Episode 38 of the Saint Mort Show finds Matt chatting with Adam Pfleider. Adam used to write for AbsolutePunk.net and is currently working for Sargent House. We talk pop punk music, Adam’s plan to write a book about post-hardcore and his soon to be new life in Los Angeles.

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Greetings Geekscape,

If you’ve been here for a few years there’s a chance you know me. Either as the host of the Saint Mort Show, Muppet fan, writer of Guilty Pleasures or former Geekscape camera man. However most of you probably don’t know that in 2004 I started a non-profit.

It was in November of 2004 that one of my best friends (also named Matt) was diagnosed with Leukemia. Before that my only other experience with cancer involved my grandfather and it didn’t exactly end well, so immediately I felt helpless and sad towards my friend. I wanted to find a way to help him but had no clue how, when I suddenly had an idea. I called up a few of my musical friends and we threw together a cheap $5 acoustic show the following week called Music Vs. Cancer. In the end we helped raise a couple hundred bucks to help Matt’s family cover his chemo (Matt is now cancer free).

I loved putting together the show and immediately wanted to throw more. The next show was called Season Greetings and Salutations. This time I booked some bands an proceeds we made from the show were used to purchase toys for kids spending the holidays in the hospital. This became an annual show every December and always one of our most successful shows.

Punk group Committed playing an early show

Chords for a Cure was one of the greatest things I ever created. It was something much bigger than me. We helped raise money for various charities and local kids and I was able to develop incredible friendships with various bands. However as the time went on the music scene began to change, things became more and more focused on hardcore. Fights started breaking out, venues started closing and with it Chords for a Cure died in 2009.

However the idea of Chords for a Cure was always alive in my brain. I would dream of ways to bring it back and make it better. However there were two major issues I had to face, the first was finding a new venue and the other was finding a way to make the shows financial success so that the money at the door went to the charity and not paying rental fees.

Monday morning I received an email from Concord Liberty Presbyterian Church in Glenn Mills, PA allowing us to host events at their church. With the venue issue taken care of the next goal was figuring out how to cover rent. That’s when I decided to release compilations of local and/or unsigned bands digitally. These albums help raise awareness for Chords for Cures (our new name), gives exposure to great bands and the $5 goes to pay our rental fees as well as help out some of the bands that are taking time of their tour schedule to help out a great cause.

Download our Comp Available today 24 tracks for $5

For our debut compilation I’ve actually re-released our first comp released in 2005 (with a few additional songs over the years). All but two of these bands have since called it quits, however many of them went on to form much more successful groups. Songs on the record feature future members of Racing Kites, Team Goldie, Zolof the Rock N Roll Destroyer and The Scenic to name a few.

During this holiday (on the 8 year anniversary that this all started) give these bands a listen, give us a download and help us change the world… one concert at a time.

-MATT KELLY
Chords For Cures Facebook Page
Chords For Cures Volume 1 Digital Download

Episode 37 of the Saint Mort Show Matt sits down with Penn State Professor Thomas Guerin. The two discuss Horror films like the classic Frankenstein and Creature films as well as the true influence of Basic Instinct. I hope to have Thomas back again one day.

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Okay kiddies, back in the days before internet and DVD burns Hollywood was threatened by the VCR. Their fear was that people could record any movie off television they wanted and thus would have a reason to enter a movie theater again. It was a completely unrealistic and absurd fear.

So when I was a kid I taped Young Frankenstein off Television (commercials and all). It was one of my favorite movies for a few reasons. Firstly because it was one of my grandfather’s favorite movies, another reason is because it’s a hilarious and well made movie. So why am I telling you this?

The first time I ever heard of Elvira was from that tape. Every single commercial break was a 15 minute ad for the television premiere of this movie. I’ll always remember hearing the line “looks like Gumby on Steroids” repeatedly and not have any clue what it meant. But I was curious what this movie was about. I don’t know why my parents decided it was okay but when I was about 8 I saw Elvira Mistress of the Dark for the first time. I really loved it (despite the fact that the movie is a giant sex joke that went right over my head) however this was the first time I’ve seen it in a quite a few years.

Elvira was best known for two things. Her Television show and her Charles Addams style morbid comedy. Admittedly most of her gimmick was stolen from Vampira (who unsuccessfully attempted to sue her in the 80s) but for a brief period of time she was  a genuine star. Making a theatric feature for her was not an unrealistic place to take her character and despite it’s many flaws the movie still remains a good cheesy 80’s good time.

Elvira is sick of hosting her horror show and dreams of starring in her own Vegas stage show. However she’s just quit and needs $50,000 to get the show off the ground. In a stroke of great time she gets a letter informing her of the passing of her great aunt. At the will reading Elvira expects to gain lots of cash and get her show off the ground but instead she inherits a house.

Elvira is disappointed but hopeful she can sell the old mansion for the money she needs. While the whole ultra conservative town manages to keep her from getting a job or selling the house, Elvira’s uncle keeps asking her for an old family recipe book instead the house. Elvira promises to find it and sell it to him. She finds the recipe book and discovers that it’s actually a spell book and she’s part of a long line of witches.

Elvira uses her new found magic to fight her evil uncle, win over the town and gain the money neccessary for her Vegas show. The show is complete insanity filled with half naked muscle men dressed like demons, a rap song and tassel dance. Here’s the video (NSFW I suppose)

The film was released to lukewarm reviews and even earned Cassandra Peterson (that’s Elvira if you didn’t know) a Razzie award for worst actress. However I feel like the the things that made this movie dated (possibly as early as 1989) are part of the charm. The film literally OOZES the 80’s (rapping, a flashdance parody and even a Scooby Doo reference). I also am a sucker for the few practical effects that appear in the film specifically the casserole monster.

One thing I never really noticed is that everyone who meets Elvira immediately wants to rape her. It’s like watching Teeth. I’m not sure what their attraction except for possible her big beautiful eyes.

The film eventually got a sequel that no one has ever watched and last year Cassandra retired the character forever at the first Comikaze so it’s safe to say that the heyday of Elvira is gone. It seems that the days of any ‘late night horror shows’ are over with. I miss my Joe Bob Briggs, Mystery Science Theater 3000 and Elvira and I can’t wait for it to come back one day.

Well that’s all I got. Enjoy your Halloween.

Oh I almost forgot to mention Elvira has huge tits.

Last week I discussed 80’s slasher movies specifically with My Bloody Valentine. Popcorn is one of the films of the late 80’s/early 90’s that are frequently looked at as the nail in the coffin to the slasher genre until Scream in 1996. What’s ironic is that Popcorn isn’t a bad movie at all… in fact it’s satirical look at slasher films almost makes it Scream before there was a Scream (although you could also categorize Student Bodies and There’s Nothing Out There in that category).

Popcorn follows a group of film students who’s program is looking like it’ll be closed down unless they find some funding. One of the students (Toby) proposes hosting an all night horror show screening various horror films with different gimmicks (3D, Oderama and Shock-o-Vision). Meanwhile another student Maggie finds herself haunted by a strange image of a man every night, the character is the inspiration for her current screenplay.

While setting up for the festival they find an old lost film called Possessor. The strange avan garde film involves a man (ironically the one from Maggie’s dreams) yelling Possessor, the film suddenly cuts. Their teacher explains to them that the film is made by the cult leader/film maker Lanyard Gates. After the screening of Possessor he killed his family on stage and set the theater on fire killing all who inhabited it.

While clearly shook up by the event the students move forward with their film festival. It proves to be a huge success and they pack the theater with attendees. However behind the scenes a strange killer is slashing up each student (using the gimmicks to his advantage a few times). A nice twist to this particular film is that our killer makes masks of each one of his victims faces to allow him to move unnoticed from one victim to the next. Ridiculous? Yes. Kinda awesome? Hell Yeah.

Finally we’re down to Maggie and Toby. It’s revealed that Toby is the actual killer (duh) and Maggie and he are siblings. Furthermore their father is non-other than Lanyard Gates, both survived the Possessor screening however while Maggie was unscarred Toby is actually badly burnt up under the mask he’s been wearing. He decides to complete his father’s vision. However a gimmick malfunction kills him before the audience (who cheers at his death not realizing it’s not part of the show — kind of like Scream 2).

My favorite aspect of this movie is the film festival itself. Director Mark Herrier and writer Alan Omsby did an excellent job of writing cheesy films that properly represent their time period. My favorite being the ultimate campy 3-D fright flick Mosquito.

Despite all it’s short comings the film is a good fun time. There’s some awkwardness (since the movie was shot in Jamaica all the kids listen to Jamaican music), and some jokes fall flat but in general the film is genuinely one of the better slasher films (so long as you shut your mind off on the ridiculousness of the whole ‘mask’ thing).

If I could be involved in remaking any horror movie it’d be this one. I would however do it much like Chillerama. I’d get 3 other directors to film the short films screened at the festival and then another director to film the wrap around story.

If you’ve never seen this underground little slasher classic you’re in luck. A special edition DVD has been announced (although no clue when it’ll be out) with a retrospective documentary and commentaries.

Episode 36 of the Saint Mort Show Matt sits down with long time friend and musician Andrew Emsley. Matt has been trying to get Andrew on the show since the very beginning but their schedules always conflicted it. It was also to finally get to discuss the various musician revamps Andrew has had over his career from vocalist of a praise and worship band, to a shitty creed style rock band, to an acoustic punk group, solo artist and dupstep dj. His ever evolving sound all stems from where he is in his life. If you’ve ever wanted to write and perform music Andrew has a great history of stories to tell.

 

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I’ll confess right off the bat. The biggest reason that I picked this particular film was because yesterday was my birthday. But I do love this movie even though it’s one of the most ridiculous slasher films of the 80’s (and trust me that’s saying something).

You see in the 1980’s Slasher films EXPLODED. While you had plenty of great franchise films like Halloween, Friday the 13th and Nightmare on Elm Street you also had plenty of one shot slashers mostly cashing in on a holiday. These films varied in quality from the intentionally good (The Prowler), unintentionally good (Sleepaway Camp) and painfully bad (Splatter High). Now obviously with Happy Birthday To Me they’d run out of holidays (by this time Halloween, Friday the 13th, April Fool’s Day, Christmas, Valentine’s Day and Graduation had already been claimed).

This movie is absolutely ridiculous but we’ll get to that in a minute let’s start off by explaining the plot a bit.

You see the movie follows Ginny a pretty & popular high school senior. She’s part of the “Top Ten” which is a group of the richest, smartest and snobbest students. Someone is killing off the various students. And man, do they ever kill them off.

The movie was advertised with the tagline “6 of the most bizarre deaths you’ll ever see” and that is not a false advertisement. I won’t spoil these glorious deaths (however the producers already spoiled one by making it the poster).

After killing almost all of the Top Ten Ginny begins to believe she may be the killer. She comes home on her birthday to find all her friends dead bodies sitting around a table and an exact look-a-like of herself.

Almost as if it were an ending to Scooby Doo the doppelganger removes her mask revealing herself to be one of Ginny’s friends Ann. Ginny kills Ann just as the police walk in. The audience never finds out if Ginny is arrested for the murders or able to prove her  innocence.

This is what makes the movie shine where other films from this time failed. Not only is it beyond outrageous with it’s murders and the way the killer is revealed only to end on a dark and tragic conclusion. Unlike most slasher films where there’s always someone there to witness the survivor killing the masked murderer the films also pretend that ‘life moves on like normal’ (this excludes franchises like Scream that follows the survivors over a span of films). The reality is that you were just surrounded by various dead bodies and most of the people you know and love have been killed, there’s no happy ending regardless if the boogeyman is dead or not.

Hmmm that was kinda darker than intended.

Anyway my point is that it’s blend of dark humor and intense death scenes make this film more entertaining than some of the other 80’s slasher one-offs. Go check it out, it’s October damn it!

Two years ago I ranked ‘Best Worst Movie’ as the best film of 2010. It’s heart-felt look at fan culture, so bad it’s good film making and the struggles of being the star of the worst movie ever made was funny, touching and entertaining. I even managed to get Best Worst Movie/Troll 2 star George Hardy on the debut episode of my podcast The Saint Mort Show.

Well director Michael Paul Stephenson is at it again. Today he released the trailer to ‘The American Scream’, a documentary about Halloween displays. For me it invoked memories of Halloween as a kid. There were two houses I loved one was my Uncle Craig and the other was a man who lived down the street from my house. Both of them spent all year round putting together giant halloween displays with moving figures and horrifying creatures. I never see displays that come close to the impressively elaborate work that these men did.

Michael Paul Stephenson seems to have the same nostalgia for a small town man’s desire to create a giant free spectacle for the sake of Halloween. The trailer is funny, touching and at times moderately heartbreaking. There’s no way this film will not be one of my favorites of the year. Kudos to you Mr. Stephenson… please appear on my podcast.

For a list of theater screenings, check out the film’s official website. ‘The American Scream’ also premieres on October 28th on NBC Universal’s CHILLER Network.

There aren’t actors quite like Don Knotts anymore. It’s very disappointing. Previously in this column I defended the Incredible Mr. Limpet. This film isn’t anywhere near as bad as the film and to be honest isn’t a true guilty pleasure (67% freshness on Rotten Tomatoes and a decent fan following) so much as it’s just a movie no one my age seems to have seen. It truly is a shame.

You see most people my age not only don’t appreciate Don Knotts… but don’t appreciate the character he created. You see Don Knotts allowed himself to always be a schlob character. He was a scrawny, nervous, bumbling loser and unlike most movies with similar characters he never stops being a bumbling loser… he just won over people by being that. In Incredible Mr. Limpet he turned into a fish and remained a fish, in The Ghost and Mr. Chicken he starts off a coward and remains one.

The movie follows Luther Hegs (Atta’ Boy Luther) the town wimp. Luther’s dream is to be a reporter for the local newspaper but no one takes him seriously. However Luther continuously is talking about the ‘murder house’ in town where a man (Mr. Simmons) went crazy and killed his wife years ago. On the 20 year anniversary of the murder he volunteers to spend the night in the house to write a piece on it.

Luthor sees weird things and writes a piece that captures the hearts and imaginations of the town. Suddenly he gets sued for slander by the Simmons son (who spoiler alert turns out to be the real murderer all along).


The idea was originally intended to be an extended version of an Andy Griffin Show episode but when the idea was scraped it was turned into a vehicle for Don Knotts up and coming acting career.

This film would be completely and utterly forgettable if not for Knotts’ over the top performance. He is one of the truest physical comedians, he might not always throw himself around like Jim Carrey or Jack Black but his over exaggerated body language makes me laugh harder than anything Carrey or Black has ever done. It’s why he’s so loved, it baffles me why he’s animated for 90% of Incredible Mr Limpet because you remove what he’s best at.

I’m going to keep this one short. Track down a copy of this and watch it. If you have grandparents that are still alive watch it with them, they’ll appreciate that! If nothing else it’s got a kick ass soundtrack from Vic Mizzy.

In 2007 I was working at a small mom and pops video store in Delaware. I remember one day when opening our box of new releases seeing a box set staring up at me called “AfterDark Horror Festival: 8 Films to Die For”. It bragged that these 8 films were too graphic and horrifying to be released theatrically. Being the horror buff that I am I rented all 8 throughout the month, I’d say that the movies were split 50/50 some of them being truly great (The Hamiltons and Reincarnation) while others were painfully awful (Wicked Little Things, Penny Dreadful).

For me Dark Ride fell into the ‘good but not great” category while it seems most people felt it was less than good. Perhaps it’s because I love Amusement park horror films or maybe it’s because I’m a die-hard slasher buff but I genuinely enjoyed this film.

Ten years after two teenage girls are brutally murdered a group of college kids take a road trip and end up at the amusement park where the girls were slaughtered. Instead of simply riding the Dark Ride they instead decide to spend the night (so basically the plot of superior film Funhouse).

While sitting in the ride getting high one of the friends (Bill played by the fat kid from Big Green) confesses that the two girls killed on the ride were his cousins. Suddenly the power goes out. Another one of the friends Jim (the Bad Boy from 2ge+her) goes to the basement to turn the power back on.

One of the girls on the trip begins to flirt with him and starts to blow him. During the blowjob her head is decapitated without Jim knowing it. This scene predates Eli Roth’s Thanksgiving trailer by almost two years, the only difference is one was satirical and one is scenario. If you ask me I prefer it as a sincere use.

In the end Bill’s crazy brother is revealed to be the killer. Bill has asked him to kill his friends for some reason that’s never totally explained because while he’s a little annoying they seem to tolerate him.

Dark Ride came out at a time where slasher movies had disappeared again. This was a throwback to the fun slashers of the 80’s. The character are stereotypes, the jokes are awful and the twist is ridiculous. Those are all the elements that makes us love those films. How is “Bill’s Brother” had more insane than “Angela’s really a boy” and the killer was “Ann wearing mask that looked like Ginny”.

You see by the early 90’s the slasher genre had sorta become a punchline to people. Movies like Dr. Giggles and Shocker kinda hit theaters with a thud and the genre died a quiet death until Scream came out in 1996 and revived the genre.

Scream didn’t just revive it though, it rewrote it. It spawned it’s own little twist on the genre. Now the characters were self aware, they knew all the rules of horror movies and the killer’s were just every day people. We had movies like I Know What You Did Last Summer, Valentine, Urban Legends and a dozen other films that all were basically the same.

These days the genre is dominated by remakes. There’s a small underground movement of horror movies that ‘return to the roots’ persay. These films blend the 80’s slasher film with the late-90’s slasher films. It’s given us some of the best horror films in years with movies like Hatchet, Cabin Fever and Behind the Mask however the fact remains that Dark Ride predates them all by at least a year. However much like how Student Bodies predates all horror/comedies the film isn’t nearly as loved and respected as it’s predecessors.

The characters in this movie have the right blend of lackability as well as ridiculousness. BIll’s ‘movie geek’ character makes reasonable references (Midnight Cowboy, Deer Hunter) instead of some films that’d have him spouting out every obscure title known to man. But the biggest saving grace to the film is a wonderful picked out mask. The mask is nothing more than a shattered porcelain doll face. Let’s face it, dolls are creepy.

This is an under appreciated hidden gem filled with great kills, awesome use of sound and great set design. If you’re a fan of the slasher genre and you’ve never seen this, perhaps this Halloween is the perfect time to see it.

If you’re my around my age (22-31) you grew up in a magical time where channels like HBO, Showtime and Cinemax were a new and exciting channel. Like many of us who grew up in those days you would see some weird movies on those channels. Due to being a new channel they could only get strange movies at first. Movies like Killer Klowns From Outer Space, Re-Animator, Freaked and Little Monsters.

There was one particular film I always remembered but the title escaped me. All I ever remembered about the movie was that (a) smoke rose from the house, (b) a couch ate someone and (c) the kid gets nailed into a coffin. When the internet first started to become a viable source of information I’d search website after website for some clue as to what this mystery movie was. It wasn’t until one day on the badmovies.org forums when I finally got a lead. Someone said it was either Saturday the 14th or it’s sequel Saturday the 14th Strikes Back, but they warned me that they’re pretty terrible.

Now I’m not going to say this particular movie is “good” but it’s certainly better than the original. The film doesn’t follow any characters or plot points of the first Saturday the 14th but instead is a random and slapsticky comedy/horror in the same realm as Attack of the Killer Tomatoes.

Our main character is 16 year old Eddie Baxter. His family moves into a new house that they inherited from his uncle. The house has cracks in the basement where smoke is constantly rising. Eddie realizes that this smoke contains various evil demons with in it. These demons possess his family members as well as bring random pieces of furniture to life and allows various monsters to reside in the house. Eventually Eddie is the only member of the family left without being possessed. It’s up to him to save the family (and the entire world).

You know that when the biggest names in your horror film are Ray Walston and Avery Schreiber that you’ve got a movie that’s 90% comedy and 10% horror. Sadly 90% of that comedy fails to actually provide laughs. However there are also points where the absurdity levels reach a point where you have no option but to chuckle at the straight faced way that they deliver the more insane moments.

This is definitely a film that basically survives strictly on nostalgia. If you watch this movie having grew up with it you’ll know that it’s bad but you’ll be overwhelmed by the memories of the film. You’ll know it’s bad but you won’t care.

The film isn’t completely terrible though. There’s some cool looking puppets as well as entertaining stop motion throughout. There’s something moderately charming about the fact that the film never takes a second to stop. It’s one bad gag and bad joke after another. While the film doesn’t hold the same level of “so bad it’s good” praise that a Troll 2 or Plan 9 will receive it’s probably the only film where you get to see a werewolf spy on an olympic gold medalist in the shower.

Okay, I gotta start off by saying The Stoned Age is a pretty terrible movie. It really is quite terrible. I mean there’s literally one quote on the DVD cover and it’s from Kim Williamson of Venice Magazine (that popular rag) and it says “Better than Dazed and Confused’. It’s a straight up lie. This movie is not better than Dazed and Confused nor is it better than most films of it’s kind. So why am I even defending this film that I admit is pretty terrible? Because I love the shit out of this movie.

I have no clue how to explain the movies on Guilty Pleasures sometimes. There are plenty that people will say aren’t real guilty pleasures and others that people will say are so awful that they defy defendability. I suppose what really links all of them together is the fact that they are movies found in my DVD collection that make people question my tastes. How can a guy with pretentious shit like Slacker or film school favorites like 12 Angry Men also own The Stoned Age? I am of course the only person in the world who’s DVD collection when alphabetized leaves Casablanca sitting directly after Carnosaur 3: Primal Species.

This is an actual photo of half of Saint Mort’s DVD collection. Ladies, He’s Single!

What is it about me that makes me love such low grade shit as The Stoned Age with the same enthusiasm that I love It Happened One Night? I wish I could have an answer for you, but I just love the movie. Maybe it’s the Classic rock in me or maybe I’m just a fan of any teen comedy regardless how shitty it may be. I honestly have no answer.

The Stoned Age is sort of an unknown film in many respects. Most people I’ve met have never heard of it and the ones who have seem to hate it (except you James I know you’re reading this… I’ll get to you in a second). The reasons I think people hate and love it are for the exact same reason, it’s a cheesy low budget rip off of dozens of films you have seen before.

I first heard of the movie on my friend James’ (see I told you) old website moshpitwookie.com. As far as I know the site no longer exists and if it does it’s definitely not James’ site any long. MoshPitWookie was a place for heavy metal concert reviews, editorials and forums where about 5 people had discussions. One day James was doing a full week of teasing his upcoming article “The Greatest American Graffiti Rip-Off” in the end the article ended up being this. James tried to argue that since Dazed and Confused is the greatest American Graffiti Rip-Off and this is the greatest Dazed and Confused rip off than vicariously it must be the greatest American Graffiti rip-off. It’s flawed logic for sure (for starters there has to be a better Dazed and Confused rip-off than this).

However it does share an undisputed influence from both films. When two stoners (Joe and Hubbs) find out about a sexy “chick” considered a sure thing who looks like the girl from the Virgin Killers album (one of the most perverted jokes ever put on film)* they decide it’s time to get laid. The arrive at the house where she (Lanie)’s staying and they go on an adventure throughout the night in a quest to woe her. Hubbs calls dips on her and pushes Joe off on her less attractive (but far less shallow) friend Jill.

Joe begins to fall for Jill when the two have to hang out while Hubbs has sex with Lanie. As a birthday gift Hubbs arranges for Lanie to also give Joe a blowjob. When Joe reluctantly goes upstairs he finds Lanie fast asleep, he returns downstairs to find Jill and Hubbs making out.

Joe leaves the party disheartened but Jill gives him her name and location so he can find her again one day. The two friends fight outside and then make up quickly as Joe finally gets to have a say on issues like what song they listen to in the car.

Clifton Collins Jr in one of his first movie roles

This hyper low-budget movie didn’t really kick start anyone’s acting or writing careers. The only actor’s you might know are Clifton Collins Jr (who’s mostly an ‘oh that guy’ actor and Jake Busey in a small appearance. While the writer/director’s only other film was the box-office flop The Jerky Boys (co-writer Rich Wilkes however went on to write both xXx movies). This movie did help jump the careers of producers David Heyman (the Harry Potter series) and Neal H Moritz (producer of multiple hit comedies and horror films).

One of the things I appreciated about this particular film is that Jill is one of the few genuine females in this genre. She’s not a complete slut, dumb blonde or even a secretly hot average girl. She’s homely and remains homely but she’s good natured and strong willed. Her relationship with the equally average Joe (ha, Average Joe… I wonder if that’s intentional) feels like a natural progression and you want to see them succeed. Also Renee Griffin is properly hot as Lanie and you get to see her naked so that’s good too. Actually you know what? Kim Williamson is right about one thing; The Stoned Age has more tits than Dazed and Confused… so in that field maybe it IS superior.

* – There’s a good chance many people don’t completely understand this particular joke. In 1976 German Metal band Scorpions (you know rock you like a hurricane) released an album called Virgin Killer. The record created a HUGE controversy at the time for having a nude photograph of a prepubescent 10 year old girl (her genitalia being censored by a ‘cracked glass’ effect. The controversy lead to the album cover being changed quite quickly with the original cover being a rare collector’s item. This was not the last controversy for the band when it came to album covers… seriously, Germans are crazy (EDITOR’S NOTE: Writer Matt Kelly’s opinion of German People does not reflect the opinions of Geekscape.net)

If you placed a gun to my head and asked me to name the greatest zombie movie ever made, with very little hesitation I’d say Return of the Living Dead. In a recent episode of my podcast Reddit Horror Club we reviewed this very film. The fact is most of what you know about horror movies stemmed from this “parody” more than the classics like Night of the Living Dead and Dawn of the Dead.

It was Return of the Living Dead that first introduced the concept of zombies eating brains, it was also in this film that you first see zombies that can run (for better or for worse). But that’s not why I love that particular film, I love it because it’s a fun movie with some of the best looking zombies ever committed to film. If you consider yourself a zombie fan and you’ve yet to see it, this must be fixed.

Now… let’s talk about Return of the Living Dead Part 2

One can almost argue the film is a reboot more than anything. So many elements of the movie are similar (including many characters from the first ROLD returning as similar characters with similar dialogue). It’s basically a kid’s friendly zombie film, the MPAA was going to give it a PG-13 rating if not for one particular sequence involving a zombie getting cut in half. For whatever reason the director refused and decided to stick with the R (which good for him because the effect is one of the best ones in the movie).

Being that it’s a kid friendly film instead of following a group of 8 punk rockers in a grave yard we follow a young boy named Jesse Wilson. Jesse becomes friends with two bullies who take him to their club house. While there they discover a barrel of Trioxin (which turns you into a Zombie). The bullies lock him in an old mausoleum while they tamper with the barrel eventually spraying themselves (and the entire graveyard) in the deadly gas.

As expected the dead begin to rise leaving Jesse one of the only people that totally understands what happens.

The film currently holds a 0% freshness on Rotten Tomatoes. This movie is bad but it’s fair from 0% awful. The audience reviews were a 46^ which I think is at least slightly more fair.

There are elements that movie does a little incorrectly. They push the comedy heavier than before and while the original was funny is a slightly satirical way this film focuses on more slapstick humor as well as a Michael Jackson/Thriller Zombie. The silliness is just that silly. Nothing is laugh out loud funny in the film to the level that the original would make you laugh. Despite having directed a few horror films before and afterwards director Ken Wiederhorn hated horror movies which would explain his constant desire to stay away from the horror and play up the comedy. Most of the cast seems to have disliked his directing style and have negative memories on the whole experience.

Despite all the issues with silliness the movie is still extremely fun. While they play every  piece of horror with their tongue firmly in their cheek they didn’t skimp on the zombie effects. Be it puppets or make up each zombie has their own unique design and personality.

I love this movie to death and I’m sure a big part of it is because it literally oozes 80’s. They will never make a movie like this again (probably not a bad thing) but despite the fact that everyone involved hated the experience it looks like they’re having fun and that definitely helps make the movie a fun experience.

Go rent this and the original, turn your brain off and enjoy one of the greatest zombie movies ever made and a film where they shamelessly kill various bullies and turn them into zombies as well.

This past January American Reunion was released. The film immediately forced me to come to terms with the fact that my 10 year reunion is only a year or so away (it also forced me to admit that I enjoyed some of the direct to DVD American Pie Movies). What I guess my biggest fear is that I won’t be interesting enough. Whenever I tell anyone this they also respond with “Just tell them you invented Post-it Notes”.

I feel bad even including this as a Guilt Pleasure. Most people who have seen it have liked it, it made enough money for a shitty Made-For-TV Prequel and it’s got a 69% freshness on Rotten Tomatoes. To be fair, I only really picked it because I do love this movie more than natural and I thought I could tie it in with the new movie Bachelorette (because you know it’s about people who were ridiculed in High school… okay I admit it, it’s a bit of a stretch).

When Romy and Michele hear about their 10 year reunion they’re extremely excited to see their old classmates. Since graduating the two have moved to Los Angeles where they’re both single and living a life full of parties and fun. Michele is unemployed while Romy is a cashier. In an act of desperation to put an end to their ‘nerdy’ high school background they decide to create a fake life for themselves as successful business women.

Their lie is that they invented Post-Its. Their ruse lasts only a brief period of time at the reunion. They remain being mocked by the same people that harassed them previously. However the people who truly appreciated them for the unique people that they are show them the love and respect they never had in High School. Former popular girl turned Vogue Magazine associate fashion editor praises the clothing Romy and Michele made themselves and with a loan from another successful classmate create their own clothing line.

Romy and Michele could have been a painful failure of a comedy. The characters could have been obnoxious and annoying but Mira Sorvino and Lisa Kudrow made them adorable and likable. Furthermore Janeane Garofalo gives her funniest film performance ever has the miserable goth girl Heather Mooney (correction: Second best I almost forget Wet Hot American Summer existed).

The story of their redemption from High School losers to success is a touching one. The flashbacks to their high school days are genuinely heartbreaking. Even if we weren’t the one’s picked on like them, we saw the people who were like them.

The final message of the movie in my eyes is that you have to be true to yourself. While it’s nice that Romy and Michele end up having a successful clothing store. I’d have been just as happy if the film just ended with the two of them realizing that success isn’t how much money you made or the jobs you have but how happy you are with your own life.

I guess I got a little too preachy on this Guilty Pleasure didn’t I? Let me throw in some curses to bring it back to it’s normally low-brow caliber. Fuck Penis Shit Balls.

So this weekend absolutely no one will be rushing out to the theaters to see For a Good Time, Call… or at least that’s my prediction. However I’ve been wrong previously. I decided that this week’s guilty pleasure should be focused on one of my favorite romantic comedies of the last couple years. While the film wasn’t completely hated on it was seen as extremely mediocre and underwhelming however since it was one of two ‘friends having sex but not dating’ movies.

Both of these movies (the other being Friends With Benefits) starred male leads that I have no opinion of. I was a little shocked to discover that I liked Ashton Kutcher better than Justin Timberlake (yeah I know, like I said I was shocked). But Ashton isn’t what made me love this movie, it’s the witty satire on Television, relationships and friendships.

The movie takes the “When Harry Met Sally” method of starting with our leads meeting 15 years earlier when they were kids. They meet again a few years later at a college party and again at a swap meet. These early segments aren’t exactly crucial beyond giving the characters a reason to talk at the swap meet and the party.

Finally we’re in present day Ashton’s character (Adam Franklin) works on a High School Musical like set. He wants to be a writer but so far is just a general PA. Meanwhile Emma (Natalie Portman) is in the middle of her residency and has no time for relationships.

Adam’s rich actor father has recently started dating Adam’s ex girlfriend which puts an obvious strain on their relationship. Adam’s only solution is to text every single woman in his phone until he gets a hook-up while doing this he drinks himself stupid. He wakes up the next morning completely naked surrounded by people he doesn’t know. Eventually Emma shows up explains to him that he texted her, she gave him her address and he showed up drunk and started stripping for her.

While he starts getting dressed the random hook-up. They decided that this is exactly what they need in their lives and start having random sex over the next few weeks. Predictably Adam begins to fall for Emma and things become awkward between the two. Emma decides they both need to sleep with someone else but Adam refuses so they go their separate ways and Adam’s ex leaves his father. Adam realizes how awful of a person she really is. Luckily Emma comes back to him and they begin dating. Credits roll.

Yes this movie is extremely predictable. I won’t pretend it’s not. But is that really a bad thing? No one watches a romantic comedy expecting to see Memento, you want to see a couple meet, fall in love, break up and get back together. It’s a simple again, it’s why we watch them.

Elizabeth Meriwether’s screenplay is full of witty one liners, sexy situations and a story that manages to stay fresh regardless of the whole predictable nature of the film. Meanwhile Ivan Reitman directs some of the hottest softcore sex sequences put in mainstream cinema, the fact that these sex scenes also involve Natalie Portman just makes things even more enjoyable.

I’m not going to call this guilty pleasure a must see but if you want a romantic comedy for a date night which you can enjoy as well. It’s worth checking out.

Episode 35 of the Saint Mort Show Matt sits down with Atom and His Package, Lei of Smart When Shouting and plays a song by Wisconsin band The Way Back

SmartWhenShouting.com
The Way Back Facebook 

About an hour ago it was announced that Jerry Nelson had passed away. While he won’t receive the news coverage of some of the other celebrity deaths this week, it’s the one that affected me the most and to be honest, I think Jerry would have liked it that way.

While Muppeteers like Jim Henson, Frank Oz and Dave Goelz shined in the spotlight controlling Kermit, Fozzie, Gonzo and Ms Piggy. Jerry Nelson was the king of the Supporting Muppet role bring to life such famous felt fellows like Sgt Floyd Pepper, Robin the Frog, Uncle Deadly and Camilla the Chicken.

However he got to shine in later years as Emmet Otter in the Emmet Otter’s Jug Band Christmas special as well as Gobo Fraggle and Pa Gorg in the hit HBO series Fraggle Rock.

His most iconic character will always be Sesame Street’s the Count which he continued to provide the voice for even after retiring in 2004. He was a member of the Muppet family until his dying day (even providing some voice over work in last years The Muppets).

He will be missed by the entire Muppet loving community.

R.I.P. Jerry Nelson
7/10/34 – 8/23/12

Philadelphia based Nerd-Core rapper Random may have dropped his Mega-Ran name (where he did Nintendo tracks) but he hasn’t walked away from his Geek background.

The English Teacher/Rapper is releasing a series of EPs called Language Arts covering various famous pieces of literature and with his newest music video Buggin’ he raps the plotline to Franz Kaufka’s infamous book The Metamorphosis

Check out the video here!

Language Arts Volume 1 is available now on iTunes, bandcamp and amazon! Volume 2 comes out tomorrow!

The Amityville movies are in general pretty terrible. This would be because they’re based on a hoax (theoretically) and adapted from a book that wasn’t very good. I recently took the time to sit down and read the Amityville Horror and it’s a terrible read, yet a very interesting read at the same time.

After reading the book I wrote a short essay on my opinion of the book as a whole in my blog Pure Mattitude. You can read the whole thing if you want but I’ll give you a quick exert from my essay.

I’m not going to lie, after reading it I’m convinced that the events of the book really happened. I say that in the sense that no one could fabricate something this fucking boring and try to sell it as exciting unless it really happened.

The books “paranormal activity” involve “Windows breaking during a storm”, “car trouble” and “going to the same bar as the person who murdered his family a few years earlier”.

This awful and dull book lead to a feature film and 8 sequels. They are all pretty bad to the point of painfulness. Sadly due to the fact that pretty much all the movies are terrible people don’t really recognize the only one that’s moderately interesting; Amityville Horror II: The Possession.

You see while the first Amityville Horror is based on a very potential hoax and all the other sequels are simply made-up stories Amityville Horror II is the only thing based on a proven event, the DeFeo murders.

Now for the sake of creative liberties the names were changed to the Montelli family but the film is based on Murder in Amityville by Hans Holzer. The book (later renamed Amityville: Fact or Fiction?) tries to propose that Ronald Defeo Jr was possessed when he murdered his family.

The movie enters some dark and demented elements like a violent and abusive father as well as an incest filled relationship between brother and sister. But we’ll get to that in a second. First let’s go through the plot a bit.

When the Montelli (aka the Defeo’s) family moves into the Amityville house thinks get weird right away. Windows start opening and closing, paintbrushes come to life and paint hateful messages on the wall and eldest son Sonny starts hearing messages in his walkman.

Dolores asks the local priest to bless the house but his driven away by the abusive and violent husband Anthony (played extremely over the top by Burt Young). While the family goes to church so Anthony can apologize their eldest son Sonny (Son… Sonny… ugh) becomes possessed. HIs first act as a now demon possessed teenager is to bang the shit out of his sister (who is played by Diane Franklin aka Monique the French exchange student from Better Off Dead so really… who can blame him?).

As Sonny falls deeper into the possession his face begins to take on a more demonic appearance (because hey, it worked in The Exorcist). Eventually he’s driven to murdering his entire family on his birthday.

The young priest from earlier takes interest in Sonny an believing that he is possessed decides to exorcism him. While he may not be cleared of his murder charges, Sonny will be able to be himself again. The film ends implying that the priest is now possessed, if he is we won’t ever find out because the next sequel was a 3-D film about a demon living in the basement.

These final 30 minutes is what I find most interesting in this film. The demonic make-up is top notch during the final exorcism sequence. Sonny is caked in slime, contacts and rotting features. While the exorcism isn’t on the same level as other famous exorcism sequences (aka The Exorcist), it’s still quite good. While much of the sequence where Sonny’ becomes possessed is pretty absurd, the special effects and makeup remain quite impressive.

All in all the movie’s not terrible. There are some slow points and some of the performances leave something to be desired. Burt Young’s performance of the violent, abusive and cruel father for instance constantly walks the line between frightening and hilarious. The first scene in which he bites the youngest child and then beats Dolores when she tries to protect them is genuinely disturbing. On the flip side (just 10 minutes later) when he’s beating a child and screaming at the priest the sequence is so outrageously cruel that you find yourself chuckling a little.

On the opposite end of the spectrum Jack Magner’s performance of Sonny Montelli is quite energetic and well done (particularly given how ridiculous the possession sequence was shot). Sadly his only other performance was as “young serviceman” in Firestarter. I don’t even know if he is still alive as his IMDb page has little to no information on him.

In one of the more ridiculous moments of cinema history stemmed from the resolution of a lawsuit. George Lutz (the real life ‘victim’ of the first Amityville Horror) intended to have the sequel be based on the book Amityville Horror Part II. The book by John G Jones has the tagline “The terrifying true story continues” but then has a disclaimer stating “This book is a work of fiction, the author created this story”. When producer Dino De Laurentiis went with in a different direction Lutz attempted (unsuccessfully) to sue. However Lutz did win the right to put posters in theaters informing everyone this film has “no affliction with George and Kathy Lutz” (because you see an Amityville horror film for them and not a possessed and demonic house).

While the movie had mixed and negative reviews some critics (shockingly enough Roger Ebert) did see this as an improvement on the original (because it is). However the movie debuted at #1 it’s opening weekend and opened the door for Amityville everything (including possessed clocks and dollhouses). The Amityville Horror series is undeniably the worst horror franchise out there, but you still shouldn’t write off this particular sequel.

When I was a kid I loved my Uncle Craig. He’s the type of uncle every Horror Fan/Geek deserves. I haven’t seen him in almost a decade but my memories of hanging out with him will forever be etched into my brain.

Craig loved horror stuff. His house was filled with masks, action figures and statues of all the greats: Jason, Freddy, Leatherface, Cenobites and many other classic characters. Every Halloween he’d transform his property into a giant haunted house with mechanical mannequins (including a man in an electric chair who shook violently when the light above his head turned on and a Linda Blair whose head spun 360 degrees). It was in this setting that I was most likely introduced to The Monster Squad.

Regardless of where and when I first saw it, I saw it many many times afterwards. Fred Dekker’s film was truly my first introduction to horror movies, sparking a desire to see the classic Universal films that these villains were based on. But I’m getting ahead of myself. I realize that there’s a good chance that a decent percent of people have never heard or seen The Monster Squad. There’s a short answer and a long answer. Short Answer: It’s The Goonies with Monsters. Long Answer? Well… okay, but prepare for a few spoilers.

Sean Crenshaw (Andre Gower) is a 12 year old kid who loves horror movies. He loves them so much that he has a club/treehouse (and a kick ass one at that) with his friends Patrick, Horace (aka Fat Kid), Eugene and the newest (and oldest) member Rudy. The group talk monster movies and torture Sean’s sister Phoebe. Not a very out of the ordinary childhood… until the day that Sean’s mom buys him a diary that supposedly belonged to Abraham Van Helsing.

Suddenly, Sean starts hearing strange reports of Mummies going missing and men screaming that they’re actually a werewolf in the police station. Sean realizes that his town is being plagued by some of history’s most infamous monsters and it’s up to his friends and their new found buddy Frankenstein to team up and fight Dracula and his evil minions.

Writer/Director Fred Dekker said that his goal with this movie was to make his own version of Little Rascals meeting the Universal Monsters. However, he couldn’t legally make that movie, so he made up a new team of modern day Little Rascals and with the help of Stan Winston was able to update the Universal creatures to avoid any copyright issues.

The film helped introduce what I consider to be the best looking versions of all the Universal monsters (specifically Gill-Man and Mummy). Each character has their own definitive look and style. Mummy with his terrifyingly thin appearance, Gil-Man looking like his head is a Piranha, an incredibly beefed up Wolf-Man (who stands on two feet again after a few years of four legged werewolves) and a Frankenstein monster who looks more like a corpse than ever before. For years I’ve dreamed of remakes of the original Universal films using these designs (specifically Creature From the Black Lagoon).

I guess it’s important that I mention some of the most infamous scenes from the film. Some of the jokes would never appear in a kid’s film these days. The 80’s were a magical time where PG and PG-13 films could depict kids talking like kids. The Monster Squad (much like The Goonies) basically depict kids in the same way that Rob Reiner and Stephen King presented youth in Stand by Me. It’s because of this frankness that lines like “Woflman’s got nards” (in reference to the Wolfman’s groin) not only exists but has become an iconic line, oftentimes being used by people who have no other knowledge of the film beyond that single line.

However, the most memorable moment for me involved Eugene informing his parents that there’s a mummy in his closet. the scene involves his dad entering the room and making a big scene, screaming at all of the invisible monsters and warning them to get out of the room before finally going to the closet door.

Without looking inside, he opens the door and begins mocking Eugene. He yells lines like “oooh look at that big scary monster”, while Eugene in tears looks at the actual mummy reaching out for him from inside the closet. The father scolds him for letting his imagination get the best of him and as he walks away Eugene sees the mummy exit through the window before covering his eyes. As a kid fascinated with what might lurk in the shadows, I loved this scene.

Beyond its ability to accurately depict adolescence, The Monster Squad also offers one of the most sympathetic looks at Frankenstein (which is impressive because he’s already a pretty tragic character). When it comes time for Frankenstein to leave with the rest of the forces of evil, you are touched. A reverse of the scene in which the original Boris Karloff Frankenstein monster drowns the townsman’s daughter while trying to make a friend, when Phoebe screams “don’t go Frankenstein, don’t go!” you can’t help but get the smallest tear in your eye that Frankenstein finally made that friend only to have to leave her behind.

The film even introduced me to adult historical themes for the first time. It contains a character who’s name (even in the credits) is Scary German Guy (Leonardo Cimino). Scary German Guy is a holocaust survivor who resides in town and is suspiciously watched by our heroes. But eventually they need his help in translating Van Helsing’s journal in order to save the day. Without his help end movie would not end on a happy note, not just because it breaks down cultural borders but generational ones. What greater monsters than the ones that the older generations faced in real life?

Today we celebrate 25 years that the Monster Squad has enlightened and touched geeks around the world. From attending conventions and talking to people at the Geekscape booth I know that my experience with Monster Squad is not a singular and rare reaction. People adore this movie and we’ve featured the cast and director on the site several times.

After years of being out of print, the film finally came to DVD a few years ago. Packed with commentary tracks, retrospective documentaries, deleted scenes, storyboards and a ton of other goodies, it’s a great buy whether you’re a long time fan or have never heard of it.

And if you have a child or are a child at heart yourself, it might be time for you to introduce someone (or yourself) to this magical film made 25 years ago.

In 2002 (aka 10 years ago) the movie opened #1 in the box office despite negative reviews. It’s success indirectly lead to a sequel as well as other kids movies based on old cartoons (Josie and the Pussycats came out first but it was far from a box office smash). So is Scooby-Doo really that terrible?

No. It’s not. I mean it’s not good. But it’s far from awful. What I see this movie I can see two movies battling to be the superior. James Gunn has been very open about the fact that his script was definitely a PG-13 adaptation (like The Brady Bunch and Josie and the Pussycats before it) contains such elements as Shaggy being a stoner as well as Velma and Daphne being secretly lesbians (and by very open I mean I think I heard him say that on Doug Loves Movies once) and then there’s the PG movie that Warner Bros wanted. This was confirmed by Sarah Michelle Gellar who reported that after all the cast signed on the script was made more family friendly.

There are definitely elements in the film that got to stay in the final product. One of my favorites being a joke in which upon Shaggy’s meeting of a girl name Mary Jane replies “That is like my favorite name ever” as well as his introduction being him grilling to the song “Pass the Dutchie” by Musical Youth. But I’m getting ahead of myself.

The movie opens on the infamous mystery solving team (Mystery Inc)’s final mystery. After solving the case of the Luna ghost the group of extremely old meddling kids break up over various egos (specifically Fred, Daphne and Velma). Shaggy and Scooby remain optimistic that they will reunite again. And they do… 2 years later when they’re all summoned to solve the mystery of Spooky Island.

Park owner Erine Mondavarious (Rowan Atkinson) informs the group of his theory that an evil curse is being placed on his guests. The wild partying college kids leave sober and super aggressive.

While trying to solve the mystery old wounds are reopened. Velma still feels pushed aside for being dorky and less attractive than Daphne. Her obviously crush on Fred gets in the way of her crime solving and Fred is as womanizing always.

The gang eventually overcomes their differences and solves the mystery. Mondavarious isn’t Mondavrious at all but infact Scrappy Doo in disguise. Scrappy has invited the gang there to get revenge for them abandoning him (ironically due to HIS ego).

This was James Gunn’s third script having previously written the Specials and Troma’s Tromeo & Juliet (which Gunn claims in Lloyd Kaufman’s book Make Your Own Damn Movie is the film that got him Scooby-Doo). Gunn is a true horror fan (as evident in his scripts Dawn of the Dead and Slither) and while I don’t know if he had much influence on the casting of the film, I’d like to believe it was his choice to give Miguel A Nunez Jr (Return of the Living Dead, Friday the 13th Part V) a small role.

Regardless of who did the casting they should be rewarded. Every actor is perfectly cast (specifically Matthew Lillard who doesn’t get enough praise for his perfect performance of Shaggy). They also managed to make the ordinarily gorgeous Linda Cardellini a believably dorky and overlooked Velma.

It’s the elements of the PG-13 script this movie almost was (a few of the scenes found in the deleted scenes of the DVD) that make this movie worth watching. The film could have been hilarious. I’ve mentioned it a few times already but since Josie and the Pussycats has been covered previously in this column I’ll say that ideally that’s what this movie could have been.

A few of the elements added to make it more kid friendly make me chuckle (specifically Shaggy and Scooby’s farting contest… juvenile yes but I love a good fart joke). However in the long run the kid friendly aspects lack the same charm and entertainment level as what Gunn was clearly intending to do.

My other complaint has to do with the special effects. This was the same year as Lord of the Rings: The Two Towers and while they obviously didn’t have the same $94 Million Dollar Budget Jackson had, I wish Scooby, Scrappy and the other monsters had the texture of Gollum and little less the cartoony look of Jar Jar Binks.

All in All the final product isn’t terrible. It’s just a mediocre movie that you can tell could have been much better. The sequel Scooby Doo 2: Monsters Unleashed received a five word review from Leonard Maltin who simply said “It is what it is”. Just a fun fact to leave you on.

This summer there was a tour that was so full of nostalgia that I was genuinely angered by my lack of job and the high price of admission. The Tour was the Summerland Tour which featured a literal who’s who of 90’s alt-rockers. Everclear, Gin Blossoms, Sugar Ray, Marcy’s Playground and Lit all toured the united states reminded people in their late 20’s-early 30’s how much fun the 90’s music scene used to be.

Three of the 5 bands are undeniably some of the most successful bands of the decade. Everclear had 5+ hit singles, Gin Blossoms had at least four and Sugar Ray had about the same. It’s hard to really understand why the extended an olive branch to one and two hit wonders like Marcy’s Playground and Lit… unless of course for the fact that they’re amazing bands, particularly Lit.

In a recent interview with the Kidd Chris Show, Sugar Ray singer Mark McGrath was asked “Who’s the band that impresses you the most on the show?” and he quickly said “Lit”. The band exploded in 1999 with their catchy single “My Own Worst Enemy”. Even 10+ years later I still hear this song covered by many a local band and it almost always gets the crowd screaming along, it’s just one of those rock songs so perfectly constructed with memorable hooks and lyrics that it’s hard to become excited when you hear it.

The band had two moderately successful follow-up singles “Zip-Lock” and “Miserable” before falling into obscurity. I picked up my copy of their platinum selling record A Place in the Sun for $1 at a used CD store a few years ago. What stuck out/shocked me the most was how the record holds up.

Lit managed to craft and relatively genreless record. They put together a mixing pot of music ranging from Pop Punk, Metal, Alternative Rock and even a Ska song which lead to a record that accapulates all of 90’s radio (minus rap) in a 12 song time capsile. While that lack of focus lead to many average to negative reviews, I think it’s the very thing that allows the record to hold up now.

The opening track Four (the song is called Four, it’s the first song, it’s weird). Feels like a modern day arena rock song just exploding into heavy rock with a sound so full you almost forget that it’s all being created by 4 dudes (hey… maybe that’s what the song title means?).

Songs like Lovely Day (my favorite track) and Miserable (my least favorite track) both show off guitarist Jeremy Popoff’s ear for good guitar hooks and using guitar pedals to create truly unique and bizarre guitar solos.

It’s a shame that A. Jay Popoff isn’t more recognized for his vocal styles. He has a strong and unique voice and while his songwriting could always use some work (look no further than Perfect One which may be one of the cheesiest love songs the 90’s had to offer… and that’s saying a lot) he can really sell the cheesiness by having a real sincerity in his singing.

I’m going to be honest, I love Ska music. It was my favorite genre for years and still remains the genre I go to when I need to cheer up. That being said Lit’s “ska” song Happy isn’t a Ska song as much as it’s just a rock song with horns (Like Chicago) that being said.. I appreciate Lit’s effort at trying to do Ska, thankfully this was their only attempt.

It’s not shocking that I love 90’s one-hit wonders. Almost all the past guilty pleasures that are music related are one-hit wonders (see Harvey Danger, The New Radicals and Ugly Kid Joe for example). However unlike those artists who had moderately decent records beyond their one big hit (except New Radicals who only released one album) I’ve never bothered to purchase other Lit records. Not really sure why not since I love this album from start to finish.

All in all if you’re a fan of 90’s radio and strayed away from Lit’s massive record A Place in the Sun assume there’d only be one or two good songs I suggest you give the record a shot. Chances are you can find it in your local thrift shop for a buck or two.

This weekend people will be excitedly seeing the remake/re-adaptation of Philip K Dick’s We Can Remember It For You Wholesale (aka Total Recall). Like most of Philip K Dick’s book the movie asks the ever popular question “What is Reality”

One of my favorite movies to pitch this question was Vanilla Sky, Cameron Crowe’s remake of the (admittedly superior) spanish film Open Your Eyes. The first time I heard of this movie was in Sex, Drugs and Cocoa Puffs by Chuck Klosterman (my favorite book ever). In the chapter “The Awe-Inspiring Beauty of Tom Cruise’s Shattered Troll-like Face”, Klosterman recalls a particularly rough night of digestial issues forcing him to read a review of the movie in an old issue of Entertainment Weekly.

Klosterman basically says exactly what I’d end up thinking about the movie; that question of What is Reality? “might be the only valid reason for loving it”.

The movie follows Tom Cruise (his name in the movie is David Aarmes but let’s face it, he’s Tom Cruise… just a owner of a publishing firm instead of an actor). Tom Cruise fills his day with booze and casually banging Julie (Cameron Diaz). However when his best friend Brian (Jason Lee) brings Sofia (Penelope Cruz) to a party he falls head over heels in love.

The film is intercut with David in a prison cell wearing an emotionless mask being interviewed by Dr. Curtis McCabe (Kurt Russell). Apparently he’s being charged for murder. We are hearing David’s version of the events that took place.

It seems Julie can’t take David moving on to a new girl and drives them off a bridge. Julie dies in the crash while David survives but is left horribly disfigured. David begins hiding behind an emotionless mask (the one we’ve seen him wearing in the prison) and getting plastered to deal with the pain.

Sofia tries to bring David out of his slump and eventually motivates David to have his face repaired. Things are great for David until reality starts to slip away. David continues seeing his deformed face, Sofia continually turns into Julie. Eventually David attempts to suffocate Julie only to discovered his murdered Sofia instead.

David sees a commercial for Life Extension and requests Dr. Curtis take him to the offices as he finds them important to the case. There David is explained about the Lucid Dream program which allows someone to live in a continuous dream state until a cure for their sickness is found.

David realizes he’s in his own lucid dream and has been for 150 years.

Critics hated this movie. Rotten Tomatoes has a 40% rating which is second lowest in Crowe’s career (just above Elizabethtown… another future Guilty Pleasure). I feel like the attack on this movie has more to do with Tom Cruise than the movie itself.

This was released in 2001. By this point Tom Cruise had produced 6 movies (and starred in 3 of them). All the critics refer to the movie as Tom Cruise’s ego-trip and a vanity project. The fact is that very little of the plot line has changed from the spanish original (including Cruz playing Sophia in both films).

It seems like Hollywood likes to pretend that Tom Cruise has gone crazy. Rewatch some of his interviews in the 90’s, he’s always been crazy. However, around 2000 he started producing more and more of his own movies. When he started to not need the Hollywood system anymore; suddenly he’s crazy.

I think Vanilla Sky was the unfortunate victim of being releases at the beginning of a media attack on a public figure. The movie isn’t perfect (the original however is) but it’s still a solid movie. 2001 was a year filled with uninteresting blockbusters like Planet of The Apes and Zoolander (yeah I said it).

Crowe and Cruise followed the original plot line closely while interjecting elements of themselves. At the end of the day the film is successful in causing us to question our reality and making a film filled with emotional moments.

Plus the movie makes you believe that Penelope Cruz is far more fuckable than Cameron Diaz (kudos Mr. Crowe). Give this remake another shot before you go see this weekend’s (sure to be blockbuster) remake and this time Open Your Eyes.

Episode 34 of the Saint Mort Show Matt sits down with Richard Butler who works at Laffcast helping to produce live call in podcast for various Philadelphia comics

Visit the Laffcast website here

There are two films that are typically looked at as the perfection of the “Parody Film”. 1974’s Young Frankenstein and 1980’s Airplane. Mel Brooks had always been a satirist in his comedy. The Producers and Blazing Saddles are praised as some of the finest comedies ever made and while they both have elements of parody in them Young Frankenstein is where he made a direct parody to some pre-existing source material (Universal’s Frankenstein films).

The direct parody became what Brooks was known for (with High Anxiety, Spaceballs and various other films). Meanwhile Airplane! presented absurdist over the top and crazy comedy. In ways never before seen. Absurdist comedies continued to be part of the Zuckers and Abraham filmography but rarely did they come close the quality of Airplane!

This brings us to the dark days of Parodies. They started with Scary Movie. From we started getting films like Date Movie, Meet the Spartans and various other pieces of garbage. Trapped in the middle was Scary Movie 3.

I’m not going to say Scary Movie 3 is a perfect film. It’s not, it’s not a great comedy, it’s not even a great parody, I can admit that. What Scary Movie 3 is though is a huge improvement on the previous films. The Wayans brothers are gone and replaced with David Zucker. Unlike the films that would later come out the film does the simple task of focusing on a plot… sorta.

The parody combines plot elements of The Ring and Signs to tell a really alien/ghost story. Sure there’s also elements of Sixth Sense, 8 Mile and The Matrix scattered throughout but they genuinely try to stick with those two main movies. I appreciate that since this was the time that movies like Disaster Movie were coming out basing the script on movie trailers instead of watching the films they were parodying.

The film definitely has things at are terrible. The opening credits sequence with Jenny McCarthy and Pamela Anderson, awful and dated parodies of commercials that I forget existed until I re-watched this movie and plenty of moments that feel like they would be better suited in Scary Movie 1 or 2. This film is more light-hearted and feels like a Zucker film (absurd, sex jokes, Leslie Nelson), those are the elements that keep the film entertaining.

Here’s what works in the film: Simon Rex and Charlie Sheen are casted well. Sheen has proven his comedy chops in Hot Shots and if you’re a fan of those films you’ll find just as much to enjoy in his performance here. Simon Rex meanwhile, has done the Horror Parody genre previously with ‘Shriek if You Know What I did Last Friday the 13th‘. The biggest laughs however come from comedy veteran Leslie Nelson and (at the time) new comers Anthony Anderson and Kevin Hart.

Zucker’s eye for a good sex joke or quality sight gag are still there. The parody of the actual Ring video is packed with humorous sight gags. The film also contained rewrites by Jon Hurwitz and Hayden Schlossberg (the men behind Harold And Kumar). This film could be better obviously… but it could have been much much worse.

Writers Jason Friedberg and Aaron Seltzer (Epic Movie) wanted to parody Star Wars, Harry Potter and Lord Of The Rings (yet still call it Scary movie 3). What I’m trying to say I guess is Fuck Friedberg/Seltzer.

Scary Movie 3 won’t ever be better than the classic parody and spoof films of the 70’s and 80’s but it’s still a massive improvement on the other parody films that we’ve been exposed too since the Wayans brothers gave us Scary Movie in 2000.

Episode 33 of the Saint Mort Show Matt welcomes back past guest Josh Ireson of With Life in Mind. The two discuss their friendship, Josh’s years in shitty local bands before forming With Life in Mind and their upcoming tour

Do you know your comics? Would you know it if your life was on the line? What would you be willing to do for the ultimate collection of comics? Comic Book Villains is a movie I’ve heard both praise and despise towards for raising these questions. Not unlike Big Bang Theory people argue that this film either ‘is done by true geeks and filled with knowledge and love’ or ‘an awful insulting look at comic book fans’.

The film is about two rival comic shops. The mom and pops shop owned by Raymond McGIllicudy (Donald Logue) and the corporate shop owned by the Link family (Michael Rapaport & Natasha Lyonne). Our main character Archie (DJ Qualls) gets caught up in an a violent warfare between the shops when a shopper of both stories (Conan played brilliantly by Danny Masterson) let’s some information out that a long time collector has died. His collection is the holy grail of collections, first prints, first editions, first appearances… everything. Regrettably his mother wishes to not sell her son’s things.

Greed comes over various collectors. Each one of them sees the potential in these books. The Link’s who see dollar signs while Raymond sees it as a collector’s dream. Furthermore you have Carter (Carl Elwes), a past acquaintance of Raymond who he hires to do his dirty work. The body count rises over this collection with Archie and the recently deceased collector’s mother caught in the middle. The film eventually hits a level of darkness in it’s comedy that’s beyond unsettling. I’d rather not disclose some of the darker points (which basically means I can’t mentioning anything Carter does in the film).

I think that there is a reason this film as polarized so many that have watched it. The film is accurate in the way it depicts the individual shops. Raymond’s comic shop (while messy) definitely depicts the mom and pop shop I attend. It’s filled with people looking for rare back issues getting into these in depth conversations about which character they’d sleep with and such.

Norman’s shop on the other side is a clean and open shop, but there lacks dialogue. You see mother’s and kids inside the shop browsing but no one looks like a genuine collector (except for Conan who shops at both stores). Sure it’s possible for a director to make an accurate assumption, but it seems more like it stems from genuine past experiences.

Is this insulting to comic collectors? Absolutely. There’s a few too many jokes about fat comic readers dying of heart attacks. There’s plenty of moments that are insulting (Raymond crying after seeing the collection comes to mind). The idea that this collection drives them to murder even seems a little insulting (more even more insulting because you can actually believe someone would). That being said, I think the insulting aspect is purposeful.

You see Archie is the key character in this film. He has no family. He’s lived in the same town and comics are his life. But he wants to escape. He develops a relationship with Ms Cresswell (The collector’s mother) and she sees her son in Archie. She wants Archie to live a long and healthy life, not waste it like her son did. In the end (SPOILER ALERT! IF YOU HAVEN’T SEEN THE MOVIE AND WISH IT TO REMAIN A SURPRISE FOR YOU STOP READING THE ARTICLE UNTIL YOU’VE SEEN IT YOU’VE BEEN FAIRLY WARNED) Ms Cresswell is murdered but not before she’s able to give the collection to Archie in secret. Archie sells the collection and uses the money to leave town and explore the world.

This is what the film is truly about. Comics are great. They’re great for escapism and they’re a wonderful form of entertainment. However when you make them your life, they are deadly. Ms Cresswell’s Son, Raymond and to an extent Archie have all given up girlfriends, living alone, work and other things to focus on comics. The message is it’s okay to love things and be passionate, but those things runs your life it stops being healthy.

It’s a shame that the people who most NEED to see this film are the very ones who will immediate write it off as insulting. It’s not a perfect movie, but it’s definitely better than the 29% on Rotten Tomatoes it has.

 

If you read comics in the 90’s there’s a few ads that are possibly engraved in your mind. Aliens Action Figures, Maximium Carnage the Video Game and the Saturday Morning Cartoon’s Greatest Hits album are all vivid memories.

Producer Ralph Sall fucking loves Cartoons. In the linear notes of this record he discusses his absolute love of the 60’s Saturday morning Television. With great Power comes great abilities I suppose because as Ralph Sall grew as a record producer he decided to use his connections to give us a 90’s Alternative Rock album packed with covers of these infamous TV show songs.

Cover albums are rarely respected records. More often than not they’re just something that we pick up for cheap out of curiousity and listen to once or twice. While bands like Me First and The Gimme Gimmes have perfected the art, most of the time when a band does a cover album it gets two listens and are quickly forgotten. Tribute Albums are rarely much different (this obviously doesn’t include Musicians Celebrate Jim Henson which will be released through Geekscape and Dollar Monday Promotions in the fall… but you didn’t read about that here).

Saturday Morning Cartoons’ Greatest Hits however is different. While it seemed pretty ignored (despite having an impressive collection of Alt-Rockers and Constant Advertisements in Comics), this CD has been in my CD rotation a decade and a half.

The album can almost be split in half between super faithful covers (Tra-La-La; Josie and the Pussycats; H.R PufNStuf) and bands doing their own thing with music (Happy Happy Joy Joy; Hong Kong Phooey; Underdog).

At the end of the day this record isn’t going to grow to have a cult following any time soon. Cartoon purists are going to be disappointed by it not sticking to the structure while Alternative fans aren’t going to feel the covers are different enough. Regardless of that I’ve always loved this record and always play it for friends, rarely do they love it the same way I do.

The album starts off with Tra-La-La as performed by Liz Phair and Material Issue, it sticks to the original structure and is in general a fun sing-along song, a drastic change from the next track. When Sponge decided to cover Speed Racer they really decided to let their Alternative/Grunge flag fly in the cover. Covers of Sugar Sugar (Mary Lou ord with SemiSonic), Scooby Doo (Matthew Sweet), Josie and the Pussycats (Juliana Hartfield & Tanya Donelly) and The Buggalos (Collective Soul) follow. The songs stick so closely with the original arrangements that they end up being ultimately forgettable.

However when Butthole Surfers tackle Underdog you know you’re about to hear something a little different. This is where the record gets interesting to me. Specifically When punk bands like The Ramones (Spiderman), Face to Face (Popeye the Sailor Man) and Wax (Happy Happy Joy Joy) pop in and completely turn 30 second theme songs into 2 minute anthems.

However the stand out tracks are found from Tripping Daisy (who’s lead singer later formed Polyphonic Spree) and Reverend Horton heat. The former covers The Sigmund and the Sea Monsters theme songs (including the Titular song as well as Friends) in a beautiful blend that just brings memories of summers past to the forefront of your mind.

Reverend Horton Heat also does a mash-up covering the instrumental Johnny Quest theme song. Heat’s fantastic guitar playing is given a chance to shine as he plays the bizarre theme song. Eventually the song transforms into the rock-a-billy sound that RHH is known for as they cover Stop That Pigeon.

If you love and miss Saturday Mornings spent in front of the TV, Saturday Morning Cartoons’ Greatest Hits WILL bring back some memories. If you spent your Saturdays switching between cartoons and MTV… this will DEFINITELY bring back some memories.

Kids are idiots.

There I said it. We were all thinking it. Every single one of us at one time was a kid and at that time we were an idiot. Some people try to pretend they weren’t idiots. They say things like “That movie is terrible, even when I was a kid I knew it was bad”. No you didn’t. You’re a liar. At that time you enjoyed the taste of your own boogers and walked around with your bowel movements swimming around your ass. Your ability to have ‘taste’ in things was weak at best.

I’m not exempt from this “kids are idiots” thing. Because when I was a kid I thought Mac & Me was a better movie than E.T. I want to say that I don’t still feel this way (because I really don’t) but I’ve also realized that I own Mac & Me on both DVD and VHS yet I own no copies of E.T. so… maybe I do still believe that. Some people never stop being an idiot.

Mac & Me isn’t so much a movie as it’s a 90 minute commercial for McDonald’s starring a Mysterious Alien Creature (aka MAC) and a boy in a wheelchair. But I’m getting ahead of myself right now, let’s break this down a little better.

The movie opens on MAC’s home planet. Mac and his family are transported to Earth while searching for food and immediately break free from the laboratory that captured them. Mac gets separated from his family and ends up in the car of the Cruise family as they are moving into a new home.

Eric (a handicapped boy) discovers Mac and makes it his goal to help Mac reconnect with his family and return to their home planet. Actually I’m going to stop explaining the plot, if you’ve never seen it just think of the plot of E.T. it’s basically the same plot. Just with MAJOR product placement.

You see, remember that iconic Reese’s Pieces moment in E.T.? Well , imagine if that scene happened every 5 or 10 minutes and you’ll start to understand how bad the produce placement is. I mean for starters the alien is named after a McDonald’s sandwich, he survives off of Skittles and Coca-Cola and best of all there’s a giant dance sequence (while MAC’s disguised as a bear) in a McDonald’s (featuring Ronald McDonald).

This Always Happened at my McDonalds

I’m not saying that subliminal messages like this work. But I just took a break from writing to pick up chicken McNuggets. People will say this wasn’t product placement because the filmmaker says they never received payment from any of the products that appear in the movie. That’d be easier to believe if you didn’t have this trailer.

You see this film has bad reputation, but much like Joan Jett I don’t give a damn. I love and embrace this movie, but not just for the so bad, it’s good quality (although it helps). I remember always loving the design of Mac, even though he’s terrifying looking and has DSL constantly puckered on his face.

I guess it’s impossible for me to not mention the cliff sequence. If you’re not familiar with the scene I speak of, you’ve definitely never seen the movie. As I said earlier Eric is in a wheelchair, when he first sees Mac he chases him (well… wheels at him) suddenly he loses control and begins wheeling down a cliff. Without warning we get this incredible shot of a manniquinn strapped to a wheelchair falling into the water below. Mac of course saves Eric and their friendship begins to bloom. Don’t believe me? Here’s the infamous moment

The clip has developed a cult following when it became a running gag on Conan O’Brien’s show to play this clip whenever Paul Rudd was on (Even though he has absolutely nothing to do with the film, the biggest name in the film is either Jennifer Aniston as an uncredited extra or Ronald McDonald as himself). Perhaps if Paul continues doing this we’ll eventually see the Mac & Me sequel since the movie does promise that they will be back!

That’s My Boy seems to be keeping with Adam Sandler’s recent career decision of making us feel sorry and hatred for the once untouchable comedic god. When I was in Elementary School and Junior High I can’t think of a single boy in my grade that didn’t worship Sandler and Farley. In the 90’s Sandler was a hero to a generation. That generation who grew up knowing Happy Gilmore and Billy Madison by heart. That generation who knows all the famous Jews thanks to all 3 Chanukah songs. It’s also that generation who gets completely confused when we see Sandler starring, writing or producing movies like Grown Ups, Bucky Larson, Jack & Jill and That’s My Boy.

The SNL alumni also managed to make a name for himself in the 90’s as a musician. His first album They’re All Going to Laugh You is a critically hated but commercially massive comedy album that is one of the funniest records the 90’s had to offer. It’s follow up What the Hell Happened to Me? did a record high and continues to be the best selling comedy album since Nielson Soundscan began tracking in 1991. Ironically “What the hell happened…” was the question on many fans’ lips the following year when Sandler released What’s Your Name?

After an album heavy on long vulgar skits (like The Goat, a skit that many a teenage boy quoted to each other when parents weren’t home) Sandler released a record of all songs. The record sold well enough (over 500,000 copies) but in general the album was greeted with mostly shoulder shrugs and scratched heads. For me though, even at 12, I loved this album immediately.

Sandler is a musician. He’s not the greatest singer in history nor is his guitar playing earth shattering, but he’s always been someone who loved music. Many of his classic SNL segments were based on music (including Red Hooded Sweatshirt found on this record). Listening to his songs you hear another side of this comedian Adam Sandler. While in film he’s typically a short-tempered man screaming about “something” and in his skits he’s usually spouting as many four-letter words and potty humor humanly possible in songs he can suddenly become someone you sympathize with.

This doesn’t mean that the four-letter words and potty humor doesn’t find their way into songs (look no further than Bad Boyfriend, Dancin’ and Patsin’ and The Goat Song for plenty of vulgarity) but mostly the songs come from the perspective of the outcast.

This is the key-element in my mind to people’s immediate rejection of this record. It’s definitely a rug being pulled out from you. You go out and pick up an Adam Sandler record you expect something that will make you laugh out loud. Some of the songs do that (Voodoo, Corduroy Blues) but you’re completely side swiped when a song like Pickin’ Daisies comes on.

Pickin’ Daisies tells the story of a young boy (I always imagined him about 10) who gets picked on mercilessly by kids at school. His dad is ashamed by him but he finds comfort with his mom. He doesn’t care that he has to do girly things with her. She provides him with comfort. The song ends with him thinking about years down the line when him and all his classmates are in an old folks together and he’ll have memories of his mother to comfort him. Sandler tries to make the song humorous with his “mother voice” and a few of the things the mother says, but at the end of the day the song is delightful mix of sweet and sad.

Even elements as something as ridiculous and vulgar as The Goat Song leaves you wanting to sympathize with the battered and abused goat. When he sings ‘Thank you old man for saving my life, thank you again and again/You could have let them barbaque me, instead you acted like a friend’ have a strange sweetness to them. However it’s in Lonesome Kicker (the lone single) where Sandler’s sympathetic comedy shines through strongest.

Sandler wears Bruce Springsteen’s sound better than the (so-called) Boss himself. The song tells the humorous but sad life of a field goal kicker Andre Kristacovitchlalinski, Jr. While there are plenty of short jokes and lyrics about his lack of respect there’s also lines like “I hope that the cameras don’t come in to close or they might see the tears in my eyes” that are sung with such sincerity that you can’t help but feel a little bad for this fictional foreigner

I think Sandler wanted to prove to the world that he was a musician as well as a comedian. You don’t write a song like Listenin to the Radio without having a love and desire to play music. But he made a fatal mistake in performing under his name. People see Adam Sandler they think “comedy”, it’s the exact same reason why Donald Glover raps under the alias Childish Gambino. People have an Adam Sandler expectation and when rapid-fans don’t understand why that expectation isn’t being met they’re unhappy. Regardless of how great the product may be (read some comments on the Punch-Drunk Love thread on IMDb for proof).

I can defend What’s Your Name? and I can explain why I think Sandler made the choices that he did… but I still can’t explain Jack & Jill to you. Sorry