Without a doubt, our generation lives in an era with an embarrassment of riches when it comes to geek culture. Case in point…

Voltron Legendary Defender from DreamWorks animation.

Let’s go ahead and skip the, “This writer is old enough to remember when…” and cut to the chase: NetFlix has produced the best iteration of Voltron. Period. You’re going to have to trust us, older geeks: your memory is not as good as you wish to believe.

"Let's be honest, the rosiest of nostalgia headphones can't make this kids voice sound any better."
“Let’s be honest, the rosiest of nostalgia headphones can’t make this kids voice sound any better.”

Voltron: Legendary Defender is what happens when all elements of what make up a good cartoon align in the heavens to give us something undoubtedly awesome; writers who care about story, voice actors who bring the material to life, killer animation, and a production studio with cash.

Let’s work backwards…

  1. The Cash

Obviously, NetFlix is making some wise decisions when it comes to distributing content. They may not have Disney deep pockets, but they’re doing alright for themselves. So before you naysayers spit accusations of scrapping the bottom of the intellectual property barrel, resurrecting the Voltron IP was a smart move. It was an IP that, as previously stated, had potential to actually become a good show. So they threw a sizeable chunk of cash at it till it became exactly that.

Balk all you want, hipster-purists, some things don’t come out right the first time.

"It's okay to let go of the past sometimes, really."
“It’s okay to let go of the past sometimes, really.”
  1. The Animation

What was just released yesterday, June 10th 2016, right off the bat has a very familiar art style. You can thank the former Avatar: the Last Airbender Team for that. A near seamless blend of that traditional anime style, and good ole’ American Saturday Morning Cartoon feeling.

Admittedly, some of the character designs look a little familiar, but it serves to the benefit to the show. It’s kinda like seeing your favorite actor in a new role, if that actor were not a real person.

Sokkavoltron-cast-pic

“Can you pick out the familiar face from the line up?”

Furthermore the action sequences have a fantastic kinetic pacing to them. I would have never in my lifetime thought someone could make giant flying space robots not only look cool as shit, but animate them in a manner where I could tell what the hell was going on.

Pictured: "NEVER IN MY LIFE TIME HAS THAT BEEN A THING."
Pictured: “NEVER IN MY LIFE TIME HAS THAT BEEN A THING.”

Everything from the backgrounds, to character designs truly does a fantastic job of keeping the spirit of the original show and grows into it’s full potential. Which brings us to…

  1. The Voice Work

What the people behind Legendary Defender absolutely needed to do was take top tier talented individuals, and make sure that ensemble cast played seamlessly off each other to form one badass unit. You know, like a bunch of individual robots that form together to make one big robot… hold on… the name is just on the tip of my…

"You can go ahead and tell the Power Rangers, they’ll be hearing from my Lawyer." - Voltron*
“You can go ahead and tell the Power Rangers, they’ll be hearing from my Lawyer… and my robot fists.” – Voltron*

So, again, compared to the original where it sounded like people reading from cue cards with all the enthusiasm of human rice cakes, Legendary Defender’s cast brings depth to what would otherwise have been a collection of stereotypes. Everyone from Voltron 2016 crew, thank Glob, puts forth the effort to evoke well rounded characters with depth, and in some cases a fair amount of intrigue.

Hearing Finn the Human play off his new cast mates was another added plus. But, the delicate balance between the humor and gravitas of this space opera wouldn’t have been possible without the writers.

  1. The Writing

This show could have just as easily been another cash grab off of a familiar IP to suck us dry of our nostalgia.

Legendary Defender, is NOT.

In fact, Voltron 2016 goes above and beyond the call of duty to expand upon the 1984 original’s foundation. From minor details, to character development, and even the logistics behind robot-space-lions, the development team genuinely cares about the source material, and then some to make it their own.

Stakes are raised, goals are established, and character motivations make sense; all things that didn’t have to happen in a cartoon series, but did. You better believe this show’s got it in spades.

On top of all that, the sound design is also pretty damn stellar too. Even taking into account how much we all love hearing lasers and explosions IN SPACE, another excellent marker of a cartoon show is one that’s not afraid to be quiet for a moment. That’s right, a show about giant fighting space robots isn’t afraid to be still and let it’s audience take in the grand experience this show has to offer.

Pictured: "NEVER IN MY LIFE TIME HAS THAT BEEN A THING."
Pictured: “NEVER IN MY LIFE TIME HAS THAT BEEN A THING.”

VERDICT

Having only heard about Legendary defender back in January when it was announced and then completely forgot about it, as soon as YouTube interrupted the video I was watching with the trailer this writer binge watched THE WHOLE SERIES.

All of it.

We highly recommend you go open your Netflix browser and bask in the glory of one of the most badass 80’s robots of all time. When you’re done, give Netflix a Tweet and let them know you’ll want the next season as soon as humanly possible.
*Yes, Super Sentai shows started in the 1970’s, but if there’s a Death Battle between Voltron and the your pick of Mega Zord, my money is on the Defender of the Universe.

If you read comics in the 90’s there’s a few ads that are possibly engraved in your mind. Aliens Action Figures, Maximium Carnage the Video Game and the Saturday Morning Cartoon’s Greatest Hits album are all vivid memories.

Producer Ralph Sall fucking loves Cartoons. In the linear notes of this record he discusses his absolute love of the 60’s Saturday morning Television. With great Power comes great abilities I suppose because as Ralph Sall grew as a record producer he decided to use his connections to give us a 90’s Alternative Rock album packed with covers of these infamous TV show songs.

Cover albums are rarely respected records. More often than not they’re just something that we pick up for cheap out of curiousity and listen to once or twice. While bands like Me First and The Gimme Gimmes have perfected the art, most of the time when a band does a cover album it gets two listens and are quickly forgotten. Tribute Albums are rarely much different (this obviously doesn’t include Musicians Celebrate Jim Henson which will be released through Geekscape and Dollar Monday Promotions in the fall… but you didn’t read about that here).

Saturday Morning Cartoons’ Greatest Hits however is different. While it seemed pretty ignored (despite having an impressive collection of Alt-Rockers and Constant Advertisements in Comics), this CD has been in my CD rotation a decade and a half.

The album can almost be split in half between super faithful covers (Tra-La-La; Josie and the Pussycats; H.R PufNStuf) and bands doing their own thing with music (Happy Happy Joy Joy; Hong Kong Phooey; Underdog).

At the end of the day this record isn’t going to grow to have a cult following any time soon. Cartoon purists are going to be disappointed by it not sticking to the structure while Alternative fans aren’t going to feel the covers are different enough. Regardless of that I’ve always loved this record and always play it for friends, rarely do they love it the same way I do.

The album starts off with Tra-La-La as performed by Liz Phair and Material Issue, it sticks to the original structure and is in general a fun sing-along song, a drastic change from the next track. When Sponge decided to cover Speed Racer they really decided to let their Alternative/Grunge flag fly in the cover. Covers of Sugar Sugar (Mary Lou ord with SemiSonic), Scooby Doo (Matthew Sweet), Josie and the Pussycats (Juliana Hartfield & Tanya Donelly) and The Buggalos (Collective Soul) follow. The songs stick so closely with the original arrangements that they end up being ultimately forgettable.

However when Butthole Surfers tackle Underdog you know you’re about to hear something a little different. This is where the record gets interesting to me. Specifically When punk bands like The Ramones (Spiderman), Face to Face (Popeye the Sailor Man) and Wax (Happy Happy Joy Joy) pop in and completely turn 30 second theme songs into 2 minute anthems.

However the stand out tracks are found from Tripping Daisy (who’s lead singer later formed Polyphonic Spree) and Reverend Horton heat. The former covers The Sigmund and the Sea Monsters theme songs (including the Titular song as well as Friends) in a beautiful blend that just brings memories of summers past to the forefront of your mind.

Reverend Horton Heat also does a mash-up covering the instrumental Johnny Quest theme song. Heat’s fantastic guitar playing is given a chance to shine as he plays the bizarre theme song. Eventually the song transforms into the rock-a-billy sound that RHH is known for as they cover Stop That Pigeon.

If you love and miss Saturday Mornings spent in front of the TV, Saturday Morning Cartoons’ Greatest Hits WILL bring back some memories. If you spent your Saturdays switching between cartoons and MTV… this will DEFINITELY bring back some memories.