This week I skyped in with Nikhil Bhagat who is the director behind the upcoming short film As They Continue to Fall written by C. Robert Cargill (Sinister). Go donate to their Kickstarter.

The intro music contains the song Son of  Poop & George by Atom & His Package from his album Making Love.

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Every year I like to reflect not so much on what’s happened in modern times but what pieces of pop culture have stuck with me a decade later. This is part 2 of a 2 part series.

10. Cabin Fever – In 2003 Horror was kinda dead again. It had a nice recharge in the mid-90’s with Scream but immediately that started to overstay it’s welcome with lots of direct-to-DVD crap (a vicious cycle for the horror genre since roughly 1981). By the time Cabin Fever came out I had already lost faith in the genre and didn’t see it. However people’s praise of this movie made me curious (well the few people I know who did praise it) and I netflixed it. I found it to be hilarious and a ton of fun. I thought that Eli Roth was the future of horror, I was wrong. But Cabin Fever was still great.

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9. Monster – Charlize Theron and Christina Ricci never looked less attractive then they did in the massively praised biopic about a group of lesbian serial killers. It’s gritty, well shot and features Kane Hodder as a cop. What more reason could you have to love this film.

8. Lost in Translation – Sofia Coppola’s second film tends to get called out as a major example of “Pretentious Indie Films” (along with Garden State and a few other films) but it’s genuinely a lovely film that helped Bill Murray further establish himself as a dramatic actor and helped push Scarlett Johansson even further into the limelight.

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7. Elf – Elf is one of those rare holiday films that you can watch and enjoy all year round. This has absolutely everything to do with Will Ferrel’s dedication to the role and David Berenbaum’s funny and quirky script. This also was the first time I remember people taking notice to Zoey Deschanel. She may have slightly overstayed her welcome with that “cute, quirky, semi-nerdy girl” thing she does but when she sings  Santa Claus is Coming to Town in this movie it’s hard to not fall in love a little bit.

6. Mystic River – One of 2003’s best films nominations is genuinely a solid film filled with great performances and an amazing direction from Clint Eastwood. The film captivated audiences and made a nice chunk of cash at the box office. Chances are you’ve seen and heard about this film, there’s no reason to really go on about it. Mystic River is one of those rare popular award winners that lives up to it’s praise.

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5. Pirates of the Caribbean: The Curse of the Black Pearl – It’s easy to forget how good this movie was many years ago because we’ve been swamped with a quite a few lackluster sequels but when this first came out I saw it in theaters 3 times that summer. This was what Blockbuster movies were about, they were good scripts, action packed and filled with great comedic moments. It was also the film that made Johnny Depp an undeniable star in a mainstream sense (for better or worse).

4. 28 Days Later – This film combined with the Dawn of the Dead remake are basically responsible for a decade long Zombie obsession in America. Never before has a Horror monster been so mainstream. You can talk vampires and people will chuckle and make twilight jokes, you can talk for hours about Slasher films and people will make fun of you for liking crappy movies but if you mention Zombies someone (and not a horror fan) will begin talking to you about how it could happen. This is their go to example of how it’s possible. Thanks Danny Boyle.

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3. A Mighty Wind – Everyone is different. When it comes to Christopher Guest movies everyone has a different favorite (well if they’ve seen any… and more so they have 5 different favorites, but whatever). I’m always torn between this and Best in Show as his masterpiece (we don’t count Spinal Tap since that’s technically a Rob Reiner film). The fact is when Christopher Guest is working with music (another of his passions) there’s no way he can fail to entertain.

2. Big Fish – Quite possibly the last great Tim Burton film. I once discussed with a friend the difference between Great Tim Burton and Average Tim Burton. Great Tim Burton movies stem from when he cares about the source material for one reason or another. BeetleJuice and Pee Wee’s Big Adventure he was out to prove himself, Edward Scissorhands was based on a script of his own writing, Ed Wood reminded Tim of his friendship with Vincent Price and Big Fish was made right after Burton’s father died. All 5 of those movies are constantly battling as my favorite Tim Burton film. Big Fish however is undeniably one of his best made films (2nd only to Ed Wood). It’s visually, inventive and touching all at once.

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1. American Splendor – I can’t speak for everyone but this was the film that introduced me to Harvey Pekar. This hilarious look at the comic book artists life is both a comedy, a drama and a documentary all wrapped in one. It walks us through Harvey’s first interest in comics, his friendship with R Crumb and his battle with cancer. However the most important thing about American Splendor is how it depicts a simple man who finds an outlet for the stress in his life while remaining a simple man. Possibly Paul Giamatti’s finest film!

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While we’re all busy compiling our favourite things of 2013 (take a look at our top games here, with more to come), Matt Kelly has come up with his list of the top 10 albums of this past year.

Read on to learn his top picks, and be sure to let us know if you agree, and what your favourites were!

10. The Lonely Island: The Wack Album – The SNL trio has released their first album since leaving SNL and it’s arguably their best. The thing with comedy groups is relistenablity, and this is where Lonely Island manages to always shine. The jokes are funny all the time, but more importantly the beats are great and they’re solid rappers. Packed with great guest verses and bizarre concepts, this is a record you’ll listen to over and over again.

9. Chords for Cures Comp Volumes 2 & 3 – I’m not gonna lie, this is super biased. Chords for Cures is my charity organization. Twice a year I release a free “pay-what-you-want” comp featuring amazing musicians of all genres. Hit up our Bandcamp and discover a new favorite band. Sorry for my shameless advertisement (but for real, I love these bands and you should give them a shot).

8. Barenaked Ladies: Grinning Streak – When Steven Page left Barenaked Ladies I was kinda concerned. While I preferred Ed’s vocals. to me Barenaked Ladies was all about the various voices. Their first album without Steven was pretty good and I enjoyed it greatly, but Grinning Streak was the first album where I saw this band could survive without their lead singer. It was the soundtrack of my summer this year.

7. Streetlight Manifesto/Toh Kay: The Hands That Thieve – If there’s anything I’ve learned over the last 15 years it’s that Tomas Kalnoky hates writing new songs. This is mostly a shame for us because lyrically he’s one of the best in the business. When he does finally get around to pumping out 10-12 songs he’s proud of they’re always super satisfying. This year we got the same album twice the ska version of the songs and the acoustic folk versions from Toh Kay (or at least that was plan) In my personal opinion the Toh Kay versions were the superior versions but both are fantastic.

6. John Fogerty: Wrote a Song For Everyone – John Fogerty is one of America’s most legendary musicians. His group, Creedence Clearwater Revival was quite literally the soundtrack of the Vietnam war. For his first album is almost 5 years Fogerty recruited a group of musicians to cover those classic songs. The cameos range from Foo Fighters to Alan Jackson. Each artist does a fantastic job covering the songs with Fogerty and his two original songs actually are pretty good as well really showing off his songwriting skills all these decades later.

5. Eminem: The Marshall Mathers LP (Part 2) – I was very vocal in the past of my disappointment by Relapse and Recovery. I found both albums musically and lyrically disappointing compared to the incredible past of Slim Shady. Then in the summer I saw the music video for Bezerk. Immediately I started to think “this album is gonna be pretty amazing” and with the exception of one or two forgettable tracks it’s a fairly perfect album. That being said, I agree with the opinion of my younger brother “Eminem should definitely return now before he makes another album that makes us forget why we loved him.”

4. Queens of the Stone Age: …Like Clockwork – I never knew what to think of Queens of the Stone Age. All I knew was that they were bizarre and I liked it. This years album had them reunited with David Grohl (who drummed on arguably their best album, Songs for the Deaf) and was weirder and heavier than ever before. Queens of the Stone Age will never be a big name band but they will continue to have the massive cult following they’ve acquired over the years if they keep making albums like this.

3. Spose: The Peter Sparker Mixtape – Spose exploded onto the music scene because of a youtube video. The comedic video “I’m Awesome” helped propel him into the limelight and while Spose is still an indie artist (by his own choosing) it doesn’t make him less of a talented rapper. His free mixtape this year (one of two) was amazing filled with songs both serious and comedic.

2. Cossbysweater – This is a slighty biased pick (listen to my interview with Cossbysweater) but in all sincerity this album touched me on an emotional level. Cossbysweater is a weird musician who exists in a world of “comedy” while still being very touching and beautiful. While it’s easy to simply look at her song titles and write her off as a pop culture junkie comedian, the reality is that Allison Goertz (Cossbysweater) uses various pop culture icons as a way to express herself. While a few songs are genuinely funny it’s songs like “Good Kid” (inspired by Freaks and Geeks) or “Things Are Coming Up Milhouse” that open a door into Allison’s personal life and allows the listener to connect with her songs of lost love and being an outcast. Check out her BandCamp here.

1. Five Iron Frenzy: Engine of A Million Plots – I was so excited for the return of my all-time favorite band that there was a chance this would have been my number one even if it was unlistenable. Thankfully it was not. After 9 years of absence Five Iron Frenzy returned with a massive album following in the steps of their underrated FIF2: Electric Boogaloo album. This is not a ska album, this is a hard rock album with an amazing horn section and great backup vocals. Reese Roper proves again why he’s my all-time favorite singer/songwriter. It almost manages to be both their most spiritual and least christian album at the same time. If you were a fan of this band and you weren’t one of the people who helped them have one of the most successful music kickstarters of all time then you are missing out, if you never heard them before, perhaps it’s time to discover them.

Every year I like to reflect not so much on what’s happened in modern times but what pieces of pop culture have stuck with me a decade later. This is part 1 of a 2 part series. Check in Thursday for the Top 10 Movies from 10 Years ago.

10. Fountains of Wayne: Welcome Interstate Managers – In 2003 if there was any song you could not escape it was Stacey’s Mom.  A song so infectious that many people are still visiting doctors trying to get the earworm removed from their head (Just like in Star Trek). In actuality the song is probably the worst one on the album (and it’s still amazing). The highlights are tracks like Mexican Wine, Bright Future in Sales and my personal favorite song Hey Julie. I first heard Hey Julie in an episode of Scrubs and fell madly in love with it. The song is a love story about dealing with a shit job but being able to come to home to someone you love. Despite being single this past year when I was working one of my least favorite jobs of all time I listened to that song every Friday before clocking out. It’s nice to have rituals.

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9. Belle & Sebastian: Dear Catastrophe Waitress – Scottish Indie group Belle & Sebastian changed out their sound quite a bit on this sixth album. While I’ve always liked the group their albums always felt like they overstayed their welcome by a track or two. That’s not the case with Dear Catastrophe Waitress. Even 10 years later it still shines as their best album since their sophomore smash If You’re Feeling Sinister. Be it from the pop friendly Step into my Office baby to the Stay Loose a dance track that reminds me of Early Blur records like Boys & Girls.

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8. Bishop Allen: Charm School – Bishop Allen’s debut record gave us an interesting look at what this Indie duo could do. It’d be four years until they release the even better follow up The Broken String but that doesn’t make this debut record any less fantastic. The highlight tracks are their song Eve of Destruction (inspired by the P.F. Sloan song) and Things are what you make of them.

7.Wyclef Jean: The Preacher’s Son – You ever have one of those moments in life where you put on a CD and within the first track you’re immediately hooked. That was my experience with Preacher’s Son. The record kicks off with Industry where Jean begs fellow rappers to quit the gangster imagery and focus on unity. It is the map to the rest of this record. Track after track Jean begins to create 2003’s most beautiful and sincere rap album. Sadly it was not a massive success for the artist and genuinely deserves a relisten.

6. Jamie Cullum: Twentysomething – I’ll be honest, 8 of these 10 records I only heard within the last year or two while trying to decide what would be my picks. Jamie Cullum was not one of those 8. From the moment the single All At Sea first came onto VH1 (because by 2003 VH1 was were you saw music videos) I wanted this album. This became the record that I played for everyone that year. I’d listen to it in my car all day, lend it to friends and memorized most of the words. The following year I remember driving to college everyday blasting the title track and singing my little heart out.

5.The Mars Volta: De-Loused in the Comatorium – I’m ashamed by how late I was on the Marts Volta bandwagon (How late? I heard this album for the first time on July 4th this year). I went in with zero expectations. I liked At the Drive-In but not nearly as much as other people did. However about three tracks into this album I was amazed. If I had to try to explain how amazing this album is I’d have to do it like this. I have a terribly short attention span but yet I listened to the twelve and half long Cicatriz ESP twice in a row. The unique musical variety helped make this debut one of the most impressive albums of 2003.

4. The Dresden Dolls – I discovered Dresden Dolls back in the MySpace days when bands would just randomly friend you. I immediately fell in love with the quirky song Coin-Operated Boy (which I assume is about a dildo but what do I know) but for some reason I didn’t pick up the record until this year. If I had to compare it to anything I’d be forced to say early Ben Folds Five but it’s still it’s own unique sound of vaudeville inspired, piano driven punk music.

3.Warren Zevon: The Wind – When Werewolves in London singer Warren Zevon found out he had an inoperable lung cancer he went into the studio and recorded his goodbye. It’s impossible to not get teary eyed while listening to songs like Knocking on Heaven’s Door and Keep Me In Your Heart. Goodbyes have never rarely sounded so beautiful.

2. The Avett Brothers: A Carolina Jubilee – In the last couple of years Avett Brothers has climbed the ranks as one of my all time favorite bands. Their sorta first full length (some people say it’s country was but with it’s 8 short tracks it feels more like an EP) is a bluegrass folk pop record unlike anything else back then. Predating groups like Mumford & Sons and The Lumineers by almost a decade The Avett Brothers (at this time a three-piece) created a toe-tapping sound with countless catching sing-a-longs like The Traveling Song, I Killed Sally’s Lover and Do you Love Him?

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1. The Postal Service: Give Up – 2004 was one of the biggest years of my life. I graduated High School, I started college, I saw a ton of indie films that inspired my writing and I discovered Indie music thanks to the Garden State soundtrack. One of my favorite songs on the soundtrack was Such Great Heights by Iron & Wine. When I found out it was cover I tracked down the original version and immediately fell in love. I had no clue this was at all related to Death Cab for Cutie (who at the time was a band I’d heard of a few times and nothing more). In 10 tracks this side project managed to make not only the best album of 2003 but one of the best albums of the decade. Every track is packed with beautiful lyrics and fun electronic sounds. It sounds like it’s ripped straight out of the 80’s and I love everything about it.

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This week I skyped in with Zach Gehring. Not only was Zach the founding member of Unsung Zeroes (one of my all time favorite pop punk bands) he is also the guitarist of Mae. Zach is now working on his first solo project and asking for fans to help finance it via IndieGoGo. We talked about the recording business, touring, being on a christian label and music journalism among other topics.

Go Support Zach’s project on IndieGoGo

The intro music contains the song All The Things by Last Tuesday from Chords for Cures Volume 1.

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This week I skyped in with Calen Fox. Calen is a UK filmmaker that I met through Dana Michael. His newest project is Beat My Boss a short film about revenge. Donate to their IndieGoGo and let’s get this short made!

The intro music contains the song To and Fro from Punchy’s Pilot

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The newest episode of Saint Mort Show involves me skyping with two lovely and hilarious women Corey Podell and Courtney Pauroso of Big Boss. I saw a sketch of theirs on Cracked a while back and wanted to talk to them about writing and performing sketch comedy. It’s definitely one of my favorite interviews. Below is the sketch I first saw on Cracked.

The intro music contains the song Nothing Good Happens After 2 am from In All The Same Houses’ album Hip High School Hierarchy.

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This week I was able to sit down with past guest Actress/Acting Coach Dana Michael and Jere Paolini part of the team working on the anthology project Philly, I Hate You.

Be sure to donate to their IndieGoGo

The intro music contains the song Danger City, Population: Me from Yale, Massachusetts ‘ album Act Like You’ve Been There.

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Many years  ago I met Emi Boz at a concert/craft show selling serial killer zombie portraits. I always wanted to have her on the podcast but didn’t have an excuse until I saw that Emi Was working on a new webcomic called Space Capades. I was glad to finally be able to sit and chat with her.

Check out her Kickstarter campaign

 

Opening Music is Punk Rock Academy by Atom and His Package.

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Steph and Tim were awesome guests with a short film that has a title that’s a little hard to pronounce.  The short Eventide (pronounced Even-Tide) sounds like an amazing little short in the same vein as Rosemary’s Baby. Throw some money towards their IndieGoGo

Check out their campaign video!

Eventide: The Indiegogo Campaign from Steph Burke on Vimeo.

Opening Music is Gallows Hill (Part 2) by Those Galloping Hordes found on their album Things I Grew Up With.

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Dear Mr. Watterson was one of my favorite documentaries of this year. Joel Allen Schroeder was able to perfectly capture all the elements that make Calvin & Hobbes fans love the world Watterson created. It’s currently available on their website, check it out now!

Opening Music is Pop Punk Fairy Tale by Backyard Superheroes found on their album Falling With Style.

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Keeping this quick because I’m an idiot and waited until the last day of Zen’s Kickstarter campaign to release this episode. Big apologies to Zen. Check out and donate to Asylum 33D right now! DO IT! Follow Saint Mort on Facebook and Twitter Subscribe to Us on iTunes

Happy Halloween Geekscape! This is my favorite month of the year. I was born this month, New York Comic Con is usually this month and more importantly it’s Halloween so Horror movies and gore become acceptable.

My obsession of Horror Movies and Music have helped to lead into a love of anything that combines both. So Here’s 9 Horror Themed Groups you possibly have never heard of (and 1 Notoriously awful Rap Group who I already professed my love for in the past).

Enjoy!

Blaster the Rocketman – American Werewolf

I first discovered Blaster when one of my favorite groups Calibretto covered their song I’m Only Humanoid on their final album. It was my favorite song on that particular album and I had to hear the original. I was shocked how different they sounded to Calibretto (who was mostly surf-rock inspired punk). Blaster the Rocketman was a popular but short lived Christian Horror-Punk band out of Indiana known for it’s bizarre Dickies/Dead Kennedys inspired sound and for singing songs about Werewolves, Robots and Frankenstein.

The Cramps – Creature from the Black Leather Lagoon

I’m pretty sure the first time I heard of The Cramps was through Return of the Living Dead with their song Surfin’ Dead. I’d heard a few other songs over the years that I thought were okay but it wasn’t until earlier this year that I managed to find a decent chunk of their discography at local flea markets and discovered how incredible this band is. Their blend of Horror themed lyrics and Psychobilly music is perfect October driving music.

Dead Man’s Bones – My Body’s a Zombie For You

Usually when an actor has a band, that actor becomes the man focus of the group and all that people market. This may have been the case for Dead Man’s Bones, but when I discovered them I had no clue that Ryan Gosling was in the band. I was more focused on the Danny Elfmanisk sounds of the Children’s Choir to even pay attention to the lead vocals. They may very well maybe the best band with a celebrity singer.

Deadlines – Go Go To the Graveyard

The second (and last) christian horror punk band on the list. I discovered them on a Tooth & Nail comp back when I was in high school. It was my first exposure to a band that sang specifically about horror movies and I Loved every second of it. I was always entertained to find out that shortly after the album was released the label was forced to put a card in the album explaining the group wasn’t satanic and simply enjoyed horror movies.

Groovie Ghoulies – Running With Bigfoot

Much like the Cramps I’ve just recently started to appreciate the Groovie Ghoulies even though I’ve known of them since I bought Short Music for Short People back in the late 90’s/early 2000’s. What’s shocking about this group to me is that despite their name at least half their songs have no horror element at all. Instead the focus on love songs and 50’s rock covers. Regardless their 3 decade long career has been full of lots of great monster inspired melodies.

Harley Poe – Corpse Grinding Man

Harley Poe is undeniably one of my all time favorite bands. Formed around the time that Joe Whiteford’s old band Calibretto was starting to break up he stepped away from Surf-Punk into more Folk-Punk. Each song has a nice blend of Comedy, Depravity and Catchiness. For more info on Harley Poe check out my interview with him on the newest episode of the Saint Mort Show.

Ichabod Crane – Nudes For Satan

It’s possible you’ve never heard of Ichabod Crane. I wouldn’t know them if I didn’t host a podcast with their lead singer (Reddit Horror Club Podcast, Please subscribe). However despite my general distaste towards Death Metal/Trash and all of their early albums I was floored when Scott sent me the demo of their new song Nudes for Satan. It starts off sounding like a Mystik Spiral song (and I should know as I just rewatched all 5 seasons) but ends up turning it a fantastic throw back to the 80’s hair metal songs you’d hear in your favorite horror sequels (Looking at you Dokken’s Dream Warriors)

Insane Clown Posse – Fonz Pond

I have been open of my love of ICP. I wrote a Guilty Pleasure article about them, I had the director of American Juggalos on my podcast and I own a large portion of their discography. Are they amazing rappers? Not really. But they’re entertaining and their beats in particular have always caught my ear. Their album Bang! Boom! Pow! received some of their best reviews in their career (including a handful of 3 star reviews). The above song is one of my favorites off the album.

Nick Cave & The Bad Seeds – Stagger Lee

Now Nick Cave isn’t exactly a Horror themed band in general, however their song Red Right Hand is hard to hear and not immediately think of the Scream franchise. Plus they have the brilliant album Murder Ballads (My favorite of their albums personally) which writes various songs from the perspective of a serial killer. It’s not Halloween if I don’t sit and listen to that album at least once.

Sykotik Sinfoney – Manic Depresso

I will never forget the day I discovered Sykotik Sinfoney. I was a huge fan of Full Moon Pictures and had seen the trailer to Bad Channels. Being that it was a horror movie about rock music I knew I had to see it, that’s when I discovered the most bizarre band who has ever existed. For years I knew of their one song in the movie and nothing else, however thanks to the internet I was able to purchase a copy of their unreleased album and watch tons of videos of them live in the 90’s. Guitarist Brian Young now performs with David Lee Roth and the band’s sound has called ahead of it’s time.

 

Joe from Harley Poe is back! He was on the show about a year ago but at the time I was trying to shove 2-3 interviews into an episode and we hardly got to talk. It was nice to sit down with Joe and talk about horror movies, Calibretto 13, Harley Poe’s new album Pagan Holiday (available on HorrorHound records) and which horror movie musical Harley Poe should cover.

Make sure to check out Joe’s Blog and the Band’s Facebook page

Opening song is “Note to Self: Learn to Fight” by Only on Weekends from their self-titled album.

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I had a blast running around New York Comic Con two weeks ago and grabbing interviews.

Big thanks to the people at:

VHSPS
JOE LOVES CRAPPY MOVIES
STAN LEE’S COMIKAZE
FANGASM
TROMA
RETURN TO NUKE’EM HIGH

Also check out Live Not On Evil’s Facebook Page to find out more about their Music Video Premiere

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I found Robert X Golphin on twitter and saw the trailer for The Other Side of Hollywood: Do or Die. The project immediately grabbed my attention and I absolutely had to have him on the podcast.

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When I was a kid, my cousin David and I would spend one week every Summer at my grandparent’s house. Dave was… to put it kindly, occasionally a piece of shit. He has since apologized for the way he used to treat me, and we have since become close friends. I do occasionally feel like he was the source of my poor choices of friends in my past. He was my cousin, so I loved him dearly, and I considered him my best friend… however, he was always picking on me and beating me up. This could explain why it took until college to actually start befriending people who liked being around me. Anyways, I’m sidetracking.

These weeks at my grandparent’s house were where I discovered many things that I loved. I remember one particular Summer, Sci-fi aired Alligator and Alligator II: The Mutation and we taped it off the TV and watched it every day for the rest of the week. It was during one of these visits that we caught a commercial on TV that would change both of our lives (he said a little too dramatically). It was a commercial for Cinemax’s premiere of FREAKED. We had never heard of it, but the 30 second spot was jam-packed with pure insanity. We knew that no matter what we did that day, we had to be back at the house in time to watch this movie.

Freaked was (for many years) the last thing Alex “Bill S Preston Esq.” Winter ever worked on. It is without a doubt the weirdest thing a major film studio has EVER financed and a piece of anti-comedy glory.

Freaked is the story of  RIcky Coogin (Alex Winter), a rich, snobby, former child star. Mega-Corporation E.E.S. (Everything Except Shoes) hires him to travel to South America to promote the chemical Zygrot 24. He brings his best friend Ernie (Michael Stoyanov) to join him. When their plane lands they are greeted with protestors including the beautiful Julie (Megan Ward) who they trick into joining them on their trip.

She asks them if they can visit the local freak show. Sadly the next show isn’t until the following night, but the host of the freak show Elijah C. Skuggs (Randy Quaid) invites them to see some of the more private creatures in his shed. Once they enter, they are turned into freaks (using Zygrot 24) and put into the Freakshow.

This is really all the plot you need to know. Story is secondary in this film. Freaked is about anarchic Marx Brothers comedy blended with the anti-comedy style of Winter (writer/director/star), Tim Burns (writer) and Tom Stern’s (writer/director) old MTV sketch show Idiot Box.

Freaked at 400

The film was originally conceived as a demented horror film called Hideous Mutant Freekz starring the Butthole Surfers (whose music still appears in Freaked). Eventually the idea was the scrapped for something more in tone with The Idiot Box. Joe Roth (head of 20th Century Fox at the time) loved the idea and immediately gave the duo a 12 million dollar deal  under the condition the profanity is toned down to allow it to get a PG-13 rating. Everything was set for one of the best and most bizarre comedies of the 90’s… and then Joe Roth got fired.

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Immediately after being fired and replaced with Peter Chernin, the film’s budget was completely pulled causing them to lose soundtrack rights (which sucks since the music is one of the best parts of the movie), the title changed form Hideous Mutant Freekz to Freaked and released on 2 screens (Despite a great response at the Toronto Film Festival).

The film was a financial flop that if not for cable channels like Cinemax playing it, it would have faded into obscurity. The film’s cult status was so strong that in 2005 a double-disc DVD was released and more recently a Blu-Ray version.

Sadly, despite the cult status, the film basically destroyed its writers/directors for many years. Tom Stern and Tim Burns wrote the first draft for American Werewolf in Paris (which Stern was to direct), however after the Freaked flop they were removed from the project. Despite receiving the principal writer credits to the film, both claim that nothing related to their original script remains. Their film was a comedy/horror in the same tone as the original American Werewolf in London and while I have professed my love of this sequel I wish I could have seen their original vision.

Furthermore, his other script Bad Pinocchio (later titled Pinocchio’s Revenge) was revamped from a horror/comedy into a psychological thriller (an unwatchable thriller at that) after Stern was kicked off the project. It wasn’t until he developed a friendship with Jimmy Kimmel that he found success directing The Man Show, Jimmy Kimmel Live, and Crank Yankers.

Meanwhile Winter remained relatively obscure for years following Freaked. While he did direct the well-received Fever in 1999 it wasn’t until the documentary Downloaded and the announcement of a possible Bill & Ted 3 that he returned to the public eye.

Regardless of how much the film may have hurt the careers of the people behind it, Freaked remains one of my top 10 favorite movies. I have forced many a friend to watch the insanity and it remains a film that represents to me that you can make anything you want, even if it’s the most bat-shit crazy 80 minutes ever put to cellophane.

freaked

This Halloween, take some time to watch a comedy that only b-horror fans would actually appreciate. 20 years later the special effects still remain impressive, the humor is still fresh and no film has come close to topic the insanity that is this film.

 

Adam Christopher and Danny Lowery of Inde Vision Films were some great guests. These guys truly represent indie film making on a shoestring budget. It was great getting to sit down and chat with them.

Check out their newest feature Obsessive Reaction now available on Amazon CreateSpace

The intro music contains the song Carnage and Cocktails by Harley Poe off the The Dead and the Naked.

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I don’t remember who it was but a few weeks ago someone posted a video of Cossbysweaters song “Everything’s Coming Up Milhouse”. I became a huge fan of song. I heard a few other songs from Allison (including her ode to D&D) and decided I wanted to have her on the podcast.

Allison was an absolutely delight to talk to. I will definitely have her back on sometime!

While we discuss her music briefly our bigger focus was on discussing Television.

Go support her buy picking up her new album! It features Good Kid (which Allison performs at the end of the episode).

The intro music contains the song It’s All In My Head by In Case It Rains off the Chords For Cures Volume 3 comp.

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When I was finishing college my friend introduced me to G4’s Code Monkeys. About as quickly as I discovered the show it was gone and off the air. So I was beyond thrilled when I received an email seeing if I’d like to interview Code Monkey’s creator Adam De La Peña about his new webseries Outlands.

Adam’s a funny dude and a great guest so I hope you enjoy this episode as much as I enjoyed interviewing him.

Check out Outlands!

Also take some time to check out CheezyFlicks.com pick up a copy of Dracula’s Orgy of the Damned. Check out the trailer below!

The intro music contains the song Orange Ribbons from Forever Got Shorter off the Chords For Cures Volume 1 comp.

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50 episodes! Who would have guessed this would happen. I’m extremely excited to still be doing this show after all this time. To celebrate I brought back my friend (and first guest) Tommy Avallone who wrote/directed Community College, Produced Miss December and Mancation and is currently wrapping up his newest project I Am Santa Clause. He’s a great guest and friend I can’t wait to see the final product (and also to purchase his movies and stop being a shitty friend)

The intro music contains the song One After the Other from Pterofractyl’s album The Missing Animal.

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For as long as I can remember I’ve wanted to write. However for years it was only movies I had an interest in. I would watch TV all day and plan out sequels to my favorite movies. My desire to write anything other than a movie was nonexistent. I hated school reports, wasn’t a fan of books and had no interest in writing for newspapers or doing reviews. Until the summer of 2005.

I graduated high school in 2004. Like most college freshmen I didn’t know what the future held for me, and like most college freshmen I befriended the most important people in my life that year. It was during my freshmen year of college I became good friends with a casual acquaintance Jeff.

Jeff was a quiet guy who went to art school and read like a fucking machine. When I say a quiet guy I literally mean that the first time Jeff and I had a conversation was in March (we began hanging out in October). Jeff was the person who first told me about Chuck Klosterman (and specifically the book Sex, Drugs and Cocoa Puffs). Being the amazing sales person he is I remember how he convinced me to read the book. We sat in a 24 hour diner, he was smoking his cigarette and Say Anything… came up. In the middle of the conversation he said “You should read Sex, Drugs and Cocoa Puffs. The first chapter the dude swears that Say Anything… is the reason he’s single.”

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That was good enough for me. However when I got to the bookstore they didn’t have any copies of it, they did have Klosterman’s newest book Killing Yourself To Live. I ordered a copy of Sex, Drugs and purchased Killing Yourself in the meantime. I loved the book and almost immediately upon finishing it the book store called me informing me my copy of Sex, Drugs and Cocoa Puffs had arrived.

Sex, Drugs and Cocoa Puffs became the first book I read twice in a 3 month period. I read that book over the summer. That fall semester I discovered my pop culture textbook was Sex, Drugs and Cocoa Puffs.

Perhaps it was reading it a second time so quickly but it became a seasonal thing for me after that. I would read the book on an average of 3-4 times a year. It’s not a coincidence that I began writing for Geekscape that same year. Klosterman’s unique way of discussing pop culture suddenly sparked an interest of not just writing movies… but writing about movies (and music, and books, and celebrities, and serial killers, etc).

The influence of Klosterman’s style has affected most writer’s style. Just looking at some of my fellow Geekscape writers I can tell who has read Chuck’s books. He does an amazing job of convincing you to believe his opinions are absolute fact and his comedic delivery.

What I loved about this book and have continued to love about it is that regardless of if you agree with his opinions you tend to enjoy what you’ve read. I’ve disagreed with a lot of Chuck’s opinions, but I love journey of him explaining and trying to convince me. I don’t give two shits about Basketball or Soccer but I’ve read both essays multiple times and absolutely loved them each time.

It’s particularly difficult for me to discuss this book. There’s no story but I will say that there are at least 5 essays that I find myself constantly referring to and quoting it. For those who have never read this book I will use those 5 chapters in order to convince you it’s worth buying.

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1. THIS IS EMO

This was the opening chapter that I spoke of earlier. In it Chuck discusses the fact that no one has ever experienced love. Nobody knows what love is, we only know what we think love is because of what movies and music have told us. He calls out John Cusack (for his character of Lloyd Dubler) and Coldplay (for their nonsense lyrics) specifically for distorting our ability to understand love. This essay inspired me to write a script about pop cultures effect on our idea of true love. Klosterman’s conclusion is that since songs and movies never show us the moments of a relationship where people are just hanging doing nothing romantic we feel like we’ve fallen out of love with someone when our relationships become regular and simple.

2. EVERY DOG MUST HAVE HIS EVERY DAY, EVERY DRUNK MUST HAVE HIS DRINK

In this essay Klosterman discusses how Billy Joel isn’t cool and that’s part of what makes him great. This essay made me realize that the most important albums and songs in Joel’s career are all built around an overwhelming element of sadness. Joel is a depressed everyman and the sadness shines in every song lyric. This essay convinced me to buy all of Billy Joel’s albums (beyond the greatest hits albums I had) and quickly made him one of the favorite artists. So Warning… reading this book might make you a Billy Joel fan

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3. APPETITE FOR REPLICATION

There’s not a ton to discuss here. The Essay is just extremely fascinating. Klosterman tells us the time  he went on “tour” with a Guns N Roses tribute band Paradise City. While Klosterman admires them for being able to look and sound like Guns N Roses what he’s most amazed with is how wreckless they are. At one point he even muses that this band cares more about Guns N Roses music than Axl Rose or Slash.

4. PORN

In that college class I had to write my final paper arguing if I agreed or disagreed with this particular essay. It’s hard to argue with Chuck’s logic for the most part. In this essay he deduces that since the most popular types of porn are amateur and that many of the stars of online porn aren’t beauty queens that women should be glad internet porn exists as it’s makes average beautiful again. To quote Klosterman “Now the girl-next-door could literally be the girl next door”.

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5. THE AWE-INSPIRING BEAUTY OF TOM CRUISE’S SHATTER TROLL-LIKE FACE

If not for this chapter I’d have never discovered some of my favorite films. This chapter inspired me to check out Vanilla Sky and Waking Life. I have frequently found myself randomly reading this chapter (as well as the Billy Joel chapter). Perhaps it’s due to my love of music and film but I think it’s more than that. I like music but I love the songs of Billy Joel and while I like film, I love the movies he discusses in this chapter. There is something great about a well-written “what is reality film”. The best thing about a well made ‘What is Reality film?’ is revisiting them, finding pieces of the puzzle that you missed the first time around. I also find it really interesting that this essay only exists because of (a) a poor food choice and (b) an old Entertainment Weekly magazine in Chuck’s bathroom.

This is the hardest essay I’ve had to write since my Jim Henson article almost 5 years ago. The fact is that this book hasn’t just inspired me to write for websites, it’s inspired me to have an analytical approach to the world. I don’t simply watch a movie, read a book or listen to an album… regardless of how good or bad any of those things are, I dig deep to find the greater good… the message and the social importance.

Fuck you Chuck Klosterman… I can’t just shut off my brain anymore and enjoy something mindlessly because of you. I sincerely hate and appreciate you for it.

This week I was able to sit down with a new-friend of mine Actress/Acting Coach Dana Michael. Dana is a funny and smart actress who runs her own acting school and blog with acting advice.

Check out her website after you listen to the episode!

The intro music contains the song Doo Wop from Yale, Massachusetts ‘ album Act Like You’ve Been There.

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Harry Elfont wrote and directed 1998’s Can’t Hardly Wait which I saw as a child and it left a huge impact. I wrote a Retroactive Thinking article which Harry saw and tweeted a thank you to me. Being the whore I am I immediately asked him to do the podcast. Somehow I managed to convince him to do the show and let me overly praise him. Sorry for how obnoxious my geek out of this is.

Also Harry wrote/directed Josie and the Pussycats

The intro music contains the song Ocean City Windshield Punch from Facts

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Thank you so much for all the positive reactions to Part 1 of my interview with my brother. It means the world to him and I. Again the audio issue is rough but I appreciate that y’all are sticking with it.

Follow Brian on Twitter as well as follow him on SoberNation.com and YourFirstStep.org

Also take some time to check out CheezyFlicks.com pick up a copy of Federal Agents Vs. Underworld Inc. Check out the trailer below!


The intro music contains the song No Trespassing from Awaking Mercury off their EP If It’s Maria.

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Back in 1983, Dr. Demento favorite “Weird Al” released his self-titled debut album. Yankovic has been one of my musical heroes; he represents everything that’s great about music, and he’s someone who the world thought would be a novelty act and a one hit wonder. Instead, he wowed them with an impressive career (outlasting about 90% of the artists he’s parodied) who can do justice to any genre and make us laugh time and time again. He’s won multiple awards, had a feature length film become a cult classic, is considered one of the greatest live performers of all time and had a beef with at least two hip-hop legends (Coolio and Eminem).

To celebrate the 30 years of music I’ve decided to sit down, relisten to every album and rank them from worst to best. There’s a few things we should discuss beforehand about what elements I was looking for in these albums:

First, we choose not to cover any of the compilations or greatest hits releases. This seems like a no brainer, but I feel like someone out there will complain that “The Food Album” isn’t ranked and that’s their favorite Yankovic record.

Second, this isn’t the most important albums or best selling albums list. This is based on how good the album is. My factoring was based on (a) how good the songs are, (b) if the parodies hold up, and (c) how good the originals are.

Third, there’s no favoritism to a popular song. Just because Fat (possibly Al’s best parody) appears on Even Worse, that doesn’t justify the record as being his best unless the other tracks hold that same strength. Again a no brainer, but people will point out that the album with their favorite song on it being ranked low. It’s not a comment on the song’s quality, but the record as a whole.

Finally, there is no bad Weird Al album. Even the lowest ranked album on this list is still a great record. Yankovic (in my highly biased opinion) can do literally no wrong.

14.Alpalooza

I’m confident that I’m going to lose people on this first one. They’ll say “But what about Polka Party?” and “I really like Bedrock Anthem”. First off, Bedrock Anthem is definitely one of the worst parodies Al ever did, even Red Hot Chili Peppers were disappointed and felt it was a phoned in parody. If you ask me, most of this album feels phoned in. It really is his “sell-out” album. Many of the songs (Bedrock Anthem, Talk Soup) were recorded for other projects (Flintsones movie soundtrack and a new theme song to the E! show). It’s contains all of Al’s worst originals and lackluster parodies. The only highlights are Livin in the Fridge and Bohemian Polka.

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13. Peter and the Wolf

Few people know this record exists. I didn’t until Al was giving it away for a charity auction. I eventually tracked down a copy of it and was mostly disappointed. It’s funny. But it’s worth one listen and nothing more. The only reason this isn’t lower is that I have to admit that it’s a very ambitious project, specifically given that just 2 years earlier Polka Party’s poor sales almost ruined his career. Yankovic had JUST gotten himself back into the public eye and followed it up with this easily forgettable (and frankly unmarketable) album. If  you can track down a copy it’s worth a listen… but not much more.

12. UHF Soundtrack

UHF is one of the funniest movies ever made. Sadly, the soundtrack doesn’t contain many laughs. The highlights of the record include the theme song, the Money for Nothing parody and the handful of fake commercials from the movie. However, when you remove the visuals from those commercials it’s not nearly as entertaining. It contains all of Al’s weakest parodies and personally my least favorite polka (as I’m not a huge Rolling Stones fan). Its poor sales and the disappointing box office release basically ended Yankovic’s career until Nirvana gave Al a reason to reemerge.

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11. Poodle Hat

Despite having two previous releases (Bad Hair Day and Running with Scissors) being massive hits, Poodle Hat is one of Al’s worst selling records. There’s two reasons for this. First is that there was never a music video made for any songs (Eminem halted production of the Couch Potato music video) and secondly… it’s not that good of a record. It pains me to say that because I love songs on this album but it takes forever for the album to really pick up (not until the Angry White Boy Polka at track 5; which happens to be my favorite of all the polkas). Most of the parodies are forgettable and the originals (excluding the insanely impressive Hardware Store) are pretty mediocre. It’s a shame really because the few songs that work… are amazing but the rest hit the ground with a thud.

10. Polka Party!

This was/is Al’s lowest selling album (with the UHF soundtrack being a very close second). This record would have killed his career if it wasn’t for Fat two years later. Most people would probably rank this as his worst album (I’m sure even Al would) but I simply can’t: I’ve learned that while the parodies eventually become out-dated, it’s the originals that really determine the relisten value of Yankovic’s records and Polka Party simply has too many great originals to completely dismiss. Christmas At Ground Zero is a hilarious juxtaposition of post-apocalyptic story telling over a cheesy christmas tune and his Talking Heads style parody Dog Eat Dog is almost as spot on as his Devo (Dare to Be Stupid) and They Might Be Giants (Everything You Know is Wrong) style parodies

Weird_Al_Yankovic_-_Off_the_Deep_End

9. Off The Deep End

After a lull in his career following the disappointing box office draw of UHF Yankovic was struck by inspiration when Nirvana blew up on the scene. Off the Deep End is like the reverse of Poodle Hat. Poodle Hat I complained it took too long to get going, Off the Deep End starts off so strong and then falls apart near the end (but is saved by the beautiful closing track You Don’t Love Me Anymore). However despite complaints when this album succeeds, it succeeds in a big way. Smells Like Nirvana was huge because it was a beautiful parody of not just Nirvana but the entire grunge movement.

8. Even Worse

This is one of three albums that saved Al’s career (the second being the previously mentioned Off the Dead End). After Polka Party’s poor response Al leaped back into the public eye by lampooning Michael Jackson once again and he went big (literally). Fat is leaps and bounds a better song (and video) than Eat It. On that sad day when Al leaves this world forever it will be Fat and Amish Paradise that he will be most remembered for (you may quote me on that). Strangely enough, it was also the only song on the album to get a music video. It’s a shame since it has some fantastic tracks on it (including Lasagna, You Make Me and his Beastie Boys parody Twister). The third album to save his career was…

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7. Straight Outta Lynwood

Yankovic followed up the disappointing Poodle Hat with his highest selling record (at the time) thanks to the massive White & Nerdy. This album deserved all the praise it received. Beyond the fact that all the parodies work and most of the originals are equally great this is the first album where we find Al using his comedy to get a little political. Songs like I’ll Sue Ya and Don’t Download This Song are hilarious but still contain a statement about our society. This has continued into his new more recent music.

6. In 3-D

The sophmore slump certainly didn’t exist in the world of Al Yankovic. His 2nd album was undeniably his biggest of the 80’s (and one of his biggest of all time). It was on this record that the “Weird Al” we know and love came out more strongly. In 3-D gave us our first ever Weird Al polka and our first of 2 massive Michael Jackson parodies. However while Eat It was a massive hit my favorite track is the follow up single I Lost on Jeopardy. I still can’t hear Greg Kihn Band’s original version and not immediately think of the parody lyrics instead.

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5. Apocalypse

Straight Outta Lynwood was Al’s highest selling record until the following album release which outsold it and hit his highest billboard position. It contains nothing but perfect parodies and originals as he blasts through parodies of todays top artists and does style parodies for some classic groups like Queen, Meat Loaf and The Doors. Continuing the ‘sincere statements’ hidden in comedy songs found on Straight Outta Lynwood is TMZ (a parody of Taylor Swifts You Belong to Me) which discuss our generations obsession with celebrities. The highlights though are Ringtone and Stop Forwarding That Crap to Me.

4. “Weird Al” Yankovic

I’ve read/heard that Al is not particularly proud of his debut. What’s ironic is one of his complaints (There’s an accordian on every song) is part of the appeal to me. Yankovic always had an anarchic approach to music but his debut could almost be called punk rock. Between his nasally voice, his covers of The Knack and Joan Jett and the dark humored lyrics of songs like Mr. Frump in the Iron Lung all help make this record the underappreciated gem in his collection.

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3. Running With Scissors

After the massive success of Amish Paradise, Al Yankovic disappeared for a few years until he found the perfect parody. It came not from a new song or artist but the long awaited Star Wars Prequel The Phantom Menace. He blended it with American Pie (released 3 decades earlier) and a massive hit was born. While I do love The Saga Begins I think the highlight of the album is in either the follow-up single It’s All About the Pentiums or the 11 minute long ranble-fest called Albuquerque. It’s hard to really pick a favorite on the record though since basically every song hits the ball out of the park.

2. Dare to Be Stupid

It may not have sold as well as In 3-D and didn’t contain a hit as massive as Eat It but Dare to Be Stupid is the highlight of Yankovic’s early career. This is the record where I believe Al’s brilliant originals really started to show their power. Songs like One More Minute, This is the Life and the title track are all the highlights of the album. On top of those classics it also contains fan-favorite (and long time encore/closing song) Yoda. This is “Weird Al” stewed to perfection. In fact only one record has been able to one up it in the 27 years since it’s release.

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1. Bad Hair Day

One could argue I’m being biased. This was the first “Weird Al” album I ever owned, Amish Paradise was the first song I ever heard by him and it’s one of his most famous releases. Regardless of all that, this album has stood the test of time better than any other record he’s made. Not only do all the parodies still retain the same comedic value over a decade later but the originals are all masterpieces however the highlight of this record (and to this day the best style parody Al has ever done will always be his They Might Be Giants inspired Everything You Know is Wrong. If you are a child of the 90’s this entire album probably always will have a place in your heart.

Matt Kelly is the host of The Saint Mort Show podcast, active on twitter and constantly updating his blog Pure Mattitude.

I’ve been sitting on this episode a few weeks waiting until all the Comic Con news died down. This was one of the most difficult episodes I’ve ever recorded. I sat down with my brother Brian for roughly 2.5 hours and talked about his Addictions and sobriety. I split the episode making this one all about the addiction, next week I’ll release the episode about getting sober.

Follow Brian on Twitter.

Also take some time to check out CheezyFlicks.com pick up a copy of Univited. Check out the trailer below!

The intro music contains the song Thanks Dr. DePaul from Arcade Academy. The Song at the end of the episode is by Never Been by In All The Same Houses available on Chords For Cures Bandcamp Page.

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Greetings Saint Mort Show Fans,

This week I sat down with local musician Mike Maguire to discuss music, skateboarding and his upcoming full length album Stay Strong. He even performances the song Morning Rain off it.

Check out Mike’s Facebook Page for updates on Future Shows and the Album Release date.

Also take some time to check out CheezyFlicks.com pick up a copy of Octaman. Check out the trailer below!

The intro music contains the song Senior Letter from Lily Bee‘s album Daydream at Midnight.

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As a Nightmare on Elm Street fanboy, I absolutely 100% could not turn down a chance to interview Robert Rusler (star of Nightmare 2: Freddy’s Revenge & Weird Science). Luckily for me the new project he’s promoting Black Asylum looks pretty fucking amazing too. Check the teaser trailer below


Be sure to show him some love by following Black Asylum’s twitter and their main website

The intro music contains the song Master Versus Master from Pterofractyl’s  album The Missing Animal.

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This is another long lost episode of the Saint Mort Show. This isn’t as long lost as the Dr. Greene episode a few weeks ago but it was still recorded back in January or February perhaps? I honestly can’t remember.

 

While I’d known of Dave Bullis from various projects he had written and directed in my town (Including Game Over from Episode 6) I’d never met him until this recording. I had just joined his writer’s group and became fast friends.

 

The intro music contains the song Metwo from Yale, Massachusetts ‘ album Act Like You’ve Been There.

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