When I was a child I discovered “Weird Al” Yankovic. Being the innocent youngster that I was I asked my grandfather if he had any Weird Al records. He didn’t mock me, he didn’t say “that’s not really my cup of tea”… my eternally awesome grandfather said “I don’t but I think I have something you’ll like”.

The next week when we visited my grandfather he handed me a cassette tape. I don’t think there exists a cassette that I’ve listened to as much as that one. Every day I’d liken to it and absorb it. It was a mix of music from Benny Bell, Spike Jonze and my favorite of the three, Stan Freberg. Some of you might be saying “who’s that?” Allow me to explain.

In the 50’s Freberg started his career at Capitol records doing parody sketches. These included classics like John and Marsha (a parody on bad soap operas), his classic Dragnet parodies and my personal favorite his “musical interruption” series.

“What was that?” I’m sure you’re thinking. To be fair I made up the name, I’m not sure if there was ever an official title for these skits but the general idea was that Freberg would cover famous songs in a spot on impression of the original singer. These performances would however be interrupted. Sometimes it’d be too much drumming (Yellow Rose of Texas), too much echo (Heartbreak Hotel) or a beatnik who hated the music (in Great Pretender and Banana Boat song).

These songs still hold up today, although having a little knowledge of music history or at the very least an awareness of the original songs goes a long way.

He continued in his popular with a satirical radio show, Ed Sullivan appearances, voice work for Garfield & Friends and even an appearance on the 1997 Saturday Morning show The Weird Al Show. He was even approached by George Lucas to voice C3P0 (despite false rumors of it being Mel Blanc) and it was Freberg who suggested Lucas look into Anthony Daniels.

Freberg never stopped working, he continued to voice numerous characters in the new CGI Garfield series.

Yesterday, at the age of 88 years old Stan Freberg passed away from Pneumonia. He will always be one of those links to the grandfather I miss so dearly.

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Whoa damn fellow Scapists! Last minute Brony Breakdown before the newest episode hits the airwaves, so I better get this up and going like lickity split Virginia. If you eye spied our article last Tueday, then you know this episode has a super duper special guest star. DATS RIGHT! Weird Al himself! Enough horsing around, let’s breakdown “Pinkie’s Pride”

The episode opens up with an establishing shot of what appears to be Appleloosa, the stereotypical Western town in Equestria. We get a nice shot of the town during what appears to be the yearly UMF. Camera moves back and we get eyes on Weird Al’s character, Cheese Sandwich (that name still bugs me, reminds me of that school yard joke about “pulling apart a cheese sandwich”).  He exclaims that those ponies have never partied so hard in their lives. Yeah, definitely UMF style, poppin mollies. I guess ketamine would be more apropos, what with the horse motif. Just as he gets the words out, he gets a twitcha twitch. He get’s a feeling that he is needed in Ponyville! Roll that intro!

Before we get too far into this Breakdown, I’d like to point out that Cheese Sandwich here looks like a certain Western Film character.

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I cannot give more props to the animators in this show.

I mean, look at that stranger. So fierce.

The moment we are whisked back to Ponyville, we are met with a song by our Pink Pony, as she gallivants through town collecting supplies for Rainbow Dash’s party. As she goes from store to store, the townsfolk reminisce about all the parties Pinkie has thrown.

I should really say that this episode is a heavily musical one. The majority of the episode is in song. One of the show’s composers, William Anderson, used to play in Weird Al’s band! So they were a perfect match when recording the songs for this episode. This also makes my breakdown for this episode pretty thin. The songs really need to speak for themselves. With that, lets take a listen to the first tune. “Pinkie the Party Planner”

I really liked all the different background characters singing voices, I was most impressed with Chantal Strand. Yeah, the voice of that right bitch Diamond Tiara. Her line about her “cutesanera” put a little smile on my face. Yeah, she’s still evil.

If this tune sounds familiar then it’s because the episodes writer based the song off of Belle. Yeah from Beauty and The Beast.

Just out of the singing we find the Mane 6 enjoying Pinkie’s work on her Banner for Rainbow Dash. We get a quick glimpse of the serious side of Pinkie. She get’s all up in Rainbow’s grill, reinforcing the fact that “Parties are serious business.”. Just then the Horse with No Name appears on the scene, and he gives his name to the group right away. He informs them that his cheese senses have alerted him to Ponyville, and that a party is about to get underway. This is when we find out that not only is it Rainbow Dash’s Birthday, it is also the anniversary she came to Ponyville! A birthdaversary! Cue the  next song!

Now this is what I am talking ’bout! Weird Al is right in his element in this song, I found myself involuntarily bobbing to the tune. Again, Amy Keating Rogers based this song off another famous tune. Supercalifragilisticexpialidocious (yeah I spelled that right, FROM MEMORY), but with a nice hint of Polka. I would also like to note that my main man Daniel Ingram had his fingers on this. He helped with the lyrics and wrote the music for this one. Sadly, Weird Al did not play the accordion for this. Now, now. I know you’re a sad pony over this, but it’s okay. It’s still good!

As we all saw at the end of the song, Pinkie Pie was feeling like her party throwing abilities weren’t up to snuff. THIS IS CALLED CHARACTER DEVELOPMENT FOLKS! After the music interlude, the whole town is worshiping Cheese Sandwich and his potential party abilities. We see our beloved Pinkie Pie LITERALLY holding back tears as her mane deflates and she goes back home. Twilight interrupts her sulking, just enough for Pinkie to wonder out loud if she isn’t cut out to throw parties. CUE ANOTHER TUNE!

This is a great example of how music can really evoke emotion. We went from full blast, balls to the wall Weird Al Polka to this down tempo sadness. I honestly felt myself feeling pretty bad for Pinkie. Amy Keating Rogers said she and Daniel Ingram based this song off “Don’t Cry For Me Argentina” from the musical Evita. Having seen Evita multiple times by different groups, I can safely say I am not hearing it. What I am hearing is exceptional performance by Shannon Chan-Kent, who does the singing for Pinkie Pie. I am really blown away by her in this particular song.

We quickly cut back to the festivities being put together, and we get a glimpse of a certain background pony indulging in a chocolate fountain.

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Dat chocolate smile. Totes adorbs.

With her new found confidence, Pinkie is on the scene. She demands that Cheese Sandwich compete in a GOOF OFF! We are then presented with literally polar opposite faces from Pinkie Pie.

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Mean muggin Pinkie, then suddenly…
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Stroke victim Pinkie.

This is an excellent example of how creative the teams that work on this show are.

So you may be asking, “Da fuck is a Goof Off?”, well bookworm Twilight has the answer. She appears on the scene with a dusty old book, which just so happens to be the official rulebook of the Goof Off. Basically the rules say the competitors have free range to goof about in attempts to make the judge laugh, smile, chortle etc. etc. etc. Who is the judge you are saying? Well Rainbow Dash of course, and she is none too pleased about it. As Cheese Sandwich and Pinkie Pie post up, we are met with yet ANOTHER SONG!

Now THAT is a party song. This is more a medley of a bunch of songs, even two of Weird Al’s songs (Beer Barrel Polka and W.A.Y. Moby Polka) can be heard throughout this jam. Heck we even got a Pinkies Smile cover by Al, and a Spanish Pinata song by Pinkie? It’s really all over the place here. I particularly enjoyed the live action clips. That alligator went ballistic!

The song comes to a sudden end when Pinkie see’s that Rainbow Dash is having a bummer of a party. Crushed by a giant pinata cake, Pinkie Pie quickly forfeits the competition. She’d rather see her friend happy than fight over the chance to throw the party. After the commercial break, we find the Mane 6 catching up on the edge of town. Pinkie has packed up her party gear and is planning on leaving town! Mutual apology’s are exchanged. Pinkie is sorry that she put her pride over Rainbow’s happiness. The other Mane 5 express their own apologies, letting Cheese Sandwich woo them and have them forget their friend. FRIENDS AGAIN!

After the air has been cleared, Cheese Sandwich hits the frame. He explains that he never meant to take Pinkie’s place as party pony in ponyville, he just wanted to impress her with his skillz. Why may you ask? WELL…

WHAT?! WHAAAT?! Did anyone see that ending coming? That was some next level twist. Like the ending of Sixth Sense, or Bioshock Infinite, or Primer (did primer have an end?). I actually went “OH! DAMN” out loud.

The melody in this tune had a real big Disney feel. The lilting at the end was top. I also can’t gloss over the animation during this tune. The dynamic movements really show off the power of Flash 8 and the expertise of the animators.

Rainbow quickly interrupts the sappy bullshit, and demands a party! CUE ANOTHER TUNE!

Now that is right up my alley, dat four on the floor break beat. Daniel Ingram really shows off his chops with this one. Amy Keating Rogers says the inspiration for this song was Pink’s “Raise Your Glass”.

Just outside the party we find Pinkie Pie writing in the group diary, as Cheese Sandwich gives her a little memento. No, not a Polaroid picture that says “John G” on it. He slides her a box, and inside is his rubber chicken. How…sweet?

He dons his Fist Full of Dollars cosplay and wanders off into the sunset, as Pinkie says “I never did get that pony’s name”. Perfectly book-ending this episode with Clint Eastwood references.

FINAL THOUGHTS

This episode, was a blast. I was very much looking forward to it after all the hyper surrounding it. Weird Al really blew me away with his performance. Since it was a musical, I can’t gloss over the musical team. Daniel Ingram really was on point, all the different songs really showed his range as a musician. That ending song, I would pay big bucks to hear him write a EDM inspired pop song, I absolutely loved it. We also cannot forget Steffan Andrews, who played a mean accordion.

This is easily my current favorite for Season 4. I’d love to hear what everyone else thinks about this episode, so please leave a comment below!

You read that right my fellow Geekscapists! The legendary Geek musician himself, Weird Al Yankovic will be lending his voice to this weeks episode of My Little Pony: Friendship Is Magic! We got our hooves on a couple of stills and some clips for you as well!

“Pinkie Pride” — An elated Pinkie Pie is planning the biggest and best “birth-iversary” party ever for Rainbow Dash, but when another party planning pony named Cheese Sandwich rides into town, plans change. Soon, everypony is so excited about Cheese Sandwich’s party that they forget about Pinkie Pie, but her pride won’t let her go down without an official “goof off,” on “My Little Pony Friendship Is Magic,”Saturday, February 1 at 10:30 a.m. ET/ 7:30 a.m. PT on the Hub Network.

http://youtu.be/09m1LBX0Jc0

http://youtu.be/NfIrTE_fY-E

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So I better see all of you here this Saturday for the newest episode, and while you’re here catch the latest in the Brony Breakdown!

Back in 1983, Dr. Demento favorite “Weird Al” released his self-titled debut album. Yankovic has been one of my musical heroes; he represents everything that’s great about music, and he’s someone who the world thought would be a novelty act and a one hit wonder. Instead, he wowed them with an impressive career (outlasting about 90% of the artists he’s parodied) who can do justice to any genre and make us laugh time and time again. He’s won multiple awards, had a feature length film become a cult classic, is considered one of the greatest live performers of all time and had a beef with at least two hip-hop legends (Coolio and Eminem).

To celebrate the 30 years of music I’ve decided to sit down, relisten to every album and rank them from worst to best. There’s a few things we should discuss beforehand about what elements I was looking for in these albums:

First, we choose not to cover any of the compilations or greatest hits releases. This seems like a no brainer, but I feel like someone out there will complain that “The Food Album” isn’t ranked and that’s their favorite Yankovic record.

Second, this isn’t the most important albums or best selling albums list. This is based on how good the album is. My factoring was based on (a) how good the songs are, (b) if the parodies hold up, and (c) how good the originals are.

Third, there’s no favoritism to a popular song. Just because Fat (possibly Al’s best parody) appears on Even Worse, that doesn’t justify the record as being his best unless the other tracks hold that same strength. Again a no brainer, but people will point out that the album with their favorite song on it being ranked low. It’s not a comment on the song’s quality, but the record as a whole.

Finally, there is no bad Weird Al album. Even the lowest ranked album on this list is still a great record. Yankovic (in my highly biased opinion) can do literally no wrong.

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I’m confident that I’m going to lose people on this first one. They’ll say “But what about Polka Party?” and “I really like Bedrock Anthem”. First off, Bedrock Anthem is definitely one of the worst parodies Al ever did, even Red Hot Chili Peppers were disappointed and felt it was a phoned in parody. If you ask me, most of this album feels phoned in. It really is his “sell-out” album. Many of the songs (Bedrock Anthem, Talk Soup) were recorded for other projects (Flintsones movie soundtrack and a new theme song to the E! show). It’s contains all of Al’s worst originals and lackluster parodies. The only highlights are Livin in the Fridge and Bohemian Polka.

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13. Peter and the Wolf

Few people know this record exists. I didn’t until Al was giving it away for a charity auction. I eventually tracked down a copy of it and was mostly disappointed. It’s funny. But it’s worth one listen and nothing more. The only reason this isn’t lower is that I have to admit that it’s a very ambitious project, specifically given that just 2 years earlier Polka Party’s poor sales almost ruined his career. Yankovic had JUST gotten himself back into the public eye and followed it up with this easily forgettable (and frankly unmarketable) album. If  you can track down a copy it’s worth a listen… but not much more.

12. UHF Soundtrack

UHF is one of the funniest movies ever made. Sadly, the soundtrack doesn’t contain many laughs. The highlights of the record include the theme song, the Money for Nothing parody and the handful of fake commercials from the movie. However, when you remove the visuals from those commercials it’s not nearly as entertaining. It contains all of Al’s weakest parodies and personally my least favorite polka (as I’m not a huge Rolling Stones fan). Its poor sales and the disappointing box office release basically ended Yankovic’s career until Nirvana gave Al a reason to reemerge.

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11. Poodle Hat

Despite having two previous releases (Bad Hair Day and Running with Scissors) being massive hits, Poodle Hat is one of Al’s worst selling records. There’s two reasons for this. First is that there was never a music video made for any songs (Eminem halted production of the Couch Potato music video) and secondly… it’s not that good of a record. It pains me to say that because I love songs on this album but it takes forever for the album to really pick up (not until the Angry White Boy Polka at track 5; which happens to be my favorite of all the polkas). Most of the parodies are forgettable and the originals (excluding the insanely impressive Hardware Store) are pretty mediocre. It’s a shame really because the few songs that work… are amazing but the rest hit the ground with a thud.

10. Polka Party!

This was/is Al’s lowest selling album (with the UHF soundtrack being a very close second). This record would have killed his career if it wasn’t for Fat two years later. Most people would probably rank this as his worst album (I’m sure even Al would) but I simply can’t: I’ve learned that while the parodies eventually become out-dated, it’s the originals that really determine the relisten value of Yankovic’s records and Polka Party simply has too many great originals to completely dismiss. Christmas At Ground Zero is a hilarious juxtaposition of post-apocalyptic story telling over a cheesy christmas tune and his Talking Heads style parody Dog Eat Dog is almost as spot on as his Devo (Dare to Be Stupid) and They Might Be Giants (Everything You Know is Wrong) style parodies

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9. Off The Deep End

After a lull in his career following the disappointing box office draw of UHF Yankovic was struck by inspiration when Nirvana blew up on the scene. Off the Deep End is like the reverse of Poodle Hat. Poodle Hat I complained it took too long to get going, Off the Deep End starts off so strong and then falls apart near the end (but is saved by the beautiful closing track You Don’t Love Me Anymore). However despite complaints when this album succeeds, it succeeds in a big way. Smells Like Nirvana was huge because it was a beautiful parody of not just Nirvana but the entire grunge movement.

8. Even Worse

This is one of three albums that saved Al’s career (the second being the previously mentioned Off the Dead End). After Polka Party’s poor response Al leaped back into the public eye by lampooning Michael Jackson once again and he went big (literally). Fat is leaps and bounds a better song (and video) than Eat It. On that sad day when Al leaves this world forever it will be Fat and Amish Paradise that he will be most remembered for (you may quote me on that). Strangely enough, it was also the only song on the album to get a music video. It’s a shame since it has some fantastic tracks on it (including Lasagna, You Make Me and his Beastie Boys parody Twister). The third album to save his career was…

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7. Straight Outta Lynwood

Yankovic followed up the disappointing Poodle Hat with his highest selling record (at the time) thanks to the massive White & Nerdy. This album deserved all the praise it received. Beyond the fact that all the parodies work and most of the originals are equally great this is the first album where we find Al using his comedy to get a little political. Songs like I’ll Sue Ya and Don’t Download This Song are hilarious but still contain a statement about our society. This has continued into his new more recent music.

6. In 3-D

The sophmore slump certainly didn’t exist in the world of Al Yankovic. His 2nd album was undeniably his biggest of the 80’s (and one of his biggest of all time). It was on this record that the “Weird Al” we know and love came out more strongly. In 3-D gave us our first ever Weird Al polka and our first of 2 massive Michael Jackson parodies. However while Eat It was a massive hit my favorite track is the follow up single I Lost on Jeopardy. I still can’t hear Greg Kihn Band’s original version and not immediately think of the parody lyrics instead.

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5. Apocalypse

Straight Outta Lynwood was Al’s highest selling record until the following album release which outsold it and hit his highest billboard position. It contains nothing but perfect parodies and originals as he blasts through parodies of todays top artists and does style parodies for some classic groups like Queen, Meat Loaf and The Doors. Continuing the ‘sincere statements’ hidden in comedy songs found on Straight Outta Lynwood is TMZ (a parody of Taylor Swifts You Belong to Me) which discuss our generations obsession with celebrities. The highlights though are Ringtone and Stop Forwarding That Crap to Me.

4. “Weird Al” Yankovic

I’ve read/heard that Al is not particularly proud of his debut. What’s ironic is one of his complaints (There’s an accordian on every song) is part of the appeal to me. Yankovic always had an anarchic approach to music but his debut could almost be called punk rock. Between his nasally voice, his covers of The Knack and Joan Jett and the dark humored lyrics of songs like Mr. Frump in the Iron Lung all help make this record the underappreciated gem in his collection.

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3. Running With Scissors

After the massive success of Amish Paradise, Al Yankovic disappeared for a few years until he found the perfect parody. It came not from a new song or artist but the long awaited Star Wars Prequel The Phantom Menace. He blended it with American Pie (released 3 decades earlier) and a massive hit was born. While I do love The Saga Begins I think the highlight of the album is in either the follow-up single It’s All About the Pentiums or the 11 minute long ranble-fest called Albuquerque. It’s hard to really pick a favorite on the record though since basically every song hits the ball out of the park.

2. Dare to Be Stupid

It may not have sold as well as In 3-D and didn’t contain a hit as massive as Eat It but Dare to Be Stupid is the highlight of Yankovic’s early career. This is the record where I believe Al’s brilliant originals really started to show their power. Songs like One More Minute, This is the Life and the title track are all the highlights of the album. On top of those classics it also contains fan-favorite (and long time encore/closing song) Yoda. This is “Weird Al” stewed to perfection. In fact only one record has been able to one up it in the 27 years since it’s release.

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1. Bad Hair Day

One could argue I’m being biased. This was the first “Weird Al” album I ever owned, Amish Paradise was the first song I ever heard by him and it’s one of his most famous releases. Regardless of all that, this album has stood the test of time better than any other record he’s made. Not only do all the parodies still retain the same comedic value over a decade later but the originals are all masterpieces however the highlight of this record (and to this day the best style parody Al has ever done will always be his They Might Be Giants inspired Everything You Know is Wrong. If you are a child of the 90’s this entire album probably always will have a place in your heart.

Matt Kelly is the host of The Saint Mort Show podcast, active on twitter and constantly updating his blog Pure Mattitude.

On a panel at WonderCon today, Chris Hardwick announced the premiere lineup of shows for the Nerdist YouTube Channel, launching April 2.

Featuring a plethora of personalities doing the shows they are truly interested in making, the Nerdist Channel will be taking full advantage of the freedom offered on the Internet. Hardwick himself will host “All-Star Bowling”, a celebrity charity bowling show. On “Face to Face”, comedy music legend Weird Al Yankovic will do hard-hitting interviews with celebrities. Presumably, “Neil Patrick Harris Dreaming In Puppets” will be roughly what it sounds like and “An Insane New Project from Rob Zombie” will be exactly that.

You’ll also see some familiar faces as Nerdist will be bringing back some incarnation of classic shows “Kids In The Hall” and “Farscape“. Popular podcasts “Indoor Kids”, “Comic Book Club Live”, and “Star Talk with Neil Degrasse Tyson” will get the TV show treatment, as will Internet staple “Ain’t It Cool News“.

The Nerdist Channel will be producing a lot of original content as well. Cosplay enthusiasts can look forward to “Just Cos” while “Tournament of Nerds” will feature hilarious debates over which classic pop culture characters would win in a fight. “Four Points” will tackle hot topics from multiple angles. A number of other originals featuring cartoons, puppets, and interns are set to launch, with more shows to be announced at a later date.

Hardwick pledges that the Nerdist network will make full use of its nascent format, catering to a variety of niche audiences rather than playing to the lowest common denominator and including viewer feedback in creative decisions. For more info and puppets, check out the video press conference here.