I’ve been trying to get Awaking Mercury on the show for about two years but we finally got our schedules to sync up. The band came over and we talked music, get into a long discussion about early christian rock and they perform two songs.

This episode is powered by Scream Factory pick up some DVDs from www.screamfactorydvd.com

 

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Before their show last week in Philly Mishka Shubaly & Star Anna came by the basement and talked about sobriety, their early days of music and the music that Star and Matt love but Mishka can’t stand.

Check out info on their tour as well as their music at www.mishkashubaly.com and www.staranna.com

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Past Guest Kyle K posted a video of Brian Fitzy covering one of my favorite rap songs about a year ago on his facebook. I noticed he was from Philly and booked him on one of my chords for cures concerts. Ever since I desperately wanted to get him on the podcast, it took a while to find a day we were both free but it was worth the wait. Brian was an awesome guest and we talked about discovering rap as a kid, how Brian learned to do what he does and the worst gig ever.

Check out Brian’s newest live-loop cover and pick up a copy of his album Layers

The intro music contains the song Never Been by In All the Same Houses.

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Fallen Among Thieves is trying to get their new EP pressed to Vinyl. They came to the podcast, played and few songs and chatted about many random things including Nirvana, local shows and 90’s alternative rock. Check out their Kickstarter campaign and donate!

Below are two videos of them performing in my basement/studio

This episode contains Run, Mateo and Memory from Fallen Among Thieves’ EP Honeymouth.

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“Good evening.  This is off our first record.  Most people don’t own it.”

This is how Kurt Cobain introduced “About a Girl,” the perfect opening song on a night when Nirvana’s music was actually going to be taken seriously.

MTV Unplugged was realized years earlier when Jon Bon Jovi and Richie Sambora performed “Wanted Dead or Alive” on the MTV Video Music Awards acoustically.  The first ever episode featured Squeeze, Syd Straw and Elliot Easton.  Before Nirvana, some acts like Mariah Carey (memorable for her cover of The Jackson 5’s “I’ll Be There), Paul McCartney, Eric Clapton (the debut of “Tears In Heaven”) and Pearl Jam (Eddie Vedder writing Pro-Choice on his arm during the acoustic rendition of “Porch”) all had notable appearances.

Nirvana was a different monster.  This was a band that was known for being loud.  After all, they had just released their third studio album, “In Utero,” with hardcore producer Steve Albini; a man known for his blatant dislike of mainstream music and a musician in his own right with Chicago noise-makers Big Black.  Even Krist Novocelic, bassist, was concerned that it wasn’t truly “unplugged” since the acoustic instruments were plugged in.

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But Kurt had a sound in mind that was far different from what people were used to.  He even spent much of rehearsals yelling at drummer Dave Grohl (known as one of the heaviest hitters behind a kit) to play quieter.  Dave almost gave up until a producer gave him a pair of Pro-Mark Hot Rod drum sticks, which are made from bundles of wood.  “We ran through a song and Kurt’s face lit up.  Those sticks saved the entire show,” he recalled.

This show also introduced many people to the final piece of Nirvana’s line-up: guitarist Pat Smear.  Pat was previously in the L.A. punk outfit Germs (whose singer, Darby Crash, was also a heroin addict who committed suicide from an intentional overdose – for more on them, see the film “What We Do Is Secret”).  Kurt had said he always pictured Nirvana as a four-piece and on this night it was serenely obvious why.

Other musicians also joined in on the iconic set, such as cellist Lori Goldston and the “Brothers Meat” as they were called, Thing 1 and Thing 2, Cris and Curt Kirkwood of the Meat Puppets.  This brings up a great point that I always point out about punk, especially Nirvana, when people don’t understand why it matters.  In the world of music, anyone can become famous at any time.  Sometimes it’s talent, sometimes it’s knowing the right people, sometimes it’s being in a particular city or getting on the right soundtrack… but what you do when you get that attention matters.  Bands like Green Day, who took The Queers on tour, Offspring, who wore a Germs shirt in their “Self Esteem” video, or Nirvana, who played three Meat Puppets songs mid-set, were constantly promoting the bands they grew up with, were contemporaries of, or who weren’t getting the deserved attention.  I didn’t buy a Buzzcocks album because some radio station played them, I checked them out because Dave Grohl wore their t-shirt on MTV.  I bought a Vaselines record because Nirvana covered “Jesus Doesn’t Want Me For a Sunbeam” on Unplugged and “Molly’s Lips” and “Son of a Gun” on Incesticide.  This is the proper use of the spotlight.

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Maybe this is why the Unplugged album, when it was finally released in 1994, was certified 5x platinum.  Maybe it was Cobain’s death, but while he was alive, he made a genuine decision to dig deep into not only his own band’s catalogue, but also his inspirations.  Covering David Bowie, little known Scottish duo The Vaselines and blues legend Leadbelly proved to be just what alternative music needed at the height of its popularity: a little context.  Just because Nirvana knocked Michael Jackson out of the top spot on the Bilboard charts and, arguably, put the nail in the coffin of hair metal (a genre so ridiculously meta, not metal), this didn’t necessarily grant them longevity and historical deity-like stature.  They did that themselves with this show.  They opened with their most Beatle-esque tune off an album of rainy, heroin soaked sludge and ended with an Appalachian song doused in pain, emotional release and guttural regret (previously done by people like The Louvin Brothers, another tragic musical act) that no one asked for, but no one who heard it forgot.  Especially Kurt’s weight-of-the-world-on-his-shoulders exhale right at the end.

The band didn’t go out and play their most well-known tracks like they were recording a live greatest hits at Madison Square Garden.  They took the time to put together a setlist that quietly screamed at people: “Give up on Smells Like Teen Spirit.  That’s a Pixies rip-off.  This is what we’re capable of and where we may be going.”  They’d already gotten as loud and noisy as possible on record and still held an adoring fan base that grew only by the day.  Kurt had always admired the Beatles anyway.  This is why they never fit the “grunge mold,” and why that was a stupid label to begin with.  Kurt wrote pop songs.  You could hear it on Unplugged.  I’ve always held to the belief that if a song can’t be played on an acoustic guitar or a piano, it isn’t a song.  It’s just noise.  Which is fine.  But a song has a melody, at the very least – at its base.  And Nirvana had melodies.  Sure, they had quaking ducks and walls of feedback thrown into songs like “Drain You,” but those songs have memorable choruses, a pulsing beat and dynamic changes.

So, why talk about Nirvana “MTV Unplugged in New York”?  Why does the 20th Anniversary of some TV special marketed into an album because of an untimely death still matter some two decades later?

“Consider the lillies…” I want to say that Kurt was able to sing his own eulogy here, with the stage decorations, the lighting, the mood… the initial hesitance he exhibited by claiming most people didn’t own the first record by the biggest band in the world at the moment… and the raw, naked way his voice cried out by the end.

“Am I gonna do this by myself?”  Maybe it was the inner turmoil that poked its ugly head into some of the onstage banter (or maybe I’m reading into it based on hindsight and post-death interviews) that make me believe that maybe this was the end anyway.  Maybe this would have been their last televised appearance regardless.  Maybe this was goodbye.

“What else should I be?”  Maybe this is just all we have of a musician we put all our hopes into when he was here.  Maybe we’ve blown Nirvana’s importance out of proportion.  Considering Nirvana’s music is now over twenty years old, shouldn’t they be on radio stations next to Led Zeppelin and The Rolling Stones instead of trying to still get away with programming them along side Lorde and Florence + the Machine and Mumford and Sons, and what passes for “alternative” today?  There are about two generations of musical consumers who were born after Kurt left us and many of them say: “Ugh.  Enough with Nirvana.  They’re so overrated.”  And you know what.  Kurt would be fucking proud of them.  He hated it when kids listened to the same music as their parents.  So, while this album is nostalgically great for 30-40 year olds who liked Nirvana – if you’re under 30, go listen to some new bands.  Support your own generation.  Support your friends playing down the street in a firehall.  Start your own fucking band.  Start your own blog or label or YouTube page or Soundcloud account.  That’s what we should be taking away from this.  ANYONE can change the world.  You just have to find your voice.  So start screaming.

Nirvana said it best in this interview:

Watch the whole Unplugged performance here

 

Back in 1983, Dr. Demento favorite “Weird Al” released his self-titled debut album. Yankovic has been one of my musical heroes; he represents everything that’s great about music, and he’s someone who the world thought would be a novelty act and a one hit wonder. Instead, he wowed them with an impressive career (outlasting about 90% of the artists he’s parodied) who can do justice to any genre and make us laugh time and time again. He’s won multiple awards, had a feature length film become a cult classic, is considered one of the greatest live performers of all time and had a beef with at least two hip-hop legends (Coolio and Eminem).

To celebrate the 30 years of music I’ve decided to sit down, relisten to every album and rank them from worst to best. There’s a few things we should discuss beforehand about what elements I was looking for in these albums:

First, we choose not to cover any of the compilations or greatest hits releases. This seems like a no brainer, but I feel like someone out there will complain that “The Food Album” isn’t ranked and that’s their favorite Yankovic record.

Second, this isn’t the most important albums or best selling albums list. This is based on how good the album is. My factoring was based on (a) how good the songs are, (b) if the parodies hold up, and (c) how good the originals are.

Third, there’s no favoritism to a popular song. Just because Fat (possibly Al’s best parody) appears on Even Worse, that doesn’t justify the record as being his best unless the other tracks hold that same strength. Again a no brainer, but people will point out that the album with their favorite song on it being ranked low. It’s not a comment on the song’s quality, but the record as a whole.

Finally, there is no bad Weird Al album. Even the lowest ranked album on this list is still a great record. Yankovic (in my highly biased opinion) can do literally no wrong.

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I’m confident that I’m going to lose people on this first one. They’ll say “But what about Polka Party?” and “I really like Bedrock Anthem”. First off, Bedrock Anthem is definitely one of the worst parodies Al ever did, even Red Hot Chili Peppers were disappointed and felt it was a phoned in parody. If you ask me, most of this album feels phoned in. It really is his “sell-out” album. Many of the songs (Bedrock Anthem, Talk Soup) were recorded for other projects (Flintsones movie soundtrack and a new theme song to the E! show). It’s contains all of Al’s worst originals and lackluster parodies. The only highlights are Livin in the Fridge and Bohemian Polka.

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13. Peter and the Wolf

Few people know this record exists. I didn’t until Al was giving it away for a charity auction. I eventually tracked down a copy of it and was mostly disappointed. It’s funny. But it’s worth one listen and nothing more. The only reason this isn’t lower is that I have to admit that it’s a very ambitious project, specifically given that just 2 years earlier Polka Party’s poor sales almost ruined his career. Yankovic had JUST gotten himself back into the public eye and followed it up with this easily forgettable (and frankly unmarketable) album. If  you can track down a copy it’s worth a listen… but not much more.

12. UHF Soundtrack

UHF is one of the funniest movies ever made. Sadly, the soundtrack doesn’t contain many laughs. The highlights of the record include the theme song, the Money for Nothing parody and the handful of fake commercials from the movie. However, when you remove the visuals from those commercials it’s not nearly as entertaining. It contains all of Al’s weakest parodies and personally my least favorite polka (as I’m not a huge Rolling Stones fan). Its poor sales and the disappointing box office release basically ended Yankovic’s career until Nirvana gave Al a reason to reemerge.

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11. Poodle Hat

Despite having two previous releases (Bad Hair Day and Running with Scissors) being massive hits, Poodle Hat is one of Al’s worst selling records. There’s two reasons for this. First is that there was never a music video made for any songs (Eminem halted production of the Couch Potato music video) and secondly… it’s not that good of a record. It pains me to say that because I love songs on this album but it takes forever for the album to really pick up (not until the Angry White Boy Polka at track 5; which happens to be my favorite of all the polkas). Most of the parodies are forgettable and the originals (excluding the insanely impressive Hardware Store) are pretty mediocre. It’s a shame really because the few songs that work… are amazing but the rest hit the ground with a thud.

10. Polka Party!

This was/is Al’s lowest selling album (with the UHF soundtrack being a very close second). This record would have killed his career if it wasn’t for Fat two years later. Most people would probably rank this as his worst album (I’m sure even Al would) but I simply can’t: I’ve learned that while the parodies eventually become out-dated, it’s the originals that really determine the relisten value of Yankovic’s records and Polka Party simply has too many great originals to completely dismiss. Christmas At Ground Zero is a hilarious juxtaposition of post-apocalyptic story telling over a cheesy christmas tune and his Talking Heads style parody Dog Eat Dog is almost as spot on as his Devo (Dare to Be Stupid) and They Might Be Giants (Everything You Know is Wrong) style parodies

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9. Off The Deep End

After a lull in his career following the disappointing box office draw of UHF Yankovic was struck by inspiration when Nirvana blew up on the scene. Off the Deep End is like the reverse of Poodle Hat. Poodle Hat I complained it took too long to get going, Off the Deep End starts off so strong and then falls apart near the end (but is saved by the beautiful closing track You Don’t Love Me Anymore). However despite complaints when this album succeeds, it succeeds in a big way. Smells Like Nirvana was huge because it was a beautiful parody of not just Nirvana but the entire grunge movement.

8. Even Worse

This is one of three albums that saved Al’s career (the second being the previously mentioned Off the Dead End). After Polka Party’s poor response Al leaped back into the public eye by lampooning Michael Jackson once again and he went big (literally). Fat is leaps and bounds a better song (and video) than Eat It. On that sad day when Al leaves this world forever it will be Fat and Amish Paradise that he will be most remembered for (you may quote me on that). Strangely enough, it was also the only song on the album to get a music video. It’s a shame since it has some fantastic tracks on it (including Lasagna, You Make Me and his Beastie Boys parody Twister). The third album to save his career was…

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7. Straight Outta Lynwood

Yankovic followed up the disappointing Poodle Hat with his highest selling record (at the time) thanks to the massive White & Nerdy. This album deserved all the praise it received. Beyond the fact that all the parodies work and most of the originals are equally great this is the first album where we find Al using his comedy to get a little political. Songs like I’ll Sue Ya and Don’t Download This Song are hilarious but still contain a statement about our society. This has continued into his new more recent music.

6. In 3-D

The sophmore slump certainly didn’t exist in the world of Al Yankovic. His 2nd album was undeniably his biggest of the 80’s (and one of his biggest of all time). It was on this record that the “Weird Al” we know and love came out more strongly. In 3-D gave us our first ever Weird Al polka and our first of 2 massive Michael Jackson parodies. However while Eat It was a massive hit my favorite track is the follow up single I Lost on Jeopardy. I still can’t hear Greg Kihn Band’s original version and not immediately think of the parody lyrics instead.

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5. Apocalypse

Straight Outta Lynwood was Al’s highest selling record until the following album release which outsold it and hit his highest billboard position. It contains nothing but perfect parodies and originals as he blasts through parodies of todays top artists and does style parodies for some classic groups like Queen, Meat Loaf and The Doors. Continuing the ‘sincere statements’ hidden in comedy songs found on Straight Outta Lynwood is TMZ (a parody of Taylor Swifts You Belong to Me) which discuss our generations obsession with celebrities. The highlights though are Ringtone and Stop Forwarding That Crap to Me.

4. “Weird Al” Yankovic

I’ve read/heard that Al is not particularly proud of his debut. What’s ironic is one of his complaints (There’s an accordian on every song) is part of the appeal to me. Yankovic always had an anarchic approach to music but his debut could almost be called punk rock. Between his nasally voice, his covers of The Knack and Joan Jett and the dark humored lyrics of songs like Mr. Frump in the Iron Lung all help make this record the underappreciated gem in his collection.

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3. Running With Scissors

After the massive success of Amish Paradise, Al Yankovic disappeared for a few years until he found the perfect parody. It came not from a new song or artist but the long awaited Star Wars Prequel The Phantom Menace. He blended it with American Pie (released 3 decades earlier) and a massive hit was born. While I do love The Saga Begins I think the highlight of the album is in either the follow-up single It’s All About the Pentiums or the 11 minute long ranble-fest called Albuquerque. It’s hard to really pick a favorite on the record though since basically every song hits the ball out of the park.

2. Dare to Be Stupid

It may not have sold as well as In 3-D and didn’t contain a hit as massive as Eat It but Dare to Be Stupid is the highlight of Yankovic’s early career. This is the record where I believe Al’s brilliant originals really started to show their power. Songs like One More Minute, This is the Life and the title track are all the highlights of the album. On top of those classics it also contains fan-favorite (and long time encore/closing song) Yoda. This is “Weird Al” stewed to perfection. In fact only one record has been able to one up it in the 27 years since it’s release.

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1. Bad Hair Day

One could argue I’m being biased. This was the first “Weird Al” album I ever owned, Amish Paradise was the first song I ever heard by him and it’s one of his most famous releases. Regardless of all that, this album has stood the test of time better than any other record he’s made. Not only do all the parodies still retain the same comedic value over a decade later but the originals are all masterpieces however the highlight of this record (and to this day the best style parody Al has ever done will always be his They Might Be Giants inspired Everything You Know is Wrong. If you are a child of the 90’s this entire album probably always will have a place in your heart.

Matt Kelly is the host of The Saint Mort Show podcast, active on twitter and constantly updating his blog Pure Mattitude.

It’s 12/12/12 and the world is acting pretty damn weird. It was announced/leaked today that Nirvana will return for a one night show, and their lead singer will be Paul McCartney. Yeah, THAT Paul McCartney. You know, from the Beatles.

This is all for the 121212 Hurricane Sandy Charity concert. The goal of the event is to raise money for the Robin Hood Fund which is said to directly go to areas affected by Hurricane Sandy.

In an article from The Sun, it said that Paul had just rung up Dave Grohl and Grohl asked him to come around and play some tunes. After a few songs and an what I would say would be an enjoyable evening, Paul exhibited a startling example of being oblivious. He asked Dave “Who are these guys?”. He was quickly informed that he was taking up the role of the late great Cobain and the guys he was playing with were Nirvana…sort of.

Well this little get-together really sparked something, as McCartney along with Krist Novoselic and David Grohl will be joining forces TONIGHT as Nirvana playing a brand new song during the 121212 Charity Concert. Hopefully our own Matt Kelly will take the time out of his busy schedule to watch it and give us his thoughts.

For more information on where you can watch this event, check out the 121212 Broadcast page HERE.