Today in my blog Every Damn DVD I did a write-up of the forgettable (but still fun) redneck slasher movie American Gothic. In my write-up I mention that the VHS cover was great but the DVD cover definitely lost something. I provided a shitty side-by-side comparison below for a better example:

Gothic

As you can see, the original cover had small little details, and those details made the cover all the more terrifying. you throw in some blood, a knife, a different facial expressions and the screaming teens in the window and you’ve got a classic VHS cover.

This isn’t the first DVD that completely destroyed the magic of the original VHS cover. The VHS cover for Alligator used to stare at my from the Blockbuster shelf. I obsessed over it trying to build up the courage to rent it one day. If the VHS cover was the same as the DVD version,  I’d have never had an interest in it.

AlligatorCompare The VHS shows us that frightening beast just staring right into you. It’s far more effective than this shitty cartoon of an Alligator tearing up the sewer. It just doesn’t have the same impact.

For well over a decade, VHS was king. There was something magical about going to the video store and looking at all those beautiful covers staring back at you. I was a member at so many video stores growing up. First there was Movie King (which didn’t last very long), followed by a Blockbuster, and beyond.

I was absolutely terrified of horror movies as a kid. I didn’t want anything to do with them; I refused to watch them as I knew they’d give me nightmares. Clearly this was bullshit though. My parents did a great job of instilling fear into me, but even as a kid I loved the morbid. My favorite movies were things like Beetlejuice, Monster Squad and Ghostbusters. My favorite cartoon was Toxic Crusaders. I loved monsters and mutants and ghosts and  ghouls.

The horror fan that was inside of me was constantly trying to break free. This is probably the reason why every trip to Blockbuster included me roaming the horror section and just looking at VHS tapes. I’d obsessively tough boxes and stare at the covers. How can you just walk past this as a kid and not want to know more.

5 Halloween 2

Then came West Coast Video. I don’t know why this video store randomly popped up in my town. They didn’t have a fighting chance against the Blockbuster (made evident by their life span of roughly a year, maybe two). But by the time West Coast Video appeared I had see Scream and accepted that I was a horror movie fan.

Last Year I decided to watch wrestling. I found that I really enjoyed it. A year later I have a subscription to the WWE Network, over 20 Wrestling DVDs, merch for my favorite wrestlers and an extensive knowledge of wrestling history so vast that a lot of people think I’ve been watching since I was a kid. I tell this story so that you understand something about me. When I find something I like, I dive in head first. Horror was no different.

I went to west coast video every Friday, Saturday and Sunday. I  would just work my way through the aisles and rent anything my heart desired. So many of those VHS tape covers are forever burnt into my retinas.

The thing about VHS covers is they were the biggest liars. The better the cover the more likely the film was garbage. That’s something anyone who was tricked by this…

2 mutilator

or this…

3 Blood-beach

could tell you.

These are bad movies, some would even call them terrible movies. But I would gladly hang posters of those covers on my wall. They’re works of art.

When DVD rolled around this art form died. Instead of a well planned photoshoot, or a beautiful artistic drawing we get photoshopped heads. So many photo-shopped heads. There’s a handful of companies like Arrow and Scream Factory that get it. They still appreciate the that these were a lost art, something from childhood we didn’t appreciate it until it was gone.

VHS TAPE COVERS! I SALUTE YOU!

Matt Kelly is the host of the Saint Mort Show Podcast and co-host of the Reddit Horror Club. He also runs the Every Damn DVD blog. Matt will be crying about the loss of his local video stores for years to come but something off his Amazon Wishlist will always cheer him up.

If you read comics in the 90’s there’s a few ads that are possibly engraved in your mind. Aliens Action Figures, Maximium Carnage the Video Game and the Saturday Morning Cartoon’s Greatest Hits album are all vivid memories.

Producer Ralph Sall fucking loves Cartoons. In the linear notes of this record he discusses his absolute love of the 60’s Saturday morning Television. With great Power comes great abilities I suppose because as Ralph Sall grew as a record producer he decided to use his connections to give us a 90’s Alternative Rock album packed with covers of these infamous TV show songs.

Cover albums are rarely respected records. More often than not they’re just something that we pick up for cheap out of curiousity and listen to once or twice. While bands like Me First and The Gimme Gimmes have perfected the art, most of the time when a band does a cover album it gets two listens and are quickly forgotten. Tribute Albums are rarely much different (this obviously doesn’t include Musicians Celebrate Jim Henson which will be released through Geekscape and Dollar Monday Promotions in the fall… but you didn’t read about that here).

Saturday Morning Cartoons’ Greatest Hits however is different. While it seemed pretty ignored (despite having an impressive collection of Alt-Rockers and Constant Advertisements in Comics), this CD has been in my CD rotation a decade and a half.

The album can almost be split in half between super faithful covers (Tra-La-La; Josie and the Pussycats; H.R PufNStuf) and bands doing their own thing with music (Happy Happy Joy Joy; Hong Kong Phooey; Underdog).

At the end of the day this record isn’t going to grow to have a cult following any time soon. Cartoon purists are going to be disappointed by it not sticking to the structure while Alternative fans aren’t going to feel the covers are different enough. Regardless of that I’ve always loved this record and always play it for friends, rarely do they love it the same way I do.

The album starts off with Tra-La-La as performed by Liz Phair and Material Issue, it sticks to the original structure and is in general a fun sing-along song, a drastic change from the next track. When Sponge decided to cover Speed Racer they really decided to let their Alternative/Grunge flag fly in the cover. Covers of Sugar Sugar (Mary Lou ord with SemiSonic), Scooby Doo (Matthew Sweet), Josie and the Pussycats (Juliana Hartfield & Tanya Donelly) and The Buggalos (Collective Soul) follow. The songs stick so closely with the original arrangements that they end up being ultimately forgettable.

However when Butthole Surfers tackle Underdog you know you’re about to hear something a little different. This is where the record gets interesting to me. Specifically When punk bands like The Ramones (Spiderman), Face to Face (Popeye the Sailor Man) and Wax (Happy Happy Joy Joy) pop in and completely turn 30 second theme songs into 2 minute anthems.

However the stand out tracks are found from Tripping Daisy (who’s lead singer later formed Polyphonic Spree) and Reverend Horton heat. The former covers The Sigmund and the Sea Monsters theme songs (including the Titular song as well as Friends) in a beautiful blend that just brings memories of summers past to the forefront of your mind.

Reverend Horton Heat also does a mash-up covering the instrumental Johnny Quest theme song. Heat’s fantastic guitar playing is given a chance to shine as he plays the bizarre theme song. Eventually the song transforms into the rock-a-billy sound that RHH is known for as they cover Stop That Pigeon.

If you love and miss Saturday Mornings spent in front of the TV, Saturday Morning Cartoons’ Greatest Hits WILL bring back some memories. If you spent your Saturdays switching between cartoons and MTV… this will DEFINITELY bring back some memories.