiennes puts on his finest acting display in over 15 years with this light-hearted and wacky role. The film’s star is both charismatic and enchanting in his portrayal of the oddball concierge Gustave H. And in an expected trademark move by Wes Anderson, The Grand Budapest Hotel boasts an extensive list of actors and actresses in varying roles such as Jude Law, Adrien Brody, Jeff Goldblum, Harvey Keitel, Bill Murray, Edward Norton and Tilda Swinton (just to name a few). However, no matter how fun it always is to spot these stars in random scenes, Fiennes is the glue that holds it all together. On the shoulders of a top flight lead performance and another fabulously written screenplay by Wes Anderson himself, The Grand Budapest Hotel makes for an entertaining source of laughs and intrigue.

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Despite the feature’s winning array of perfectly timed jokes and hysterical dialogue, The Grand Budapest Hotel seems to suffer from flaws that typically run rampant throughout Wes Anderson’s catalog of work. With a bloated emphasis on style and setting more so than the characters themselves, Anderson occasionally misses the mark by failing to create depth to his onscreen personae. It goes without question that the colorful scenes are visually appealing and the director has coined a unique and stylistic approach of his own, but his films generally lack the necessary emotion to move audiences and elevate the works to new heights. Instead, we’re left with a “wordy” script containing a fair amount of humor and an excess of vibrant imagery.

Well-paced and delightfully pleasing, The Grand Budapest Hotel is a second consecutive entertaining product from the highly-regarded writer/director, Wes Anderson. Although I continue to wait for the filmmaker to turn the page with his career and take a bold step, I’ve still managed to find a semblance of enjoyment in his recent efforts. Good, but not great, fans of the quintessential Anderson-style are sure to appreciate The Grand Budapest Hotel.

GRADE: 3.5/5

Check out plenty of other fun reviews, trailers and movie news at MCDAVE’s Host Site

Briefly: The next Ghostbusters is finally, finally, finally happening… soon.

Deadline reports that Sony Pictures is set to start production of the film in early 2015, and that following the death of Harold RamisGhostbusters and Ghostbusters II director Ivan Reitman has decided not to direct the feature. Instead, he and Sony Pictures chairman Amy Pascal will hunt for a new director for the film.

In speaking to Deadline, Reitman stated that “There has been all kinds of stuff, unofficially written aboutGhostbusters. I’ve been reading things online for about four years, speculation on who’s writing, what they’re writing, who’s in it, who we will use, and who’s directing. We’d decided not to comment up till now, I wasn’t sure what I was going to do, and it was never clear what Bill was going to do. A lot of things happened in the last few months, the most significant of which was the passing of Harold, who was a very good friend who was extraordinarily influential in my career. We did five movies together including both Ghostbusters.”

You can head to Deadline for Reitman’s full statement, but be sure to let us know who you would like to see direct the film. Can you believe that after all of these years, we’re going to get another Ghostbusters?

George Clooney is one of the most prominent figures in Hollywood. As an Academy Award winner for both acting (Syriana) and producing (Best Picture winner Argo), many believed Clooney had a strong chance at pulling off the trifecta with a potential Best Director win for his newest film, The Monuments Men. However, that was before post-production issues delayed the feature’s release until 2014. Unfortunately, we now know that The Monuments Men is light-years away from the prototypical Oscar Nominee.

Clooney stars as Frank Starks, an art historian who makes a pitch to the president of the United States during the closing months of World War II about preserving all of the various artwork spread throughout Europe and returning it to its rightful owners. After being given the green light, Starks enlists six other museum directors, curators and art historians to help him see this mission through. Yet, this group (known as “The Monuments Men”) must stare the dangers of war in the eyes and overcome countless obstacles along the way.

Matt Damon

Clooney’s latest effort has been panned by critics for a multitude of reasons. I wouldn’t be the first to address the movie’s problems with developing distinct tonal differences between comedy and drama, or even the condescending lecture-like dialogue intended to force the audience into accepting the importance of this mission, rather than making us “feel” something. There’s a huge disconnect between film and viewer, something that can never work for a project of this type. Consequently, The Monuments Men is nothing more than an elongated and mediocre fluff piece filled with a strong cast, but weak and ineffective narrative.

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Although The Monuments Men never escapes its stagnant vibe, it’s an interesting premise that remains mildly entertaining at the hands of many fine performances from stars such as Bill Murray, John Goodman, Matt Damon and Cate Blanchett. However, the long list of great actors in the film are required to make the most out of thinly crafted characters. But while the film hopes to elicit suspense and emotion, The Monuments Men instead outstretches minimal plot progression to a near two-hour running time. With the superficial makings of a compelling and moving examination of an inspiring true story, even Clooney’s admirable direction fails to aid a brutally developed screenplay.

There are a few shining moments sporadically peppered throughout The Monuments Men, but they become quickly overshadowed by all of the film’s shortcomings. As a viewer you never feel transported into the story, rather just a spectator to its events. And ultimately, the truly great films know how to differentiate between the two and execute effectively. Illustrating that The Monuments Men is nothing more than an occasionally entertaining run-of-the-mill effort from mega-star George Clooney.

GRADE: 2.5/5

You can find lots of other work from Movie Critic Dave at his home site!

Wes Anderson fans rejoice, the imaginative director’s latest project ‘The Grand Budapest Hotel’ will be upon us soon and from the trailer we can already see that this movie is filled to the brim with many talented actors. Just how many actors? Well, reddit user FennekFox goes into just how much talent is in the film:

“Overall a ridiculously impressive cast. You know how many Oscar nominations and wins this crowd has? I didn’t either, so I looked into it:
 
16 nominations among the cast spread out over 11 actors, albeit Owen Wilson’s and Jeff Goldblum’s nominations are not for acting.
 
3 wins for F. Murray Abraham, Adrien Brody and Tilda Swinton.
 
Wes Anderson himself has 3 nominations.
 
Also lots of more talent behind the scenes: Alexandre Desplat, who writes the music, has 5 nominations (from the last 7 years!). Milena Canonero, who’s obviously done a great job once again with the costume design, has 3 wins and 5 nominations. And set decorator Anna Pinnock has 3 nominations.
 
In total I found 32 nominations and 6 wins. But there may be more. The trailer looks fantastic, so perhaps some of these nominees can turn into winners. Ralph Fiennes performance looks awesome, I hope it’s him.
 
And before you ask: no I don’t have too much time on my hands! Knowing this was important to my well-being.”

The movie is described as a chronicle of the adventures of Gustave M. (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend.

I’m not particularly worried about the balance of screen time the actors will receive. Anderson has an excellent track record of remembering to rely on the actual plot to move the story and not by relying on star power alone.

‘The Grand Budapest Hotel’ will be in theaters on March 7, 2014.

Well, it looks like Ghostbusters 3 will finally start shooting next year after spending plenty of time in what appeared to be a major development hell. Honestly, I was pretty sure the movie would never even see the light of day. Deadline reported on Paramount putting director Ivan Reitman’s Draft Day in turnaround. But also hidden inside the article there’s a little something interesting to take note of:

“Paramount chose not to make it in the small window that Reitman has before he is expected to finally get the long-gestating Ghostbusters reboot in front of the cameras next summer for Sony Pictures (sans Bill Murray). … It would be tough to find room to squeeze in the football film and get done before Reitman goes back to Ghostbusters duty. Paramount insiders tell me that if the film can’t happen in this nearly impossibly short window, the studio could simply hang on to Draft Day, and make it after Reitman and Costner finish their obligations.”

Well, now that they’ve finally given up on Bill Murray it appears that the long talked about movie will finally begin getting underway. Does Sony have a date planned for the threequel? Should we also expect to hear some casting soon? Well, maybe we should wait until they officially announce this one to get too excited here.

Sony Pictures refuses to let the idea of Ghostbusters 3 fade away. They have now hired the screenwriter of Men In Black 3, Etan Cohen to rewrite the script. Lee Eisenberg and Gene Stupnitsky were the last guys to take a crack at writing it but as we reported last week, Bill Murray didn’t feel the scripts were good enough.

Other than writing Men In Black 3, Cohen has written Idiocracy and Tropic Thunder. He will make his feature directorial debut with Paramount’s horror-comedy Boy Scouts vs. Zombies.

Sure, he’s (co)written some funny movies but is he the man that will finally write a great script for Ghostbusters 3? It’s been speculated for quite sometime that the threequel would see the original Ghostbusters  (Harold Ramis, Dan Aykroyd, Ernie Hudson and Bill Murray) pass the torch to a new generation of Ghostbusters. Is that really a movie anyone wants to see though? I grew up with the first two movies and love them, I just watched Ghostbusters 2 last night actually, but it’s been twenty-three years since the last one came out. I think a third movie just couldn’t possibly live up to the first two. I think Sony just needs to let this one go.

Source: Variety 

Recently Bill Murray appeared on Letterman stating that he would be open to making a third ‘Ghostbusters’ but he didn’t feel that the scripts so far were right. Murray stated “You know, you just gotta have a really good script. It’s hard. Even the second ‘Ghostbusters’ wasn’t as much fun for me as the first one. It’s hard to make a sequel. It’s gotta be really funny, and that first one was just so darn funny.” And it looks like Dan Akroyd was listening and is working hard to make it happen.

The last writers to work on the script were Lee Eisenberg and Gene Stupnitsky. This team brought us the great ‘Year One’ and ‘Bad Teacher’. Okay no more sarcasm from this point on.

During a recent interview at an WNY event Akroyd stated “We’ve got a new writing staff working on it now. It’s got to be prefect. That’s the whole thing. There’s no point in doing it unless it’s perfect. So that’s what we’re up to now.”

This project has been in talks for quite some time now. Do you think we will ever see it go into production? Or will one of the cast be ghosts by the time it comes around?

Source: WIVB

Here’s something cool that a friend of mine sent my way. It’s a radio broadcast of The Fantastic Four Radio Show which ran for thirteen episodes in 1975. It features narration by non other than Stan ” The Man” Lee and features a young Bill Murray as The Human Torch…that’s right true believers, Peter Venkman was The Human Torch. So sit back, relax and enjoy the adventure. Excelsior!

Hipster director Wes Anderson is back with “Moonrise Kingdom,” his follow up to 2009’s “The Fantastic Mr. Fox.” Anderson co-wrote the story with Roman Coppola (they previously wrote “The Darjeeling Limited), in which two 12-year-olds fall in love in 1965 and run away together into the wilderness as authorities search for them.

Newcomers  Jared Gilman and Kara Hayward play the roles of star-crossed 12-year-olds, Sam Shakusky and Suzy Bishop, and they give terrific performances. These aren’t regular kids, these are kids seen through a Wes Anderson filter.

Sam is an orphaned kid, disliked by both his foster brothers and his fellow kaki scouts. Suzy is a misunderstood girl, who lives in a lighthouse with her three younger brothers and parents (Bill Murray and Frances McDormand). The two meet and begin writing each other, soon hatching a plan to run away together into the great unknown. Scout Master Ward (a wonderful Edward Norton) soon realizes that Sam has “flown the coup,” enlists the help of police captain Sharp (an out of character Bruce Willis, but great none the less) and forms a search party made up of the kids from the scout troop, who are out for blood. Along the way, we are treated to performances from Tilda Swinton as Social Services (no really, that’s her name in this), Jason Schwartzmen as Ben, a scheming con-artist of a camp counselor, and Harvey Keitel as Commander Pierce.

I can’t give enough credit to Wed Anderson for his work here. If you’re not a fan of his, this isn’t going to win you over. If you are a fan of his work however, like me, you will find this endearing and charming without ever being cutesy or mushy. From the opening shot to the closing credits, there is always something wildly entertaining going on in each frame, be it the subtle look on a character’s face, or the wonderful narration of Bob Balaban. There are a few parts where the pacing does drag a tad but overall the film works wonders.

If you want to a see a film that is hilariously heartfelt, where you may find yourself smiling frequently throughout, then this film is for you. If that doesn’t sound like your type of movie, go see “Battleship” instead. The choice is yours, but choose wisely.

Score: 4/5

 

Ghostbusters 3 Moves Forward With No Bill Murray?

That Dan Aykroyd is just not giving up on the notion of a Ghostbusters III, despite the better judgment of everyone else on Earth, including original star Bill Murray. In an interview with Empire Online that appeared this week, Aykroyd stated that if Murray refused to appear as Dr. Peter Venkemen for a proposed third chapter, then they would consider re-casting the role.

I can’t imagine a worse idea than this, but there you go. One other recent rumor, that Bill Murray had shredded the script for part three that Aykroyd has sent him, only to send it back with a note attached that said “no one wants to see fat old men chasing ghosts” is apparently just that- a rumor. According to Aykroyd, “Bill Murray is not capable of such behavior. This is simply something that would not be in his nature. We have a deep, private personal relationship that transcends business. We communicate frequently and his position on the involvement in Ghostbusters 3 has been made clear and I respect that. But Bill has too much positive estimation of my writing skills to shred the work.”  I’ll totally bet he wanted to though.

The original Ghostbusters was that lighting in a bottle that you just couldn’t capture twice (I mean, we know…they tried to with part two) It was that perfect storm of script, casting and directing. If they had as hard a time repeating that magic formula once, why try again twenty five years later?  I’ll agree with Dan Aykroyd on one particular thing though, there are more cool Ghostbusters stories to tell, but maybe movies is not the way to go here. An animated series, maybe in CGI Clone Wars style, should be the way to go. After all, the 80’s cartoon show was pretty bad ass, imagine what they could do now? Sony could keep the franchise alive and viable this way, they could move more Ghostbusters shirts at Target and not tarnish the original, perfect film. Food for thought Aykroyd.

Guillermo del Toro To Helm Beauty and the Beast

Well, it feels like months since the last time I announced a project that Hellboy/Pan’s Labyrinth director Gullermo del Toro was attached to do. Well, here comes another one:  The Hollywood Reporter broke the news that del Toro is directing a new adaptation of the classic fairy tale Beauty and the Beast for Warner Brothers, with Hermione Granger herself Emma Watson as Belle. (or whatever she’ll be called in this one) This appears to be del Toro’s next directing gig after he wraps up work on his currently filming monster movie Pacific Rim.

According to the original story, the deal for this movie has been in the works since last spring when del Toro first began working with producers Denise De Novi and Alison Greenspan on a the project, which was initially an adaptation of the Robin McKinley novel Beauty: A Retelling of the Story of the Beauty and the Beast. It seems the project  has evolved since then, and is no longer a straight up adaptation of the book.  Aside from this movie, del Toro  is directing Trollhunters for Dreamworks, is developing a Haunted Mansion movie at Disney and is still attached to direct both a Dr. Jekyll and Mr. Hyde and a Frankenstein project at Universal. This guy really needs to stop saying “yes” to everything they come at him with.

It Is Official: Michael Bay To Direct Transformers 4

So, you thought you might finally be free of Michael Bay directed Transformers movies, after Bay announced last year that Dark of the Moon would be his final entry in the saga? Yeah…not so fast. Deadline.com broke the news this week that Paramount had finalized the deal for Bay to return to the director’s chair for Transformers 4 in 2014. According to the official announcement, this new Transformers movie would be a “re-imagining” of the series, with an all new cast. I’m not entirely sure how in the hell a director can re-imagine his own damn movie series. How is this not just a sequel with a new cast?

Ninja Turtles Reboot Gets A Director Too

And speaking of Mr. Bay, The long talked about live action reboot of Teenage Mutant Ninja Turtles gained a little bit more traction this week, as Jonathan Liebesman, director of last year’s pretty awful alien invasion flick Battle:Los Angeles (and the upcoming Wrath of the Titans) getting the directing honors. What worries me more than Liebesman is that the production company for this is none other than Michael Bay’s Platinum Dunes, a studio known for not having a shred of originality and only remaking classic 80’s horror films like A Nightmare on Elm Street and Friday the 13th  into glossy, soulless cash grabs. Now that they’ve run out of 80’s slashers from our youth to destroy, they are setting their sights on beloved comic book and cartoon properties.

Although TMNT came out as an indie comic in 1984, I wasn’t really into it as a kid. By the time the whole franchise hit weekday afternoon kiddy appeal and mass popularity, it was 1989/90, and I was too old for that stuff, so I really have no emotional investment in this property like many of you reading this no doubt do. But I honestly feel sorry for those of you who do, because Platinum Dunes is almost sure to piss all over your beloved Turtles. Might as well brace yourselves now kiddies.

MGM Hopes Valley Girl Is The New Grease, Or At Least The New Hairspray

MGM, in an effort to crawl out of their recent bankruptcy, is looking to exploit every last movie in their library for some kind of reboot or sequel.  Joining Red Dawn, Carrie and Robocop as the latest of their classic flicks to get the remake treatment will be none other than Valley Girl, the 1983 movie that was the first starring vehicle for a young Nicolas Cage. The original movie is pretty terrible; imagine a shitty version of a John Hughes flick and that’s pretty much Valley Girl in a nutshell. However, it does have an awesome New Wave soundtrack, which still gets some heavy rotation in my itunes library I must say. Leave me alone ok? I’m a child of the 80’s.

This time, MGM is looking to remake the movie as a musical, using all the great 80’s music, maybe hoping to be for today what Grease was to kids in the late 70’s. Although Grease had original music, and Valley Girl looks to be cover versions of classics from the likes of the Go-Go’s and the Cars. The director for this is an relative unknown named Clay Weiner (best name ever, btw) who directed a few commercials and a Nickelodeon movie. Despite name director’s wanting the job, Weiner’s demo presentation for Valley Girl was apparently so awesome, with choreographed 80’s mash-ups, it won the studio over and he got the gig.  MGM is looking to fast track this one, so expect it to be out next year, the 30th anniversary of the original film.

Personally, I think MGM should have taken this thing to Broadway instead. Clearly this movie is going to be targeted at today’s teen audience, and their knowledge of anything pre-2000 is questionable to say the least. At least the Broadway audience is the right age demographic for something like this, not to mention most “jukebox musicals” do really well, as there is nothing people love more than familiarity. And besides, this makes more sense than a Back to the Future musical, and that is said to be happening. Why not Valley Girl?